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this video was made up of 110 single images. multishot was not used. these images were repeated 3 times which involved me dragging and dropping each single photo into the right place matching up the reverse of the sequence. i also went through each image and edited them all the same. this sequence video in total took me around 3-4 hours to put together. (photo takeing not included).
This was made for my A2 photography coursework.
0, 1, 1, 2, 5, 8, 13, 21, 34, 55, 89, 144...
The first few score terms of the Fibonacci sequence lead from the corner of Fillmore and Haight to a temporary gallery called Imaginary Foundation. The store is covered in blackboard paint and chalked equations, which is pretty nifty, but unfortunately the displayed paintings are, well, a bit rubbish. Still, a nice enough random discovery.
I love this sequence! I was in the Galápagos Triatlon... Before the start of the competition, we saw a beautifull lion seal sleeping on that buoy... when it started, the first competitor on the line was passing near the lion seal, and it was so adorable how it was like "who is that?" but then, it saw everyone coming to him, it was like "what the hell is happening around me?" hahaha hope you enjoy this! I think he was scared and finally jump into the water and swim with some of the competitors, because later it just disappeared!
Collage of two different sequences: (1) Canon 70D and Canon EF 300mm f/4. (2) Canon 700D with Canon EF 40 f/2.8 every 3 minutes.
A first hack with the D7000 and glidetrack around home. Flying blind ito camera settings. If shutter (1/50) is fixed then exposure is controlled by adjusting aperture and ISO? Aperture is unlikely to drop below 5.6, which seemed to mean cranking ISO way high in (eg) the bedroom shot near the end. Late afternoon light and the bedrm still seems pretty dim to me even though to my mind I'm only retaining a minimum of window detail. How high are you willing to push ISO?
I'm also realising the length of clip footage needed to leave enough for 2 bars of music after setting smooth in/out points.
The Sequence, an artwork in Brussels...
For those who don´t know, this is an artwork of Arne Quinze, called "The Sequence, you can read all about it here: www.thesequence.be/SEQUENCE_BLOG/index.html
And you can read all about the artist here: en.wikipedia.org/wiki/Arne_Quinze
Brussels, March 2009
In honour of World Whale Day.
6 selected shots from a 12 shot sequence of a beautiful breach by a female humpback whale in the Auau Channel between Maui and Lanai.
This sequence was taken by my wife using my D300. Now that we both have good cameras with high frame rates we make a pretty good whale photographic team.
Image Copyright Dave Kingston dba Aviator Photography 2013
convert -evaluate-sequence using www.flickr.com/photos/troutcolor/albums/72157664087948368 three photos in sequence combined with imagemagick convert utiltiy
Psytrance and techno gathering in Philadelphia, Pennsylvania, USA on 12/13/14.
Photos by Kyle Rober / Fractaltirbe
KyleRober7@gmail.com
www.facebook.com/thefractaltribenetwork
www.facebook.com/events/579338935505503
Atmosphere by John t Howell
VJ by Eduardo Danger Danger
Sound by
The above images and those immediately following are stills from short sequences shot on 8mm cine film by Peter White in the course of his visits to Greenfield House during the 1940s. The films were subsequently donated to the North West Film Archive (NWFA) at Manchester Metropolitan University where, following a process of restoration, DVD copies were made for the copyright holder and for St Helens Local History and Archives Library. They can be viewed by arrangement with either NWFA or St Helens LHAL.
There is -in my mind, at any rate- some uncertainty about the dates of some of the films. I believe the NWFA catalogue is correct in identifying the visiting dignitary (left, bottom) as former St Helens Mayor, George Marsden. If correct, however, this would date at least one of the films to the year of his mayoralty (1943-4) and not 1947 as stated in both the NWFA and St Helens LHAL catalogues.
Note the wide range of nuns' head-gear on display. I am not sure if the variation in their outfits denoted differences in rank and/or function at Greenfield House or whether some of the nuns shown here were actually visitors from another convent.
Stills from “Children Running and Playing at Greenfield House Orphanage, Billinge”, NWFA ref. 1947/No. 5536, and “Mayor Visits Greenfield House Orphanage On Open Day”, NWFA ref. 1947/No.5568.