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A wealthy Boston girl develops a severe weight problem after losing her mother at a young age. Years later, her father hires a young male co-worker with her with the specific goal of pay 'romantic attention' to her in an effort to get her motivated enough to lose weight.
Jo and Friedrich never argue in the novel and Jo herself is the first one who condemns sensationalism and wants to improve, so why do so many scriptwriters show Jo as someone who can´t take criticism. Also discussing Louisa´s discomforts with the sensational newspaper she was working with and Jo´s development as an author and Louisa´s real life mentor figures. Enjoy!
www.youtube.com/watch?v=TTU0RoZgvQE
"Only my full heart and empty hands"
Dle pověsti měla být Malá Amerika spojena s Velkou Amerikou - českým Gand Canyonem dlouhým přibližně 800 m, hlubokým téměř 100m a široký cca 200m. U lomu byl natočem těžko definovatelný filmový snímek Akumulátor od Zdeňka a Jana Svěrákových.
Journalist, scriptwriter, and novelist Anna Starobinets—often called “Russia’s Stephen King”—is best known for her work in horror and her writing for children. In this groundbreaking memoir, Starobinets chronicles the devastating loss of her unborn son to a fatal birth defect.
Learn more: www.amazon.com/Look-Him-Anna-Starobinets-Author/dp/089357...
Behind the scenes photos of "A Day Away".
It was a fictional TV show created for a University Final Project. The TV show follows the host (Gerald) who travels around the globe & for this episode he is in Malaysia, Kuala Kubu Bharu.
See the full project presentation on Behance:
behance.net/gallery/9787615/A-Day-Away
UNIVERSITY MONKEYS PRODUCTION CREW:
Producer/Motion Graphic Artist: Abdul Shakir
Director/Editor: Nik Najah Najib (H)
Scriptwriter/Assistant Producer: Ivander Ryanto
Assistant Producer: Melissa Kumaresan
Director of Photography: Lim Cheng Way (H)
Cameraman: Hendy Delius
Assistant Cameraman/ Motion Graphic Artist: Kugesh Jay
Props & Wardrobe: DK. Zayanorliyana Yamin
Editors: Nayla Khatib, Kwan Chi Ming
Host: Gerald Chinyamunzore
Behind the scenes photos of "A Day Away".
It was a fictional TV show created for a University Final Project. The TV show follows the host (Gerald) who travels around the globe & for this episode he is in Malaysia, Kuala Kubu Bharu.
See the full project presentation on Behance:
behance.net/gallery/9787615/A-Day-Away
UNIVERSITY MONKEYS PRODUCTION CREW:
Producer/Motion Graphic Artist: Abdul Shakir
Director/Editor: Nik Najah Najib (H)
Scriptwriter/Assistant Producer: Ivander Ryanto
Assistant Producer: Melissa Kumaresan
Director of Photography: Lim Cheng Way (H)
Cameraman: Hendy Delius
Assistant Cameraman/ Motion Graphic Artist: Kugesh Jay
Props & Wardrobe: DK. Zayanorliyana Yamin
Editors: Nayla Khatib, Kwan Chi Ming
Host: Gerald Chinyamunzore
Alfons, Scholing, Design, Creative, Portfolio, Content, Concept, Music, Movies, Television, Animation, Online, Offline, Software, Industrial Design, Art Direction, Creative Writing, Writer, Script Doctor, Script Writer, Research, Analysis, Strategy, Concept, Analytics, Design, Philosophy, Epic, Story Telling, Royalty, King, Boss, Social Media, Personal Brand,
A lone walker (apart from the camera team. producer, scriptwriter, PR man, Head of HR and film critic struggling to reach safety before night fall.
#videoproductionservices #video #production #videomarketing #videoseo #seo #contentmarketing #videography #videoediting #marketing #corporatevideo #cinema #cinematography #cinematographer #filmlife #productionlife #setlife #onlocation #filmmaking #filmmaker #commercial#c100 #canon #4k #canonusa #iyo #contentvipkdeo #gripandgaff #scriptwriting #scriptwriters
Tarek (Tarek Ben Yakhlef, b. 1971), French comic book scriptwriter, painter, editor of “Paris Tonkar”, street artist, at work on a street in Paris (2016). Image : © PFRunner
Schauspielerin Diana Cavallioti während des Photocall zum Film ANA, MON AMOUR anlässlich der 67. Berlinale
Highgate cemetery, October 2015.
Douglas Noel Adams was an English author, scriptwriter, essayist, humourist, satirist and dramatist. Adams is best known as the author of The Hitchhiker's Guide to the Galaxy.
The Madras High Court (HC) has agreed to hear on 24th October 2019 a plea by a scriptwriter Amjath Meeran asking to restrain the release of the movie – Bigil on 25th October 2019 alleging that the movie’s writer-director Atlee infringed his copyright.✅ For view source:https://bit.ly/2qfkKuW
Beatles - Yellow Submarine
youtu.be/m2uTFF_3MaA?si=NwLHamGysJpZlUHP
The Beatles Recording Sgt Peppers Lonely Hearts club Band:
youtu.be/SdAnaw4QWaI?si=lbLhZA2r1xM2xE68
Another Amazon delivery.
This came from Amazon.
Yellow Submarine (1968) is an animated full-length film based on the music of The Beatles. It is also the title of the film's album of music, which is part of the Beatles' musical oeuvre. The film was directed by Canadian-born animation producer George Dunning, and produced by United Artists and King Features Syndicate. With over 200 employees, chief designer Heinz Edelmann and director Charles Dunning worked on the film for eleven months. The animators came from England, but also from the USA and other countries in Europe. The real Beatles themselves do not appear until the final scene of the film.
In 1963, the American film studio United Artists approached The Beatles' manager Brian Epstein for a contract to make a number of films around the group. Epstein saw the deal as a good way to promote The Beatles and sell their music. United Artists was particularly interested in the money that would come in from selling the music albums. The Beatles were under contract to Capitol Records in the US, but that agreement excluded music albums. The studio knew that album sales would always make money even if the film flopped, so they saw the film deal with The Beatles as one in which they could not lose. On the other hand, the deal United Artists made with Epstein was not very favourable to The Beatles. Epstein was not a good negotiator and was an amateur in many financial matters. Admittedly, The Beatles were not at their peak of popularity at the time (certainly not in the US), but even in that context it was a disappointing contract. He had no idea of the normal profit percentages that could be negotiated, so he proposed a 7.5 % share. The United Artists studio bosses couldn't believe their luck; they had been afraid of tough negotiations and perhaps a higher percentage than 25%, and now Epstein came up with the ludicrous 7.5%. They immediately made a deal for three films. Not long after, the Beatles' popularity shot through the roof (also in the US), and Richard Lester made the first Beatles film A Hard Day's Night one of the most successful films of all time. This did not only deprive The Beatles of millions in earnings. They were also stuck with a financially disappointing film contract that would hang around their necks like a millstone.
The second film that The Beatles made for United Artists was Help, also directed by Lester. Although the film was as successful as its predecessor, the Beatles were not very enthusiastic about the end result. They were afraid of getting stuck in the format of "the happy adventures of the Beatles". But Brian Epstein had signed a contract with United Artists in 1963, and the film production company demanded a third film. All sorts of ideas were floated, such as a film adaptation of J.R.R. Tolkien's The Lord of the Rings with Ringo as Frodo and John as Gandalf, but the third film did not materialise. In 1967, the four Beatles thought they could direct themselves and made the television production "Magical Mystery Tour". The TV movie was broadcast by the BBC in black and white and was received by viewers and critics with dismay. After this, The Beatles' interest in films dropped to a low point. Their manager Brian Epstein came up with the solution. He was approached by Al Brodax, the head of King Features Syndicate, with the idea of making a full-length animated film based on a number of Beatles songs. The idea was based on the animated series about The Beatles that had been broadcast since 1965. TVC produced this series, in which an animated adventure was always made around a Beatles song. The Beatles were excited because they did not have to contribute to the film. But for this very reason, United Artists rejected Yellow Submarine as the third film. It was only with the documentary Let it Be that the Beatles fulfilled their contractual obligations. However, Yellow Submarine was a hit in cinemas and the critics were also enthusiastic. They especially praised the innovations in animation. The drawn appearance of The Beatles was based on the appearance of the real Beatles at the time of the recording of the film that accompanied the single Strawberry Fields Forever. Only, Paul McCartney's moustache had disappeared from his alter ego in the film. The Beatles themselves, who had expected some kind of Disney film, were pleasantly surprised by the result of Yellow Submarine and decided to appear in the final scene themselves.
The starting point for the film was the song "Yellow Submarine". Paul McCartney wrote it as one of the songs that drummer Ringo Starr could sing with his limited singing voice. It was intended as a children's song with simple lyrics and melody. Subsequent accusations that "yellow submarines" were a code name for yellow pills, namely Nembutol capsules, so-called "downers" (hence "submarine": submarine) were dismissed by McCartney. Producer Lee Minoff based himself on the idea of a children's song and wrote the first draft of the story. Soon, several scriptwriters were working on the scenario. It was decided to include a number of recent Beatles songs alongside 'Yellow Submarine'. Some of these songs were taken from the album Sgt. Pepper's Lonely Hearts Club Band. This Beatles album, released in 1967, caused a sensation in the music world. The idea behind the album was that The Beatles were transformed into the fictional pop group Sgt. Pepper's Lonely Heart Club Band. On the cover, they can be seen in satin military uniforms in bright colours. This was the impetus for the idea of including in the film a Sgt. Pepper who lives in Pepperland with his band. At one point, there were about twenty versions of the screenplay circulating. One of the writers was Roger McCough, a poet from Liverpool, who contributed much to the dialogues with their typical ambiguities, expressions from Liverpool, and private jokes from The Beatles. McCough received 500 pounds for his contribution, but no mention in the credits. Mention was made of Jack Mendelsohn and Erich Segal. Mendelsohn had worked on the Beatles' animated series, but Segal was unfamiliar with the film business in 1967. He was working at Yale as an assistant to the professor of Classics. He was brought to London by Brodax to put together a coherent script from the large amount of material, some of which consisted only of fragments. Segal worked on the script continuously for several weeks under the threat of a deadline. He was barely allowed to leave his hotel room to jog. However, Segal was able to take advantage of a brilliant suggestion by lead designer Heinz Edelmann. During a production meeting, the collaborators came to a disturbing conclusion: the screenplay lacked an enemy. Pepperland was a paradise without a snake. Edelmann came up with the concept of the Blue Meanies and their attack on everything that smelt of music. (Incidentally, the meanies were originally red, entirely in keeping with the Cold War. An error by Edelmann's assistant caused the colours to be switched and the meanies became blue). Despite all the creative contributions, Yellow Submarine's screenplay also suffered from the fact that the music overshadowed the story and the story was adapted to the songs. It did result in a modern fairy tale about the 1967 hippy generation.
Source: Wikipedia (Dutch), and IMDb.
L - R
Tanmay Bhat, Indian Standup Comedian & Scriptwriter, AIB
Aamod Gupte, Head of Legal and Group General Counsel, Eros International
Uday Singh, Managing Director, Motion Picture Distributors Association, India
Albert Uderzo (born 25 April 1927) is a French comic book artist, and scriptwriter. He is best known for his work on the Astérix series, but also drew other comics such as Oumpah-pah, also in collaboration with René Goscinny.
[From the Wiki entry: en.wikipedia.org/wiki/Albert_Uderzo ]
Behind the scenes photos of "A Day Away".
It was a fictional TV show created for a University Final Project. The TV show follows the host (Gerald) who travels around the globe & for this episode he is in Malaysia, Kuala Kubu Bharu.
See the full project presentation on Behance:
behance.net/gallery/9787615/A-Day-Away
UNIVERSITY MONKEYS PRODUCTION CREW:
Producer/Motion Graphic Artist: Abdul Shakir
Director/Editor: Nik Najah Najib (H)
Scriptwriter/Assistant Producer: Ivander Ryanto
Assistant Producer: Melissa Kumaresan
Director of Photography: Lim Cheng Way (H)
Cameraman: Hendy Delius
Assistant Cameraman/ Motion Graphic Artist: Kugesh Jay
Props & Wardrobe: DK. Zayanorliyana Yamin
Editors: Nayla Khatib, Kwan Chi Ming
Host: Gerald Chinyamunzore
Rome , October 2005 - Ivan Cotroneo , writer , translator and scriptwriter.
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Roma , ottobre 2005 - Ivan Cotroneo , scrittore , traduttore e sceneggiatore *** Local Caption *** *** SPECIAL FEE APPLIES *** ***** TO GET THE HIGH-RES OF THIS IMAGE , PLEASE CONTACT OUR OFFICE **** *** DO NOT CROP *** *** APPROVAL REQUIRED ***.
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Photographer: Cade Nansen
Pasarella fiercely presented the incredible designs of Guarded Cross, Violator, SYS, 3636, Mea Culpa, Finesmith, Donna Flora, Vita’s Boudoir, Donna Flora, and HOX.
3636—Dianny3636 Aeon
Guarded Cross—ryosukito felisimo
HOX–Vikeejeah Xevion
Donna Flora– Squinternet Larnia
SYS - Syanne Cisse and Systi Cisse
FineSmith Designs—Yula Finesmith
Mea Culpa–Tatanka Kaligawa
Vita’s Boudoir–Vitabela Dubrovna and Precious Restless
Show Director: Ananya Mai
Violator–Minx Glaz and Soraya Vaher
Videographer: Colemarie Soleil (Miss Soliel)
DJ: DATRIP Blackbart
Scriptwriter and Host: Xenobia Foxclaw
Models:
Male Runway Models:
• Angelik Lavecchia
•Harsch Sharktooth
•Winter Jefferson
Female Runway Models:
•Annough Lykin
• Aphrodite Briann
•Elyna Carver
• Hela Azalee
•Heydon Milter
• Leandra Breen
•Nala Kurka
Models for Mea Culpa:
•Anastacia Markova
•Kay Fairey
• Luralie Bailey
• Wicca Merlin
Pasarella Owner: Francesca Galtier-Blackbart
Annoucer and scriptwriter: Xenobia Foxclaw
#SuggestMe- Your favorite celebrity's love for food!
Unforgettable legend, KISHORE KUMAR mesmerized the audiences by his sheer singing talent for decades. Today on his birthday, let’s remember him and his contribution to the film industry. This actor, lyricist, composer, producer, director, screenwriter and scriptwriter were very fond of food, especially of a Mangshor jhol, a thin Bengali-style mutton curry, with Maida puris.
To know where you can find Mangshor Jhol around the city, call Suggest Me at 011-2251-2250.