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this is a scene from our movie "crazy train" where the train goes off the rails and over the dark dark tunnel.

Set Design for the 82nd Annual Academy Awards / Oscars.

 

Light and movement, the most basic components of moviemaking, will be integrated into this year’s sets to create an immersive, transformative environment. One of the most dazzling elements is the Swarovski Crystal Curtain.

The overall design is intended to evoke a classic but modern glamour, with white, platinum, topaz and smoky bronze hues.

The set also features three circular, revolving platforms that work in combination with rotating LED panels and architectural metalwork screens for film projection.

Bluewater Summer Playhouse 2006,

Kincardine, Ont., dir. Rick Kish. Set design and paint.

"Realism" by Anthony Neilson

Roundhouse Theatre, Western Australian Academy of Performing Arts, June 2014

 

Directed by Anthony Skuse

Set Design by Sarah Duyvestyn (me)

Costume Design by Hannah Metternick-Jones

Lighting Design by Devon Lovelady

Theatre 325 Tutorial, David Evan Morris, theatre department, set design

costume design and watercolor and ink rendering by Niki de los Reyes-Torres, PATDAT

 

for Brian Maestro's DRACULA

 

watercolor on quality paper

Theaterplay Lenz based on text of Georg Büchner directed by Piet Arfeuille premiered at theater Malpertuis. 2014

Bauen wie vor vierhundert Jahren. Beim Setdesign legen wir Wert auf größtmögliche Autentizität statt purer Kulissen

Detail of vertical element

"Hair" Ohio University

November, 2004

Directed by Michael Page

Lighting by Natalie Taylor

Set Design by me!

Robert is now on faculty at the University of Southern Indiana, as an assistant professor of theatre.

 

Faculty biography: www.usi.edu/libarts/arts/theatre/facultybios.asp

 

Robert's personal website: stagecrafter.livejournal.com/

Set Design for the 82nd Annual Academy Awards / Oscars.

 

Light and movement, the most basic components of moviemaking, will be integrated into this year’s sets to create an immersive, transformative environment. One of the most dazzling elements is the Swarovski Crystal Curtain.

The overall design is intended to evoke a classic but modern glamour, with white, platinum, topaz and smoky bronze hues.

The set also features three circular, revolving platforms that work in combination with rotating LED panels and architectural metalwork screens for film projection.

Giant Steps, The Oval House, London. Chapter Arts Centre, Cardiff, December 1998

 

Writer: Othniel Smith

 

Director: Jeff Teare

 

Designer: Carolyn Willitts

 

Theatre Company: Made in Wales

 

Photographs: Carolyn Willitts

  

Actors shown: Farimang Singhateh Farimang Singhateh and Peter Savizon

  

“Inspirational and thought provoking.” Time Out

 

Projections and lighting were used to transform the set from a private hospice, a private school and a police station holding cell. All the music came from John Coltrane’s “Giant Steps.”

 

Awards: London Arts Board Diverse Acts Award

      

Hamish Hamilton is the director for the 82nd Academy Awards telecast.

The native Brit has directed numerous live events including several MTV Video Music Awards, Brit Awards, Victoria's Secret Fashion Shows, as well as specials for Christina Aguilera, the Rolling Stones, U2, Eminem, Peter Gabriel, Phil Collins, Bryan Adams, Jennifer Lopez, Madonna, Britney Spears, Robbie Williams, Neil Diamond and many more.

Art In Reading 1994

Performance: "From the Ruins"

Giant Bird cladding detail:

Feathers cut from plastic bags over withie frame.

CalArts Halloween Party / Industry Walkthrough

October 29th, 2022

Produced by Emerson Stage

 

Set Design by Megan Kinneen

 

Directed by Stephen Terrell

Lighting Design by Justin Paice

Costume Design by Courtney Irizarry

Sound Design by Adam Howarth

Graphic Designer: David Jetre

Adam Eldridge and Neil Wicks behind the scenes building the Ask Dr. Nandi Set.

Goodbye New York, Goodbye Heart

By Lally Katz

Directed by Oliver Butler

Scenic Design by Valérie Thérèse Bart

Costume Design by Carolyn Hoffmann

Lighting Design by Carolyn Wong and Emily McGillicuddy

Sound Design by Asa Wember

 

The Production Company

HERE Arts Center Mainstage

The Cincinnati Playhouse in the Park 2006

(traveling intern production)

Director: Susan Kerner

 

Set Design: Emily Greene

Costume Design: Myron Elliott

Theaterplay Lenz based on text of Georg Büchner directed by Piet Arfeuille premiered at theater Malpertuis. 2014

Theatre 325 Tutorial, David Evan Morris, theatre department, set design

No, it is not a scene from The Mikado ! I love this picture. I wish we COULD do the Mikado !

Little Mountain interior design specializing in children's, youth and adult spaces.

Theatre 325 Tutorial, David Evan Morris, theatre department, set design

Theatre 325 Tutorial, David Evan Morris, theatre department, set design

The Palanquin.

 

Set piece for Rep Stage's production of Eric Overmeyer's "On the Verge, or The Geography of Yearning"

 

Set Design by Richard Montgomery.

"Hair" Ohio University

November, 2004

Directed by Michael Page

Lighting by Natalie Taylor

Set Design by me!

Theaterplay Lenz based on text of Georg Büchner directed by Piet Arfeuille premiered at theater Malpertuis. 2014

Production Design & Art Direction

"Bohemibot" 2007

Short

Winner of the Undergraduate Award for Art Direction at the First Run Film Festival 2009

 

20'x12' studio set construction; custom relief panels fitted with recessed lighting; textured and multi-tonal scenic walls; custom welded shelving and table; suspended black memory foam bed frame; unique "dream catching" props fabricated from auto & computer salvage.

 

Bohemibot is an aging cyborg imprisoned after his family is murdered in a futuristic, interplanetary sci-fi adventure.

Ohio University 2006

Director: Dennis Delaney

 

Set Design: Emily Greene

Costume Design: Eric Beeck

Lighting Design: Rachelle Beckerman

Theatre 325 Tutorial, David Evan Morris, theatre department, set design

TABLE MANNERS

By Alan Ayckbourn

Village Players, Toronto

September 9 to October 5, 2002

Director: Heather Hilliard

 

CAST

Melina Nacos as Annie

Lynda Muir as Sarah

David Wand as Tom

Rob Candy as Reg

David Austin as Norman

Virginia De Witt as Ruth

 

PRODUCTION STAFF

Producer: Theresa Arneaud

Stage Manager: Anne-Marie Gallo

Rehearsal Stage Managers: Helen Melling, Louise Ouimet

Set Paint: Margrit Fedwick

Costumes: Livia Pravato

Sound Design: Rob Candy

Lighting Design: Ian Radburn

Poster: Theresa Arneaud

Program: Rob Candy

Props: Linda Mae Weaver

 

Photography: Max Skwarna

Cuyahoga Community College

Western Campus (Fall 2008)

 

Adaptation: Seamus Heaney

Director: Fred Gloor

 

Scenic Design: Todd Krispinsky

 

Cuyahoga Community College

Western Campus (Fall 2011)

 

Playwright: Jean Seitter-Cummins

Director: Fred Gloor

 

Scenic Design

Projection & Video Co-Design

Todd Krispinsky

 

Projection & Video Co-Design:

Stephen Kinford

 

Lighting Design: Rob Wachala

 

Costume Design: Jakie Loomis

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