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25 Nov 2022 . SSAS . Voluntariado, DIF Jalisco, Nombran Embajadora de los Adultos Mayores Jalisco 2022 a representante de Instituciones.
Representante da Wellcome Trust, Dr. João Rangel de Almeida, Portfolio Development Manager. Conversa de estreitamento de cooperação entre as instituições. Salão Internacional, Escola Nacional de Saúde Pública Sergio Arouca (ENSP), Fiocruz, Manguinhos. 26 de julho de 2017.
Foto: Eduardo de Oliveira/Revista Radis/Ensp.
Reunião da Representante Especial do Secretário-Geral da ONU sobre combate à violência contra crianças, Najat Maalla M´jid com a SG, Adriana Cruz
Da esquerda para a direita: Ana Cecília Sabbá Colares, Marcus de Barra, Dra. Najat Maalla M´jid, Dra. Leila Mascarenhas, Dra. Adriana Cruz, Sra. Adriana Diversi, Dr. Youssouf Ould Abdel-Jelil, Sra. Denise Stuckenbruck ,Camilo Leon, Sra. Luiza Teixeira,
Foto: Zeca Ribeiro/Agência CNJ
Representantes do governo e da sociedade civil de Timor Leste e São Tomé e Príncipe visitaram o Restaurante Popular do Comércio.
Representing Lambda Chi Alpha, Matt plays his guitar and sings beautifully during his talent act in the Greek Week Talent Show on Wednesday night, April 11. Matthew Lavoie, Maine Campus
Representing the 4th United States Congressional District David Price spoke about Ukraine and Afghanistan. Additionally he answered numerous questions from the members and guests present today.
Rossetto se reúne com representantes de movimentos sociais em Porto Alegre-RS. Foto: Naiara Pontes/SG
19 de agosto 2024, Ciudad de Panamá. El Subdirector General y Representante Regional de la FAO para América Latina y el Caribe, Mario Lubetkin sostuvo una reunión con S. E. Javier Eduardo Martínez-Acha, Ministro de Relaciones Exteriores de Panamá.
Acompañado por: Maria Eugenia Pino, directora de Organismos y Conferencias Internacionales, Fernando Gómez Arbeláez, Director de Asuntos Jurídicos y Tratados del Ministerio de Relaciones Exteriores de Panamá. Adoniram Sanches Peraci Coordinador Subregional para Mesoamérica y Representante en Panamá y Julio Calderón, Asesor de Políticas de FAO.
Crédito ©FAO/Vanessa Olarte. Uso editorial solamente.
Derechos de autor ©FAO.
Whimsey jars sent to violin21. The one on the right was for the country swap (Germany themed), the one on the left was done to angel the swap she never got from her lame partner for the Springtime Whimsey Jar swap.
If you want in on this, take a ticket. And that ticket will probably say, "Number 540. Please wait, girl"
Brasília, 27 de novembro de 2024. Reunião ordinária do Conselho de representantes da CNA. Foto: Wenderson Araujo/Trilux
Drawn from Tim Burton’s personal archive and representing the artist’s creative output from childhood to the present day, this exhibition of 500 drawings, paintings, photographs, sketchbooks, moving-image works, and sculptural installations focuses on the recurrent visual themes and motifs that resonate in the distinctive characters and worlds found in Burton’s art and films.
While Tim Burton had been previously known almost exclusively for his cinematic work, including Beetlejuice (1988), Batman (1989), Edward Scissorhands (1990), Tim Burton’s The Nightmare Before Christmas (1993), Ed Wood (1994), Big Fish (2003), Corpse Bride (2005), and Sweeney Todd (2007), the international exhibition of Burton’s art displays the full range of his creative production, revealing a versatile artist whose unique vision transcends mediums and formats.
The exhibition reveals an inimitable style that is informed by Burton’s specific perspective. His amalgamations of man, animal, and machine are evocative of an artistically-inclined Dr. Frankenstein with an unfettered imagination. The interplay between horror and humor figures prominently in Burton’s art and films and this theme of the “carnivalesque”—the mixture between comedy and the grotesque—is seen in projects from Batman to Alice in Wonderland (2010). Perhaps his most notable and well-known motif, the soulful melancholy of Burton’s iconic misunderstood outsiders—from Edward Scissorhands and Jack Skellington to the Corpse Bride and Frankenweenie—is deftly expressed in the drawings featured in the exhibition.
Timothy Walter Burton (b. 1958) grew up in Burbank, California, a homogenous suburban American neighborhood that compelled Burton to find respite and escape from its blandness. Guided by the movies on television, comics in the newspapers, myths and fables told in school, and other forms of popular culture as well as the holiday seasons (when houses and lawns in his neighborhood were decorated with festive trappings), Burton incorporated these lifelong influences into his art at an early age. His childhood sketches demonstrate Burton’s range and call to mind the work of his predecessors, including classic cartoonists and illustrators such as Edward Gorey, Charles Addams, Don Martin, and Theodore Geisel. The impact of Japanese monster movies, Expressionist Cinema, Universal Studios’ horror catalog, and suspense maestros William Castle and Vincent Price also permeate Burton’s work.
Comprised of works from his signature films and projects including The Nightmare Before Christmas and The Melancholy Death of Oyster Boy and Other Stories (1997) to never-before-exhibited artworks, The World of Tim Burton is a deeply engaging experience that gives the public access to the artist’s very personal and singular output.
“The World of Tim Burton” is organized by independent curator Jenny He in collaboration with Tim Burton Productions.
El viernes 8 de marzo, se realizó el acto conmemorativo para dar la bienvenida a los nuevos representantes del Cogobierno UTPL 2024 en el Consejo Superior, tanto del personal académico y estudiantes como del personal administrativo y de servicios.
¡Felicitamos a los nuevos representantes!
Representantes de mais de 40 Sindicatos filiados à nossa Federação participaram do 4º Congresso de Mulheres Sindicalistas da Fesspmesp, que aconteceu nesta quarta (21), na Colônia de Férias dos Borracheiros, na Praia Grande. O encontro teve como tema "Conselhos de Direito da Mulher, para Efetivação da Igualdade de Direitos e Oportunidades".
Leia matéria completa em goo.gl/yo664b
Reunião com representantes da Cooperativa de Trabalho, Assessoria Técnica e Educacional para o desenvolvimento da Agricultura Familiar (COOTRAF), para entrega de convite para a VI Feira da Agricultura Familiar de Serra Geral e Festival da Cultura Baiana (FEAF); em Caculé, no gabinete do COI-SSP.
Foto: Wuiga Rubini/GOVBA
Basketball: Liquid graphic athlete images used to represent the 28 sports of the Sydney 2000 Olympic Games.
Comment:
There were many things Sydney 2000 got instinctively right, two of them were the absolute unmovable commitment to the delivery of sport, and that the athletes were the stars of the show. This trickled down to small but very important catch phrases that we used in Sport and in the creation of sports content and design, like “all athletes are created equal’ and ‘all sports are created equal’. Every athlete had their own unique story - we were not just interested in the big names, and all sports would be given an equal commitment in content.
When it came to the original design concepts, they displayed beautiful designs illustrating the grace and beauty of perfect athletic performance, but initially only featured athletic images from a few of the ‘big’ sports. The above commitment meant all or none, so we, with FHA Design agency, created core graphics reflecting all 28 sports and their disciplines.
Remembering that it was still very much an analogue world 20 years ago, meaning most of what we created sits in bookshelves in the Olympic Museum in printed form only, so twenty years on, we reintroduce a few of the core Sydney 2000 sport graphics.
Anthony Edgar