View allAll Photos Tagged selenium

August 2018

Credit: Bonnie Gestring/Earthworks

I was reading an article about the importance of selenium and knew NZ soils have a low concentration of this vital trace element. Then, coincidentally, saw that kidneys contain selenium and this is what I'm having for dinner tonight. Devilled kidneys

Selenium toning was my passion at this time.

UltraCruz Equine Selenium Yeast™

sc-363249, 2 lb, powder

Another lith print, developed in LD20 on Fomatone 131, this time toned with a brief dip in selenium (1+15), followed by gold. Standing over the tray and watching the gold do its work was impressive stuff. Compared to the untoned print, the effect of the selenium and gold is pretty spectacular.

Reference FIle: FLA-160806-ND800E-547-BW_selenium

 

Infrared Underwater Photography

  

©2016 Fernando Lopez Arbarello - All Rights Reserved

 

ARBARELLO FINE ART

Fine Art Photography by Fernando Lopez Arbarello

www.arbarello.com

Reference FIle: FLA-160806-ND800E-566-BW_selenium

 

Infrared Underwater Photography

  

©2016 Fernando Lopez Arbarello - All Rights Reserved

 

ARBARELLO FINE ART

Fine Art Photography by Fernando Lopez Arbarello

www.arbarello.com

Note the darker tones of MGIV (not Warmtone) in Berg Selenium 1+3 10:00

Ambrosia Lakes District, Grants

New Mexico, USA

 

S-88-69

Lily potraint re-imagined.

the BAD IDEAS @ Mills Record Company - 01/25/2014

The selenium light meter on this camera doesn't work so I'm very pleased to see that something came out on the film. First test roll.

 

Olympus EE-3 half-frame

Eastman Double X

Developed in Kodak D76

Pakon scan

I am in love with my new camera, it is wonderful. I think this is Barclay church.

I decided to experiment with a "selenium" treatment for this one.

Nikon D100

SB800 hand held above cam right + ambient

Reworked using Nikon Capture NX2 and Nik Color Efex 3

 

Better Bigger On White

My first attempt at toning with selenium

 

It just goes to show what you lose when you scan a print. Three identical prints from the same neg with (L-R), no toning, selenium 1+9 for 1.5 mins, selenium 1+9 for 2.5 mins. There's a definite deepening of the darker tones across the three, but a lot of the subtlety is lost.

 

All on Ilford multigrade warmtone RC paper using Ilford warmtone dev.

Added selenium tone in Lightroom; I think I'm starting to like this one more than the original; post up if you have an opinion :)

nex-5

nikkor 85mm f1.8 @f2.8

 

Alley-dsc01424

edit

nik silver efex pro 2

preset 14 nd grad ev-2

film type ilford fp4 plus 125

toning selenium 6

all edges 1

nik output sharpening

output strength 50

 

A nice ragged old set of shutters i spotted whilst i was in Venice. I took this with

Edward Weston's Potato Cellar Shot in mind as well as my AS Level Photography Project, looking at texture in architecture. Made B&W in Lightroom, Dodged, Burned and added a Cooling Filter (LBB) to get a Selenium tone feel in Photoshop CS4

Selenium process in Lightroom.

Konica-L with 2.8 / 40mm Hexar lens and selenium metered auto exposure.

Selenium Toned Silver Gelatin Print

www.jakehuizenga.com

  

Ilford Warmtone in Berg Selenium from Ilford Delta 100 in Canon 100mm f/2.8, downtown Guelph.

 

I wish the digital camera could properly capture the selenium tones but you have to see this one in person. It is 11x14" so too big for my flatbed scanner though perhaps I'll try scanning a portion to see if it can pick up the subtle color.

Title: Selenium Forest

Artist: Miniver Patrice

Size: 12”x12”

Medium: Acrylic on Canvas

47

 

This artwork is part of Bear and Bird Gallery’s “Square 6” bi-annual “all locals welcome” mega-show in Lauderhill, Florida. Exhibition runs March 25 through May 7, 2016; for more information visit www.bearandbird.com.

selenium toned print on Ilford Satin Multigrade RC paper, scanned with HP flat bed scanner

Доклад "Selenium: Выход за пределы возможного". Спикеры: Лилия Зданевич и Александр Шикалов

Selenium toned kallitype from 4x5 negative.

selenium toner on fiber print

Selenium Toned Silver Gelatin Prints

Selenium Toned, Silver Gelatin Print, 1995

 

Self portrait. T-Max 3200 pushed to 12,800.

Revue Studio/Norwood Director

 

I have to say first, that this is by far the most accurate exposure meter with a Selenium cell I've hold in my hands. The needle moves quickly and the results are reliably reproducible. This exposure meter belongs to the great family of the "Norwood Director" meters, which were a milestone in exposure metering.

The first electric meters in the early 1930ties metered the light reflected by the subject. The method of metering the incident light was already known, but it got more practicable after its refining by Donald Norwood. He developed the characteristic translucent hemisphere (he called it "Photosphere"), had it patented in 1940. Around the same time the cinematographer Karl Freund founded the company Photo Research to produce exposure meters, finally also the "Norwood Director". They have a very particular look: a "body" with scale and a rotatable "head" with the white hemisphere. At first the calculator dial was on the rear side, later it was shifted to the front. That appearance was kept for decades and exist in countless variations, and as far I know you can find it even today.

Later the Brockway family, owner of American Bolex, took over the marketing of the Norwood Director and offered new designs. That's the reason why some meters are labeled with "Brockway".

In 1957 also the Japanese company Sekonic started to produce Norwood Directors, the first model was actually labeled with Brockway, certainly because the name was already well introduced in Hollywood. But already the second, nearly identical one was called "Sekonic Studio S", in Japan "L-28", following the usual Sekonic name scheme.

Now we are at the Revue Studio, it is identical to the Sekonic Studio S. Okay, not exactly: since Revue was a trademark of the German mail-order house Quelle, the film speed is given in DIN and not in ASA.

 

The Revue Studio/Sekonic Studio S is very versatile, the amount of functions can be a bit difficult to control. Basically it can be used conventionally: set the film speed, transfer the value indicated by the needle to the calculator dial and read out your shutter speed/f-stop combination. In addition the meter has a "direct read" feature: For certain film speed/shutter speed combinations (e.g. DIN 24, 1/60 s) you can read out the correct f-stop directly from the scale. For other combinations you can insert 3 different "slides" - these little black plates in the picture - between Photosphere and metering cell. Then you have DIN 19 and 1/200 s for example. Slide #3 has gone, somehow. Unfortunately the f-stop scale, red numbers from f/1 to f/32, is covered by the dial in my picture.

And of course it can happen, that you want to meter the reflecting light instead of the incident one. Then you can replace the Photosphere with the "Photogrid", that round sieve you can see in the foreground.

Sekonic also provided a third attachment, called "Photodisk" and also missing here. It is like the Photosphere, but flat. With it you could meter the illuminance in foot candles. Useful for determine the contrast of light in a studio, e.g.

You can also determine f-stops for filming ("cine"), exposure values EV (here: LVS), special numbers for Polaroid film used in those days. "Those days" mean around 1966, then that device was sold for 79,- Deutsche Mark.

What I miss is a button to hold the needle in place, for more convenience. That feature can be found on some later models.

 

You can find comprehensive articles on the net, e.g. by Douglas A. Kerr or James Ollinger.

The selenium light meter on this camera doesn't work so I'm very pleased to see that something came out on the film. First test roll.

 

Olympus EE-3 half-frame

Eastman Double X

Developed in Kodak D76

Pakon scan

Reference FIle: FLA-160806-ND800E-539-BW_selenium

 

Infrared Underwater Photography

  

©2016 Fernando Lopez Arbarello - All Rights Reserved

 

ARBARELLO FINE ART

Fine Art Photography by Fernando Lopez Arbarello

www.arbarello.com

Split Toned. Selenium and Gold on Ilford Warmtone paper.

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O System 2 vias 62V2A é composto por 01 par de alto-falantes de 6", 01 par de tweeters 3/4" e 01 par de crossovers; projetados para reprodução de frequências em todo o espectro do áudio.

Características:

· Diâmetro nominal: 6 polegadas

· Potência: 120W RMS (60 watts cada)

· Impedância: 4 ohms

· SPL: 88 dB

· Resposta freqüência: 70 a 20 k Hz

· Freqüência de ressonância: 69 Hz

· Material do cone: Polipropileno

An active ArchAbbey. Fuji Neopan 100, Split toned in selenium.

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