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Tripoli talks advance U.S. Army relationship with Libya land forces
By Rick Scavetta, U.S. Army Africa
VICENZA, Italy - The U.S. Army Africa commanding general recently made a historic trip to Libya to discuss the emerging relationship between the U.S. Army and Libya's land forces.
In early May, Maj. Gen. William B. Garrett III visited Tripoli, where he held talks with key Libyan military leaders. The visit indicates the U.S. Army’s commitment toward building a cooperative relationship with Libya’s land forces and increasing regional security.
Garrett’s visit was coordinated through the U.S. Embassy Tripoli and U.S. Ambassador Gene Cretz greeted Garrett at Mitiga International Airport.
“We are gradually opening a dialog that has not existed between our land forces in a long time,” Garrett said. “Times have changed and relationships must change too.”
The general’s first stop was the headquarters of the North African Regional Capability (NARC) to meet Maj. Gen. Ahmid Auwn, Libya's chief of staff for Army Mechanized Units and Executive Director of the NARC. The NARC is part of the African Standby Force, which consists of five regional brigade-size commands that can support the African Union during times of crisis. Libyan willingness to open a dialogue with the U.S. Army is in an important part of increasing regional cooperation.
“We will look to the NARC leadership to work together on future events that are mutually beneficial,” Garrett said.
The general also toured the Libyan Bureau of Technical Cooperation and National Committees, and the Libyan Military Staff College, where he met with the director, Maj. Gen. Ahmid Mahmud Azwai. These visits emphasized the importance of material standardization, training and education in developing future leaders.
Garrett's visit follows a military cooperation committee meeting held in Tripoli in late-February, where delegations of Libyan and U.S. military officers discussed areas of common interest and planned future partnership events, said Maj. Philip Archer, U.S. Army Africa’s North African Regional Desk Officer. “Proposed events include inviting Libyan officers to visit Army schools in the United States, holding discussion on border security, conducting medical exchanges and sharing helicopter procedures,” Archer said. One of U.S. Army Africa’s goals is to help Libya and other members of the NARC build the brigade into a capable force that is interoperable with other regional standby forces and can be used for peace support operations.
“U.S. Army Africa’s discussions in Tripoli are a positive step toward working together with Libya’s military,” Garrett said. “We now have a better understanding of each other’s goals and can work together to achieve increased security, stability and peace in North Africa.”
Garrett concluded his trip to Libya with a wreath laying ceremony at the tomb of fallen American sailors, who perished when their ship exploded in Tripoli harbor in 1804.
CAPTION: Deputy Chief of Mission Joan Polaschik and Maj. Gen. William B. Garrett III, commander, U.S. Army Africa lay a wreath at the tomb of fallen American sailors, who perished when their ship exploded in Tripoli harbor in 1804.
160726-N-FO981-029 PACIFIC OCEAN (July 26, 2016) – Quartermaster 2nd Class Maria Smith, assigned to Navigation department aboard the amphibious assault ship USS America (LHA 6), plots America’s course on a chart in the ship’s bridge. America is underway conducting maritime exercises with partner nations for Rim of the Pacific 2016. Twenty-six nations, more than 40 ships and submarines, more than 200 aircraft and 25,000 personnel are participating in RIMPAC from June 30 to Aug. 4, in and around the Hawaiian Islands and Southern California. The world's largest international maritime exercise, RIMPAC provides a unique training opportunity that helps participants foster and sustain the cooperative relationships that are critical to ensuring the safety of sea-lanes and security on the world's oceans. RIMPAC 2016 is the 25th exercise in the series that began in 1971. (U.S. Navy photo by Mass Communication Specialist Seaman Jacob Holloway/Released)
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My Logo started with a tetrahedron in 2013. evolved into a merkaba in 2015.
In Egyptian, Mer means a Counter Rotating Field of Light.
Ka means Spirit.
Ba means Body.
it all happenened natuarally in the flow of creation.
Before Math as we know it is Sacred Geometry, which encapsulates life itself.
I was attracted to electronic toys as a child.
I disassembled them to understand them, and put them back together.
Math was the only class besides sports in which I had fun and where everything felt natural.
I made my own electric circuits during the weekend in Junior High.
I started writing code to create shapes at 12 years old.
It’s something that came naturally.
I was a science major in high school without trying to be one.
I’m don’t consider myself a mathmatician but someone with a love for the art.
Sacred Geometry makes Mathematical relationships visual and intuitively natural to understand.
The 2 triangular shapes are tetrahedrons.
When together in opposite directions, create what is called a ‘Merkaba’ or ‘Star Tetrahedron’.
The Merkaba is the basis of all biological lifeforms all across the Universe.
Enlightement is realising the interconnectivity of all that is.
It is when both sides of the brain work together as one.
I use Sacred Geometry because it represents the interconnectivity of the Universe.
We are all connected to one another, to the plants, animals, insects, the wind, water, fire, earth.
Everything in reality, that exists, manifested through the Sacred Geometry proportions.
Every single thing in creation.
Music, emotions, feelings, energy, plants, our bodies, everything is created out a unique sign
wave signatures, that when becoming physical comes out of a sacred geometry pattern.
It represents the physical life emerging out of the spiritual realm.
Crop circles which seem to be created by aliens, are pure sacred geometry.
They seem to communicate something specific based on mathematical relationships.
The Circles showing the mathematical relationships of the merkaba of my logo, represent the Seed of Life.
The Seed of Life is the center of the Flower of Life.
The Flower of Life represents all of life in the Universe.
I view the Merkabah as masculine energy due to its straight lines, and the Seed of Life represents
the feminine energy due to its circular form.
It holds the laws and proportions of everything in existence.
By Superimposing the Male Energy and the Female Energy together, we get the connection of the two.
We all have both energies within us.
When a man and a woman are in love, it creates the most powerful energy within the body.
Sacred Geometry shapes in architecture, sculptures and art have been all over the world for centuries.
The pyramids all over the world from Egypt to Central and South America are examples of this.
~ Willpower LifeForce // WILLPOWER STUDIOS
This old home and I are becoming familiar, as I have photographed it many times, in many different seasons. This time, the gate that has prevented my getting close was open, and I was able to approach the building. Photographed here with a Sigma 30mm f/1.4, on a 1/2 frame sensor on my Sigma SD14. Processed in Sigma's Photo Pro, Photoshop, and Topaz Adjust. And of course, I must mention the amazing Foveon sensor used in the Sigma camera, which creates images like no other sensor can.
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How feeling guilty can be either good or bad for you.
Guilt is a common feeling of emotional distress that signals us when our actions or inactions have caused or might cause harm to another person—physical, emotional, or otherwise. Because guilt typically occurs in “micro-bursts” of ...
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Sex myths exposed talks candidly about young women's sexuality and the interconnected relationships with fathers.
Exposed -"Sordid scandal behind Purity Balls."
The relationship between the trans community and Pride has been a strained one in recent years, but this year the event was felt by some to be more inclusive. I really hope so.
This relationship between a birch tree trying to grow on a steep hillside near Tinkers Falls and a rock was odd/interesting to me.
One can't be sure how the rock got where it is (human intervention?) but over the years the tree and some roots appear to have grown around the rock.