Log Chain and Cant Hook on outside wall of Listening Point Cabin.

 

Listening Point cabin on Burntside Lake near Ely, Minnesota, was the retreat of renowned wilderness conservationist and author Sigurd F. Olson. It is located near his beloved Boundary Waters Canoe Area, which he worked tirelessly to preserve as a protected wilderness area. Listening Point includes a beautifully-simple Finnish-style log cabin and sauna.

 

Olson authored nine books: "The Singing Wilderness", "Listening Point", "The Lonely Land", "Runes of the North", "Open Horizons", "The Hidden Forest", "Wilderness Days", "Reflections From the North Country", and "Of Time and Place".

 

Photographed July 21, 2015. Equipment used: Sony SLT-A58 with Sony AF DT 18-70mm lens on tripod.

 

Please visit the following websites for more information and background on Sigurd F. Olson and Listening Point:

 

listeningpointfoundation.org/

 

www4.uwm.edu/letsci/research/sigurd_olson/contents.htm

 

en.wikipedia.org/wiki/Sigurd_F._Olson

  

DSC03571

...kommer der mad, hvis jeg holder den sådan her?

st marks church, bjorkhagen, stockholm,

architect sigurd lewerentz 1956-1963.

 

the lewerentz set.

Architect: Sigurd Lewerentz (1885-1975),

Built in 1966

 

The Architect

The architect, Doctor of Technology, Sigurd Lewerentz (1885-1975) was 77 years old when he was asked to create St. Petri church. He had behind him, in addition to studies at Chalmers’ university, many years of collected experience, which he could now draw on. Full of life, knowledgeable, independent of all architectural traditions and styles he set about his task. He concentrated all his artistic passion on this task. What he created is not a product of a drawing-board. The placing of every brick is determined directly by him on the spot or indirectly by the instructions he gave to the artisans. The watchful eye of the architect constantly followed the work on the site.

 

Facts

The church was consecrated on 27th of November, 1966 by Bishop Martin Lindström. The nave is built according to “circumstantes”, the idea of the central place of worship. The area is quadratic, 18 x 18 meter. The height is 6 meter in the east and 5 meter in the west. The nave rests on and is built around a cross of iron (the T-cross or the Antonius-cross). The cross should be essential in the preaching and activity of the church as well as in human life. The ceiling is formed as archs and is a symbol of human spirit life as a waving movement. The building has no arched windows. The window-glasses are directly mounted on the outside of the wall with brackets, which gives a feeling of missing windows. All electric wiring and water pipes are mounted directly on the walls – nothing should be hidden into the church. The middle aisle corresponds to the holy way (via sacra) of old days which leads to the Holy Communion table. The walls are built up with the dark-brown brick from Helsingborg, which is made by hand craft as well as machine-made. No bricks are adjusted to suit – man is good enough to be used by God even if she is “odd, rough or not adjusted to suit”. The bricks are partly picked by the architect Lewerentz himself from a scrap-yard. Even human beings, who by others are considered as “scrap”, are suitable for the Lord. The daylight and the illumination are sparse. Too much natural light disturbs the full feeling according to the architect. Therefore the lamps must be lightened during service. Architect Lewerentz wanted to create a soft and warm surrounding with quiet and devotion. While sitting for a while in the church the details are coming forward. The chairs are from Denmark and originally designed for the Grundtvig-church (1940) in Copenhagen. Portable chairs in churches are an old tradition and give the opportunity to rearrange the furniture.

 

Source: Leaflet – Sankt Petri Church in Klippan – A Masterpiece by Sigurd Lewerentz

 

The church was renovated between the years 1979-1981 under the direction of architect Bengt Edman and the church copper roof has been changed during 2011.

 

More pictures of Sigurd Lewerentz’ work

 

Images of other architects' works

 

More information at the St. Petri web page

>aû-k\yëÏó

Éæòapëÿ#¥§ÎrýT×5~¡¾µ5âX,²e~Uüøóþ*­ýÈÖ,ÔüpÝêqÿ"eÿ_$ú3ÉÞrÒ.z65=öÍ1ÐØ<æMD¦¦x¥$âÎ7uÙZªGß2b)Öå;£ÕiRl¸8Ä*© l"Ø^¼×í8&&i(;6ÂA' eOå?¯¬æê¦\z­+záFÇ}òÁ<G¥ySòãGÑ`´v&Ôm©[Î$1 ¶þù8Ä,Ì:»¥O¦^`v#ª¸ÝXªØPòÉa"

i"·_ ãIâI.?'üƲ-Ó­Z6Þ;dLY@h¢o*n×O@¶²&¼#riAAR)¶Wá.÷vË~8céãêd?_ó?¼Ï<7æßÀVVe!}Xþ(Øö­9¯û,¸öÞC

­c\UI©

 

m©µ{bªLÍ

TÏ*¢Î1CÿÑ;¬Qî;Úºæ©k×W:ÖkjM$G3<»Wâ㱪åý¬M?J¦­äk

~ÍD¯hÑUøéö·Ú8Ï

µHËß5[£zþö'àÇæMÿÙdW.sYx®U/­;)v4í˧ãáÏKkYåÑ}Ù1¤éims,íÂS9ýÁc÷.åÏs!Ò|¥æ=AKF·æ¸ýØìOÆàqñd43$ò¶áÔõ.$ôô£},NFYKÌHòûÉ×7²ÞM¤À×ÈÅÒ¡øGÐ3Â2É4ß.é¿W

a

v

 

x±ªciÓ£RJƯmñJ´Vj¿¼VH#츥zÄ0*ðoÅ[ Å.¢â­Pb­m[­1JÒäb«L[Zdª8ÅTØUEÉñªO*ÿÿÒa©9µ·^Σå]Oë^´zÊNÊ

í^ä5:e±È¦èäÚGüáÑ@Böã"|T=ëN¸|H²¸"Ñ|ófÆÐÍ·Ä¿þ£Ë#ÅT

2MVè©RÓ¡])Þ¡8ªHF*¤ÒcJ¢òm-¿ÿÓ5

«LÚ^"É¥e\UYPxbU

§¨UcSÔckH -;`dm2ÊF$Æ£õaâ(QËz|»ê|CWõ×Zc÷_Ix·QêsâY5úW[ätf'B»]

âÒ$S«CÛéÈÛh±kv |

h`Ú´ë\¨5

ïá+¸Àªá¼MFØ-ig¦à×#Ç®6´®m¶8º§¸À~U ôðÅ\ebwÀ­rÛXǾ)Sc©3aU2øªÆSi1Uq¡g%ÿÔ1·Í¡ué=EEG(éߪPª¥TvÀª£®*¨¸ª ëßW¸¡xúqKG¯lU¸ÿÎ *£WvÅ+קù×[ÜÿU¦¯ûX«xªÅ

6*¢ØU¡×ö¾Rã_¦ktÅTÙ¨K¿WîýJ÷ô½:ÿÉM±Z¼¸\¹wåÇÓÇáÅ*¤ý;â¥sÐõÉ%ÿÙ8BIM%¦Ì?ni ÉmSÿîVMbÿâ@ICC_PROFILE0ADBEmntrRGB XYZ ÏacspAPPLnoneöÖÓ-ADBE

cprtü2desc0kwtptbkpt°rTRCÄgTRCÔbTRCärXYZôgXYZbXYZtextCopyright 1999 Adobe Systems IncorporateddescAdobe RGB (1998)XYZ óQÌXYZ curv3curv3curv3XYZ O¥üXYZ 4 ,XYZ &1/¾ÿá(ns.adobe.com/xap/1.0/

            

Erik Toverud

    

Erik Toverud

    

Andreas

Bergsjøstølen

Kiting

Sigurd

     

0, 0

255, 255

    

0, 0

255, 255

    

0, 0

255, 255

    

0, 0

255, 255

                                              

ÿîAdobed@ÿÛÿÀ`ÿÝÒÿÄ¢

 

s!1AQa"q2¡±B#ÁRÑá3bð$rñ%C4S¢²csÂ5D'£³6TdtÃÒâ&

EF¤´VÓU(òãóÄÔäôeu

¥µÅÕåõfv¦¶ÆÖæö7GWgw§·Ç×ç÷8HXhx¨¸ÈØèø)9IYiy©¹ÉÙéù*:JZjzªºÊÚêúm!1AQa"q2¡±ðÁÑá#BRbrñ3$4CS%¢c²ÂsÒ5âDT

&6E'dtU7ò£³Ã()Óãó¤´ÄÔäôeu

¥µÅÕåõFVfv¦¶ÆÖæöGWgw§·Ç×ç÷8HXhx¨¸ÈØèø9IYiy©¹ÉÙéù*:JZjzªºÊÚêúÿÚ?£:W^ª£VT1UEªª^*¨T^^*¼Ux¨EW¯7+©

 

Ó®u1VÆ*تìU¼U°1UÀb­U¼

¸RÞ*ØÅWUºb­Óo®(]-â­Ó

¶0+x«xªá¶*Þ*Ý1Vé»+x«x«¶Å-âé·LUØ«~Ø¥¼PÞ*Þn«cv)o7··»·«x¥Ø«x¼U¼Pêb®¦)n¡ÔÅ-â­â®Å[ÅÅ-⮦*Ý0+cv(o»7[¦*Þ*ìU¼Uºb­â­1Þ i

Un«tÅ-â­àWb­â­â®Å[¦ooo®Å[Àb«)l

ØÅ-U¼

»lb­

¸b«Å+°+xªá[Å[Å[Å[Àb­â­â­Óo»n«©·[¦*ì

ÑUª`Vð«xºb®¦*Ý1WU¼u1Wb­b­âb®Å][Å]LUº`WS

»º«©º«±U¸UÔÀ®¦*Ý1WSj«±Wb­b®#j«©µLU£´qJÓ

 

b®À­S

´FjUÔÅ]LUÔÅZ¦*êbSµL(jªÒ0ªÒ1UaBÒ1UaBÂ0ªUM)0Â

6UE

ÿÐ:W^¨£ª

ªTª ª¢

¼`UE¥zâ«ÀÀ«Æ¯®¥v*¸`UØ¥±R¸b­

Øâ«*ØÅÅ-Uvo

¶1VƮ­lb«*ØÅ-â­¡v)l

Þ*Þ*Þ(oo·¥¼UpÅ\1UØÃolb­â®Å[Å[¦*Þ*ìUv*ÞpÅ[­

ìU¼U¼UتìUØ«x«x«·

 

àK±Cx¥Ø¡¼RáÅ][ÅÅ[Å[À­â®Â®Å[Å[À­Rá··¶1Vð+ºáW®h'TÀñVÆ*ìPÞ¶1Cx¥ÃlU¼

Þ*ØÅ[Å[«x«x¼RÞlb­â«¶1UتáW·-UpÅWU¼

ìU¼

ØÅ-â­PØÅ-â­àWb­Ón«tÀSp«©º«©º«x«©·LUغbbb­b­Óu1WSlRÝ1C©[¦u1WSu1WSu1VÅZ¦*ìUØ«©»v*Ö*êb®¦*êb­U¬U£µ­Â­Sk¸áV±W

Õ0«©]LUÔÅZ¦*êbtÅ]LUiP´UiUi¡aUaUi¡a\*¦Ë

 

L¸P¦W

©2áCÿÑ0Q+®TQU`U@*1UUª¢ð*ªT¯¯^¢¸xÅW^0*áWS+c\Å[ÅW®ØÅ

)\o]LU±··®Å[Å[ªê`VÆ*Þ*»[PÞ)ooo®¦*á®ÅÅWRßlpÂغaW`VñVñCx¥±¶1Wb­â­â­â®é®Å]¶1Vð+x«±VñVñVÆ*ìU¼Uº`KtÂb­UؼUØ«tÅ[Å][é»7·.­â®Å

â®Å-

Þ*Þ*ìU±·¶1Vð+x«±VñVñVñWbð!¼RìUv*ì

Þ*Þ*Þ*ØÀñBêb®Å+olU±W

¸b«À­R»·®«tÅ[À­Uºbð!Ø«c®¦*ìUº`VñVé¶*Þu1WbSu1V麫tÅ]LUÔÀ­Óu1WSº¡Ø«©·LUÔÅ[¦*ê`KtÅ[¦*êb®Å]LUªb­ÓZqWSu1WSj«©º«©º«±V*ÑÅVU¬U¢1V©

Z8«Db­b®¦*ê`WSn«TÅ]LUÔÅZ¦*êb­b­Ua­¬8Um0¡iªÂ0ªÒ¸¡c.)2äMReÂÅÿÒ2léz¢UTTªª.ª.*¨^1J À«*¼`J À«)*á¶1Uö1UÃ.¥¼

¸PÞ)n«c]LUpÅ[Å[Å[ÅWU±+loool

Ø«)lb­àVÆ(lb­Ó¶1VñVñVÆ*ØÀ­â­â®Å

âØ«±VñVñWb­â­â­â­â­]

[·»olb­â®Å[Å-àCxUÀb­â®¦oo»7»ov)o7»ov*ìUv»olb­âRÞ*Þoov*ØÅ[Å]·[Å[Å[Å-àVð«°+c+x¥¼U±·[ªà1Vé+ÅW

Ø¥pÅ[À«±Uö1VñVñVð+°«°+c\1Kx«x¼U±¶0*êb±WSv*à1VñWb­àWb­â®¦*Ý1V©]LPêb­Óu1Vé]LRÝ1W·LUØ«±V±VñV©º«©º«©]LUªaWb­b®ÅZÅZÅZ8«Gj«Gjª×`³nIè*ðÌOùÊ(ù6sa¥×U½SGô)ð2tcþ§,®­dô¼óþsC\i+m¥Âø3±?}JÃQNð>¶ÿÕÕXÒâ#¿?Ó

æ¾½ãåûYçÿç1ü§DÕ ÕSNKøcC½öj¤0ªî2§0]LRìRÖ(j«TÅ.¦(jªÒ0ªÒ¸ªÒ¸Ui¡J¸UÔÅZ#

­+Ùp¡I

©2áCÿÓ4:G\ª)^0!Pbª£|

¨TQW^*¨0*ñ¯`Já+Æ\1VÀÅWR¸bÆ)]¶1Bìo

®«c][Å[í®Å[Å[¥u1C±Jáø¥¼PÞ*Þ)o¶0¡¼U¼

Þ·À­âñVñVñVýñUÃovolb­â­â®Å[Å[Å]··[­àVÆ*ìU¼U¼U¼UØ«x«±UÃv*Þ»

Å[À®U¼

Þ*ìRÞ(v*Þ*ìU¼Uؼ*ìU¼U¼

Þ*ìRÞ*Þ*Þ*ìU¼

Þ*Þ*ìU¼U¼U¼U¼U±.Å

âñVð+x«x«x«c®¥¼U±[¥±-UxÀ­UpÅ-\1Kxªá]®«°+±VñVÆ*ØÅ+Å[¦oolbð+±V±VñWb­â­·L

Ö)n¡Ø¥ºbS·LUÔŦu1KtÅ]º«±VñWb®8«©»u0+©º«©»kháV©]L*Ö*ìU¬U£´qV*´â¨=WU±Ðì¥Ôu)ÞÒ/$*âqWÂÿßóúæ,Ïåß,-ôZѪÉp<_ùc=£ÿþUä",·cÆfh,[tYså;OR^Kg¥Ýj,dôÌq±ªÍ.]\a³èx43²®öâh#.á-TgÉÍFã=SÈó^sòs,R}vÑv)/ÚÙ³cÇ|÷y³¦1ÞË_\~YÿÎBy_ó

T[_Óx¤4ßØ÷Çù,u&&²?ázâªj2§`

·LRêb®8Ñ­S5LR´PÑUaZâ

´Â­

Å\E0ªÂ1U6P¦ÂUAIÿÔ7:7\¨£^)TPUQF*(À¨)\T^^0%x¸b«Å[Å-â«Æ6®«c][Å

)][ÅWSlb«*Þ*Þ*ØÅ[¦·®«x¡¼RÞ(]]

-âƶ1VÆ(]¶1VÆ*Þ)n«x«x«x«±UؼU¼RìPÞ*Þ*ìU¼Uºb®ÅWb®Å[À­â­â®Å[Å[Å][Å

U¼UØ«x«x«°+±Vð«xØÅÅ[Å]»ov*Þ*Þ*ìU¼

Þ*á[Å[Å[«±UÃvooov*Þ*Þo·[ªá[¦*Þ*Þlb­â­âÔÀ­âé®®«c®«x¥pÀ

÷[Å[ÅWb­`Vð«°%v(lR¸`VñWb­â­àKx«±V±VÆ*Þ*Þlb­â®Å]·LRêbSoº«©[¦*Þ*Ö*êb­â®Å]]

]º«©]»v*Õ1WSkkqÅZ®ÅZÅVU£­ÅR3yJò6³¬Î¶öP/'vüGVfèª:â-ðæÏç6µù˪¡

ÒÚÖ»1$iûÿ*}îM92cNN,')áSåß*´¯èż§y$=¾>þøÉú~¨Ï²±qdÞ]ñH½GMÒíô¸D0(ê{±ñ9Ø`ÓÇj/vhä×dã/áðÄ0¿;~c¦ß£4ëê-ðÐnçâÞÙ¹Ùý,äuþéè¾NùSÕÜÍzí^,kÇçïíV³´5_Î}³»"8£rQî÷³+;1#­~µÁè£ì¨ñc8'UwªÖcÒC!¡øäÍô_%YØþþô-ÅÓu$|ìÿg{¥ÐGßy>/Ú}½W*£ózë~¦?çÊ7XÍd'¸ès<ùÁÁÚ&OpðÝoËzÏ®ë*¼l§á*ߤô1Ì6õ¶~SÿÎUk^Whôï0ÖîÄPs?mGñÉñ_7á-ñî?Cí*y¿Iój:LË,N+±Ü{98sþ¡?ȹMSºªb­*´PѪÜ*´â«H«H®(ZFSl*¤ØP¢Ã

ÿÕ9Q¯TQªWM±U@0*¢R¨/Q¾¯\UzàUàb«¯¥xÀ­â«©®ªá·®¥±¶*¸U¿|UpÅ[À­â­â«*ØÀ«©

[¥±

â­R¸bý±KtÅ[Å[Å[o¶qWUpÅ[«tÅ[ÅWb®Å[o·L*Þo

·[¦*á[Å

â­â®Å[À­áVÆ*ì

Þo·»o»7··»olbð+±Cx«ºb­â®Å[Å]··»ov*ìU¼lb­â®Å

U¼RÞ*ìU¼

ØÅ[Å[Å\1VñKxØÅ-âñVñKc··®À®Å-â«lb«)l`UÃ\1VÀÀ«*ØÀ«*ØÅ+v*»v*Þ*à1Vð*à1Já[«x«XªìU¼v*ìUØ«x«c···LUÔÅ[º«tÀ®¦(u1VñKÅ[¦*ìUÔÅ]LUÔÅ]»vv*Ý1Wb®¦*Õ1V±Wb®ÅZ8«X«±V°«GZqV*Ö*ǼéçMÈDºÞ»0Ö!·ó;vD_Úvðþ¤~|~e~iùóß]äÛhð±0ÛðƽäæÿìW1òå\¼%\1Gy{˹XmWÓ¶fþ9¥ÅzÉYú]ο´1vN:ç3ôÇø¥æ|mgo§@"oóñ$øçcqG>ª3< ?OÑôÓEѵZWvcöøü3¾Á8EEñ

n¿&²|yº?ÃraÆë_«ßÁ¦B&ÿª«»7²ÆÍ8G;&&®\Å°{Þ]¬yuÉzÈHV§ÓµfØÈ¿äuzÉæÞDu}k²».-§êÉ/ÇÁçIõÝìdºéüs;Kªã&ZÝãÕùwùæ?ÊT=¤"

ûÈXü,3r

Øõ

8µø'´¾É{L­ØµLUÇ[

ZÅVÓ4F*´Ui«,8Uaª(Qa

ÿÖ;Q¯UQUÅW¥p8¬£ª\

¼`Uàbà`UîªñW

»®ªà1Cc]ï[ÅWS®¡°0+xªìRÞ(lb­Ó®7[ÂÆ(o[¡pÅ-U¼PÞ)\1VñVñWb­Ól

`UØ«`b­U¼U±··¶0+tÅ.Âð+x«x«x«cpÅ[Å[Å[Å]¶1Wb«±W

Þ*ìU¼U¼UتìUÃov*ØÅ[ÀñC±VñK±Cx¥Ø¡¼U¼Uإثxì*ØÅ[ÀU¼UÃooopÀ­áVð+x«x¥¼PÞ*ì

ØÅ[Å-U±®À­â­â­àVÆ)olb«o\®ÅWU±[ÅWlb«±VÆlb­â­â®Å[À­®Å-

»v*á¶1Vð+Co¸b«*ØÀ­â­Ón«©·L

Ý1KtÅ]LUÔÅ]LUºb®¦*ìUÔÅZÅ]·ºØ«x«X«±WUØ«X«±V±V±Wb­Unhâ­b­Uþa~aè4Ö¹/×h㼯Ù{÷/S@·çæ'æ7?;uϯêLb°º%>Í#~Ó÷ÿWlÅÍcçàÓK/{Ùg| @WÓbíûNGìãÜ:ijËéülÒíl}{å#h÷Jl龯§[n1Ã$°:ØB8Å

|[.ls<SȼÉæÝCÎ

¦hǧÆIúö_lÔêõÑÆ÷±û

S"RçöGö¦:),²ÈÎgGª¿RK«kðiÏõhʽÙ/e÷oéf¾:qüéw=Wdö,õ¤èÇüîÿê¼vñõ9õin5bòR¬

 

¾ÎS6«ÆW»êú^Îð@z?R6*àÌÑ$nÄu­kßÇ02O¦ôíñ@sÛÞÏ4¿mÇFW,Æ+pÃ!¿IUºò®¡æ]2K¨mKÃ/ÙÃù¾ëtãdQß:7^¨TQWÅ*8¡P`J Àà`Uàb«À«Æ)\øªáWR¸b«±VÆ*ºªêb­UpÀ«±VñVñVñUÃltÅ[Å+o7L*Ý0+tÅ-â«*ØÅ[¡v)pÅ[Å[ÀñKxU¼

ØÅ

WUØ«tűK*ÞlbéÅ[Å]··¶1VñVñWb­àWaVð+x«x«±VñVñWb­â­â®Å[Å.Å

 

Þ*Þ*ìU¼UºbbñWb­â®Å[Å]·]·]Å]

-àVñVñVñW

Þ*Þ*ØÅ[Å[À­â­âÆ*Þlb­U¼U¼

Þ)lb«©·WU±WR¸`UÃolb÷·®ºb®ÅW

êbñUÃoo·»v*Þ*ìU°0+tÅ.Å[ªà0+`b­â­âñC°+x¥ºb­â®¦*êb­Óº«±V°«X«©[¦u0+±VñWSv*ÑÅZÅ]µ]UتӴp«X«X«üÖüØÑ?*4vÔ5&tà{e?¯ü~Óvùà%Ï>yó̹Ö|Ã-TTE

ì¯òƽ½Û«er=föTõFϧY~¦[ùuåä¨\ XN[ÞÇ(ÆËéjûMÚ°ìØ8G®¶þô¿¬ôíBúÓGµk·XáT°ú3Bm| qçäñÝcVÔ¿1f0ÄM¾¡Ù¤§sæ»´1AõNÄìâÏþ%iú}½pÃmðªôP;q3É)Nï©Ãqí_g/É[­DU

GÒ¾ç:nÎì»õäýÖùßn{H!x´ç\¥ù¿ÕófIP(éLìê$$ÈÙÝy

ö­02ùºao$z%go²1ÿ+ìç7¬íHÀðG{è½ìä²þ÷0¨ôõi¦è÷?¨óÜ¿Å#EÙËfÔqJLÓéD#ú:³rp·iÈûJ§m»W,Äh°p@¦ác¬@«¿ù$÷Ûÿ4}å¿ËÏP­æ´¢züh>ê4½#êúWλKÚJáþVĽaDA¨AO

gAU³Álóxgæÿå6µ¥&ãy¾ù8=>Uâsèò¯#yÛTü¿ÖbÕtÇ*ñ°äµÙpriÍÏdÄr/ÒʯÌí3ó;EQ³`'cî­ß

Ü5iózeõųÊdö*ÑÅVâ­(XF*´â«

¬8P¤ØULâªl+

ÿЯT¯^)T¯^TWW^)\0+xªá®¦*¸bÃ\1UÀb­®\0+c

¶0+tÅWSlb­â­RØÀ«°«xºb­PØÅ-UpÅ[ºaVñCc¶*Þ*Þooooolb­â­â­â®À­â­U¼U±·»oo[ÂbñC±VÆoo»7·»o·[ÅÅ[À­âñC±VñKx«±Cx«±Wbð+°¡¼UØ«xÞvov*Þ*ØÅ[¼UØ«xU¼

Þ*ØÅ-olb­àKtÅ[«co®Å-U°1UÃ]LnpÅW

ØÅ[¥pÅW`VÆ*ØÅW`Wb­â­

Þ*Þ*Þ)on¼U¬U¼U¼U°0+x¥¼UØ«`b«©[«x«xìUºb­Ó]»u1VñW`Wb­b®¦*Õ1V麫x«±Wb®Å-bb­b­b­b­U¬U¬*ÑÅVU¬U­ÈÛ¾xóßüã~`ùã_Ö5Yä,)T;ÊÌå5'cÁ6ë»åÏ>þUkAÖ?Gê"¶íVIÇÙ*:ü¶QÇßÍõ·LcÝÂy_Ì:e¦õÛǤvĤuùQ{»fÇO0ï{c ²Ç}\Øæ¹sæˤQ¬v½b··ó7Í>·^wþÆþÆì8áSëó?±>Ѭܪļ¾

ãÉ9O2_EF]gûWùѾ}K&;xÌ°TNWb[+æGy·ÌÓÞÉõu>º»Ó r;÷Úÿ²Î?SÚG5ÆGíë]ìô4µ<¾©÷?kX7a 4#¯°ú{3Ýî±g½º¨G<öéé¸cü ÓçþWêÁ^'-u¿;våK­vìËhqðó'ÅØvͦ§èâ=OðÅÒëõxð!àHÿåîzÿ|iåÕõ+êÝ°ø¥nÞÊ;ga¥ÑG¾rï|´»c&°×Ó¤âÙÍÏ-¦Iîe´Ñ.¦ãÄg÷}¯íSÇùr4Í(`±ò¤Óe¼KwBþñÙxòÚâ<3Dt{,\R¨nô_ùÇï?ßyÌñÝ'#§9sü 1 cÛ®YçUí8ýQÿsÕúUgwõº\ÀyG"R<VE9æ&¶Å§´pªÓVáBÒ1U6ULáU,#

©

ÿѨT^^lUxzR¼

¸`Jñ®¥±\1Bá®»

®lb«±UØ«}p*ì)n¸bñVÀ¦*Ý1VÆ(n¥¼

Ý1UØ«colb­U¼U±`Kx«°ªà0+±VñVñVÆ*»ov*Ý1Vð+x«xU±[Å[Å]···]À­U¼UØU±[Å[Å.Å

UØ«tÅ]·»o·[­àVé]Å.Å

â®Å-âb­âb­âð%Ø«x¡Ã·»7[Å[ÀbÆ*Þ*Þ*Þ*Þ*Þ¶1Bìoooo]\1JáWUpÅ[ÀñUîÅ[Å+n¡pÅ+À­â®Å]®À­áW`Já··ZÅ]···®À®Å[Å-Ó+x«x¼RÞ*Ý1Vé·]LUØ«tÅ]LUÔÅ]LUÔÅ]LUÔÅ]LUØ«X«tÅZÅ]µµZ8¡¬U£­Â­b­­®*êxâ«À«ÅXæ¿åí¿æ®4æ_ß&&C¸æî{;Xtó£óÎÞEó_åÅ÷¥¬ÀÑTü7CònÉcäÝÚY2j%âÅ=Ú?c

35Áñßè)iá!ÉÓÃWÒÑ9N|ãxé;;&£ ÆúC¼ó+êRrQ?eG@?Ͼy®·]=D·Ú?Í}ß²û#>T¿}OìbàYz·r½UuÍÙfÇ|¹ ¬ôå¸på

è7íݼ~Y<U¸ÄnéyË:¬}IXÃj6æFää_øØæ~³NoT½1ûÝkvô4wzò÷¬ôH4Û}6ÛѶ^*:¹câǹÎã(â1Õê²jdgñKñÉ8£ó4&ÀZõùÜTä}Ïd_òè®BRËÁ§SCæù«ÍÏ®=ÚÿgüÖ_5X¿¯Kë@8­A%?®eO}Ý)xSà<¥¼SèL¥Ú´E1Uâ«*ÑÂ

§ZF*°*°®-#XW

¿ÿÒ¯TQ+ÀÅ

bàdUx¼b«Æ\1JáWS

¶\qUÀbÆ*¸`UÀaUÃ]¶*¸b«»`Jáªêb­âØÝp«cl

ØÅ[¦*Þ(\)v(\0+c

[À­áVñVñVÆooo\1Wb­U±····[À®PÞ¶1VñCx«x«±VñWb­àVÆnÃooov*Ý1Kx¡Ø«x¥Ø¡¼U¼UØ«xÃ

·[Å]··»o»;ov)o7\0+x«±VñVñWb­â­àVñVñWb­â­â­àVÆ)lb

Ão[«x«xv*ØÅ[¥v\1Kc®«xpÅ+(\0%±®®«x«X«x«c·»\1KxØUØ«°+c]¸b«o·LUu0+`b­

º¥ÔÅ[¦*تì

êb®Å[Å\1V麫±WSv*Õ1Wb®¦*ìUÔÅ-S;Z8UiÅ

b®Å+N(hâ«N[J⮪à0*à1KdvÅW¦Hj¿M©é¡§Òª¬Z?föÿ+!.V\Ê8ñÿïwÎ4=i¯§Xïdù%n\Z7NÑ@y2õ#ì§ÐwEEd®*Å1´Jí÷çOlÀË¢Çv8uÙ1ò*Ñê(¿ÞWÃ4» óz,=µÒaè^NÑ쮺¹Yÿfôÿ[þiͲ=Y=G»£Çv×´îðõñô

ØgR>kv§:..

Ü ThÉÅE¼³Î?¼\é¾[µË|>°ßþ+ÿ×oçys%èô},¤Xø©ô©ïÖcÊâ!½?dÄøæãA¨à<'«©í7¹Å-ü°ó}׫Tñ®À­ÓlUpñÅ+wÅWS»@êÚM¦µjöw±¬È¥YXTr6ìy3aùùÿ9

ÿ8ùuùyxúÞú\$bhüLc<xáÏø£þøÙ#0IÐd«âóëß3khbµ­¶ýsÞVÿ\Ñk{B8¼ÏsÚöObqnÓÄ>µ=´óõAÊþa@í»ò°ì3§«¨úCè3==#ÔywûÞ£Yæ7wMYZ¬+×~ùªËQá¯Ñáâù²;4L®¢-:éº$Q;uvæ@o[ôe¼V÷*#øîÛá

Oòæ,qË!¨s4pÇf«dú_ås£K«3õ"i¿ngþ5λGÙ>¬ÿù¯iûH%èÓòë3þô~Ï>eÒßËÍÅ

*9+_å=3u!N_ ÿóunò5º;r¸´ýËøíÓ·Ý×éO>ã·õKÙNVìÖUn*Ý1V±VÅH«HŤbÿÔ¼UP

¼

¼R¸`Uà`Jà1UÀb«©ã+±VÆ*¸b«*ØÅWU¼UpÅ+*Þ*¸b«¾]®¦*»l`Vð«xªì

ìU¼U±·¶1VÆ*ØÅ[«x«x«x«x¼U¼UpÅ[Å]®ì*Þ(o¶1Kx¡ØU¼U¼

Þ*Þ*ØÅ.Å

â­àVñWaVñWb«°+±VñVÆ)v*Þ*ìPÞ)lb®Å

⮫x¼)vo;

·[Å.Å[Å]»7]

áKDâ®Å±Kx¼UØ«x«cov*Þoov*Þ*Þ*»[Å[Å

àKxªá·[Å-â­â«lbØv*ØÀ«*¼b«\1Já[Å[Å]]

[À­b«*ÝqVñWbb®ÅW`VñVÆ\1Kc\0*á®Þ(n¥±®À®Å[Å[¦*êb­Óv*ê`Wb®¦*êbSv*êb®Å

b®Â°*ÒpªÚâ

¤â®ÅZé­;â­aW`W®\·JvÅWÓ·LUÔÅZÅP:Æi®YÉc{ɪU

A!(ñ7bÊqÎ/ùÈÉkßÊ­dßØ)m"w&&þCüødqÌÄÑsµ£>$?Îóc

Ò¼Ïw©ìàP$ý§nÃ3·J=;d#(8õñ÷ÂÚÙv¥)s±U©ÂV×£³o«À×MÑz|ü2¥/·òü×­õ­U¹¿Qû#çãïM²7ÉBxm°3.9+¢xùSÐîu{Ï®ÜÈeö>ÝöÌ#¤àcv1Õ+KgÎt¢'}éØ|ÐËñݽ ÍÐöË´O%ÞkÓf¦uÙ¦q@=»ÒrÍ.&}ÎÑu½¥ÚØ4[sóGéþkÕü¿åM;ËI[eçpEgÝÏËùG²çaM#oäºîÓˬ73Qéô§2Ý;çÿÏß.zSìD6éøf>@õ½?Íf_ó~n};ÌSè7î®Ü*gÑ2þw¤¾ë¦VìÝLRÖ*ã­ÅZ¦*ÑÅ

DáU¸PÑÅ_ÿÕ(Î

À^£¯^¯¯®®^0+`b«±Kc\1UØ«c]WSlaVñJ᮪áWU¼U¼Uv*¸`VÆ*ØÅ[Å[¦*Ý1WU¼U¼U¼Uv*ìUpÅ[Ø«xªá

[ÀñCtÅ[«x«x¥Ø«}0!¼U¼Rá

 

àVñVñKx«x¡ºâ®«x«x«°+xU±]··»o»7»[UNk­)ÝPx±úò&@sH@ù«L1õü^ä]¿ô[û»È·ìÍÇþ%L°eêÓ-6HóM¢&^Qëâ¤øe¶ã\×bñVñWbÆ(v)v(o·Å.¦p«x¼U±»ooo»lb­â­â­â®Å[«`àVÆ*»¶0+x«x«xwLRìUºâ«\1UîÅ+\1UÃ%pÅW`VñVñVð+G

»v]»ov)v*ÞlUv*¸`Uö*¸

ºªì

ØÅ+±VéºpÅ[¦*Þ*ìUØÔÅ]LRÝ1C©]LUØ«X«±V*Ö(k´qU§

â­b­TöÅ]LU£µ

][T["¥r­1V麫tÀ­Su0«ó¿4ß<èóibHeR7êb=Çlªq·/Oâ7Ó¨~cþdùTü¢ó<|àrNÎØüürX²2ÖiÀõGé/Ôòî§w­ÍõKtýÕ¾f{ºÎ{2LB3;¨;óëm´âæïZFË÷P§©ÿWÃ#wÉQV

¶ýáêç©Â%hwÂ

8Û8ÛÉéLB³³·*Ð{u?ÈììÓ-TÿMýWþFk§Ëþ}Ón«@eß&Û,6zÑè¿æ_¨êC(aÐï¹ñ6-³%¸«±C©VUaÅ­­#

ÿÖ¼

¸R¼

¼b«Æ\\1KxUpÀ­R¼bÀÅW[ÅW

Ø«©·W

Ø«°*á®Å[Å[ªá·®···»on«x«x«x«xªá]

[Å[À­U±·¶1VñKx¡¼U¼

ì*Ý1Vð+tÅ[Å.Å[Å[Å

â®Å[Å[¦v*Þl`Kx¡Ø«x«±VñK±BÙfÞ3,¬1ÕЧ"Msd;¬~déº}RÐþÊSSÕDrvØ{:sçé`Z·æN¯{Pú(f/ñû_k§©wØ»6æ/ÞÄnµ¹¦nr9fñc_×RÈK¸GA>¦ÝÛ+2oÂÔʹ&cV=©ôàãOë~q¸Ð¿ypÐÅ õÍóD×XH"-Ðû8Ûþ

¹ÇªÞo7gdÇý/s-V)OB:Íu+±Ccv)ov(ov)o;[Å]¶1Wb­×oov*Þoov*Þ*Þ*ØÀ­Uv)l`VÆ*Þ*Þ*Þv*»¶*¸`U㮥pÀ«*¼`VÆ)\1UؼUÕÅ[®*ìUÕÅ]\U±[Å-âbb­â­

¸b«*¸^0*ìU±[Å[ªá[À­ÓlU¼U¼U¼v(n«©]»µµ»kv*´â

§

­8ªÒqV¾x«}1V±V±V±VÀÅUqJð0+©®*¾«°+°«©]»

µ^?ÿ9ùEkùåÙ5Ré¿!û'Ù²õi¦ÊîçôËýï~wi¬þSÔÆüñ¤jhyA¸äêµ93fQ¨

QþÈè)òíÂ&ÑpÒâ£ú`d½ß5ÅËiÓRfTø7í^ßÛBøã2?&ëã

å ¨Àªk@µ'R¸¸TQÝ@1VV¼³Òw

§ÂÔüpTÒpÀ kís[DD±FÃo¥³G>Î¥ÄïKµ%ÂFÏ?°¸:n­ÊìñL¬)ìÙ¶ÔóÚ¨ñyÛõË7PÑ­.Y!FûÔd¦(¸ÚYqcÉ4¦AÌkkkZqU¤b

´ÅZ#

­¦(ÿ×÷xxªêb«©WW

¸bÀbÆ*º¥¼UpÅÀñVé

+©¦)]¶*»lb«61JìU±·®Å[ÅW`V鮦*ìU¼U¼U¼U¼Uتêb®¦*Þ*ØÀ«±VñVñWb­õÅ[ÅWb®Å[Å[À­áWbØìUºbñC±VúâbñVð+xU¼

ì*Þov*Þ*Þ*ìUùÎÖZbOÞÎ?d<ÇË8ù¹º}$órØ9äÞ`óuæ³1ᨿ²ì¯ÈÑeÎf^ËM¢!C{¸Ô+¾a;hãKe¿¯|¨Í¼A÷Lý*~YWhf»'+2mRk!%À8xÅ»¸ ºÑ$Ñ0ÝqÉñ×&"[óbZåÞ|¤[óµ~¿»<þ¿æ¬Ì²Cî§/dá+õy¥?­?å9K¹Y`Æßqøá³$jqÏiÒêdåÄx±KýáýHí;ÍaòÌáµy¡ÿQ]*2³'|F¼c©Ílð$<

ÿTùùuùÉuHÐHÑiýÛÕJÿºß,Ū3Ã&y´XµâÏõ¾ò÷ôýuB"¸?°ÇbÉoàsQ¼§Cc½ôëN­Ø«xØU¼UØÞ*ìPÞ*ìRÞ*ìU¼U¼U¼UØ«x¾«x«cv*Þ*Þo\1Kx«x±··.Å

â«*¸`JáW

¸`UÀâ«*ØÀ«±KxuqVñV±WWuqVñVñW

»v*Þ*ØÅ-

¼b«]LR¼`VñUØ«°*ìU±[Å[v*Þ*ìUvv*Þ)v(v)hâ®Å]µ»5Z8¡a8Ua4ÅVîqWmµ\UØ«X«±VÀÅWUÀ«*ØÅ[¦u1Wb®Å]»[òÅZ(Q·®)ÿç,?!C¬tÐbýàÞê5GûðûY=ÉÜFµ1¯ã/éG¹ò¬ê

ÇOÂTÓv±¶tÒ¢G

nLì{äË8òs:

â>׶,

Ko&ãù{nE*°2´[öÉ!bÈCÐ`R¾Õm¡þòESá]ðYmr*dÀAÔ×ìÅÚ\·RêS±n)£LEkìøà

UeÒíSã´òx¹¯áÓ2Q½ºú»0@d#Ô\n¼ÊOõòâO[ÊzcøÛGÿÉäæàè¿»¢[´Um1V±VÅHÅZÅZ8ªÃ

ÿÐ÷xÀ«ÀÀ«Å+ÅWUu0*à1UÀbéW*¸U°1Bà0%ºb«Â­[

®[UpÀ«±VÆ*Ø«c\1UÃo][Å[Ø«clb­â­â®Å[Å[«x±·

[¼U±··¶1VÆ*ØÅ[Å]×·»

®·»·Å]·¶1VñW`VñKc;·Å]­TEI8ó/5þaòåm¦/C/ö?óWüóf¯6«¤~oE¤ìÞ/VOô¿­å·ºbYÚ¤÷9¥Þºä\ê\bÊnl`¸ÔZHÂB\²X¦QÇFÒ÷¹FíÄÍ

÷ñG³H«þÈãðåШÆ9Ê?0°Î¼¸Wâ¥iÞ9_«nñ"

^êos,À7Z+L"éÍhÚË^¿,

Ø$"¨&ÆÙÕ¯Y±âZUYòBH¤T7èr\HªFÚÌÓ¨5®Ê:øüòÑ6²-é³#ùL@½[ÊÍ[kòd n¬£þ6ÙºÁ«é'Öveú¡³Ô-®a¼fÆÝÍÈ7¸y)@ÄÑUÉ0oo»7]·»·¶1C±VñKx«±Vð+x«cov*Þ*Þlb­âØØ¡±[Å[À­â­â­UpÀã%pÅW

»\1UÃ[«xÞ)v*Ö*ØÅ[«cn«°+±VñJá·WUpÀ«Å-UxÀ­â­

»lbñWUpÀ«*Þov*ìUØ««]µZ®*ÕqCU«Y©©N*ÐUÕÀ­*Ö*ì

Þ*êb«bª`Jà1W(®ç][Å]»u1V±WR½qWSoC_YC¨[½´ê7H" ±M°ü×ÿü¥ò»Ì­ud¤iL^:)ý¤ú;{d1È°Õ@e¿W¿kÐuMCW+R8Wí9ê~Y°Ý ³/àÇðõüN-ÊF ÊY¼6

P<Ò5

Xr=°±´5Ä&aFrAì¦ïï,Âtû8T$õc×Û´·õÖìÄxGºzè§ëFh7@»+xü²@µpÑMÚ)e?â#'

£2c¹íb­U®8«Db«(XN[VPÿÿÑß8+ÀÅW

¸Ux¸b«¦*Ý1UÔÅWlb«°«`b«nUpÀ­

WlUºb«

1Wb«*Ø«xªáWb­*¸`VñUØ«*ØÅ[ÅW»u1UÃo¶*Ý1Wb­â­RÞ(olU¼U¼U¼R¼U¼

Þ*ØÂð+c;ov*ØÅ[Å[ÀñWU¼UØ¡¼UNâx­biæ`± %ìió$ÕØÁ)h§eîÞíÿ4æ>£aÉë´:T¾¯÷/:½¿ÜïMéáßêqBkÑ2>ëHýÁ+Ô¯ïcÛ^úD òxWíbz.dC*ãGúο6£(<xG3WüuõI4Ù/'YâNEUZ7OZíÊBb Æ8qG!2ßMKæ§ èvÏf·1Ï!Zì;\ÇÔê$%Q.wgh`qL\ãÝÑFòîãëÒÝ ãl¤@f¥xoV ­·,!õ}\=ë$ÎCw~3üDñ+ÞØÄ+8¾'¸rjÌñ1'îʱÌþ°óróaáÇò¹K¥ú·wÚ}¼¶öð FbÒHSáùµÓêLY QçÞöÍ3S¶Õ­ÖæÕª¨î§Á³¢Ä

ÍX¥Ã$a­6Ë1VñK°*á»7]··»oo»oooov*Þlb­âñVð+coo»]¶1UÃWW

¸b«lUpÅW^1W`Wb®Å]×lb­â­U¼

Ñ®ÅW

ØÅ+.¥xÅ[éW®[ÅW

ØÅWbñVÀÅÀØ«°+x«X«±VñWb­b­b­µ

Z'ZZ½1Ußj¸U¬UØ«X«±V±Uî^)T¸í®¦u1Wb®Å]°ë»®*à)·LU¬UØ«X«Ï8¿.m?2Éþ¹LÇPì4¹DO¾lOÌÿIy?UÂuãsÙ[±%-NUÜÍt¯SÑÜIêÈÛtÃ2xﺥÍÓú`¶êböìºÝéõ[Ó3@ îØûµÌé,Ô-¢¯ÍªÝCojÒCJ(ñ'LX³ÚÜ¥ BAnn¦aeÔDý6]

9×ÃésÃøBNÞaÑm­ÞöY"by(ÚµëS¹Ìye2ÜA¶²HÄó+÷¡îüçåw·¯A

òÊnäËQ¦1à?HèÌ?/P*É@6x},YôæG´°¬ºßÎYXýìzoÖ¿<BlÓ

nhw"tûý:Éo:ªQjßeI­çòL#ìmÂtñ7táÜôòLíím%¹{¸¥Îª£q°ÌåRÉéáîs!qÄd÷}2D¹âXtn*ª£aFá²ÿ

8ßg)Uðþ°¯µ¨ll¦khÞx

 

ø+Ý6öÉã§!ÄDßñÕÅÏ8bÇ.JCáõ°ZÖ·Úu§æJE*ߧÂß@Nvn&Ûø2bÅP1É:÷éK»¹0ÇifROMW¯ËuPæ%Êv,ý!ÇÒeÇSÿâ &¢úêÐrºEhû¼UÛÜ©Þâ¹áÂA£Ý/ÖíÆl·ó¡~|ûÔÖÞpÀ:µTî)Ðæ9;<HHXMm.G íD Å=²½

Û³&2h-è¾QóTúTÂHÚªve=xóÛ6|æY£E·éº¾«n·6æªv#º,&&,]îÚCÇÅÅ÷±ó¯îîµ-¥bNª½[Ú¹°Ý

iÞ³4¬@ÔÿÀm(ygX$IdGV4VqÄõWH 6÷/5Á[0¿Ê:ý8Ñ-r1Kô2¶çñÀk¢m.Kç/Ôõ¯AýpÚY,1hÖm#

¹îs Å¥ rOêèp­ËÚ?ç¼|Ãæ¹|Ët¶Ó¨OC+ì¿ð+S"ySøÿ:_£ñäûÓ(s

VU¬PÑ8ª8ªÂpª6*¤[

¬'?ÿÓçxpÅWW®ªá-®pÅ

Wb­U±

+*Ý0!v¶0+xªìU¼UpÅ[Å[Å[Å[¦*»¶1UÃlb­â­â­â­±VÆ*¸`WaUØ«xØ«co»

À­â­UÔÅ[Å[Å[b­â­àWb­â­â­U¼RÞ(v*ìU±··]

[À­â­â¯=üÂó8NnÛÓ÷Ä~ÿ5}Ù«Õf¯Hwý¥ãNËiæÇȲÝ7ón7¢_ÃO?³0¥¢#é.ëmß÷Øê~^×÷·P­~|HýYALWëv0:mG/I?æÿ¹G),$KX

t]þÏÙeñ#¸ïäEHïÐþ+À81é %ýRô¼º«£$¢±0ju§QóGÓsÆcÍÎÇ3úHý?A©E¦i/w$°©Eù7Ýá98Iç^¯Ö]>=Tpñ¸¬qñs|½#Pkëq+§­

ÁÍT7vÚ]O)f$yÅ<·¸ åQ.q$Ó¯ø¾dĸ²Ó¼æ4ÙWm³¯þ¾ºÓgà/5®Ñ£Íí×]ijÂyFâ çF"ÃÀÎ5l-nÂð!Ø«x«x¥Ø«x«ºb®Å

àKx«x«x«±UØ«±Vð+x«cv*Þ*Þ¶1UØ«°*ìUv)\0*á®»v*¸`VÆ*¸UpÀ­â­â­â®À®®)n¸«uÅ]\UÕÅ\*ÝqWW®]\RØ8p8ªàqUÕÀ«Æ)\]®v)o\0+«·»v*Ö*ØÀ®Â­¬,*°ï×j¸PÕqKX«Dâ­Wv*¶¸«x«xªà0*ª®*¨0%p«ºvªì

Ö*´UªW®][Å]\U¬UØ«ÅZ'[»bþò§+_ߺ¨ÄöΧI¢½Sú¿Ü¹ÇÞú7pÕ Ðôtiç@«ûLîsW®Õ<N|Â!úCùKùqgù_å}Þ==KíÊßhüÙ_lÒàã

nyÅ3r.BÓ­#ZqBl*¦Î*¤Ï

TÙ±U×ZN?ÿÔ×x¥p¡p¥pÀ­Ó®«t®*º«c\1UØ¿|*»[PØÀ«°¥±»u1UÔÅWb­â­Ó·

[¼Uu1VñVé··¶1UÃolb­â­àKc7LU¼RêbñWb­U¼

ì*Þ*á®Å[Å]-âñVñVñVñWb­â®Å[Å[À­â­â®ªQæMm4+¸ÿv·Ãño£(Í[§ÂsLGæð-^ùåv,y;I=ÉÎjr·Ðpct±¯Rzf=9¤¼{ó7ó¶¦IHÇ÷®¿¶Gjÿ(íÿá1q<k_­¯D^Ci¼^VKU

t¡Zɱ?F

غE¤Û¥©üªqù4ÚDo¤xPfW½í^PzV¢¸ð£´.ô©>Ò/oêÚ%ÆÆýÒñ¿Âº]È>¥OßÆÝy&î1ÊÞEx

)°Ïa¦7)ã#öO¼`æÈäè®B»z±x7_¿02èã>[q¦íï'§Å­ÁªúÀþëNË6

ÚtcËýÔWáà?ȧe©$Pøßñ{ܨh!dyÿ

z|?êpþ

Q+=

´Ör¿Å%×Ço

ø»7¶ÙÅ! 9CîÙÖeË}ù® d²6æèÀ@'Ú$ýQAÅв;ùÊjà¢æçر»*Ò¯

Xäáä

½ÈþjÖ÷nTè®Ä*ü¹7Ãÿý&¢½%ã»KGÄ8£Ì=:|óvñîÅ

â­â®«±Kx«x«±VñWb­àVñVñWb«±Wb­àVñVñWb­â­àKc\1Vð+c\1JáW`Uö1VñUØ«x±®pÅ[Å]»uqVñWWup%ÕÅ]·\UÕÅ[_\

Ø8ªàp%p8ªêàUàâ«Æ®®*¸

¸b­×n¸êâ«Å[ÅZÅ]\UÕÅVZI>تÞUi8ªÚâ®®hj¸UØ¥ªâSl`UÀbE\

¬¢pÅ.&rb­L

¶â­ôÅ]»v*ìUØ«±U§v*ìU£¬mÅ0¥ùÿÿ9äÐ^i\·ZEzÎÕiCbGÅÚfýæ(Ëù¾þõâ:[Ç4(Pz³âs?§è®·qéJ¦[?doOMn.õ˺\1.äÞÙlÊdú]¬h#Q@úåQé÷}³Ö¾#Àa;5É~åq«¨klÜ[t´¨ì_ø._}JádPù{Ëöãàµû·Åúó$@w5ø¥eŶÂñì£,Ì|B¦l,.À"¸PÓïÉ"·t)þÕ´0)ú²'OF^!AÜþ^hSÔÇÎ3þKÔܲ³)ñRK¯Ë9¡ø¬.ëí"ÿÆÉÿ4åÓ÷$L í|µæ;wdsâ*zöV¿5Ê|2±ÞCæpa»JhAÊ_6¤jã(G=Óoæ

eÄßyRòÓ÷¶§ÕA¸ã³£ú`!)Ç15-Ä!±

öß×5Ù´ãbït§<;T{¯£Þéf)¨[°2jµêHãºàmýsXe<c½nQ!PéðáÜ 5»!a7wôÄfX¢áW§·ÅP37NLÅÐçF_ÑuzØG¨\,®Ær¤xæ$]¬

³

.x§­î(dR¾*Ûį̀ظ#ÜöËÏ0M¬éi|üõLǬJÃ7üõíÅùÔésxßÚOöÁÉ·Ó/TS/Ì×PÞ*ØÅ]»o··»·»oov*Þ*Þ(o]¶1VñVÆlaVð%v*ØÅW`Uî¼UpÀÆ*Þ*ØÅ[®\1VÆ*¿»v*ìUÕÅ]\U¼RìUØ«±Vð+«¶1Vë¶*¸`Uàâã¯x8¥°p*ñ®¼UØ««®[®*ÕqV×[Èl*áA´N*´P°*Ñ8«UÅ]\UØ«±Wb­WUp*ª®^)o­­M{*Ýk¸mº¸«X««º¸««º¸««]µ»hâ­

V¾{ÿ»òìzÏéQâÚEtâµ>

Ó ¡ß(Äk¥¹ÆPïkámÒäFa`Ñ«u!I'Ú½²ársãØyxxÍWªaÇ÷,»9 ?ÄåÃwA¤)|

#^

Èà»þ¬-d©µsÏÔdãÅÅÌÐï@Ý«=ZûYºM'Ë6o=̧

S$}flõ£áÄ+ú]Kg

LþUÿÎ"\ܺkÒZ2éñ7üâÿÁöÍ4¦dlµßYiZUg¦Aµ¤BJT{TY8¥L¶(X_

¬-¬-¬'

­®*µª6,-©4P¤Ï¿ÿÖ×xÅ+°*á·LUu0+`aJáWb­

[±

W

Ø«*¸b­[Å.¦*º«c]LU±[nU¼UpÀ­U¼U¼U¼U¼U±¶1VÆ*ØÅ[±®«x«*»»lbbð!ØU¼

á

[À­áVñW`VñVñVñVñVñVñWb­â®«c·­y%/#Q¹$Ч·þq~s®Æ¦¸%VYÃ3íöcâHâÀîÕåû4\ÖeÊeéÍw|­ùªúù¤iþûb=«ZWõä#ªRÒâ¾ÕLzm»lü@:r¬Ù#qØñÊuo*ϧ4¬HWA1ìkábÔÇ%t2ä'ÆÈÜ©U¨ú¥ÂMZ

íd[EªÃ!¡$Û1¼2fª-«K'÷*ßÁs*#5ÈÞÈ]ÌëT½ÞÝîÔôb;ÿª¹ê,I᣸bíÓ¶f

À-:eÔ°j­thÛ,µiZ L!ó°;1Ä-ÒGÔàáB&=E[géáOËÝ#LÖSÔhþän>M×*0yØÌ'¨~[ËeÒ&#üêaüGÓSÓ÷6óHïRÐäêQ2hõ[ìÃ11æÙWÉ4:n¿%Ôìë³ó÷ÈÒSNÕ|©8»³rÑö×Ãü±NB, n&£åÏ:Yù%¶¿.;} kU=÷í÷æ¢xåØÞ/e§ÖCWÿ¼ÙÍÔ0@ß\Ø2ÈUê;u£å?ß*."?hvYuHËÜyLöþ?è?µMÔvÓ¶`¡"ÖcLÊËQ÷üˬÒkeÆ!.µêGýñz

È8æ°IèÈzuOÑÍ®¡ZC0[+7îÿÆ9ÈJÿ$ÍáNùKoøÔó¥§ãÆk}CýóÚúuÎà[À­UØ«±VñVñK±VñVð+±VñVñVñWb­PÞ¸b­U¼U¼U±-Uv*ØÅW

»\0%¼U±®ÀñVñWb«\1U÷µ\UÕÅZ®*ÝqWWouqK±C±Kc··\Uºâ­Wª)ÀêqUààUÀâÀàUÀàUÕÅZÅ]®lµ1JÞDôÅZØb­W:¸¥i8¡mpªÚâ­b®ÅZÅ]®«tÀ«Å*0*²®¯«xª[ªßOmúfiª·¹ùcïMZ&ÙÙ£Õ§íuÂXê«ÈøÈøb®åíµËÛw#á´IðÅZ©ðÅ[øb­Ôâ­qV÷ÅZ$â«I8ªÃ_UnBj:t³ÚÜ(xÝH î7ÈH[nÍÙã¨ÇÅÕçw3/O5ü[åÀÒu âÈóúPZÂÎÂç¾]¯kÿ/N?Òþ²þUÿÎ-ù»óÇ©kŴͨܥ_ßH¿ñ\G ?ÎôÇ,/>ûgò÷ò«Ê¿Uòõ¢Ç!IpÿÒ¯!ßýÑÉÈ«2-L*°¶*±áU2qVÅV¬'

¬-©³áU6l(S/É«ÅV¿ÿ××xºb«ÅW[¸aJà0+tÅ[

®¦*ØâÀ¦.¦*êaUÀb­

¸RØ«tÅ©]®«xºb­áUر·»]»o®Â­â­Uتì

Þ*ØÅ[Å[Å-⮡¼RìPÝ1Wb­UØ«tÅ[À®Â­â­àVñVñVñVñVñWb­U¼UØ«ç?ùÈ_ΧѾSЬ·³R¼î¿´GÛoÙû+ñW1rJö`òûߵ̷æy½cU9UItÍÎp§Æ²zÖw×

±mROíK%

z¶Ûg#©3Gûd¯ôF.磲DÚ¢ÚyZâ6f¥Üì

NEý#þ3Æ3,ñþ}^÷Ë8íî`nÕÍó¯d>PÓÝɽ~êðû¿üÛ×&ó&¹~ºt'àë#Ê:ÿA#µÔ²º$j¶°1 ØØméZ§l´*1Ë@k+½ ²jmq° ÉRÚKRw¦"* ö¤a¤ZÁN¹CF_O¡#"B«Ã©ÉzäYZ-¯-õÌ7H¯uVô®Q¾mbÿÈ´ãGÑßtj§~'íã0¥§¾Mâ`óR¹¶Ôtús¶&2îÙ¿ûÃ6,Æû§Sòº^/Öôvá0ø½0hÿ þË{tÊH¶á4ÿÈ/c0Òõ­¼jÂÑ«ß5ôõêÉë´§ü~ýoEIh½kèÏ5R#ÿ¼2?ÓMKÅã»}åþXâ2ÞªQ«_©é÷óÌJ$Äñ÷ø³_<| -ݾâr±õT{ÍWÚÎôvK~éVùÛÜu<eh½óG¼mBÂ2:d8ø_þìá.(ù~£3âɸÍâb®Å

â®Å-âÆ*Þ·»lb®Å

âñCc\*Þ*Þ*Þ*ØÅW`Kc\0*ìU¼UºàKc]®¼RÞ*á¶0*ìPÝqKuÀ­W

»v*Þ*êàWWuqWWn¸««··\n¸ªá¶*¸

¨¯\\*¼n¸«uÅ\N*Ðbz`UÔîw8¥¢Ø¡ªáV«¸Ua8ªÒqV®À®ÅZ­àUÃ^0*õ¥UWªZò,}zøwÅTÊÉ7Û©s=ýÓrâVw'¹cÉ¿Áo¡I-åz("Y ¬xè_îÕÔ·}ü22

3¢Ê'ÔçÓ'½9G$´dM76ÿß0Dô÷¶ñÕy¤7×ÒÞd¥B¨G@3.äÕ)Í.bÌB «1{/ETMJXüJ»;±Æfɲ¯å«o©Ùµì£÷×ýBþÈþ9\·÷³#²+¤î*ÏVCÙ¾Í~ãdÎHE¼õìZwª>Mý£:}îÜð½«|]ì§6.¼

Þ*á»o·¶1CxìU¼U¼PìRÞ*ìU¼U¼

Þ*Þ*Þ*Þ\1UÃ[«x«x«x¸b«±VÆ]]·¸`VñVë·\Uªâ®®*êâ®®*ÝqV«º¸«x««¶lUºâ­¶*¸^¸P`Já®\\*º¸×:ýñW㯴[[\*êâ®®*´¶*²¸Uªâ®®(uqK«¸o®QUàJ¢®*¨\]cÐ{àT0¹âB/Àþñ»ÿª0ª"8Ö=Æç¹=p*¥qKDâ­W7]µ\U¬UØ««µËZN*´¶*êâ«

Z'Z[Z_[ʸU©Yý6ôéÎW¥r%«Ýó·üã]ǼÏ??2o~¾LеàFÂõ§ùþÉÛ#Ô·æ&£ôô{þ¦Xè©c§C½¬bJ@ö,q%ñU¥«­'h¶*°U¢pªÆ8ª6)©³aU2øUI)«Kb«â««©ÅÿÑè@fñÂ_W¶0*êb«©·LU°1JìPØ«co¶0ªê`VÀÅÅ-âñUÃ|n«c

·¸`VÆ*»olb­â®Å[¦*Þ*Þ*Þ*ØÛo¶0«}±VñVÆ]]¶1Cx«x¥¼PìUØ«x«x«°+x«xUØ«x¼U¼U¼Uتá»|U¼U¼UØ«Ãÿç(üÆt(Å¥ÄÔP¸ql?àÌyô@Câ+åy¤V¼9

ÀÓ1z¹5ÕéåÏ-O ÅqaïV6i±&ªHnôðûöËgÂÌÍ°{o.­íh­?3©"i¿ZVln[? Vµ<éÄû±î<2Ë*@ë³Ò=wÌ~ÖLÎÍK˺LjHò

¤@¿ÓѺ´½c¡{½oVü1â5Å¿a]OÕ«ÈÓ-UvtBmVÌi,-4·A÷ËbQ̾Î\)§u4²

w×,°Xî·³ý GÑÚ9ti~Ë5ÿ¡n0[%94Uî?¤+èU­:`¤%³èòBkLBzM$xäVÚÄ­:{d)§uäìÁgvj(QSZ(èY

yßÈ×EÄcÑ<LLÄ7*NìëâÌ:§ú¹©ËqÉÌÕ%ºÓí1tïÜQ5h÷åSö±ýû-D^í±lSßÉßÌI-ç°[«]g_ül«Üßð°½^Pf8קúC¬}ÿÍ{ì0¤dº°sÊ

B@öKÆ¿åf&X@w:\@ò/Kü¾¹)tb=û¾/á=£Nµ¡p¾âôzæõã[¡¼UØ«x«±Kcoo»

¶0!¼RìU¼U¼UؼU¼U¼U¼U¼

»®Å[¼U¼U±W`VñVÆ*»]\Uºâ®®*ÝqVÁÅ]\

êáV«º¸««\Rêâ®®*êàVë®)n¸«uÀ­×lb«ÀªâAWuqUÀâ­óì78pý¬Uui]\RÝqVÅV

®)j¸¡ilRÖ(uqWWº¸«±Uê0* xÅ+ÁÀª

wɸ@9·sØ}8iW%½O96üÈ`TH8¼RØ8«UÅZ®(uqWZ'j¸«\±VaU

ñBÞx«\±WrÅZ/­,p«Dâ­rÅZåLU®X«EñU

ë

VµËh¶*Ñ8¡i8¥ilUM

ÉÅTÙ°ª6)ªe±U6l(X[X[XÏ©Å_ÿÒè7áWUpÅ[\*تá[60«g¶:⫱VÆ*ØÅ+*Þ(olm-UºaUØØ«clb­õÅ[Å-PØÅ[Å]···®«x¼*Þoo

[ÀbñCx«x¥Ã7»®Å]ºU¼U¼

ìUºb­â®Å[ÅWb®Å[«x«°+æ/ùʯ'y¯^¸±ÔìÄGF·_I±õªYQ¨%=·Ì<·lávKÃu++]Fkæô ME«mUGíoòÈ7de|fæÅÒ¡hÖBB´¨¡5 Ì}ïfEiRêvëjÃÕs ` 0¡ ¥~¬®rïm<ÒiüÙsg1õâYJñZ·nöH¥±ªÏtÿîâ>l Ëðõ,dh2iC!êÇ2ÃQ1&Õ9xU@ËAZFAQÈâDS8jiÔ}×­"£z57Øxm÷äE+Æõê2@±1D$¡{eMD.PIér^ËÈWî­pq ¦1Ì£=HHVÇ|ÅçÛ+ÞGg:¼Ã

Uvª§½*»fMXÇ.»Ng&Ugug

\Á häPÊø9°½ÃA"ŪJ7÷°¤¾÷ËÂU/ÿ¯XûZ=üB©Üdú¢²ú°ôððÊÈfè÷,¬#ǦTclο1¼qå;ñ_GPܧzFIûj?ßdý¡ûü|¸ø

N`<cÍyÎÞ=N(|ç¤ÌéWö&ùH?Ù8]doÖ/¢)ü×'ùLËh.HL®èMNPÜ¡yÛRKwÓGNTôq¡´AäÔoJ"Icu*D¤Áfßßs*E'@ãÀÖI-Òý(¬Õ\qªFÁÄ<;bXü¿ÆçO÷i§Çj».ÁÊM<HC¸ì|s)ªù·ld ^lZ6AØa(4É!w«á1*±ÉLQ/.ó®.nd±°

²C¼'ù|hsç2499رX²Â©SÈõ=þüÂwñ

k-r÷OIo+Æú±ðÂ9@a^q-ïúC9yk¹5þ8´O¹ìßî=HîXz¥a®æíÔu˧û,ßéI£ð÷:|à]½ë2[ШøO½Göfm¸iµìsí âÞ#ü÷Áj©u¥Çx´j=±Ãh¤m[KÒi=|0Úi1}5¨¦ý»eeB{§"&PѲÁ

AbèArÄèÜ</ÎÞFËZG¼«©9z%É!

j6^pÛUãZòÍ.HQ¯

úÅ~ZùoË:K­£¹J}Fý¡íÇâ_£02ÆÅ÷;­np¦O³ô8ý

j«ê¡SâëòÈá°î5ÝËÜõÁÂ7

[À®Å[«±VñVñW`Kx«±VÆ*Þ*Þ*ìU¼U¼

Þ*ØÅWb­àVñKx«co¶1VñVñKx¼Uºâ­â®®von¸««Z®*ìUªâ­W

º¸«Å]\UºàWWn¸«uÅ-×l

¸Ux8x8«|ÀùàJàK{

¼PtÅ]ËwC]äÉ9)

ܯ$çÞ!.$z1ÚÛ\Û³Ì\åJtýøW2¤ªiÒf;ofÓµeµ¬²×±ÿ>Ø9°!Î#øLLKu;Sð,ÌSm7Uè÷o±ìß/ò½³;ø½íDRfÑñߪåãeDZ¾Z¡2Fß&U¾×CUñ?,¸ uàÛÔxûlÍ¥ãròÌ:òÍjI·ö#¨ºìsA¨Æ väîô²ãæÇMÍ~

ï%ØN]dvàuÛ^ùEhn/®'8´b{W½Í®s.ªâ9ó{, D( ¿@^¹µu6¯;î0!PÊ9C¹»ýV«4_}ÇqòÃi)ó[AªÃ >ñöùn£¥)JÚMÔlÈȤl[Àbn=;eD³@yËqùÎI¼¿pÜïM~-Ùeuhßýâÿ!02ÆÉ@¹04øÿÌÖ·p*µ1ê|ÆÖu=ABxWåB%\ÖU¹14}Ï´?$ußñf£ßYb>8

Tö~ì«OPòzLùo?ÎèÞ¼sxØ«x«±VñVÆ)v(o·[ÀñKx«±VñVð+x«x«xªì

ÝqVñWbë·[Å[®*Þ]]·»oov*êâ­Wj¸««µº¸««º¸«±WWn¸«uÀ­×lbààWr®*Ø$û^´¡pl]Ïw*â®\*»o)w,PâØ¥ªâ±K±Bá+Æ*ÞlbÆ*ǵ?5,NÖLM}|»ã *ø²Cð§üKüføc½Ï¤w¡4ß*ê¢ÿÌó¦ýXª¶ñ×Û¬­þSÿ±Qrc´ùÝYtGm%Q@08ÄÚ®(^1Jì

Þ*ìU¼U£­'ZN*°*ìU¢qV«­®*Ö*êáWWº¸«X«F

¬;â®é´HÅVÅ+

-ÅZ-¬;⫦X[

¬/¬/Ùðª6*¤Ì0¡M¸UM

ËbªLØUL¶(ZN*´U¢ØÿÕèã7ná··LUpÅWb­UpÅ+

1UÃlb­UpÀ®¦]L

Ø«cn«tÅ[¦*Þ*ØÅ[¦*Þ*Þ*Þ*Þw\*Ø«x«©·¶0+}0¥Ø¡¼

Þ*ØÅ[¥¼PÞ*»pÅ[Å[Å[ÀaC±Vð+x«°«xØU¼

ìU¼UØ¡¼RÞ*Þ*ìU¼Uå÷w6zå¹vYþH8ó§XðïÎYiÎü%æËB]"ÅBÂ"õ;³±îÄý¦ý¦>'*â26ùËÌWîýª}Ûf.@Nj£EqµvòåË6©± *w̦¦¤<wȪK}1+uâkCÓlô{ËÛ[È#¾9YTºWà}äþÕ~ÐñûòÉÑݨ!Ty)¨Êy%iÚøb¹(rñÿ[úæv<×±j1¤øG4Ýs41jGÆQX­{¸Hâi«Y×O"X÷©ùÍ'ýDLìrê°ßcøWçÛé¦HdbbmBI`ôÜæÔ³ôwÂebYìÏw·I$pÐt¿ð§Ôäâ´ÒG[

¼s²FÊyk©OõÓGAäYÛòPG_

ò|F¸zse.'´~[éLÑÜRK2õz/à+í<8`<÷uúÉñN»ªí.Uc¾Ù¯RAä»J\³Î=®Qüß/ò¿^D²Ei

¯ÀNþÇÇ

O¯fº]¥±

þDZù6Gâb$nªËåß)læ­nMrÊáwEwÃÕXÝ?*öÍ^HÑû\°y3_ùÃHܽîû©pÛ?òq~ìpGÖ]çx+¸×ÍöÍ¥ov*Þ*á¶1Wb­â®Å[Å[¼U¼RÞ*ìU±ÀñVñKx¡±·]\U¼RÝqC`âÆlb«±Vð%Ø«x¡¼RìU¼UØ«X«±U§v*ìPìU¬UØUºàK±C«[]·ZuÀTU°ùàUàâ­×up*àqVë¶*¸

ÝqK«·\

ÝqWWoo\0%v*Þ@ßêöÚq¹/;}rvùs¶@ZYu¥ê:õì­kh~Ô;n>Iÿ°2iÚm¦¶²b

z*¶p0·(áð+c^1JêàWµ\U¾XªÒتÒØUa8ªÚâ­r­ÅV\Uºâ«»:¸¥ijb­W--­å

Z®*´UilUilUep««¬f¦*¦Í

TÙ±B8Ua8ª6)3áU&|P¦[

¬-

TÉÅ

dâ«I«IÀ«I«®ÿÖé¦nÜ6Æ*تìR¸bÆتáWU±¶*»lb­U~lb­áVÆn«x«tÅ[Å[Å[Å[Å[Å[«x«±VñVð+x«©

-àC±VñKt®Å

 

Þ*Þ)o7·[7[U±]··»¦o

·]P÷z

­­Ì'»®LDM93FQ¤·ü]¤Aø1å@NLâ5ÎÖÙÞÛêYHí)¯Ð|±ß*"Ðo oo»|PùÇóCÍÞn¾²¯ûÍ(¿G"à³|®'%á>mÕ\«Í!øéà@=ºe3- 9äÖ«A[Y2ýzW¡ÈÛ1&?©%ܼ

¸ÓcÖ«ÿ³roÝnA¨=üsZ\¸CÁ?ÃÐáI¦Q¢ù^ïP` è9m_ËcÉÔpêö=uKxí¾8QQëUÜvÍÜféflÚy¡+ñxdÁk´Z½rL pZêqdE7y¾Õû_×"ØÉÑLÝȴߨȵùjñ.¬ÞM¥¨ÕîOéÉ]£_7®#®ì¼GÍNFùól·:M¥ñúµòö3+ÿÖg¾.V3ÍÿÎÈÖþt»}i(?ìYOükÃõ|?Hs¿Éx}È39Ö»ov*Þ*Þ*ìU¼UØ«x¼*Þn¸«x¥Ã]Ó»oouqVñVð+±Kx«uÅ

RÞ\1VñJêâ`Kc7]»v*ÑÅZ'v*Õp¡¬UØ«±VñK«]\UºÐoZOÙûð*à)¹ÜâõÅ®)n¸¡ºàKxªàqVÁÀ­×n¸«`àVë[«uÅ[®n¸ªá®¶YãyÈB|R d{ÛïôxOíW?ê©Ù~m÷`g@sW±Ó-´úW÷ö]¿Öc¾(2´hÅñ+«LUÕÅW®·Ëº¸«UÅ®)ZN*¶¸«XP´â­RÖ(u1VéZ8«X«±Uµ'j´ÅIÅZ'k

­'S'

µ­-¬-

YñJ|(SgÅVrÅVÅ

lôª,õÂ

2ÕÂ2qBÆl*¦[-'XNZN*´Ui8«X«ÿ×é7nc\1Vé®UpÀñUÀbÆ)]¶1UÃlU±Ó®«x«xªêb­U±·¶1Vé¶1VÆ*ØÅ]¶1VñWb­àVñK°¡±[Å[Å.Å

â®Å[¥±Å]®«cov*Þo··»v*ßA

?[óaÖö&

ù>Þù=K ÔkwáÍ\NÎåÝ9êI©ûó4:Hº[²;âÔJ­/4·2ZHQ

¶¨jtäÇ7#¦xþÌôÌ{iÈUQRììðËòÌ)àîwØ;HKiíçÑG"JHÈdaU`jñf!îÁ½Âì(©ÄÓ¾7óÅüSkZ

óSÜÌÄá]¸×بl-¼í­Õ@üGr<<÷î³1§+lÛÊÏ:w%ëÊ-¼ÐÖ6Ò]CÉÌiȳlÙ¯&FtuHű°?XzjzræÝ¿i©Mÿg6Ü

8gF\¶ù¨M%§Rk¢Aõê~)O¤f

×ùÇã¨Ml.Hºây§ûr(OÍE×oü{Wÿ ÆÙ­Ôröè1ïùÃM3×ó&«©¨>Vå>2H´ü²¬r|ùÅï?sìÜÏuÍâ­àWb­â®Å[Å]¶1VñVð+x«±VñVð%v*ìU¼UØ«x«±Vë·]·®«c[ÅWU±·]·]»q8«Gj¸U£»kv*ìU¼

ìR×*ýñWîw8ªñ®Å][®*ÝqVñKx¼Up8¼UتìRàqCuÀë·\U±¶ò¤(d¢MçRÔÕeÔ4Ô¬]çpB°_þ#ï³¹£­ì"$ÿ;ÑqbJ*¸±lb«\1K`àVñWWn¸«ÅWWº¸¥ªâ­×

Z8¡Ø«X«±K«¸Ui8¡¢iºë´Ø¥a8PÖZÇ

­'SfªeðªÆ|(Z_S/Æ°¾X[-®*´¶Pvªe±BÂØUL¶*°(Z[Z[XN*·v*Õ1WtÀ¯ÿÐé fñÃl

ØÅ+±Cc

®ØÅWUv*تá[aVÆ*»lb­â­

»oolb­â­â­U¼U¼

Þ*Þvn«x«±Kc;o»7·»o

¶0%¼PÞ*Þ*ìU¼U¼

Þl`Wb­â­â®ÅX÷uO¨Ú}]

%m»/¿¦dá

uüÜ1áå÷<óÕäÍËÚW¡©ë

¬ f`zâÅ

ÒTU9dßlU6Ð<Ûå©?pyÛW

Â}×ùܲ

Î\ÝU,'˹ëþ^óNæX¹Ù½%j Ø÷å/ÃéÀÅë0çQcäE@êOJ¨¹/ÏÍ]~}þæÊZ¤UãîL?;¶`ñìÈÏy-Í}CZF½kóʶñDh°FÞ1ÞEýyÈó{¦^]iÜjÄòònó¸õáÀ4õ xü»fÆÜuÀ¨{

é?!¤ò1ëÜåegþUÓʪ?^^$PøáZ¶ÂRV¥ê"µvÛÛ"CL $Ç8K§ÉÅÿº®ù ]vLTyÕÈl(A®ßçÛ2°×î쨪ü~Ëo÷wËãŬÄÊO6ÎëDA=ÍNXsÇ ¹bd/@¥·Î?æ¡ü3a¥$z½ªÛwͳE/TkÙÒ2ñÉÛ"U£UåôfÊÙâÍt§bWî?Û©SüѸySþÓÛ¯ÜÜÿã\ÁÔì¿ô7cæÍÿç,

(Qðrç¥÷Ózáj(F¢ýøªµOL

¢Z¶(S|VÔK4n$%CUe%YO²Ð©ùd%r1ä06µùwçäÔâGÕå'RXåײ*(=P6==O´*ܳxëÕéµc(£´/üäoäç5o/jþuÙãÖíí¾¤RYJ¨ic!:â[¾ù¨ÍDXïvñJ~°¡ÌfäçÊÄ.«nÍöUùä&CÔ|å¦JX-&ÔÝ\ÜåmÐõ}Ë© êqÊp=L-Îk

T½0­.ëÒ¸J=GGí$[»Ñ^7-Ì;cn,ðÚ

Ig´4ubòq4m¨{[J/í~èÜ ·~[£ºâ oIJ¯#éRÕL,h(üëÓ1äh&­¨ãÎ@Ý}i÷²ì®ósæ½+NòÅÿHÕoÀ¨TO¨çüY97ú¹<DEÌÓ×CwÔVm¢ØÁ¦Ù/khÇù(8§Çß2Z§#"Iê°ovov*Þ*Þ*ìU¼U¼U±»·

[À®«x¥¼

ìU¼U¼UØ«x«x«x¼U±¶1Jì

»ov*ìUؼRã­'

ÅZÅ]»v*ìU®T÷8¥ÜIû]<1UÀPS7»·]Å-×vovo¶0%v*ÝqWWuqVë·Z`T=î£o§ iÚìªY¨ÜâȽ­õ

kýéfµ´?î¤?½qþ[°?ÉOü¼¬ÚÊÎÞÂ!ª,q¢$ß4P¼Uu0%ºb­ôÅ]\

ÕpªñW`JÜ*ìU¼

êâ®ë»v*Þ*ìU¬U¼Uªb­UªW®*Ù¦)ZqCDâªlpª8Uo*b«ðªjâ

68ULaB*°¶([\*ÑÀ«KaU6|iTËbªlØULP°*´â«N*Ö*´â­b­*Öu1WSu0+ÿÒé@fíÃlb­U±®é®«c\1Kc\0+`aUÃ\0+x«co\:b­¶1WS]···]

Wb­àWb«±K±CxRÞ*ìv)n«±Cx¥Ø«±Cx«x¥Ø¡¼RÞ*ØÅÅ[Å[À­áVÆ)v7·Zb¯-ó5¿¥ªN<_ß¾m1HxÝ\k!I®aGÌåÎÇ_U¶ÂÖT[Ó©À.-Óí:ÚÒÜÛ9ÙÒü¡

á*o4@Q]Iö#(LM+*Pwq

þ2¾$½óädòf¯åMu¹^Mc2ÚÎÇûÖUä±Èßµ_ÿÝ÷oQªÇq4õZ]WÒæøvÇKý$¼uVª<Z¦iîÑ

3Ê¿LPUøñ4ÉL#¹gV7éoeå½Pw¢÷ØS¯j&¹_SO·sÔƨgE°÷8t¶znq1²%¯ß÷o

¬ªùÕ ¸`}çýPIÌ,¦lXÕ¼Û

zm)¯iød¢¦þ\Y-×æWKÓâmÒkÆ3==ý¢'Ê2}Ñý%°l¹Cx«x«±Wb­U±]··»o··»o·¸b­àVñWb­â­â®ÅW`VñVÆ*¸bð+x«x«±VñWb®®*ÕqV±V±Wb®ÅZÅZ,ÝñWP»RØl1Cx«x«±Wb­o;··º¸«±W`VëWW:¸¥ÕÅ[®h¸PY

:Ó@Éï~8wÇÃþÀ~ßüG

«ÙépÚ9y'oµ#îÇÛüþJàJ`«UàS\®®*Øl

º¸««µ¸b«ë[®)uqWb­àWb®Å]»okn«±U¼«Óka­f¦Yθ«¹ÓX_

©ÅV«Kb

âªe°ª6)³aUáBÂqVÅVÅTªe°ªÒØa8UiÅi­ÅZ­SµLUªb­b®Å]µµ¿ÿÓéY»p׸«±Uتêb«±VÆ*ØÅ+*ØÅ[ªá¶1UÃ[űVñVñVÆ*Þ)o.Å]+(v*Þ¶0!¼U¼RÞ(v*Þ*ìU±]·[®Å]º¡¼UØ«x«x«cv*Þ*Þ*ÞXòÇ«°QâÄ°3P:­ã§úÃ'á˹¨çxCMæ=2I5:ñä)jñ©Eç-¹[,

ÆÛÓûÔ|òèéÏW}¡±_SúîKJ5õÃ2áN6N9w±ø®ï.>¤üc-%=îÄĵDG­©Í¤hòFRAq)èYæzýÊUápvÙÆ ¦©ùwazl¯o-ä=úR¨ú

#SýQ,¡ûã=cöùʾròÌÜî%7UÚx@ã¿órÿ­ô3õ9ÿ»¸óîê²Ó5;¤¯ÖdæHp.(û=;V¶rÎôýA¿áO& nv£O:køPR¿E\1ö> #`Nµj

HäqQþÊ¿ñ,x$.'¾Ê+)%7SÐü²Ø·F$nQs GåÛç1/ú;|ù?~sù±ðèö\Þ$wæuеÿ¼ÎÜömü

r¸§,ìY½¤ßk·&òÝ°E^5¡øGQyµób`´2·ì¥dcÂu=¤ÿÙ¯Åóå«fÂ-"7jOSñ1¥m6ßë7ON¹Ø¨h¾¯jÂ2ØPDØôùá.HPº×¦Wl¤«goiC

Ça=ºal

sI=°[bQ5ØcÂxW¯BÓÄy

µ7® 0!JyËNù&¾)ͪú}Á²S×ïl¥+JãÞ¸e9²e£ùj_ºt1N7*zËÍ[(§«}§¥å£TtÞ¿,$xIêóLì`>@ä«g6O£ö«Ë®øö¹i¶ÿñVoq¹ÆF³q-ùSÕcrÝ>KiOõ²¸ýÿé¡dì

Þw\UØ«x¼UØ«x«±VñVñVÆv*Þ*ìU±[Å

àK°«x¼U¼UتìU¼

»¶1UØØ«±Wb­×uqV±V±Wb­bbë­øØ~8¥pFØ¡ºâ­â®Å]·»l`VñKx«±Wb®Å]·[Å]·]¥Ü0LlíÜ^¾£ýwo²çô@¶áÓ%º"]Mn"_î×ø¹÷oømSuÙ*R¼`UÕÀ­WnµÅ[Å]\Up8¥¼

Þ*ÝqW`UØ¥¼UØ«°+°«°+«·¶*ÑoUi÷ÅZ'X[

¬-¬-

Kb

°¡al*Õk»XÇRc

 

Lpª8P°*´Ui8ª6*¦N,'ZqKGk-ÅZ¦*Ñ«±U§kj´ÅV×k®;®»ÿÔéc7nx«clb«*ØÅ+±UØ«tÅW

Ø®ªñ[Å[ªá[Å

U±®Å\1UØ¥¼PÞ*ìU¼U¼U¼

Þ*ìU¼RÞ(v*᮫x«±K©»7»v*Þ*Þ*Þ*ìU§uK¾Ê òÆF

©ùÂîY}cè©®´§`O|Ï!ÕÐdÖHòÙÚÅÍ7È>,®d^s˼ e¾-Ô×ÜäéÇ9--ù ®4+]±þ¹&K äÜbÍn¥ I¸

 

1ÊÎ(µ6Ê+

m÷ôÀÍt×O»ÜÔþ×

æ1Æ ©OíÀC`1Û¯-@²lø«è6RÕ?gýüWÃJM¥ï§Ê ­Ìt=GÞ6ÂÖACjÑ^´û«TE'¸Þß5áÐüæ%!ñyeÔ^#Z]­M=ÔøÓOL$$iÚÍÆþNñ)V£µGûx88ܾխõ[k¸=)v}ëTÝCWAðf$Áî4·rCʲÒ_.Zñpì79&èúz*6Ç|ËälZ#ÄÔ`.\Pò©m¿kø`c2Å0m»âÄ7<(ºÐw81³½ºR}O1Ð\µZegØ

m¶H*¨PÛ¿l²PyFE¨ÊÔëÓµxÒÔs²AmVDÂdÙ¦Å9·½ÙzêºiS32¦¿«7HàT·+Ûs°ÂXdÉBÞ9g^G©58K¦O´ÁKp<Ũ½cEr4Ëz ÍÎ3é9æ2T$V#Û/¬®å}OD}ºTÿ%ä§&ÿQoþ»/óf/Ç' "5í­¯¬¾ÝvQl)Ö+D£\ÉòÿîD~'Ü¡õEµ´6PGkl¡ 8ÔtUQÅGÐHB®E[Å[®À®Â­àWb­â­â®Å[Å]··»l`Vë·]Å[À­âb

Ø¥¼U±¶\1VñKxØ««º¸«uÅ]µ»j¸«D

8ªÚ³tØxRØP>x¡v*ìUØ«x«ºâ®Å[Å-â`Kx«x«±Wb®Å]º¸««[ÅPZ®³c¢Â'¾F¤ÑGVcÙQGÄÍì£Q ¡Ö|Çñ0};O=¶úÌß´ ÿ²ýLÛBòuûðÒFÈ·;aN§¶ø-° ®/ædÁkIsÍ)55©È¥Rfݱ¥âDU:6JÆO·¸R£®G

@±Ý>îÒpaR)R±þ XS+-iÀáv(G|ìÌK½SR¶·Ô ôäâ»æ<U8l\¼s1Ü?¤µ]:Æ6E3¯'qö½ÏðÌ)Lµ1°·Í3ÇxÐÞ^@Ææ»ÔV¿FG·¢QØ)¡íí|vµ®AÊ0µp@qLS!´5B;F.@*Ö±&öT¦ñ~ct²íæKØûGçÛúà¬ø²gPç$ãR(!#p(,U

j+ÓÀR«½.hÅ@ÛÛÊhíQ'ã6£`±õ8%o2+Epñ2CkpÙî

O|±1µ2AõÍ[ûÊû²L2uoGXØPª")ª­lÀÖµÉhZý¬vÞrk$¹ o·¿lÌÇG£A×Yê¾cÔ³ÛÛ©ø¦Ùۿµwß-÷äb6Ua¦ QkÁ]Üÿ31=éß2 ÀnÉ´Ë(îïò8KxÐÕÛe%øÝÏúßm¿ÉT^ÙH4-m£ù£>½wuçû´)Ëõ=.6ê±J4¯×ßÔýÁæyËýÏFGg¶ä··»ov*á[Å[Å]·¸b­â­â®Å[Å[¼U¼RìU¼PÞ)pÀ­Uv*ì

Þ*¸b­â­×µ\Pêâ®®)o®)uqVTôÅVr-ö~ó

[ß©À­áVñV±Vð+±VñWb­â®Å]·[À®«x«X«±WWv*²IcYX,j*ÌÆܱvó=î¼Æ,Æ>{0"ÿcíLÕø?ÊÈßs1VóÛËø

ÊÖútß^¹v»ÔXQ®&¡aíý×ü:à®ö2ÉÐlái\1VÁÀ«*¸

¸6)o*àqW`UÃlU±WU½ð%¼Uvv*Þ*Þ*ìRâqWWX^».*áãß8R°¶,g¦*¢_

*ÂØU¢Ø¡a8UeN*ìUºâ®çV®(Zpªbªlp¡Lâ«ZN*´áBÂ1U§hâ­UiÅV­'j¸UiÅZ8ªÚb­b­Sv*Õ1Bà¸ÝÿÖébºp×*Þ*ØÅWSl`VÆ\1JìU±¶1VÆ*»¶1VñVñKx¡v*Þ*ØÅ-âÆooo

·[¡Øv)v(oov)o;lb­â­â®Å-âb®Å[Å]»lb®Å^eçíìn

ü?ÜLjð~ÿð]s?ìSËkðpKr?{xXq

¼Xö+ïþ¡ÜË2¨½&HØ©ê>ìYºkð¾ØP¶¤~**qekµ{¦ä¶ðD

Ûæ|2

Äß¹°­¨æƬzóí«C\ê`ü1ô=NE!Vá[í¸hï _µJ+Ƽ^[HhHßcÄÜDEU

>xR6Õ

ò â

«nøPµÔÎRbPµÇd«X[MMdIj{| ßb)ã×»Í

H&½U©AN^ÕÌ"ÎÜHÈ·EÛL8ào¶O¦È!âpàSK"(Hël¢¤øî2-ÑK¥I»âÅëzSêLfþñzW¥0ÂP´/îí-î!³ÔÂääI

Oo úrظ§,¢}29n©zo|æ[(½²s ·SMö8ݹq´QÎ8Èf\j¶±Õmæ¿jf

On 30 April 2002, we see MV Varagen and MV Earl Sigurd at Kirkwall harbour.

Die erste Figur in verchromter Ausführung, verbaut von ca.1932 bis 1939.

Wer diese abzugeben hat,bitte melden!

Mehr zur Firma Sigurd hier:

www.sigurd-fahrrad-und-moped-sammlung-kassel.de/index2.html

Flowershop 1969

Architect: Sigurd Lewerentz (1885-1975),

Built in 1966

 

The Main entrance

This entrance is said to be hard to find. It is also meant to be! The gate to the kingdom of God could be hard to find. The four ribbons on the door symbolize that our way forward and upward leads through the four evangelic.

 

The Architect

The architect, Doctor of Technology, Sigurd Lewerentz (1885-1975) was 77 years old when he was asked to create St. Petri church. He had behind him, in addition to studies at Chalmers’ university, many years of collected experience, which he could now draw on. Full of life, knowledgeable, independent of all architectural traditions and styles he set about his task. He concentrated all his artistic passion on this task. What he created is not a product of a drawing-board. The placing of every brick is determined directly by him on the spot or indirectly by the instructions he gave to the artisans. The watchful eye of the architect constantly followed the work on the site.

 

Facts

The church was consecrated on 27th of November, 1966 by Bishop Martin Lindström. The nave is built according to “circumstantes”, the idea of the central place of worship. The area is quadratic, 18 x 18 meter. The height is 6 meter in the east and 5 meter in the west. The nave rests on and is built around a cross of iron (the T-cross or the Antonius-cross). The cross should be essential in the preaching and activity of the church as well as in human life. The ceiling is formed as archs and is a symbol of human spirit life as a waving movement. The building has no arched windows. The window-glasses are directly mounted on the outside of the wall with brackets, which gives a feeling of missing windows. All electric wiring and water pipes are mounted directly on the walls – nothing should be hidden into the church. The middle aisle corresponds to the holy way (via sacra) of old days which leads to the Holy Communion table. The walls are built up with the dark-brown brick from Helsingborg, which is made by hand craft as well as machine-made. No bricks are adjusted to suit – man is good enough to be used by God even if she is “odd, rough or not adjusted to suit”. The bricks are partly picked by the architect Lewerentz himself from a scrap-yard. Even human beings, who by others are considered as “scrap”, are suitable for the Lord. The daylight and the illumination are sparse. Too much natural light disturbs the full feeling according to the architect. Therefore the lamps must be lightened during service. Architect Lewerentz wanted to create a soft and warm surrounding with quiet and devotion. While sitting for a while in the church the details are coming forward. The chairs are from Denmark and originally designed for the Grundtvig-church (1940) in Copenhagen. Portable chairs in churches are an old tradition and give the opportunity to rearrange the furniture.

 

Source: Leaflet – Sankt Petri Church in Klippan – A Masterpiece by Sigurd Lewerentz

 

The church was renovated between the years 1979-1981 under the direction of architect Bengt Edman and the church copper roof has been changed during 2011.

 

More pictures of Sigurd Lewerentz’ work

 

Images of other architects' works

 

More information at the St. Petri web page

Architect: Sigurd Lewerentz (1885-1975),

Built in 1943

 

The Eastern Cemetery (Östra kyrkogården) is famous for its design and beauty far beyond Swedens borders. The Cemetery was created by the architect Sigurd Lewerentz, who from 1916 until his death in 1975 was engaged in the cemetery's various stages of development. After a contest Lewerentz was chosen to design the cemetery and the related buildings.

 

The Eastern Cemetery has a chapel and crematorium facility, which also bears the architect Sigurd Lewerentz signature. The plant was built during the war years in the early 1940s and was completed on 23 October 1943. Here are three chapels - Saint Gertrude, St. Knut's and the Chapel of Hope, with pleasing works of art by artists including Sven Erixon, Otte Sköld and Robert Nilsson. The Crematorium is no longer in use.

 

More information about The Eastern Cemetary in Swedish.

 

More pictures of Sigurd Lewerentz’ work

Architect: Sigurd Lewerentz

Built in: 1913

Client: Stockholms Roddförening

 

Stockholms Roddförening is a rowing club on Gärdet next to Djurgårdsbrunn in Stockholm. The Club was founded in April 8, 1880. The current boathouse, designed by architect Sigurd Lewerentz was inaugurated July 13, 1913. Timber from the Stockholm Olympics arena were used to build the boathouse. At the ceiling in the boat room you still can see the seat numbers in the wood.

 

The house has over the years been carefully refurbished and modernized. It looks the same on both the outside and inside as when it was new. Most of the benches and tables in the upstairs rooms belong to the original interior from 1913. The house is considered to have great historical value.

 

More pictures of Sigurd Lewerentz’ work

After our dinner we were all up on our feet being led in some Viking merrymaking of a peaceful order! The blue dressed character on the right of the picture is our host for the evening - Siguard the Stout (is he padded-up?), the Earl of Orkney, who inherited his Earldom from his father and went on plundering throughout the Hebrides, the Scottish mainland and Ireland. On the credit side he returned land-rights to the Orkney farmers and so was warmly appreciated on his home turf. Earl Sigurd converted to Christianity though this did little to alter his roving ways. He was killed in the Battle of Clontarf in Ireland on 23rd. April 1014 where the Viking mercenary forces were routed by King Brian Boru of Ireland, though victory was to King Brian, he was slain too. Interestingly the Saga records that Sigurd could find no-one to carry the Raven Banner so he carried it into battle himself, and as has been foretold, he lost his life as a consequence (always, always listen to your Mum's advice)! but sadly in this instance the other side of the legend - that victory would be to the forces with the Raven Banner failed to come to pass, very disappointing for poor Sigurd!

 

The other Vikings in our midst are:

 

Olith nic Mael -the Earl's wife

 

Three of the four ons of Earl Sigurd: Sumarlidi Sigurdsson, Einar Sigurdsson known as Wry-Mouth and Brusi Sigurdsson.

 

Eithne the mother of Earl Sigurd.

 

Ragnhilde Eiriksdottir, daughter of King Eric Blood-Axe of York.

 

Ketill Thordarson, a warrior.

 

Kristini - a convert to Christianity.

 

Ulfgeirr/ Gerbjorn Skald - the Earl's Poets.

 

All of these characters and their adventures are described in the Orkneyinga Saga, the only surviving medieval text dealing with the Viking settlement of Orkney, and their influences throughout the Hebrides, and the western seaboard of the Scottish mainland. Written about 800 years ago well after the events described, full of history, myth, poetry and song, it gives a wide-screen view of these violent times. Author unknown but the Icelandic poets are contenders. The Saga's role in underpinning scholarship of the archaeology is unparalleled the places they describe like Maeshowe, can be seen today, complete with decidedly boy's talk, runic carvings, graffiti is nothing new..

Farfar har fundet en ny måde at bruge skumbrikkerne på :-)

Earl Sigurd RoRo & passenger ferry moored up in Kirkwall

 

IMO: 8902711

 

Class: MCA Class IIA/III - Bow and stern ramp

 

91/190 passengers; 22 cars or around 100 tonnes

 

Vessel Type - Detailed: Ro-Ro/Passenger Ship

 

MMSI: 232000670

 

Call Sign: MLKN9

 

Flag: United Kingdom

 

Gross Tonnage: 771

 

Summer DWT: 231 t

 

Length Overall x Breadth Extreme: 45.3 x 12.2 m

 

Year Built: 02 Nov 1990

 

Home Port: KIRKWALL

 

Ship manager/Commercial manager & ISM: ORKNEY FERRIES LTD

 

Registered owner: SCOTLAND GOVT ORKNEY - Orkney Islands Council

 

Shipyard: McTay Marine, Bromborough, England

 

Hull Number: 87

 

Keel laying date: 08 Mar 1989

 

Main Engine: x2 Mirrlees Blackstone - Lister Blackstone ESL6MK2 @ 750RPM

 

Installed Power kW: 1466kW

 

x1 bow thruster

 

AND ------------

 

Varagen RoRo & passenger ferry arriving in Kirkwall

 

Class: MCA Class IIA/III - bow and stern ramp

 

142 passengers; 28 cars or around 180 tonnes

 

IMO: 8818154

 

Vessel Type - Detailed: Ro-Ro/Passenger Ship

 

MMSI: 232000550

 

Call Sign: MHBM9

 

Flag: United Kingdom

 

Gross Tonnage: 928

 

Summer DWT: 321 t

 

Length Overall x Breadth Extreme: 49.95 x 11.72 m

 

Year Built: 30 Jun 1989

 

Home Port: KIRKWALL

 

Ship manager/Commercial manager & ISM: ORKNEY FERRIES LTD

 

Registered owner: SCOTLAND GOVT ORKNEY - Orkney Islands Council

 

Shipyard: Cochrane Shipbuilders Ltd., Selby, England

 

Hull Number: 162

 

Keel laying date: 06 Dec 1988

 

Main Engine: x2 Caterpillar 3512TA @ 1300RPM

 

Installed Power kW: 1580kW

 

x1 bow thruster

 

St. Petri Church

Tittel / Title: Bjørnson med familie på Aulestad

Motiv / Motif: Bak fra venstre.: Einar Bjørnson, Elsbeth Bjørnson, Bjørn Bjørnson, Anna Bjørnson. Foran fra venstre: Erling Bjørnson, Gina Oselio (med en hund på fanget), Bergliot Ibsen, Karoline Bjørnson, Bjørnstjerne Bjørnson. Fotografi av Sigurd Ibsen på bordet.

Dato / Date: 1887

Fotograf / Photographer: Vinsnes Dahl.

Sted / Place: Oppland, Gausdal, Aulestad

Eier / Owner Institution: Nasjonalbiblioteket / National Library of Norway

Lenke / Link: nb.no/bjornson/lyd-og-bilde/galleri

Bildesignatur / Image Number: Bildesignatur: no-nb_bldsa_BB1019

Architect: Sigurd Lewerentz (1885-1975),

Built in 1966

 

The Christening font

The christening area is located at the church entrance. It is shaped as a rock and the floor bends upward. The crack in the floor represents episode when Moses cracked the rock with his staff making water flow from it. At the christening, the priest stands in a place on the floor marked with a cross. The Christening font is made of a white mussel from the Indian Ocean. The never ending drip reminds us of God’s never ceasing Grace. See the entire Christening font

 

The Architect

The architect, Doctor of Technology, Sigurd Lewerentz (1885-1975) was 77 years old when he was asked to create St. Petri church. He had behind him, in addition to studies at Chalmers’ university, many years of collected experience, which he could now draw on. Full of life, knowledgeable, independent of all architectural traditions and styles he set about his task. He concentrated all his artistic passion on this task. What he created is not a product of a drawing-board. The placing of every brick is determined directly by him on the spot or indirectly by the instructions he gave to the artisans. The watchful eye of the architect constantly followed the work on the site.

 

Facts

The church was consecrated on 27th of November, 1966 by Bishop Martin Lindström. The nave is built according to “circumstantes”, the idea of the central place of worship. The area is quadratic, 18 x 18 meter. The height is 6 meter in the east and 5 meter in the west. The nave rests on and is built around a cross of iron (the T-cross or the Antonius-cross). The cross should be essential in the preaching and activity of the church as well as in human life. The ceiling is formed as archs and is a symbol of human spirit life as a waving movement. The building has no arched windows. The window-glasses are directly mounted on the outside of the wall with brackets, which gives a feeling of missing windows. All electric wiring and water pipes are mounted directly on the walls – nothing should be hidden into the church. The middle aisle corresponds to the holy way (via sacra) of old days which leads to the Holy Communion table. The walls are built up with the dark-brown brick from Helsingborg, which is made by hand craft as well as machine-made. No bricks are adjusted to suit – man is good enough to be used by God even if she is “odd, rough or not adjusted to suit”. The bricks are partly picked by the architect Lewerentz himself from a scrap-yard. Even human beings, who by others are considered as “scrap”, are suitable for the Lord. The daylight and the illumination are sparse. Too much natural light disturbs the full feeling according to the architect. Therefore the lamps must be lightened during service. Architect Lewerentz wanted to create a soft and warm surrounding with quiet and devotion. While sitting for a while in the church the details are coming forward. The chairs are from Denmark and originally designed for the Grundtvig-church (1940) in Copenhagen. Portable chairs in churches are an old tradition and give the opportunity to rearrange the furniture.

 

Source: Leaflet – Sankt Petri Church in Klippan – A Masterpiece by Sigurd Lewerentz

 

The church was renovated between the years 1979-1981 under the direction of architect Bengt Edman and the church copper roof has been changed during 2011.

 

More pictures of Sigurd Lewerentz’ work

 

Images of other architects' works

 

More information at the St. Petri web page

Architect: Sigurd Lewerentz (1885-1975),

Built in 1966

 

The Christening font

The christening area is located at the church entrance. It is shaped as a rock and the floor bends upward. The crack in the floor represents episode when Moses cracked the rock with his staff making water flow from it. At the christening, the priest stands in a place on the floor marked with a cross. The Christening font is made of a white mussel from the Indian Ocean. The never ending drip reminds us of God’s never ceasing Grace. See the entire Christening font

 

The Architect

The architect, Doctor of Technology, Sigurd Lewerentz (1885-1975) was 77 years old when he was asked to create St. Petri church. He had behind him, in addition to studies at Chalmers’ university, many years of collected experience, which he could now draw on. Full of life, knowledgeable, independent of all architectural traditions and styles he set about his task. He concentrated all his artistic passion on this task. What he created is not a product of a drawing-board. The placing of every brick is determined directly by him on the spot or indirectly by the instructions he gave to the artisans. The watchful eye of the architect constantly followed the work on the site.

 

Facts

The church was consecrated on 27th of November, 1966 by Bishop Martin Lindström. The nave is built according to “circumstantes”, the idea of the central place of worship. The area is quadratic, 18 x 18 meter. The height is 6 meter in the east and 5 meter in the west. The nave rests on and is built around a cross of iron (the T-cross or the Antonius-cross). The cross should be essential in the preaching and activity of the church as well as in human life. The ceiling is formed as archs and is a symbol of human spirit life as a waving movement. The building has no arched windows. The window-glasses are directly mounted on the outside of the wall with brackets, which gives a feeling of missing windows. All electric wiring and water pipes are mounted directly on the walls – nothing should be hidden into the church. The middle aisle corresponds to the holy way (via sacra) of old days which leads to the Holy Communion table. The walls are built up with the dark-brown brick from Helsingborg, which is made by hand craft as well as machine-made. No bricks are adjusted to suit – man is good enough to be used by God even if she is “odd, rough or not adjusted to suit”. The bricks are partly picked by the architect Lewerentz himself from a scrap-yard. Even human beings, who by others are considered as “scrap”, are suitable for the Lord. The daylight and the illumination are sparse. Too much natural light disturbs the full feeling according to the architect. Therefore the lamps must be lightened during service. Architect Lewerentz wanted to create a soft and warm surrounding with quiet and devotion. While sitting for a while in the church the details are coming forward. The chairs are from Denmark and originally designed for the Grundtvig-church (1940) in Copenhagen. Portable chairs in churches are an old tradition and give the opportunity to rearrange the furniture.

 

Source: Leaflet – Sankt Petri Church in Klippan – A Masterpiece by Sigurd Lewerentz

 

The church was renovated between the years 1979-1981 under the direction of architect Bengt Edman and the church copper roof has been changed during 2011.

 

More pictures of Sigurd Lewerentz’ work

 

Images of other architects' works

 

More information at the St. Petri web page

Article about my Grandfather in Swedish newspaper 1963

  

Thanks to Elisabeth Forslund for the translation:

  

Article in Skellefteå local newspaper "Norra Västerbotten" August 15, 1963

  

Caption above: Mr. Wicklund prototype for the Swedish-American.

 

Caption below: "It's a party almost every day for us, Ebba and I ..."

 

"-Al Capone made me nothing. Much more dangerous ....

 

"-... To fall from the ceiling. It was close all the time.

  

Category: Steering wheels left after 40 years

  

He could be the prototype for our symbol of burgne Swedish-American. A gentleman with gray spray in his ears, tanned face, a thin mustache hårdtuktad stubble above the eternally burning cigar with an air of paternal about his distinguished världsXXXXperson.

  

Builder Mr. Sigurd Wicklund 1054 N. Mason Ave Chicago Illinois sitting in front of me, remember and tell about his 65-year life.

 

-Well, now I have it pretty good. Much better than when I worked home in Skellefteå for two swedish crowns a day!

  

There it is, why Sigurd Wicklund left the house in Vikfors to create a future for himself over there in the west.

  

His life story is not particularly remarkable, the poor working boy ????????

 

over to America, worked and lived wild sometimes but who had the strength to resist the business of America sharks and eventually became a self-employed.

  

Wicklund has built houses in America, large and small for nearly 40 years. The last decade as "General Contractor" (roughly: builder)

 

His workmanlike eyes look critically at the Swedes' way of building houses.

 

-You are building for the small window. The only thing you can see from the second floor of your house is a neighbor husgavel. Large windows around the house so you have a view it should be, you see.

  

Wicklund says the whole time "you" to me, translates it with the American spoken word "you" literally. He forgot the Swedish title of the Convention.

  

Thank Wicklund for oblivion.

 

"But the Swedes build nice houses but the marble in the window frames and staircases. Stuff we use only in large buildings.

  

So he tells of construction in America, if a different technology, if spiralhus with 30 floors, car parking and 30 floors, apartments on top and great air conditioning in homes, on glass, aluminum and steel in huskropp are, victims of automation, on trade union power and somewhat incredible wages.

  

He says quietly and thoughtfully. Picks sometimes with a light blue silk tie, chewing on cigars.

 

-How to hire a carpenter costing you more than $ 5 an hour. Of the salary is a few cents to the union and the pension fund.

  

Builders must retire at 65 years with $ 100 a month ??????????????

 

4600 per year. The wife may be about half of that sum.

  

Wicklund is himself retired. In our last, he sold the house and went over to the Västerbotten to happen to the family. Of the twelve siblings in the four gone forever.

  

"It's a party almost every day for us, Ebba and I," says Wicklund. But exciting and interesting. It has been so altered in Skellefte area since 1923rd

  

Ebba Wicklund is a wife, a gotlandstös as Sigurd met in the States.

 

-Not you may believe you need to be in Sweden to meet with Swedes. No, the world is small, really.

  

And so says Wicklund what happened that one of his two sons, Major at the U.S. Air Force. The son was out fishing in Alaska and met with a man who spoke broken English. The man was from Skellefteå!

  

-There are plenty of Swedes and Swedish descendants in Chicago, "says Wicklund and teeth the dying cigar. We have incidentally one Swedish newspaper, Swedish American, published in Chicago.

  

The magazine is small and the news is often six months old.

 

But, it is still news to us. Each county has its title, so it happens that we have read about Skellefteå.

  

"Prototype" Wicklund has understood its own house in Chicago and Buick in the garage: "I'm not completely well, you see, so the doctor advised me to leave the car at home. When we came here I went and bought a car. It's so nice to ride in town, like the old woman.

  

??????????????????????????????????

 

okay boy. It is a cinch. Tell them that there is no trick to change sides of the street.

  

Wicklund turns on its antrasitgrå summer hat and smiled suddenly. He smiles at ungdomsförvillelserna and remember the meeting with the leader gangster Al Capone in a gambling den in Chicago.

  

"But it was back then, summarizes Wicklund, which has since been much closer to death, for example, when he fell from the rooftop and landed on some iron rods. Five-rib broken pelvis and damaged. It was all close.

  

But now Wicklund live a quiet life in his wife Ebba's pet. In a few weeks taking the boat over to Chicago again. If Wicklund then had time to meet with all the old friends from adolescence.

Sigurd, the restaurant's mascot.

 

Amass

Copenhagen, Denmark

(September 10, 2014)

 

the ulterior epicure | Twitter | Facebook | Instagram | Bonjwing Photography

St. Petri Church

Woodland Cemetery, Stockholm, Sweden,

by Gunnar Asplund and Sigurd Lewerentz in 1915-40

Architect: Sigurd Lewerentz (1885-1975),

Built in 1966

 

The Christening font

The christening area is located at the church entrance. It is shaped as a rock and the floor bends upward. The crack in the floor represents episode when Moses cracked the rock with his staff making water flow from it. At the christening, the priest stands in a place on the floor marked with a cross. The Christening font is made of a white mussel from the Indian Ocean. The never ending drip reminds us of God’s never ceasing Grace.

 

The Architect

The architect, Doctor of Technology, Sigurd Lewerentz (1885-1975) was 77 years old when he was asked to create St. Petri church. He had behind him, in addition to studies at Chalmers’ university, many years of collected experience, which he could now draw on. Full of life, knowledgeable, independent of all architectural traditions and styles he set about his task. He concentrated all his artistic passion on this task. What he created is not a product of a drawing-board. The placing of every brick is determined directly by him on the spot or indirectly by the instructions he gave to the artisans. The watchful eye of the architect constantly followed the work on the site.

 

Facts

The church was consecrated on 27th of November, 1966 by Bishop Martin Lindström. The nave is built according to “circumstantes”, the idea of the central place of worship. The area is quadratic, 18 x 18 meter. The height is 6 meter in the east and 5 meter in the west. The nave rests on and is built around a cross of iron (the T-cross or the Antonius-cross). The cross should be essential in the preaching and activity of the church as well as in human life. The ceiling is formed as archs and is a symbol of human spirit life as a waving movement. The building has no arched windows. The window-glasses are directly mounted on the outside of the wall with brackets, which gives a feeling of missing windows. All electric wiring and water pipes are mounted directly on the walls – nothing should be hidden into the church. The middle aisle corresponds to the holy way (via sacra) of old days which leads to the Holy Communion table. The walls are built up with the dark-brown brick from Helsingborg, which is made by hand craft as well as machine-made. No bricks are adjusted to suit – man is good enough to be used by God even if she is “odd, rough or not adjusted to suit”. The bricks are partly picked by the architect Lewerentz himself from a scrap-yard. Even human beings, who by others are considered as “scrap”, are suitable for the Lord. The daylight and the illumination are sparse. Too much natural light disturbs the full feeling according to the architect. Therefore the lamps must be lightened during service. Architect Lewerentz wanted to create a soft and warm surrounding with quiet and devotion. While sitting for a while in the church the details are coming forward. The chairs are from Denmark and originally designed for the Grundtvig-church (1940) in Copenhagen. Portable chairs in churches are an old tradition and give the opportunity to rearrange the furniture.

 

Source: Leaflet – Sankt Petri Church in Klippan – A Masterpiece by Sigurd Lewerentz

 

The church was renovated between the years 1979-1981 under the direction of architect Bengt Edman and the church copper roof has been changed during 2011.

 

More pictures of Sigurd Lewerentz’ work

 

Images of other architects' works

 

More information at the St. Petri web page

Sigurd

Sigurd Sellæg og barna Anne Margrethe og Axel på Hylla ca 1935. Bildet fra Sellægarkivet/Namsos Bys historielag.

Malmö & Klippan

 

Lewerentz’ flower shop kiosk in Malmo’s cemetry and church in Klippan both exemplify a detail beyond that of the initial monoliths of concrete and brick respectively. His church at Klippan plays with idea of what is and is not load bearing. This is expressed through decorative brickwork set against monolithic stretcher bond brick. Both being set into a large mortar joint giving the appearance of the bricks floating within a larger whole. This idea plays a key role in the expression of the tectonics of the scheme. The wall with the set back door plays with ideas of the thickness of a wall. The idea of a skin which is peeled away to reveal a deep core. This links in with the ideas of safety, comfort and shelter. Ideas which are all important to instill when entering a building such as a church.

Realising the importance of a window being set either flush to the internal or external wall, also the difference of having no window frame as such but merely clamping the glazing unit to the wall.

The flower shop kiosk plays with ideas of a concrete monolith, with the door not reaching down to the ground, suggesting that this door is merely an aperture rather than defining the buildings connection to the ground. The windows aswell, on the surface of the wall, suggest a wall which is not breached, as opposed to setting them back which would suggest that the wall is punctured. The cantilever of the roof is held up by battons which stretch back up the roof, issues of ‘self support’ as opposed to convention.

arkitekt Sigurd Lewerentz

1956-60,

under restauration summer 2016 so exteriors only

Architect: Sigurd Lewerentz

Built in: 1913

Client: Stockholms Roddförening

 

Stockholms Roddförening is a rowing club on Gärdet next to Djurgårdsbrunn in Stockholm. The Club was founded in April 8, 1880. The current boathouse, designed by architect Sigurd Lewerentz was inaugurated July 13, 1913. Timber from the Stockholm Olympics arena were used to build the boathouse. At the ceiling in the boat room you still can see the seat numbers in the wood.

 

The house has over the years been carefully refurbished and modernized. It looks the same on both the outside and inside as when it was new. Most of the benches and tables in the upstairs rooms belong to the original interior from 1913. The house is considered to have great historical value.

 

More pictures of Sigurd Lewerentz’ work

Architect: Sigurd Lewerentz (1885-1975),

Built in 1966

 

The Chairs

The chairs are from Denmark and originally designed for the Grundtvig-church (1940) in Copenhagen by Kaare Klint. Portable chairs in churches are an old tradition and give the opportunity to rearrange the furniture.

 

The Architect

The architect, Doctor of Technology, Sigurd Lewerentz (1885-1975) was 77 years old when he was asked to create St. Petri church. He had behind him, in addition to studies at Chalmers’ university, many years of collected experience, which he could now draw on. Full of life, knowledgeable, independent of all architectural traditions and styles he set about his task. He concentrated all his artistic passion on this task. What he created is not a product of a drawing-board. The placing of every brick is determined directly by him on the spot or indirectly by the instructions he gave to the artisans. The watchful eye of the architect constantly followed the work on the site.

 

Facts

The church was consecrated on 27th of November, 1966 by Bishop Martin Lindström. The nave is built according to “circumstantes”, the idea of the central place of worship. The area is quadratic, 18 x 18 meter. The height is 6 meter in the east and 5 meter in the west. The nave rests on and is built around a cross of iron (the T-cross or the Antonius-cross). The cross should be essential in the preaching and activity of the church as well as in human life. The ceiling is formed as archs and is a symbol of human spirit life as a waving movement. The building has no arched windows. The window-glasses are directly mounted on the outside of the wall with brackets, which gives a feeling of missing windows. All electric wiring and water pipes are mounted directly on the walls – nothing should be hidden into the church. The middle aisle corresponds to the holy way (via sacra) of old days which leads to the Holy Communion table. The walls are built up with the dark-brown brick from Helsingborg, which is made by hand craft as well as machine-made. No bricks are adjusted to suit – man is good enough to be used by God even if she is “odd, rough or not adjusted to suit”. The bricks are partly picked by the architect Lewerentz himself from a scrap-yard. Even human beings, who by others are considered as “scrap”, are suitable for the Lord. The daylight and the illumination are sparse. Too much natural light disturbs the full feeling according to the architect. Therefore the lamps must be lightened during service. Architect Lewerentz wanted to create a soft and warm surrounding with quiet and devotion. While sitting for a while in the church the details are coming forward. The chairs are from Denmark and originally designed for the Grundtvig-church (1940) in Copenhagen. Portable chairs in churches are an old tradition and give the opportunity to rearrange the furniture.

 

Source: Leaflet – Sankt Petri Church in Klippan – A Masterpiece by Sigurd Lewerentz

 

The church was renovated between the years 1979-1981 under the direction of architect Bengt Edman and the church copper roof has been changed during 2011.

 

More pictures of Sigurd Lewerentz’ work

 

Images of other architects' works

 

More information at the St. Petri web page

Malmö & Klippan

 

Lewerentz’ flower shop kiosk in Malmo’s cemetry and church in Klippan both exemplify a detail beyond that of the initial monoliths of concrete and brick respectively. His church at Klippan plays with idea of what is and is not load bearing. This is expressed through decorative brickwork set against monolithic stretcher bond brick. Both being set into a large mortar joint giving the appearance of the bricks floating within a larger whole. This idea plays a key role in the expression of the tectonics of the scheme. The wall with the set back door plays with ideas of the thickness of a wall. The idea of a skin which is peeled away to reveal a deep core. This links in with the ideas of safety, comfort and shelter. Ideas which are all important to instill when entering a building such as a church.

Realising the importance of a window being set either flush to the internal or external wall, also the difference of having no window frame as such but merely clamping the glazing unit to the wall.

The flower shop kiosk plays with ideas of a concrete monolith, with the door not reaching down to the ground, suggesting that this door is merely an aperture rather than defining the buildings connection to the ground. The windows aswell, on the surface of the wall, suggest a wall which is not breached, as opposed to setting them back which would suggest that the wall is punctured. The cantilever of the roof is held up by battons which stretch back up the roof, issues of ‘self support’ as opposed to convention.

Malmö & Klippan

 

Lewerentz’ flower shop kiosk in Malmo’s cemetry and church in Klippan both exemplify a detail beyond that of the initial monoliths of concrete and brick respectively. His church at Klippan plays with idea of what is and is not load bearing. This is expressed through decorative brickwork set against monolithic stretcher bond brick. Both being set into a large mortar joint giving the appearance of the bricks floating within a larger whole. This idea plays a key role in the expression of the tectonics of the scheme. The wall with the set back door plays with ideas of the thickness of a wall. The idea of a skin which is peeled away to reveal a deep core. This links in with the ideas of safety, comfort and shelter. Ideas which are all important to instill when entering a building such as a church.

Realising the importance of a window being set either flush to the internal or external wall, also the difference of having no window frame as such but merely clamping the glazing unit to the wall.

The flower shop kiosk plays with ideas of a concrete monolith, with the door not reaching down to the ground, suggesting that this door is merely an aperture rather than defining the buildings connection to the ground. The windows aswell, on the surface of the wall, suggest a wall which is not breached, as opposed to setting them back which would suggest that the wall is punctured. The cantilever of the roof is held up by battons which stretch back up the roof, issues of ‘self support’ as opposed to convention.

Architect: Sigurd Lewerentz (1885-1975),

Built in 1966

 

The Architect

The architect, Doctor of Technology, Sigurd Lewerentz (1885-1975) was 77 years old when he was asked to create St. Petri church. He had behind him, in addition to studies at Chalmers’ university, many years of collected experience, which he could now draw on. Full of life, knowledgeable, independent of all architectural traditions and styles he set about his task. He concentrated all his artistic passion on this task. What he created is not a product of a drawing-board. The placing of every brick is determined directly by him on the spot or indirectly by the instructions he gave to the artisans. The watchful eye of the architect constantly followed the work on the site.

 

Facts

The church was consecrated on 27th of November, 1966 by Bishop Martin Lindström. The nave is built according to “circumstantes”, the idea of the central place of worship. The area is quadratic, 18 x 18 meter. The height is 6 meter in the east and 5 meter in the west. The nave rests on and is built around a cross of iron (the T-cross or the Antonius-cross). The cross should be essential in the preaching and activity of the church as well as in human life. The ceiling is formed as archs and is a symbol of human spirit life as a waving movement. The building has no arched windows. The window-glasses are directly mounted on the outside of the wall with brackets, which gives a feeling of missing windows. All electric wiring and water pipes are mounted directly on the walls – nothing should be hidden into the church. The middle aisle corresponds to the holy way (via sacra) of old days which leads to the Holy Communion table. The walls are built up with the dark-brown brick from Helsingborg, which is made by hand craft as well as machine-made. No bricks are adjusted to suit – man is good enough to be used by God even if she is “odd, rough or not adjusted to suit”. The bricks are partly picked by the architect Lewerentz himself from a scrap-yard. Even human beings, who by others are considered as “scrap”, are suitable for the Lord. The daylight and the illumination are sparse. Too much natural light disturbs the full feeling according to the architect. Therefore the lamps must be lightened during service. Architect Lewerentz wanted to create a soft and warm surrounding with quiet and devotion. While sitting for a while in the church the details are coming forward. The chairs are from Denmark and originally designed for the Grundtvig-church (1940) in Copenhagen. Portable chairs in churches are an old tradition and give the opportunity to rearrange the furniture.

 

Source: Leaflet – Sankt Petri Church in Klippan – A Masterpiece by Sigurd Lewerentz

 

The church was renovated between the years 1979-1981 under the direction of architect Bengt Edman and the church copper roof has been changed during 2011.

 

More pictures of Sigurd Lewerentz’ work

 

Images of other architects' works

 

More information at the St. Petri web page

Quarter plate 16inch 4,5 darlot

Finally I got Sigurd's sister Kimmi as a Hybrid

Architect: Sigurd Lewerentz (1885-1975),

Built in 1943

 

The Eastern Cemetery (Östra kyrkogården) is famous for its design and beauty far beyond Swedens borders. The Cemetery was created by the architect Sigurd Lewerentz, who from 1916 until his death in 1975 was engaged in the cemetery's various stages of development. After a contest Lewerentz was chosen to design the cemetery and the related buildings.

 

The Eastern Cemetery has a chapel and crematorium facility, which also bears the architect Sigurd Lewerentz signature. The plant was built during the war years in the early 1940s and was the inaugural completed on 23 October 1943. Here are three chapels - Saint Gertrude, St. Knut's and the Chapel of Hope, with pleasing works of art by artists including Sven Erixon, Otte Sköld and Robert Nilsson. The Crematorium is no longer in use.

 

More information about The Eastern Cemetary in Swedish.

 

More pictures of Sigurd Lewerentz’ work

Sigurd / Trading-Card Serie

Wetterleuchten über Burg Falkenfels

Ein Bildabenteuer aus mittelalterlichen Tagen

erzählt und gezeichnet von Hansrudi Wäscher

Norbert Hethke Verlag / Deutschland 1994

ex Ephemera-Sammlung MTP

Architect: Sigurd Lewerentz (1885-1975),

Built in 1966

 

The Chairs

The chairs are from Denmark and originally designed for the Grundtvig-church (1940) in Copenhagen by Kaare Klint. Portable chairs in churches are an old tradition and give the opportunity to rearrange the furniture.

 

The Architect

The architect, Doctor of Technology, Sigurd Lewerentz (1885-1975) was 77 years old when he was asked to create St. Petri church. He had behind him, in addition to studies at Chalmers’ university, many years of collected experience, which he could now draw on. Full of life, knowledgeable, independent of all architectural traditions and styles he set about his task. He concentrated all his artistic passion on this task. What he created is not a product of a drawing-board. The placing of every brick is determined directly by him on the spot or indirectly by the instructions he gave to the artisans. The watchful eye of the architect constantly followed the work on the site.

 

Facts

The church was consecrated on 27th of November, 1966 by Bishop Martin Lindström. The nave is built according to “circumstantes”, the idea of the central place of worship. The area is quadratic, 18 x 18 meter. The height is 6 meter in the east and 5 meter in the west. The nave rests on and is built around a cross of iron (the T-cross or the Antonius-cross). The cross should be essential in the preaching and activity of the church as well as in human life. The ceiling is formed as archs and is a symbol of human spirit life as a waving movement. The building has no arched windows. The window-glasses are directly mounted on the outside of the wall with brackets, which gives a feeling of missing windows. All electric wiring and water pipes are mounted directly on the walls – nothing should be hidden into the church. The middle aisle corresponds to the holy way (via sacra) of old days which leads to the Holy Communion table. The walls are built up with the dark-brown brick from Helsingborg, which is made by hand craft as well as machine-made. No bricks are adjusted to suit – man is good enough to be used by God even if she is “odd, rough or not adjusted to suit”. The bricks are partly picked by the architect Lewerentz himself from a scrap-yard. Even human beings, who by others are considered as “scrap”, are suitable for the Lord. The daylight and the illumination are sparse. Too much natural light disturbs the full feeling according to the architect. Therefore the lamps must be lightened during service. Architect Lewerentz wanted to create a soft and warm surrounding with quiet and devotion. While sitting for a while in the church the details are coming forward. The chairs are from Denmark and originally designed for the Grundtvig-church (1940) in Copenhagen. Portable chairs in churches are an old tradition and give the opportunity to rearrange the furniture.

 

Source: Leaflet – Sankt Petri Church in Klippan – A Masterpiece by Sigurd Lewerentz

 

The church was renovated between the years 1979-1981 under the direction of architect Bengt Edman and the church copper roof has been changed during 2011.

 

More pictures of Sigurd Lewerentz’ work

 

Images of other architects' works

 

More information at the St. Petri web page

Sigurd the Earl of Orkney is flanked by his three sons on his right and on the left by his wife - Olith nic Mael Coluim (and the daughter of Malcolm King of Scots confirming that handy old habit of trading your children in marriage to better cement international alliances - I'm wondering if perhaps our long term futures might be enhanced by a marriage of our new Prince George to a fair daughter of the Peoples Republic of China?). Of the Earl's sons, I'm not sure I have them in the right order in the profiles below, gleaned from the Orkneyinga Saga:-

 

After Sigurd's death at the Battle of Clontarf the Orkney lands of his Earldom were distributed among his three sons: Sumarlidi Brusi and Einar. His youngest son Thorfinn was only five years age and was in the care of his grandfather King Malcolm of Scotland who later in life gave Thorfinn the Earldom comprising Caithness and Sutherland. Thorfinn is described as a tall. strong black-haired man and was a bit of a greedy sod.

 

Sumarlidi died quite young, and unusually, in his bed. Thorfinn then claimed his share of Sumarlidi's Orkney lands. Einar refused to go along with this though Brusi was willing for Thorfinn to have a share of these lands. Eventually Einar took over control of two thirds of Orkney, he ruled with a strong hand and continued summer voyages in pursuit of plunder. He was unflinching in extracting taxes from his tenants and a bit of a bully. In time his avarice led to famine throughout his holdings while in the neighbouring lands belonging to his brother Brusi prospered. Einar was ruthless and cruel a hard and successful fighting man who brought despair to his people. His brother Brusi was peaceloving and fair-minded much like his dead brother Sumarlidi had been. Thus, then as now, the fates of men are decided by the character of their rulers.

 

Architect: Sigurd Lewerentz

Built in: 1930-1932

Client:

 

This is the former building for The Swedish Social Insurance Agency that administers social insurance in Sweden. The building was designed by Sigurd Lewerents and is considered one of the most important modern buildings in Sweden.

 

More pictures of Sigurd Lewerentz’ work

 

Olympus digital cameraArchitect: Sigurd Lewerentz (1885-1975),

Built in 1966

 

The Architect

The architect, Doctor of Technology, Sigurd Lewerentz (1885-1975) was 77 years old when he was asked to create St. Petri church. He had behind him, in addition to studies at Chalmers’ university, many years of collected experience, which he could now draw on. Full of life, knowledgeable, independent of all architectural traditions and styles he set about his task. He concentrated all his artistic passion on this task. What he created is not a product of a drawing-board. The placing of every brick is determined directly by him on the spot or indirectly by the instructions he gave to the artisans. The watchful eye of the architect constantly followed the work on the site.

 

Facts

The church was consecrated on 27th of November, 1966 by Bishop Martin Lindström. The nave is built according to “circumstantes”, the idea of the central place of worship. The area is quadratic, 18 x 18 meter. The height is 6 meter in the east and 5 meter in the west. The nave rests on and is built around a cross of iron (the T-cross or the Antonius-cross). The cross should be essential in the preaching and activity of the church as well as in human life. The ceiling is formed as archs and is a symbol of human spirit life as a waving movement. The building has no arched windows. The window-glasses are directly mounted on the outside of the wall with brackets, which gives a feeling of missing windows. All electric wiring and water pipes are mounted directly on the walls – nothing should be hidden into the church. The middle aisle corresponds to the holy way (via sacra) of old days which leads to the Holy Communion table. The walls are built up with the dark-brown brick from Helsingborg, which is made by hand craft as well as machine-made. No bricks are adjusted to suit – man is good enough to be used by God even if she is “odd, rough or not adjusted to suit”. The bricks are partly picked by the architect Lewerentz himself from a scrap-yard. Even human beings, who by others are considered as “scrap”, are suitable for the Lord. The daylight and the illumination are sparse. Too much natural light disturbs the full feeling according to the architect. Therefore the lamps must be lightened during service. Architect Lewerentz wanted to create a soft and warm surrounding with quiet and devotion. While sitting for a while in the church the details are coming forward. The chairs are from Denmark and originally designed for the Grundtvig-church (1940) in Copenhagen. Portable chairs in churches are an old tradition and give the opportunity to rearrange the furniture.

 

Source: Leaflet – Sankt Petri Church in Klippan – A Masterpiece by Sigurd Lewerentz

 

The church was renovated between the years 1979-1981 under the direction of architect Bengt Edman and the church copper roof has been changed during 2011.

 

More pictures of Sigurd Lewerentz’ work

 

Images of other architects' works

 

More information at the St. Petri web page