View allAll Photos Tagged screenprinter
Tee we designed and printed for @grandchampapparel get your brand right and come see us #clutchcityinc #clientwork #screenprinting #clothing #plastisol #ink #shirts #streetwear #grandchamp #tyson #screenprinter #silkscreeen #halftone #classic #printon #miami #graphicdesign #art via Instagram ift.tt/23bUmdq Check us out at ift.tt/12qM0yd
Loading the paper. You can see the registration sheet on the side, that's how screenprinters make sure that multiple colours line up accurately.
I will indulge myself with a counterweight system after this edition so the screen stays up without help from my skull. You can tell printers who came up the hard way with underground presses because they have a dent in their head from doing the above.
Gravure originale nommée "Le nombril"
aquatinte et gravure sur bois
chine collé.
Estampe.
Artiste graveur, Christine Guichard.
Christine GUICHARD, Artist
French Printmaker, Engraver (copper,wood,plastic), Screenprinter. Studio in Paris,France.
Shop = www.saatchionline.com/profiles/portfolio/id/310360
Website = www.christineguichard.com
I invite you to discover my engravings and prints (you will find the links in blue color)
Good visit !
Original hand pulled print by Christine guichard. (french engraver)
woodcut + etching with aquatint and collage
Green color. Printmaking.
One day, a couple on a bench in Barcelona, in a park in the middle of the huge city
Tony Diaz, Industry Screen Studios, East Austin Studio Tour, Austin Texas, November 20, 2010.
Photos Copyright 2010, Steve Hopson
All rights reserved. Please, no use without license.
2022 NGV ARCHITECTURE COMMISSION
ADAM NEWMAN AND KELVIN TSANG | TEMPLE OF BOOM
The 2022 NGV Architecture Commission is an evocative reimagining of the Parthenon on the Acropolis in Athens.
www.ngv.vic.gov.au/exhibition/2022-ngv-architecture-commi...
Over the summer months, the Architecture Commission will evolve and change as it is painted by a team of Melbourne artists, drawing inspiration from the vibrant colours and rich artistic embellishments that defined the original building. The layering of these artworks over months asks us to consider the effect of time on all architecture. Since the fifth century BCE the Parthenon has changed use and form over generations, including as a temple, church and mosque. It has also suffered under military attacks, fire and looting, before undergoing major preservation from the 1970s to its current state.
By displaying the effects of time, the project suggests that perspectives on buildings, and identities, can evolve and change. Temple of Boom celebrates the constant cultural flux, while also seeking to expand our understanding of the Parthenon as an enduring architectural and cultural beacon.
Taking its name from the vibrations of music, Temple of Boom is envisioned as a meeting place for the community and an outdoor venue for a diverse program of NGV-curated performances, programs, and live music across the summer period.
ABOUT THE ARCHITECTS
Adam Newman is an architect at NWMN, a small architecture practice based in Melbourne. At NWMN, Adam’s principal focus is on adaptive building re-use and regeneration through the lens of conscious engagement with local ecologies. He has broad experience at the scales of urban master planning, social housing regeneration, civic and residential architecture, and industrial design and fabrication. Adam is a registered architect (ARBV), a member of Architeam, and a teaching associate at Monash University, Department of Architecture.
Kelvin Tsang is lead designer and technical director at NWMN. His interests lie in using narrative-driven architectural design and image production to promote conversations about architecture’s role as a driver of positive change.
Along with practice-based work on residential, commercial and interior projects, Kelvin is a teaching associate at Monash University, Department of Architecture. With a Master’s degree in Architecture from Monash University, Kelvin received Top Student in Master’s Studio and Top Project in Masters Studio in consecutive years.
ABOUT THE ARTISTS
Temple of Boom will be painted over the summer months by a list of Melbourne street and urban artists who have been guest curated by Toby Benador, Founder and Director, Just Another Agency.
FIRST LAYER COLLABORATION
David Lee Pereira is a visual artist whose works explore the fluidity of gender, sexuality and identity. Influenced by the work of impressionist and surrealist artists Georgia O’Keefe, Salvador Dali and Edvard Munch, Pereira has adorned the structure with large-than-life floral motifs that draw attention to nature’s flamboyant use of scent and colour to allure pollinators.
Manda Lane is a muralist, illustrator and paper-based artist from Collingwood, Victoria. With a keen focus on botanicals, her art explores the interactions between the natural world and industrial or man-made objects. In this mural installation, Lane depicts various growth behaviours of plants, creating a visual metaphor for personal expression and growth.
Drez is a multidisciplinary artist based in Melbourne who uses colour and form to play with perspective. Drawing inspiration from art historical perspectives, including the Greenbergian Modernism and Op-Art schools, Drez’s work creates an intersection between abstract art and street art. For this installation, Drez has created a boldly colourful mural that changes composition when viewed from different angles.
SECOND LAYER COLLABORATION
Creature Creature is an artist duo consisting of Chanel Tang and Ambrose Rehorek based in Melbourne in Australia. They first met at university and ‘flirted through art’ until they formed an official union in 2011 under one name. Creature Creature was chosen from a quote in the 1960’s film A Bucket of Blood; “A Creature is a Creature…or it is an artist!” Since then, they have continued a collaborative art practice that spans across exhibiting art, murals, street art, design and illustration. Their work represents duality and the sum of a whole, a message of togetherness, states of balance, yin and yang. Their partnership breaks the myth of the lone artist, as collaboration is an instinctive ritual for them in realms of art, love and life. Collaboration is about preserving diversity, creating something complex, layered and fluid. The beauty of coming together. Born in Adelaide, Ambrose has a Degree in Visual Arts from the University of South Australia. Chanel was born in Wellington, New Zealand, moved to Australia in 1998 where she did her Degree in Fine Art at Monash University. They met doing a Graduate Diploma in Graphic Design at RMIT.
Manda lane is a muralist, illustrator and paper-based artist from Collingwood, Victoria. With a keen focus on botanicals, her art explores the interactions between the natural world and industrial or man-made objects. Within her public art practice, Manda creates floral-based murals and installations, focusing on the organic behaviours of native and tropical flora. Working predominantly in black and white, Manda adopts a contemporary and stylised approach to traditional botanical art, with the purpose of re-connecting communities to the beauty of nature, while also seeking to encourage a conversation about the symbiotic relationships between the nature and the urban environment.
Aretha Brown, practising artist and screenwriter, takes heavy influence from her time growing up in Melbourne’s Western Suburbs. As well as her own identity as a queer, Blak, young person living in the confinements of an urban colony. In 2021, Aretha wrote her first subversive comedy short titled How to be cool in Melbourne. Parodying the ideas, inner workings and social politics of Melbourne’s underground art and cultural spaces. Aretha has also been a regular appearance at comedy clubs, performing her signature political and satirical stand-up throughout Melbourne. Aretha founded the **Kiss My Art Collective. Formed to champion young women and non-binary artists by providing jobs, work experience and a safe creative space on large-scale public murals throughout Australia and internationally.
Chuck Mayfield, coming from a family of artists, has been practicing in creative fields from an early age. He has been painting and drawing his whole life, and started painting graffiti art and murals at age 16. After thirteen years of working in Brisbane as a commercial mural artist, a screenprinter, and in the field of sign and displays, he acquired a bachelor in visual communication and moved to Melbourne to pursue a career in the arts. Chuck has painted murals and exhibited work in cities across Australia, Asia, Europe and the US, and continues to travel, painting walls and working on creative projects. He now lives in Melbourne and works from Everfresh studio as freelance artist, mostly painting murals, while also producing personal works in public, private spaces, for live performance and exhibitions.
Resio is a Melbourne, Australia-based contemporary artist whose works are a unique combination of styles inspired by Abstract Expressionism, Action Painting and the global visual and physical language of graffiti. Resio’s works weave together complex abstractions of dynamic colour, shapes and movement with photorealism and a masterful approach to the traditions of graffiti and studio painting techniques. Resio’s ‘language’ is easily translatable to large-scale public murals, studio painting, and private commissions. This diversity in expression has earned him a reputation as a unique talent emerging from a long line of Australian artists inspired by the international dialogue of art and graffiti who choose to exhibit their work on both Gallery and public walls.
ABOUT THE PARTHENON
The Parthenon was built as a temple dedicated to the goddess Athena. Famous for its harmonious proportions and the exquisite quality of its sculptural decoration, the Parthenon endures as a symbol of Hellenic identity, artistic excellence, beauty, democracy and civilisation.
The temple’s plans were drawn by the architects Iktinos and Kallikrates. The construction of the Parthenon involved an unprecedented number of artists and craftspeople of all specialties. Work began in 447 BC and was completed just fifteen years later. The careful placement of precisely cut masonry ensured that the Parthenon remained essentially intact for more than two millennia.
By the seventh century, alterations were made during the building’s transformation into a Roman Catholic cathedral. The Turks seized the Acropolis in 1458, and two years later they adopted the Parthenon as a mosque, raising a minaret at the south-west corner.
During the bombardment of the Acropolis in 1687 by Venetians fighting the Turks, a powder magazine located in the temple blew up, destroying the centre of the building. The Venetians then inadvertently smashed several sculptures.
In 1801–03 a large part of the sculpture that remained was removed, with Turkish permission, by the British nobleman Lord Elgin, and sold in 1816 to the British Museum. The Greek government continues to seek their return to be displayed in the new Acropolis Museum in Athens.
In 1975 a multi-decade restoration of the Parthenon began funded by the Greek government. Each salvageable piece of marble was returned to its original position, while gaps filled with new marble from the original quarry. This time-consuming project is ongoing.
PROJECT CREDITS
2022 PROJECT TEAM
Architects Adam Newman and Kelvin Tsang
Artists David Lee Pereira, Drez, Manda Lane, Creature Creature, Chuck Mayfield, Aretha Brown, Resio
Guest Curator Toby Benador, Just Another Agency
Builder Savio Projects
Project Manager Assembly Interiors
Structural Engineers TGA Engineers
Building Surveyor Nicolas Building Surveyors
Manufacturer AuGRC Pty Ltd
Timber Supplier Ceres Fair Wood
Work in progress for a church camp in the Ukraine.
Will be using the illustration for some personal stuff later on I think.
Lots of type work is in my future.
Screen Fiends was one of our events organised to help raise money for our degree show.
The night consisted of 8 live screenprinters printing on paper provided by GFSmith and Tee-shirts provided by the customers! the night also included live illustrators and live Dj's!
The night went amazingly well with the place packed out and everyone seemed to be enjoying themselves! couldnt ask for much more really!
Détail d'un bois gravé et encré en noir. Atelier Ch.Guichard, graveur.
Detail of a woodcut inked in black.Workshop of Ch.Guichard, french printmaker.
Christine GUICHARD, Artist
French Printmaker, Engraver (copper,wood,plastic), Screenprinter. Studio in Paris,France.
Shop = www.saatchionline.com/profiles/portfolio/id/310360
Website = www.christineguichard.com
I invite you to discover my engravings and prints (you will find the links in blue color)
Good visit !
Notes the designer and screenprinter:
[This] "was designed by me and was our first (and only?) two color shirt. It was [also] the only shirt that I designed, but I put a lot of love and time into the process. The design was inspired by the neck label of a Pabst Blue Ribbon bottle, PBR being the cheap drink of choice for the Nation. These were the years when a can of PBR could be had for only $1 at the now defunct Lutz Tavern on Woodstock Blvd. (editor's note: sigh...). J. Ford ('02), who was our go-to screenprinting guy, told me two colors couldn't be done because it'd take forever to print the shirts and we wouldn't be able to line the images up properly. As you can imagine this only made me dead-set to prove him wrong, which I did."
A topical video.
Submitted by: A. Hoppa ('03)
From one of the screenprinters:
This "is my most beloved Reed shirt and [is] still worn nearly every weekend. It's from the first beer garden that I worked after I finally turned 21. The bear is the Hamm's beer mascot and the back features the '50 signs of intoxication' that all beer garden pourers were supposed to know in order to be licensed by the Oregon Liquor Control Commission to serve alcohol. Since many of the signs applied even to sober Reedies it was a pretty great joke as far as we were concerned. J. Ford ('02) remembers printing these and said that doing the white ink on the black shirt was a disaster because tiny errors in the screen showed up so clearly. He refused to do another white on black shirt again..."
Submitted by: A. Hoppa ('03)
My Maker Faire project: Reconstructed from a pair of men's cargo shorts, a screenprinter's overrun tee, and a little boy's short placket.
I really liked the utilitarian features of the shorts as a bag -- big pockets, rectangular shape, a d-ring already sewn on (see the back of the bag below). So I cut the shorts right down the middle, sewed on the applique from the Lionel Richie t-shirt, and sewed the missing seam (one front panel of the shorts to its adjoining back panel).
Someone had already taken some fabric from a yellow plaid boys shirt but the shirt placket was intact, so I cut it off to use as handles.
Et voila! Fully functional Lionel Richie tote bag. And I still have the other half of the shorts for another project. How about a Duran Duran bag?
The applique says, "How can I transform a lump of clay into a likeness of Lionel Richie from the 'Hello' video?"
Max of 13 screens with 3 flash stations. The oversize screens are double the size, so only 6 colors.
Another cool thing about the Alpha 8 is the ability to double index - run 2 programmed jobs of 6/c or less. Double loading and unloading at the same time. 4 operators instead of two, and potentially more than twice as fast!
Notes the designer and screenprinter:
[This] "was designed by me and was our first (and only?) two color shirt. It was [also] the only shirt that I designed, but I put a lot of love and time into the process. The design was inspired by the neck label of a Pabst Blue Ribbon bottle, PBR being the cheap drink of choice for the Nation. These were the years when a can of PBR could be had for only $1 at the now defunct Lutz Tavern on Woodstock Blvd. (editor's note: sigh...). J. Ford ('02), who was our go-to screenprinting guy, told me two colors couldn't be done because it'd take forever to print the shirts and we wouldn't be able to line the images up properly. As you can imagine this only made me dead-set to prove him wrong, which I did."
A topical video.
Submitted by: A. Hoppa ('03)
Screened on the back of Evolution, Relativity, & Free Will.
Notes the screenprinter:
This] "was jointly designed by M. Hoppa ('04) and Joel who was a bartender at the Lutz Tavern. T-shirts weren't traditionally made for the Oktoberfest beer garden, but people began refusing to work a beer garden shift unless they got a t-shirt, so we started doing an Oktoberfest design and print run. Orange ink on black was chosen since it was close to Halloween."
Submitted by: A. Hoppa ('03)
Plaque de bois gravée. Atelier Christine Guichard
Christine GUICHARD, Artist
French Printmaker, Engraver (copper,wood,plastic), Screenprinter. Studio in Paris,France.
Shop = www.saatchionline.com/profiles/portfolio/id/310360
Website = www.christineguichard.com
I invite you to discover my engravings and prints (you will find the links in blue color)
Good visit !
Rouleau servant à encrer les plaques de métal, ici avec une encre verte.
Atelier de Christine Guichard,graveur.
Christine GUICHARD, Artist
French Printmaker, Engraver (copper,wood,plastic), Screenprinter. Studio in Paris,France.
Shop = www.saatchionline.com/profiles/portfolio/id/310360
Website = www.christineguichard.com
I invite you to discover my engravings and prints (you will find the links in blue color)
Good visit !
Roll Engraving
Workshop of Christine Guichard, french printmaker.
Screened on the back of Hamm's Bear.
Recollections from one of the screenprinters:
[This] "is my most beloved Reed shirt and [is] still worn nearly every weekend. It's from the first beer garden that I worked after I finally turned 21. The bear is the Hamm's beer mascot and the back features the '50 signs of intoxication' that all beer garden pourers were supposed to know in order to be licensed by the Oregon Liquor Control Commission to serve alcohol. Since many of the signs applied even to sober Reedies, it was a pretty great joke as far as we were concerned. J. Ford ('02) remembers printing these and said that doing the white ink on the black shirt was a disaster because tiny errors in the screen showed up so clearly. He refused to do another white on black shirt again..."
Submitted by: A. Hoppa ('03)
Here's one of the new limited edition, coloured cotton tote bags that I've just produced, featuring my Swirly Skull screen print design. They're priced at £8 (UK sterling) each. In anticipation of a scorching hot Summer I've printed five bags in ten different colours. If you'd like one, drop me a line at waynechisnall@yahoo.co.uk and I'll get back to you. Cheers! :)
Spatules à encre pour l'impression des gravures.
atelier Christine Guichard
Tools for ink to print.
Workshop
Christine GUICHARD, Artist
French Printmaker, Engraver (copper,wood,plastic), Screenprinter. Studio in Paris,France.
Shop = www.saatchionline.com/profiles/portfolio/id/310360
Website = www.christineguichard.com
I invite you to discover my engravings and prints (you will find the links in blue color)
Good visit !