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This was the original center blcok I made for the round robin I'm in. The block, Star Crossing from Quilter's Cache, just didn't work for me. I couldn't get the middle lined up properly depsite much seam ripping. Plus, the colors are all wrong and I hate them. Bah!
Pattern here: www.quilterscache.com/S/StarCrossingBlock.html
Down with gender fascism is the message of these participants in the Trans March during Pride 2025 in Toronto, Ontario.
Mistakes, failures, and Fuck-ups, the 2011 Suckadelic REJECTS series is here.
SALVAGED FROM THE SHIT-BIN!
These unwanted Mutants are the un-approved Color-tests, Bum-Castings, and Cobbled-together Frankenstein Wreckage from the Suckadelic Bootleg Sweat Shop.
Each figure is unique, comes in Green or Pink packaging and are sold Blind Boxed.
That means no Choosing!
You get what you get.
This is the story of a woman called Azul. She was born in a tiny little village by the mountains named Only. It was a peculiar place because every person was taught to try to be identical to one another. So they wore similar clothes, they had the same haircut, they ate alike, they had matching smiles! they even got married among them so they could preserve their own features!
For long time she wondered if this kind of life made sense to her but she was afraid to ask because according to the leaders those who don’t follow the rules would fall into affliction and bad luck. But still, little by little Azul started to make herself different to the others. Although the residents of Only hadn’t realized of her changes, she started to talk about it to her family and close friends. They couldn’t believe her words and thought it was a great tragedy! She felt rejected, “ I feel I don’t belong here any more” she pondered.
One day the village leaders heard about Azul wanting to change the rules!!! Then, the news were spread all over town! Many people went to see her and tell her she was making a big mistake! Azul answered: "I’m just different to you all!”. They threatened her saying that she would be isolated in a house out of town where she would be visited and fed once in a while!! She was not a good example for the inhabitants of Only !
When she saw such a big trouble she went desperate, sad and scared so she ran away to the woods. On her way she fell in the middle of the forest. Suddenly she felt something was bringing her up. She realized there was a giant flower growing up from below her. She was still in awe when she noticed many people of town were pointing at her. Azul felt ashamed so she covered her face with a hand and raised up the other towards the sky as if she was asking for mercy or help. Unexpectedly she felt that another hand was grabbing hers and pulling her up to the sky before the astonished reaction of every one who was there. When she was in the clouds she perceived everything shiny white so she closed her eyes, then she heard a voice saying: Azul, you love your people and your people loves you, love will overcome all obstacles among you… Then she opened her eyes and there she was in her bed...it was 6 am.
Afterwards, she took courage to tell everything to the people of her tiny little village….but Azul saw them through eyes of love knowing that they loved her back…. She left town some days later and discovered other places, other ways of life, different paths that she never imagined they existed… She was totally accepted! But she always loved that people she grew up with. They were always her friends and love overcame every difference between them….
The Dunwich Dynamo is a turn-up-and-go challenging free-entry overnight 120 mile bicycle ride on-tarmac from London Fields in Hackney, London to the lonely Suffolk beach at Dunwich... and we have arrived after leaving London 20:30 the previous day.
Its was hard going at times. For some reason I'm not feeling well - very nauseous. In fact I wish I could be sick and be done with it.
I'm offered a breakfast at the beach cafe. All I can smell is cleaning fluid. I start to sweat. I nibble on the bacon - make my excuses and go and sit outside.
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The Liechtenstein Garden Palace is a Baroque palace at the Fürstengasse in the 9th District of Vienna, Alsergrund . Between the palace, where the Liechtenstein Museum was until the end of 2011, and executed as Belvedere summer palace on the Alserbachstraße is a park. Since early 2012, the Liechtenstein Garden Palace is a place for events. Part of the private art collection of the Prince of Liechtenstein is still in the gallery rooms of the palace. In 2010 was started to call the palace, to avoid future confusion, officially the Garden Palace, since 2013 the city has renovated the Palais Liechtenstein (Stadtpalais) in Vienna's old town and then also equipped with a part of the Liechtenstein art collection.
Building
Design for the Liechtenstein Garden Palace, Johann Bernhard Fischer von Erlach in 1687/1688
Canaletto: View of Palais Liechtenstein
1687 bought Prince Johann Adam Andreas von Liechtenstein a garden with adjoining meadows of Count Weikhard von Auersperg in the Rossau. In the southern part of the property the prince had built a palace and in the north part he founded a brewery and a manorial, from which developed the suburb Lichtental. For the construction of the palace Johann Adam Andreas organised 1688 a competition, in the inter alia participating, the young Johann Bernhard Fischer von Erlach. Meanwhile, a little functional, " permeable " project was rejected by the prince but, after all, instead he was allowed to built a garden in the Belvedere Alserbachstraße 14, which , however, was canceled in 1872.
The competition was won by Domenico Egidio Rossi, but was replaced in 1692 by Domenico Martinelli. The execution of the stonework had been given the royal Hofsteinmetzmeister (master stonemason) Martin Mitschke. He was delivered by the Masters of Kaisersteinbruch Ambrose Ferrethi , Giovanni Battista Passerini and Martin Trumler large pillars, columns and pedestal made from stone Emperor (Kaiserstein). Begin of the contract was the fourth July 1689 , the total cost was around 50,000 guilders.
For contracts from the years 1693 and 1701 undertook the Salzburg master stonemason John and Joseph Pernegger owner for 4,060 guilders the steps of the great grand staircase from Lienbacher (Adnet = red) to supply marble monolith of 4.65 meters. From the Master Nicolaus Wendlinger from Hallein came the Stiegenbalustraden (stair balustrades) for 1,000 guilders.
A palazzo was built in a mix of city and country in the Roman-style villa. The structure is clear and the construction very blocky with a stressed central risalite, what served the conservative tastes of the Prince very much. According to the procedure of the architectural treatise by Johann Adam Andreas ' father, Karl Eusebius, the palace was designed with three floors and 13 windows axis on the main front and seven windows axis on the lateral front. Together with the stems it forms a courtyard .
Sala terrene of the Palais
1700 the shell was completed. In 1702, the Salzburg master stonemason and Georg Andreas Doppler took over 7,005 guilders for the manufacture of door frame made of white marble of Salzburg, 1708 was the delivery of the fireplaces in marble hall for 1,577 guilders. For the painted decoration was originally the Bolognese Marcantonio Franceschini hired, from him are some of the painted ceilings on the first floor. Since he to slow to the prince, Antonio Belucci was hired from Venice, who envisioned the rest of the floor. The ceiling painting in the Great Hall, the Hercules Hall but got Andrea Pozzo . Pozzo in 1708 confirmed the sum of 7,500 florins which he had received since 1704 for the ceiling fresco in the Marble Hall in installments. As these artists died ( Pozzo) or declined to Italy, the Prince now had no painter left for the ground floor.
After a long search finally Michael Rottmayr was hired for the painting of the ground floor - originally a temporary solution, because the prince was of the opinion that only Italian artist buon gusto d'invenzione had. Since Rottmayr was not involved in the original planning, his paintings not quite fit with the stucco. Rottmayr 1708 confirmed the receipt of 7,500 guilders for his fresco work.
Giovanni Giuliani, who designed the sculptural decoration in the window roofing of the main facade, undertook in 1705 to provide sixteen stone vases of Zogelsdorfer stone. From September 1704 to August 1705 Santino Bussi stuccoed the ground floor of the vault of the hall and received a fee of 1,000 florins and twenty buckets of wine. 1706 Bussi adorned the two staircases, the Marble Hall, the Gallery Hall and the remaining six halls of the main projectile with its stucco work for 2,200 florins and twenty buckets of wine. Giuliani received in 1709 for his Kaminbekrönungen (fireplace crowning) of the great room and the vases 1,128 guilders.
Garden
Liechtenstein Palace from the garden
The new summer palace of Henry of Ferstel from the garden
The garden was created in the mind of a classic baroque garden. The vases and statues were carried out according to the plans of Giuseppe Mazza from the local Giovanni Giuliani. In 1820 the garden has been remodeled according to plans of Joseph Kornhäusel in the Classical sense. In the Fürstengasse was opposite the Palais, the Orangerie, built 1700s.
Use as a museum
Already from 1805 to 1938, the palace was housing the family collection of the house of Liechtenstein, which was also open for public viewing, the collection was then transferred to the Principality of Liechtenstein, which remained neutral during the war and was not bombed. In the 1960s and 1970s, the so-called Building Centre was housed in the palace as a tenant, a permanent exhibition for builders of single-family houses and similar buildings. From 26 April 1979 rented the since 1962 housed in the so-called 20er Haus Museum of the 20th Century , a federal museum, the palace as a new main house, the 20er Haus was continued as a branch . Since the start of operations at the Palais, the collection called itself Museum of Modern Art (since 1991 Museum of Modern Art Ludwig Foundation ), the MUMOK in 2001 moved to the newly built museum district.
From 29 March 2004 till the end of 2011 in the Palace was the Liechtenstein Museum, whose collection includes paintings and sculptures from five centuries. The collection is considered one of the largest and most valuable private art collections in the world, whose main base in Vaduz (Liechtenstein) is . As the palace, so too the collection is owned by the Prince of Liechtenstein Foundation .
On 15 November 2011 it was announced that the regular museum operating in the Garden Palace was stopped due to short of original expectations, visiting numbers remaining lower as calculated, with January 2012. The Liechtenstein City Palace museum will also not offer regular operations. Exhibited works of art would then (in the city palace from 2013) only during the "Long Night of the Museums", for registered groups and during leased events being visitable. The name of the Liechtenstein Museum will no longer be used.
de.wikipedia.org/wiki/Palais_Liechtenstein_(F%C3%BCrstengasse)
I actually prefer this shot the one I actually chose - but I really wanted my head in the shot - so, this headless shot gets the sin bin.
The full story is over here
Activists hold a sign reading "Hillary Reject Fossil Fuel $$$" outside the Democratic debate between presidential hopefuls Sec. Hillary Clinton and Sen. Bernie Sanders at Miami Dade Kendall Campus in Miami, Florida, March 9, 2016. Photo by Greenpeace
here's two reject photos from this summer that i forgot about. they're cropped strange, but still cute, i think.
see. i smile sometimes.
A reject for my Day 3.139 self-portrait , which I had decided was going to be called 'Assassin'.
The problem with presenting any of these in colour is that they show up the fact that my sword is a foam toy one. But this one still seemed to have a certain style, and I nearly ended up using it as today's portrait.
Frissell, Toni,, 1907-1988,, photographer.
Bermuda Rejects
Augutst 1956.
1 photograph : color transparency ; 35 mm (slide format)
Notes:
Please use digital image: original slide is kept in cold storage for preservation.
Title, date, and keywords based on information that came with or on collection items.
FRISSELL - Job 1956-20 contains B&W and color.
Sports Illustrated Job Number: x4125.
Sports Illustrated Assignment Information: Bermuda Children.
Container Notes: 3, S.B.
Additional information on note: S.B. [check mark].
Subjects:
Bermuda Islands.
Rights Info: No known restrictions on publication. For information see "Toni Frissell Collection," hdl.loc.gov/loc.pnp/res.070.fris
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Toni Frissell photograph collection (DLC) 2009632520
General information about the Toni Frissell photograph collection is available at: hdl.loc.gov/loc.pnp/coll.090
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/tofr.07867
Call Number: LC-F905-07867 [item]