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Rafael Mariano Grossi, IAEA Director-General together with experts from China, Republic of Korea, Switzerland and the IAEA collected sea water samples near Fukushima Daiichi Nuclear Power Station. Ukedo Port, Japan. 19 February 2025
Photo Credit: Dean Calma / IAEA
For this project I had to create samples using papers and fabrics, I tried my very best to use what I had and manipulate the mind giving a 3D look with the different shades of dark and light.
Crimper test. I hammered this piece mostly flat to see how it would look. This was sample two. More info on my blog.
Rafael Mariano Grossi, IAEA Director-General together with experts from China, Republic of Korea, Switzerland and the IAEA collected sea water samples near Fukushima Daiichi Nuclear Power Station. Ukedo Port, Japan. 19 February 2025
Photo Credit: Dean Calma / IAEA
Rafael Mariano Grossi, IAEA Director-General together with experts from China, Republic of Korea, Switzerland and the IAEA collected sea water samples near Fukushima Daiichi Nuclear Power Station. Ukedo Port, Japan. 19 February 2025
Photo Credit: Dean Calma / IAEA
Rafael Mariano Grossi, IAEA Director-General together with experts from China, Republic of Korea, Switzerland and the IAEA collected sea water samples near Fukushima Daiichi Nuclear Power Station. Ukedo Port, Japan. 19 February 2025
Photo Credit: Dean Calma / IAEA
These Foamex box samples are available for any Rocky Mountain Mattress customer. To learn more about Foamex visit Rocky Mountain Mattress
Rafael Mariano Grossi, IAEA Director-General together with experts from China, Republic of Korea, Switzerland and the IAEA collected sea water samples near Fukushima Daiichi Nuclear Power Station. Ukedo Port, Japan. 19 February 2025
Photo Credit: Dean Calma / IAEA
I always feel guilty about sampling food items at the street market if I don't actually buy anything, then again, it's so hard to resist that I'm almost always reaching for a bite.
Those people are damn fine psychologists.
Diana Wall (left) and Holley Zadeh, preparing to sample for nematodes inside a temperature chamber at Lake Hoare.
Rafael Mariano Grossi, IAEA Director-General together with experts from China, Republic of Korea, Switzerland and the IAEA collected sea water samples near Fukushima Daiichi Nuclear Power Station. Ukedo Port, Japan. 19 February 2025
Photo Credit: Dean Calma / IAEA
Rafael Mariano Grossi, IAEA Director-General together with experts from China, Republic of Korea, Switzerland and the IAEA collected sea water samples near Fukushima Daiichi Nuclear Power Station. Ukedo Port, Japan. 19 February 2025
Photo Credit: Dean Calma / IAEA
The sample cherry tree started blooming in Yasukuni shrine. Thereby it is announced officially that the cherry trees are in bloom in Tokyo.
From a self-initiated project, I developed artwork around the theme of ‘everyday life'. The reason I chose this was because I wanted to work on a theme that was not a phenomenon but something that exists in the world we live in and could easily be overlooked. I wanted to re observe my surroundings with fresh eyes as an artist. Starting in the towns and city in the working week in the day especially around lunchtimes - I visited urban and suburban markets, watching people move around different shops - second hand and vintage as well as record shops - and how they interacted with each other and with buskers. From that initial study I investigated everyday home life, preparing a meal -'because what is more everyday than making dinner' - tidying a room -cleaning etc. From the meal preparation I looked at the food waste - onion skins from the diced onions that I had fried. I also thought about the food ingredients that I had used as an artist may thinks about their materials - rather than as a cook - asking myself if these materials could be reused as dyes or materials for my design work. I steamed the onion skins, which left a reduced liquor of pale brown which I used to dye a variety of fabric samples. I experimented with different constructions of materials from fine silks, basked woven cottons and heavier carpet like brocades and velvet. I settled on silk chiffon as this symbolised the fine sheer waxy onion skins and the way it reacted to the stitching produced an interesting bobbly effect replicating a cellular, vegetal look. This work took on the look of a coral reef and once again I started to think about life under the sea. These samples and fashion drawings are made from fabric that I dyed using onion skins.