View allAll Photos Tagged redrawing
"Are you looking for vectorizing your logo/image/graphics to get a high-resolution vector file so you can use the web or print a bigger size? or
Do you want to change color or modify/customize your existing logo or tagline?
Yes! You are in the right place!
We are a professional graphic designer Team and we have 10 years of experience in vectorizing. we are experts in #redrawing #vectortracing #logoedit #converttovector #rastertovector #convertinglogos and #imagestovector
Feel free to knock me for any asistance
Whatsapp : +8801926510217
email: tusharshakhary@gmail.com
Why trust us and the benefits you get?
â—‰ 5K plus satisfied buyer Worldwide
â—‰ 3.5K plus positive reviews
â—‰ TOP NOTCH Quality guaranteed
â—‰ Team of Professional Hard-working Designers
â—‰ Quick and Friendly Communication
â—‰ Unlimited Revisions (until you satisfied)
What you will get:
★ 1-3 or 24 Hours Delivery
★ 100% MANUAL Vector
★ No auto-tracing (100% Guaranty)
★ Recreate your lost pixels.
★ Clean and clear vector format
★ SVG, CDR, DXF, PSD, JPG, PNG (If need)
Logo vector, vectorize logo, convert to vector, raster to vector, vector tracing, redraw to vector"
"Are you looking for vectorizing your logo/image/graphics to get a high-resolution vector file so you can use the web or print a bigger size? or
Do you want to change color or modify/customize your existing logo or tagline?
Yes! You are in the right place!
We are a professional graphic designer Team and we have 10 years of experience in vectorizing. we are experts in #redrawing #vectortracing #logoedit #converttovector #rastertovector #convertinglogos and #imagestovector
Feel free to knock me for any asistance
Whatsapp : +8801926510217
email: tusharshakhary@gmail.com
Why trust us and the benefits you get?
â—‰ 5K plus satisfied buyer Worldwide
â—‰ 3.5K plus positive reviews
â—‰ TOP NOTCH Quality guaranteed
â—‰ Team of Professional Hard-working Designers
â—‰ Quick and Friendly Communication
â—‰ Unlimited Revisions (until you satisfied)
What you will get:
★ 1-3 or 24 Hours Delivery
★ 100% MANUAL Vector
★ No auto-tracing (100% Guaranty)
★ Recreate your lost pixels.
★ Clean and clear vector format
★ SVG, CDR, DXF, PSD, JPG, PNG (If need)
Logo vector, vectorize logo, convert to vector, raster to vector, vector tracing, redraw to vector"
Are you looking for vectorizing your logo/image/graphics to get a high-resolution vector file so you can use the web or print a bigger size? or
Do you want to change color or modify/customize your existing logo or tagline?
Yes! You are in the right place!
We are a professional graphic designer Team and we have 10 years of experience in vectorizing. Basically, we are experts in redrawing, vector tracing, logo edit, and converting logos and images to vectors.
Click here to check out our reviews: www.fiverr.com/share/Kd35rY
Why trust us and the benefits you get?
â—‰ 5K plus satisfied buyer Worldwide
â—‰ 3.5K plus positive reviews
â—‰ TOP NOTCH Quality guaranteed
â—‰ Team of Professional Hard-working Designers
â—‰ Quick and Friendly Communication
â—‰ Unlimited Revisions (until you satisfied)
What you will get:
★ 1-3 or 24 Hours Delivery
★ 100% MANUAL Vector
★ No auto-tracing (100% Guaranty)
★ Recreate your lost pixels.
★ Clean and clear vector format
★ SVG, CDR, DXF, PSD, JPG, PNG (If need)
#Logovector #vectorizelogo #converttovector #rastertovector #vectortracing #redrawtovector #vector
Please contact us before placing an order to guide you on the right package for your project.
Drawing 2d is an essential part of architectural design and construction, so it is very important that plans, have professional quality. We offer you our knowledge in AutoCAD 2D to guarantee 100% satisfaction!
Description of the details of each package:
-Basic 2D package:
Includes the drawing of a small plan without furniture, textures, landscaping or special notes.
-Medium 2D package:
Includes the drawing of a medium size plan, with furniture, labels, textures and dimensions.
-Premium 2D package:
Includes the drawing of a large plan, with high level of detail, furniture, labels, textures, special notes and dimensions.
Plans that we can develop for you:
Floor Plans
Elevation plans
Section plans
Site Plans
Electrical Floor Plans
Roof Plans
Overall Plans
Besides the redrawing service we can also offer you our architectural and interior design service in its preliminary phase. Please contact us to know your project and work through a custom offer.
EXTRA NOTES:
If we are not online, do not worry, we will always respond!
For more information please visit our FAQ section.
Yinka Shonibare CBE RA
Mannequin, Dutch wax printed cotton textile and globe
Shonibare references the history of brightly coloured Dutch wax fabrics to comment on colonisation, hybridity, and authenticity. The fabric originated in Indonesia before being produced by the Dutch in Manchester and sold for mass consumption in Africa. He began using the material in the 1990s after one of his teachers commented that Shonibare, an artist of African origin, was not making ‘authentic’ African art.
Boy on a Globe addresses the ways in which humanity has exerted power over the world it occupies, often with disastrous consequences. The globe, yellow in tone and reddening in certain sections to indicate warming, is a dual symbol for environmental disaster and the redrawing of territory under Empire. The boy is perilously perched, as though about to fall. This sense of precarity offers a visual manifestation of the deconstruction of colonisation and empire, countering the ideas of stability and linear, forward progression that justified colonial missions.*
From the exhibition
Unravel: The Power and Politics of Textiles in Art
(February – May 2024)
Textiles are vital to our lives. We are swaddled in them when we’re born, we wrap our bodies in them every day, and we’re shrouded in them when we die.
What does it mean to imagine a needle, a loom or a garment as a tool of resistance? How can textiles unpack, question, unspool, unravel and therefore reimagine the world around us?
Since the 1960s, textiles have become increasingly present in artistic practices for subversive ends. This is significant as the medium has been historically undervalued within the hierarchies of Western art history. Textiles have been considered ‘craft’ in opposition to definitions of ‘fine art’, gendered as feminine and marginalised by scholars and the art market. The 50 international artists in this show challenge these classifications, harnessing the medium to speak powerfully about intimate, everyday stories as well as wider socio-political narratives, teasing out these entangled concerns through a stitch, a knot, a braid, through the warp and the weft. These artists defy traditional expectations of textiles, embracing abstraction or figuration to push the boundaries of the medium. They draw on its material history to reveal ideas relating to gender, labour, value, ecology, ancestral knowledge, and histories of oppression, extraction and trade.
Rather than dictating a chronological history of fibre art, the exhibition is organised in thematic dialogues between artists — across both generations and geographies — to explore how artists have embraced textiles to critique or push up against regimes of power. Some artists work alone with solitary, near-meditative practices, while others reflect the shared approach that the medium often invites, working with collaborators in acts of community and solidarity. Spanning intimate hand-crafted pieces to large-scale sculptural installations, these artworks communicate multi-layered stories about lived experience, invoking the vital issues embedded in fibre and thread.
[*Barbican Centre]
Taken at the Barbican Centre
Image copyright
PAUL ELLIS/AFP VIA GETTY IMAGES
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Johan Tahon I UMARMUNG I REDRAWING THE LINES I 11.10.2022–08.01.2023 I Vernissage I Foto: Jannis Mattar
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Yinka Shonibare CBE RA
Mannequin, Dutch wax printed cotton textile and globe
Shonibare references the history of brightly coloured Dutch wax fabrics to comment on colonisation, hybridity, and authenticity. The fabric originated in Indonesia before being produced by the Dutch in Manchester and sold for mass consumption in Africa. He began using the material in the 1990s after one of his teachers commented that Shonibare, an artist of African origin, was not making ‘authentic’ African art.
Boy on a Globe addresses the ways in which humanity has exerted power over the world it occupies, often with disastrous consequences. The globe, yellow in tone and reddening in certain sections to indicate warming, is a dual symbol for environmental disaster and the redrawing of territory under Empire. The boy is perilously perched, as though about to fall. This sense of precarity offers a visual manifestation of the deconstruction of colonisation and empire, countering the ideas of stability and linear, forward progression that justified colonial missions.*
From the exhibition
Unravel: The Power and Politics of Textiles in Art
(February – May 2024)
Textiles are vital to our lives. We are swaddled in them when we’re born, we wrap our bodies in them every day, and we’re shrouded in them when we die.
What does it mean to imagine a needle, a loom or a garment as a tool of resistance? How can textiles unpack, question, unspool, unravel and therefore reimagine the world around us?
Since the 1960s, textiles have become increasingly present in artistic practices for subversive ends. This is significant as the medium has been historically undervalued within the hierarchies of Western art history. Textiles have been considered ‘craft’ in opposition to definitions of ‘fine art’, gendered as feminine and marginalised by scholars and the art market. The 50 international artists in this show challenge these classifications, harnessing the medium to speak powerfully about intimate, everyday stories as well as wider socio-political narratives, teasing out these entangled concerns through a stitch, a knot, a braid, through the warp and the weft. These artists defy traditional expectations of textiles, embracing abstraction or figuration to push the boundaries of the medium. They draw on its material history to reveal ideas relating to gender, labour, value, ecology, ancestral knowledge, and histories of oppression, extraction and trade.
Rather than dictating a chronological history of fibre art, the exhibition is organised in thematic dialogues between artists — across both generations and geographies — to explore how artists have embraced textiles to critique or push up against regimes of power. Some artists work alone with solitary, near-meditative practices, while others reflect the shared approach that the medium often invites, working with collaborators in acts of community and solidarity. Spanning intimate hand-crafted pieces to large-scale sculptural installations, these artworks communicate multi-layered stories about lived experience, invoking the vital issues embedded in fibre and thread.
[*Barbican Centre]
Taken at the Barbican Centre
A workshop organized by the Religious Studies Department, Armacost Library, MSGIS and CSS, with funding from the Wabash Center
A workshop organized by the Religious Studies Department, Armacost Library, MSGIS and CSS, with funding from the Wabash Center
A workshop organized by the Religious Studies Department, Armacost Library, MSGIS and CSS, with funding from the Wabash Center