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Is he really interested in a long-term relationship?
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Judging how your partner meets your expectations on a pass fail bases is a common reason why relationships fail.
Relationships are complex. Your judgment of them should reflect that.
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Karen became...
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Antelopes. Kgalagadi Transfrontier Park/ Kalahari Desert. South Africa. Nov/2019
Blue Wildebeest
The blue wildebeest (Connochaetes taurinus), also called the common wildebeest, white-bearded wildebeest, or brindled gnu, is a large antelope and one of the two species of wildebeests. It is placed in the genus Connochaetes and family Bovidae, and has a close taxonomic relationship with the black wildebeest. The blue wildebeest is known to have five subspecies. This broad-shouldered antelope has a muscular, front-heavy appearance, with a distinctive, robust muzzle. Young blue wildebeest are born tawny brown, and begin to take on their adult colouration at the age of 2 months. The adults' hues range from a deep slate or bluish gray to light gray or even grayish brown. Both sexes possess a pair of large curved horns.
The blue wildebeest is a herbivore, feeding primarily on short grasses. It forms herds which move about in loose aggregations, the animals being fast runners and extremely wary. The mating season begins at the end of the rainy season and a single calf is usually born after a gestational period of about 8.5 months. The calf remains with its mother for 8 months, after which it joins a juvenile herd. Blue wildebeest are found in short-grass plains bordering bush-covered acacia savannas in southern and eastern Africa, thriving in areas that are neither too wet nor too arid. Three African populations of blue wildebeest take part in a long-distance migration, timed to coincide with the annual pattern of rainfall and grass growth on the volcanic soil short-grass plains where they can find the nutrient-rich forage necessary for lactation and calf growth
Source: Wikipedia
Gnu-de-cauda-preta
O gnu-de-cauda-preta (Connochaetes taurinus) ou boi-cavalo-de-cauda-preta [2] (em inglês, blue wildebeest, "gnu-azul") é uma das duas espécies de gnu, encontrada no Leste e Sul da África e contando com pelagem cinzenta, mas face e a cauda negras.
O gnu é um herbívoro que se alimenta principalmente de gramíneas curtas. Estes animais são corredores rápidos e extremamente cautelosos. A estação de acasalamento começa no final da estação chuvosa e um único filhote geralmente nasce após um período gestacional de cerca de 8,5 meses. O bezerro permanece com sua mãe por 8 meses, após o qual se junta a um rebanho juvenil. Os gnus são encontrados nas planícies de grama curta que margeiam savanas de acácia cobertas de arbustos no sul e no leste da África, prosperando em áreas que não são nem muito úmidas nem muito áridas. Três populações africanas de gnus participam de uma migração de longa distância, programada para coincidir com o padrão anual de chuva e crescimento de grama nas planícies de grama curta do solo vulcânico, onde podem encontrar a forragem rica em nutrientes necessária para a lactação e crescimento de bezerros
Fonte: Wikipedia (tradução livre)
Kgalagadi Transfrontier Park
Kgalagadi Transfrontier Park is a large wildlife preserve and conservation area in southern Africa. The park straddles the border between South Africa and Botswana and comprises two adjoining national parks:
•Kalahari Gemsbok National Park in South Africa
•Gemsbok National Park in Botswana
The total area of the park is 38,000 square kilometres (15,000 sq mi). Approximately three-quarters of the park lies in Botswana and one-quarter in South Africa. Kgalagadi means "place of thirst." [1] In September 2014, more than half of the Botswana portion of the park was sold for gas-fracking
The park is located largely within the southern Kalahari Desert. The terrain consists of red sand dunes, sparse vegetation, occasional trees, and the dry riverbeds of the Nossob and Auob Rivers. The rivers are said to flow only about once per century. However, water flows underground and provides life for grass and camelthorn trees growing in the river beds. The rivers may flow briefly after large thunderstorms
Source: Wikpedia
Parque Transfronteiriço do Kgalagadi
O Parque Transfronteiriço de Kgalagadi é uma grande área de preservação e conservação da vida selvagem no sul da África. O parque fica na fronteira entre a África do Sul e o Botsuana e compreende dois parques nacionais adjacentes:
• Parque Nacional Kalahari Gemsbok na África do Sul
• Parque Nacional Gemsbok no Botsuana
A área total do parque é de 38.000 quilômetros quadrados (15.000 milhas quadradas). Aproximadamente três quartos do parque ficam no Botsuana e um quarto na África do Sul. Kgalagadi significa "lugar de sede". Em setembro de 2014, mais da metade da parte do parque em Botsuana foi vendida por fracking a gás
O parque está localizado em grande parte no sul do deserto de Kalahari. O terreno consiste em dunas de areia vermelha, vegetação escassa, árvores ocasionais e leitos secos dos rios Nossob e Auob. Diz-se que os rios fluem apenas uma vez por século. No entanto, a água flui no subsolo e fornece vida para as árvores que crescem nos leitos dos rios. Os rios podem fluir brevemente após grandes tempestades
Fonte: Wikipedia (traduçã livre)
Kalahari Desert
The Kalahari Desert is a large semi-arid sandy savanna in Southern Africa extending for 900,000 square kilometres (350,000 sq mi), covering much of Botswana, parts of Namibia and regions of South Africa.
It is not to be confused with the Angolan, Namibian and South African Namib coastal desert, whose name is of Khoekhoegowab origin and means "vast place"
Kalahari is derived from the Tswana word Kgala, meaning "the great thirst", or Kgalagadi, meaning "a waterless place"; the Kalahari has vast areas covered by red sand without any permanent surface water
Source: Wikpedia
Deserto do Kalahari
O Kalahari, Calaari ou Calaári é um deserto localizado na África Austral, com cerca de 900.000 km² abrangendo partes de Angola, do Botswana, Namíbia e África do Sul.
O nome é derivado de uma palavra em tsuana[2] e significa "a grande sede"
Derivada da palavra Kgalagadi, significa o lugar da a grande sede (kgala - sede; gadi - lugar). A formação do deserto é devida, principalmente, a corrente marítima fria de Benguela[carece de fontes], que atua na costa sudoeste da África, condensando o vapor de água que vai em direção ao continente, fazendo com que as massas de ar cheguem mais secas ao mesmo. O Kalahari possui vasta área coberta por areia avermelhada sem afloramento de água em caráter permanente. Porém Kalahari não é um deserto verdadeiro. Partes dele recebem mais de 250 mm de chuva mal distribuída anualmente e possuem bastante vegetação. É realmente árido somente no sudoeste (menos de 175 mm de chuva ao ano), fazendo do Kalahari um deserto de fósseis. As temperaturas no verão do Kalahari vão de 20 a 40°C. No inverno, o Kalahari tem um clima seco e frio com geada à noite. As baixas temperaturas do inverno podem ficar abaixo de 0°C. O clima no verão em algumas regiões do Kalahari pode alcançar 50°C (por isso algumas tribos bosquimanas se recolhem nos momentos mais quentes do dia).
Fonte: Wikipedia
Feel free to use this image, but make sure to link to brightdrops.com/long-distance-relationship-quotes
Burhan C. Doğançay (11 September 1929 – 16 January 2013) was a Turkish-American artist. Doğançay is best known for tracking walls in various cities across the world for half a century, integrating them in his artistic work.
Plane Wing I/Flugzeugflügel I, 1963 (Gouache, Tinte/Gouache, ink), Albertina - Schenkung/Donation, 2015
The Albertina
The architectural history of the Palais
(Pictures you can see by clicking on the link at the end of page!)
Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869
"It is my will that the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".
This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.
Image: The Old Albertina after 1920
It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.
The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.
In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.
Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.
1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.
Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990
The era of stately representation with handing down their cultural values found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:
After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".
Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905
This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.
The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.
Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.
Image: The palace after the demolition of the entrance facade, 1948-52
Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.
Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei
This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.
Image: The restored suburb facade of the Palais Albertina suburb
The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.
Image: The new entrance area of the Albertina
64 meter long shed roof. Hans Hollein.
The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".
Christian Benedictine
Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.
Sanctuary Park Cemetery Toronto Ontario Canada.
Members of the Order are aged 18 and older; men must be Master Masons and women must have specific relationships with Masons. Originally, a woman would have to be the daughter, widow, wife, sister, or mother of a master Mason, but the Order now allows other relatives[2] as well as allowing Job's Daughters, Rainbow Girls, Members of the Organization of Triangles (NY only) and members of the Constellation of Junior Stars (NY only) to become members when of age.
The Order was created by Rob Morris in 1850 when he was teaching at the Eureka Masonic College in Richland, Mississippi. While confined by illness, he set down the principles of the order in his Rosary of the Eastern Star. By 1855, he had organized a "Supreme Constellation" in New York, which chartered chapters throughout the United States.
In 1866, Dr. Morris started working with Robert Macoy, and handed the Order over to him while Morris was traveling in the Holy Land. Macoy organized the current system of Chapters, and modified Dr. Morris' Rosary into a Ritual.
On December 1, 1874, Queen Esther Chapter No. 1 became the first Prince Hall Affiliatechapter of the Order of the Eastern Star when it was established in Washington, D.C. by Thornton Andrew Jackson.[3]
The "General Grand Chapter" was formed in Indianapolis, Indiana on November 6, 1876. Committees formed at that time created the Ritual of the Order of the Eastern Star in more or less its current form.[4]
The emblem of the Order is a five-pointed star with the white ray of the star pointing downwards towards the manger. In the Chapter room, the downward-pointing white ray points to the West. The character-building lessons taught in the Order are stories inspired by Biblical figures:
Adah (Jephthah's daughter, from the Book of Judges)
Ruth, the widow from the Book of Ruth
Esther, the wife from the Book of Esther
Martha, sister of Mary and Lazarus, from the Gospel of Luke and the Gospel of John
Electa (the "elect lady" from II John), the mother
Order of the Eastern Star:
General Grand Chapter logo:
The Order of the Eastern Star is a Freemasonicappendant body open to both men and women. It was established in 1850 by lawyer and educator Rob Morris, a noted Freemason. The order is based on teachings from the Bible,[1] but is open to people of all religious beliefs. It has approximately 10,000 chapters in twenty countries and approximately 500,000 members under its General Grand Chapter.
Members of the Order are aged 18 and older; men must be Master Masons and women must have specific relationships with Masons. Originally, a woman would have to be the daughter, widow, wife, sister, or mother of a master Mason, but the Order now allows other relatives[2] as well as allowing Job's Daughters, Rainbow Girls, Members of the Organization of Triangles (NY only) and members of the Constellation of Junior Stars (NY only) to become members when of age.
History:
The Order was created by Rob Morris in 1850 when he was teaching at the Eureka Masonic College in Richland, Mississippi. While confined by illness, he set down the principles of the order in his Rosary of the Eastern Star. By 1855, he had organized a "Supreme Constellation" in New York, which chartered chapters throughout the United States.
In 1866, Dr. Morris started working with Robert Macoy, and handed the Order over to him while Morris was traveling in the Holy Land. Macoy organized the current system of Chapters, and modified Dr. Morris' Rosary into a Ritual.
On December 1, 1874, Queen Esther Chapter No. 1 became the first Prince Hall Affiliatechapter of the Order of the Eastern Star when it was established in Washington, D.C. by Thornton Andrew Jackson.[3]
The "General Grand Chapter" was formed in Indianapolis, Indiana on November 6, 1876. Committees formed at that time created the Ritual of the Order of the Eastern Star in more or less its current form.[4]
Emblem and heroines:
The emblem of the Order is a five-pointed star with the white ray of the star pointing downwards towards the manger. In the Chapter room, the downward-pointing white ray points to the West. The character-building lessons taught in the Order are stories inspired by Biblical figures:
Adah (Jephthah's daughter, from the Book of Judges)
Ruth, the widow from the Book of Ruth
Esther, the wife from the Book of Esther
Martha, sister of Mary and Lazarus, from the Gospel of Luke and the Gospel of John
Electa (the "elect lady" from II John), the mother
Officers
Officers representing the heroines of the order sit around the altar in the center of the chapter room.
Eastern Star meeting room:
There are 18 main officers in a full chapter:
Worthy Matron – presiding officer
Worthy Patron – a Master Mason who provides general supervision
Associate Matron – assumes the duties of the Worthy Matron in the absence of that officer
Associate Patron – assumes the duties of the Worthy Patron in the absence of that officer
Secretary – takes care of all correspondence and minutes
Treasurer – takes care of monies of the Chapter
Conductress – Leads visitors and initiations.
Associate Conductress – Prepares candidates for initiation, assists the conductress with introductions and handles the ballot box.
Chaplain – leads the Chapter in prayer
Marshal – presents the Flag and leads in all ceremonies
Organist – provides music for the meetings
Adah – Shares the lesson of Duty of Obedience to the will of God
Ruth – Shares the lesson of Honor and Justice
Esther – Shares the lesson of Loyalty to Family and Friends
Martha – Shares the lesson of Faith and Trust in God and Everlasting Life
Electa – Shares the lesson of Charity and Hospitality
Warder – Sits next to the door inside the meeting room, to make sure those that enter the chapter room are members of the Order.
Sentinel – Sits next to the door outside the chapter room, to make sure those that wish to enter are members of the Order.
Traditionally, a woman who is elected Associate Conductress will be elected to Conductress the following year, then the next year Associate Matron, and then next year as Worthy Matron. A man elected Associate Patron will usually be elected Worthy Patron the following year. Usually the woman who is elected to become Associate Matron will let it be known who she wishes to be her Associate Patron, so the next year they will both go to the East together as Worthy Matron and Worthy Patron. There is no male counterpart to the Conductress and Associate Conductress. Only women are allowed to be Matrons, Conductresses, and the Star Points (Adah, Ruth, etc.) and only men can be Patrons.
Once a member has served a term as Worthy Matron or Worthy Patron, they may use the post-nominal letters, PM or PP respectively.
Headquarters:
The International Temple in Washington, D.C.
Main article: International Temple
The General Grand Chapter headquarters, the International Temple, is located in the Dupont Circleneighborhood of Washington, D.C., in the former Perry Belmont Mansion. The mansion was built in 1909 for the purpose of entertaining the guests of Perry Belmont. This included Britain's Prince of Wales in 1919. General Grand Chapter purchased the building in 1935. The secretary of General Grand Chapter lives there while serving his or her term of office. The mansion features works of art from around the world, most of which were given as gifts from various international Eastern Star chapters.
Charities:
The Order has a charitable foundation[5] and from 1986-2001 contributed $513,147 to Alzheimer's disease research, juvenile diabetes research, and juvenile asthma research. It also provides bursaries to students of theology and religious music, as well as other scholarships that differ by jurisdiction. In 2000 over $83,000 was donated. Many jurisdictions support a Masonic and/or Eastern Star retirement center or nursing home for older members; some homes are also open to the public. The Elizabeth Bentley OES Scholarship Fund was started in 1947.[6][7]
Eureka Masonic College, also known as The Little Red Schoolhouse, birthplace of the Order of the Eastern Star
Signage at the Order of the Eastern Star birthplace, the Little Red Schoolhouse
Notable members
Clara Barton[8]
J. Howell Flournoy[9]
Eva McGown[10]
James Peyton Smith[11]
Lee Emmett Thomas[12]
Laura Ingalls Wilder[13]
H. L. Willis[14]
See also:
Achoth
Omega Epsilon Sigma
References:
^ "Installation Ceremony". Ritual of the Order of the Eastern Star. Washington, DC: General Grand Chapter, Order of the Eastern Star. 1995 [1889]. pp. 120–121.
^ "Eastern Star Membership". General Grand Chapter. Retrieved 2010-06-03. These affiliations include: * Affiliated Master Masons in good standing, * the wives * daughters * legally adopted daughters * mothers * widows * sisters * half sisters * granddaughters * stepmothers * stepdaughters * stepsisters * daughters-in-law * grandmothers * great granddaughters * nieces * great nieces * mothers-in-law * sisters-in-law and daughters of sisters or brothers of affiliated Master Masons in good standing, or if deceased were in good standing at the time of their death
^ Ayers, Jessie Mae (1992). "Origin and History of the Adoptive Rite Among Black Women". Prince Hall Masonic Directory. Conference of Grand Masters, Prince Hall Masons. Retrieved 2007-10-25.
^ "Rob Morris". Grand Chapter of California. Archived from the original on 2007-09-28. Retrieved 2007-10-01.
^ "OES Charities". Retrieved 2016-04-15.
^ "Elizabeth Bentley Order Of The Eastern Star Scholarship Award". Yukon, Canada. Retrieved 2009-11-05.
^ "Eastern Star has enjoyed long history". Black Press. Retrieved 2009-11-05. The Eastern Star Bursary, later named the Elizabeth Bentley OES Scholarship Fund, was started in 1947.[dead link]
^ Clara Barton, U.S. Nurse Masonic First Day Cover
^ "Sheriff 26 Years – J. H. Flournoy Dies," Shreveport Journal, December 14, 1966, p. 1
^ by Helen L. Atkinson at ALASKA INTERNET PUBLISHERS, INC
^ "James P. Smith". The Bernice Banner, Bernice, Louisiana. Retrieved September 13,2013.
^ "Thomas, Lee Emmett". Louisiana Historical Association, A Directory of Louisiana Biography (lahistory.org). Retrieved December 29, 2010.
^ Big Muddy online publications
^ "Horace Luther Willis". The Alexandria Daily Town Talk on findagrave.com. Retrieved July 25, 2015.
Official website:
Eastern Star Organizations at DMOZ
Pride of the North Chapter Number 61, Order of the Eastern Star Archival Collection, located at Shorefront Legacy Center, Evanston, Illinois, USA.
I realized earlier that I have a special kind of relationship with each of the faces I have painted over these months. Most of them I don't know but only through through their art, some are family, and some are friends. After spending an hour or so on each drawing, I come away with a sense of having spent that time with this person. A relationship for sure, if only in my head. cy365 204/365 'relationship'
Tripoli talks advance U.S. Army relationship with Libya land forces
By Rick Scavetta, U.S. Army Africa
VICENZA, Italy - The U.S. Army Africa commanding general recently made a historic trip to Libya to discuss the emerging relationship between the U.S. Army and Libya's land forces.
In early May, Maj. Gen. William B. Garrett III visited Tripoli, where he held talks with key Libyan military leaders. The visit indicates the U.S. Army’s commitment toward building a cooperative relationship with Libya’s land forces and increasing regional security.
Garrett’s visit was coordinated through the U.S. Embassy Tripoli and U.S. Ambassador Gene Cretz greeted Garrett at Mitiga International Airport.
“We are gradually opening a dialog that has not existed between our land forces in a long time,” Garrett said. “Times have changed and relationships must change too.”
The general’s first stop was the headquarters of the North African Regional Capability (NARC) to meet Maj. Gen. Ahmid Auwn, Libya's chief of staff for Army Mechanized Units and Executive Director of the NARC. The NARC is part of the African Standby Force, which consists of five regional brigade-size commands that can support the African Union during times of crisis. Libyan willingness to open a dialogue with the U.S. Army is in an important part of increasing regional cooperation.
“We will look to the NARC leadership to work together on future events that are mutually beneficial,” Garrett said.
The general also toured the Libyan Bureau of Technical Cooperation and National Committees, and the Libyan Military Staff College, where he met with the director, Maj. Gen. Ahmid Mahmud Azwai. These visits emphasized the importance of material standardization, training and education in developing future leaders.
Garrett's visit follows a military cooperation committee meeting held in Tripoli in late-February, where delegations of Libyan and U.S. military officers discussed areas of common interest and planned future partnership events, said Maj. Philip Archer, U.S. Army Africa’s North African Regional Desk Officer. “Proposed events include inviting Libyan officers to visit Army schools in the United States, holding discussion on border security, conducting medical exchanges and sharing helicopter procedures,” Archer said. One of U.S. Army Africa’s goals is to help Libya and other members of the NARC build the brigade into a capable force that is interoperable with other regional standby forces and can be used for peace support operations.
“U.S. Army Africa’s discussions in Tripoli are a positive step toward working together with Libya’s military,” Garrett said. “We now have a better understanding of each other’s goals and can work together to achieve increased security, stability and peace in North Africa.”
Garrett concluded his trip to Libya with a wreath laying ceremony at the tomb of fallen American sailors, who perished when their ship exploded in Tripoli harbor in 1804.
frame # 12 Relationship Köln - A double exposure featuring some DB bicycles in front of some Douglas window advertisements and a scene of Warhol Brillo boxes stacked next to the doorway into an exhibition at the Ludwig Museum.
I am overwhelmingly pleased with this image. Ironically I was just saying to a friend yesterday how I have been feeling really unfulfilled with photography lately. How it seems that we are so inundated today with photographs, photographs, photographs everywhere we look and even when we are not looking. Everyone considers themself a photographer and "photography" feels dead.
So I threw this old roll of 120 in with another roll I was developing for a friend, and low and behold this frame comes up from back in April of last year. And I'm in awe of it as if I didn't even make it myself. Perhaps it is the magical happenstance that comes with making double exposures that pleases me? Because this image is certainly more intriguing than either of the 2 separate exposures by themselves. Where to go from here? Who knows...
CAMERA: Lubitel 2 - c.1965
FILM: Kodak T-MAX 400 (expired 9/2000)
DATE: 4/7/2012
DEVELOPMENT: Labeauratoire's Caffenol Concoction
15 min. - 24°c
Scanned with HP ScanJet G4050
light sepia added in Photoshop
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"The Ultimate Fighter" finally brings back the big boys with "Heavyweights"!!
There some HOT guys on this season! Grrrrrr. :)
We demonstrated every possible combination of relationship envy possible. This was not a very convincing picture, since I'm not envious of this sweet couple.
Society dictates that men should be bigger, better, faster, and more robust. They are pushed to embody this facade of having to be more than what they are to feel enough. Men are told not to be vulnerable and not get in touch with their emotional side. Learn more at amandabiccum.com/are-you-man-enough/!
My Russian fiancée is applying for a Danish visa, but even though it's a short 60-day tourist visa, the department of emigration needs "Documentation of the relationship" to make sure I'm not.. I don't exactly know what. Print-outs of Flickr photos, personal e-mail, phone bills, photocopies of stamps and visas from my passport etc. etc. It's like falling in love with someone outside Europe is a crime.
How I hate bureaucracy.
While walking the Pot Hole Trail in Rockwood's Conservation Area yesterday I came across this relatively new bench with a lovely bouquet of flowers attached to it.
There was a card included with the flowers. I bent over to read it. Bob had left a personal message for Patricia.
It read, "in loving memory OF A WONDERFUL LADY". I felt like I was intruding on a private moment.
I wondered who Patricia and Bob were. Husband and wife? Close friends? Was Bob a secret admirer?
I started to reflect on relationships in general and the invisible bonds that hold us together.
I thought if Bob had a message for us he would probably instruct us to appreciate every day that we have together.
Dating and having relationship at young age is not advisable. Changing girl friends for the sake of fun is not clean friendship and that will make you bind bad karmas. Instead, one should pay attention in studying, work hard for it and make career.
To know more please click on the link below:-
English: www.dadabhagwan.org/path-to-happiness/relationship/live-a...