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Scheduled flights to destinations in Florida from Bangor are the normal reason for an Allegiant move.
Roche Abbey is a now-ruined abbey in the civil parish of Maltby, Rotherham, South Yorkshire, England. It is in the valley of Maltby Dyke, known locally as Maltby Beck, and is administered by English Heritage. It is a scheduled monument and Grade II* listed in the National Register of Historic Parks and Gardens.[1]
The abbey was founded in 1147 when the stone buildings[2] were raised on the north side of the beck. The co-founders of Roche were Richard de Busli, likely the great-nephew[3] of the first Roger de Busli, the Norman magnate builder of Tickhill Castle, and Richard FitzTurgis.[4] When the monks first arrived in South Yorkshire from Newminster Abbey in Northumberland, they chose the most suitable side of the stream that runs through the valley to build their new Cistercian monastery. Twenty-five years later, at the end of the century, the Norman Gothic great church, dedicated to the Virgin Mary, had been finished, as well as most of the other buildings. The control of the abbey was vested in the de Vesci family, lords of Rotherham, who in turn subfeuded the land to Richard FitzTurgis, lord of Wickersley (and who took Wickersley as his surname).[5]
From the start, the Abbey of Roche, built for the so-called White Monks, as the Cistercians were known, had an almost otherworldly air. It was, after all, built at the northern end of an area once covered by Sherwood Forest, and it was said that Robin Hood went to Mass here. (A diocesan pilgrimage is still made today on Trinity Sunday.)[6] At its height it supported a community of around 175 men, of whom about 60 were choir monks, the remainder being lay brothers, a Cistercian innovation.[7]
Eventually, on the death of co-founder FitzTurgis,[8] control of the abbey passed to his son Roger, now 'de Wickersley',[9] and then eventually to a granddaughter Constantia, who married William de Livet (Levett), a family of Norman origin who were lords of the nearby village of Hooton Levitt (or Levett).[10] The abbey continued in the Levett family until 1377, when John Levett sold his rights in the abbey to the London merchant Richard Barry.[11] By the time of the dissolution full control of Roche Abbey was held by Henry Clifford, 2nd Earl of Cumberland, who came in for numerous grants at the Dissolution as he was married to the niece of King Henry VIII.[12][13]
Despoliation
View of ruined transept of Roche Abbey by John Buckler, watercolour, 1810
The Roche Abbey records have been either lost or destroyed, so there are no accounts of the abbey's activities, other than that there were 14 monks and an unknown number of novices at the time of the dissolution by Henry VIII on 23 June 1538. It was this that lead to the abbey being reduced to ruins, although the surviving parts of the walls of the north and south transepts are still impressive.[14] The local community at time of the dissolution decided they had first right of claim on Roche Abbey and its possessions. A very detailed account exists citing the terrible destruction of the abbey and its valuable artefacts. Timber, lead and stone were also removed in vast quantities.[15]
The chronicle of the despoliation was written by Michael Sherbrook, a priest and rector of nearby Wickersley who watched the pillaging. "For the church was the first thing that was spoiled; then the abbot's lodging, the dormitory and refectory, with the cloister and all the buildings around, within the abbey walls," wrote Sherbrook in his eyewitness account. "For nothing was spared except the ox-houses and swinecoates and other such houses or offices that stood outside the walls – these had greater favour shown to them than the church itself."
"This was done on the instruction of [Thomas] Cromwell, as Fox reports in his Book of Acts and Monuments", wrote Sherbrook in his remarkable account. "It would have pitied any heart to see the tearing up of the lead, the plucking up of boards and throwing down of the rafters. And when the lead was torn off and cast down into the church and the tombs in the church were all broken (for in most abbeys various noblemen and women were buried, and in some kings, but their tombs were no more regarded than those of lesser persons, for to what end should they stand when the church over them was not spared for their cause) and all things of value were spoiled, plucked away or utterly defaced, those who cast the lead into fodders plucked up all the seats in the choir where the monks sat when they said service."
"These seats were like the seats in minsters; they were burned and the lead melted, although there was plenty of wood nearby, for the abbey stood among the woods and the rocks of stone," continued Sherbrook. "Pewter vessels were stolen away and hidden in the rocks, and it seemed that every person was intent upon filching and spoiling what he could. Even those who had been content to permit the monks' worship and do great reverence at their matins, masses and services two days previously were no less happy to pilfer, which is strange, that they could one day think it to be the house of God and the next the house of the Devil – or else they would not have been so ready to have spoiled it."[16]
Left in ruin, the land passed through many private hands until the 4th Earl of Scarbrough decided it needed revitalising to enhance his adjoining family seat at Sandbeck Park. Lord Scarborough enlisted the talents of Capability Brown. With an astonishing[according to whom?] disregard for history, Brown demolished buildings, built large earth mounds and turfed the whole site.[17] Until the end of the 19th century Roche Abbey remained buried beneath Brown's work and wooded parkland. But subsequent excavation in the 1920s returned Roche to its former splendour.
The abbey today
The site is now in the care of English Heritage. The cliff path walk provides access to a view across the abbey grounds where its layout can be appreciated. Many of the buildings are low-standing but the walls of the church still stand to full height and the gothic French idealism thrust into its design and architecture is visible. Later additions to the buildings included a kitchen area and abbot's quarters, built on the other side of the beck and accessed by a bridge which still stands. The monks' latrines were over Maltby Beck so the running water took away the waste. The stream was dammed higher up to ensure fast-flowing water: quite a modern facility for the 13th century. There are several local legends concerning ghosts, tunnels to other buildings, and even a lost wishing well.[18]
Burials at the abbey
The nave was the burial place for the lay brothers but others outside the immediate abbey community buried here include Peryn of Doncaster and his wife, Ysabel. There is also a tomb of the 14th-century Rilston family, presumably local worthies.[7]
190421-N-YP246-0043
MEDITERRANEAN SEA (April 21, 2019) Information Systems Technician 2nd Class Dallas Schedule, from Spring, Texas, participates in an Easter egg and cookie decorating event hosted by Morale, Welfare and Recreation (MWR) in the mess decks aboard the Nimitz-class aircraft carrier USS Abraham Lincoln (CVN 72). Abraham Lincoln is deployed as part of the Abraham Lincoln Carrier Strike Group (ABECSG) in support of maritime security cooperation efforts in the U.S. 5th, U.S. 6th and U.S. 7th Fleet areas of operation. With Abraham Lincoln as the flagship, deployed strike group assets include staffs, ships and aircraft of Carrier Strike Group 12 (CSG 12), Destroyer Squadron 2 (DESRON 2), USS Leyte Gulf (CG 55) and Carrier Air Wing 7 (CVW 7); as well as Àlvaro de Bazàn-class frigate ESPS Méndez Núñez (F 104). (U.S. Navy photo by Mass Communication Specialist 3rd Class Darcy McAtee/Released)
So I have just under 3 months until my half marathon. I was doing quite well with the training, then it all went horribly wrong.
Our blackboard now shows my training schedule. Eeek!
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A large section of Dunston Staiths is currently being opened to public access on Sundays. The staiths closed for coal loading in 1980 but were briefly open to the public during the 1990 Gateshead Garden Festival, The staiths are a scheduled ancient monument and reputedly the largest timber structure in Europe
This is awesome - Swiss Family Robinson played at the Burderop Theatre in Leicester England on the day I was born. The fact that my mom saved the movie schedule during the week I was born says alot about my ephemera fetish. This is the back of the base movie schedule courtesey of the Army & Air Force Motion Picture Service Europe.
A day before the scheduled Inauguration 13.10.13 6.30pm.
Foundation stone laid 27.10.2012.
The total length of the bridge is 494 m and width is 13 m with a carriageway width of 7.5 m. the navigation span is 120 m. The approach road at Aldona is approx. 320 m and at Calvim is 100m. The awarded cost of the project is rs. 54.84 crore
today's video
The Blue Angels’ Fat Albert, a KC-130J Hercules, rests on the flight line outside Marine Aerial Refueler Transport Squadron 252’s hangar aboard Cherry Point Tuesday. The Blue Angels sent the renowned aircraft to 2nd Marine Aircraft Wing’s Hercules squadron to receive scheduled annual maintenance. The Fat Albert team arrived in the first week of August and left the air station Aug 14- un-edited-cropped-Not part of my personal collection
4/9/09
Inspired by a fellow art journalist here on Flickr, but I was stupid and didn't write down her name. :/
Badland is our first scenic stop when we arrive at the Death Valley National Park. The geological formations become instant love: full of lines, curves and patterns. The only downside is that we were here in the middle of the day, the sunlight was pretty harsh, even the B+W polarizer could not solve that. I wonder how this place would turn out during sunrise or sunset, but unfortunately I was on a tight schedule, and planned to shoot the magic hour at the sand dune and badwater. I hope I can come here again in the future and stay a couple of days, hopefully in winter.
Nikon D7000
f11@zeiss 50/1.4
B+W polarizer
b&w conversion in Silver Efex Pro
dodge and burn in CS5
We modified the 'Scheduled Downtime' message for this release. Hopefully it is now a little clearer why slate was down and how long it was going to be down.
We work on a 6-day specials calendar. GLC stands for Global Learning Community. It's when all 71 5th graders get together and work on big projects. And yes, our students (K-6) learn Mandarin.
Diggs Gallery JET and Golden Lady
WINSTON-SALEM, N.C. -- The pairing of two innovative exhibitions honoring women who graced the cover of JET Magazine, and drawings of young women with their favorite literature, is on display at Winston-Salem State University’s Diggs Gallery through December 2.
The exhibits, feature works by renowned artist Willie Cole, and emerging artist Mario Moore. An opening reception for both exhibits is scheduled for August 2 from 5-9 p.m. in the Diggs Gallery. The event will be free and open to the public.
Flawlessly Feminine, Women Who Graced the Cover of JET Magazine and Works by Willie Cole
If we walked in her shoes and followed her path, we would learn of her pain, struggles, and fears. The iconic JET Magazine features women of color who defied insurmountable odds and blazed new trails. No two women who grace the magazine's covers are alike. Yet, out of ordinary circumstances they accomplished extraordinary feats. Cole's work embodies this beautiful transformation from average to excellence. He takes simple objects such as shoes and creates magnificence.
“At first glance, the commonality between the black female elegance portrayed on JET's covers and Cole's everyday objects may not be apparent. Like gold, however, the pure beauty, talent, and vision that each possessed was refined through intense heat. We see the glory as these women shine on the printed page without experiencing the trials and failures that led to their ultimate success,” said Endia Beal, Diggs Gallery interim director and visiting assistant professor.
“In a similar way, Cole redefines used objects and produces works of art that gleam majestically with a new purpose. Whether people or objects, no great works are accomplished without a fire that brings forth the true essence of who we are and what we can become.”
Golden Lady, Works by Mario Moore
In 1973, singer and songwriter Stevie Wonder composed his classic ballad, Golden Lady. These lyrics renewed the meaning of love and exposed the inner beauty of his soulful, black, sun-kissed lady. He wrote, “To know the love and the beauty never known before, I’ll leave it up to you to show it.”
Mario Moore’s Golden Lady transcends the deeply rooted misrepresentation of women of color as Jezebels, mammies, or with unclothed bodies. Like Stevie Wonder, Moore desires for the viewers to see the internal presence these women possess. In a collaborative effort, each woman chose the clothing, the pose, and the literature that influences her thoughts. Together, the women unveil their true selves by modeling the image within.
The exhibitions are free and open to the public. Diggs Gallery is open Monday through Friday from 11 a.m. until 5 p.m., and the gallery is located on the lower level of the O’Kelly Library on the campus of Winston-Salem State University (WSSU).
Named by The Smithsonian Institution as one of the nation’s best regional contemporary Africa-American art galleries, the Diggs Gallery at WSSU is one of the South’s leading showcases for African and African American art. Through social engagement, public programs and exhibitions, the Gallery serves as a cultural meeting place where people of all walks of life can meet, share and enjoy the best of
February 21st 2010
Well it was scheduled to be our last day in Sweden. I say scheduled...
Susie and Stephen left for Ireland in the morning and Paul and I were flying back to Manchester late afternoon so we had some time to kill.
We had decided we'd take a walk into Stockholm centre - it was a fairly straight route from the hotel so easy enough.
Before going we booked a taxi expecting it to be £50 for the journey. It was £30 which made it far more palatable and cheaper than the train.
We set off towards Odenplan and then walked down Sveavagen. We were aiming for Gamla Stan (the Old Town) but we had limited time and walking in the snow took time (as we were being careful not to slip).
We made it as far as Gallerian (the shopping mall). It was wonderfully warm inside so we stopped at a cafe for drinks and cakes. I went up to get them and came back with no much change. Paul not best pleased as it worked out at about £7.50 for a large Semla bun (I went for small at £4.50). My hot chocolate was £5 but was made with warm milk and a chocolate cube on a stick. Was really nice. I went for the milk chocolate version but you could have Belgian choc, wite choc, dark choc etc.
We had a quick pootle around Gallerian. I took some sneaky snaps but not many came out too well.
We then walked back via a side street (but part of the main shopping area). We amused ourselves on the way taking pics of signs which we deliberately misinterpreted to our own ends. We laughed. No offence meant! Some things are funny - in translation!
Back to the hotel we collected our bags and hopped in the taxi and headed back to Stockholm Arlanda to catch our SAS flight home...
Established in 1998 CMT Athletics is one the oldest Muay Thai gyms in the East Bay.
Specializing in Muay Thai and Boxing we at CMT Athletics are here to help you
achieve your fitness goal no matter the size. If it losing weight getting ready for a fight or
shedding that baby weight. We offer classes seven days a week morning, noon, night.WE
believe that EVERYONE is an Athlete.All skill levels are welcomed and encouraged
please join us on an Athletic Adventure.
A beautiful wintry environment up here. Makes me wanna play in the snow! Elevation: around 7,000 ft! Pic taken from along U.S. Route 50. We were just leaving South Lake Tahoe at this time... (Sunday morning, December 18, 2016)
**It was a special time for Ian & Loraine. They were getting married in South Lake Tahoe! Here's our special trip in summary:
It was 6 of us that went on this trip: my cousin, Loraine, Ian, JC, Reem & myself. We first ate dinner at Black Bear Diner in Milpitas, CA. Afterwards, we headed to Tahoe. Snow showers were imminent up along US 50, but unfortunately, we went too late to see snow falling. We made it safely to South Lake Tahoe by midnight or so. We stayed at The Landing Lake Tahoe Resort & Spa. It was a beautiful, luxurious hotel right by the lake! We settled in for the night; our first evening.
(Saturday, December 17, 2016): Ian & Loraine's special day! We rode a limo & headed to Emerald Bay for a photoshoot with the soon-to-be-couple. We enjoyed the views, despite the freezing temps! Later, we went to the Forest Suites Resort at Heavenly Village for the wedding ceremony. Ian & Loraine were then officially married! We then went back to the hotel to dress into comfortable attire. After snacking at Jimmy's, we headed to Harrah's for dinner at Friday’s Station Steak & Seafood Grill in Stateline, NV. I got the Alaskan King Crab Legs (Thanks, Auntie Betty!). We ended the evening by watching Rogue One at the Heavenly Village. It was ridiculously freezing out!
(Sunday, December 18, 2016): We left Tahoe early since Loraine & Ian were trying to catch a schedule. We enjoyed the snowy scenery while on the long road trip back to reality. It was a fun & interesting outing to South Lake Tahoe! Congrats, Loraine & Ian! Have fun & be safe on your guys' honeymoon!
(Our special Lake Tahoe outing taken place December 16-18, 2016)
Very few of us have the same schedule as the rooster, though for thousands of years the rooster's schedule was that of the average person. But, if you've forgotten your alarm clock, and you need to get somewhere on time, be sure the rooster is close by… he will guarantee that at the very least you will be awake. The rest is up to you.
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Hand painted using digital pixels to reflect oil paint on canvas.
The artist is both professionally trained and self-taught in traditional art mediums... as well as utilizing the computer for yet another means to a visual end. The final result is computer art with the look and feel of traditional 'painted' art.
My subjects include the familiar world around us... nature in all it's beauty; the four seasons; people; places; the effects of our involvement upon our world; the animal world; etc. I also accept special orders and paint custom subjects upon request... just contact me!
All limited edition, hand signed prints can be purchased. Please visit us at www.etsy.com/shop/pcao.
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I have been trying to schedule a collaborative conceptual shoot for more than a month now and it finally came together with a wonderful bunch of people! Even the weather gods conspired. Thanks to everyone who made this possible! ♥
This shoot became even more important when I learned that they are going to try and close the Pleasant Valley Drive-in. Stay tuned for a blog post with the whole story and what you can do to preserve our rich history!
BLOG - At the drive-in
coreylynntucker.blogspot.com/2013/09/at-drive-in.html?spr...
VOTE here to save the Pleasant Valley Drive-in
Help save the Drive-in! Hope you can make it to Drive'N for the Drive iN! www.facebook.com/events/319396898207107/
Models - Sam Lariviere + Sarah Mitchell
Make-up and Hair - Vanessa Ahearn
Styling + Props - Grace Black Vintage
1955 Chevy - Pete Rocco with CarNut Photography
Photos by Corey Lynn Tucker Photography
Assistant - George ♥
...by which I lived my life at Comic-Con. I tear out the programming grid for the day, highlight it with hopefuls, and stuff it into my badge holder. The little accordion one is the pocket Coaster timetable, likewise jammed into my badge holder.
And sweet! exiftool can overwrite the aperture information so Flickr displays it correctly.
The "To Sunset" schedule for TriMet's Line 89 (top) sounds like all trips start at the same stop, when half of them actually start at the stop across the street. The trip planner (bottom) shows that only the "B" trips actually stop there--that there really is no 6:31am, 8:31am, 10:31am, etc Line 89 bus at Stop ID 10039.
A visit to Kenilworth Castle on the late August 2017 Bank Holiday Monday. On a very hot and sunny day in Kenilworth!
From medieval fortress to Elizabethan palace, Kenilworth Castle has been at the centre of England's affairs for much of its 900 year history. Today, you can scale the heights of the tower built to woo Queen Elizabeth I and marvel at the mighty Norman keep. Explore the exhibition in the Gatehouse, and imagine the majesty of the Great Hall playing host to medieval monarchs and early Tudor kings.
It is a Grade I listed building and Scheduled Ancient Monument.
Listing Text
Kenilworth Castle
1.
1270
SP 2772 SE 7/1
1
2.
Important early C12 Keep with some of the earliest meurtrieres in
existence. Early C13 curtain walls and towers. Late C14, circa
1391 by Robert Skyllington, banqueting hall comparable with Westminster
Hall, though ruinous; domestic buildings etc. Late C16 barbican
gatehouse converted 1650 by Colonel Hawksworth into a residence
(inhabited by Lord Kenilworth). Late C16 timber-framed barn embodying
castle curtain wall. Associations with John of Gaunt, Queen Elizabeth,
etc. Scheduled AM.
Listing NGR: SP2793572345
This text is from the original listing, and may not necessarily reflect the current setting of the building.
The Elizabethan Garden at Kenilworth Castle. It is recreation of The Queen's Privy Garden.
The views of the garden from the Strong Tower.
One of the two Arbours in the garden.
2021-03-13 Hambidge Second Saturday STUDIO TOUR at the Cross-Pollination Art Lab Lindbergh Center
SCHEDULE
• In the Cube Gallery (noon-4pm) you will find "The Space Between," a new project from Dr. Fahamu Pecou that works to dispel the pervasive myth of violence and discord within the Black male community, and seeks to both normalize expressions of care, concern, and compassion while challenging the pervasive image of Black violence and trauma.
• Jessica Brooke Anderson will be offering visitors (one at a time) an opportunity to select a gift from her collection of family objects. She recently inherited 3 houses worth of heirlooms, and is using this opportunity to redistribute these items to the community. In exchange for "adopting" a piece of her family history, she is asking to photograph each object with its new owner, in hopes of creating a new family tree, made up of strangers, all interconnected through the lives and objects that came before.
• Participate in a self-led writing exercise / creativity booster in the space outside of Arvin Temkar’s studio. Arvin is a writer and photographer whose work examines complexity, tension, and hope in a multiracial, multiethnic America, and has been published in major publications across the country. He will also be displaying some of his photography in the windows of his studio.
• Visit the Teller Productions Workshop to observe artist Scottie Rowell’s shadow puppet play time and experience Push. Press. Pull., an ever-changing art installation exploring human’s love of buttons. Only one family/group/pod allowed in the space at time.
• Jasmine Williams and Sierra King are excited to share with the public in progress works across both of their disciplines of printmaking and archiving. The public at large is welcomed into their space, limited to 2 at time, to view THROUGHLINE - where the lives of Black Women Artists intersect. Additionally there will be limited edition "I AM WOMAN" tote bags that were hand printed in the art lab and older edition prints available to purchase by Jasmine Nicole Williams.
• FRANK/ie CONSENT will present ‘Love Shrines,’ their first installation of shared things, in which their new album (collaborated with The Cradle) will play with casual, non-demanding events happening and video documentation of their recent love baptism. After the installation, there will be a live music performance by FRANK/ie CONSENT and the generosities of people they love. The performance will begin around 5:30.
• Floyd Hall will be presenting Seeing + Sounds, featuring a series of streaming recorded audio content in addition to visual projections.
• From 2-3:30, Matriarc Society will be providing a photo shoot session with a local femme music maker at no cost. Guests may observe the process from the windows on the corner of Magnolia Lane and Morosgo Drive.
• Dance Hub ATL residents are approaching this event as an open process with space to have conversations if visitors are interested in learning more. Four artists - Porter Grubbs, Catherine Messina, Frankie Mulinix and Nadya Zeitlin - will share glimpses of their current creations. In addition to performances, we will introduce a new addition to our Hub - installations by Dima Alekseyev. For more details and updates, check their Instagram page @dance_hub_atl. Donations are greatly appreciated and will support artists' further process.
Dance Hub ATL Performance Schedule - IN-PERSON and VIRTUAL
2:00 - Studio is open to live visitors (up to 16 people at the same time, 10 chairs in the seating area. Masks are required).
2:30 - Catherine Messina's process is a peek into the creation of phrasework for a large scale piece, and how to restage that work after a year away due to the Covid-19 pandemic. Two of the original cast of eight will share some of the prompts in creating duets, unison work, formations, and more. Online via Instagram Live and in-person.
3:00 - Nadya Zeitlin will show Alice, study #1 - the beginning stage of a new work that Bautanzt Here is designing inside Dance Hub ATL. Online via Instagram Live and in-person.
3:30 - The butoh piece performed by Frankie Mulinix is exploring memory, changing identity, and brain injury. Online via Instagram Live and in-person.
4:30 - Porter Grubbs will share some improvisation scores that they've been working on for Medium Collective’s summer series. Plus they will set up a layout with some of their Demon Body portraits and narratives that they've drafted. Online via Instagram Live and in-person.