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Contax g1 & Planar 45mm f/2

I am going to ask the Surveyor if I could have something like this for my new Firedoor?

 

A day where David (wife's brother) and I walked around the Victoria area while he Geo-Cached

Some scans from long time ago. During a trip in France I decided to do some scuba diving. I've got my PADI advanced open water so it was easy to get on board and dive close to places where I did some snorkeling when I was a kid. I was pleasantly surprised when there were more young divers on board.

Scanned from a postcard. Undated

Parnell Village. Auckland, New Zealand. Taken on Fuji ISO 400 and scanned.

By doing this, I basically vindicated my Epson v500 scanning workflow. At the far left, VueScan's automatic settings, with digital ICE and 10 passes. At center, Epson Scan's automatic scan, with digital ICE. At right, my standard workflow of 10-pass scan with VueScan stored as RAW, with conversion to positive via ColorNeg plugin in PhotoShop. No sharpening has been applied. All are scans of the same Ferrania Solaris FG-Plus 100 negative, which appears properly exposed and was shot with an Olympus IS-3 DLX camera.

 

My take:

1: VueScan did a good job with color correction considering there is no channel for Ferrania Solaris. This was using an old 3M film channel, likely to be closest to the current Solaris film. Sky is a proper sky blue, the clouds are white. The curve is funny, though, as much of the pic looks overexposed, but the duck's head looks black. Noise is very low. Wouldn't make a very good print, but might be correctable if enough info is present in the 16-bit TIF.

 

2: I'm not pleased with Epson Scan's version of this. Exposure/curve was much better than VueScan, but there's a definite magenta cast. Because it made only two passes (one was ICE), noise is very high. Would make a passable 4x6 print for sure with some color correction, wouldn't make as good a big print as 8+ megapixels would normally indicate.

 

3: Color is good, curves look properly chosen. ColorNeg has a channel for this film, and it was used. Sky is proper blue and smooth. Exposure looks correct, and noise is very low. Would make as good a print as this combination of scanner, film, and camera could do. Would certainly make a fine letter-sized print, especially with a little bit of unsharp mask. Easily the best of the three, and what I have been doing anyway.

okay, I've seen this photo all over flickr and thought of doing it myself.

You need a lot of patience though, haha.

Anyway I love the results.

scans from purchased prints

fuji Acros 100 in xtol

Bronica GS-1

100mm f3.5

Camara: Asahi Pentax Spotmatic SP

Lente: Super-Multi-Coated TAKUMAR 50mm f/1.4

Película: Fujichrome Velvia 50

Revelador: Kit Tetenal E6

Escaner: Minolta Scan Dual III

Rolleiflex T, Kodak Ektacolor iso 160, scan by canon 8800F, this one is re-scan

In memory and dedication to my father, Howard. He enjoyed recording family memories in photo and introduced me to the camera.

 

Mom and me wading, taken by my father.

 

I'm a taking a lesson form Andrew on this set and have scanned several of the family slides, most of which were taken of or by my father (many are both with the timer). I've applied my processing techniques to enhance the appearance, but please remember these are well used slides and do show the wear of the years. Enjoy

 

(By the way, I'm the older brother in the family captures)

I am a little surprised over the bag design, it is very similar looking for so long time. I am not sure if they've changed the bag design now as I do not eatit so much now, but when I was younger (=80-90's) the bag design was very similar. But stating OLW instead for Old London in the red circle.

1981.8.30

鈴鹿サーキット

 

マツダのサバンナRX-3と、手前の黒いのは・・・日産のサニーB110かな?

RX-3のスポンサーの「ふくや」というのは、あの「ふくや」なんでしょうか??

他に走っていたのは、ポルシェ935、初代のRX-7、カローラGR.5(TE71)などなど・・・懐かしい車達でした

 

ちなみに、優勝したポルシェほかほとんどが救済不能なボケ写真でした・・・

とはいいつつも、買ったばかりの一眼レフと望遠レンズで、レースの流し撮りに挑戦した自分を褒めてあげたいデス

腕は今もたいして進歩してませんけども・・・

Pentax ME Super

Arista Premium 400

Scanned from family photo albums.

Camera: Nikon f2 Titan

Lens: Zeiss Planar 50mm f/1.4 ZF

Film: Ilford Delta 400

Developer: Kodak HC-110

study in light, negative space usage

Thai-Cambodian border at Wat Preah Vihear (summer 2005)

Kodachrome 64 scanned with LaserSoft IT8 target

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