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By: Bird 06/11/2008
Please visit Nayrtar's original by clicking on the source photo. Spread some thanX for letting us use this photo.
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Photos from NEoN Digital Arts Festival 2015 which ran from 8th-14th November.
The theme of this year's festival was North of North East Asia.
In a very special evening event NEoN is screening a curated selection of film and video works from Asian artists in Drouthy’s new event space. Ranging from animation, to puppetry, to digitally glitched short form works, the programme includes a 3D masterpiece by Sun Xun (China) and a rare presentation of Shu Lea Cheang’s LoveMe2030.
Artists included: Sun Xun, Shu Lea Cheang, Yin-Ju Chen, Wing Xin, Ding Xin, Michelle Proksell, Lang Tu, Lulu Li, Ophilia S. Chan.
NEoN Festival invited attendees to examine the origin and understanding of digital arts practice in Asia, against the backdrop of our assumptions about its cultural motifs or traditions. The events and exhibitions will allow audiences in Dundee to compare the handmade and machine made, to look at the processes of making in the context of strong cultural influences, and to ask what concerns do we share as creative practitioners in a globally-interlinked digital environment?
Photo thanks to Kathryn Rattray.
Esta Agenda busca fortalecer el trabajo coordinado y es el resultado de un proceso de consulta y de análisis técnico de las especificidades de los sujetos de derechos y de sus relaciones intergeneracionales para lograr el bienestar social a partir del ejercicio de los derechos generales y especÃficos de todas las personas en el Ecuador.
Photos from NEoN Digital Arts Festival 2015 which ran from 8th-14th November.
The theme of this year's festival was North of North East Asia.
In a very special evening event NEoN is screening a curated selection of film and video works from Asian artists in Drouthy’s new event space. Ranging from animation, to puppetry, to digitally glitched short form works, the programme includes a 3D masterpiece by Sun Xun (China) and a rare presentation of Shu Lea Cheang’s LoveMe2030.
Artists included: Sun Xun, Shu Lea Cheang, Yin-Ju Chen, Wing Xin, Ding Xin, Michelle Proksell, Lang Tu, Lulu Li, Ophilia S. Chan.
NEoN Festival invited attendees to examine the origin and understanding of digital arts practice in Asia, against the backdrop of our assumptions about its cultural motifs or traditions. The events and exhibitions will allow audiences in Dundee to compare the handmade and machine made, to look at the processes of making in the context of strong cultural influences, and to ask what concerns do we share as creative practitioners in a globally-interlinked digital environment?
Photo thanks to Kathryn Rattray.
The nearest giant viewing screen, with people and F1 car for scale comparison.
Needless to say, I want one of those screens.
Screen Printing at West Oakland Branch of Oakland Public Library on June 8, 2023.
Photo credit: Doug Zimmerman
The screen is tight, like woah on these.
I have no idea what that means.
more here: www.publicdesigncenter.org/blog/2008/01/new-screens.php
Wormleighton is a peaceful spot, well off the beaten track in the ironstone belt of south-east Warwickshire. The main approach through the village takes one past the attractive gateway to the manor house (whose tower might deceive the unsuspecting into thinking it is the church at first glance!) and then the church is located further up the narrow lane on high ground that overlooks it. St Peter's is a delightfully rustic building dating back to the early 13th century with a solid square west tower and an aisled nave and chancel with 14th century modifications and a modest 15th century clerestory.
Inside there is a feeling of antiquity with the sturdy ironstone Transitional nave arcades and a sense of lightness from the rendered walls and largely clear glazing. There are several features of interest here but the most significant one is the wonderful early 16th century chancel screen carved with rich traceried panelling and a few carved crowned heads. Such an impressive surviving medieval rood screen is a rarity in Warwickshire and this is of particularly fine quality (its impact however is slightly diminished by the red curtains partially obscuring it, but then we can't begrudge the congregation wanting to stay warm!).
This is a lovely church well worth seeking out, normally kept open I believe though this was the first time I'd had a proper look inside (on a previous visit many years ago we arrived just in time for a service to start so couldn't do more than look through the door!). A tranquil spot with much of antiquity to reward the visitor.