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Badminton Horse Trials, with Badminton House, the home of the Duke of Beaufort, forming a spectacular backdrop.
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After a week of not shooting self-portraits, it's refreshing to come back to something familiar – or not. I am feeling a pull towards more surreal concepts lately, mostly dream related. Maybe because I've been watching too much Fringe? Maybe it's the return of the X-Files? Or because I want to watch The Matrix for the 100th or so time...or the possibility of a new Enigma album in 2015?
April is going to be an odd month of self portraiture. This did not turn out quite as I expected – the wires did not behave at all. I still like it more than I thought I would.
Front Board Sequence Parkfield, Went down My local For an afternoon Skate, And found myself taking Some Shots Of Local Skater Josh Harper Getting a front Board Down The Hand Rail, Hope You Enjoy!!
This is an analog sequencer I started after I had ordered some pink and blue LEDs for valentine's day. It doesn't make sound, but puts out a cycle of changing resistances (12...41...0...108...12...41...0...108, etc.) that can be used to control a simple frequency generator, synthesizers, or even be used as an input sensor for Pure Data, MAX/MSP, etc. via an Arduino (or Dorkboard). There are 12 knobs to set resistances/notes, and one for tempo. The other knobs and output jack connect to a simple synth breadboarded on the inside. I added them just to make interfacing a bit easier, but they are separate from any functions of the sequencer. Sorry for the small photo!
It's only when you spend time cloning out plane trails on a 170 shot star trail sequence do you realise that where I live has crowded skies full of planes....!
An hour spent on Higger Tor in the Peak District and maybe two hours cloning planes, I lost track....
These were 5 of a sequence of 18+ images. All were in critical focus. Even with small birds, the A9 tracks like nothing I've seen before. If you can focus and lock, it tracks.
See this image abstracted
Sequence in its assembled form is sixty-seven feet long, forty-two feet wide, and twelve-feet-nine-inches tall. Composed of segments of contoured weathered steel, it weighs two-hundred-thirteen metric tons.
Twelve semi-trailer trucks, each carrying one segment of the work, travelled eight days cross-country to bring Sequence from the Museum of Modern Art in New York—where, along with Band, it had been part of the museum's recent Serra retrospective. The trucking company is J.F. Lomma of South Kearny, N.J., which specializes in the transport of heavy freight.
The caravan of trucks arrived at LACMA around nine o'clock on Wednesday night, and the pieces were lifted down by crane the next day, beginning at nine in the morning. Expected to take two days, the unloading was complete by five-thirty.
"It was smooth, very smooth," said Julie Wietecha, project engineer with Matt Construction, as she walked the corridors formed by the curving, rust-red segments on Friday. "We saw them out on the trucks and we thought, 'Oh my god, how are we going to get these in?' first of all. But they're beautiful. This is nice work."
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I shot this while out of sight of the watchful guards, no photography allowed in the museum.
Meanwhile my photostream was view 90,000 times as of today. Thanks to all.
My photos awarded the :Photographic Art Legacy
Spent a day in Dorset yesterday with Spencer Brown a top bloke and he kindly chauffeured me around to some of his great locations, when you get a moment check out his work you won't be disappointed.
Tech Details:
Nikon D7000
Sigma 17-70mm F2.8-4.5 @ 24mm
Exposure: 29.8 sec, f/16
ISO: 100
B+W ND110
Capture One 6 (raw conversion)
CS3 Ext & Silver Efex Pro2
Taken in a sequence of shots at Brandon Marsh Nature centre, Warwickshire, UK on May 21st. 2019.
Greylag geese planning for a few more!
This is a sequence of 4 shots where a Wood Swallow catches a mealybug in flight, returns to the branch and then starts the process of killing and eating the bug.
I have been wanting to try this! Our weather of late has been warm and the snow has turned hard and crusty. Good news is the foxes and coyotes can walk on top of the snow -- bad news is they really have to dive down hard to make a hole to the vole. Sometimes, like this guy, they get stuck and it takes awhile to extricate themselves. This fox finally got out with the vole intact!
This begins with a sun and a virgin planet. Now the dream sequencer does look for the perspectives, points of convergence and centers of interest. Hope the path is a good one for the life and diversity of the dream!
Press "L" to enlarge it.
Saw a Tweet from Gosport Borough Council that the Millennium Bridge was going to be opened before lunch.
Decided to take a sequence as it opened.
Unfortunately it was only a test opening and there was no boat traffic. It took less than 15 min to raise and lower.
I hadn't appreciated that there was a counter weight that rolled down the curved struts on the left hand side.
Eclipse Timelapse Sequence ..Aug 21, 2017
9.00 am - Captured Sun...
9.06 am - Someone yelled.."It started"
10.18 am - Loud roar and cheer from the crowd; diamond ring appeared around 10.21 am
11.30 am - Last glimpse of Eclipse
11.41 am - Eclipse ended
2.30 am - Reached home driving nearly 15 hours from Madras, Oregon
I did say in the last picture that it would be the last of the sequence. However by popular demand (well 2 anyway) here is another one. This one shows a wave which has hit the Harbour wall and is heading back in the other direction. I am reliably informed by a Kayaking friend, though no doubt experienced in calmer seas, that the turbulent water resulting from waves being pushed back is called clapotis. The official explanation is (A wave which hits a smooth vertical surface such as a harbour wall often bounces off without losing much energy. The lines of incoming waves and outgoing reflected waves make a pattern called clapotis. Where two wave lines intersect, the wave height nearly doubles and the adjoining trough is deeper than usual. Intersecting waves often break in a sharp peak.)
I took this at Newhaven during the peak of Storm Brian on Saturday 21 October. At this point the sky out to sea was really dark with an approaching shower while the sun was still shining near the shore making for perfect lighting. Taken from a safe position on shore with a lens at 210mm. The location is just west of the Newhaven Harbour wall breakwater and with a serious storm massive waves come in from the SW and hit the breakwater.
Storm Brian was strong enough with gusts of 60-70mph to bring down trees. Conditions for Photography were ideal. The peak of the storm came in the middle of the day combining at the same time with an exceptionally high Spring Tide. The weather was sun and showers with the main rain having gone through overnight so the light was good. The location I wanted at Newhaven on the South Coast also had the advantage of a wide and high shingle beach providing a safe location to take pictures even in a fierce storm. This is one of about 1000 pictures I took over about 2.5 hours. With spray going well inland and showers I used a waterproof cover for the camera though the lens needed frequent cleaning. I would estimate that there were a good 30 other photographers there
The picture was taken with a Sony A700 with a Minolta 75-300mm zoom at 210mm. Taken handheld (No chance of a steady tripod in those conditions). Processed first in Camera Raw and then in Topaz Denoise and then Topaz Adjust and Clarity for more detail. Mono conversion with Topaz B&W Effects
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It was around sunset.
Looking through window, I saw this massive massive column slowly rising.
Wow... I grabbed my camera without a second thought and started shooting.
The light kept changing and the sunset ray formed a beautiful rim light around the column.
Slowly, the column began to split into smaller parts and rain started.
This is the first time I shot such a thing in sequence and the experience is so unforgettable. :)
Boardslide shuv, no lander. Click all sizes above picture to see the sequence
Forgot batteries for battery pack so I only shot at 6fps, instead of 8fps. Still, good to shoot something, even though it didnt stick.
Here's a shot completing the sequence featuring these insect eggs that I found on a Gladiolus leaf in our Staffordshire garden. Luckily, I'd gone back to the leaf after a follower on Twitter had suggested that the eggs looked mature. This was happening. By the morning all the larvae had hatched and disappeared.
I'd been advised that the eggs had probably been laid by a Noctuid moth of some sort. I know nothing about moths. Any thoughts anyone?