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The essential companion to Skyrim Illustrated Swimsuit Edition.
Featured model: Shanifae
Location: Hill House
Lingerie provided by Sweet & Sexy Lingerie Shop in Solitude
German postcard by Ross Verlag, no. 6414/1, 1931-1932. Photo: Paramount. Publicity still for Fighting Caravans (Otto Brower, David Burton, 1931).
Beautiful and seductive French actress Lily Damita (1904-1994) appeared in 33 French, Austrian, and Hollywood films between 1922 and 1937. Her marriage with Errol Flynn was rather tempestuous and led to her nickname 'Dynamita'.
Lily (also Lili) Damita was born Liliane Marie-Madeleine Carré in Blaye, France (north of Bordeaux), on 10 July 1904 (according to her birth certificate). She was educated in convents and ballet schools in several European countries, including France, Spain, and Portugal. At 14, she was enrolled as a dancer at the Opéra de Paris. By the age of 16 she was performing in popular music-halls, eventually appearing in the Revue at the Casino de Paris under the name Lily Deslys. She also worked as a photographic model. Then a life of mundanity started. When in Biarritz, the Spanish King wanted to be presented to that 'damita dal maillo rojo' (that little lady in the red bathing costume). Lily liked the compliment so much that she kept her nickname and appeared under the name Damita del Rojo. In 1921 she won a beauty contest by the journal Cinémagazine. The French company Société Cinématographique offered her a role in the silent film La belle au bois dormant/Sleeping Beauty (Stéphane Passet, 1922). She was praised for her beauty and freshness in this film. Soon other French films followed, including the serial L'Empereur des pauvres/The Emperor of the Poor (René Leprince, 1922), La Voyante/The Clairvoyant (Leon Abrams, Louis Mercanton, 1923) with the legendary Sarah Bernhardt, and the drama Corsica (René Carrère, Vanina Casalonga, 1923).
Lily Damita went to Vienna to act next to Max Linder in Der Zirkuskönig but left the role to Vilma Banky. Instead, she played in Mihaly Kertesz' (the later Michael Curtiz) Das Spielzeug von Paris/Red Heels (1925), which knew a huge international success. At the time, she was reportedly engaged to Prince Louis Ferdinand of Prussia, grandson of the ex-Kaiser. Count Kolowrat, the owner of the Viennese Sascha Film, made her a fabulous offer, partly on the instigation of the prince: directors to choose by herself, scripts written especially for her, and ways to turn her into one of Europe's biggest film stars. Thus happened. Lily's films may not have reached canonical film history but they were huge hits at the box office. They included Fiaker Nr. 13/Cab Nr. 13 (1926) and Der goldene Schmetterling/The Golden Butterfly (1926), both directed by Michael Curtiz. The latter film, based on a story by P.G. Wodehouse and largely shot in London, probably contained one of Lily's best performances. She and Curtiz married in 1925 and divorced a year later. Damita continued appearing in European productions directed by G. W. Pabst (Man Spielt nicht mit der Liebe/One Does Not Play with Love; 1926), British director Graham Cutts (The Queen Was in the Parlour; 1927), and Robert Wiene (Die Grosse Abenteuerin/The Amateur Adventure; 1928).
After several Hollywood offers, it was MGM mogul Sam Goldwyn who took Lily Damita to California to perform in The Rescue (Herbert Brenon, 1929) with Ronald Colman, and The Bridge of San Luis Rey (1929, Charles Brabin), which were rather tedious. Things went better when Lily played a siren of the tropics in The Cock-Eyed World (Raoul Walsh, 1929) opposite Victor McLaglen. In the meantime, sound cinema had arrived. Lily didn't master English too well, so she was put in French versions of American films before dubbing became normal. She was cast with the young Gary Cooper in the early western Fighting Caravans (Otto Brower, David Burton, 1931), and with the young Laurence Olivier in Friends and Lovers (Victor Schertzinger, 1931). She returned to France and played a young adventuress in On a Vole un Homme/Man Stolen (1933) from the great Max Ophüls. According to Hal Erickson at All Movie, this lighthearted romance was "gorgeously photographed on the French Riviera and other such eye-catching locations". On a Vole un Homme was the first of a brace of films produced in France by Erich Pommer on behalf of Hollywood's Fox Films. In 1935 Lily married an unknown actor who would become Hollywood's biggest box office attraction, Errol Flynn. She reportedly retired without complaints, but their marriage was rather tempestuous, hit the press, and finished in divorce in 1942. In 1970, their only son Sean Flynn, a 28 years old photojournalist for Time Magazine and a dead ringer for his father, went missing in Cambodia during the Vietnam war. He was captured by Khmer Rouge guerrillas. In spite of the huge investments by Lily, he was never found and in 1984 he was declared legally dead. Lily married three times, the last time to retired dairy owner Allen Loomis (1962-1983). All three marriages ended in a divorce. In 1994, Lily Damita died of Alzheimer's disease in Palm Beach, Florida, aged 89. In March 2010 media reported that remains, that may be those of Sean Flynn (1941-1970), have been found in a mass grave in Cambodia. Tests were scheduled to be conducted on the jaw and femur bone found and were handed over to the U.S. embassy in Phnom Penh. However, the results, released 30 June 2010, by JPAC, showed the remains were not those of Sean Flynn.
Sources: Vittorio Martinelli (Le dive del silenzio), Hal Erickson (AllMovie), Helen Kennedy (Daily News), C. Parker (Starlet Showcase), Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
I took these photos of Kim in the Boise River on cold October evening. She had no problem getting in the water - she blames that her Russian blood. She looked amazing, even when she started turning blue. I can see Kim becoming one of my go-to models. She is gorgeous, curvy, adventurous, sweet and sassy - and my camera loves shooting with her!
I took these photos in the Boise River at Star River Walk Park in mid-October 2020.
Shedders enjoy the music at the Watershed country music festival in early August, 2024 at The Gorge amphitheater outside of George, Washington, USA Underboob Under Boob Sunglasses Black Blonde
"Ready?... ready for what?" I asked.
She smiled... letting me know she'd caught me looking.
"Whatever it is you have in mind..." she replied, shifting slightly... just enough to give me a better view.
She knew exactly what she was doing... or maybe she simply enjoyed the fact I couldn't look away.
Derelict RS8 diesel hydraulic shunting locomotive, plinthed alongside the High Peak Trail in the car park of the National Stone Museum, near Wirksworth, Derbyshire.
Hard to believe, but (1) this is a Rolls-Royce (check out the famous logo above the cooler fan at the front, and a far cry from flic.kr/p/9m4wv5), and (2) this was once a quite attractive steam locomotive. Good account of this loco's history at:
- inlanding.wordpress.com/2014/12/09/rs8/
(*) quoted from Rolls-Royce Cars current publicity
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Photo
Brian Roy Rosen
Uploaded to Flickr February 5, 2016
© Darkroom Daze Creative Commons.
If you would like to use or refer to this image, please link or attribute.
ID: DSC_2353 - Version 2
I love shooting with Sarah - she is strikingly gorgeous, with legs that go on for miles, beautiful, curvy, and very sweet. Sarah joined us for a small group shoot in Star, Idaho on a very cold day in January 2018. We only had time for a few outfit changes so I guess I have to shoot with her again. Oh well, someone has to do it!
Shadow dancing, swaying to the music, take to the land of dreams, shadow woman mysterious and sexy, steal my heart and never let me go.
Model: Emily Coral: (Mayhem #1928983)
MUA: Ana Popescu (Mayhem #1330655)
Stylist: Adrian Pini (Mayhem #536853)
Strobist info:
A beauty dish above high behind cam. Softboxes both side via reflectors. Triggered with Profoto Air Remote.
Shot at Adrian Pini's Studio, London
Colour adjustment and post edited with Adobe Lightroom and CS5.
Copyright KROP! 2012
Wearing soft satin skirts is a joy for me and this golden shiny skirt is surely the eye-catcher of my outfit. However, I do want to point out my black top also. It's in soft shiny satin as well and I love its crop top design, allowing the smooth silky fabric to fall naturally in beautiful folds around my neck and over my bust. Satin Paula is perfectly happy like this and a sweet smile is proof of that.
Shell charge you by the hour
for straight train down to Hell..
-state of emergency;nickjonas & theadministration :)
i like thisss.
A little noir glamour moment — lingerie-inspired looks, moody lighting, and a confident, feminine vibe. These images were photographed by Sean at Transphote.
If you’d like to watch more content like this, check out my YouTube channel Crossdressing Lifestyle:
Hemyock Village Pantomime this week.
The colour version of this shot posted at the request of the cast.
(Village hall rehearsals, no Flash, energy saving light bulbs. Not Ideal, but if it was easy there would be no fun !!).
"Little Red Riding Hood", also known as "Little Red Cap" or simply "Red Riding Hood", is a French and later European fairy tale about a young girl and a Big Bad Wolf. The story has been changed considerably in its history and subject to numerous modern adaptations and readings. The story was first published by Charles Perrault.
The origins of the Little Red Riding Hood story can be traced to versions from various European countries and more than likely preceding the 17th century, of which several exist, some significantly different from the currently known, Grimms-inspired version. It was told by French peasants in the 10th century. In Italy, the Little Red Riding Hood was told by peasants in 14th century, where a number of versions exist, including La finta nonna (The False Grandmother). It has also been called "The Story of Grandmother". It is also possible that this early tale has roots in very similar Oriental tales (e.g. "Grandaunt Tiger").
These early variations of the tale differ from the currently known version in several ways. The antagonist is not always a wolf, but sometimes an ogre or a 'bzou' (werewolf), making these tales relevant to the werewolf-trials (similar to witch trials) of the time (e.g. the trial of Peter Stumpp). The wolf usually leaves the grandmother’s blood and meat for the girl to eat, who then unwittingly cannibalizes her own grandmother. Furthermore, the wolf was also known to ask her to remove her clothing and toss it into the fire. In some versions, the wolf eats the girl after she gets into bed with him, and the story ends there. In others, she sees through his disguise and tries to escape, complaining to her "grandmother" that she needs to defecate and would not wish to do so in the bed. The wolf reluctantly lets her go, tied to a piece of string so she does not get away. However, the girl slips the string over something else and runs off.
In these stories she escapes with no help from any male or older female figure, instead using her own cunning. Sometimes, though more rarely, the red hood is even non-existent.