View allAll Photos Tagged replicator
Makerbot Replicator Panel Holder: www.thingiverse.com/thing:27865
Though there are other panel holders out there, these were the only I found that were meant for 3mm acrylic, instead of 2mm (I only had 3mm laying around). Printed out 3 sets of these holders, and was pleasantly surprised with how well they stay in place and stick to the plywood corners. Already noticing the benefits of a more evenly-heated build envelope!
Replicator Foot with Grip Pad - www.thingiverse.com/thing:24183
The rubber feet kept falling off my Replicator, and I only found three during a recent move. So, I printed out better ones that actually stay attached to the Replicator!
replication of Al Capone's prison cell at Eastern State Penitentary in Philadelphia where he served time for tax evasion, the only crime of which he was ever convicted
Photo scanned from slide used by Glen Dawson in his climbing autobiography show. This image may be new here or replicated from images elsewhere in the Angeles Chapter eArchive. Central gendarm of North Palisade, taken during 1931 Palisades Climbing School.
Photographer: Glen Dawson
Donor: Glen Dawson
Original: 35mm slide returned to donor
Credit: Glen Dawson Collection, Sierra Club-Angeles Chapter Archives
Image ID (file name): Dawson show 018
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To replicate the MU cable cut-outs in the anti-climbers I took a 3/32 drill bit and ground the tip flat then mounted it in my drill press to mill out the notch."
Legacy format represents a new direction in form and process that was ignited by Sonny Assu's experience of wearing his great great grandfather's Chilkat robe, and the desire in his family to explore possibilities for replication of regalia. Four vibrant graphic jacquard-woven robes merge traditional forms and materials with gital tools and pop culture as a startling disruption.
Created with Montreal-based weaver Sophia Borowska, Assu composed the images as vector graphics which were then digitaly transferred across time and space and programmed into the loom, where the pattern was materialized as Browska manually brought the shuttle and weft through the warp. The digital jacquard loom uses a weaving logic that is very different from the twining and knotting in Chilkat technique, meaning that whie Assis designs can be materialized very closely, these designs could not be woven by hand. Assu's robes excke elements that signal Indigenous futurisms over tradition; the fringes and edges take on lives of their own in response to the design and fabrication process. Collaboration is inherent in this contemporary digital design and fabrication process, back in time through traditional Kwakwaka wakw art practices, and now over the internet and in cloud-based software and storage.
According to art historian Tai Smith, weaving has always functioned as a mediation of other media, harnessing the terms of esting technologies to define something new. As a precursor to binary computation, employing the logics of Os and 1s, jacquard weaving processes continue to be implicated in the transformational digital veris ve inhabit. Sonny Assus robes ask viewers to contemplate and challenge their expectations of the Criest form. They are imitations to flow threads of learning and unlearning that are entangled in Indigenous and colonial histories, and their futures.
-from Legacy Format by Kate Hennessy
Definitely going to try to get better at these, but this is a photo inspired by my mornings. I'm always in a rush and try to do to many things before I have to go, usually making me late. My husband in the background is so chill and waits patiently on the couch till i'm ready, while I fly through the house like a ghost grabbing my backpack, breakfast, and water bottle then were out the door.
of a shot i took 3 years ago to the day just about... www.flickr.com/photos/sk8nrocker23/2328315182/
This addition is to a single story cottage addresses two street fronts. The original roofline is replicated in the two additions, which maintain a similar form and scale to the neighbouring properties.