View allAll Photos Tagged seductive
I had another chance to shoot with the lovely Sheridon. What a lovely young lady - very quiet with a natural beauty about her. Sheridon could only stay for a short time so I had to make the most of it - and I love how the photos turned out. We did this shoot at the Scentsy campus in Meridian, Idaho in October 2021.
Derelict RS8 diesel hydraulic shunting locomotive, plinthed alongside the High Peak Trail in the car park of the National Stone Museum, near Wirksworth, Derbyshire.
Hard to believe, but (1) this is a Rolls-Royce (check out the famous logo above the cooler fan at the front, and a far cry from flic.kr/p/9m4wv5), and (2) this was once a quite attractive steam locomotive. Good account of this loco's history at:
- inlanding.wordpress.com/2014/12/09/rs8/
(*) quoted from Rolls-Royce Cars current publicity
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Photo
Brian Roy Rosen
Uploaded to Flickr February 5, 2016
© Darkroom Daze Creative Commons.
If you would like to use or refer to this image, please link or attribute.
ID: DSC_2353 - Version 2
Sweets Seductive Dress Philadelphia Studio Photo Shoot Kodak TMY 5053 Tmax 400 ISO 35 mm B&W Contact Sheet Proof Print December 1995
I love shooting with Sarah - she is strikingly gorgeous, with legs that go on for miles, beautiful, curvy, and very sweet. Sarah joined us for a small group shoot in Star, Idaho on a very cold day in January 2018. We only had time for a few outfit changes so I guess I have to shoot with her again. Oh well, someone has to do it!
Feeling sexy, seductive and feminine posing in my new black plunge chemise Lingerie Set, with Black Strappy Heels x
Today I'm going to take it easy and relax in the house, just enjoying to be girly in my lilac satin teddy. Here on the sofa I'm super comfortable and there's nothing more that I need to be completely happy. Just lounging in soft satin is heaven for me. I feel privileged that true happiness is so easy for me.
A little noir glamour moment — lingerie-inspired looks, moody lighting, and a confident, feminine vibe. These images were photographed by Sean at Transphote.
If you’d like to watch more content like this, check out my YouTube channel Crossdressing Lifestyle:
Sweets Seductive Dress Philadelphia Studio Photo Shoot Kodak TMY 5053 Tmax 400 ISO 35 mm B&W Contact Sheet Proof Print December 1995
Nikon D5000
18-55mm f/3.5-5.6 G VR
Strobist info:
Left side - Britek Soft Box 24x24
Right side - Speedotron D-4000 with umbrella
Heather was in another one of her creative moods and wanted to try out gold leaf. Sounds good to me - I love being her willing victim. Considering this was the first time she ever tried this I was very impressed with the results (except for the cleanup). This was a very fun shoot! I took these photos at the end of November 2020 in Star, Idaho.
From the Photoshoot with Valentina Hernández. Let me know if you like it with a comment!
You can see more of my work on my page: paolacmfotografia.wix.com/pcmf
And my social networks: instagram.com/paolacmfotografia/
Todays lesson, Some students just have to learn the hard way.....
....and Oh Dear do I have a surprise for you!!
West-German postcard by Starfoto Hasemann, no. 225. Photo: Paramount Pictures.
Glamorous and seductive film star Hedy Lamarr (1913–2000) was born in Austria. The notorious Czechoslovak film Ekstase/Ecstasy (1933) made her an international sensation, and Louis Mayer invited her to Hollywood where she became ‘the most beautiful woman in films’.
Hedy Lamarr was born as Hedwig Eva Maria Kiesler in Vienna, Austria-Hungary (now Austria), the daughter of Jewish parents. Her mother was a pianist and her father a successful bank director. She studied ballet and piano. When working with Max Reinhardt in Berlin, he called her the ‘most beautiful woman in Europe’. Her first film role was a bit part in the German film Das Geld liegt auf der Straße/Money on the Street (Georg Jacoby, 1930). Soon, the attractive and talented teenage girl played major roles in the German films Die Frau von Lindenau/Storm in a Water Glass (Georg Jacoby, 1931), Die Abenteuer des Herrn O. F./The Trunks of Mr. O. F. (Alexis Granowsky, 1931), and Man braucht kein Geld/We Need No Money (Carl Boese, 1932) alongside stars like Heinz Rühmann and Hans Moser. But it would be her fifth film that catapulted her to worldwide fame. In early 1933, she starred in Gustav Machatý's Ekstase/Symphonie der Liebe/Ecstasy (1933), a Czechoslovak film made in Prague. It's the story of a young girl who has an indifferent old husband and falls in love with a young soldier. Closeups of her face in orgasm, and long shots of her running nude through the woods, created a sensation all over the world. The scenes, very tame by today's standards, caused the film to be banned by the US government at the time. Hedy soon married Fritz Mandl, a munitions manufacturer, 13 years her senior. The Austrian fascist bought up as many copies of the film as he could possibly find, as he objected to her nudity and ‘the expression on her face’. (She later claimed the looks of passion were the result of the director poking her in the bottom with a safety pin.) He prevented her from pursuing her acting career, and instead took her to meetings with technicians and business partners. In these meetings, the mathematically talented Lamarr learned about military technology. Otherwise, she had to stay at the castle Schwarzenau. She later related that even though Mandl was part-Jewish, he was consorting with Nazi industrialists which infuriated her. In 1937, she convinced Mandl to allow her to attend a party wearing all her expensive jewelry, later drugged him with the help of her maid, and made her escape out of the country with the jewelry.
First Hedwig Kiesler went to Paris, then met Louis B. Mayer in London. After he hired her, at his insistence she changed her name to Hedy Lamarr, choosing the surname in homage to a beautiful film star of the silent era, Barbara LaMarr, who had died in 1926 from tuberculosis and nefritis. In Hollywood, she was usually cast as glamorous and seductive. Her American debut was in Algiers (John Cromwell, 1938). Hedy Lamarr made 18 films between 1940 and 1949 including Boom Town (Jack Conway, 1940), White Cargo (Richard Thorpe, 1942), and Tortilla Flat (Victor Fleming, 1942), based on the novel by John Steinbeck. White Cargo, one of Lamarr's biggest hits at MGM, contains arguably her most famous film quote, "I am Tondelayo". She left MGM in 1945. For Paramount she as Delilah opposite Victor Mature's Samson in Cecil B. DeMille's epic Samson and Delilah (1949). This proved to be Paramount's most profitable movie to date, bringing in $12 million in rental from theaters. However, following her comedic turn opposite Bob Hope in My Favorite Spy (Norman Z. MacLeod, 1951), her career went into decline. She was to make only six more films between 1949 and 1957, the last being The Female Animal (Harry Keller, 1958). She became a naturalised US citizen in 1953. The publication of her autobiography 'Ecstasy and Me' (1967) took place about a year after accusations of shoplifting, and a year after Andy Warhol's short film Hedy/The Shoplifter (1966). The controversy surrounding the shoplifting charges coincided with an aborted return to the screen in Picture Mommy Dead (Bert I. Gordon, 1966). The role was ultimately filled by Zsa Zsa Gabor. In the ensuing years, she retreated from public life and settled in Florida. She returned to the headlines in 1991 when the 78-year-old former actress was again accused of shoplifting, although charges were eventually dropped. Hedy Lamarr died in Altamonte Springs, Florida in 2000. She had been married six times, including to actor John Loder. Their son Anthony Loder took her ashes to Vienna and spread them in the Wienerwald, according to her wishes. For her contribution to the motion picture industry, she has a star on the Hollywood Walk of Fame at 6247 Hollywood Blvd.
Sources: Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.