View allAll Photos Tagged sequence
police chopper, can only see the movement of the light. Taken at night, so there is a heavy contrast, between the object and the background.
This Giant Armadillo, Priodontes maximus, was photographed in Peru, as part of a research project utilizing motion-activated camera-traps.
You are invited to go WILD on Smithsonian's interactive website, Smithsonian WILD, to learn more about the research and browse photos like this from around the world.
this video was made up of 110 single images. multishot was not used. these images were repeated 3 times which involved me dragging and dropping each single photo into the right place matching up the reverse of the sequence. i also went through each image and edited them all the same. this sequence video in total took me around 3-4 hours to put together. (photo takeing not included).
This was made for my A2 photography coursework.
0, 1, 1, 2, 5, 8, 13, 21, 34, 55, 89, 144...
The first few score terms of the Fibonacci sequence lead from the corner of Fillmore and Haight to a temporary gallery called Imaginary Foundation. The store is covered in blackboard paint and chalked equations, which is pretty nifty, but unfortunately the displayed paintings are, well, a bit rubbish. Still, a nice enough random discovery.
I love this sequence! I was in the Galápagos Triatlon... Before the start of the competition, we saw a beautifull lion seal sleeping on that buoy... when it started, the first competitor on the line was passing near the lion seal, and it was so adorable how it was like "who is that?" but then, it saw everyone coming to him, it was like "what the hell is happening around me?" hahaha hope you enjoy this! I think he was scared and finally jump into the water and swim with some of the competitors, because later it just disappeared!
A first hack with the D7000 and glidetrack around home. Flying blind ito camera settings. If shutter (1/50) is fixed then exposure is controlled by adjusting aperture and ISO? Aperture is unlikely to drop below 5.6, which seemed to mean cranking ISO way high in (eg) the bedroom shot near the end. Late afternoon light and the bedrm still seems pretty dim to me even though to my mind I'm only retaining a minimum of window detail. How high are you willing to push ISO?
I'm also realising the length of clip footage needed to leave enough for 2 bars of music after setting smooth in/out points.
The Sequence, an artwork in Brussels...
For those who don´t know, this is an artwork of Arne Quinze, called "The Sequence, you can read all about it here: www.thesequence.be/SEQUENCE_BLOG/index.html
And you can read all about the artist here: en.wikipedia.org/wiki/Arne_Quinze
Brussels, March 2009