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Master of the right apse of St. Francis to Montefalco (end sec. XIV) - Deposition of Christ from the cross (end of XIV century) fresco detached in 1909 from the monastery complex of St. Elizabeth in Foligno - Palace Trinci - Foligno (Perugia)
La prima sezione della Pinacoteca è dedicata a opere che vanno dalla fine del XIV secolo fino in pieno XV secolo; sono collocate al primo piano di Palazzo Trinci.
The first section of the Pinacoteca is dedicated to works ranging from the end of the fourteenth century until the middle of the fifteenth century; they are located on the 1st floor of Palazzo Trinci.
Chiesa di San Pietro (Sec. XIII - Romanico lombardo)
Portale maggiore di ingresso.
Si possono Individuare la committente Sardigna de Lacon prostrata al suolo, la Madonna col Bambino, e il santo titolare della chiesa san Pietro, dalle chiavi appese alla veste.
Church of San Pietro (13th century - Lombard Romanesque)
Major entrance portal.
It is possible to identify the client Sardigna de Lacon prostrate on the ground, the Madonna and Child, and the titular saint of the church San Pietro, with the keys hanging from his robe.
_MG_7658m
Linhof Technorama 617 S III Jubilee, Linhof Technorama Tele-Xenar 250mm f/5.6 Lens, Expired Rollei Digibase 120 CR200 PRO Color Slide Film converted in B&W, GITZO Safari Tripod, RRS Head, f32, t1/15 sec.
Car: Mercedes-Benz 500 SEC.
Date of first registration: 14th March 1990.
Registration region: Chelmsford.
Latest recorded mileage: 146,402 (MOT 24th June 2019).
Last V5 issued: 11th April 2012.
Date taken: 18th December 2018.
Album: Carspotting
Just a quick peek at how we do that project :) Head shots taken with an 85mm, body shot taken with a 20mm. And that's Fleecircus behind the subject :)
0.002 sec (1/500) f/3.5 800
18.0-35.0 mm f/1.8 35 mm
2013
www.facebook.com/photo.jamesclark
Uploaded with PhotoQueue™
240 sec exp with the black glass. Shortly after this shot a sea fret descended. It was like a scene from the The Fog !!
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F9
31mm
32 sec
.9 GND
This last tuesday, I headed on over to what is now a pretty famous location for shooting the bay bridge. So many fantastic photographers have been here, I knew from the start I needed to try my best to create something slightly different. A full moon setting to the west right at dawn seemed like a good opportunity, and a recent heat wave burned off the fog (wish there had been just a little bit left but oh well). So I aimed for a blue hour shot that would include the bridge and moon. To be different, I went with the less popular angle of down by the beach. I would have kept going all the way to the lighthouse, but some seal/ sea lions (it was dark I couldn't tell which) started huffing at me as they were sleeping right in the area. Jellyfish in the water too! Also to be different I went with f9 and no starbursts, kinda going along the pearl theme. They are pretty, but sorta cheesy since every single person has done it here, (with good reason, it does look great).
What I really liked about this shot in particular is that the sky to the east (behind me) is starting to turn that silvery-pinkish-orange of pre-dawn. That light is being reflected off of the city and most of the bridge (the island is shading the right side and lower sides of the bridge from this light). This light +the light of the full moon +the bridge lights gave me a color that reminds be of pearls or mother of pearl.
My hope is this is an enjoyable image, with a slightly different flavor than 600 or so I looked at on flickr before heading down there. Oh yea, about this location - you won't need coffee once you've climbed/slid/fallen down this trail in the middle of night.I wasn't too worried about the poison oak (I am mostly immune hahaha) or the spiders... just the CHP ;) Quite a well worn trail now, but that doesn't mean its in good condition!
Thanks for viewing! Let me know what you think, I appreciate constructive ciritism. :)
25 sec @ f/11, 90mm, Nikon D50;
Explored 9 April 2007: #197
I have been told that there is a goddess in this tree. See if you can spot her strolling from right to left.
Coincidence? Probably... I like to think not.
This is a tighter crop of the photo "Trees Whisper". Thanks to the feedback from the critique group.
Cheers,
More suggestions + comments welcome
Cetatea Colț dateazǎ de la începutul sec. al XIV-lea, când a fost ctitoritǎ de cneazul Cândea. Ulterior, Cândea a trecut la religia catolică și și-a schimbat numele în Kendeffy.
Cetatea se aflǎ pe teritoriul satului Suseni, Hunedoara, pe drumul județean DJ 686, la intrarea pe valea Râușorului și la 3 km distanțǎ de satul Râu de Mori.
Cetatea a fost ridicată pe un colț de stâncă, la intrarea în defileul Râușorului, în jurul unui turn pătrat, căruia i-au fost adăugate un zid de incintă, fortificat cu alte turnuri. Deși a fost ridicată în scopuri de apărare, ea nu a îndeplinit niciodată acest rol, cele trei fortificații fiind prea mici pentru a face față unor armate de mari dimensiuni, așa că, cel mai probabil, cetatea servea ca loc de refugiu în cazul unor conflicte între cnezi. Are plan neregulat, adaptat formei de relief, este prevăzută cu un donjon masiv și a fost cea mai puternică cnezială din Transilvania.
Cetatea Colț, ale cărei începuturi datează din anul 1359, s-a degradat prin prăbușirea în vale a unor curtine, iar în prezent mai păstreză doar resturile de ziduri, fiind practic o ruină. Reprezentanții comunei Râu de Mori încearcă să atragă fonduri pentru reabilitarea acestui monument istoric, ajuns astăzi în paragină.
I was in Melbourne today for a photography event with Fujifilm Australia called People with Cameras. The theme was The Invisible World and we (teams of 4-5) ended up on a mixture of infrared and long exposure.
This one is of the fountain in Carlton Gardens with the Royal Exhibition Building in the background taken over 60 seconds with the assistance of some IR ND filters from a fellow photographer.
ISO 200 | 60 sec | f/5.6 | 17mm
14 stops of stopping power,a moody sky and Old Harry Rocks on the Dorset coast.
Using the filters causes some vignetting which I personally think adds to the shot,giving a bit of atmosphere :)
Thanks for looking,
Chris.
Fažana, Croatia
Best view on black (a must):
Nikon D70 - f/11 - 1/800 sec.
Tamron 18-200mm F3.5-6.3
Don't use this image on any media without my permission.
© All rights reserved.
Nous ne sommes pas au pays des pélardons, ni au pays des picodons… Ces fromages de chèvres secs appartiennent à la Montagne ardéchoise et ils sont excellents. Comme le sont les pélardons dans les Cévennes et les picodons dans la Drome !
These dry goat cheeses are typical of Ardèche Mountains and they are excellent.
It is many years since I last ventured into the walkway that follows a winding route over the Clydeside Expressway to link the Exhibition Station to the SEC; it now seems very 1980s (and perhaps a bit tracheal), the perspex panels now tending to the opaque with age and mildew.
Il ciclo è disposto sulla parete sud, su due registri, divisi in riquadri di diversa larghezza; notevole la crudezza della raffigurazione di alcune scene, come quella di alcune delle molte torture cui è sottoposto Vittore e dello smembramento di Corona. La cappella dei S.S. Vittore e Corona (XII-XVII sec.) è menzionata per la prima volta nel 1047, quando Enrico III ne fece donazione ai canonici di S. Solutore di Torino. Nel corso del XII secolo, periodo al quale risale probabilmente l'attuale edificio, appartenne a S. Giusto di Susa. Dal XIII secolo venne infine a far parte dei possedimenti del Monastero di Rivalta, al quale fu sottoposta fino alla sua soppressione avvenuta alla fine del XVIII secolo. Rivelano l'originaria struttura romanica, a navata unica, la decorazione ad archetti pensili in facciata e l'abside semicircolare, spartita da lesene. Pesanti rimaneggiamenti, avvenuti alla fine del XVII secolo, ne hanno tuttavia alterato l'impianto medievale: intorno al 1681 vennero infatti aggiunti il portico di ingresso, le due cappelle laterali simmetriche, il campanile e un imponente altare barocco, che limita l'accesso all'abside. Nel 1833 fu destinata a lazzaretto in seguito ad una epidemia di colera e le pareti interne furono ricoperte da uno spesso intonaco colorato. A tali interventi si deve la perdita di una parte dei preziosi affreschi quattrocenteschi che decoravano la navata, riportati alla luce da un recente restauro. Il ciclo, testimonianza del culto dei Santi Vittore e Corona, diffuso soprattutto nel Monferrato e attestato a Rivalta anche dagli Statuti del 1247, è disposto su due registri, di cui si conservano quattordici riquadri, che si inseriscono per forza drammatica, in un contesto pittorico di scuola jaqueriana. Anche la decorazione dell'abside, che segue il modello romanico con la rappresentazione, nel catino, di Dio Padre con la barba bianca, con la mano destra nel gesto della benedizione, racchiuso da una “mandorla” e dei simboli degli Evangelisti, nonché della teoria di Apostoli (contornata da una fascia cosmatesca) nel cilindro, appare tributaria della medesima circolazione culturale. Fonti: www.archeocarta.org e www.santivittoreecorona.it
Found this in my vault from back in 2015 when I was sorting through my collection, knew I had to share this one.
Taken from the Clyde Arc in Glasgow, looking across to the SEC Armadilo
Copyright © All Rights Reserved
Information:
15 sec
F 11
ISO -200
Canon EOS 450D
Amendment photoshop: NOTHING
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هذه الصور عباره عن تطبيق لي لدرس اجنبي علي اليوتيوب
Here we are a week into February and winter has arrived. I see on the television weather panic on the news, people are already bemoaning the winter wishing the cold were over. What, after two weeks of winter? These are people who need to move from Colorado. I usually expect to see a Californicator complete w/ 4WD SUV to be the first one off the roads. This is closer to Boulder so we need even more awareness when we park off the road; some of them will aim for us! We generally have all four seasons in Colorado and even though they can be a bit skewed, they should shake folks out of complacency and boredom. All this and they are now forecasting 60 degree days in an upcoming weekend. Eddie and I did a trek on this early February Sunday which promised some interesting snow scenes and eventually we ended up out at the abandoned farm later. As we cruised east of Boulder on 63rd, I yelled at Eddie to stop twice. He stopped the second time I yelled. We should have done both barns but the sky behind this was as stunning as it was alarming. This place was on Four Mile Farm and is in excellent shape.
The scene outside screams winter and February. The skies died by the time we got by here again. The bitter overcast is slipping down from the Rockies in the distance. A blizzard is on its way in.
I hand held the camera today as Eddie was shooting over to the side. I could still set the lens opening up to f/22 @ 1/125th/sec @ 48mm on the 24-70mm f/2.8G Nikkor Normal-Zoom.