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Here is the launch sequence for these huge White Pelicans as they take off. I was watching the group of preening birds when this one started to take off. I held down the shutter and took frames until he was way off in the distance. This panorama is a sequence of the first few frames as he lifted off. I was so pleased to be watching this bird at this moment.
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After a week of not shooting self-portraits, it's refreshing to come back to something familiar – or not. I am feeling a pull towards more surreal concepts lately, mostly dream related. Maybe because I've been watching too much Fringe? Maybe it's the return of the X-Files? Or because I want to watch The Matrix for the 100th or so time...or the possibility of a new Enigma album in 2015?
April is going to be an odd month of self portraiture. This did not turn out quite as I expected – the wires did not behave at all. I still like it more than I thought I would.
It was a long-time dull drizzle and dark sky so I decided to use my 85mm 1.8 lens and didn't expect the birds to be so cooperative. Too short for telephoto I thougt. :)
Layers arranged in GIMP.
Thanks to everyone for your visiting, favs & comments :).
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Badminton Horse Trials, with Badminton House, the home of the Duke of Beaufort, forming a spectacular backdrop.
This is an analog sequencer I started after I had ordered some pink and blue LEDs for valentine's day. It doesn't make sound, but puts out a cycle of changing resistances (12...41...0...108...12...41...0...108, etc.) that can be used to control a simple frequency generator, synthesizers, or even be used as an input sensor for Pure Data, MAX/MSP, etc. via an Arduino (or Dorkboard). There are 12 knobs to set resistances/notes, and one for tempo. The other knobs and output jack connect to a simple synth breadboarded on the inside. I added them just to make interfacing a bit easier, but they are separate from any functions of the sequencer. Sorry for the small photo!
These were 5 of a sequence of 18+ images. All were in critical focus. Even with small birds, the A9 tracks like nothing I've seen before. If you can focus and lock, it tracks.
This is a sequence of 4 shots where a Wood Swallow catches a mealybug in flight, returns to the branch and then starts the process of killing and eating the bug.
Right place, right time. I have been very fortunate to be there to capture some fascinating events. They might not be technically the best images but what happened is still interesting.
See this image abstracted
Sequence in its assembled form is sixty-seven feet long, forty-two feet wide, and twelve-feet-nine-inches tall. Composed of segments of contoured weathered steel, it weighs two-hundred-thirteen metric tons.
Twelve semi-trailer trucks, each carrying one segment of the work, travelled eight days cross-country to bring Sequence from the Museum of Modern Art in New York—where, along with Band, it had been part of the museum's recent Serra retrospective. The trucking company is J.F. Lomma of South Kearny, N.J., which specializes in the transport of heavy freight.
The caravan of trucks arrived at LACMA around nine o'clock on Wednesday night, and the pieces were lifted down by crane the next day, beginning at nine in the morning. Expected to take two days, the unloading was complete by five-thirty.
"It was smooth, very smooth," said Julie Wietecha, project engineer with Matt Construction, as she walked the corridors formed by the curving, rust-red segments on Friday. "We saw them out on the trucks and we thought, 'Oh my god, how are we going to get these in?' first of all. But they're beautiful. This is nice work."
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I shot this while out of sight of the watchful guards, no photography allowed in the museum.
Meanwhile my photostream was view 90,000 times as of today. Thanks to all.
My photos awarded the :Photographic Art Legacy
Spent a day in Dorset yesterday with Spencer Brown a top bloke and he kindly chauffeured me around to some of his great locations, when you get a moment check out his work you won't be disappointed.
Tech Details:
Nikon D7000
Sigma 17-70mm F2.8-4.5 @ 24mm
Exposure: 29.8 sec, f/16
ISO: 100
B+W ND110
Capture One 6 (raw conversion)
CS3 Ext & Silver Efex Pro2
This begins with a sun and a virgin planet. Now the dream sequencer does look for the perspectives, points of convergence and centers of interest. Hope the path is a good one for the life and diversity of the dream!
Press "L" to enlarge it.
I have been wanting to try this! Our weather of late has been warm and the snow has turned hard and crusty. Good news is the foxes and coyotes can walk on top of the snow -- bad news is they really have to dive down hard to make a hole to the vole. Sometimes, like this guy, they get stuck and it takes awhile to extricate themselves. This fox finally got out with the vole intact!
Infrared shooting by the shores of lake Skarresø in Jyderup, Denmark. Brilliant weather and what a magnificent feeling it was to be in such a gorgeous, cozy place. Two duck passed by and make my frame just perfect.
Exif: ISO 200 ; f/5.6 ; 1/100 ; @18mm
InfraRed converted camera, 840nm
Taken last year from one of Steve Race's gannet trips, this is a sequence of shots stitched together in Photoshop.
Eclipse Timelapse Sequence ..Aug 21, 2017
9.00 am - Captured Sun...
9.06 am - Someone yelled.."It started"
10.18 am - Loud roar and cheer from the crowd; diamond ring appeared around 10.21 am
11.30 am - Last glimpse of Eclipse
11.41 am - Eclipse ended
2.30 am - Reached home driving nearly 15 hours from Madras, Oregon
Sequence captured of the snow leopard in Tost Uul Gobi Desert Mongolia.
Read more about the great work of the snow leopards trust in Mongolia:
It was around sunset.
Looking through window, I saw this massive massive column slowly rising.
Wow... I grabbed my camera without a second thought and started shooting.
The light kept changing and the sunset ray formed a beautiful rim light around the column.
Slowly, the column began to split into smaller parts and rain started.
This is the first time I shot such a thing in sequence and the experience is so unforgettable. :)