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2022-01-29
Deardorff + 4x5 Filmback | ROSS Rapid-Symmetrical 6x5 | Arista Edu Ultra 200 | D76(13) , 21 deg-c, 12 min
This is my 2009 Specialized Langster. It is Chrome with chrome deep v rims. The only thing I have done so far is replacing the stock black chainring with a red one.
Orchidaceae (orchid family) » Habenaria grandifloriformis
hab-en-AR-ee-uh -- from the Latin habena, meaning rein or strap, referring to shape of orchid's spur
¿ gran-dih-FLOR-ih-for-miss -- free-flowering, with large flowers ?
commonly known as: large flowered habenaria, single-leaved habenaria • Marathi: आषाढ हबेअमरी ashadh habe-amri, चिकरकांदा chikarkanda • Sanskrit: पद्म padma
¿ Endemic to: Western Ghats (of India) ?
References: Flowers of India • culturesheet • Flowers of Sahyadri by Shrikant Ingalhalikar
Released August 1968
2276 (US Release)
Side 1:
A. Hey Jude
Side 2:
B. Revolution
Record of the Day
7/26/15
Single . Day 2,
see photos:
blog.yahoo.com/indie_vid_hk/articles/598375/index
my blog:
Indie vid Production
獨立活像攝影製作
A single 32 inch LCD monitor and voice system can effectively route customers or patients to counters in both small and large environments.
Photos for the podcast.
Want Isaiah to take YOUR promotional photos? Email him at isaiaht@gmail.com to set up your session!
Artist: Dame Barbara Hepworth
Title: Single Form (Eikon)
Material: bronze
Tate Liverpool
Albert Dock
Liverpool, Merseyside, England, UK
used a 20mm extension ring.
I could spend all day with just the hasselblad, an 80mm lens and the 20mm extension ring.
"Single II" by Louise Bourgeois, at the Tate Modern.
www.tate.org.uk/art/artworks/bourgeois-single-ii-al00229
"Bourgeois produced a large series of soft sculptures in her later years, making use of textiles and old clothing that she had kept for decades. This headless suspended figure made of stuffed fabric is posed in the ‘arch of hysteria’, a position expressing an extreme state of tension and pain documented by the nineteenth century French neurologist Jean-Martin Charcot."
Both vessel or drop-in, NEW YORK WOOD is a rectangular Beige Brown single bathroom vessel sink - 23.3" x 15.7" x 3.5" - genuine interior decoration pure genuine Marble. The "Exceptional" cut in the block without any comparison with plastic and other chemical resin market often unaffordable. You will definitely not let anyone feel indifferent with this 100% natural stone and unique in the US and exclusively available on Living'ROC.net.
Discover the well-being and the restful feeling NEW YORK WOOD, with its pure genuine Marble can give you. This model is one of our Bathroom range star. Its slim and sleek lines invite calm and serenity. Its four sloping edges allow a large amount of water. This creation will give your bathroom a minimalist still elegant look. At LivingRoc we have chosen the most beautiful stones. All our basins are made from high quality, pure genuine materials that will last for years to come. Marble is a material perfectly adapted to bathroom use.
All of our vessel sinks are the creation of a combined group of talented masons dedicated to the idea of creating bathware made from natural material, which is environmentally friendly. Waterproofed NEW YORK WOOD is ready to use, sitting on a vanity counter top.
Our creation is delivered without an overflow drain (not included) - every US drains models you can find on the market will fit perfectly on Living'ROC vessel sink. This model is ready to use over the countertop.
The photos you see online have been taken with extreme care by our Founder CEO - Florent LEPVREAU, because without them we would not be one of the natural stone business key player of the online European continent. Once you have encountered the product in your home you will always have pure happiness for the love of the materials. It will be beyond your expectations because what you see online at livingroc.net is what you will receive. This is why we always guarantee a degree of quality (Grade A) and impeccable finish as can attest with the reviews filed by our customers. We also draw your attention to the fact that veining, crystallization that may appear to be cracks, but are actually indigenous to the stone, and other variations of colors (often on marble and onyx) and various stone particularities make all the charm of the stone and distinguish it from non-natural materials! Simply our living'ROC style.
Sept 22, 266/365
These tiny Cyclamon flowers were growing in our garden but it was dull and wet today, so I picked two to take some close-up shots. This shot of one of them looks like some sort of aerodynamic turbine. I like the subtle colouring in this shot.
The Roman Catholic parish church Lienz to St. Andrä, is located north of the city center on the Pfarrbichl at 692 meters above sea level. It is in the architectural core of a Gothic building and was rebuilt several times during various periods. It is the oldest parish church in Lienz and one of the oldest parishes in East Tyrol.
History
Already in the 5th century stood on the Pfarrbichl, north of Lienz, an early Christian church. In 1204, the Bishop of Pola consecrated a Romanesque church. It was single-nave, decorated with frescoes and probably with a flat ceiling. From this church come the two portal lions, who are still standing at the main gate today.
In 1430, the Görzer Bauhütte (builder's hut) began, on behalf of the resident in Lienz Gorizia noble family, with the generous conversion to a three-aisled Gothic basilica. It was also decorated with frescoes and received under the choir a crypt. The Innsbruck sculptor C. Geiger created from dark red marble the grave slabs for the last Görzer count Leonhard († April 12, 1500) and Michael von Wolkenstein Rodenegg and his wife Barbara von Thun.
1737 destroyed a lightning tower and church roof. The sanctuary was now Baroque. The main altar is the most magnificent Baroque altar in East Tyrol. The tower was given its present Gothic Revival appearance after the redesign of the upper part in 1907/09. At the end of 1949, after its "confiscation" in the Second World War, again a new bells, consisting of seven bells, could be bought and consecrated.
In the 19th century, the church furnishings (benches, pulpit, baptismal font, windows) were regothisized and received their present appearance during the last renovation from 1967 to 1969. In the north of the church was built in 1924/25 by architect Clemens Holzmeister the district war memorial with the war memorial chapel. Inside is a painting cycle by Albin Egger-Lienz. The artist is buried there.
After centuries of belonging to the Archdiocese of Salzburg, the parish was 1808 Brixen subordinated, for a few years Ljubljana, then Brixen again. After the First World War, the Apostolic Administration Innsbruck-Feldkirch was established, which was converted in 1964 into the Diocese of Innsbruck.
The organ on the west gallery was originally built in 1618 by the organ builder Andreas Butz from Passau. After a reconstruction by Franz II Reinisch in 1888, the preserved Butz housing since 1972 houses an organ work of the company Reinisch-Pirchner, in which some of the pipes have been integrated by Butz.
The Patrozinium is celebrated on the 30th of November.
Bells
There were already bells before the First World War, but they were taken down for military purposes. Foundry and casting date are unknown. Nine years after the end of the war (1927), seven bells were purchased by the bell foundry Grassmayr. These had to give way to war purposes again in 1942. It was not until 1949 that today's bells, again made up of seven bells and made by bell foundry Grassmayr, were acquired and consecrated. The interesting thing is that there are two documents certifying the blessing of the bells. One dates from June 24, 1949, the second from February 4, 1950. The reason for a second document was the impure bell disposition of the 1949 casting, so that in the following year bells three and six had to be recast. Bell 7 seems to be older. Probably it is the leftover bell from the year 1927.
Although the bells are repeatedly indicated on a lowed h0, bell experts agree by agreement. It sounds in a raised b0.
The belfry is two-storey and three-fold constructed. The system is electrified and all bells are equipped with clapper catchers.
Die römisch-katholische Stadtpfarrkirche Lienz zu St. Andrä, befindet sich nördlich des Stadtzentrums auf dem Pfarrbichl auf 692 Meter Seehöhe. Es handelt sich im architektonischen Kern um einen gotischen Bau und wurde während verschiedenster Epochen mehrmals umgebaut. Sie ist die älteste Pfarrkirche in Lienz und eine der ältesten Pfarren Osttirols.
Geschichte
Schon im 5. Jahrhundert stand auf dem Pfarrbichl, nördlich von Lienz, eine frühchristliche Kirche. 1204 weihte der Bischof von Pola eine romanische Kirche ein. Sie war einschiffig, mit Fresken geschmückt und wahrscheinlich mit einer Flachdecke versehen. Von diesem Gotteshaus stammen die zwei Portallöwen, die heute noch beim Haupttor stehen.
1430 begann die Görzer Bauhütte, im Auftrag des in Lienz residierenden Görzer Grafengeschlechts, mit dem großzügigen Umbau zu einer dreischiffigen gotischen Basilika. Auch sie wurde mit Fresken geschmückt und erhielt unter dem Chor eine Krypta. Der Innsbrucker Bildhauer C. Geiger schuf aus dunkelrotem Marmor die Grabplatten für den letzten Görzer Grafen Leonhard († 12. April 1500) und für Michael von Wolkenstein-Rodenegg und dessen Gemahlin Barbara von Thun.
1737 zerstörte ein Blitz Turm und Kirchendach. Der Altarraum wurde nun barockisiert. Der Hauptaltar ist der prunkvollste Barockaltar Osttirols. Seine heutige neugotische Form erhielt der Turm nach der Umgestaltung des oberen Teils im Zeitraum 1907/09. Ende 1949 konnte, nach dessen „Einziehung“ im Zweiten Weltkrieg, wieder ein neues Geläut, bestehend aus sieben Glocken, angeschafft und geweiht werden.
Im 19. Jahrhundert wurde die Kircheneinrichtung (Bänke, Kanzel, Taufstein, Fenster) regotisiert und erhielt bei der letzten Renovierung von 1967 bis 1969 ihr heutiges Aussehen. Im Norden der Kirche wurde 1924/25 durch Architekt Clemens Holzmeister das Bezirkskriegerdenkmal mit der Kriegergedächtniskapelle errichtet. Darin befindet sich ein Gemäldezyklus von Albin Egger-Lienz. Der Künstler ist dort bestattet.
Nach jahrhundertelanger Zugehörigkeit zum Erzbistum Salzburg wurde die Pfarre 1808 Brixen unterstellt, für wenige Jahre Laibach, daraufhin wieder Brixen. Nach dem Ersten Weltkrieg wurde die Apostolische Administratur Innsbruck-Feldkirch eingerichtet, die 1964 in die Diözese Innsbruck umgewandelt wurde.
Die Orgel auf der Westempore wurde ursprünglich 1618 von dem Passauer Orgelbauer Andreas Butz erbaut. Nach einem Umbau durch Franz II. Reinisch 1888 beherbergt das erhaltene Butz-Gehäuse seit 1972 ein Orgelwerk der Firma Reinisch-Pirchner, in das einige erhaltene Pfeifen von Butz integriert wurden.
Das Patrozinium wird am 30. November gefeiert.
Glocken
Es gab bereits Glocken vor dem Ersten Weltkrieg, die jedoch zu Kriegszwecken abgenommen wurden. Gießer und Gussdatum sind nicht bekannt. Neun Jahre nach Ende des Krieges (1927) konnten sieben Glocken, durch die Glockengießerei Grassmayr, angeschafft werden. Diese mussten 1942 erneut Kriegszwecken weichen. Erst 1949 konnte das heutige Geläut, wiederum aus sieben Glocken bestehend und von Glockengießerei Grassmayr angefertigt, angeschafft und geweiht werden. Interessant hierbei ist, dass es zwei Glockenweihurkunden gibt. Eine stammt vom 24. Juni 1949, die zweite vom 4. Februar 1950. Grund für eine zweite Urkunde bestand in der unreinen Glockendisposition vom Guss 1949, sodass im Jahre darauf die Glocken drei und sechs umgegossen werden mussten. Glocke 7 scheint älteren Datums zu sein. Vermutlich ist sie die übrig gebliebene Glocke aus dem Geläut vom Jahr 1927.
Obwohl das Geläut immer wieder auf einem vertieften h0 angegeben wird, sind sich Glockenexperten durch Absprache einig. Es erklingt in einem erhöhten b0.
Der Glockenstuhl ist zweigeschossig und dreifächrig aufgebaut. Die Anlage ist elektrifiziert und alle Glocken sind mit Klöppelfängern ausgestattet.
Released 1990
12R 6278 (UK Release)
Side 1:
A1. All My Trials
A2. C Moon
Side 2:
B1. Mull Of Kintyre
B2. Put It There
Album of the Day
1/24/16
Yes, I've been singled out by the others
to protest at the lateness of tea
I can't imagine why I should be chosen again
but it seems that the jobs perfect for me.
Does the world conspire against me,
is it that I look totally dim
or is it that four very large paws
just stand there, and point, and say HIM
but, whatever the reason behind it,
I certainly can play my part
for my mouth and my mew are renowned around around here,
and many have run when I start.
So PLEASE hurry up home from the shopping
its no good just browsing all day
when five very large cats are in need of their sprats
as they then want to go out and play
Whats this that I hear at the window,
a gathering of faces I see,
is my voice so appalling that a queue is now forming
am I that famous the whole county knows me.
But, however many queue, I'm just waiting for you
So please mum, can we please have out tea.
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