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Meet Max! Max Garett is part of our Replications team. He started here as an intern in Replications during his last semester at the School of the Art Institute of Chicago, in 2012.
When explaining why he loves working in Replications and what it’s all about he said, “It’s rewarding to use skills that you taught yourself. My day-to-day is all about exploring and learning to use new materials. This kind of learning is the single most beneficial thing I do to build my own artistic practice.”
fieldmuseum.org/happening/exhibits
(c) The Field Museum, photo by Emily Krakoff
replicated for posterity from
www.zaphod.uwclub.net/orrery.jpg
via iamcal: masakatsu Happy Birthday to Doc! 2008.07.15
For this photo assignment I took inspiration from and tried to replicate the photographs of Edward Weston. More specifically, I decided to replicate his photos of fruits and vegetables. I was instantly inspired when I saw his original photographs, I really enjoyed the crispness and quality of them as it was especially eye-catching. This is something that I saw in the original photos that I tried to replicate in my own work. Additionally, I enjoyed Weston's technique of having his fruits at the center of his photograph, which I employed in my own photo, because it draws the viewers full attention onto the fruit. Another aspect of the original photos that I tried to replicate was Weston's use of a dark background behind the fruit or vegetable he was photographing. I achieved this by placing a black paper bag on the floor and propping the sliced apples I used against a black shoebox. I really enjoy the contrast this creates against the Apple in my photograph. An additional element I noticed in Weston’s photography was the modernist technique of taking a close-up image. I think the closeness of his images really helped to enhance the clarity of them and make them almost more interesting to the eye. Finally, I noticed his photos were high contrast So I held a flashlight above the apples to really bring out the lights and darks. In post production, I decided to change the image to black and white so that I could further replicate the style of photographs that Edward Weston produced. Overall, this was a very fun and entertaining assignment, I really enjoyed turning an everyday food into a beautiful and creative piece of art
When is data science a house of cards? Replicating data science conclusions. June Andrews (Pinterest), Frances Haugen (Pinterest)
Replicated in the 1990s after the original was demolished in 1931 to remove religious relics from Moscow and improve accessibility to Red Square for tanks and soldiers.
This image meets the project goals since it is a photo in which the lighting and composition of another photo was replicated to create this photo.
The process I used to get this photo was I first got out my camera and put it on my tri-pod. Then I took my camera and tri-pod, set them up next to my work bench, grabbed 2 lights, and set them up around my work bench in order to get the correct lighting. Then I took my tree trimmer, put it in my vise, got out my Dremel and its accessories, put the right bit in the Dremel, and placed the bits container behind the vise at an angle. Then I took my Dremel, turned it on, got the right hand position and angle, began sharpening the blade, and started taking pictures until I got this one. In the editing of this photo I added a gradient layer over the background layer, duplicated the background layer, changed that layer to soft light, and erased parts of the duplicated layer and gradient layer and used the paint brush tool to paint certain areas in the photo for a layer mask. In the editing of this photo I also bumped up the whites, temperature, tint, exposure, clarity, and vibrancy and turned down the brightness.
The strengths of this photo are in the composition, since the way things are arranged in the photo are almost exactly the way they are arranged in the original photo, and lighting, since the objects in this photo are all well light and the lighting in the photo matches the original photo’s lighting almost exactly. The weaknesses of this photo are in the cropping of this photo, since the edges around the things I cropped did not turn out that great, and the sharpening of this photo, since the Dremel itself seems kind of blurry and out of focus.
Replication of Imogen Cunningham's Bird of Paradise, using pencils with black and white construction paper.
Nan Curtis’ 3-D Design students presented their final project, “Replicate a ‘Famous’ Person’s Sculpture” in the PNCA Commons on May 13, 2010. Photo by Heather Zinger ’10.
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
The process of CD replication service provides some high quality of affordable systems of replication programs.
Capturing a similar photo to number 4. It was interesting with two subjects as they kept jumping at different times or one person would move more than the other. Eventually we got the timing right of both the camera and couple with the shutter at 1/400. I love the texture of the girls curly curly hair, its her trademark, and is wild as she is.
(L-R) Oregon Community Foundation's Diane Redd, Civic Ventures Vice President Phyllis Segal, Coming of Age Director Dick Goldberg, CAEL Regional Vice President Phyllis Snyder, Idealist Mid-Career Transitions Coordinator Steven Pascal-Joiner
4/9/25 - Participants learn how to paint a portrait learning techniques on enlarging, composition, replicating light, under painting, and brush selection at Howard County Library System, Elkridge branch.
Replication partners from The Community Foundation of Greater Dubuque with Grants to Green Advisory Committee members.