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This is what a 30 mile per hour train appears in 30 second long exposure at the railroad crossing section. I would say it was not an easy experiment. I had to test shot this scene for 5 times. The amount of variable light caused by car’s headlights was the challenging part. To equally balance the exposure time to the sequence time (timed at approximately 22 second for crossing gate closure, traffic stop and train pass), I used an ND filter, and added 8 seconds of safety factor to exposure time for the possible increase to amount of light to actual recorded sequence. If you like to try this, do it at late night with less traffic. The set exposure time will be out of whack each time a car comes to a stop in front of you.
I was fortunate to capture the Olive-backed Oriole sequence of flight the other day when I went for a river walk. This was my first sighting of this bird and I captured it on different trees in different mannerisms. Lucky me.
Ok, I finally got around to putting together my remaining time lapse seqences.
These sequences were shot on August 5th, 6th and 3rd respectively.
The last one was my first attempt at capturing a sunset time lapse, I should have let it go on for longer. While I improved my technique for the other two, I think the sky was more spectacular on that first attempt. The video compression hasn't done this upload any favours but I think its viewable...
All 3 sequences were shot on a Nikon D700 and Nikkor 14-24mm f/2.8G at 14mm.
The music is 9 Ghosts I by Nine Inch Nails from the "Ghosts" album (Attribution-NonCommercial-ShareAlike Creative Commons)
Check out my other time lapse here:
www.flickr.com/photos/nhilmy/4942314512/
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ps. appreciate the sentiment but no .gifs or badges please.
This sequence was captured with the Time Machine and Drip Kit. Each frame was taken with .001 seconds more delay than the previous one using the "auto increment" function in the Time Machine. There were a total of 232 pictures taken of 232 different drops one after another, then merged into this movie.
On Flickr it seems to play rough and jumpy. The QuickTime original is much more smooth.
Richard Serra, Sequence, 2006, steel, 388.62 x 1240.47 x 1986.76 cm (The Doris and Donald Fisher Collection currently at Stanford University, © Richard Serra)
On the same night I managed to get my best Jupiter of this cycle I also managed to capture my best Saturn so far this time round, although it was only around 15 degrees above my horizon.
This is a combination of my best RGB sequence with my best infrared sequence during the brief period Saturn was in line of sight from my home observatory.
Peter
Equipment:
ZWO ASI174MM CMOS camera, infrared and RGB filters, 2.5x PowerMate, 300mm f/10 SCT, EQ8 mount
Parkour multi sequence taken in Liverpool
www.flickr.com/photos/41557568@N04/31542014621/in/photoli...
Two and a half weeks ago, my brother, sister, and I took a short sibling vacation to Iceland. I am now uploading pictures from that trip.
Our first day we did the classic Golden Circle route: Þingvellir, Geysir, and Gullfoss before driving to Vik on the south coast for the evening. This, of course, is the middle stop, Geysir, although the actual geyser is called Strokkur (the bigger Geysir geyser has stopped erupting).
I struggled with how best to photograph and capture the power of the Strokkur geyser. It took a lot of patience to get a good sequence of shots like this, but with the gray, cloudy skies the images looked a bit flat out of the camera. I decided to go for a bit more extreme black and white look than I might typically use, and combine all my shots into a single image, to give the photograph enough visual oomph to match the actual experience of watching this jet of water shoot up into the sky.
This is one shot in a sequence I took on burst mode of a woman towing a pilot case. The rest of the sequence is scattered about a little further into my photostream.
Westmoreland Street - Dublin - Ireland
Ok now this was much easier than I originally anticipated. Had the camera on the tripod and put it in continuas shooting mode. The focus was set to manual so there was no focus acquiring delay between the shots. Opened the first two images in Photoshop. Selected the second image (cntr+c or command+c in mac) and pasted it on top of the first one. Then went to the layers menu and selected "hide all". After that I used the brush tool to reveal the second image and the first one stayed the way it was. Repeated this step for the rest of the 7 images.
January 2012,
Nikon D7000, Nikkor 18-105@18mm,
F/9, 1/1250s, 1600 ISO to compensate for the fast shutter speed.
Lunar Eclipse on 20th February 2008 taken from West Des Moines, Iowa.
This is the full sequence of full lunar eclipse. All taken from my Apartment room window.
Out in the sandy area, I asked Marketa to plow through the sand while I shot her. Little did I know that she was going to do a pirouette at the end, caught here in this sequence, before she came to the surface.
my second try at sequence shot. all shot taken without tripod. background image consists of 2 photos stitched together. cut out the rider out of the other images, and masked the edges with the clone stamp tool.
view the large size if you want more detail.