View allAll Photos Tagged seductive
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***** Selected for sale in the GETTY IMAGES COLLECTION on March 23rd 2015
CREATIVE RF gty.im/544538681 MOMENT OPEN COLLECTION**
This photograph becomes my 376th to be selected for inclusion in the Getty Images Moment collection, and I am very grateful to them for this wonderful oportunity.
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Photograph taken at 11:39pm on November 21st 2012 off Dartford Road and High street, in the car park of the Lion pub in the centre of Farningham village, next to the River Darent in Farningham, Dartford, England.
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Model: MANDY FROST
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Nikon D7000 35mm 1/100s f/1.8 iso200 RAW (14Bit) Manual focus. Manual exposure. Matrix metering. Auto white balance.
Nikkor AF-S DX 35mm f/1.8G. Jessops 68mm UV filter. Nikon MB-D10 battery grip pack and Two Nikon EN-EL15 batteries. Hoodman soft viewfinder eyecup. Nikon GP-1 GPS.
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LATITUDE: N 51d 22m 55.20s
LONGITUDE: E 0d 13m 15.73s
ALTITUDE: 11.0m
RAW (TIFF) FILE SIZE: 46.00MB
PROCESSED (JPeg) SIZE: 7.37MB
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PROCESSING POWER:
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU processor. AMD Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB SATA storage. 64-bit Windows 8.1. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon VIEWNX2 Version 2.10.3 64bit. Adobe photoshop Elements 8 Version 8.0 64bit
Saw a photo similar to this that i wanted to replicate ... the original photo was a woman in a very similar position, so thought i got a body like that ( :-p ) let me give that a go
Oil paint on canvas
This work was probably painted in preparation for Metabolism (1898-9), which depicts the biblical figures Adam and Eve. In this study, Edvard Munch cast Eve as fiery and seductive by accentuating the red of her hair and creating dramatic highlights on her flesh. In contrast to the final painting, however, she covers her breasts and looks down. Perhaps Munch was exploring the moment in the biblical story when, after disobeying God and being driven from the Garden of Eden, Eve becomes conscious of her nakedness and feels shame for the first time.
[Courtauld Gallery]
From the exhibition
Edvard Munch. Masterpieces from Bergen
(May to September 2022)
Seen together for the first time outside of Scandinavia, the collection presents an exceptional overview of Munch’s development as an artist, providing a rich and comprehensive account of his journey from the early breakthrough pictures of the 1880s which launched his career, through to the expressive and psychologically charged works of the 1890s for which he became known.
The remarkable collection was formed at the beginning of the 20th century by Norwegian industrialist and philanthropist Rasmus Meyer (1858-1916). An early champion of Munch’s work, Meyer knew the artist personally. He astutely acquired major canvases that chart the development of the painter’s unique expressive style that marks Munch as one of the most radical painters of the 20th century. At the time of Meyer’s death in 1916, the canvases encompassed what was then the most comprehensive documentation of Norwegian contemporary art in any collection and the largest single group of works by Edvard Munch. The collection was gifted to the city of Bergen in 1916, and housed since 1924 in a purpose-built gallery in the heart of Bergen, part of KODE Art Museums and Composer Homes.
The exhibition at The Courtauld begins with important early paintings from the 1880s, when Munch was drawing on social realism, Naturalist techniques, and the legacy of French Impressionism to create his own style. This is exemplified by the artist’s first major work, Morning (1884), painted when he was just twenty years old. Despite being controversial at the time for its unconventional style and its intimate subject, the picture helped to establish Munch’s critical and public recognition as a modern painter and was exhibited at the Paris World Fair in 1889.
Another early highlight in the exhibition is Munch’s large-scale canvas Summer Night. Inger on the Beach (1889), a powerful and evocative depiction of his sister Inger sitting by the shoreline of a fjord. This pivotal work has long been celebrated as the painting with which Munch found his artistic voice. Summer Night marks his move towards the expressive and psychologically charged output for which he became famous.
These early paintings launched Munch’s career in Norway and internationally and set the stage for his ground-breaking paintings of the 1890s when his compositions became powerful projections of his emotions and psychological state. Major examples of these 1890s works form the larger part of the exhibition. Instantly recognisable by Munch’s highly expressive handling of paint and rich colour, they include remarkable canvases from the artist’s famous ‘Frieze of Life’ series, such as Evening on Karl Johan (1892), Melancholy (1894-96) and By the Death Bed (1895). Munch’s ‘Frieze of Life’ canvases were intended to address profound themes of human existence, from love and desire to anxiety and death. The artist used his own experiences as source material to create visceral depictions of the human psyche, which he hoped would help others understand their own life. Munch’s ambition to create paintings that operated on a deeply emotional and psychological level, marked him out as one of the most distinctive voices of modern art at the turn of the 20th century.
The exhibition also includes Self-Portrait in the Clinic (1909), one of Munch’s most impressive and introspective self-portraits, painted when he was undergoing treatment for emotional stress in Copenhagen. This powerful work marked a significant and lasting shift in Munch’s style, as he adopted a brighter palette and started applying paint with loose, jagged brushstrokes that left parts of the canvas visible. Munch deployed this new approach to remarkable effect in Youth (1908), one of the paintings Meyer acquired directly from the artist. Its near-life sized depiction of a naked young man on the beach is full of a renewed sense of vitality that characterised Munch’s work at this time.
Edvard Munch. Masterpieces from Bergen is presented in The Courtauld’s Denise Coates Exhibition Galleries and is the second in The Morgan Stanley Series of temporary exhibitions at The Courtauld. The Courtauld’s permanent collection of Impressionist and Post-Impressionist masterpieces, on display in the adjacent newly refurbished LVMH Great Room, provide rich context for the exhibition, revealing some of the artistic inspirations Munch encountered during his experimental years in Paris from 1889 – 1892, where he discovered the modern styles of Gauguin, Toulouse Lautrec and Van Gogh.
[Courtauld Gallery]
This is the line work stage of a new commission Im working on..
They asked me to give my take on Medusa.This is the most fun iv'e had on a commission because the idea fits my style so well
I get on my knees to make this beautiful photo of my friend Ann. From this low angle we can see her bright pink miniskirt up close, and even a hint of the secrets underneath. She looks so girly, so cute and so pretty and also so super sexy and seductive. And I know Ann: she loves to tease so she definitely turns her bum a bit extra on purpose, the sweet little devil. Good for her, great for me and also excellent for you.
Yuuko ainda não desistiu do Kinshiro e tenta de todas as formas jogar seu charme para ele, mas parece que não tem funcionado muito. Ele só tem olhos para seus vídeo games e para a nova moradora de cabelos azuis. Bom, é bem natural um viciado em jogos se interessar pela Miku, mas a Yuuko não está gostando nada disso.
Enquanto isso, Tomoe fica cada vez mais apaixonado pela fantasminhas, principalmente quando a vê como na foto acima. Mas anda bem deprimido, pois ela nunca dá bola pra ele ou entende suas indiretas.
Poxa, Yuuko! Larga de ser besta e dá uma chance pro Tomoe! xD
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Queria agradecer a todas as pessoas que estão dando forças e sempre perguntando se a minha família está bem. Infelizmente a minha avó não melhorou e minha mãe ainda anda meio desanimada, mas quarta estou indo pro Rio ficar com ela e dar todo o apoio que puder.
Bom, já que vou ficar lá um tempo estou pensando em levar alguém para continuar fotografando e postando por aqui (até para eu me distrair e não ficar pensando só em estudos e doença), mas não sei quem levar...
Alguém tem alguma sugestão? *-*
Espero que todos tenham uma noite maravilhosa!
Photographer: Nature's Secret Photography (www.facebook.com/naturessecretphotography)
Model: Mandy F (www.facebook.com/mandy.f.model.photography)
$** seductive saturday **$ NO ID goiwnqq down march 5th at club 908...! start at :9pm -1am..! COUNTRY BOI SHAWTY from oce PERFORMINQQ LIVEE..! tickets on sale $10 --> $12 @door !.. ALLSTARS ENT was formally TEAMFEDDY ..! ONLY BROKE NIGGAHS FIGHT IN THE CLUBS !!!!
For those who are unfamiliar with the Folklore of the Selkie, a Selkie is a mythological sea creature, she is a seal in the ocean but can walk upon the earth at her choosing.
Legend tells of the beautiful selkie that can shed her seal fur and emerge a human lady, she can return to the ocean as her true form of the seal any time providing she still has her fur.
Otherwise she is trapped as a human.
Generally depicted with dark/black hair and pale skin.
An original ACEO on 2ply Strathmore Bristol Cardstock.
This has been done using water soluble pencils and white acrylic paint to highlight the seafoam.
2.5" x 3.5"
Model: Ivalu Sørensen
Styling/make-up: Anne Rimmer
Website: www.gretatu.com
Like my work on Facebook: www.facebook.com/pages/Greta-Tu-Photography/207677935941080/
Well, almost low key... Or is it? I don't know if I really like the processing. Do you?
Nearly a completely unplanned shooting with Noxious. Thanks a lot!