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splendid attempts at using manual focus at night. I love the contrast between the bright lights & deep color against the deep void of night
Aria just got back from seeing Kayne West and bought those ridiculous glasses. I think they look great on Domo-kun :D
I found this picture in an old stack of prints. On the back, it is marked "Mystic Color Labs - 1995" (Mystic has since been bought out by York photo based here in WV and Maryland).
I set up my Canon AE-1 (still have it...check my tags) on a tripod with an air release(have that too)...you squeeze the bulb and the plunger on the other end fires the shutter. It's about 30 feet long, so I was able to set it up and sit inside waiting for birds. I set the focus...the AE-1 set exposure for me, and the motor drive advanced the film.
On the first try, I squeezed and squeezed but could not get the shutter to trip (I left the rewind lever up with a little piece of paper taped to it so I could see the film advance). I kept squeezing harder and harder until it fired...and stuck in that position, shooting the whole roll of film before I could get outside and shut it off.
When my pictures came back, I had this one, another with just a tail in it, then 22 pictures of an empty bird feeder. But, this shot is a pretty good consolation...
Playing with slow shutter speed at the roadside. The guy is like causing the 2 straight lines of lights.
I really wanted to capture the light coming through the leaves. I was unable to get this shot properly at first because of the wind, and actually had to detach the branch so that I could keep it still. We also had to block the wind and hit the leaf with a reflector while the camera took the shot. Thanks to the brightness of the day, the shutter didn't have to stay open too long, and I was able to get quite a sharp photo.
Camera Olympus E5, lens Zuiko 12-60SWD
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This set is 4.2 metres or seven blocks in length. I have a total of 17.1 lineal metres of shuttering plus corners with a number of special built sections for fiddly bits.
Still left to do: three pairs of shutters (2nd story window on other side, bay window, office window in back); paint doors red.
Taken during Stockwell bus garage open day (June 2022)
Bus garage, ancillary service buildings and offices. 1952-53 by Adie, Button and Partners with Thomas Bilbow, for London Transport Executive. A E Beer, engineer. Reinforced concrete with some brick cladding and brick offices.
Rectangular shed of ten arches linked by longitudinal H-beams containing services; with cantilevered barrel vaults between, topped by large skylights and crossed by smaller ribs to prevent torsion on ruin arches. Nine bays, main arches expressed externally as outward-leaning buttresses, with a segmental curve to each bay forming a flowing roof line.
Facade to Lansdowne Way has double folding doors to central end bays, other bays with glazing of twenty vertical lights; all have similarly-glazed segmental toplights with central louvres over. End walls have fully-glazed segmental gables of 84 vertical lights, that to right with double folding door below to right, that to left with fourteen five-light metal windows below. Facade to Binfield Road has six bays in pairs with double folding doors; facade marked from road by servicing and decking pits, and workshop and office accommodation angled on Binfield Road. One storey workshops to left of seven bays with four-light metal casements; offices and canteen to right of two storeys and eight bays with right return to entrance driveway of seven bays with central double door: four-light casements below, tall two-light casements of eight square panes above. Ribbed and vaulted construction fully exposed and expressed in garage interior.
[Historic England]
Shuttercraft Sheffield
912 Ecclesall Road Sheffield South Yorkshire S11 8TR United Kingdom
0114 3993 429
sheffield@shuttercraft.co.uk
www.shuttercraft.co.uk/locations/sheffield/
We are your local Shuttercraft expert supplying and installing made-to-measure shutters in Sheffield, Fulwood, Dronfield, Killamarsh, Chesterfield, Wingerworth, Bolsover, Matlock, and surrounding area. Whether you prefer traditional or contemporary styles, you’re guaranteed to find something to fall in love with for your windows. Fully supporting the Shuttercraft ‘no hard sell promise’ and proud of our professional approach. Book an appointment today! with expert advice on window shutters for your home.
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Through a shutter on a closed shop, the reflections from the glass window behind gives a whole new view of the street and passer-by .