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The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1350 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi His highness Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 6 million visitors annually.

 

THE ROYAL LINEAGE

Mummadi Krishnaraja Wadiyar was Maharaja from 1799 to 1868. After the fall of Tipu Sultan he made Mysore his capital in May 1799 and focused on education, religious sites and donating jewels to temples including Melkote. Chamaraja Wadiyar was coronated on September 23, 1868, at the age of five. He was anointed king on the date fixed by the Governor General. He is credited with founding India's first democratic institutions with the Mysore representative assembly in 1881. Nalwadi Krishnaraja Wadiyar was Maharaja from 1895 to 1940 He was also called the Saint King by Mahatma Gandhi. Assisted by dewans Sir M Visvesvaraya and Sir Mirza Ismail, he changed Mysore by adding Asia's first hydro electric project at Shivanasamudra, the KRS dam and the University of Mysore in 1916. Jayachamaraja Wadiyar was the twenty fifth and the last king, reining from 1940 to 1950, when he agreed to merge the state with the union of India. A musicologist and a philanthropist, he was named Raj Parmukh of Mysore from Jan 26, 1950, a post he held for six years. The present Maharaja is Yaduveera, who was adopted by his aunt.

 

MYSORE

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dashera festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

The palace is an excellent combination of Indo-Saracenic architecture and features a number of unique rooms.

 

AMBAVILASA

This room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

Kalyana Mantapa

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

Other rooms

 

The palace houses several rooms of importance. These include:

 

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions.

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to

Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITORS INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

ACQUISITION

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

WIKIPEDIA

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1350 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi His highness Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 6 million visitors annually.

 

THE ROYAL LINEAGE

Mummadi Krishnaraja Wadiyar was Maharaja from 1799 to 1868. After the fall of Tipu Sultan he made Mysore his capital in May 1799 and focused on education, religious sites and donating jewels to temples including Melkote. Chamaraja Wadiyar was coronated on September 23, 1868, at the age of five. He was anointed king on the date fixed by the Governor General. He is credited with founding India's first democratic institutions with the Mysore representative assembly in 1881. Nalwadi Krishnaraja Wadiyar was Maharaja from 1895 to 1940 He was also called the Saint King by Mahatma Gandhi. Assisted by dewans Sir M Visvesvaraya and Sir Mirza Ismail, he changed Mysore by adding Asia's first hydro electric project at Shivanasamudra, the KRS dam and the University of Mysore in 1916. Jayachamaraja Wadiyar was the twenty fifth and the last king, reining from 1940 to 1950, when he agreed to merge the state with the union of India. A musicologist and a philanthropist, he was named Raj Parmukh of Mysore from Jan 26, 1950, a post he held for six years. The present Maharaja is Yaduveera, who was adopted by his aunt.

 

MYSORE

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dashera festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

The palace is an excellent combination of Indo-Saracenic architecture and features a number of unique rooms.

 

AMBAVILASA

This room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

Kalyana Mantapa

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

Other rooms

 

The palace houses several rooms of importance. These include:

 

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions.

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to

Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITORS INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

ACQUISITION

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

WIKIPEDIA

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1399 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 3 million visitors annually.

 

HISTORY

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Royal Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Sri Sir Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Sri Sir Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

 

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now working as the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति कदाचन" (never terrified).

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dasara festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

Mysore Palace is one of the most magnificent buildings. It is a sight not to be missed when it is illuminated on Sundays and festive occasions. The interior of the Palace is equally worth a visit, for its spacious halls, paintings and architectural beauty. The palace is an excellent combination of Indo-Saracenic architecture.

 

AMBAVILASA

This spectacular room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (DOLL`S PAVILION)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

KALYANA MANTAPA

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

 

OTHER ROOMS

The palace houses several rooms of importance. These include:

 

- The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions

- An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITOR INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

WIKIPEDIA

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1350 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi His highness Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 6 million visitors annually.

 

THE ROYAL LINEAGE

Mummadi Krishnaraja Wadiyar was Maharaja from 1799 to 1868. After the fall of Tipu Sultan he made Mysore his capital in May 1799 and focused on education, religious sites and donating jewels to temples including Melkote. Chamaraja Wadiyar was coronated on September 23, 1868, at the age of five. He was anointed king on the date fixed by the Governor General. He is credited with founding India's first democratic institutions with the Mysore representative assembly in 1881. Nalwadi Krishnaraja Wadiyar was Maharaja from 1895 to 1940 He was also called the Saint King by Mahatma Gandhi. Assisted by dewans Sir M Visvesvaraya and Sir Mirza Ismail, he changed Mysore by adding Asia's first hydro electric project at Shivanasamudra, the KRS dam and the University of Mysore in 1916. Jayachamaraja Wadiyar was the twenty fifth and the last king, reining from 1940 to 1950, when he agreed to merge the state with the union of India. A musicologist and a philanthropist, he was named Raj Parmukh of Mysore from Jan 26, 1950, a post he held for six years. The present Maharaja is Yaduveera, who was adopted by his aunt.

 

MYSORE

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dashera festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

The palace is an excellent combination of Indo-Saracenic architecture and features a number of unique rooms.

 

AMBAVILASA

This room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

Kalyana Mantapa

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

Other rooms

 

The palace houses several rooms of importance. These include:

 

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions.

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to

Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITORS INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

ACQUISITION

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

WIKIPEDIA

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1350 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi His highness Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 6 million visitors annually.

 

THE ROYAL LINEAGE

Mummadi Krishnaraja Wadiyar was Maharaja from 1799 to 1868. After the fall of Tipu Sultan he made Mysore his capital in May 1799 and focused on education, religious sites and donating jewels to temples including Melkote. Chamaraja Wadiyar was coronated on September 23, 1868, at the age of five. He was anointed king on the date fixed by the Governor General. He is credited with founding India's first democratic institutions with the Mysore representative assembly in 1881. Nalwadi Krishnaraja Wadiyar was Maharaja from 1895 to 1940 He was also called the Saint King by Mahatma Gandhi. Assisted by dewans Sir M Visvesvaraya and Sir Mirza Ismail, he changed Mysore by adding Asia's first hydro electric project at Shivanasamudra, the KRS dam and the University of Mysore in 1916. Jayachamaraja Wadiyar was the twenty fifth and the last king, reining from 1940 to 1950, when he agreed to merge the state with the union of India. A musicologist and a philanthropist, he was named Raj Parmukh of Mysore from Jan 26, 1950, a post he held for six years. The present Maharaja is Yaduveera, who was adopted by his aunt.

 

MYSORE

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dashera festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

The palace is an excellent combination of Indo-Saracenic architecture and features a number of unique rooms.

 

AMBAVILASA

This room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

Kalyana Mantapa

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

Other rooms

 

The palace houses several rooms of importance. These include:

 

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions.

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to

Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITORS INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

ACQUISITION

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

WIKIPEDIA

Shivaji maharaj wallaper, shivaji wallpaper, shivaji jayanti, shiv jayanti

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1350 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi His highness Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 6 million visitors annually.

 

THE ROYAL LINEAGE

Mummadi Krishnaraja Wadiyar was Maharaja from 1799 to 1868. After the fall of Tipu Sultan he made Mysore his capital in May 1799 and focused on education, religious sites and donating jewels to temples including Melkote. Chamaraja Wadiyar was coronated on September 23, 1868, at the age of five. He was anointed king on the date fixed by the Governor General. He is credited with founding India's first democratic institutions with the Mysore representative assembly in 1881. Nalwadi Krishnaraja Wadiyar was Maharaja from 1895 to 1940 He was also called the Saint King by Mahatma Gandhi. Assisted by dewans Sir M Visvesvaraya and Sir Mirza Ismail, he changed Mysore by adding Asia's first hydro electric project at Shivanasamudra, the KRS dam and the University of Mysore in 1916. Jayachamaraja Wadiyar was the twenty fifth and the last king, reining from 1940 to 1950, when he agreed to merge the state with the union of India. A musicologist and a philanthropist, he was named Raj Parmukh of Mysore from Jan 26, 1950, a post he held for six years. The present Maharaja is Yaduveera, who was adopted by his aunt.

 

MYSORE

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dashera festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

The palace is an excellent combination of Indo-Saracenic architecture and features a number of unique rooms.

 

AMBAVILASA

This room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

Kalyana Mantapa

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

Other rooms

 

The palace houses several rooms of importance. These include:

 

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions.

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to

Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITORS INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

ACQUISITION

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

WIKIPEDIA

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1399 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 3 million visitors annually.

 

HISTORY

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Royal Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Sri Sir Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Sri Sir Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

 

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now working as the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति कदाचन" (never terrified).

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dasara festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

Mysore Palace is one of the most magnificent buildings. It is a sight not to be missed when it is illuminated on Sundays and festive occasions. The interior of the Palace is equally worth a visit, for its spacious halls, paintings and architectural beauty. The palace is an excellent combination of Indo-Saracenic architecture.

 

AMBAVILASA

This spectacular room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (DOLL`S PAVILION)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

KALYANA MANTAPA

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

 

OTHER ROOMS

The palace houses several rooms of importance. These include:

 

- The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions

- An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITOR INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

WIKIPEDIA

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1350 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi His highness Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 6 million visitors annually.

 

THE ROYAL LINEAGE

Mummadi Krishnaraja Wadiyar was Maharaja from 1799 to 1868. After the fall of Tipu Sultan he made Mysore his capital in May 1799 and focused on education, religious sites and donating jewels to temples including Melkote. Chamaraja Wadiyar was coronated on September 23, 1868, at the age of five. He was anointed king on the date fixed by the Governor General. He is credited with founding India's first democratic institutions with the Mysore representative assembly in 1881. Nalwadi Krishnaraja Wadiyar was Maharaja from 1895 to 1940 He was also called the Saint King by Mahatma Gandhi. Assisted by dewans Sir M Visvesvaraya and Sir Mirza Ismail, he changed Mysore by adding Asia's first hydro electric project at Shivanasamudra, the KRS dam and the University of Mysore in 1916. Jayachamaraja Wadiyar was the twenty fifth and the last king, reining from 1940 to 1950, when he agreed to merge the state with the union of India. A musicologist and a philanthropist, he was named Raj Parmukh of Mysore from Jan 26, 1950, a post he held for six years. The present Maharaja is Yaduveera, who was adopted by his aunt.

 

MYSORE

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dashera festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

The palace is an excellent combination of Indo-Saracenic architecture and features a number of unique rooms.

 

AMBAVILASA

This room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

Kalyana Mantapa

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

Other rooms

 

The palace houses several rooms of importance. These include:

 

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions.

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to

Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITORS INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

ACQUISITION

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

WIKIPEDIA

A minimalistic poster of Bhagat Singh, Sukhdev & Rajguru who laid down their lives for a bigger cause, their motherland's freedom...

 

‘When power is misused, it translates into violence; but when it is used for achieving one's Righteous goals, it amounts to justice.’ This revolutionary ideology was stated by the great revolutionary Bhagat Singh. ‘Any sacrifice will be inadequate to accomplish the greatest aim of freeing the motherland’, was the inspiring outlook of Bhagat Singh, Sukhdev and Rajguru, his associates in the freedom fight. Today is the day when these three great revolutionaries laid down their lives in their effort to achieve their goal !

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1350 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi His highness Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 6 million visitors annually.

 

THE ROYAL LINEAGE

Mummadi Krishnaraja Wadiyar was Maharaja from 1799 to 1868. After the fall of Tipu Sultan he made Mysore his capital in May 1799 and focused on education, religious sites and donating jewels to temples including Melkote. Chamaraja Wadiyar was coronated on September 23, 1868, at the age of five. He was anointed king on the date fixed by the Governor General. He is credited with founding India's first democratic institutions with the Mysore representative assembly in 1881. Nalwadi Krishnaraja Wadiyar was Maharaja from 1895 to 1940 He was also called the Saint King by Mahatma Gandhi. Assisted by dewans Sir M Visvesvaraya and Sir Mirza Ismail, he changed Mysore by adding Asia's first hydro electric project at Shivanasamudra, the KRS dam and the University of Mysore in 1916. Jayachamaraja Wadiyar was the twenty fifth and the last king, reining from 1940 to 1950, when he agreed to merge the state with the union of India. A musicologist and a philanthropist, he was named Raj Parmukh of Mysore from Jan 26, 1950, a post he held for six years. The present Maharaja is Yaduveera, who was adopted by his aunt.

 

MYSORE

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dashera festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

The palace is an excellent combination of Indo-Saracenic architecture and features a number of unique rooms.

 

AMBAVILASA

This room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

Kalyana Mantapa

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

Other rooms

 

The palace houses several rooms of importance. These include:

 

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions.

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to

Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITORS INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

ACQUISITION

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

WIKIPEDIA

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1399 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 3 million visitors annually.

 

HISTORY

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Royal Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Sri Sir Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Sri Sir Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

 

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now working as the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति कदाचन" (never terrified).

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dasara festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

Mysore Palace is one of the most magnificent buildings. It is a sight not to be missed when it is illuminated on Sundays and festive occasions. The interior of the Palace is equally worth a visit, for its spacious halls, paintings and architectural beauty. The palace is an excellent combination of Indo-Saracenic architecture.

 

AMBAVILASA

This spectacular room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (DOLL`S PAVILION)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

KALYANA MANTAPA

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

 

OTHER ROOMS

The palace houses several rooms of importance. These include:

 

- The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions

- An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITOR INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

WIKIPEDIA

..................WITHOUT FEAR, WITHOUT A TEAR...............

SARDAR BHAGAT SINGH............

Sardar Bhagat Singh [1907-1931] is one of the early martyrs of India during India's freedom struggle. On April 8, 1929 Bhagat Singh and another revolutionary of his time put a bomb in the Central Legislative Assembly in Delhi. Bhagat Singh was arrested and along with Rajguru and Sukhdev, hanged to death in Lahore Central Jail on March 23, 1931 one day before the appointed day i.e 24th March. On Bhagat Singh's martyrdom, Mahatma Gandhi said : "It has increased our power for winning freedom." Pandit Jawaharlal Nehru observed that Bhagat Singh and comrades, who showed 'magnificent courage and sacrifice', had been an inspiration to the youth of India. Bhagat Singh was a socialist and republican. He was full of sympathy for the labour. It was his conviction that India could be liberated through revolution. He was the first Indian revolutionary who shouted the slogan 'Inquilab Zindabad'. He edited two or three journals which carried the message of revolution.

  

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1350 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi His highness Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 6 million visitors annually.

 

THE ROYAL LINEAGE

Mummadi Krishnaraja Wadiyar was Maharaja from 1799 to 1868. After the fall of Tipu Sultan he made Mysore his capital in May 1799 and focused on education, religious sites and donating jewels to temples including Melkote. Chamaraja Wadiyar was coronated on September 23, 1868, at the age of five. He was anointed king on the date fixed by the Governor General. He is credited with founding India's first democratic institutions with the Mysore representative assembly in 1881. Nalwadi Krishnaraja Wadiyar was Maharaja from 1895 to 1940 He was also called the Saint King by Mahatma Gandhi. Assisted by dewans Sir M Visvesvaraya and Sir Mirza Ismail, he changed Mysore by adding Asia's first hydro electric project at Shivanasamudra, the KRS dam and the University of Mysore in 1916. Jayachamaraja Wadiyar was the twenty fifth and the last king, reining from 1940 to 1950, when he agreed to merge the state with the union of India. A musicologist and a philanthropist, he was named Raj Parmukh of Mysore from Jan 26, 1950, a post he held for six years. The present Maharaja is Yaduveera, who was adopted by his aunt.

 

MYSORE

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dashera festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

The palace is an excellent combination of Indo-Saracenic architecture and features a number of unique rooms.

 

AMBAVILASA

This room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

Kalyana Mantapa

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

Other rooms

 

The palace houses several rooms of importance. These include:

 

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions.

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to

Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITORS INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

ACQUISITION

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

WIKIPEDIA

Ludhiana ( Khanna ) 14 December 2013 -

the northern region workshop on Statue of Unity – 182 mts high statue of Iron Man of India Sardar Vallabh Bhai Patel – was held at the auditorium of sector 37-A at Law Bhawan in Chandigarh. At village Jargari, Ex- Sarpanch Baldev Singh Jargari's residence, talking with Daily Ajit correspond, BJP Kisan Morcha National Secretary and Member Iron collection committee of Punjab Sukhminderpal Singh Grewal said told that in that workshop trained volunteers, upon party workers as well people of society to contribute towards erecting a symbol of unity. He said that it's for harmony, which will also be memorial to the greatest leader Sardar Patel. He said that the ruling Congress had always promoted the Gandhi family and never allowed the likes of legendary Sardar Patel, Bhagat Singh, Rajguru, Sukhdev and others to come forward. Grewal said that their martyrdom's was not cherished due to the first Prime Minister of India Pandit Jawahar Lal Nehru not shook hands with foreign powers, thousands of valuable lives in Jammu & Kashmir could have been saved. He said it is due to the Congress policies that the farmer of an agrarian economy is missing from the national agenda and in lieu of feeding the nation he is being ignored. Grewal said that BJP prime ministerial candidate and Chief Minister Gujarat Narendra Modi’s efforts are making it possible for the farmer's issues get National center stage. Grewal said the picture of Sardar Patel was put up in parliament after 40 years of Indian independence due to the initiative of NDA government and now due to BJP’s efforts a huge memorial "Statue of Unity" is being built in his memory. He said that Statue of Unity was an apolitical project, which aims at binding India into a harmony for development, the feeling of belongingness and self respect is important. Grewal said that the Statue of Unity will give these feelings to the people of nation. He said that this initiative of Narendra Modi has taken form of a campaign. Narendra Modi’s dream is to ensure equal development in the entire nation and the initiative to associate entire country with this project will be a successful venture. Grewal appealed everyone to take part in the Peace Run and Walk on December 15 across the country.

 

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1350 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi His highness Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 6 million visitors annually.

 

THE ROYAL LINEAGE

Mummadi Krishnaraja Wadiyar was Maharaja from 1799 to 1868. After the fall of Tipu Sultan he made Mysore his capital in May 1799 and focused on education, religious sites and donating jewels to temples including Melkote. Chamaraja Wadiyar was coronated on September 23, 1868, at the age of five. He was anointed king on the date fixed by the Governor General. He is credited with founding India's first democratic institutions with the Mysore representative assembly in 1881. Nalwadi Krishnaraja Wadiyar was Maharaja from 1895 to 1940 He was also called the Saint King by Mahatma Gandhi. Assisted by dewans Sir M Visvesvaraya and Sir Mirza Ismail, he changed Mysore by adding Asia's first hydro electric project at Shivanasamudra, the KRS dam and the University of Mysore in 1916. Jayachamaraja Wadiyar was the twenty fifth and the last king, reining from 1940 to 1950, when he agreed to merge the state with the union of India. A musicologist and a philanthropist, he was named Raj Parmukh of Mysore from Jan 26, 1950, a post he held for six years. The present Maharaja is Yaduveera, who was adopted by his aunt.

 

MYSORE

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dashera festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

The palace is an excellent combination of Indo-Saracenic architecture and features a number of unique rooms.

 

AMBAVILASA

This room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

Kalyana Mantapa

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

Other rooms

 

The palace houses several rooms of importance. These include:

 

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions.

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to

Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITORS INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

ACQUISITION

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

WIKIPEDIA

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1350 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi His highness Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 6 million visitors annually.

 

THE ROYAL LINEAGE

Mummadi Krishnaraja Wadiyar was Maharaja from 1799 to 1868. After the fall of Tipu Sultan he made Mysore his capital in May 1799 and focused on education, religious sites and donating jewels to temples including Melkote. Chamaraja Wadiyar was coronated on September 23, 1868, at the age of five. He was anointed king on the date fixed by the Governor General. He is credited with founding India's first democratic institutions with the Mysore representative assembly in 1881. Nalwadi Krishnaraja Wadiyar was Maharaja from 1895 to 1940 He was also called the Saint King by Mahatma Gandhi. Assisted by dewans Sir M Visvesvaraya and Sir Mirza Ismail, he changed Mysore by adding Asia's first hydro electric project at Shivanasamudra, the KRS dam and the University of Mysore in 1916. Jayachamaraja Wadiyar was the twenty fifth and the last king, reining from 1940 to 1950, when he agreed to merge the state with the union of India. A musicologist and a philanthropist, he was named Raj Parmukh of Mysore from Jan 26, 1950, a post he held for six years. The present Maharaja is Yaduveera, who was adopted by his aunt.

 

MYSORE

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dashera festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

The palace is an excellent combination of Indo-Saracenic architecture and features a number of unique rooms.

 

AMBAVILASA

This room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

Kalyana Mantapa

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

Other rooms

 

The palace houses several rooms of importance. These include:

 

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions.

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to

Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITORS INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

ACQUISITION

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

WIKIPEDIA

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Aaditi Pohankar; Aahana Kumra; Aakanksha Singh; Aamna Sharif; Aanchal Munjal; Aarathi; Aarti Agarwal; Aarti Chhabria; Aashka Goradia; Abhirami; Adah Sharma; Aditi Arya; Aditi Ravi; Aditi Sharma; Aditi Govitrikar; Aditi Rao Hydari; Aditi Sarangdhar; Advani Lakshmi Devi; Ahaana Krishna; Ahsaas Channa; Aindrita Ray; Aisha Sharma; Aishwarya; Aishwarya Arjun; Aishwarya Devan; Aishwarya Nag; Aishwarya Rai Bachchan; Aishwarya Rajesh; Aishwarya Sakhuja; Akanksha Juneja; Aksha Pardasany; Akshara Gowda; Akshara Haasan; Akshara Menon; Alia Bhatt; Alaya Furniturewala; Amala Akkineni; Amala Paul; Ambika; Ameeta; Ameesha Patel; Amoolya; Amrita Arora; Amrita Prakash; Amrita Puri; Amrita Rao; Amrita Raichand; Amrita Singh; Amrutha Iyengar; Amruta Khanvilkar; Amruta Subhash; Amyra Dastur; Amy Jackson; Anaika Soti; Ananya; Ananya Panday; Ananya Kasaravalli; Anaswara Kumar; Anaswara Rajan; Andrea Jeremiah; Andria D'Souza; Anindita Nayar; Angira Dhar; Annie; Anita Hassanandani Reddy; Anita Guha; Anita Raj; Anjala Zhaveri; Anjali; Anjali Devi; Anjali Sudhakar; Anjana Bhowmick; Anjana Sukhani; Anju Mahendru; Ankita Lokhande; Ann Augustine; Ansiba Hassan; Antara Mali; Anu Agarwal; Anu Prabhakar; Anu Sithara; Anupama Parameswaran; Anupriya Goenka; Anuradha Mehta; Anurita Jha; Anusha Dandekar; Anushka Ranjan; Anushka Sen; Anushka Sharma; Anushka Shetty; Anuya Bhagvath; Anya Singh; Aparajita Mohanty; Aparnaa Bajpai; Aparna Balamurali; Aparna Sen; Apoorva Arora; Archana; Archana Jose Kavi; Archana Puran Singh; Archana Gupta; Archita Sahu; Aruna Balraj; Aruna Irani; Aruna Shields; Arundathi Nag; Asawari Joshi; Asha Negi; Asha Bhat; Asha Parekh; Asha Saini; Ashima Bhalla; Ashnoor Kaur; Ashwini Bhave; Ashwini Kalsekar; Asin Thottumkal; Athiya Shetty; Athulya Ravi; Ayesha Jhulka; Ayesha Raza; Ayesha Takia; Akanksha Puri; Avani Modi; Avantika Mishra; Avneet Kaur; Auritra Ghosh; B; Babita; Barkha Bisht; Barkha Singh; Bala Hijam; Barsha Priyadarshini; Barsha Rani Bishaya; Beena Banerjee; Bhagyashree Patwardhan; Bhairavi Goswami; Bhama; Bhanumathi; Bhanupriya; Bharathi Vishnuvardhan; Bhargavi Narayan; Bhavana; Bhavana (actress); Bhavana Rao; Bhavani Prakash; Bhavya; Bhoomika Chawla; Bhumi Pednekar; Bijoya Ray; Bianca Desai; Bidita Bag; Bindu; Bindu Madhavi; Bipasha Basu; Bina Rai; Bobby Darling; Bruna Abdullah; B. V. Radha; C; Carol Gracias; Celina Jaitley; Chahat Khanna; Chandrakala; Chandrika; Charmila; Charmy Kaur; Charu Asopa; Chaya Singh; Chetana Das; Chetna Pande; Chhavi Mittal; Chippy; Chithra; Chitrangada Singh; Chitrashi Rawat; Catherine Tresa; Claudia Ciesla; D; Deepti Sati; Daisy Bopanna; Daisy Shah; Daisy Irani; Debashree Roy; Deeksha Seth; Deepa Sahi; Deepa Sannidhi; Deepal Shaw; Deepika Amin; Deepika Chikhalia; Deepika Padukone; Deepti Naval; Deepti Bhatnagar; Delnaaz Paul; Devayani; Devika; Devika Rani Roerich; Dharti Bhatt; Dia Mirza; Diana Hayden; Diana Penty; Digangana Suryavanshi; Dimple Jhangiani; Dimple Kapadia; Dipannita Sharma; Disha Parmar; Disha Patani; Disha Vakani; Divya Bharati; Divya Dutta; Divya Khosla Kumar; Divyanka Tripathi; Drashti Dhami; E; Elli Avram; Esha Deol; Esha Gupta; Ena Saha; Eesha Rebba; Evelyn Sharma; Elina Samantray; Erica Fernandes; F; Farah Naaz; Farida Jalal; Fatima Sana Shaikh; Fatma Begum; Freida Pinto; Feryna Wazheir; G; Gabriela Bertante; Gajala; Gauahar Khan; Gauri Karnik; Gautami; Gayathri Raguram; Gayathrie; Gayatri; Gayatri Jayaraman; Gayatri Joshi; Gayatri Patel; Geeta Bali; Geeta Basra; Geeta Dutt; Geetanjali Thapa; Geetha; Geetu Mohandas; Genelia D'Souza; Girija; Girija Lokesh; Girija Shettar; Giselli Monteiro; Gopika; Gowri Pandit; Gowri Munjal; Gul Panag; Gunjan Malhotra; H; Hansika Motwani; Harini; Haripriya; Harshika Poonacha; Hasleen Kaur; Hazel Keech; Heera Rajagopal; Helen; Hema Bellur; Hema Prabhath; Hema Malini; Honey Rose; Hrishitaa Bhatt; Huma Qureshi; Humaima Malik; Hebah Patel; Hina Khan; Hiba Nawab; I; Ilene Hamann; Indrani Haldar; Iniya; Iravati Harshe; Isha Chawla; Isha Sharvani; Isha Koppikar; Isha Talwar; Ishita Dutta; Ishita Raj Sharma; Izabelle Leite; Ileana D'Cruz; J; Jacqueline Fernandez; Jannat Zubair Rahmani; Janhvi Kapoor; Jasmin Bhasin; Jayabharathi; Jayachitra; J. Jayalalithaa; Jaya Bachchan; Jaya Prada; Jaya Seal; Jayasudha; Jayamala; Jayamalini; Jennifer Kotwal; Jennifer Winget; Jharana Bajracharya; Jhataleka Malhotra; Jiya Khan; Jugnu Ishiqui; Juhi Chawla; Juhi Babbar; Jyothika; Jonita Gandhi; K; Kainaat Arora; Kajal Aggarwal; Kajal Kiran; Kajjanbai; Kajol; Kalki Koechlin; Kalpana (Kannada actress); Kalpana (Hindi Film actress); Kalpana (Malayalam actress); Kalpana Iyer; Kalpana Kartik; Kalyani Priyadarshan; Kamini Kaushal; Kamini Kadam; Kamalinee Mukherjee; Kamna Jethmalani; Kanaka; Kanakam; Kanchana; Kangana Ranaut; Kanika Subramaniam; Kareena Kapoor; Karishma Kapoor; Karishma Kotak; Karishma Sharma; Karishma Tanna; Karunya Ram; Karthika Mathew; Karthika Nair; Katrina Kaif; Kashmira Irani; Kashmira Shah; Kausalya; Kaviyoor Ponnamma; Kavya Madhavan; Keerthi Reddy; Keerthi Suresh; Khushali Kumar; Kiara Advani; Kimi Katkar; Kimi Verma; Kim Sharma; Kim Yashpal; Kiran Rathod; Kirron Kher; Kirat Bhattal; Kiran Juneja; Kirti Kulhari; Kitu Gidwani; Koel Mallick; Koel Purie; Koena Mitra; Komal; Komal Jha; Konkona Sen Sharma; K. R. Vijaya; Krishna Kumari; Kranti Redkar; Kriti Kharbanda; Kriti Sanon; Kritika Kamra; Krystle D'Souza; Kubbra Sait; Khushbu Sundar; Kumari; Kumkum; Kuljeet Randhawa; Kulraj Randhawa; Kyra Dutt; L; Laila Mehdin; Lalita Pawar Zayn; Lalitha (KPAC); Lalitha; Lara Dutta; Lakshmi; Lakshmi Chandrashekar; Lakshmidevi; Laxmi Chhaya; Lakshmi Gopalaswamy; Lakshmi Manchu; Lakshmi Menon; Lakshmi Rai; Latha; Lauren Gottlieb; Lavanya Tripathi; Laya; Leela Chitnis; Leelavathi; Leena Chandavarkar; Leena Jumani; Lekha Washington; Lena; Leslie Tripathy; Lilette Dubey; Lisa Ray; Lisa Haydon; M; Madhavi; Madhubala; Madhumitha; Madhuri Bhattacharya; Madhuri Dixit; Madhuri Itagi; Madhurima Tuli; Madhuurima; Madhu Shalini; Madhura Naik; Madonna Sebastian; Mahasweta Ray; Mahalakshmi; Mahek Chahal; Mahie Gill; Mahika Sharma; Mahima Chaudhry; Mahira Khan; Mahua Roychoudhury; Mala Sinha; Malashri; Malavika; Malaika Arora; Malavika Avinash; Malavika Mohanan; Malavika Nair; Malavika Nair; Malavika Wales; Mallika Kapoor; Mallika Sherawat; Mamta Kulkarni; Mamta Mohandas; Mansi Parekh; Manasvi Mamgai; Mandakini; Mandana Karimi; Mandira Bedi; Manini Mishra; Manisha Koirala; Manjari Phadnis; Manjima Mohan; Manju Bhargavi; Manju Warrier; Manjula; Manjula Vijayakumar; Manorama; Mantra; Manushi Chhillar; Manya; Masumeh Makhija; Mawra Hocane; Mayuri Kango; Meena; Meena Kumari; Meenakshi; Meenakshi; Meenakshi Dixit; Meenakshi Seshadri; Meera; Meera Chopra; Meera Jasmine; Meera Nandan; Meera Syal; Meera Vasudevan; Mehreen Pirzada; Megha Akash; Meghana Gaonkar; Meghna Naidu; Meghana Raj; Meher Vij; Merle Oberon; Mia Uyeda; Minissha Lamba; Mini Mathur; Mink Brar; Mita Vashisht; Mishti; Mithila Palkar; Mithra Kurian; Moloya Goswami; Momal Sheikh; Monalisa; Mona Singh; Monali Thakur; Monica; Monica Bedi; Monisha Unni; Moon Moon Sen; Mouni Roy; Moushumi Chatterji; Mrinal Dev-Kulkarni; Mrinalini Sharma; Mrunal Thakur; Mrunmayee Deshpande; Mukta Barve; Mumaith Khan; Mumtaj; Mumtaz Shanti; Mumtaz; Mumtaz Sorcar; Mugdha Godse; Munmun Dutta; Mugdha Chaphekar; Muskaan Mihani; Mynavathi; N; Nadira; Nadiya Moidu; Nagma; Nalini; Nalini Jaywant; Namrata Shirodkar; Namrata Thapa; Namitha; Namitha Pramod; Nanda; Nandana Sen; Nandita Chandra; Nandita Swetha; Nandita Das; Nargis (Now Nargis Dutt); Nargis Fakhri; Nathalia Kaur; Nauheed Cyrusi; Nausheen Sardar Ali; Navaneet Kaur; Navneet Kaur Dhillon; Navya Nair; Nayanthara; Nazriya Nazim; Neelam; Neelam Verma; Neelima Azeem; Neena Gupta; Neena Kulkarni; Neha Bamb; Neha Dhupia; Neha Hinge; Neha Khan; Neha Mahajan; Neha Oberoi; Neha Sharma; Neeru Bajwa; Neethu; Neetu Chandra; Neetu Singh; Nethra Raghuraman; Nia Sharma; Nicolette Bird; Nidhhi Agerwal; Nidhi Subbaiah; Niharika Konidela; Niharika Singh; Niharica Raizada; Nikesha Patel; Niki Aneja; Nikita Anand; Nikita J Palekar; Nikita Dutta; Nikita Thukral; Nikki Galrani; Nila (alias for Meera Chopra); Nimisha Sajayan; Nimmi; Nirmala Chennappa; Nirupa Roy; Misscat Mita; Nirmalamma; Nirosha; Nisha Agarwal; Nisha Kothari; Nisha Ravikrishnan; Nishi; Nishita Goswami; Nithya Das; Nithya Menen; Nivedita Jain; Nivedita Joshi Saraf; Nivetha Thomas; Nivetha Pethuraj; Noor Jehan; Nora Fatehi[1]; Nutan; Nimrat Kaur; Nushrat Bharucha; Nathalia Kaur; Nyla Usha; O; Oviya Helen; P; Padmapriya; Padma Khanna; Padma Kumta; Padma Lakshmi; Padma Vasanthi; Padmaja Rao; Padmini Kolhapure; Padmini; Padmavati Rao; Pallavi Joshi; Pallavi Kulkarni; Pallavi Subhash; Pallavi Sharda; Panchi Bora; Pandari Bai; Pankhuri Awasthy; Pakhi Tyrewala; Paoli Dam; Parineeti Chopra; Parminder Nagra; Parul Chauhan; Parul Gulati; Parul Yadav; Parvathy Jayaram; Parvathy Nair; Parvathy Omanakuttan; Parvati Melton; Parvathy Thiruvothu; Parveen Babi; Patience Cooper; Patralekha; Payal Rohatgi; Payel Sarkar; Payal Ghosh; Perizaad Zorabian; Pia Bajpai; Plabita Borthakur; Pooja Batra; Pooja Bedi; Pooja Bhatt; Pooja Chopra; Pooja Gandhi; Pooja Gor; Pooja Hegde; Pooja Kanwal; Pooja Lokesh; Pooja Sawant; Pooja Umashankar; Poonam Bajwa; Poonam Dhillon; Poonam Kaur; Poonam Pandey; Poornima Bhagyaraj; Prayaga Martin; Prachi Desai; Prachi Shah; Pramila Joshai; Pratibha Sinha; Pranitha Subhash; Prarthana Behere; Preetha Vijayakumar; Preeti Jhangiani; Preity Zinta; Prema; Prema Narayan; Priti Sapru; Priya Anand; Priya Bapat; Priya Gill; Priya Lal; Priya Raman; Priya Rajvansh; Priya Bhavani Shankar; Priya Wal; Priyamani; Priyanka Bassi; Priyanka Chopra Jonas; Priyanka Arul Mohan; Priyanka Nair; Priyanka Trivedi; Preetika Rao; Puja Gupta; Puja Banerjee; Purbi Joshi; R; Raakhee (Now Raakhi Gulzar); Radhika Apte; Radhika Madan; Raadhika Sarathkumar; Rachana Narayanankutty; Rachna Banerjee; Radha; Radha Saluja; Radhika Chaudhari; Radhika Kumaraswamy; Radhika Pandit; Ragini Travancore Sisters; Ragini Dwivedi; Ragini Khanna; Raima Sen; Rajisha Vijayan; Rajshree; Rajshri Deshpande; Rakhi Sawant; Rakul Preet Singh; Rakshita; Raashi Khanna; Rambha; Rameshwari; Ranjeeta Kaur; Ranjitha; Rajini; Rani Mukerji; Ramya; Ramya Barna; Ramya Krishnan; Ramya Sri; Ramya Nambaseean; Rashi Khanna; Rashi Mal; Rashmi; Rashmi Desai; Rashmi Gautam; Rashmika Mandanna; Ratan Rajput; Rati Agnihotri; Rati Pandey; Ratna Pathak Shah; Raveena Tandon; Reena Roy; Reema Lagoo; Reema Sen; Regina Cassandra; Rekha; Rekha; also known as Josephine; Rekha Das; Rekha Rana; Rekha Vedavyas; Reenu Mathews; Renuka Menon; Renukamma Murugodu; Renuka Shahane; Revathi; Rhea Chakraborty; Richa Ahuja; Richa Chaddha; Richa Gangopadhyay; Richa Pallod; Richa Panai; Richa Sharma; Ridhi Dogra; Rima Kallingal; Rimi Sen; Rimi Tomy; Rinke Khanna; Rinku Rajguru; Rita Bhaduri; Ritika Singh; Rituparna Sengupta; Riya Sen; Rohini Hattangadi; Rohini; Roja; Roja Ramani; Roma; Roopa Ganguly; Roopa Iyer; Roshni Chopra; R.T. Rama; Ruby Parihar; Rucha Gujarathi; Rupini; Ranjana Deshmukh; S; Sabitri Chatterjee; Saba Qamar; Saba Azad; Shivaleeka Oberoi; Sobhita Dhulipala; S. Varalakshmi; Sadha; Sadhana Shivdasani; Sagarika Ghatge; Sagarika Mukherjee; Sajal Aly; Sana Althaf; Sana Makbul; Sandhya; Sai Lokur; Saiyami Kher; Samskruthy Shenoy; Samyuktha Hegde; Sandeepa Dhar; Sandhya; Sandhya Mridul; Sandhya Roy; Sanaya Irani; Sanya Malhotra; Saniya Anklesaria; Sanjeeda Sheikh; Sakshi Shivanand; Sakshi Tanwar; Sai Pallavi; Sai Tamhankar; Saira Banu; Salma Agha; Saloni Aswani; Samantha Ruth Prabhu; Samiksha; Sameera Reddy; Samvrutha Sunil; Sana Amin Sheikh; Sana Khan; Sana Saeed; Sanchita Padukone; Sandeepa Dhar; Sangeeta Bijlani; Sandra Amy; Sanober Kabir; Sandali Sinha; Sanghavi; Sanjjanaa; Sanjana Gandhi (now Pooja Gandhi); Santoshi; Sara Ali Khan; Sarah Jane Dias; Sara Loren; Saranya Mohan; Saranya Ponvannan; Sarayu (actress); Sarika; Saritha; Saroja Devi; Satarupa Pyne; Sathyabhama; Saumya Tandon; Savitri; Sayali Bhagat; Sayani Gupta; Sayyeshaa Saigal; Seerat Kapoor; Seema Biswas; Seema Pahwa; Seema Shinde; Seetha; Shabana Azmi; Shalini (Baby Shalini); Shamili (Baby Shamili); Shahana Goswami; Sakshi Tanwar; Sharmila Mandre; Sharmilee; Shibani Dandekar; Shreya Narayan; Shakeela; Shalini Pandey; Shamita Shetty; Shanthamma; Sharmila Tagore; Shashikala; Shazahn Padamsee; Sheeba Chadha; Sheela; Sheela; Sheena Bajaj; Sheena Chohan; Sheena Shahabadi; Shenaz Treasurywala; Sherin; Sherlyn Chopra (Mona Chopra); Shilpa Shetty; Shilpa Shukla; Shilpa Shirodkar; Shilpa Tulaskar; Shilpa Anand; Shilpi Sharma; Shivani Raghuvanshi; Shivangi Joshi; Shreya Dhanwanthary; Shruti Naidu; Shylaja Nag; Shweta Basu Prasad; Shweta Bhardwaj; Shweta Menon; Shweta Gulati; Shweta Tiwari; Shweta Tripathi; Shobhana; Shobhna Samarth; Shraddha Arya; Shraddha Das; Shraddha Kapoor; Shraddha Srinath; Shruthi Haasan; Shruti Sodhi; Shruti; Shruti Seth; Shruti Sharma; Shritha Sivadas; Shriya Saran; Shriya Pilgaonkar; Shriya Sharma; Shubha Poonja; Shyama (Khurshid Akhtar); Shylashri; Sihi Kahi Geetha; Sija Rose; Simi Garewal; Simone Singh; Simple Kapadia; Simple Kaur; Simran Mundi; Simran Bagga; Sindhu; Sindhu Tolani; Sindhu Menon; Silk Smitha; Sithara; Smita Patil; Smriti Irani (Smriti Malhotra); Smriti Kalra; Sneha Ullal; Sneha; Snigdha Akolkar; Soha Ali Khan; Sonakshi Sinha; Sonali Bendre; Sonali Kulkarni; Sonali Raut; Sonalee Kulkarni; Sonal Chauhan; Sonam (actress); Sonam Bajwa; Sonam Kapoor; Sonalika Joshi; Sonarika Bhadoria; Sonia Agarwal; Sonnalli Seygall; Sonu; Sonu Walia; Sophia Chaudhary; Soundarya; Sowcar Janaki; Spruha Joshi; Srabanti Chatterjee; Sridevi (Now Sridevi Kapoor); Sriti Jha; Sri Divya; Srividya; Sripriya; Subbulakshmi; Suchitra; Suchitra Krishnamurthy; Suchitra Pillai; Suchitra Sen; Sunitha / Vidhyasri; Sudha Belawadi; Sudha Chandran; Sudha Rani; Sudha Narasimharaju; Sudipta Chakraborty; Suhasi Goradia Dhami; Suhasini; Sujatha; Sukirti Kandpal; Sukumari; Sulakshana Pandit; Sulochana Devi; Sumalatha; Suman Nagarkar; Suman Ranganathan; Sumithra; Sumitra Devi; Sunaina; Sunny Leone; Surbhi Chandna; Surbhi Jyoti; Supriya Devi; Supriya Karnik; Supriya Pathak; Supriya Pilgaonkar; Supriya Shukla; Suraiya; Surveen Chawla; Suryakantham; Sushma Reddy; Sushmita Sen; Sumalatha; Suvalakshmi; Swati Reddy; Swapna; Swaroop Sampat; Swastika Mukherjee; Swaparja Roy; Srinidhi Shetty; Swara Bhaskar; Suzanna Mukherjee; T; Tabu; Tahira Kochhar; Tanaaz Irani; Tanisha; Tanushree Dutta; Tanuja; Tanu Roy; Tanvi Azmi; Tamannaah Bhatia; Tannishtha Chatterjee; Taapsee Pannu; Tara; Tara Anuradha; Tara Deshpande; Tara D'Souza; Tara Sharma; Tarana Raja; Taruni Sachdev; Tejaswi Madivada; Tena Desae; Tia Bajpai; Tillotama Shome; Tina Munim (now Tina Ambani); Tina Dutta; Tisca Chopra; Tripuramba; Trisha Krishnan; Tulip Joshi; Tun Tun; Twinkle Khanna; Tara Alisha Berry; Tara Sutaria; U; Udhayathara; Udaya Chandrika; Udita Goswami; Ujjwala Raut; Uma; Uma Padmanabhan; Umasashi; Umashree; Usha Chavan; Urmila Matondkar; Urmila Kanitkar; Urvashi; Urvashi Dholakia; Urvashi Sharma; Usha Kiran; Usha Nadkarni; Usha Naik; Ulka Gupta; Upasna Singh; Urvashi Rautela; V; Vaani Kapoor; Vanitha Vijayakumar; Vadivukkarasi; Vaidehi Parashurami; Vaishali Desai; Vaishali Kasaravalli; Vandana Gupte; Vanishree; Vanisri; Vani Bhojan; Vani Viswanath; Vanitha Vasu; Vaishnavi Mahant; Vrushika Mehta; Writtima Roy; Varalaxmi Sarathkumar; Varsha Bollamma; Varsha Usgaonkar; Vasundhara Das; Vedhika; Veda Sastry; Veena Malik; Veena Sundar; Veena; Vega Tamotia; Vibha Chibber; Vidhubala; Vidya Balan; Vithika Sheru; Vidya Malvade; Vidya Sinha; Vishakha Singh; Vijeta Pandit; Vijayalakshmi; Vijayalakshmi Singh; Vijayashanti; Vimala Raman; Vinaya Prasad; Vyjayantimala; W; Waheeda Rehman; Wamiqa Gabbi; Warina Hussain; Waluscha De Sousa; Y; Yagna Shetty; Yami Gautam; Yamuna (actress); Yashaswini Dayama; Yogeeta Bali; Yana Gupta; Yukta Mookhey; Yuvika Chaudhary; Zaheera; Zaira Wasim; Zarina Wahab; Zarine Khan; Zoya Afroz; Zoa Morani; Zeenat Aman; Zoya Khan; Zubeida; Zaheeda;

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The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1350 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi His highness Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 6 million visitors annually.

 

THE ROYAL LINEAGE

Mummadi Krishnaraja Wadiyar was Maharaja from 1799 to 1868. After the fall of Tipu Sultan he made Mysore his capital in May 1799 and focused on education, religious sites and donating jewels to temples including Melkote. Chamaraja Wadiyar was coronated on September 23, 1868, at the age of five. He was anointed king on the date fixed by the Governor General. He is credited with founding India's first democratic institutions with the Mysore representative assembly in 1881. Nalwadi Krishnaraja Wadiyar was Maharaja from 1895 to 1940 He was also called the Saint King by Mahatma Gandhi. Assisted by dewans Sir M Visvesvaraya and Sir Mirza Ismail, he changed Mysore by adding Asia's first hydro electric project at Shivanasamudra, the KRS dam and the University of Mysore in 1916. Jayachamaraja Wadiyar was the twenty fifth and the last king, reining from 1940 to 1950, when he agreed to merge the state with the union of India. A musicologist and a philanthropist, he was named Raj Parmukh of Mysore from Jan 26, 1950, a post he held for six years. The present Maharaja is Yaduveera, who was adopted by his aunt.

 

MYSORE

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dashera festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

The palace is an excellent combination of Indo-Saracenic architecture and features a number of unique rooms.

 

AMBAVILASA

This room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

Kalyana Mantapa

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

Other rooms

 

The palace houses several rooms of importance. These include:

 

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions.

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to

Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITORS INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

ACQUISITION

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

WIKIPEDIA

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1350 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi His highness Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 6 million visitors annually.

 

THE ROYAL LINEAGE

Mummadi Krishnaraja Wadiyar was Maharaja from 1799 to 1868. After the fall of Tipu Sultan he made Mysore his capital in May 1799 and focused on education, religious sites and donating jewels to temples including Melkote. Chamaraja Wadiyar was coronated on September 23, 1868, at the age of five. He was anointed king on the date fixed by the Governor General. He is credited with founding India's first democratic institutions with the Mysore representative assembly in 1881. Nalwadi Krishnaraja Wadiyar was Maharaja from 1895 to 1940 He was also called the Saint King by Mahatma Gandhi. Assisted by dewans Sir M Visvesvaraya and Sir Mirza Ismail, he changed Mysore by adding Asia's first hydro electric project at Shivanasamudra, the KRS dam and the University of Mysore in 1916. Jayachamaraja Wadiyar was the twenty fifth and the last king, reining from 1940 to 1950, when he agreed to merge the state with the union of India. A musicologist and a philanthropist, he was named Raj Parmukh of Mysore from Jan 26, 1950, a post he held for six years. The present Maharaja is Yaduveera, who was adopted by his aunt.

 

MYSORE

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dashera festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

The palace is an excellent combination of Indo-Saracenic architecture and features a number of unique rooms.

 

AMBAVILASA

This room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

Kalyana Mantapa

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

Other rooms

 

The palace houses several rooms of importance. These include:

 

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions.

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to

Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITORS INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

ACQUISITION

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

WIKIPEDIA

Gurdwara Sri Guru Singh Sabha, Ludhiana Gurdwara Sri Guru Singh Sabha arranged a flower show and contest and, art and painting contest for kids at their Gurdwara premises on March 4th. Hundreds of families from Bhai Randhir Singh Nagar, Sarabha Nagar, Model Town, MT Extension, Rajguru Nagar and other parts of Ludhiana took part in this program. Over 500 kids from 6 to 15 years of age group used their color brushes to paint to express the association of Sikhi and environment. About 60 Sikh families signed the EcoSikh Sikh Environment Day Pledge form to plant a tree on 14th March in honour of Sri Guru Har Rai Sahib. There was a kirtan darbar on Basant Raag on the same evening.

 

The Gurdwara management committee organized another bicycle rally on 14th March. Many teenagers and elders embraced the newest city program which planted trees on their way. Bhai Pritam Singh a famous 85 years old Sikh cyclist was the chief guest at this event.

 

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1399 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 3 million visitors annually.

 

HISTORY

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Royal Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Sri Sir Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Sri Sir Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

 

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now working as the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति कदाचन" (never terrified).

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dasara festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

Mysore Palace is one of the most magnificent buildings. It is a sight not to be missed when it is illuminated on Sundays and festive occasions. The interior of the Palace is equally worth a visit, for its spacious halls, paintings and architectural beauty. The palace is an excellent combination of Indo-Saracenic architecture.

 

AMBAVILASA

This spectacular room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (DOLL`S PAVILION)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

KALYANA MANTAPA

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

 

OTHER ROOMS

The palace houses several rooms of importance. These include:

 

- The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions

- An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITOR INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

WIKIPEDIA

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1399 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 3 million visitors annually.

 

HISTORY

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Royal Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Sri Sir Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Sri Sir Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

 

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now working as the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति कदाचन" (never terrified).

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dasara festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

Mysore Palace is one of the most magnificent buildings. It is a sight not to be missed when it is illuminated on Sundays and festive occasions. The interior of the Palace is equally worth a visit, for its spacious halls, paintings and architectural beauty. The palace is an excellent combination of Indo-Saracenic architecture.

 

AMBAVILASA

This spectacular room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (DOLL`S PAVILION)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

KALYANA MANTAPA

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

 

OTHER ROOMS

The palace houses several rooms of importance. These include:

 

- The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions

- An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITOR INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

WIKIPEDIA

This pen has historical significance as it was used by the Judge to write death sentence to Bhagat Singh, Rajguru and Sukhdev in Saunders Murder Case. Inscribed on the broken nib is the name of the manufacturer, The Latem, Hinks Wells & Co. Registered, Birmingham, United Kingdom.

Photograph from Business Technology Summit 2010 held in Bangalore, India, 11-12 November 2010, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.

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Aaditi Pohankar; Aahana Kumra; Aakanksha Singh; Aamna Sharif; Aanchal Munjal; Aarathi; Aarti Agarwal; Aarti Chhabria; Aashka Goradia; Abhirami; Adah Sharma; Aditi Arya; Aditi Ravi; Aditi Sharma; Aditi Govitrikar; Aditi Rao Hydari; Aditi Sarangdhar; Advani Lakshmi Devi; Ahaana Krishna; Ahsaas Channa; Aindrita Ray; Aisha Sharma; Aishwarya; Aishwarya Arjun; Aishwarya Devan; Aishwarya Nag; Aishwarya Rai Bachchan; Aishwarya Rajesh; Aishwarya Sakhuja; Akanksha Juneja; Aksha Pardasany; Akshara Gowda; Akshara Haasan; Akshara Menon; Alia Bhatt; Alaya Furniturewala; Amala Akkineni; Amala Paul; Ambika; Ameeta; Ameesha Patel; Amoolya; Amrita Arora; Amrita Prakash; Amrita Puri; Amrita Rao; Amrita Raichand; Amrita Singh; Amrutha Iyengar; Amruta Khanvilkar; Amruta Subhash; Amyra Dastur; Amy Jackson; Anaika Soti; Ananya; Ananya Panday; Ananya Kasaravalli; Anaswara Kumar; Anaswara Rajan; Andrea Jeremiah; Andria D'Souza; Anindita Nayar; Angira Dhar; Annie; Anita Hassanandani Reddy; Anita Guha; Anita Raj; Anjala Zhaveri; Anjali; Anjali Devi; Anjali Sudhakar; Anjana Bhowmick; Anjana Sukhani; Anju Mahendru; Ankita Lokhande; Ann Augustine; Ansiba Hassan; Antara Mali; Anu Agarwal; Anu Prabhakar; Anu Sithara; Anupama Parameswaran; Anupriya Goenka; Anuradha Mehta; Anurita Jha; Anusha Dandekar; Anushka Ranjan; Anushka Sen; Anushka Sharma; Anushka Shetty; Anuya Bhagvath; Anya Singh; Aparajita Mohanty; Aparnaa Bajpai; Aparna Balamurali; Aparna Sen; Apoorva Arora; Archana; Archana Jose Kavi; Archana Puran Singh; Archana Gupta; Archita Sahu; Aruna Balraj; Aruna Irani; Aruna Shields; Arundathi Nag; Asawari Joshi; Asha Negi; Asha Bhat; Asha Parekh; Asha Saini; Ashima Bhalla; Ashnoor Kaur; Ashwini Bhave; Ashwini Kalsekar; Asin Thottumkal; Athiya Shetty; Athulya Ravi; Ayesha Jhulka; Ayesha Raza; Ayesha Takia; Akanksha Puri; Avani Modi; Avantika Mishra; Avneet Kaur; Auritra Ghosh; B; Babita; Barkha Bisht; Barkha Singh; Bala Hijam; Barsha Priyadarshini; Barsha Rani Bishaya; Beena Banerjee; Bhagyashree Patwardhan; Bhairavi Goswami; Bhama; Bhanumathi; Bhanupriya; Bharathi Vishnuvardhan; Bhargavi Narayan; Bhavana; Bhavana (actress); Bhavana Rao; Bhavani Prakash; Bhavya; Bhoomika Chawla; Bhumi Pednekar; Bijoya Ray; Bianca Desai; Bidita Bag; Bindu; Bindu Madhavi; Bipasha Basu; Bina Rai; Bobby Darling; Bruna Abdullah; B. V. Radha; C; Carol Gracias; Celina Jaitley; Chahat Khanna; Chandrakala; Chandrika; Charmila; Charmy Kaur; Charu Asopa; Chaya Singh; Chetana Das; Chetna Pande; Chhavi Mittal; Chippy; Chithra; Chitrangada Singh; Chitrashi Rawat; Catherine Tresa; Claudia Ciesla; D; Deepti Sati; Daisy Bopanna; Daisy Shah; Daisy Irani; Debashree Roy; Deeksha Seth; Deepa Sahi; Deepa Sannidhi; Deepal Shaw; Deepika Amin; Deepika Chikhalia; Deepika Padukone; Deepti Naval; Deepti Bhatnagar; Delnaaz Paul; Devayani; Devika; Devika Rani Roerich; Dharti Bhatt; Dia Mirza; Diana Hayden; Diana Penty; Digangana Suryavanshi; Dimple Jhangiani; Dimple Kapadia; Dipannita Sharma; Disha Parmar; Disha Patani; Disha Vakani; Divya Bharati; Divya Dutta; Divya Khosla Kumar; Divyanka Tripathi; Drashti Dhami; E; Elli Avram; Esha Deol; Esha Gupta; Ena Saha; Eesha Rebba; Evelyn Sharma; Elina Samantray; Erica Fernandes; F; Farah Naaz; Farida Jalal; Fatima Sana Shaikh; Fatma Begum; Freida Pinto; Feryna Wazheir; G; Gabriela Bertante; Gajala; Gauahar Khan; Gauri Karnik; Gautami; Gayathri Raguram; Gayathrie; Gayatri; Gayatri Jayaraman; Gayatri Joshi; Gayatri Patel; Geeta Bali; Geeta Basra; Geeta Dutt; Geetanjali Thapa; Geetha; Geetu Mohandas; Genelia D'Souza; Girija; Girija Lokesh; Girija Shettar; Giselli Monteiro; Gopika; Gowri Pandit; Gowri Munjal; Gul Panag; Gunjan Malhotra; H; Hansika Motwani; Harini; Haripriya; Harshika Poonacha; Hasleen Kaur; Hazel Keech; Heera Rajagopal; Helen; Hema Bellur; Hema Prabhath; Hema Malini; Honey Rose; Hrishitaa Bhatt; Huma Qureshi; Humaima Malik; Hebah Patel; Hina Khan; Hiba Nawab; I; Ilene Hamann; Indrani Haldar; Iniya; Iravati Harshe; Isha Chawla; Isha Sharvani; Isha Koppikar; Isha Talwar; Ishita Dutta; Ishita Raj Sharma; Izabelle Leite; Ileana D'Cruz; J; Jacqueline Fernandez; Jannat Zubair Rahmani; Janhvi Kapoor; Jasmin Bhasin; Jayabharathi; Jayachitra; J. Jayalalithaa; Jaya Bachchan; Jaya Prada; Jaya Seal; Jayasudha; Jayamala; Jayamalini; Jennifer Kotwal; Jennifer Winget; Jharana Bajracharya; Jhataleka Malhotra; Jiya Khan; Jugnu Ishiqui; Juhi Chawla; Juhi Babbar; Jyothika; Jonita Gandhi; K; Kainaat Arora; Kajal Aggarwal; Kajal Kiran; Kajjanbai; Kajol; Kalki Koechlin; Kalpana (Kannada actress); Kalpana (Hindi Film actress); Kalpana (Malayalam actress); Kalpana Iyer; Kalpana Kartik; Kalyani Priyadarshan; Kamini Kaushal; Kamini Kadam; Kamalinee Mukherjee; Kamna Jethmalani; Kanaka; Kanakam; Kanchana; Kangana Ranaut; Kanika Subramaniam; Kareena Kapoor; Karishma Kapoor; Karishma Kotak; Karishma Sharma; Karishma Tanna; Karunya Ram; Karthika Mathew; Karthika Nair; Katrina Kaif; Kashmira Irani; Kashmira Shah; Kausalya; Kaviyoor Ponnamma; Kavya Madhavan; Keerthi Reddy; Keerthi Suresh; Khushali Kumar; Kiara Advani; Kimi Katkar; Kimi Verma; Kim Sharma; Kim Yashpal; Kiran Rathod; Kirron Kher; Kirat Bhattal; Kiran Juneja; Kirti Kulhari; Kitu Gidwani; Koel Mallick; Koel Purie; Koena Mitra; Komal; Komal Jha; Konkona Sen Sharma; K. R. Vijaya; Krishna Kumari; Kranti Redkar; Kriti Kharbanda; Kriti Sanon; Kritika Kamra; Krystle D'Souza; Kubbra Sait; Khushbu Sundar; Kumari; Kumkum; Kuljeet Randhawa; Kulraj Randhawa; Kyra Dutt; L; Laila Mehdin; Lalita Pawar Zayn; Lalitha (KPAC); Lalitha; Lara Dutta; Lakshmi; Lakshmi Chandrashekar; Lakshmidevi; Laxmi Chhaya; Lakshmi Gopalaswamy; Lakshmi Manchu; Lakshmi Menon; Lakshmi Rai; Latha; Lauren Gottlieb; Lavanya Tripathi; Laya; Leela Chitnis; Leelavathi; Leena Chandavarkar; Leena Jumani; Lekha Washington; Lena; Leslie Tripathy; Lilette Dubey; Lisa Ray; Lisa Haydon; M; Madhavi; Madhubala; Madhumitha; Madhuri Bhattacharya; Madhuri Dixit; Madhuri Itagi; Madhurima Tuli; Madhuurima; Madhu Shalini; Madhura Naik; Madonna Sebastian; Mahasweta Ray; Mahalakshmi; Mahek Chahal; Mahie Gill; Mahika Sharma; Mahima Chaudhry; Mahira Khan; Mahua Roychoudhury; Mala Sinha; Malashri; Malavika; Malaika Arora; Malavika Avinash; Malavika Mohanan; Malavika Nair; Malavika Nair; Malavika Wales; Mallika Kapoor; Mallika Sherawat; Mamta Kulkarni; Mamta Mohandas; Mansi Parekh; Manasvi Mamgai; Mandakini; Mandana Karimi; Mandira Bedi; Manini Mishra; Manisha Koirala; Manjari Phadnis; Manjima Mohan; Manju Bhargavi; Manju Warrier; Manjula; Manjula Vijayakumar; Manorama; Mantra; Manushi Chhillar; Manya; Masumeh Makhija; Mawra Hocane; Mayuri Kango; Meena; Meena Kumari; Meenakshi; Meenakshi; Meenakshi Dixit; Meenakshi Seshadri; Meera; Meera Chopra; Meera Jasmine; Meera Nandan; Meera Syal; Meera Vasudevan; Mehreen Pirzada; Megha Akash; Meghana Gaonkar; Meghna Naidu; Meghana Raj; Meher Vij; Merle Oberon; Mia Uyeda; Minissha Lamba; Mini Mathur; Mink Brar; Mita Vashisht; Mishti; Mithila Palkar; Mithra Kurian; Moloya Goswami; Momal Sheikh; Monalisa; Mona Singh; Monali Thakur; Monica; Monica Bedi; Monisha Unni; Moon Moon Sen; Mouni Roy; Moushumi Chatterji; Mrinal Dev-Kulkarni; Mrinalini Sharma; Mrunal Thakur; Mrunmayee Deshpande; Mukta Barve; Mumaith Khan; Mumtaj; Mumtaz Shanti; Mumtaz; Mumtaz Sorcar; Mugdha Godse; Munmun Dutta; Mugdha Chaphekar; Muskaan Mihani; Mynavathi; N; Nadira; Nadiya Moidu; Nagma; Nalini; Nalini Jaywant; Namrata Shirodkar; Namrata Thapa; Namitha; Namitha Pramod; Nanda; Nandana Sen; Nandita Chandra; Nandita Swetha; Nandita Das; Nargis (Now Nargis Dutt); Nargis Fakhri; Nathalia Kaur; Nauheed Cyrusi; Nausheen Sardar Ali; Navaneet Kaur; Navneet Kaur Dhillon; Navya Nair; Nayanthara; Nazriya Nazim; Neelam; Neelam Verma; Neelima Azeem; Neena Gupta; Neena Kulkarni; Neha Bamb; Neha Dhupia; Neha Hinge; Neha Khan; Neha Mahajan; Neha Oberoi; Neha Sharma; Neeru Bajwa; Neethu; Neetu Chandra; Neetu Singh; Nethra Raghuraman; Nia Sharma; Nicolette Bird; Nidhhi Agerwal; Nidhi Subbaiah; Niharika Konidela; Niharika Singh; Niharica Raizada; Nikesha Patel; Niki Aneja; Nikita Anand; Nikita J Palekar; Nikita Dutta; Nikita Thukral; Nikki Galrani; Nila (alias for Meera Chopra); Nimisha Sajayan; Nimmi; Nirmala Chennappa; Nirupa Roy; Misscat Mita; Nirmalamma; Nirosha; Nisha Agarwal; Nisha Kothari; Nisha Ravikrishnan; Nishi; Nishita Goswami; Nithya Das; Nithya Menen; Nivedita Jain; Nivedita Joshi Saraf; Nivetha Thomas; Nivetha Pethuraj; Noor Jehan; Nora Fatehi[1]; Nutan; Nimrat Kaur; Nushrat Bharucha; Nathalia Kaur; Nyla Usha; O; Oviya Helen; P; Padmapriya; Padma Khanna; Padma Kumta; Padma Lakshmi; Padma Vasanthi; Padmaja Rao; Padmini Kolhapure; Padmini; Padmavati Rao; Pallavi Joshi; Pallavi Kulkarni; Pallavi Subhash; Pallavi Sharda; Panchi Bora; Pandari Bai; Pankhuri Awasthy; Pakhi Tyrewala; Paoli Dam; Parineeti Chopra; Parminder Nagra; Parul Chauhan; Parul Gulati; Parul Yadav; Parvathy Jayaram; Parvathy Nair; Parvathy Omanakuttan; Parvati Melton; Parvathy Thiruvothu; Parveen Babi; Patience Cooper; Patralekha; Payal Rohatgi; Payel Sarkar; Payal Ghosh; Perizaad Zorabian; Pia Bajpai; Plabita Borthakur; Pooja Batra; Pooja Bedi; Pooja Bhatt; Pooja Chopra; Pooja Gandhi; Pooja Gor; Pooja Hegde; Pooja Kanwal; Pooja Lokesh; Pooja Sawant; Pooja Umashankar; Poonam Bajwa; Poonam Dhillon; Poonam Kaur; Poonam Pandey; Poornima Bhagyaraj; Prayaga Martin; Prachi Desai; Prachi Shah; Pramila Joshai; Pratibha Sinha; Pranitha Subhash; Prarthana Behere; Preetha Vijayakumar; Preeti Jhangiani; Preity Zinta; Prema; Prema Narayan; Priti Sapru; Priya Anand; Priya Bapat; Priya Gill; Priya Lal; Priya Raman; Priya Rajvansh; Priya Bhavani Shankar; Priya Wal; Priyamani; Priyanka Bassi; Priyanka Chopra Jonas; Priyanka Arul Mohan; Priyanka Nair; Priyanka Trivedi; Preetika Rao; Puja Gupta; Puja Banerjee; Purbi Joshi; R; Raakhee (Now Raakhi Gulzar); Radhika Apte; Radhika Madan; Raadhika Sarathkumar; Rachana Narayanankutty; Rachna Banerjee; Radha; Radha Saluja; Radhika Chaudhari; Radhika Kumaraswamy; Radhika Pandit; Ragini Travancore Sisters; Ragini Dwivedi; Ragini Khanna; Raima Sen; Rajisha Vijayan; Rajshree; Rajshri Deshpande; Rakhi Sawant; Rakul Preet Singh; Rakshita; Raashi Khanna; Rambha; Rameshwari; Ranjeeta Kaur; Ranjitha; Rajini; Rani Mukerji; Ramya; Ramya Barna; Ramya Krishnan; Ramya Sri; Ramya Nambaseean; Rashi Khanna; Rashi Mal; Rashmi; Rashmi Desai; Rashmi Gautam; Rashmika Mandanna; Ratan Rajput; Rati Agnihotri; Rati Pandey; Ratna Pathak Shah; Raveena Tandon; Reena Roy; Reema Lagoo; Reema Sen; Regina Cassandra; Rekha; Rekha; also known as Josephine; Rekha Das; Rekha Rana; Rekha Vedavyas; Reenu Mathews; Renuka Menon; Renukamma Murugodu; Renuka Shahane; Revathi; Rhea Chakraborty; Richa Ahuja; Richa Chaddha; Richa Gangopadhyay; Richa Pallod; Richa Panai; Richa Sharma; Ridhi Dogra; Rima Kallingal; Rimi Sen; Rimi Tomy; Rinke Khanna; Rinku Rajguru; Rita Bhaduri; Ritika Singh; Rituparna Sengupta; Riya Sen; Rohini Hattangadi; Rohini; Roja; Roja Ramani; Roma; Roopa Ganguly; Roopa Iyer; Roshni Chopra; R.T. Rama; Ruby Parihar; Rucha Gujarathi; Rupini; Ranjana Deshmukh; S; Sabitri Chatterjee; Saba Qamar; Saba Azad; Shivaleeka Oberoi; Sobhita Dhulipala; S. Varalakshmi; Sadha; Sadhana Shivdasani; Sagarika Ghatge; Sagarika Mukherjee; Sajal Aly; Sana Althaf; Sana Makbul; Sandhya; Sai Lokur; Saiyami Kher; Samskruthy Shenoy; Samyuktha Hegde; Sandeepa Dhar; Sandhya; Sandhya Mridul; Sandhya Roy; Sanaya Irani; Sanya Malhotra; Saniya Anklesaria; Sanjeeda Sheikh; Sakshi Shivanand; Sakshi Tanwar; Sai Pallavi; Sai Tamhankar; Saira Banu; Salma Agha; Saloni Aswani; Samantha Ruth Prabhu; Samiksha; Sameera Reddy; Samvrutha Sunil; Sana Amin Sheikh; Sana Khan; Sana Saeed; Sanchita Padukone; Sandeepa Dhar; Sangeeta Bijlani; Sandra Amy; Sanober Kabir; Sandali Sinha; Sanghavi; Sanjjanaa; Sanjana Gandhi (now Pooja Gandhi); Santoshi; Sara Ali Khan; Sarah Jane Dias; Sara Loren; Saranya Mohan; Saranya Ponvannan; Sarayu (actress); Sarika; Saritha; Saroja Devi; Satarupa Pyne; Sathyabhama; Saumya Tandon; Savitri; Sayali Bhagat; Sayani Gupta; Sayyeshaa Saigal; Seerat Kapoor; Seema Biswas; Seema Pahwa; Seema Shinde; Seetha; Shabana Azmi; Shalini (Baby Shalini); Shamili (Baby Shamili); Shahana Goswami; Sakshi Tanwar; Sharmila Mandre; Sharmilee; Shibani Dandekar; Shreya Narayan; Shakeela; Shalini Pandey; Shamita Shetty; Shanthamma; Sharmila Tagore; Shashikala; Shazahn Padamsee; Sheeba Chadha; Sheela; Sheela; Sheena Bajaj; Sheena Chohan; Sheena Shahabadi; Shenaz Treasurywala; Sherin; Sherlyn Chopra (Mona Chopra); Shilpa Shetty; Shilpa Shukla; Shilpa Shirodkar; Shilpa Tulaskar; Shilpa Anand; Shilpi Sharma; Shivani Raghuvanshi; Shivangi Joshi; Shreya Dhanwanthary; Shruti Naidu; Shylaja Nag; Shweta Basu Prasad; Shweta Bhardwaj; Shweta Menon; Shweta Gulati; Shweta Tiwari; Shweta Tripathi; Shobhana; Shobhna Samarth; Shraddha Arya; Shraddha Das; Shraddha Kapoor; Shraddha Srinath; Shruthi Haasan; Shruti Sodhi; Shruti; Shruti Seth; Shruti Sharma; Shritha Sivadas; Shriya Saran; Shriya Pilgaonkar; Shriya Sharma; Shubha Poonja; Shyama (Khurshid Akhtar); Shylashri; Sihi Kahi Geetha; Sija Rose; Simi Garewal; Simone Singh; Simple Kapadia; Simple Kaur; Simran Mundi; Simran Bagga; Sindhu; Sindhu Tolani; Sindhu Menon; Silk Smitha; Sithara; Smita Patil; Smriti Irani (Smriti Malhotra); Smriti Kalra; Sneha Ullal; Sneha; Snigdha Akolkar; Soha Ali Khan; Sonakshi Sinha; Sonali Bendre; Sonali Kulkarni; Sonali Raut; Sonalee Kulkarni; Sonal Chauhan; Sonam (actress); Sonam Bajwa; Sonam Kapoor; Sonalika Joshi; Sonarika Bhadoria; Sonia Agarwal; Sonnalli Seygall; Sonu; Sonu Walia; Sophia Chaudhary; Soundarya; Sowcar Janaki; Spruha Joshi; Srabanti Chatterjee; Sridevi (Now Sridevi Kapoor); Sriti Jha; Sri Divya; Srividya; Sripriya; Subbulakshmi; Suchitra; Suchitra Krishnamurthy; Suchitra Pillai; Suchitra Sen; Sunitha / Vidhyasri; Sudha Belawadi; Sudha Chandran; Sudha Rani; Sudha Narasimharaju; Sudipta Chakraborty; Suhasi Goradia Dhami; Suhasini; Sujatha; Sukirti Kandpal; Sukumari; Sulakshana Pandit; Sulochana Devi; Sumalatha; Suman Nagarkar; Suman Ranganathan; Sumithra; Sumitra Devi; Sunaina; Sunny Leone; Surbhi Chandna; Surbhi Jyoti; Supriya Devi; Supriya Karnik; Supriya Pathak; Supriya Pilgaonkar; Supriya Shukla; Suraiya; Surveen Chawla; Suryakantham; Sushma Reddy; Sushmita Sen; Sumalatha; Suvalakshmi; Swati Reddy; Swapna; Swaroop Sampat; Swastika Mukherjee; Swaparja Roy; Srinidhi Shetty; Swara Bhaskar; Suzanna Mukherjee; T; Tabu; Tahira Kochhar; Tanaaz Irani; Tanisha; Tanushree Dutta; Tanuja; Tanu Roy; Tanvi Azmi; Tamannaah Bhatia; Tannishtha Chatterjee; Taapsee Pannu; Tara; Tara Anuradha; Tara Deshpande; Tara D'Souza; Tara Sharma; Tarana Raja; Taruni Sachdev; Tejaswi Madivada; Tena Desae; Tia Bajpai; Tillotama Shome; Tina Munim (now Tina Ambani); Tina Dutta; Tisca Chopra; Tripuramba; Trisha Krishnan; Tulip Joshi; Tun Tun; Twinkle Khanna; Tara Alisha Berry; Tara Sutaria; U; Udhayathara; Udaya Chandrika; Udita Goswami; Ujjwala Raut; Uma; Uma Padmanabhan; Umasashi; Umashree; Usha Chavan; Urmila Matondkar; Urmila Kanitkar; Urvashi; Urvashi Dholakia; Urvashi Sharma; Usha Kiran; Usha Nadkarni; Usha Naik; Ulka Gupta; Upasna Singh; Urvashi Rautela; V; Vaani Kapoor; Vanitha Vijayakumar; Vadivukkarasi; Vaidehi Parashurami; Vaishali Desai; Vaishali Kasaravalli; Vandana Gupte; Vanishree; Vanisri; Vani Bhojan; Vani Viswanath; Vanitha Vasu; Vaishnavi Mahant; Vrushika Mehta; Writtima Roy; Varalaxmi Sarathkumar; Varsha Bollamma; Varsha Usgaonkar; Vasundhara Das; Vedhika; Veda Sastry; Veena Malik; Veena Sundar; Veena; Vega Tamotia; Vibha Chibber; Vidhubala; Vidya Balan; Vithika Sheru; Vidya Malvade; Vidya Sinha; Vishakha Singh; Vijeta Pandit; Vijayalakshmi; Vijayalakshmi Singh; Vijayashanti; Vimala Raman; Vinaya Prasad; Vyjayantimala; W; Waheeda Rehman; Wamiqa Gabbi; Warina Hussain; Waluscha De Sousa; Y; Yagna Shetty; Yami Gautam; Yamuna (actress); Yashaswini Dayama; Yogeeta Bali; Yana Gupta; Yukta Mookhey; Yuvika Chaudhary; Zaheera; Zaira Wasim; Zarina Wahab; Zarine Khan; Zoya Afroz; Zoa Morani; Zeenat Aman; Zoya Khan; Zubeida; Zaheeda;

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Photograph from Business Technology Summit 2010 held in Bangalore, India, 11-12 November 2010, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.

Photograph from Business Technology Summit 2010 held in Bangalore, India, 11-12 November 2010, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1399 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 3 million visitors annually.

 

HISTORY

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Royal Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Sri Sir Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Sri Sir Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

 

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now working as the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति कदाचन" (never terrified).

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dasara festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

Mysore Palace is one of the most magnificent buildings. It is a sight not to be missed when it is illuminated on Sundays and festive occasions. The interior of the Palace is equally worth a visit, for its spacious halls, paintings and architectural beauty. The palace is an excellent combination of Indo-Saracenic architecture.

 

AMBAVILASA

This spectacular room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (DOLL`S PAVILION)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

KALYANA MANTAPA

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

 

OTHER ROOMS

The palace houses several rooms of importance. These include:

 

- The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions

- An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITOR INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

WIKIPEDIA

Gurdwara Sri Guru Singh Sabha, Ludhiana Gurdwara Sri Guru Singh Sabha arranged a flower show and contest and, art and painting contest for kids at their Gurdwara premises on March 4th. Hundreds of families from Bhai Randhir Singh Nagar, Sarabha Nagar, Model Town, MT Extension, Rajguru Nagar and other parts of Ludhiana took part in this program. Over 500 kids from 6 to 15 years of age group used their color brushes to paint to express the association of Sikhi and environment. About 60 Sikh families signed the EcoSikh Sikh Environment Day Pledge form to plant a tree on 14th March in honour of Sri Guru Har Rai Sahib. There was a kirtan darbar on Basant Raag on the same evening.

 

The Gurdwara management committee organized another bicycle rally on 14th March. Many teenagers and elders embraced the newest city program which planted trees on their way. Bhai Pritam Singh a famous 85 years old Sikh cyclist was the chief guest at this event.

 

Model - Yash Rajguru

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Aaditi Pohankar; Aahana Kumra; Aakanksha Singh; Aamna Sharif; Aanchal Munjal; Aarathi; Aarti Agarwal; Aarti Chhabria; Aashka Goradia; Abhirami; Adah Sharma; Aditi Arya; Aditi Ravi; Aditi Sharma; Aditi Govitrikar; Aditi Rao Hydari; Aditi Sarangdhar; Advani Lakshmi Devi; Ahaana Krishna; Ahsaas Channa; Aindrita Ray; Aisha Sharma; Aishwarya; Aishwarya Arjun; Aishwarya Devan; Aishwarya Nag; Aishwarya Rai Bachchan; Aishwarya Rajesh; Aishwarya Sakhuja; Akanksha Juneja; Aksha Pardasany; Akshara Gowda; Akshara Haasan; Akshara Menon; Alia Bhatt; Alaya Furniturewala; Amala Akkineni; Amala Paul; Ambika; Ameeta; Ameesha Patel; Amoolya; Amrita Arora; Amrita Prakash; Amrita Puri; Amrita Rao; Amrita Raichand; Amrita Singh; Amrutha Iyengar; Amruta Khanvilkar; Amruta Subhash; Amyra Dastur; Amy Jackson; Anaika Soti; Ananya; Ananya Panday; Ananya Kasaravalli; Anaswara Kumar; Anaswara Rajan; Andrea Jeremiah; Andria D'Souza; Anindita Nayar; Angira Dhar; Annie; Anita Hassanandani Reddy; Anita Guha; Anita Raj; Anjala Zhaveri; Anjali; Anjali Devi; Anjali Sudhakar; Anjana Bhowmick; Anjana Sukhani; Anju Mahendru; Ankita Lokhande; Ann Augustine; Ansiba Hassan; Antara Mali; Anu Agarwal; Anu Prabhakar; Anu Sithara; Anupama Parameswaran; Anupriya Goenka; Anuradha Mehta; Anurita Jha; Anusha Dandekar; Anushka Ranjan; Anushka Sen; Anushka Sharma; Anushka Shetty; Anuya Bhagvath; Anya Singh; Aparajita Mohanty; Aparnaa Bajpai; Aparna Balamurali; Aparna Sen; Apoorva Arora; Archana; Archana Jose Kavi; Archana Puran Singh; Archana Gupta; Archita Sahu; Aruna Balraj; Aruna Irani; Aruna Shields; Arundathi Nag; Asawari Joshi; Asha Negi; Asha Bhat; Asha Parekh; Asha Saini; Ashima Bhalla; Ashnoor Kaur; Ashwini Bhave; Ashwini Kalsekar; Asin Thottumkal; Athiya Shetty; Athulya Ravi; Ayesha Jhulka; Ayesha Raza; Ayesha Takia; Akanksha Puri; Avani Modi; Avantika Mishra; Avneet Kaur; Auritra Ghosh; B; Babita; Barkha Bisht; Barkha Singh; Bala Hijam; Barsha Priyadarshini; Barsha Rani Bishaya; Beena Banerjee; Bhagyashree Patwardhan; Bhairavi Goswami; Bhama; Bhanumathi; Bhanupriya; Bharathi Vishnuvardhan; Bhargavi Narayan; Bhavana; Bhavana (actress); Bhavana Rao; Bhavani Prakash; Bhavya; Bhoomika Chawla; Bhumi Pednekar; Bijoya Ray; Bianca Desai; Bidita Bag; Bindu; Bindu Madhavi; Bipasha Basu; Bina Rai; Bobby Darling; Bruna Abdullah; B. V. Radha; C; Carol Gracias; Celina Jaitley; Chahat Khanna; Chandrakala; Chandrika; Charmila; Charmy Kaur; Charu Asopa; Chaya Singh; Chetana Das; Chetna Pande; Chhavi Mittal; Chippy; Chithra; Chitrangada Singh; Chitrashi Rawat; Catherine Tresa; Claudia Ciesla; D; Deepti Sati; Daisy Bopanna; Daisy Shah; Daisy Irani; Debashree Roy; Deeksha Seth; Deepa Sahi; Deepa Sannidhi; Deepal Shaw; Deepika Amin; Deepika Chikhalia; Deepika Padukone; Deepti Naval; Deepti Bhatnagar; Delnaaz Paul; Devayani; Devika; Devika Rani Roerich; Dharti Bhatt; Dia Mirza; Diana Hayden; Diana Penty; Digangana Suryavanshi; Dimple Jhangiani; Dimple Kapadia; Dipannita Sharma; Disha Parmar; Disha Patani; Disha Vakani; Divya Bharati; Divya Dutta; Divya Khosla Kumar; Divyanka Tripathi; Drashti Dhami; E; Elli Avram; Esha Deol; Esha Gupta; Ena Saha; Eesha Rebba; Evelyn Sharma; Elina Samantray; Erica Fernandes; F; Farah Naaz; Farida Jalal; Fatima Sana Shaikh; Fatma Begum; Freida Pinto; Feryna Wazheir; G; Gabriela Bertante; Gajala; Gauahar Khan; Gauri Karnik; Gautami; Gayathri Raguram; Gayathrie; Gayatri; Gayatri Jayaraman; Gayatri Joshi; Gayatri Patel; Geeta Bali; Geeta Basra; Geeta Dutt; Geetanjali Thapa; Geetha; Geetu Mohandas; Genelia D'Souza; Girija; Girija Lokesh; Girija Shettar; Giselli Monteiro; Gopika; Gowri Pandit; Gowri Munjal; Gul Panag; Gunjan Malhotra; H; Hansika Motwani; Harini; Haripriya; Harshika Poonacha; Hasleen Kaur; Hazel Keech; Heera Rajagopal; Helen; Hema Bellur; Hema Prabhath; Hema Malini; Honey Rose; Hrishitaa Bhatt; Huma Qureshi; Humaima Malik; Hebah Patel; Hina Khan; Hiba Nawab; I; Ilene Hamann; Indrani Haldar; Iniya; Iravati Harshe; Isha Chawla; Isha Sharvani; Isha Koppikar; Isha Talwar; Ishita Dutta; Ishita Raj Sharma; Izabelle Leite; Ileana D'Cruz; J; Jacqueline Fernandez; Jannat Zubair Rahmani; Janhvi Kapoor; Jasmin Bhasin; Jayabharathi; Jayachitra; J. Jayalalithaa; Jaya Bachchan; Jaya Prada; Jaya Seal; Jayasudha; Jayamala; Jayamalini; Jennifer Kotwal; Jennifer Winget; Jharana Bajracharya; Jhataleka Malhotra; Jiya Khan; Jugnu Ishiqui; Juhi Chawla; Juhi Babbar; Jyothika; Jonita Gandhi; K; Kainaat Arora; Kajal Aggarwal; Kajal Kiran; Kajjanbai; Kajol; Kalki Koechlin; Kalpana (Kannada actress); Kalpana (Hindi Film actress); Kalpana (Malayalam actress); Kalpana Iyer; Kalpana Kartik; Kalyani Priyadarshan; Kamini Kaushal; Kamini Kadam; Kamalinee Mukherjee; Kamna Jethmalani; Kanaka; Kanakam; Kanchana; Kangana Ranaut; Kanika Subramaniam; Kareena Kapoor; Karishma Kapoor; Karishma Kotak; Karishma Sharma; Karishma Tanna; Karunya Ram; Karthika Mathew; Karthika Nair; Katrina Kaif; Kashmira Irani; Kashmira Shah; Kausalya; Kaviyoor Ponnamma; Kavya Madhavan; Keerthi Reddy; Keerthi Suresh; Khushali Kumar; Kiara Advani; Kimi Katkar; Kimi Verma; Kim Sharma; Kim Yashpal; Kiran Rathod; Kirron Kher; Kirat Bhattal; Kiran Juneja; Kirti Kulhari; Kitu Gidwani; Koel Mallick; Koel Purie; Koena Mitra; Komal; Komal Jha; Konkona Sen Sharma; K. R. Vijaya; Krishna Kumari; Kranti Redkar; Kriti Kharbanda; Kriti Sanon; Kritika Kamra; Krystle D'Souza; Kubbra Sait; Khushbu Sundar; Kumari; Kumkum; Kuljeet Randhawa; Kulraj Randhawa; Kyra Dutt; L; Laila Mehdin; Lalita Pawar Zayn; Lalitha (KPAC); Lalitha; Lara Dutta; Lakshmi; Lakshmi Chandrashekar; Lakshmidevi; Laxmi Chhaya; Lakshmi Gopalaswamy; Lakshmi Manchu; Lakshmi Menon; Lakshmi Rai; Latha; Lauren Gottlieb; Lavanya Tripathi; Laya; Leela Chitnis; Leelavathi; Leena Chandavarkar; Leena Jumani; Lekha Washington; Lena; Leslie Tripathy; Lilette Dubey; Lisa Ray; Lisa Haydon; M; Madhavi; Madhubala; Madhumitha; Madhuri Bhattacharya; Madhuri Dixit; Madhuri Itagi; Madhurima Tuli; Madhuurima; Madhu Shalini; Madhura Naik; Madonna Sebastian; Mahasweta Ray; Mahalakshmi; Mahek Chahal; Mahie Gill; Mahika Sharma; Mahima Chaudhry; Mahira Khan; Mahua Roychoudhury; Mala Sinha; Malashri; Malavika; Malaika Arora; Malavika Avinash; Malavika Mohanan; Malavika Nair; Malavika Nair; Malavika Wales; Mallika Kapoor; Mallika Sherawat; Mamta Kulkarni; Mamta Mohandas; Mansi Parekh; Manasvi Mamgai; Mandakini; Mandana Karimi; Mandira Bedi; Manini Mishra; Manisha Koirala; Manjari Phadnis; Manjima Mohan; Manju Bhargavi; Manju Warrier; Manjula; Manjula Vijayakumar; Manorama; Mantra; Manushi Chhillar; Manya; Masumeh Makhija; Mawra Hocane; Mayuri Kango; Meena; Meena Kumari; Meenakshi; Meenakshi; Meenakshi Dixit; Meenakshi Seshadri; Meera; Meera Chopra; Meera Jasmine; Meera Nandan; Meera Syal; Meera Vasudevan; Mehreen Pirzada; Megha Akash; Meghana Gaonkar; Meghna Naidu; Meghana Raj; Meher Vij; Merle Oberon; Mia Uyeda; Minissha Lamba; Mini Mathur; Mink Brar; Mita Vashisht; Mishti; Mithila Palkar; Mithra Kurian; Moloya Goswami; Momal Sheikh; Monalisa; Mona Singh; Monali Thakur; Monica; Monica Bedi; Monisha Unni; Moon Moon Sen; Mouni Roy; Moushumi Chatterji; Mrinal Dev-Kulkarni; Mrinalini Sharma; Mrunal Thakur; Mrunmayee Deshpande; Mukta Barve; Mumaith Khan; Mumtaj; Mumtaz Shanti; Mumtaz; Mumtaz Sorcar; Mugdha Godse; Munmun Dutta; Mugdha Chaphekar; Muskaan Mihani; Mynavathi; N; Nadira; Nadiya Moidu; Nagma; Nalini; Nalini Jaywant; Namrata Shirodkar; Namrata Thapa; Namitha; Namitha Pramod; Nanda; Nandana Sen; Nandita Chandra; Nandita Swetha; Nandita Das; Nargis (Now Nargis Dutt); Nargis Fakhri; Nathalia Kaur; Nauheed Cyrusi; Nausheen Sardar Ali; Navaneet Kaur; Navneet Kaur Dhillon; Navya Nair; Nayanthara; Nazriya Nazim; Neelam; Neelam Verma; Neelima Azeem; Neena Gupta; Neena Kulkarni; Neha Bamb; Neha Dhupia; Neha Hinge; Neha Khan; Neha Mahajan; Neha Oberoi; Neha Sharma; Neeru Bajwa; Neethu; Neetu Chandra; Neetu Singh; Nethra Raghuraman; Nia Sharma; Nicolette Bird; Nidhhi Agerwal; Nidhi Subbaiah; Niharika Konidela; Niharika Singh; Niharica Raizada; Nikesha Patel; Niki Aneja; Nikita Anand; Nikita J Palekar; Nikita Dutta; Nikita Thukral; Nikki Galrani; Nila (alias for Meera Chopra); Nimisha Sajayan; Nimmi; Nirmala Chennappa; Nirupa Roy; Misscat Mita; Nirmalamma; Nirosha; Nisha Agarwal; Nisha Kothari; Nisha Ravikrishnan; Nishi; Nishita Goswami; Nithya Das; Nithya Menen; Nivedita Jain; Nivedita Joshi Saraf; Nivetha Thomas; Nivetha Pethuraj; Noor Jehan; Nora Fatehi[1]; Nutan; Nimrat Kaur; Nushrat Bharucha; Nathalia Kaur; Nyla Usha; O; Oviya Helen; P; Padmapriya; Padma Khanna; Padma Kumta; Padma Lakshmi; Padma Vasanthi; Padmaja Rao; Padmini Kolhapure; Padmini; Padmavati Rao; Pallavi Joshi; Pallavi Kulkarni; Pallavi Subhash; Pallavi Sharda; Panchi Bora; Pandari Bai; Pankhuri Awasthy; Pakhi Tyrewala; Paoli Dam; Parineeti Chopra; Parminder Nagra; Parul Chauhan; Parul Gulati; Parul Yadav; Parvathy Jayaram; Parvathy Nair; Parvathy Omanakuttan; Parvati Melton; Parvathy Thiruvothu; Parveen Babi; Patience Cooper; Patralekha; Payal Rohatgi; Payel Sarkar; Payal Ghosh; Perizaad Zorabian; Pia Bajpai; Plabita Borthakur; Pooja Batra; Pooja Bedi; Pooja Bhatt; Pooja Chopra; Pooja Gandhi; Pooja Gor; Pooja Hegde; Pooja Kanwal; Pooja Lokesh; Pooja Sawant; Pooja Umashankar; Poonam Bajwa; Poonam Dhillon; Poonam Kaur; Poonam Pandey; Poornima Bhagyaraj; Prayaga Martin; Prachi Desai; Prachi Shah; Pramila Joshai; Pratibha Sinha; Pranitha Subhash; Prarthana Behere; Preetha Vijayakumar; Preeti Jhangiani; Preity Zinta; Prema; Prema Narayan; Priti Sapru; Priya Anand; Priya Bapat; Priya Gill; Priya Lal; Priya Raman; Priya Rajvansh; Priya Bhavani Shankar; Priya Wal; Priyamani; Priyanka Bassi; Priyanka Chopra Jonas; Priyanka Arul Mohan; Priyanka Nair; Priyanka Trivedi; Preetika Rao; Puja Gupta; Puja Banerjee; Purbi Joshi; R; Raakhee (Now Raakhi Gulzar); Radhika Apte; Radhika Madan; Raadhika Sarathkumar; Rachana Narayanankutty; Rachna Banerjee; Radha; Radha Saluja; Radhika Chaudhari; Radhika Kumaraswamy; Radhika Pandit; Ragini Travancore Sisters; Ragini Dwivedi; Ragini Khanna; Raima Sen; Rajisha Vijayan; Rajshree; Rajshri Deshpande; Rakhi Sawant; Rakul Preet Singh; Rakshita; Raashi Khanna; Rambha; Rameshwari; Ranjeeta Kaur; Ranjitha; Rajini; Rani Mukerji; Ramya; Ramya Barna; Ramya Krishnan; Ramya Sri; Ramya Nambaseean; Rashi Khanna; Rashi Mal; Rashmi; Rashmi Desai; Rashmi Gautam; Rashmika Mandanna; Ratan Rajput; Rati Agnihotri; Rati Pandey; Ratna Pathak Shah; Raveena Tandon; Reena Roy; Reema Lagoo; Reema Sen; Regina Cassandra; Rekha; Rekha; also known as Josephine; Rekha Das; Rekha Rana; Rekha Vedavyas; Reenu Mathews; Renuka Menon; Renukamma Murugodu; Renuka Shahane; Revathi; Rhea Chakraborty; Richa Ahuja; Richa Chaddha; Richa Gangopadhyay; Richa Pallod; Richa Panai; Richa Sharma; Ridhi Dogra; Rima Kallingal; Rimi Sen; Rimi Tomy; Rinke Khanna; Rinku Rajguru; Rita Bhaduri; Ritika Singh; Rituparna Sengupta; Riya Sen; Rohini Hattangadi; Rohini; Roja; Roja Ramani; Roma; Roopa Ganguly; Roopa Iyer; Roshni Chopra; R.T. Rama; Ruby Parihar; Rucha Gujarathi; Rupini; Ranjana Deshmukh; S; Sabitri Chatterjee; Saba Qamar; Saba Azad; Shivaleeka Oberoi; Sobhita Dhulipala; S. Varalakshmi; Sadha; Sadhana Shivdasani; Sagarika Ghatge; Sagarika Mukherjee; Sajal Aly; Sana Althaf; Sana Makbul; Sandhya; Sai Lokur; Saiyami Kher; Samskruthy Shenoy; Samyuktha Hegde; Sandeepa Dhar; Sandhya; Sandhya Mridul; Sandhya Roy; Sanaya Irani; Sanya Malhotra; Saniya Anklesaria; Sanjeeda Sheikh; Sakshi Shivanand; Sakshi Tanwar; Sai Pallavi; Sai Tamhankar; Saira Banu; Salma Agha; Saloni Aswani; Samantha Ruth Prabhu; Samiksha; Sameera Reddy; Samvrutha Sunil; Sana Amin Sheikh; Sana Khan; Sana Saeed; Sanchita Padukone; Sandeepa Dhar; Sangeeta Bijlani; Sandra Amy; Sanober Kabir; Sandali Sinha; Sanghavi; Sanjjanaa; Sanjana Gandhi (now Pooja Gandhi); Santoshi; Sara Ali Khan; Sarah Jane Dias; Sara Loren; Saranya Mohan; Saranya Ponvannan; Sarayu (actress); Sarika; Saritha; Saroja Devi; Satarupa Pyne; Sathyabhama; Saumya Tandon; Savitri; Sayali Bhagat; Sayani Gupta; Sayyeshaa Saigal; Seerat Kapoor; Seema Biswas; Seema Pahwa; Seema Shinde; Seetha; Shabana Azmi; Shalini (Baby Shalini); Shamili (Baby Shamili); Shahana Goswami; Sakshi Tanwar; Sharmila Mandre; Sharmilee; Shibani Dandekar; Shreya Narayan; Shakeela; Shalini Pandey; Shamita Shetty; Shanthamma; Sharmila Tagore; Shashikala; Shazahn Padamsee; Sheeba Chadha; Sheela; Sheela; Sheena Bajaj; Sheena Chohan; Sheena Shahabadi; Shenaz Treasurywala; Sherin; Sherlyn Chopra (Mona Chopra); Shilpa Shetty; Shilpa Shukla; Shilpa Shirodkar; Shilpa Tulaskar; Shilpa Anand; Shilpi Sharma; Shivani Raghuvanshi; Shivangi Joshi; Shreya Dhanwanthary; Shruti Naidu; Shylaja Nag; Shweta Basu Prasad; Shweta Bhardwaj; Shweta Menon; Shweta Gulati; Shweta Tiwari; Shweta Tripathi; Shobhana; Shobhna Samarth; Shraddha Arya; Shraddha Das; Shraddha Kapoor; Shraddha Srinath; Shruthi Haasan; Shruti Sodhi; Shruti; Shruti Seth; Shruti Sharma; Shritha Sivadas; Shriya Saran; Shriya Pilgaonkar; Shriya Sharma; Shubha Poonja; Shyama (Khurshid Akhtar); Shylashri; Sihi Kahi Geetha; Sija Rose; Simi Garewal; Simone Singh; Simple Kapadia; Simple Kaur; Simran Mundi; Simran Bagga; Sindhu; Sindhu Tolani; Sindhu Menon; Silk Smitha; Sithara; Smita Patil; Smriti Irani (Smriti Malhotra); Smriti Kalra; Sneha Ullal; Sneha; Snigdha Akolkar; Soha Ali Khan; Sonakshi Sinha; Sonali Bendre; Sonali Kulkarni; Sonali Raut; Sonalee Kulkarni; Sonal Chauhan; Sonam (actress); Sonam Bajwa; Sonam Kapoor; Sonalika Joshi; Sonarika Bhadoria; Sonia Agarwal; Sonnalli Seygall; Sonu; Sonu Walia; Sophia Chaudhary; Soundarya; Sowcar Janaki; Spruha Joshi; Srabanti Chatterjee; Sridevi (Now Sridevi Kapoor); Sriti Jha; Sri Divya; Srividya; Sripriya; Subbulakshmi; Suchitra; Suchitra Krishnamurthy; Suchitra Pillai; Suchitra Sen; Sunitha / Vidhyasri; Sudha Belawadi; Sudha Chandran; Sudha Rani; Sudha Narasimharaju; Sudipta Chakraborty; Suhasi Goradia Dhami; Suhasini; Sujatha; Sukirti Kandpal; Sukumari; Sulakshana Pandit; Sulochana Devi; Sumalatha; Suman Nagarkar; Suman Ranganathan; Sumithra; Sumitra Devi; Sunaina; Sunny Leone; Surbhi Chandna; Surbhi Jyoti; Supriya Devi; Supriya Karnik; Supriya Pathak; Supriya Pilgaonkar; Supriya Shukla; Suraiya; Surveen Chawla; Suryakantham; Sushma Reddy; Sushmita Sen; Sumalatha; Suvalakshmi; Swati Reddy; Swapna; Swaroop Sampat; Swastika Mukherjee; Swaparja Roy; Srinidhi Shetty; Swara Bhaskar; Suzanna Mukherjee; T; Tabu; Tahira Kochhar; Tanaaz Irani; Tanisha; Tanushree Dutta; Tanuja; Tanu Roy; Tanvi Azmi; Tamannaah Bhatia; Tannishtha Chatterjee; Taapsee Pannu; Tara; Tara Anuradha; Tara Deshpande; Tara D'Souza; Tara Sharma; Tarana Raja; Taruni Sachdev; Tejaswi Madivada; Tena Desae; Tia Bajpai; Tillotama Shome; Tina Munim (now Tina Ambani); Tina Dutta; Tisca Chopra; Tripuramba; Trisha Krishnan; Tulip Joshi; Tun Tun; Twinkle Khanna; Tara Alisha Berry; Tara Sutaria; U; Udhayathara; Udaya Chandrika; Udita Goswami; Ujjwala Raut; Uma; Uma Padmanabhan; Umasashi; Umashree; Usha Chavan; Urmila Matondkar; Urmila Kanitkar; Urvashi; Urvashi Dholakia; Urvashi Sharma; Usha Kiran; Usha Nadkarni; Usha Naik; Ulka Gupta; Upasna Singh; Urvashi Rautela; V; Vaani Kapoor; Vanitha Vijayakumar; Vadivukkarasi; Vaidehi Parashurami; Vaishali Desai; Vaishali Kasaravalli; Vandana Gupte; Vanishree; Vanisri; Vani Bhojan; Vani Viswanath; Vanitha Vasu; Vaishnavi Mahant; Vrushika Mehta; Writtima Roy; Varalaxmi Sarathkumar; Varsha Bollamma; Varsha Usgaonkar; Vasundhara Das; Vedhika; Veda Sastry; Veena Malik; Veena Sundar; Veena; Vega Tamotia; Vibha Chibber; Vidhubala; Vidya Balan; Vithika Sheru; Vidya Malvade; Vidya Sinha; Vishakha Singh; Vijeta Pandit; Vijayalakshmi; Vijayalakshmi Singh; Vijayashanti; Vimala Raman; Vinaya Prasad; Vyjayantimala; W; Waheeda Rehman; Wamiqa Gabbi; Warina Hussain; Waluscha De Sousa; Y; Yagna Shetty; Yami Gautam; Yamuna (actress); Yashaswini Dayama; Yogeeta Bali; Yana Gupta; Yukta Mookhey; Yuvika Chaudhary; Zaheera; Zaira Wasim; Zarina Wahab; Zarine Khan; Zoya Afroz; Zoa Morani; Zeenat Aman; Zoya Khan; Zubeida; Zaheeda;

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The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1399 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 3 million visitors annually.

 

HISTORY

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Royal Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Sri Sir Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Sri Sir Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

 

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now working as the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति कदाचन" (never terrified).

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dasara festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

Mysore Palace is one of the most magnificent buildings. It is a sight not to be missed when it is illuminated on Sundays and festive occasions. The interior of the Palace is equally worth a visit, for its spacious halls, paintings and architectural beauty. The palace is an excellent combination of Indo-Saracenic architecture.

 

AMBAVILASA

This spectacular room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (DOLL`S PAVILION)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

KALYANA MANTAPA

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

 

OTHER ROOMS

The palace houses several rooms of importance. These include:

 

- The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions

- An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITOR INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

WIKIPEDIA

To view this short film in English please click on the link below:

 

www.youtube.com/watch?v=UozmJc_qTk0

 

To view this short film in Hindi please click on the link below:

 

www.youtube.com/watch?v=l33c_jU5zyg

   

Photograph from Business Technology Summit 2010 held in Bangalore, India, 11-12 November 2010, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.

Photograph from Business Technology Summit 2010 held in Bangalore, India, 11-12 November 2010, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.

Gurdwara Sri Guru Singh Sabha, Ludhiana Gurdwara Sri Guru Singh Sabha arranged a flower show and contest and, art and painting contest for kids at their Gurdwara premises on March 4th. Hundreds of families from Bhai Randhir Singh Nagar, Sarabha Nagar, Model Town, MT Extension, Rajguru Nagar and other parts of Ludhiana took part in this program. Over 500 kids from 6 to 15 years of age group used their color brushes to paint to express the association of Sikhi and environment. About 60 Sikh families signed the EcoSikh Sikh Environment Day Pledge form to plant a tree on 14th March in honour of Sri Guru Har Rai Sahib. There was a kirtan darbar on Basant Raag on the same evening.

 

The Gurdwara management committee organized another bicycle rally on 14th March. Many teenagers and elders embraced the newest city program which planted trees on their way. Bhai Pritam Singh a famous 85 years old Sikh cyclist was the chief guest at this event.

 

Photograph from Business Technology Summit 2010 held in Bangalore, India, 11-12 November 2010, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.

Photograph from Business Technology Summit 2010 held in Bangalore, India, 11-12 November 2010, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.

Gurdwara Sri Guru Singh Sabha, Ludhiana Gurdwara Sri Guru Singh Sabha arranged a flower show and contest and, art and painting contest for kids at their Gurdwara premises on March 4th. Hundreds of families from Bhai Randhir Singh Nagar, Sarabha Nagar, Model Town, MT Extension, Rajguru Nagar and other parts of Ludhiana took part in this program. Over 500 kids from 6 to 15 years of age group used their color brushes to paint to express the association of Sikhi and environment. About 60 Sikh families signed the EcoSikh Sikh Environment Day Pledge form to plant a tree on 14th March in honour of Sri Guru Har Rai Sahib. There was a kirtan darbar on Basant Raag on the same evening.

 

The Gurdwara management committee organized another bicycle rally on 14th March. Many teenagers and elders embraced the newest city program which planted trees on their way. Bhai Pritam Singh a famous 85 years old Sikh cyclist was the chief guest at this event.

 

Photograph from Business Technology Summit 2010 held in Bangalore, India, 11-12 November 2010, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.

Gurdwara Sri Guru Singh Sabha, Ludhiana Gurdwara Sri Guru Singh Sabha arranged a flower show and contest and, art and painting contest for kids at their Gurdwara premises on March 4th. Hundreds of families from Bhai Randhir Singh Nagar, Sarabha Nagar, Model Town, MT Extension, Rajguru Nagar and other parts of Ludhiana took part in this program. Over 500 kids from 6 to 15 years of age group used their color brushes to paint to express the association of Sikhi and environment. About 60 Sikh families signed the EcoSikh Sikh Environment Day Pledge form to plant a tree on 14th March in honour of Sri Guru Har Rai Sahib. There was a kirtan darbar on Basant Raag on the same evening.

 

The Gurdwara management committee organized another bicycle rally on 14th March. Many teenagers and elders embraced the newest city program which planted trees on their way. Bhai Pritam Singh a famous 85 years old Sikh cyclist was the chief guest at this event.

 

Photograph from Business Technology Summit 2010 held in Bangalore, India, 11-12 November 2010, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.

Gurdwara Sri Guru Singh Sabha, Ludhiana Gurdwara Sri Guru Singh Sabha arranged a flower show and contest and, art and painting contest for kids at their Gurdwara premises on March 4th. Hundreds of families from Bhai Randhir Singh Nagar, Sarabha Nagar, Model Town, MT Extension, Rajguru Nagar and other parts of Ludhiana took part in this program. Over 500 kids from 6 to 15 years of age group used their color brushes to paint to express the association of Sikhi and environment. About 60 Sikh families signed the EcoSikh Sikh Environment Day Pledge form to plant a tree on 14th March in honour of Sri Guru Har Rai Sahib. There was a kirtan darbar on Basant Raag on the same evening.

 

The Gurdwara management committee organized another bicycle rally on 14th March. Many teenagers and elders embraced the newest city program which planted trees on their way. Bhai Pritam Singh a famous 85 years old Sikh cyclist was the chief guest at this event.

 

Photograph from Business Technology Summit 2010 held in Bangalore, India, 11-12 November 2010, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.

Photograph from Business Technology Summit 2010 held in Bangalore, India, 11-12 November 2010, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.

Photograph from Business Technology Summit 2010 held in Bangalore, India, 11-12 November 2010, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.

Photograph from Business Technology Summit 2010 held in Bangalore, India, 11-12 November 2010, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.

Photograph from Business Technology Summit 2010 held in Bangalore, India, 11-12 November 2010, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.

Photograph from Business Technology Summit 2010 held in Bangalore, India, 11-12 November 2010, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.

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