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A much more elaborate transparent screen this time around. My TV, laptop, and PSP! Absolutely no Photoshoping of the final picture.
This is the 11th most interesting picture from July 16th, 2005. :)
At the moment this is my only qualifier for the 100 views / 10 favorites group. As of today, August 26th 2005, it has 1494 views and 10 favorites.
My Kindle 3 review is up on the Sun-Times' site.
Here are a couple of photos that accompany the piece. Someday soon, the CST's site will support nice, big, detailed photos. Until then...I weep and I rend my garment.
The second-biggest feature of the Kindle 3? The size. Amazon found a way to delete about a half an inch from both dimensions without making the screen any smaller.
That's a big deal. I tested the Kindle 3 out with a bunch of different pants, jackets and shirts in my closet...that extra half an inch makes the Kindle 3 fit in most of my pants and jacket pockets and even some shirt pockets.
(Yes, this particular Kindle 2 is a dud. I'd long-since returned my K2 loaner to Amazon; this is how a friend of mine learned that her long-unused Kindle doesn't hold a charge.)
"Saints In Colour"
Showing how the Wallingford Screen might have looked in the medieval period - with a 21st century twist. The Cathedral has worked in close partnership with Hogarth, a WPP agency, to explore ground-breaking techniques for bringing history to life, using the latest technology from Panasonic and Epic Games.
Cutting edge scanning and projection techniques using Reality Capture software will bring to life the 15th century screen and 19th century statues with a millimetre accurate 3D scan and re-colourisation, based on historic research by Dr James Alexander Cameron. The colours have been produced by artist Amara Por Dios, and the technology was used to train apprentices in WPP’s Creative Technology Apprenticeship programme, which aims to diversify the emerging technology workforce. St Albans Cathedral is committed to social justice, so we are excited to bring the statues to life in a racially diverse way, reflecting where each of the saints depicted came from.
This restaurant was showing menu items on an illuminated screen. Mostly it was working well but I caught it between images.
The Saturday Self-challenge group has chosen Backlight today,
An old TV that's been lying around our house for far too long.
I took this on a long exposure to get the screen detail and used my single SB-800 and popped it a few times from several different angles.
Visiting Essencia hotel in SL for 2 days. Will be snapping a few pictures. Full album on Facebook.
www.facebook.com/media/set/?set=a.658576335457167&type=3
~~~~~~~
Essencial Hotel Info
Taxi:
maps.secondlife.com/secondlife/ANIMAS%20MTNS/187/142/30
Website: Reservations:
essenciahotel.wixsite.com/travelbusiness
Fb:
Visiting Essencia hotel in SL for 2 days. Will be snapping a few pictures. Full album on Facebook.
www.facebook.com/media/set/?set=a.658576335457167&type=3
~~~~~~~
Essencial Hotel Info
Taxi:
maps.secondlife.com/secondlife/ANIMAS%20MTNS/187/142/30
Website: Reservations:
essenciahotel.wixsite.com/travelbusiness
Fb:
Hocking Hills, Ohio.
27th December 2016. Canon EOS 500N and Kodak Portra 160 film, cropped in Picasa.
Screens have always been a measured, controlled distance for me. I’ve grown up alongside the changing digital landscape, from vice to necessity, for better or worse. I have been everyone and no one online; I have been naively vulnerable and rigidly cryptic. I sarcastically joke about “my stint with agoraphobia” years ago because it’s easier than explaining the painful terror of that kind of isolation. Now it’s a global stint. Now it’s more screen time for everyone, the place that’s been my home inside my home since we had to hum along to dial-up. I think now about the nostalgic sounds of doors opening when people were available to you and closing when they weren’t. I open and close the doors between myself with others as a second nature and I weave in and out of my connectivity along the way. Do you know me? Can you ever know me? Would I even let you?
Screens have always been a measured, controlled distance for me. I’ve grown up alongside the changing digital landscape, from vice to necessity, for better or worse. I have been everyone and no one online; I have been naively vulnerable and rigidly cryptic. I sarcastically joke about “my stint with agoraphobia” years ago because it’s easier than explaining the painful terror of that kind of isolation. Now it’s a global stint. Now it’s more screen time for everyone, the place that’s been my home inside my home since we had to hum along to dial-up. I think now about the nostalgic sounds of doors opening when people were available to you and closing when they weren’t. I open and close the doors between myself with others as a second nature and I weave in and out of my connectivity along the way. Do you know me? Can you ever know me? Would I even let you?
While at my sister's home in Carmel, there were many Monarchs on this bush. This image was taken through a screened window.
After months of working on a tiny laptop screen, I'm finally back to dual external monitors. Hooray for screen space! And the ability to color calibrate those screens!
(Yes, that is the cat's tail on the left - I made the mistake of laying a towel in the open space, now it's "his spot" and I'm stuck with it til he gets bored of it.)
I was going to say "roll over the photo to view notes on the desk layout" . . . . . but it appears Flickr has removed the option to ad or view notes on a photo. Boo!