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Ellos están preñados, así en la Tierra como en el Cielo, unidos pero enfrentados a la fría dulzura de un Across the Universe que se aleja lejos y a la tibia extrañeza de un Marte(s) que se acerca denso.
Como dice Rosa: Toda fecundación se realiza en la oscuridad.
# # #
They are pregnant, and on Earth and Heaven, united but faced with the cold sweetness of an Across the Universe far and away and the strangeness of a lukewarm TuesdayMar(s) approaching dense.
As Rosa says: Any fertilization takes place in the dark.
# # #
Published on Anamorphosis by Kate Andrews.
Also on design:related and on Bevel and Boss.
And on I know and on vi.sualize.us/view/2492ba326d1bf40d424fa1d7115b754b/.
Week 30's theme is "Relationship". Last week I visited my best friend, who moved to another country due to her husband's work. Every year we always try to meet up. While there I had the privilege of attending her neighbourhood street party and met many great people. This cute little girl, the owner of the pink Barbie jeep, was giving rides but one little boy was heartbroken with tears running down his face chased after them.
I am travelling with limited internet access, apologies if I don't get to your stream. Will catch up later.
Symbiotische Lebensgemeinschaft
Auch als Flechte bekannt...
Mal wieder etwas aus dem Archiv geholt und mit Text versehen... wäre ja sonst langweilig! :))
Also known as lichen...
Just dug out this old capture and added some text to make it less boring... :))
Tools: Aperture, Viveza 2, Pixelmator.
life is a short-lived ride, of possible intimate relationships, achievable spiritual heights, potential refining moments and knowable purpose
Royal Academy of Arts, Sensing Spaces Installation, London, UK. I loved the spiral staircase features of this installation. I saw the relationship between the shape of the staircase and the so called rule of divine composition: Fibonacci’s Golden Ratio. I can't claim to have mastered divine composition yet, but I was inspired by the shape. I would normally shoot this sort of composition in black and white, but I really liked the grain and colour of the wood, so I let it stand.
My relationship with this Leica started to about 25 years, I found it in a shop selling objects that have been left to fend for their owners and were not search them ...
to handle it,
I could already see the enormous stupidity of someone who probably to clean the lens used an abrasive and literally destroyed the first element of the objective Summar F = 5cm / 1: 2 ...
The bought anyway by the time equivalent to a mere US$ 50 ...
then I got an objective in good condition for her
Summitar f = 5cm / 1: 2, and used it for a long time making great photos
At that time I had a Nikon F2as equipment with several objectives, but fell in love with the small black Leica ..
Unfortunately now from lack of use, and perhaps excessive moisture from a tropical country the curtain dropped and never used it again, face the new digital evolution, but here's my tribute to her ...
I don't know the model of this Leica or when it was made!
12th and last of the series breaks the frame.
The complete set... www.flickr.com/photos/seldonscott/sets/72157650320927318/
The most beautiful necklace a mother can wear is not gold or gems,but her child's arms around her neck.
El monasterio de San Pedro de Cardeña es una abadía trapense situada en el término municipal de Castrillo del Val, a 10 km del centro de Burgos (España). Actualmente, está considerado como BIC (Bien de Interés Cultural). Fue declarado Monumento histórico-artístico perteneciente al Tesoro Artístico Nacional mediante decreto de 3 de junio de 1931. En 2015, en la aprobación por la Unesco de la ampliación del Camino de Santiago en España a «Caminos de Santiago de Compostela: Camino francés y Caminos del Norte de España», España envió como documentación un «Inventario Retrospectivo - Elementos Asociados» (Retrospective Inventory - Associated Components) en el que en el n.º 979 figura el monasterio de San Pedro de Cardeña.
El monasterio se habrá fundado antes de 902 cuando el conde de Lantarón y de Cerezo, Gonzalo Téllez y su esposa Flámula realizaron la primera donación documentada al cenobio el 24 de septiembre de ese año de una serna en Pedernales y unas eras de sal.
En los siglos IX o X sus monjes fueron martirizados por los musulmanes, canonizados en 1603 y conocidos como los «Mártires de Cardeña». El monasterio gozaba de gran popularidad con gran afluencia de devotos, entre los que se encontraban el rey Felipe III de España y su esposa la reina Doña Margarita de Austria. Una de sus preciadas reliquias, la cabeza de su abad San Esteban, fue trasladada al Monasterio de Celanova; también se encuentran dos urnas en el Monasterio de la Huelgas y otra en la Catedral de Burgos.
Cada año, el 6 de agosto, aniversario del martirio, la tierra del claustro donde fueron sepultados los mártires, se teñía de un color rojizo que parecía sangre. El milagroso prodigio, ampliamente testificado, se repite hasta finales del siglo XIV. El año 1674 ya una vez levantado el nuevo claustro de estilo herreriano se reprodujo el hecho, personándose el arzobispo Enrique de Peralta, que vivamente impresionado encargó un estudio, interviniendo médicos y teólogos. Recogió el líquido, coaguló al ser puesto en agua hirviendo.
El 1 de febrero de 1967 un violento incendio destruyó las tres cuartas partes del monasterio, habitado desde 1942 por la abadía trapense de Nuestra Señora de los Mártires.
La prosperidad del monasterio en la época altomedieval se refleja en la calidad de su scriptorium, en el que el monje Endura realizó obras extraordinarias.
El Beato de San Pedro de Cardeña fue realizado entre los años 1175 y 1180, cuenta con 290 páginas y 51 miniaturas. 127 folios se encuentran en el Museo Arqueológico Nacional de Madrid, dos en la Biblioteca Francisco de Zabálburu, también en Madrid (donde también se halla el Cartulario de San Pedro de Cardeña), uno en el Museo Diocesano de Gerona y otros quince en el Museo Metropolitano de Arte de Nueva York.
Desde la sala capitular, que data del siglo XIII, se divisa a través de grandes cristaleras el claustro románico, que data del siglo XII. Compuesto por arquería de medio punto sobre columnas únicas que descansan sobre fustes robustos y coronadas de capiteles que imitan el estilo corintio. Los arcos recuerdan en su decoración a los de la mezquita de Córdoba por su policromía, alternando los colores blanco y rojo. En la pared izquierda se encuentran unas antiquísimas piedras cuya inscripción recuerda el trágico suceso.
Para construir esta iglesia de tres naves se destruyó la románica, aunque afortunadamente se salvó la torre, legítimo recuerdo cidiano. Reedificada en el siglo XVI, consta de tres naves, con una capilla aneja, denominada capilla de El Cid, ya que allí fue enterrado, y permaneció antes de su traslado a la catedral de Burgos. La fachada de la iglesia es de estilo barroco.
En el lateral derecho de la iglesia gótica, se abre una capilla barroca que data de 1753 a la que fueron trasladados los restos del Cid Campeador y su esposa Jimena. En las paredes de esta estancia llamada «Capilla de los Héroes», hay 29 nichos con inscripciones de nombres de reyes y familiares del Cid.
Según el Cantar de mio Cid y las tradiciones posteriores, antes de marchar al destierro, Rodrigo Díaz de Vivar dejó en San Pedro de Cardeña, al amparo del abad Sancho (que la crítica ha identificado con Sisebuto de Cardeña atribuyendo una confusión al autor del Cantar), a su esposa Doña Jimena y a sus hijas, aunque este hecho no está atestiguado por pruebas históricas. En el primer destierro de 1081, las propiedades de Rodrigo Díaz no le fueron enajenadas, y la familia del Cid pudo seguir residiendo en sus casas. En el segundo, de 1089, la familia fue presa por mandato de Alfonso VI en un castillo, quizá Gormaz, para reunirse con el Campeador poco después.
El enterramiento del Cid en San Pedro de Cardeña no fue debido a la voluntad personal de Rodrigo Díaz. A su muerte en 1099 fue inhumado en la catedral de Valencia, por lo que solo en 1102, tras tener que abandonar Jimena Díaz la plaza levantina, fueron trasladados sus restos al cenobio cardeniense. Allí permaneció durante algunos años su cuerpo embalsamado y sentado en un escaño del presbiterio. Desde ese momento se generaron allí una serie de narraciones de carácter hagiográfico que hacia 1280 constituyeron un corpus conocido como Leyenda de Cardeña cuyo propósito fue vincular al Cid con el monasterio de Cardeña, con el que en vida había tenido escasa relación. Estos materiales legendarios se incorporaron a la Versión sanchina de la Estoria de España o Crónica de veinte reyes, que puede datarse entre 1282 y 1284. En el siglo XIV el monasterio caradignense estimuló el culto a las reliquias cidianas, en cuyo contexto se redactó el Epitafio épico del Cid y, posiblemente, se encargara o elaborara, a partir de un ejemplar tomado en préstamo, el códice con la copia de 1325–1330 en el que se conserva el Cantar de mio Cid. En el claustro nuevo una lápida recuerda el lugar que ocupaba su sepulcro.
En la explanada situada frente a la fachada principal, en la que aparece una imagen ecuestre del Cid Campeador, hay una estatua del Sagrado Corazón, y a la izquierda un monolito con leyenda alusiva al caballo Babieca. Coincide con el lugar donde una creencia tradicional considera que fue sepultado el animal.
En el monasterio se conserva la bodega románica más antigua de España en uso comercial, donde se elabora el tinto Valdevegón con uva de La Rioja. Y también un licor llamado Tizona del Cid, hecho con unas 30 hierbas que maceran en barricas de roble. En 2016 se convierte en el primer monasterio español en producir cerveza trapense, la cerveza Cardeña.
es.wikipedia.org/wiki/Monasterio_de_San_Pedro_de_Cardeña
monasteriosanpedrodecardena.blogspot.com
es.wikipedia.org/wiki/Leyenda_de_Cardeña
en.caminodelcid.org/places/monastery-of-san-pedro-de-card...
Cerveza Cardeña - Monasterio de San Pedro de Cardeña (valdevegon.com)
The monastery of San Pedro de Cardeña is a Trappist abbey located in the municipality of Castrillo del Val, 10 km from the center of Burgos (Spain). Currently, it is considered as BIC (Asset of Cultural Interest). It was declared a Historic-Artistic Monument belonging to the National Artistic Treasure by decree of June 3, 1931. In 2015, in the approval by Unesco of the extension of the Camino de Santiago in Spain to «Roads of Santiago de Compostela: French Way and Roads Northern Spain ", Spain sent as documentation a" Retrospective Inventory - Associated Components "in which the monastery of San Pedro de Cardeña is listed in No. 979.
The monastery will have been founded before 902 when the count of Lantarón and Cerezo, Gonzalo Téllez and his wife, Flámula, made the first documented donation to the monastery on September 24 of that year of a serna in Pedernales and some salt eras.
In the 9th or 10th centuries its monks were martyred by the Muslims, canonized in 1603 and known as the "Martyrs of Cardeña." The monastery enjoyed great popularity with a large influx of devotees, among whom were King Felipe III of Spain and his wife, Queen Doña Margarita of Austria. One of his precious relics, the head of his abbot San Esteban, was transferred to the Monastery of Celanova; There are also two urns in the Monastery of La Huelgas and another in the Cathedral of Burgos.
Every year, on August 6, the anniversary of the martyrdom, the ground of the cloister where the martyrs were buried was stained a reddish color that looked like blood. The miraculous prodigy, widely witnessed, is repeated until the end of the fourteenth century. In 1674, once the new Herrerian-style cloister was erected, the event was reproduced, with the appearance of Archbishop Enrique de Peralta, who, greatly impressed, commissioned a study, involving doctors and theologians. He collected the liquid, it coagulated when put in boiling water.
On February 1, 1967, a violent fire destroyed three-quarters of the monastery, inhabited since 1942 by the Trappist Abbey of Our Lady of the Martyrs.
The prosperity of the monastery in the high medieval era is reflected in the quality of its scriptorium, in which the monk Endura carried out extraordinary works.
The Beatus of San Pedro de Cardeña was made between the years 1175 and 1180, it has 290 pages and 51 miniatures. 127 pages are in the National Archaeological Museum of Madrid, two in the Francisco de Zabálburu Library, also in Madrid (where the Cartulary of San Pedro de Cardeña is also found), one in the Diocesan Museum of Gerona and another fifteen in the Museum Metropolitan of Art of New York.
From the chapter house, which dates from the 13th century, you can see through large windows the Romanesque cloister, which dates from the 12th century. Composed of semicircular arches on unique columns that rest on robust shafts and crowned with capitals that imitate the Corinthian style. The arches in their decoration are reminiscent of those of the Cordoba mosque due to their polychrome, alternating white and red colors. On the left wall are some ancient stones whose inscription recalls the tragic event.
To build this church with three naves, the Romanesque was destroyed, although fortunately the tower, a legitimate Cidian memory, was saved. Rebuilt in the 16th century, it consists of three naves, with an attached chapel, called the El Cid Chapel, since he was buried there, and remained before his transfer to the Burgos Cathedral. The facade of the church is in the Baroque style.
On the right side of the Gothic church, there is a baroque chapel dating from 1753 to which the remains of the Cid Campeador and his wife Jimena were transferred. On the walls of this room called "Capilla de los Héroes", there are 29 niches with inscriptions of the names of kings and relatives of the Cid.
According to the Cantar de mio Cid and later traditions, before going into exile, Rodrigo Díaz de Vivar left in San Pedro de Cardeña, under the protection of Abbot Sancho (who the critic has identified with Sisebuto de Cardeña attributing a confusion to the author of the Cantar ), his wife Doña Jimena and their daughters, although this fact is not attested by historical evidence. In the first exile in 1081, Rodrigo Díaz's properties were not alienated from him, and the Cid family was able to continue residing in his houses. In the second, in 1089, the family was imprisoned by order of Alfonso VI in a castle, perhaps Gormaz, to meet with the Campeador shortly after.
The burial of the Cid in San Pedro de Cardeña was not due to the personal will of Rodrigo Díaz. Upon his death in 1099 he was buried in the cathedral of Valencia, so that only in 1102, after Jimena Díaz had to leave the Levantine square, were his remains transferred to the Cardenian monastery. His body remained there for some years, embalmed and seated on a bench in the presbytery. From that moment on, a series of hagiographic narratives were generated there, which around 1280 constituted a corpus known as the Leyenda de Cardeña whose purpose was to link the Cid with the Cardeña monastery, with which in life he had had little relationship. These legendary materials were incorporated into the Sanchina Version of the Estoria de España or Chronicle of Twenty Kings, which can be dated between 1282 and 1284. In the 14th century, the Caradignense monastery stimulated the cult of Cidian relics, in which context the Epitaph was written. epic of the Cid and, possibly, the codex with the copy of 1325–1330 in which the Cantar de mio Cid is preserved, was commissioned or elaborated from a borrowed copy. In the new cloister a tombstone recalls the place occupied by his tomb.
On the esplanade in front of the main façade, in which an equestrian image of the Cid Campeador appears, there is a statue of the Sacred Heart, and on the left a monolith with a legend alluding to the Babieca horse. It coincides with the place where a traditional belief considers that the animal was buried.
The monastery houses the oldest Romanesque winery in Spain in commercial use, where the red Valdevegón is made with grapes from La Rioja. And also a liqueur called Tizona del Cid, made with about 30 herbs that are macerated in oak barrels. In 2016 it became the first Spanish monastery to produce Trappist beer, Cardeña beer.
i wrote this on a napkin, and then wondered whether it's better this way, or on the back of a business card. i can't decide (the business card draft is here)
--
It's been 10 years and 1 week since I met Suzii, one of the more fruitful relationships I've made because of photography.
We're friends, collaborators, co-workers. Some of my favorite photos are with her, and we talk almost constantly, keeping The Photographic Journal up and running.
I'd like to chalk it up to luck, as I enjoy the various waves of good fortune I've been riding my entire life, but I suppose it's also due to being decent to the people I met here (mostly), because if our mutual friend hadn't wanted to meet up while I was in Portland, all that time ago, and if that mutual friend hadn't thought it a good idea to bring Suzii along...well, I'd have a lot less photos of Suzii, and a lot more photos of the Multnomah Falls, that's for sure.
I'd also be short one excellent friend, more importantly.
If you want to know how that person is, you observe how he treats his inferiors, not his equals.
L. A.
© Diana Yakowitz 2012 All rights reserved.
One more from my day with manywinters
at the the park surrounding the Chittenham or Ballard Locks in Seattle.
I particularly like the subtle rainbow of colors that this work has in the sunlight.
This is taken in Dalian Park. I saw the little girl came with her mom's at the entrance. Never see the father with them.
About one & half hour later, I saw her with this man together, he is buying candy; ice cream ..etc.
These reminded me about in 1995, I flew in from K.L. Malaysia. I only have less than 5 minutes seeing Natalie in her school in Singapore. During her morning 20min. recess time!!
I am sure that must be her father, then later I saw them feeding birds. You may not aware that in China, in the week days, there are lots of people everywhere, it would be worst during the holiday or weekend. It is impossible to have a clear focus subject in any shooting.
In deciding this shot during the post processing, I have decided not to clone out the couple on the top right & a half pigeon body. As I feel that that would enhance the character & mood of the image.
It is interesting to note that be it people, birds all are in pair!!
This is a great capture.
Thank you for your views, comment & Fave.
I appreciate it.
Its been a long time since i shot a landscape proper.
Back to basics, but without using ultra wide angle. Had only prime lenses o.O
Camera: Nikon D300
Exposure: 0.002 sec (1/640)
Aperture: f/13
Focal Length: 30 mm
Exposure Bias: 0/6 EV
just to explain this photo a little.
I have spent the day with two T girls who look great and are more than passable both girls are having or had laser hair removal. I haven't undergone any treatments of any kind mother nature did her work on me as can be seen in this photo.
I was wondering how far you would go as a part time T girl to achieve a look and how you would hide the results of the more invasive procedures?
I have had/have friends who take hormones and start to develop noticeably they also have very feminine eyebrows one has even started to have his hair in a very feminine style. Both of these girls are in relationships. If I have noticed others must have including the partners who apparently don't know about these girls dressing.
For me it doesn't matter everyone has grown up with my attributes although at times they do cause a fuss when a new face appears in my life.
Leica M9 + Leica Noctilux 50mm f1.0 v2 @ f1
Coventry Wedding Photographer - Engagement Session at Coombe Abbey - Maria & Dior
www.matthewosbornephotography.co.uk/Wedding-Photographer....
Dolls:
Poppy Parker and Chip Farnsworth III - Barefoot in the Park - The Bratter Lovers - Corie and Paul
Fashion credits:
Corie
- top: one pack Fashion Fever accessories pack
- jeans: Barbie Basic 002 Model No.11
- gold sandals: from Mattel shoes accessories pack
- earrings: made by me
Paul
- t-shirt and trousers: from different Ken fashion packs
- necklace and sandals: made by me
Diorama in shabby chic style: made me with my mom
- window, lamps, bedside tables, books and tray: made by me
- walls, bed, bedding, pillows, toilet table, taboret, wooden box, sewing table and flowers setting: made my mom
- white mini sewing machine, sewing accessories and two desserts: miniatures Re-ment
- tea pot: gift from my friend Věrka
- silver plate and two pink cups: from kitchen Modern Comfort
- cosmetic accessories, pink chair and pink musical box: Mattel
- cat: from my childhood
- guitar: from doll Liv cabin set
An amateur porn star recalls the wildest scene she has ever done. sounderotica.com/stories/amateur-porn-stars-fave-scene