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This came from our garden yesterday, and I brought it inside to exploit in a more controlled environment.
Lighting stuff: Lit with a YN560-III in an 8.6 inch Lastolite soft box positioned at camera left, and just out of the frame. The flash, in manual mode, was triggered by a Yongnuo RF-603N. I converted it to black and white using Nik Software's Silver Efex Pto.
Other black and white images that I've attempted can be seen in my Black And White Album.
www.flickr.com/photos/9422878@N08/sets/72157644989606939/
Other plants, flowers, fruit or thingys that I've photographed using strobes can be seen in my Strobe Lit Plant set. In the description for that set, I list resources that I've used to learn how to light with off camera flash. www.flickr.com/photos/9422</a</a</a
We found her again! She was in McLean, Virginia. :-)
I used Nik Software's Color Efex Pro - Pro Contrast / Dynamic Skin Softener and Dfine filters.
Cosplayer: Life of Cosplay
Fujifilm X-E1; Fujinon XF55-200mm @ 55mm; 1/500 sec @f/4, ISO 3200;Adobe Lightroom 5.2 and Nik Software Silver Efex Pro 2
Sai Ideal Softwares Private Limited is Delhi INDIA based an IT company was incorporated in the year 2007, a Team of fully qualified IT Professionals in the IT field. With professional experience, the team comprises of a bunch of professionals with activities focused on Highly Qualitative service with particular emphasis on adding value to the concept of 'flexible resourcing, Call : 011-46679035.
This is a birds eye view shot I took of Shibuya in Tokyo Japan on my D800. It's the busiest intersection in the world and has over 3 million people pass through her train station a day.
HDR Software used- Photomatix 5 Get 15% off Photomatix with the code LukeZemePhotography
Other Software Used: OnOne Photosuite 9
For more information on this image and prints please read my gallery post on my website, thanks.
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Software and Presets I personally use in my photography
Lightroom replacement(alternative) software - Luminar! Use code "lukezeme" for a 15% discount -Skylum's Luminar Link
Preset collections, Photography tutorials and loads more , USE code "lukezemephotography" for 10% discount - Preset collections, Photography tutorials Link
Best HDR software on the market - Use code "lukezeme" for a 15% discount! - Skylum's Aurora HDR 2019 Link
Topaz has an incredible Photoshop Plugins collection + Studio for anything you can think of - Topaz Labs Link
The BEST Time Lapse software on the market. This software makes creating incredible Time Lapse videos easy for anyone - LRTimeLapse5 Link
On1 has been delivering amazing photography software for a long time, check out their Suite and plugins here - On1 Software Link
Get Adobe Photoshop & Lightroom on the Photography Plan, a cheaper option for photographers :-) - Adobe Photography Plan Link
My 50 best Lightroom presets in 1 pack, including 10x HDR presets - Get Adobe Photoshop & Lightroom on the Photography Plan, a cheaper option for photographers :-) - Luke Zeme's Premium Preset Collection Link
Sell your own prints online with a Zenfolio online print shop, this is how I sell my prints online - Sell your own prins online Link
Easily build a website with WIX, they have beautiful templates that make the whole process a breeze - Build your own website with WIX Link
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Crossbones is a villain of Captain America.
I used Nik Software's Color Efex Pro - Pro Contrast, Tonal Contrast, & B/W Conversion filters to darken and impart a menacing feel to this photograph.
Me helping my wife with some software updates in her office.
Heute helfe ich meiner Frau bei ein paar Software-Updates.
I used Nik Software's Color Efex Pro - Dynamic Skin Softener, Tonal Contrast, and Contrast Pro filters.
Cosplayer: Sunset Dragon
ꒌ ﹏﹏ Златна Рибица у улози деда-Мраза који је унапредио своју технологију и продужио је на целу годину.
► █░▓ ≈≈≈≈≈≈≈≈≈≈≈≈ Santa has adopted the new transporting technology. Too many presents to take in just one sled. And now the Christianity has dissolved in the West, Christmas lasts all year long. GOUDVIS (goldfish) rushes to Rotterdam haven full of goods. This inland container is sailing under the flag of Belgium and finds herself at the moment of publishing in Vlaardingen. I wonder which container hides the most chocolate. Goudvis's length overall is 135 meters, her width 17 meters and her draught 2.3 meters. In other words, huge!
Lumix G90 / 12-35mm f2.8 fully zoomed in (70 mm in full-frame terms). Handheld with support. Shutter speed priority 1/320 of a sec resulting in f/2.8 at ISO 2000. This ISO value is still workable, although I can see myself one day putting it through a software denoiser like DxO PhotoLab. WB manual (shade). Sooc jpeg edited in Photos 10.0 ≈≈ Uncompressed, cropped to 16×10 format.
~SHORTCUTS~ ...→Press [F11] and [L] key to engage Full Screen (Light box) mode with black background ↔ Press the same key or [Esc] to return... →Press [F] to "Like" (Fave)... →Press [C] to comment.
To start the slideshow: go to my ᴘʜᴏᴛᴏsᴛʀᴇᴀᴍ. At the upper right of the screen – right next to the 'search' magnifying glass🔍 – click the small ‚play‘▶️ ᴀʀʀᴏᴡ inside the symbol of a ᴍᴏɴɪᴛᴏʀ️ rectangle.
File name: P1064516-edit in Photos_#1
Behind these doors are the main-block studios of BBC Television Centre. Most of them have closed for the final time, the rest will in coming days. Chances are you've never stepped through these doors, but chances are you've seen what's happened behind them.
Behind these doors, David Jason fell through the bar, and Miranda fell over everything. John Clease met hotel inspectors, tried not to mention the war, and wished to register a complaint about his parrot. Spike Milligan formed a disorderly Q. Jeremy Paxman asked if Michael Howard has threatened to over-rule anyone, and Terry Wogan asked us to give generously for Children In Need.
Behind these doors, Ronnie Barker told Richard Beckinsale how to get through his first night inside, showed David Jason how to handle the till, and tried to buy handles for forks, while Ronnie Corbett answered the question before the one he was asked. Eric Morcombe played all the right notes (not necessarily in the right order...) while Ernie Wise prepared the grapefruit.
Humpty and Hambell looked through the windows, whilst Roy Castle and friends tapped. Famous actors told bedtime stories. Advent crowns were lit, Tracey Islands were built. Time Lords had early encounters. Philip giggled with his gopher, whilst Trevor and Simon didn't do duvets.
The new millennium was rung in around the world, new governments announced, One Small Step For Man was watched, and shared. Further afield, Live Aid, Live 8, Live Earth, The Olympics, World Cup, events from around the world, all pulled back in to this building, and then sent back to the screens of millions.
And now, the old building is falling silent. Offices abandoned. Fixtures and fittings lifted for keep-sakes. Lights turned out. Corridors echoing with single footsteps where once they buzzed with the electricity of live television.
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I've worked in this building for just under 15 years, including working on many of the large, live events. I still have to pinch myself to believe that I got to walk in to this iconic building every day. I remember seeing the building through the window at White City station, on the day I came for my interview. I remember the first day I sat at the control room desk. I remember the first time I took a network off-air (BBC Choice), and the day we stayed on air by our fingernails, guiding continuity announcers around the pitch-black doughnut with my keyring torch when the power failed. I remember coming in the day after the terrorist bombing of the building. I remember exactly where I stood, and which monitor in the 100-strong stack that I was looking at, watching all the live-feeds when the Twin Towers were struck.
BBC Television lives on, but nowhere will ever have the buzz or the history of the BBC Television Centre, Wood Lane, White City, London.
I'm not sure who/what she was supposed to be but she was hanging around with "Silk." I thought she had an interesting look going on and asked if I could take her photo.
Final photo set for the DepthEditorDebug project:
jamesgeorge.org/works/deptheditordebug.html
Exhibited at Festival Enter in Prague April 14-17 2011
Panasonic Lumix DMC-GX7 + adaptador M42->Micro4/3 + Pentax (Asahi) Super-Takumar 55mm f/1.8
Editado con Gimp 100% Software Libre
Staff Scheduling App: Zip Schedules offers the best staff shift scheduling software for restaurant industry.
we ordered a baked potatoe but wouldn't want any dressings. but the software of the ordering system wouldn't provide that, so hidden in some subsubnavigation there was "potatoe, with no options". still sounds odd to me.
Como,Vincenzo Castella's exhibition. 180x300cm LightJet prints: scans by CastorScan
N3 LightJet prints 180x300 cm on Kodak Endura Paper
Scans by CastorScan
Stampe digitali LightJet 180x300 cm su carta Kodak Endura.
Scansioni da negativi colore Kodak Portra 160NC 12x20 pollici (30x51 cm) realizzate da CastorScan su scanner a tamburo.
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CastorScan's philosophy is completely oriented to provide the highest scan and postproduction
quality on the globe.
We work with artists, photographers, agencies, laboratories etc. who demand a state-of-the-art quality at reasonable prices.
Our workflow is fully manual and extremely meticulous in any stage.
We developed exclusive workflows and profilation systems to obtain unparallel results from our scanners not achievable through semi-automatic and usual workflows.
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CastorScan uses the best scanners in circulation, Dainippon Screen SG-8060P Mark II, the best and most advanced scanner ever made, Kodak-Creo IQSmart 3, a high-end flatbed scanner, and Imacon 848.
The image quality offered by our Dainippon Screen 8060 scanner is much higher than that achievable with the best flatbed scanners or filmscanners dedicated and superior to that of scanners so-called "virtual drum" (Imacon – Hasselblad,) and, of course, vastly superior to that amateur or prosumer obtained with scanners such as Epson V750 etc .
Dainippon Screen SG-8060P Mark II exceeds in quality any other scanner, including Aztek Premier and ICG 380 (in the results, not just in the technical specifications).
8060's main features: 12000 dpi, Hi-Q Xenon lamp, 25 apertures, 2 micron
Aztek Premier's main features: 8000 dpi, halogen lamp, 18 apertures, 3 micron
ICG 380's main features: 12000 dpi, halogen lamp, 9 apertures, 4 micron
Some of the features that make the quality of our drum scanners better than any other existing scan system include:
The scans performed on a drum scanner are famous for their detail, depth and realism.
Scans are much cleaner and show fewer imperfections than scans obtained from CCD scanners, and thus save many hours of cleaning and spotting in postproduction.
Image acquisition by the drum scanner is optically similar to using a microscopic lens that scans the image point by point with extreme precision and without deformation or distortion of any kind, while other scanners use enlarger lenses (such as the Rodenstock-Linos Magnagon 75mm f8 used in the Hasselblad-Imacon scanners) and have transmission systems with rubber bands: this involves mild but effective micro-strain and micro-geometric image distortions and quality is not uniform between the center and edges.
Drum scanners are exempt from problems of flatness of the originals, since the same are mounted on a perfectly balanced transparent acrylic drum; on the contrary, the dedicated film scanners that scan slides or negatives in their plastic frames are subject to quite significant inaccuracies, as well as the Imacon-Hasselblad scanners, which have their own rubber and plastic holders: they do not guarantee the perfect flatness of the original and therefore a uniform definition between center and edge, especially with medium and large size originals, which instead are guaranteed by drum scanners.
Again, drum scanners allow scanning at high resolution over the entire surface of the cylinder, while for example the Hasselblad Imacon scans are limited to 3200 dpi in 120 format and 2000 dpi in 4x5" format (the resolution of nearly every CCD scanner in the market drops as the size of the original scanned is increased).
Drum scanners allow complete scanning of the whole negative, including the black-orange mask, perforations etc, while using many other scanners a certain percentage of the image is lost because it is covered by frames or holders.
Drum scanners use photomultiplier tubes to record the light signal, which are much more sensitive than CCDs and can record many more nuances and variations in contrast with a lower digital noise.
If you look at a monitor at 100% the detail in shadows and darker areas of a scan made with a CCD scanner, you will notice that the details are not recorded in a clear and clean way, and the colors are more opaque and less differentiated. Additionally the overall tones are much less rich and differentiated.
We would like to say a few words about an unscrupulous and deceitful use of technical specifications reported by many manufacturers of consumer and prosumer scanners; very often we read of scanners that promise cheap or relatively cheap “drum scanner” resolutions, 16 bits of color depth, extremely high DMAX: we would like to say that these “nominal” resolutions do not correspond to an actual optical resolution, so that even in low-resolution scanning you can see an enormous gap between drum scanners and these scanners in terms of detail, as well as in terms of DMAX, color range, realism, “quality” of grain. So very often when using these consumer-prosumer scanners at high resolutions, it is normal to get a disproportionate increase of file size in MB but not an increase of detail and quality.
To give a concrete example: a drum scan of a 24x36mm color negative film at 3500 dpi is much more defined than a scan made with mostly CCD scanner at 8000 dpi and a drum scan at 2500 dpi is dramatically clearer than a scan at 2500 dpi provided by a CCD scanner. So be aware and careful with incorrect advertisement.
Scans can be performed either dry or liquid-mounted. The wet mounting further improves cleanliness (helps to hide dirt, scratches and blemishes) and plasticity of the image without compromising the original, and in addition by mounting with liquid the film grain is greatly reduced and it looks much softer and more pleasant than the usual "harsh" grain resulting from dry scans.
We use Kami SMF 2001 liquid to mount the transparencies and Kami RC 2001 for cleaning the same. Kami SMF 2001 evaporates without leaving traces, unlike the traditional oil scans, ensuring maximum protection for your film. Out of ignorance some people prefer to avoid liquid scanning because they fear that their films will be dirty or damaged: this argument may be plausible only in reference to scans made using mineral oils, which have nothing to do with the specific professional products we use.
We strongly reiterate that your original is in no way compromised by our scanning liquid and will return as you have shipped it, if not cleaner.
With respect to scanning from slides:
Our scanners are carefully calibrated with the finest IT8 calibration targets in circulation and with special customized targets in order to ensure that each scan faithfully reproduces the original color richness even in the most subtle nuances, opening and maintaining detail in shadows and highlights. These color profiles allow our scanners to realize their full potential, so we guarantee our customers that even from a chromatic point of view our scans are noticeably better than similar scans made by mostly other scan services in the market.
In addition, we remind you that our 8060 drum scanner is able to read the deepest shadows of slides without digital noise and with much more detail than CCD scanners; also, the color range and color realism are far better.
With respect to scanning from color and bw negatives: we want to emphasize the superiority of our drum scans not only in scanning slides, but also in color and bw negative scanning (because of the orange mask and of very low contrast is extremely difficult for any ccd scanner to read the very slight tonal and contrast nuances in the color negative, while a perfectly profiled 8060 drum scanner – also through the analog gain/white calibration - can give back much more realistic images and true colors, sharper and more three-dimensional).
In spite of what many claim, a meticulous color profiling is essential not only for scanning slides, but also, and even more, for color negatives. Without it the scan of a color negative will produce chromatic errors rather significant, thus affecting the tonal balance and then the naturalness-pleasantness of the images.
More unique than rare, we do not use standardized profiles provided by the software to invert each specific negative film, because they do not take into account parameters and variables such as the type of development, the level of exposure, the type of light etc.,; at the same time we also avoid systems of "artificial intelligence" or other functions provided by semi-automatic scanning softwares, but instead we carry out the inversion in a full manual workflow for each individual picture.
In addition, scanning with Imacon-Hasselblad scanners we do not use their proprietary software - Flexcolor – to make color management and color inversion because we strongly believe that our alternative workflow provides much better results, and we are able to prove it with absolute clarity.
At each stage of the process we take care of meticulously adjusting the scanning parameters to the characteristics of the originals, to extrapolate the whole range of information possible from any image without "burning" or reductions in the tonal range, and strictly according to our customer's need and taste.
By default, we do not apply unsharp mask (USM) in our scans, except on request.
To scan reflective originals we follow the same guidelines and guarantee the same quality standard.
We guarantee the utmost thoroughness and expertise in the work of scanning and handling of the originals and we provide scans up to 12,000 dpi of resolution, at 16-bit, in RGB, GRAYSCALE, LAB or CMYK color mode; unless otherwise indicated, files are saved with Adobe RGB 1998 or ProPhoto RGB color profile.