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With its origins dating back to 1840 the West Side Market is Cleveland's oldest publicly owned market. Beginning as an open air marketplace on a tract of land donated by two Ohio City landowners, Josiah Barber and Richard Lord, at the corner of West 25th (Pearl) and Lorain it has undergone much growth and many improvements to arrive at its current form. The centerpiece of the market, the yellow brick markethouse with an interior concourse, was designed by the architects Benjamin Hubbel and W. Dominick Benes who also designed other famous buildings in Cleveland, such the Cleveland Museum of Art and the Wade Memorial Chapel in Lakeview Cemetery. The markethouse was dedicated in 1912 and with its 137 foot clock tower has stood as a Cleveland landmark for nearly a century. The last major renovation of the West Side Market took place in 2004 when the arcade portion of the market was enclosed and heated and major interior and architectural renovations were completed in the main building.
Today the market is home to over 100 vendors of great ethnic diversity. You can find not only fine meats and fresh vegetables, but also fresh seafood, baked goods, dairy and cheese products, and even fresh flowers. There are also booths that sell ready-to-eat foods, herbs, candy and nuts. Tourists from all over the world tour the market every year drawn by television programs produced by the Travel Channel and Food Network featuring segments on the West Side Market. Last year it is estimated that over a million people visited the market. Whether as a day-tour destination or a weekly shopping experience, the West Side Market continues to be an interesting and historical Cleveland tradition.
Making some adjustments in the design of the back area to better suit the situation at hand with it's surrounding environment.
I can almost hear the sputtering, dead thump of an unresponsive ignition, final surrender to the elements. It's been at least 23 years since this truck last went anywhere, now it's just part of the yard. Unintentional art, permanent marking to an driver's life lost. Gravestones made of steel, I see them all over, rusting while we're rotting elsewhere. They won't survive for historical value, crumbling in the limbo between too old and not old enough. By the time someone feels inclined to get her roadworthy again, all is lost. I can hear an aching echo, stories from the shotgun side, something spoken softly from a soul behind the wheel. Ordinary beauty if you want to call it, talking for the sake of filling space. Humanity warm as the chill I feel tonight, heated words and cool silence to keep us coming back. I'm going home, you're going nowhere at all.
November 9, 2019
Kings County, Nova Scotia
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From signage in the church:
Between 1764 and 1781 the church was fitted with an ensemble of late Baroque fixtures: the pulpit, confessionals, pews and eleven altars. The ensemble displayed stylistic harmony, as well as a singleness of purpose-drawing attention to the main altar.
[The main altar] now contains the Crucifix that had previously hung above the altar of the Holy Cross. The cross was known to bestow special grace, and it was at this time that the fresco depicting this Crucifix was painted on the façade of the church. The identity of the person who designed the new interior furnishings is not now known. The interior was executed by several joiners (Giotto, Holtzas, Valteris and others are mentioned). Paintings for the altars were done by . . . a person with the surname Motiejus.
Between 1764 and 1768 Mikaloju Jansonas, a renowned organ builder of the day, restored the church organ and moved it from the side nave to a platform constructed at the back of the presbytery (choir). (At the end of the 19th century the organ was reconstructed once again and moved to the old balcony of the Bernardines.)
From the middle of the 18th century until the end of the 20th century the architecture and furnishings of the church remained largely unchanged. When the church was closed during the Soviet years, the painting over the altar, the liturgical vessels and other fixtures were scattered among museum collections or given to other churches.
The altar ensemble, which was disassembled for reconstruction has only been partially restored. In response to present-day liturgical requirements, a new altar created by Rimas Skakalauakas was constructed in 1998 and placed in the central nave of the church. The altar echoes the lines and shapes of the old Gothic belfry.
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From Wikipedia:
The Church of St. Francis and St. Bernard (also known as Bernardine Church) is a Roman Catholic church in the Old Town of Vilnius, Lithuania. It is located next to St. Anne's Church. Dedicated to Saints Francis of Assisi and Bernardino of Siena, it is an important example of Gothic architecture in Lithuania.
History
After their arrival in Vilnius, Bernardine monks built a wooden church in the second half of the 15th century, and at the end of the same century - a brick one.
In the early 16th century it was reconstructed, apparently with the participation of a master from Gdansk (Danzig) Michael Enkinger.
In the beginning of the 16th century the church was incorporated into the construction of Vilnius defensive wall, so there are shooting openings in its walls.
Afterwards it was renewed many times, particularly after the 1655-61 war with Moscow, when the Cossacks ravaged the church killing the monks and citizens who had taken shelter there.
In the times of the Soviet occupation it was closed down and handed over to the Art institute.
In 1994, the brethren of St. Francis returned to the church.
Church and Monastery are some of the largest sacral buildings in Vilnius, although in the 17th and 18th centuries they acquired the Renaissance and Baroque features.
Being much larger and more archaic than the St. Anne's Church, it forms and interesting and unique ensemble with the latter.
Gothic pointed-arch windows and buttresses stand out on the façade. Above them rises a pediment with twin octagonal towers on the sides and a fresco depicting the Crucifix in the middle niche.
A Gothic presbytery is the oldest part of the church. Eight high pillars divide the church interior into 3 naves.
There are many valuable 16th-century wall paintings in Bernardine church and the oldest known artistic Lithuanian crucifix sculpture from the 15th century. [2]
The walls of the naves are decorated with Gothic polychrome frescoes, partly uncovered in 1981 - dynamic, colourful figural compositions on biblical and hagiographic themes, with occasional inscriptions in Gothic characters, floral ornaments, heraldic insignia etc.
These mural paintings date from the early 16th century and are considered unique in the world: their composition and type of presentation of the subject matter belongs to Renaissance, and the stylistics - to the Gothic style. [3]
The Bernardine monastery north of the church, built simultaneously with the church, was renovated and reconstructed several times. Since its founding, a novitiate and a seminary operated at the monastery, a rich library had been accumulated, and a scriptorium operated. There [were] artists, craftsmen and organists among the monks. The monastery was closed in 1864, and the building housed soldiers' barracks. In 1919 it was given to the art faculty of the university, later - to the Art Institute (now the Art Academy).
en.wikipedia.org/wiki/Church_of_St._Francis_and_St._Berna...
Owner: Gary and Flo Garman of York, PA.
Playing Now: You Wouldn't Know Love ~ Jamey Johnson & Ray Price
Photographed @ the 2013 16th Annual Goodguys PPG Nationals in Columbus, Ohio.
COPYRIGHT NOTICE: © 2013 Mark O'Grady Digital Studio\MOSpeed Images. All photographs displayed with the Mark O'Grady/Mark O'Grady Digital Studio/MOSpeed Images logo(s) are protected by Canadian, United States of America and International copyright laws unless stated otherwise. The photos on this website are not stock and may not be used for manipulations, references, blogs, journals, share sites, etc. They are intended for the private use of the viewer and may not be published or reposted in any form without the prior consent of its owner Mark O’Grady/MOSpeed Images Group LLC.
WEEK 51.2 – Southaven Burlington Relocation: New Store, Set III
Here's a look down the left-side actionway toward the front of the store. (I'm making a conscious effort to use “toward” here, even though I prefer “towards.” I looked it up, and apparently the “-s” is a British thing; Americans do without the extra letter at the end. That goes for similar words as well, like forward, backward, upward, downward, and afterward, according to Google. To me, though, those all sound weird without the “-s.” Just sayin'. #TheMoreYouKnow)
...With that out of the way, here's another Sports Authority comparison shot for you, although I believe that was taken a bit further up.
(c) 2017 Retail Retell
These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)
At the end of July last year, I figured out how to update the cabin of the Chrysalis into a cleaner fit and add a nose.
I realized that I never went back and took a set of updated photos, and now that I have a better camera (46 MP) and access to lighting I thought I'd go ahead and give it a refresher session.
Left model:
www.flickr.com/photos/119967028@N08/31637320167/in/datepo...
www.flickr.com/photos/119967028@N08/31637317787/in/datepo...
www.flickr.com/photos/119967028@N08/46563025501/in/datepo...
<a
the right model:
www.flickr.com/photos/119967028@N08/40141377480/in/datepo...
www.flickr.com/photos/119967028@N08/45664095045/in/datepo...
4/1/2010
Yashica A
FujiColor NHG II 800 (120 film)
(expired 6/2003)
Flip Side Records
Pompton Lakes, New Jersey
St Francis Xavier's Cathedral Adelaide September 2, 2013 Australia
St Francis Xavier's Cathedral is a Roman Catholic cathedral in Adelaide, South Australia. It is classified as being a Gothic Revival building in the Early English style. The tower stands 36 m high and is 56.5 m lengthwise and 29.5 m horizontally. The foundation stone was laid in 1856, and construction of the tower began in 1887. However, it was not completed until 1996.
In 1838, two years after the proclamation of South Australia, an advertisement was put up to organise religious meetings for South Australian Catholics. The first mass was held in a house on East Terrace in 1840. In 1845, a Catholic Primary School was set up, and used as the religious centre for Catholics, until the foundation stone for a cathedral was laid in 1851 for a design by Richard Lambeth. However, with a gold rush in Victoria, Lambeth left along with many of the population, leaving no plans, and with the community in economic depression.
The original foundation stone was put in place on 17 March 1856 by the Vicar General Father Michael Ryan, with the first part of the cathedral being dedicated on 11 July 1858. It was first extended when construction began at the southern end of the Cathedral, including the sanctuary, Side Chapel, Lady Chapel and Sacristy in January 1859. Construction of the first extension finished the following year in November 1860. With further growth in the population of Adelaide, another extension was required to seat more worshippers. In November 1886, Bishop Reynolds laid the foundation stone for an extension on the eastern side for a further 200 people, as well new vestries and confessionals. These were completed in August the following year. In 1904, electric lighting was introduced. The Cathedral was expanded again in 1923, with extensions to the Western aisle and northern end of the bell tower, and was opened in April 1926 by Archbishop Spence. The cornerstone of the current bell tower was laid in 1887, and although the lower part was
built between 1923 and 1926, it was not completed until 1996, 109 years after construction of the tower commenced. The bell used in the tower is the Murphy Bell of 1867, surrounded by thirteen other bells hung for change ringing, installed in 1996, 7 of these bells date from 1881 and were previously in St Mary's Cathedral, Sydney.
For More Info: en.wikipedia.org/wiki/St_Francis_Xavier%27s_Cathedral,_Ad...
Pitts S-2S Special biplane performing aerobatics over the beach in Side, Turkey.
The Airshow Side, a two-day event dedicated to aviation, took place during the first weekend of October. It was a very nice surpise to me at the start of our holiday in Side to see Ali İsmet Öztürk again! We admired his aerobatics skills twice in our hometown, during the Kraków Air Show.
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
Plz view in a large size for clearer details
A lot of people asked me about the color results from this photo and the previous one. so to explain how it works :D
i did the "almost" cross processing/lomo effect in photoshop, but of course the smena and film has a charming effect as well.
i'm not sure if you are familiar with lomography and cross processing, but what you need to do is get a lomo camera and use an E-6 film; then process it in C-41 (normal film) chemicals
i bought the smena lomo camera to do some lomos but unfortunately i cant find E-6 films in Egypt , they are very rare to find so it looks like um going to buy some from ebay
so put in mind that these colors are photoshoped..not sooc nor chemically cross processed. Hopefully you'll see some real lomos when i get my E-6 film from ebay :D"
We took this small side pipe to get away from the poo smell from the sewage leaking into the Finders Keeps Storm Drain. It turned out to be a beautifuly worn and stained old pipe
St. Andrews Church is a ruined church situated on the east side of the island, above the Church Ope Cove beach, near Wakeham village. It is found close to the ruins of Rufus Castle and the private Gothic Revival mansion Pennsylvania Castle, including John Penn's Bath. St Andrew's Church was Portland's first parish church and one of the island's prime historical sites. It remained the parish church of the island until the mid-18th century.
St. Andrews Church is Portland's oldest part-surviving building and has been a Grade II* Listed Building since January 1951. The southern retaining wall of the churchyard has been Grade II Listed since September 1978. The wall is partly medieval, and occasionally repaired and overgrown, stepping down the cliff-side. The three remaining churchyard monuments, approx 7 metres south of the church, have been Grade II Listed since May 1993. This comprises two chest tombs and a headstone, dating from the 17th and 18th centuries.
Through archaeology, it has been discovered that the site was occupied from Saxon period, dating 1500 years ago. The church structure reveals the foundations of an earlier Saxon church, where the older structure was of much better masonry than the newer one. Edward the Confessor, the son of the exiled Ethelred the Unready had bestowed Portland to the Benedictine Monks of St. Swithin of Winchester in 1042 who in turn built a new church over the old Saxon foundations in 1100. In January 1340 French raiders landed at Church Ope Cove and torched St. Andrews and again in 1404, where each time the tiny church was rebuilt.
Around 1470-1475 a tower was added and the church was dedicated to St. Andrew, during the reign of Edward IV. In 1625 a wall was built to shore up the land after a landslip had damaged the church, and threatened half of the cemetery to collapse onto the beach below. Another major landslip in 1675 caused considerable damage, whilst the church continued to suffer from an unstable site and various invasions of French pirates. The church was abandoned after it was in danger of falling over the cliff after a second massive landslip around 1734-1735, known as The Great Southwell Landslip which remains Britain's second largest recorded historical landslide. This event caused a large section of the graveyard to slip down the cliff. Following the 1734 landslip, a decision was made, with a survey of the old church finding that repairs would be at least half the cost of a new building. This led to the church being closed and partly demolished in July 1756. Much of the stone was taken for use in local domestic dwellings. St George's Church was soon built at Reforne between 1754 and 1766, near Easton village, to replace the church.
The politician and writer John Penn, the grandson of the founder of the Pennsylvania state in America, built his Gothic Revival mansion overlooking Church Ope Cove, between 1797 and 1800. During the same period, Penn decided to enclose the surrounding land around his mansion, including Rufus Castle and St Andrew's Church. This caused large outcry from local residents. The Court Leet, who represented Portland's population, protested against the enclosing for a number of years. This legal battle was not settled until 1822, when the Court Leet came to agreement that Penn could keep the land enclosed in return for the annual payment of five shillings. The two historical buildings remained part of the mansion grounds into the 20th century.
Canon 5DMkII | Canon 24-70mm F/2.8 lens | ISO100 | 27mm | F/1 | 81 sec | Lee 0.6 ND soft grad & Lee Big stopper
Walking along the Silkstone Waggonway last week. This one section by the Pot House Hamlets is fenced.
Happy Friday!
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