View allAll Photos Tagged scriptwriters
Something is about to change when a foreigner, constantly irritating his neighbour with bouzouki playing, loses his most precious possession
Under the Same Roof – monoco.eu/en/underthesameroof
Starring: Nikola Dodov, Panagiotis Chronis, Iva Todorova, Alexander Goncharov, Emelyne Bukeyeneza, Kiril Milkov, Emona Tsoncheva
Director & Producer: Simeon Tsonchev
Scriptwriter: Christos Zacharakis
Cinematographer: Dimitar Nedelchev
Production Designer: Vanina Geleva
Sound Designer: Boris Trayanov
Music: Apostolos Chatzichristos, Kostas Skarvelis, Markos Vamvakaris, Pyotr Ilyich Tchaikovsky
Co-producers: Konstantin Popov, Eduard Moskalenko, Boris Trayanov, Krastyo Lambev, Grigor Grigorov
Executive producer: Valentin Marinov Pelo
Production: Mono Collective
Supported by: Bulgarian National Film Centre
Patience Chisanga is a Bachelor of Arts graduate in Mass Communication with over five years’ combined practical experience in media communication, radio and television production. She is currently working for Zamtel as a researcher, scriptwriter and television presenter for the company’s weekly documentary series, Today with Zamtel, documenting Zambia's culture and history. A part-time radio presenter for Hot FM, and a member of the Global Shapers Community (a network of young people who are exceptional in their drive to make a contribution to their communities), she volunteers in her community to speak to young people about career choices and health education. She plans on utilizing her opportunity at the Fellowship to start up, learn and share knowledge to encourage young people to take charge of their future by being a part of today’s development through entrepreneurship, in addition to raising awareness on various social issues affecting communities through new media.
Something is about to change when a foreigner, constantly irritating his neighbour with bouzouki playing, loses his most precious possession
Under the Same Roof – monoco.eu/en/underthesameroof
Starring: Nikola Dodov, Panagiotis Chronis, Iva Todorova, Alexander Goncharov, Emelyne Bukeyeneza, Kiril Milkov, Emona Tsoncheva
Director & Producer: Simeon Tsonchev
Scriptwriter: Christos Zacharakis
Cinematographer: Dimitar Nedelchev
Production Designer: Vanina Geleva
Sound Designer: Boris Trayanov
Music: Apostolos Chatzichristos, Kostas Skarvelis, Markos Vamvakaris, Pyotr Ilyich Tchaikovsky
Co-producers: Konstantin Popov, Eduard Moskalenko, Boris Trayanov, Krastyo Lambev, Grigor Grigorov
Executive producer: Valentin Marinov Pelo
Production: Mono Collective
Supported by: Bulgarian National Film Centre
Jo and Friedrich Argument Is Not In The Book (Why They Argue In The Films)
Jo and Friedrich never argue in the novel and Jo herself is the first one who condemns sensationalism and wants to improve, so why do so many scriptwriters show Jo as someone who can´t take criticism. Also discussing Louisa´s discomforts with the sensational newspaper she was working with and Jo´s development as an author and Louisa´s real life mentor figures. Enjoy! www.youtube.com/watch?v=TTU0RoZgvQE
"Only my full heart and empty hands"
L - R
Sameer Pitalwala, CEO & Co-Founder, Culture Machine
Tanmay Bhat, Indian Standup Comedian & Scriptwriter, AIB
Aamod Gupte, Head of Legal and Group General Counsel, Eros International
Uday Singh, Managing Director, Motion Picture Distributors Association, India
Nikhil Pahwa, Editor & Publisher, MediaNama
Film and TV scriptwriter Ricky Lee launched his second novel, Si Amapola sa 65 na Kabanata, last November 27 at Sky Dome, SM North EDSA.
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www.outlookindia.com | www.outlookindia.com/printarticle.aspx?232979.
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takes whole teams there were protesters. Most of the attention was on Ghalib, Afzal's angelic.
of top lawyers to looking little son. Kind-hearted people, not sure of what to do with a young boy.
coax it out of its whose father was going to the gallows, were plying him with ice-creams and.
lair. cold drinks. As I looked around at the people gathered there, I noted a sad.
little fact. The convener of the protest, the small, stocky man who was.
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nervously introducing the speakers and making the announcements, was.
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S.A.R. Geelani, a young lecturer in Arabic Literature at Delhi University..
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Accused Number Three in the Parliament Attack case. He was arrested on December 14, 2001, a day after.
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the attack, by the Special Cell of the Delhi Police. Though Geelani was brutally tortured in custody, though his.
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family--his wife, young children and brother--were illegally detained, he refused to confess to a crime he.
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hadn't committed. Of course you wouldn't know this if you read newspapers in the days following his arrest..
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They carried detailed descriptions of an entirely imaginary, non-existent confession. The Delhi Police.
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portrayed Geelani as the evil mastermind of the Indian end of the conspiracy. Its scriptwriters orchestrated a.
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hateful propaganda campaign against him, which was eagerly amplified and embellished by a hyper-.
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nationalistic, thrill-seeking media. The police knew perfectly well that in criminal trials, judges are not.
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supposed to take cognisance of media reports. So they knew that their entirely cold-blooded fabrication of a.
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profile for these 'terrorists' would mould public opinion, and create a climate for the trial. But it would not come.
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in for any legal scrutiny..
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Here are some of the malicious, outright lies that appeared in the mainstream press:.
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'Case Cracked: Jaish behind Attack'.
The Hindustan Times, Dec 16, 2001: Neeta Sharma and Arun Joshi.
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"In Delhi, the Special Cell detectives detained a Lecturer in Arabic, who teaches at Zakir Hussain College.
(Evening)...after it was established that he had received a call made by militants on his mobile phone.".
Another column in the same paper said: "Terrorists spoke to him before the attack and the lecturer made a.
phone call to Pakistan after the strike.".
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'DU Lecturer was terror plan hub'.
The Times of India, Dec 17, 2001.
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"The attack on Parliament on December 13 was a joint operation of the Jaish-e-Mohammed (JeM) and.
Lashkar-e-Toiba (LeT) terrorist groups in which a Delhi University lecturer, Syed A.R. Gilani, was one of the.
key facilitators in Delhi, Police Commissioner Ajai Raj Sharma said on Sunday.".
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'Varsity don guided fidayeen'.
The Hindu, Dec 17, 2001: Devesh K. Pandey.
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"During interrogation Geelani disclosed that he was in the know of the conspiracy since the day the 'fidayeen'.
attack was planned.".
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'Don lectured on terror in free time'.
The Hindustan Times, Dec 17, 2001: Sutirtho Patranobis.
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"Investigations have revealed that by evening he was at the college teaching Arabic literature. In his free time,.
behind closed doors, either at his house or at Shaukat Hussain's, another suspect to be arrested, he took and.
gave lessons on terrorism...".
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'Professor's proceeds'.
The Hindustan Times, Dec 17, 2001.
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"Geelani recently purchased a house for 22 lakhs in West Delhi. Delhi Police are investigating how he came.
upon such a windfall..."..
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'Aligarh se England tak chaatron mein aatankwaad ke beej bo raha tha Geelani (From Aligarh to.
England Geelani sowed the seeds of terrorism).
Rashtriya Sahara, Dec 18, 2001: Sujit Thakur.
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Trans: "...According to sources and information collected by investigation agencies, Geelani has made a.
statement to the police that he was an agent of Jaish-e-Mohammed for a long time.... It was because of.
Geelani's articulation, style of working and sound planning that in 2000 Jaish-e-Mohammed gave him the.
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4 of 15 09/02/2013 11:41.
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Regisseur Calin Peter Netzer während der Pressekonferenz zum Film ANA, MON AMOUR anlässlich der 67. Berlinale
Poster for Rampage (1977)
Two fascinating, detailed histories by scriptwriter Richard Boyle, here:
sundaytimes.lk/970330/plus5.html
and here:
Photographer: Cade Nansen
Pasarella fiercely presented the incredible designs of Guarded Cross, Violator, SYS, 3636, Mea Culpa, Finesmith, Donna Flora, Vita’s Boudoir, Donna Flora, and HOX.
3636—Dianny3636 Aeon
Guarded Cross—ryosukito felisimo
HOX–Vikeejeah Xevion
Donna Flora– Squinternet Larnia
SYS - Syanne Cisse and Systi Cisse
FineSmith Designs—Yula Finesmith
Mea Culpa–Tatanka Kaligawa
Vita’s Boudoir–Vitabela Dubrovna and Precious Restless
Show Director: Ananya Mai
Violator–Minx Glaz and Soraya Vaher
Videographer: Colemarie Soleil (Miss Soliel)
DJ: DATRIP Blackbart
Scriptwriter and Host: Xenobia Foxclaw
Models:
Male Runway Models:
• Angelik Lavecchia
•Harsch Sharktooth
•Winter Jefferson
Female Runway Models:
•Annough Lykin
• Aphrodite Briann
•Elyna Carver
• Hela Azalee
•Heydon Milter
• Leandra Breen
•Nala Kurka
Models for Mea Culpa:
•Anastacia Markova
•Kay Fairey
• Luralie Bailey
• Wicca Merlin
Pasarella Owner: Francesca Galtier-Blackbart
Annoucer and scriptwriter: Xenobia Foxclaw
Ken Burns; Geoffrey C. Ward; Richard Moylan, President of Green-Wood; Lynn Novick, director. (Photo credit: Mike Sheehan)
I actually met him after the panel; told him I loved his movie. He told me he was a big fan of mine as well (I was in my Fred Flintstone costume at the time...). ;-D
Something is about to change when a foreigner, constantly irritating his neighbour with bouzouki playing, loses his most precious possession
Under the Same Roof – monoco.eu/en/underthesameroof
Starring: Nikola Dodov, Panagiotis Chronis, Iva Todorova, Alexander Goncharov, Emelyne Bukeyeneza, Kiril Milkov, Emona Tsoncheva
Director & Producer: Simeon Tsonchev
Scriptwriter: Christos Zacharakis
Cinematographer: Dimitar Nedelchev
Production Designer: Vanina Geleva
Sound Designer: Boris Trayanov
Music: Apostolos Chatzichristos, Kostas Skarvelis, Markos Vamvakaris, Pyotr Ilyich Tchaikovsky
Co-producers: Konstantin Popov, Eduard Moskalenko, Boris Trayanov, Krastyo Lambev, Grigor Grigorov
Executive producer: Valentin Marinov Pelo
Production: Mono Collective
Supported by: Bulgarian National Film Centre
Something is about to change when a foreigner, constantly irritating his neighbour with bouzouki playing, loses his most precious possession
Under the Same Roof – monoco.eu/en/underthesameroof
Starring: Nikola Dodov, Panagiotis Chronis, Iva Todorova, Alexander Goncharov, Emelyne Bukeyeneza, Kiril Milkov, Emona Tsoncheva
Director & Producer: Simeon Tsonchev
Scriptwriter: Christos Zacharakis
Cinematographer: Dimitar Nedelchev
Production Designer: Vanina Geleva
Sound Designer: Boris Trayanov
Music: Apostolos Chatzichristos, Kostas Skarvelis, Markos Vamvakaris, Pyotr Ilyich Tchaikovsky
Co-producers: Konstantin Popov, Eduard Moskalenko, Boris Trayanov, Krastyo Lambev, Grigor Grigorov
Executive producer: Valentin Marinov Pelo
Production: Mono Collective
Supported by: Bulgarian National Film Centre
Behind the scenes photos of "A Day Away".
It was a fictional TV show created for a University Final Project. The TV show follows the host (Gerald) who travels around the globe & for this episode he is in Malaysia, Kuala Kubu Bharu.
See the full project presentation on Behance:
behance.net/gallery/9787615/A-Day-Away
UNIVERSITY MONKEYS PRODUCTION CREW:
Producer/Motion Graphic Artist: Abdul Shakir
Director/Editor: Nik Najah Najib (H)
Scriptwriter/Assistant Producer: Ivander Ryanto
Assistant Producer: Melissa Kumaresan
Director of Photography: Lim Cheng Way (H)
Cameraman: Hendy Delius
Assistant Cameraman/ Motion Graphic Artist: Kugesh Jay
Props & Wardrobe: DK. Zayanorliyana Yamin
Editors: Nayla Khatib, Kwan Chi Ming
Host: Gerald Chinyamunzore
Schauspielerin Diana Cavallioti während der Pressekonferenz zum Film ANA, MON AMOUR anlässlich der 67. Berlinale
Fumetti Mutanti -Tra retro classico e appgrade.
Gianluca Pagliarani aka Johnny Blasteroid (artist), Lorenzo Pastrovicchio (artist), Bepi Vigna (scriptwriter) - moderator: Alessandro Mezzena Lona (journalist)
Agosto 2010. Azotea de casa, exterior noche. Después de años sin vernos -lo había conocido siendo un niño- Manu Cardenal se ha destapado como un hombre incisivo y valiente. Del grupo de Guionistas Sin Fronteras es el primero -espero que no él único- que escribió y rodó su primer corto.
Photographer: Cade Nansen
Pasarella fiercely presented the incredible designs of Guarded Cross, Violator, SYS, 3636, Mea Culpa, Finesmith, Donna Flora, Vita’s Boudoir, Donna Flora, and HOX.
3636—Dianny3636 Aeon
Guarded Cross—ryosukito felisimo
HOX–Vikeejeah Xevion
Donna Flora– Squinternet Larnia
SYS - Syanne Cisse and Systi Cisse
FineSmith Designs—Yula Finesmith
Mea Culpa–Tatanka Kaligawa
Vita’s Boudoir–Vitabela Dubrovna and Precious Restless
Show Director: Ananya Mai
Violator–Minx Glaz and Soraya Vaher
Videographer: Colemarie Soleil (Miss Soliel)
DJ: DATRIP Blackbart
Scriptwriter and Host: Xenobia Foxclaw
Models:
Male Runway Models:
• Angelik Lavecchia
•Harsch Sharktooth
•Winter Jefferson
Female Runway Models:
•Annough Lykin
• Aphrodite Briann
•Elyna Carver
• Hela Azalee
•Heydon Milter
• Leandra Breen
•Nala Kurka
Models for Mea Culpa:
•Anastacia Markova
•Kay Fairey
• Luralie Bailey
• Wicca Merlin
Pasarella Owner: Francesca Galtier-Blackbart
Annoucer and scriptwriter: Xenobia Foxclaw
Director / Scriptwriter Dario Attanasio reflected in a mirror while directing the setup for the next scene
My personal submarine.
Yellow Submarine (1968) is an animated full-length film based on the music of The Beatles. It is also the title of the film's album of music, which is part of the Beatles' musical oeuvre. The film was directed by Canadian-born animation producer George Dunning, and produced by United Artists and King Features Syndicate. With over 200 employees, chief designer Heinz Edelmann and director Charles Dunning worked on the film for eleven months. The animators came from England, but also from the USA and other countries in Europe. The real Beatles themselves do not appear until the final scene of the film.
In 1963, the American film studio United Artists approached The Beatles' manager Brian Epstein for a contract to make a number of films around the group. Epstein saw the deal as a good way to promote The Beatles and sell their music. United Artists was particularly interested in the money that would come in from selling the music albums. The Beatles were under contract to Capitol Records in the US, but that agreement excluded music albums. The studio knew that album sales would always make money even if the film flopped, so they saw the film deal with The Beatles as one in which they could not lose. On the other hand, the deal United Artists made with Epstein was not very favourable to The Beatles. Epstein was not a good negotiator and was an amateur in many financial matters. Admittedly, The Beatles were not at their peak of popularity at the time (certainly not in the US), but even in that context it was a disappointing contract. He had no idea of the normal profit percentages that could be negotiated, so he proposed a 7.5 % share. The United Artists studio bosses couldn't believe their luck; they had been afraid of tough negotiations and perhaps a higher percentage than 25%, and now Epstein came up with the ludicrous 7.5%. They immediately made a deal for three films. Not long after, the Beatles' popularity shot through the roof (also in the US), and Richard Lester made the first Beatles film A Hard Day's Night one of the most successful films of all time. This did not only deprive The Beatles of millions in earnings. They were also stuck with a financially disappointing film contract that would hang around their necks like a millstone.
The second film that The Beatles made for United Artists was Help, also directed by Lester. Although the film was as successful as its predecessor, the Beatles were not very enthusiastic about the end result. They were afraid of getting stuck in the format of "the happy adventures of the Beatles". But Brian Epstein had signed a contract with United Artists in 1963, and the film production company demanded a third film. All sorts of ideas were floated, such as a film adaptation of J.R.R. Tolkien's The Lord of the Rings with Ringo as Frodo and John as Gandalf, but the third film did not materialise. In 1967, the four Beatles thought they could direct themselves and made the television production "Magical Mystery Tour". The TV movie was broadcast by the BBC in black and white and was received by viewers and critics with dismay. After this, The Beatles' interest in films dropped to a low point. Their manager Brian Epstein came up with the solution. He was approached by Al Brodax, the head of King Features Syndicate, with the idea of making a full-length animated film based on a number of Beatles songs. The idea was based on the animated series about The Beatles that had been broadcast since 1965. TVC produced this series, in which an animated adventure was always made around a Beatles song. The Beatles were excited because they did not have to contribute to the film. But for this very reason, United Artists rejected Yellow Submarine as the third film. It was only with the documentary Let it Be that the Beatles fulfilled their contractual obligations. However, Yellow Submarine was a hit in cinemas and the critics were also enthusiastic. They especially praised the innovations in animation. The drawn appearance of The Beatles was based on the appearance of the real Beatles at the time of the recording of the film that accompanied the single Strawberry Fields Forever. Only, Paul McCartney's moustache had disappeared from his alter ego in the film. The Beatles themselves, who had expected some kind of Disney film, were pleasantly surprised by the result of Yellow Submarine and decided to appear in the final scene themselves.
The starting point for the film was the song "Yellow Submarine". Paul McCartney wrote it as one of the songs that drummer Ringo Starr could sing with his limited singing voice. It was intended as a children's song with simple lyrics and melody. Subsequent accusations that "yellow submarines" were a code name for yellow pills, namely Nembutol capsules, so-called "downers" (hence "submarine": submarine) were dismissed by McCartney. Producer Lee Minoff based himself on the idea of a children's song and wrote the first draft of the story. Soon, several scriptwriters were working on the scenario. It was decided to include a number of recent Beatles songs alongside 'Yellow Submarine'. Some of these songs were taken from the album Sgt. Pepper's Lonely Hearts Club Band. This Beatles album, released in 1967, caused a sensation in the music world. The idea behind the album was that The Beatles were transformed into the fictional pop group Sgt. Pepper's Lonely Heart Club Band. On the cover, they can be seen in satin military uniforms in bright colours. This was the impetus for the idea of including in the film a Sgt. Pepper who lives in Pepperland with his band. At one point, there were about twenty versions of the screenplay circulating. One of the writers was Roger McCough, a poet from Liverpool, who contributed much to the dialogues with their typical ambiguities, expressions from Liverpool, and private jokes from The Beatles. McCough received 500 pounds for his contribution, but no mention in the credits. Mention was made of Jack Mendelsohn and Erich Segal. Mendelsohn had worked on the Beatles' animated series, but Segal was unfamiliar with the film business in 1967. He was working at Yale as an assistant to the professor of Classics. He was brought to London by Brodax to put together a coherent script from the large amount of material, some of which consisted only of fragments. Segal worked on the script continuously for several weeks under the threat of a deadline. He was barely allowed to leave his hotel room to jog. However, Segal was able to take advantage of a brilliant suggestion by lead designer Heinz Edelmann. During a production meeting, the collaborators came to a disturbing conclusion: the screenplay lacked an enemy. Pepperland was a paradise without a snake. Edelmann came up with the concept of the Blue Meanies and their attack on everything that smelt of music. (Incidentally, the meanies were originally red, entirely in keeping with the Cold War. An error by Edelmann's assistant caused the colours to be switched and the meanies became blue). Despite all the creative contributions, Yellow Submarine's screenplay also suffered from the fact that the music overshadowed the story and the story was adapted to the songs. It did result in a modern fairy tale about the 1967 hippy generation.
Source: Wikipedia (Dutch), and IMDb.
At the robot performance festival "Cafe Neu Romance" in Prague the Great Czech script writer Edgar Dutka, introduced to various Czech Golem movies.
For further information on Cafe Neu Romance write to info@cafe-neu-romance.com.
Become a part of our community! You can follow news on Cafe Neu Romance at www.facebook.com/cafeneuromance/ or twitter.com/vivelesrobots. If you want to be more to be more active involved in Cafe Neu Romance, either as a part of the organizing team, or exhibit some of your robot productions, then sign up on this meet-up page: www.meetup.com/The-Robot-Performance-festival-Cafe-Neu-Ro...
St Paul, Canonbury, 1826-1828 by Sir Charles Barry (1795-1860), St Paul's Road, N1; the tower seen here actually stands at the east end of the building, above the chancel, and overlooking the junction of St Paul's Road, Essex Road, and the Ball's Pond Road, which was the source of such hilarity to Peter Sellers and the scriptwriters of 'Round the Horne'. Apologies for the murky quality of this and the following pictures, but the weather was pretty gloomy on the day when I visited and this browny-grey stock brick of which this church is built is not a photogenic material at the best of times.
Rick's in the ICU, his mom tells me not to visit. I cried when I thought about breakfast the last time we hung out in Vancouver. He took me to this restaurant that he said was where the hollywood north scriptwriters hang out, a trendy dive where breakfast costs around 10 bucks. I looked around and said "uh, Rick, I'm the only chick here. He laughed and slathered peanut butter on his toast.
Henrik Ibsen (Skien, 1828 - Oslo, 1906), statue by Nils Raa (1981) in front of the National Theatre, Bergen, Hordaland county, Norway. Descriptive sign,
A wealthy Boston girl develops a severe weight problem after losing her mother at a young age. Years later, her father hires a young male co-worker with her with the specific goal of pay 'romantic attention' to her in an effort to get her motivated enough to lose weight.
Dle pověsti měla být Malá Amerika spojena s Velkou Amerikou - českým Gand Canyonem dlouhým přibližně 800 m, hlubokým téměř 100m a široký cca 200m. U lomu byl natočem těžko definovatelný filmový snímek Akumulátor od Zdeňka a Jana Svěrákových.
Journalist, scriptwriter, and novelist Anna Starobinets—often called “Russia’s Stephen King”—is best known for her work in horror and her writing for children. In this groundbreaking memoir, Starobinets chronicles the devastating loss of her unborn son to a fatal birth defect.
Learn more: www.amazon.com/Look-Him-Anna-Starobinets-Author/dp/089357...
Behind the scenes photos of "A Day Away".
It was a fictional TV show created for a University Final Project. The TV show follows the host (Gerald) who travels around the globe & for this episode he is in Malaysia, Kuala Kubu Bharu.
See the full project presentation on Behance:
behance.net/gallery/9787615/A-Day-Away
UNIVERSITY MONKEYS PRODUCTION CREW:
Producer/Motion Graphic Artist: Abdul Shakir
Director/Editor: Nik Najah Najib (H)
Scriptwriter/Assistant Producer: Ivander Ryanto
Assistant Producer: Melissa Kumaresan
Director of Photography: Lim Cheng Way (H)
Cameraman: Hendy Delius
Assistant Cameraman/ Motion Graphic Artist: Kugesh Jay
Props & Wardrobe: DK. Zayanorliyana Yamin
Editors: Nayla Khatib, Kwan Chi Ming
Host: Gerald Chinyamunzore