View allAll Photos Tagged shells
You never know what you will find walking the beach. This engine block was slowly being reclaimed by nature. The sea and waves had already filled all the available spaces with small pebbles shells and seaweed. They shone like jewels against the dull metal.
This fishing cottage was transformed into a gorgeous grotto in the 1840s by a plasterer called Alex Bachelor, who also covered the interior walls in shells.
from the top and the bottom, are they small or are they big? Photography can play games with our visual perception, LOL
thanx for your time and comments, greatly appreciated, M, (*_*)
For more of my other work visit here:www.indigo2photography.com
IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved
This cool old Shell Oil Bennett gas pump poses for my camera. It belongs to one of the many very cool collections of neat old stuff at the Florida Flywheelers club.
I added a few little mementos of the beach to my kitchen windowsill.
Processed with Flypaper Textures.
This monochrome photograph showcases a collection of seashells arranged artistically against a dark background. The black and white tones emphasize the textures and patterns of the shells, highlighting their spiraling forms and the intricate lines that trace the growth of each shell.
The shells vary in size and shape, with some featuring elongated spires and others displaying more rounded, compact forms. Their placement in the composition seems intentional, creating a balance between the various shapes and directing the eye across the image. The play of light and shadow is masterfully captured, with the light source coming from the side, casting deep shadows and enhancing the three-dimensional quality of the shells.
The choice of black and white photography strips away the distraction of color, allowing the viewer to focus on the forms, lines, and textures that make each shell unique. The arrangement evokes a sense of natural symmetry and beauty, often found in objects sculpted by the sea. The overall effect is one of elegance and quiet beauty, inviting reflection on the wonders of the natural world.
The Fighting Conch Shell is my favorite shell to find on a beach. While at Sanibel my wife had found several on the first few days of our trip with me batting zero, that changed the last day as I found a spot where I was literally grabbing them out of the water.
© Dan McCabe
A macro close-up of an attractive sea shell. It has been identified as a ventral harp snail (Harpa ventricosa), thanks to [https://www.flickr.com/photos/29287337@N02].
I am really not sure about this one, maybe a bit extreme the clouds were a bit confused but colourful .
This was set up and shot on my dining room table. I need to get out more.
You can read about how it was done on my photo blog, Points of Light.
Having just developed two further rolls of Foma Retropan 320, I am still finding myself perplexed by it. It has given some fascinating grainy effects, and wonderful atmosphere, and such frustrating lack of detail. And then, every now and again, it seems to be ... almost perfect for the moment and render a shot beautifully.
It was in the camera for this small cluster of shells on a starkly lit day on Ynyslas, Ceredigion. For full disclosure, I placed the shells on this relatively unmarked sand, having seen the three of them a yard or so away, higgledy-piggledy. It is rare that I pose shots, like this, so I am happily surprised at the result. It wasn't the lens for the job, and I suspected it wasn't the film either. But here we are, and I am surprisingly happy with the result.
And so to the film, with its wildly haloed highlights, and all that. Perhaps it is a combination of things: I haven't practised film photography for nearly five years, and I was lucky rather than skilled, even when 'in practice'. That, added to a tricky and unfamiliar film, and a cavalier attitude to metering and so on.
Whatever the case, this is one of those photographs that makes me wonder if I do like this film, after all; makes me wonder if what it would really suit (speaking only for myself, of course) are studies and still life.
And so, after a long ramble.
Here's to learning.
Ynyslas, September 2020. Pentax ME Super, Pentax-M 28mm f11, Foma Retropan 320 Soft developed in Retropan Special. Cropping and fiddling with contrast in Photoshop 2020.