View allAll Photos Tagged seemingly
Maintaining the Shield (deflecting depression) is an image that portrays the onset of depression. In the peripheral view a seemingly innocuous cumuli of tiny black particles begin to gather. They swirl and dance in the air like a noxious cloud of negatively charged electrons. Eventually the choking fringes of an acidic wave drift gently inwards. Within this murky cloud the metaphoric atoms of fear eventually reveal themselves, as they roll and settle into the mind like a fine mist. Looming blacker, they morph into particles of panic threatening to engulf all feeling, killing emotion, replacing memory with a numb abyss. No two people are the same, yet for all who experience the onset of mental darkness, it takes great bravery and training to recognise the signs of onset, to banish the cloud before it can envelop, to take control. To attempt an explanation of the unpredictability of its onset, in varied semblance, can lead others to doubt its very existence, which is devastating for the mind that is fighting this internal battle. Time, patience and determination are key to building a defensive enclosure that can filter in happiness yet block the spectre of destructive negativity and self deprecation.
Prints available at www.screamingabdabs.gallery donations on each sale to Mind for better mental health.
#depression #mind #mind control #mindcontrol #mind conditioning #mindconditioning #screaming abdabs gallery #screamingabdabsgallery #screaming abdabs #screamingabdabs #positive mental attitude #positivementalattitude #mental disorder #mentaldisorder #mental health #mentally ill #mental recovery #mental reprogramming #healing #mental health support #mental help #fighting depression #manic panic #manic depression #clinical psychology #clinical depression #black dog #blackdog #mentaltherapy #panic attack #panic disorder #mindful living #mindful eating #mindful meditation #being mindful #art therapy #self deprecating thoughts #self deprecating okes self cre #self love #depressive episode #anxious #anxiety disorder #coping skills #coping strategies #suicidal thoughts #suicide prevention #lifeline #samaritans #supportive friends #supportive family #Helen Duvall #fine art photography #dark art #dark clouds #dark souls #dark mood #21stcenturyphotography #abstractphotography #affordable art #art collection #art #art for sale #art for sale online #art photography #art online #art sy #art prints #artcollector #arte moderna #artexhibition #artforsale #artgallery #artwork for sale #artistsoninstagram #artistic #artsy #artlife #belle arti #black and white photography #blackandwhite #buy art #calledtobecreative #classicphoto #contemporary photography #contemporaryartgallery #creativityfound #doitfortheprocess #emerging photographer #emerging artist #English gallery #fine art photography #fine art gallery #femaleartists #explorecreate #fotografia di moda #fotografia #fineartphotography #fineartphotograph #gallery #instaart #instaartist #instagramphotograph #instagramgallery #instagramphotography #invest in art #invest in photography #investment art #investinart #investment photography #lensculture #limited edition #livewithart #magnumphotos #modern art #mybeautifulmess #new photographer #orginal artwork for sale #photo #photo photo photo #photobasedart #photograph #photography #photographer #photography art #photography collection #photography companies #photography photos #photography prints #photography websites #photooftheday #pictureoftheday #portrait photography #professional photography #portraitphotography #Screaming Abdabs Gallery #screaming abdabs #seeart #socialcommentary #UK gallery #wall art #visualsoflife #womenartists #work of art #mental health #manipulation #power of silence #silence #silent #forced silence #control freak #in control #silencing another #silent victim #control by silence #manipulator #mental breakdown #mental bullying #broken heart #jar of hearts #breaking love apart #my poor mind #mental torment #sea of madness #mannequin #do not speak #donât speak #fear #confusion #heartbreak #lost love #domination #surreal photograph #surreal portrait #mental statement #mindbending #do not speak #donât talk to me #not listening #afraid to speak #Artsy #artsyphoto
#mentalhealth #mentallyill #mentalrecovery #mentalreprogramming #mentalhealthsupport #mentalhelp #fightingdepression #manicpanic #manicdepression #clinicalpsychology #clinicaldepression #blackdog #mentaltherapy #panicattack #panicdisorder #mindfulliving #mindfuleating #mindful meditation #beingmindful #arttherapy #selfdeprecatingthoughts #self deprecatingjokes #selflove #depressiveepisode #anxious #anxietydisorder #copingskills #copingstrategies #suicidalthoughts #suicide prevention #supportivefriends #supportivefamily #HelenDuvall #fineartphotography #darkart #darkclouds #darksouls #darkmood #21stcenturyphotography #abstractphotography #affordableart #artcollection #art #artforsale #artforsaleonline #art photography #artonline #artprints #artcollector #artemoderna #artexhibition #artforsale #artgallery #artworkforsale #artistsoninstagram #artistic #artsy #artlife #bellearti #blackandwhitephotography #blackandwhite #buyart #calledtobecreative #classicphoto #contemporary photography #contemporaryartgallery #creativityfound #doitfortheprocess #emergingphotographer #emergingartist #Englishgallery #fine art photography #fineartgallery #femaleartists #explorecreate #fotografiadimoda #fotografia #fineartphotography #fineartphotograph #instaart #instaartist #instagramphotograph #instagramgallery #instagramphotography #investinart #investinphotography #investment art #investinart #investmentphotography #lensculture #limitededition #livewithart #magnumphotos #modernart #mybeautifulmess #newphotographer #orginalartworkforsale #photophotophoto #photobasedart #photographyart #photographycollection #photographycompanies #photographyphotos #photographyprints #photographywebsites #photooftheday #pictureoftheday #portraitphotography #professionalphotography #portraitphotography #ScreamingAbdabsGallery #screamingabdabs #seeart #socialcommentary #UKgallery #wallart #visualsoflife #womenartists #workofart #mentalhealth #manipulation #powerofsilence #forcedsilence #controlfreak #incontrol #silencinganother #silentvictim #controlbysilence #manipulator #mental breakdown #mentalbullying #brokenheart #jarofhearts #breakingloveapart #mypoormind #mentaltorment #seaofmadness #mannequin #do not speak #donâtspeak #lostlove #surrealphotograph #surrealportrait #mentalstatement #mindbending #donotspeak #donâttalktome #notlistening #afraidtospeak #artsyphoto
A seemingly simple job made more complicated by the fact that the entrants needed to survey the invert of a 30m deep wastewater inlet chamber.
Our teams supervised the confined space safety elements of the entry and supplied equipment and a standby rescue team.
This photo shows members of the team watching as works are taking place in the chamber.
Seemingly unused towel in the Corning Ware/Corelle design Wildflower (related to Pyrex Shenandoah), found at the thrift. :)
Seemingly everyone in the School of Information Systems, Computing and Mathematics got involved and held an event, raising £505 in total.
Seemingly abandoned at the roadside near to Prague Castle, these Czech built vans are getting rather uncommon now.
Doubt if this one will run again.
These seemingly easy hikes for other are now becoming monumental for me. Climbing up and down sandy hills to wind me into compositions like this just may become a thing in the past. Father Time is not treating me with much respect.
Many of my Nature & Wildlife images are now available in beautiful canvas wrap prints as well as canvas prints in a natural wood floater frame. Please email me for details. jmwnaturesimages@comcast.net I have now moved all of this information over here at Flickr. Look for the album titled"Fine Art Canvas Prints".
ALL SAINTS, HOLCOMBE ROGUS
Is seemingly all Perp. yet inside the two arcades are dissimilar, the north typically Devon, with bands of foliage capitals, that on the south plainer and typical of Somerset. There was a Victorian restoration and the east end reflects that with a rather Burges-esque reredos. Spacious though the church is, you come to Holcombe for the fittings and monuments. A former Perp screen is now wrapped around the north chapel, but was brought here from Tiverton. It is unusual in having wooden ribbons in the tracery, as if draped over. To the west is a complete Family Pew, Jacobean, with fifteen reliefs with scenes from the Old Testament. In the north chapel, the best two monuments. To the east Sir Richard Bluett d1614 lies propped up by an elbow on a shelf, looking down in a very caring way at his recumbent wife. Above inscriptions, a coffered arch, allegorical figures and achievement. To the west Sir John Bluett d1634 and wife, both recumbent, she above and behind him, under a heavy pedimented canopy supported on black columns. In frnt kneel eight children in a row, four carrying skulls, and maybe all girls? The wife's feet rest on a soppy looking dog, but his rest on a nut-eating squirrel. As Cameron continued snapping away, Mum and I passed comment on a poor lady commemorated in the chancel who had thirteen sons and nine daughters. [open]
Seemingly endless rainforest-covered mountains extending into the distance in Toledo District in southern Belize.
Taken from a small plane on an aerial photography trip with Ya'axché Conservation Trust - flights donated by LightHawk.
A seemingly homeless man, playing a flute-like instrument on the streets of Sofia
If you use this image I'd be grateful, if you could credit blog.uyora.com/author/svetlana/ Thanks!
seemingly a popular thing to sell in the bazaar outside Selimiye Camii. At least four shops were offering fake fruit.
For Zahrah Alghamdi, material and memory are inextricably intertwined. Many of her works involve large accumulations of material that seemingly layer the histories and cultures of the places from which they come. When Alghamdi, who grew up in the southwestern region of Saudi Arabia, visited Palm Springs, she was struck by the connection between the desert landscapes and architectures. For Desert X, she has created a sculpture that echoes and synthesizes the traditionally built forms from her country with the architectural organization she found in the Coachella Valley. The result takes the form of a monolithic wall comprised of stacked forms impregnated with cements, soils, and dyes specific to each region. It expresses a highly individualized language corresponding to feelings, emotions, and memories associated with place and time.
Zahrah Alghamdi (Al Bahah, Saudi Arabia, 1977) explores memory and history through traditional architecture in both medium and assemblage. Her laborious and meticulous process involves assembling particles of earth, clay, rocks, leather, and water. Her medium and process draw on the notion of “embodied memory” to translate and delineate themes of cultural identity, memory, and loss. Alghamdi represented Saudi Arabia in the 2019 Venice Biennale and participated in Desert X AlUla 2020.
ESPAÑOL
Para Zahrah Alghamdi, el material y la memoria están estrechamente entrelazados. Muchas de sus obras condensan grandes cúmulos de material cual si fuesen estratos superpuestos de historias y culturas de los sitios de donde provienen. Alghamdi creció en Al Bahah, en la región suroeste de Arabia Saudita, y cuando visitó Palm Springs quedó impresionada por la conexión entre los paisajes y las arquitecturas del desierto. Para Desert X, creó una escultura que sintetiza y hace eco a las formas de construcción tradicionales de su país con la organización arquitectónica que encontró en el Valle de Coachella. El resultado toma la forma de un muro monolítico compuesto por elementos apilados, impregnados de cemento, tierra y tinturas específicas de los procesos de edificación de cada región; expresando un lenguaje sumamente personal que atañe a sentimientos, emociones y recuerdos asociados a un lugar y a un tiempo.
Zahrah Alghamdi explora memoria e historia a través de la arquitectura tradicional como medio y montaje. Su trabajo y meticulosos procesos comprenden el ensamblaje de partículas de tierra, arcilla, rocas, cuero y agua. La noción de “memoria encarnada” sirve como base de producción y prácticas para traducir y delinear temas de identidad cultural, memoria y pérdida. Alghamdi representó a Arabia Saudita en la Bienal de Venecia 2019 y participó en Desert X AlUla 2020.
What Lies Behind the Walls
33.964250, -116.484250
Pierson Boulevard between Foxdale Drive and Miracle Hill Road, Desert Hot Springs
On view from sunrise to sunset
Generous support is provided by Ba’a Foundation.
A seemingly odd mixture (for me anyway) of ingredients comes together to make one incredibly delicious flatbread.
www.fullforkahead.com/2014/11/05/fig-and-prosciutto-flatb...
Seemingly sadly demoted to schoolbus duties along with all the other ex Connex long Caetano Nimbus Darts, what a waste given it's only 6 years old and when the smaller vehicles are often running full and leaving potential passengers stranded. 25/08/13
Stelis lateralis - A nest parasite of Osmia...often seemingly associated with O. pumila. This one was found in the New York City area in Gateway National Recreation Area. Photographed by Kamren Jefferson and photo shopped by Elizabeth Garcia.
~~~~~~~~~~{{{{{{0}}}}}}~~~~~~~~~~
All photographs are public domain, feel free to download and use as you wish.
Photography Information: Canon Mark II 5D, Zerene Stacker, Stackshot Sled, 65mm Canon MP-E 1-5X macro lens, Twin Macro Flash in Styrofoam Cooler, F5.0, ISO 100, Shutter Speed 200
Beauty is truth, truth beauty - that is all
Ye know on earth and all ye need to know
" Ode on a Grecian Urn"
John Keats
You can also follow us on Instagram account USGSBIML Want some Useful Links to the Techniques We Use? Well now here you go Citizen:
Art Photo Book: Bees: An Up-Close Look at Pollinators Around the World
www.qbookshop.com/products/216627/9780760347386/Bees.html...
Basic USGSBIML set up:
www.youtube.com/watch?v=S-_yvIsucOY
USGSBIML Photoshopping Technique: Note that we now have added using the burn tool at 50% opacity set to shadows to clean up the halos that bleed into the black background from "hot" color sections of the picture.
www.youtube.com/watch?v=Bdmx_8zqvN4
PDF of Basic USGSBIML Photography Set Up:
ftp://ftpext.usgs.gov/pub/er/md/laurel/Droege/How%20to%20Take%20MacroPhotographs%20of%20Insects%20BIML%20Lab2.pdf
Google Hangout Demonstration of Techniques:
plus.google.com/events/c5569losvskrv2nu606ltof8odo
or
www.youtube.com/watch?v=4c15neFttoU
Excellent Technical Form on Stacking:
Contact information:
Sam Droege
sdroege@usgs.gov
301 497 5840
Among Chiang Mai's seemingly endless array of richly adorned temples, Wat Chedi Luang is one of the most unmissable, consisting of various intricate temple buildings arranged around the massive ruined chedi that gives the complex it's name, a huge brick-built stupa that has remained in it's dramatic earthquake-shattered state since medieval times.
The huge chedi was begun in 1391 and wasn't completed until 1475, at which point it's spire rose to nearly 300ft. The huge stupa only remained complete until 1545 when an earthquake brought most of the upper part crashing down, never to be rebuilt. There was some limited reconstruction in the early 1990s, restoring the form of the tower part of the structure to something like it's original state.
Some of the sculpted decoration has been restored too; originally there was a terrace of lifesize elephants halfway up the base (very little remains of the originals, though those at the south west corner have been reconstructed. The staircases on each side are guarded by the largest, most fearsome nagas we saw, more monstrous than the usual elegant serpents.
The main wihan (prayer hall) only dates from the 1920s but is a particularly beautiful building with facades covered in gilded foliate ornament, and striking Buddha sculptures within.
By forces seemingly antagonistic and destructive
Nature accomplishes her beneficent designs
- now a flood of fire
...again in the fullness of time an outburst of organic life.
John Muir
~
To all parties left, right and in between: A sober message through song:
This is the Last Stop - The Dave Mattews Band from the album Before These Crowded Streets:
Fire
The Sun is well asleep
Moon is high above
Fire grows from the east
How is this
Hate so deep
Lead us all so blindly killing killing
Fools we are if hate’s the gate to peace
This is the stop
For raining tears
(Is) War
The only way to peace
(Well) I don’t fall for that
Raining Tears
Go ahead and dream
Go ahead, believe that you are the chosen one
Raining tears
You’re righteous, so righteous
You’re always so right,
Oh no
Gracious even God
Bloodied the cross
Your sins are washed enough
Mothers cry
“Is hate so deep
Must a baby’s bones this hungry fire feed?”
As smoke clouds roll in
The symphony of death
This is the last stop
Scream
Right is wrong now
Shut up you big lie
This black and White lie
You comb your hair to hide
Your lying eyes
You’re righteous, so righteous
You’re always so right,
But why your lie
Go ahead and dream
Go ahead, believe that you are the chosen one
This is the last stop
Here there’s more than is showing up
Hope that we can break it down
So it’s not so black and white
You’re righteous
You’re righteous
You’re righteous
You’re always so right,
There you are nailing a good tree
Then say forgive me, forgive me
Why
Raining tears
This is the last stop
Here there’s more than is showing up
Hope that we can break it down
So it’s not so black and white.
Lucky residents of Virginia will be treated to a free live concert in Richmond, VA on Sunday, October 26, 2008. The Last Chance for Change performance will be held at the ALLTEL Pavilion at the VCU Stuart C. Siegel Center to encourage Virginians to vote for change.
For ticket locations and additional information, please visit www.barackobama.com/dave.
More info about DMB www.davematthewsband.com/news/
What is seemingly the most accessible form of the photographic medium – the family photograph – has been transformed into a vital theme in the oeuvre of Swiss photographer Annelies Štrba (1947). Through the depth of her treatment, her ability to see new qualities in what has been viewed a thousand times, she was able to depict the reality of her personal family life in such a way as to transmit a truly valuable, all-embracing message on interpersonal relations.
With breathtaking ease, she transcends the boundaries of the banal and the concrete, bringing the photograph and its resonances into a timeless space yet all the while retaining its tender subtleties. Štrba has for some time developed the family theme through both still photography and video in parallel. One essential shift in emphasis, though, occurred in 1997, when she abandoned photography to concentrate exclusively on work with video and the subsequent computer animation of its individual sequences. Utilising special technical approaches, she began to create self-standing pictures of time-stopped “filmstrips” in fantastic colours, displaying her capabilities of a nearly magical imagination. An essential theme remaining present in the work continues to be the moments of family life – instants that are hardly even remembered thanks to their simplicity and quotidian transience. A second, yet no less vital parallel theme of Annelies Štrba’s is the series, starting from the very outset of her career, of photographs and later videos of cities that she has visited. Modern technology has given the artist the means of self-expression through nearly visionary slices of urban reality, which in certain instances acquire, under the influence of political events, a tragic tone of commemoration of the threats of human civilisation, particularly underscored through their contrast with her other work.
The present exhibition is intended to present a cross-section of all phases of the oeuvre of this truly exceptional creative personality, from her first black-and-white photographs from the late 1970s presented in the form of a slide show up to the most recent series of coloured images depicting the motif of elves. A central element of the project, significantly located in the centre of the exhibit itself, is an extensive series of video films. Štrba works to an unusual extent with real time, thus revealing to the viewers her ongoing method of seeing and the background to her work with artificial colouring in the self-standing pictures.
Even though this important photographer has displayed her work across the world as part of many solo as well as group exhibits, the Prague exhibition is most likely to be her first retrospective show of work outside of Switzerland.
Seemingly affixed to this tree on the school field some time ago, it seems the tree is trying to get it's own back.
This seemingly empty depot today has not seen a train in nearly 20 years. This depot was built by Cloverdale, CA., and the County of Sonoma for the S.M.A.R.T. system, before it was even approved or knew what it was going to be like. Seen here with a standard platform, this would not work with today's S.M.A.R.T. and their high-platform DMU's. This depot stands as a reminder of what could've been for Sonoma County.
©FranksRails Photography, LLC.
Photo Credit: Barbara Kinney / Clinton Global Initiative.
.
There is no shortage of proven solutions to many of the world’s most seemingly intractable problems. Yet rather than scaling up existing programs with established track records, many funders and founders continue to launch new organizations and spearhead new initiatives in search of the next game-changing startup or breakthrough idea. How can social innovators better recognize opportunities to join forces with organizations that possess the existing infrastructure and similar theories of change? If measurable impact is the ultimate goal, should students focus less on starting up and more on scaling up? Are solutions to illiteracy, climate change, or HIV/AIDS truly transferable from one location or community to another in the way that a fast food franchise can expand across a region? This session will bring together grassroots entrepreneurs, NGO leaders, and private sector representatives to explore the challenges, costs, and benefits of scaling up successful solutions..
.
Moderator:.
Chelsea Clinton, Vice Chair, Clinton Foundation.
Participants:.
Bill Drayton, Chief Executive Officer, Ashoka.
Katie Smith Milway, Partner, Head of Knowledge, The Bridgespan Group.
Deogratias Niyizonkiza, Founder and Chief Executive Officer, Village Health Works.
Rosario Pérez, President and Chief Executive Officer, Pro Mujer
Seemingly withdrawn when seen at the Myton Road depot of Midland Red South in early 1991 are these two G&G, former Hull MCW Metropolitans, KRH413P and KRH414P
Seemingly abandoned since 2008 and slowly rotting away - this garage was due to be resurrected according to a news article - see comments below - but as yet nothing has actually happened so far. www.google.com/maps/@51.6562539,-3.0050301,3a,75y,314.68h...
This seemingly mundane artifact is an important part of the Folly Island occupation. The Civil War was a watershed of technological innovation and manufacture, particularly in the preservation of food.
“Tin cans” came into widespread use in the 1860s, spurred by the war and the need to supply large numbers of men.
Food cans used during the war were hole-in-the-cap technology. They were manufactured with a large hole in the top, to facilitate filling. The hole was closed by soldering on a plate, or cap. The tinned sheet iron corroded in the salt water, but many rings or strips of lead solder were recovered on Folly North.
From the collections of the Charleston Museum
Seemingly simple, contrasting, multiple personalities... clash...
FGR: "Who the Flick Are You?"
Theme of the Week: "Faceless Photos"
Among Chiang Mai's seemingly endless array of richly adorned temples, Wat Chedi Luang is one of the most unmissable, consisting of various intricate temple buildings arranged around the massive ruined chedi that gives the complex it's name, a huge brick-built stupa that has remained in it's dramatic earthquake-shattered state since medieval times.
The huge chedi was begun in 1391 and wasn't completed until 1475, at which point it's spire rose to nearly 300ft. The huge stupa only remained complete until 1545 when an earthquake brought most of the upper part crashing down, never to be rebuilt. There was some limited reconstruction in the early 1990s, restoring the form of the tower part of the structure to something like it's original state.
Some of the sculpted decoration has been restored too; originally there was a terrace of lifesize elephants halfway up the base (very little remains of the originals, though those at the south west corner have been reconstructed. The staircases on each side are guarded by the largest, most fearsome nagas we saw, more monstrous than the usual elegant serpents.
The main wihan (prayer hall) only dates from the 1920s but is a particularly beautiful building with facades covered in gilded foliate ornament, and striking Buddha sculptures within.
37425 with 37558 seemingly dit and load 17 attacking bank as it leaves Thurston behind on its Colchester- Whitemoor move...
A seemingly simple image, but for some reason, I really like it... Perhaps one of my most Garnetic. Aerial landscape photographer William Garnet's collection includes one or two from this area.
Parked at Hoboken Terminal, seemingly never moving, double-decker train cars like this were rolled out by NJ Transit in 2006, mainly because riders were not using the middle seat. They were only used on Northeast Corridor, North Jersey Coast Line and Midtown Direct service. The cars were built by Bombardier. The car's number is 7201, which contains my lucky number 721, albeit indirectly. Two interesting things about these cars are that first, these cars did resolve the middle seat crisis, but reduced standing room and made for congestion delays boarding/disembarking because people would crowd the stairs. Also, the added weight of the cars apparently caused issues because more power was required to drive the same number of train cars (and the added passengers), and the traction power system which was quite old had issues putting that much power through safely.
Seemingly adrift in a sea of grey, #55A Jacob Shoemaker and #19K Adam Bushman explore the track during practice @ the 91st running of the Barbara Fritchie Classic in Frederick MD.
aerial vantage point courtesy of my friends at www.f3-videos-and-photos.com.
NIK "Color Efex Pro 4"
© 2013 Doug Miller Photography - www.dougmillerphotos.com
Speed Vision of MD - www.svomd.com
To view the many images from this event, visit the Speed Vision of MD website - www.svomd.com
"Like" us on Facebook @ Speed Vision of MD
Follow us on Twitter @SpeedVisionofMD
Seemingly, life long antagonists Jonathan Toews and Ryan Kesler will continue to wage war on the ice tonight in Game 3 of the WCF. Kesler is a hated man in Chicago due his irritating style of play while he was a Canuck.
seemingly useless steep and barren mountain engineered into productive rice terrace. Hani tribesmen practically "curved" the rice terrace with bare hands and simple hand tools as heavy machinery does not go well with steep slopes.
By forces seemingly antagonistic and destructive
Nature accomplishes her beneficent designs
- now a flood of fire
...again in the fullness of time an outburst of organic life.
John Muir
~
To all parties left, right and in between: A sober message through song:
This is the Last Stop - The Dave Mattews Band from the album Before These Crowded Streets:
Fire
The Sun is well asleep
Moon is high above
Fire grows from the east
How is this
Hate so deep
Lead us all so blindly killing killing
Fools we are if hate’s the gate to peace
This is the stop
For raining tears
(Is) War
The only way to peace
(Well) I don’t fall for that
Raining Tears
Go ahead and dream
Go ahead, believe that you are the chosen one
Raining tears
You’re righteous, so righteous
You’re always so right,
Oh no
Gracious even God
Bloodied the cross
Your sins are washed enough
Mothers cry
“Is hate so deep
Must a baby’s bones this hungry fire feed?”
As smoke clouds roll in
The symphony of death
This is the last stop
Scream
Right is wrong now
Shut up you big lie
This black and White lie
You comb your hair to hide
Your lying eyes
You’re righteous, so righteous
You’re always so right,
But why your lie
Go ahead and dream
Go ahead, believe that you are the chosen one
This is the last stop
Here there’s more than is showing up
Hope that we can break it down
So it’s not so black and white
You’re righteous
You’re righteous
You’re righteous
You’re always so right,
There you are nailing a good tree
Then say forgive me, forgive me
Why
Raining tears
This is the last stop
Here there’s more than is showing up
Hope that we can break it down
So it’s not so black and white.
Lucky residents of Virginia will be treated to a free live concert in Richmond, VA on Sunday, October 26, 2008. The Last Chance for Change performance will be held at the ALLTEL Pavilion at the VCU Stuart C. Siegel Center to encourage Virginians to vote for change.
For ticket locations and additional information, please visit www.barackobama.com/dave.
More info about DMB www.davematthewsband.com/news/