©Sekitar --- All rights reserved. Please don't use this image on websites, blogs or other media without my explicit permission.

©Sekitar --- All rights reserved. Please don't use this image on websites, blogs or other media without my explicit permission.

©Sekitar --- All rights reserved. Please don't use this image on websites, blogs or other media without my explicit permission.

The Emar Mutt complex was demolished August 2019 completely.

 

++++ FROM WIKIPEDIA ++++

Raghunandana Library is located in the Emara Math-a complex (opposite Simhadwara or lion gate, the main entrance gate). The Jagannatha Aitihasika Gavesana Samiti (Jagannatha Historical Centre) is also located here. The library houses ancient palm leaf manuscripts on Jagannatha, His cult and the history of the city.

 

Puri (Odia: [ˈpuɾi (ପୁରୀ)] is a coastal city and a municipality in the state of Odisha in eastern India. It is the district headquarters of Puri district and is situated on the Bay of Bengal, 60 kilometres (37 mi) south of the state capital of Bhubaneswar. It is also known as Sri Jagannatha Dhama after the 12th-century Jagannath Temple located in the city. It is one of the original Char Dham pilgrimage sites for Hindus.

 

Puri is known by several names since the ancient times, and was locally known as "Sri Kshetra" and the Jagannath temple is known as "Badadeula". Puri and the Jagannath Temple were invaded 18 times by Muslim rulers, from the 7th century AD till the early 19th century with the objective of looting the treasures of the temple. Odisha, including Puri and its temple, were part of British India from 1803 till India attained independence in August 1947. Even though princely states do not exist in India today, the heirs of the House of Gajapati still perform the ritual duties of the temple. The temple town has many Hindu religious mathas or monasteries.

 

The economy of Puri is dependent on the religious importance of the Jagannath Temple to the extent of nearly 80 percent. The 24 festivals, including 13 major ones, held every year in the temple complex contribute to the economy; Ratha Yatra and its related festivals are the most important which are attended by millions of people every year. Sand art and applique art are some of the important crafts of the city.

 

Puri has been chosen as one of the heritage cities for Heritage City Development and Augmentation Yojana (HRIDAY) scheme of Government of India.

 

History

 

Names in history

Puri, the holy land of Jagannatha, also known by the popular vernacular name Srikshetram, has many ancient names in the Hindu scriptures such as the Rigveda, Matsya purana, Brahma Purana, Narada Purana, Padma Purana, Skanda Purana, Kapila Purana and Niladrimahodaya. In the Rigveda, in particular, it is mentioned as a place called Purushamandama-grama meaning the place where the Creator deity of the world – Supreme Divinity deified on an altar or mandapa was venerated near the coast and prayers offered with Vedic hymns. Over time the name got changed to Purushottama Puri and further shortened to Puri, and the Purusha came to be known as Jagannatha. Sages like Bhrigu, Atri and Markandeya had their hermitage close to this place. Its name is mentioned, conforming to the deity worshipped, as Srikshetra, Purusottama Dhāma, Purusottama Kshetra, Purusottama Puri and Jagannath Puri. Puri, however, is the popular usage. It is also known by the geographical features of its location as Shankhakshetra (the layout of the town is in the form of a conch shell),[4] Neelāchala ("Blue mountain" a terminology used to name a very large sand lagoon over which the temple was built but this name is not in vogue), Neelāchalakshetra, Neelādri.[5] In Sanskrit, the word "Puri" means town or city,and is cognate with polis in Greek.

 

Another ancient name is Charita as identified by General Alexander Cunningham of the Archaeological Survey of India, which was later spelled as Che-li-ta-lo by Chinese traveller Hiuen Tsang. When the present temple was built by the Eastern Ganga king Anantavarman Chodaganga in the 11th and 12th centuries AD, it was called Purushottamkshetra. However, the Moghuls, the Marathas and early British rulers called it Purushottama-chhatar or just Chhatar. In Moghul ruler Akbar's Ain-i-Akbari and subsequent Muslim historical records it was known as Purushottama. In the Sanskrit drama Anargha Raghava Nataka as well, authored by Murari Mishra, a playwright, in the 8th century AD, it is referred to as Purushottama.[4] It was only after the 12th century AD that Puri came to be known by the shortened form of Jagannatha Puri, named after the deity or in a short form as Puri.[5] It is the only shrine in India, where Radha, along with Lakshmi, Saraswati, Durga, Bhudevi, Sati, Parvati, and Shakti, abodes with Krishna, who is also known by the name Jagannatha.

 

Ancient period

 

King Indradyumna of Ujjayani credited with building the original Puri Jagannath temple in 318 AD

According to the chronicle Madala Panji, in 318 AD, the priests and servitors of the temple spirited away the idols to escape the wrath of the Rashtrakuta king Rakatavahu.[9] In the temple's historical records it finds mention in the Brahma Purana and Skanda Purana stating that the temple was built by the king Indradyumna, Ujjayani.

 

S. N. Sadasivan, a historian, in his book A Social History of India quotes William Joseph Wilkins, author of the book Hindu Mythology, Vedic and Purānic as stating that in Puri, Buddhism was once a well established practice but later Buddhists were persecuted and Brahmanism became the order of the religious practice in the town; the Buddha deity is now worshipped by the Hindus as Jagannatha. It is also said by Wilkinson that some relics of Buddha were placed inside the idol of Jagannatha which the Brahmins claimed were the bones of Lord Krishna. Even during Maurya king Ashoka's reign in 240 BC, Kalinga was a Buddhist center and that a tribe known as Lohabahu (barbarians from outside Odisha) converted to Buddhism and built a temple with an idol of Buddha which is now worshipped as Jagannatha. Wilkinson also says that the Lohabahu deposited some Buddha relics in the precincts of the temple.

 

Construction of the present Jagannath Temple started in 1136 AD and completed towards the latter part of the 12th century. The Eastern Ganga king Anangabhima III dedicated his kingdom to Lord Jagannatha, then known as the Purushottama-Jagannatha, and resolved that from then on he and his descendants would rule under "divine order as Jagannatha's sons and vassals". Even though princely states do not exist in India today, the heirs of the Eastern Ganga dynasty of Puri still perform the ritual duties of the temple; the king formally sweeps the road in front of the chariots before the start of the Ratha Yatra. This ritual is called Cherra Pahanra.

 

Medieval and early modern periods

The history of Puri is on the same lines as that of the Jagannath Temple, which was invaded 18 times during its history to plunder the treasures of the temple, rather than for religious reasons. The first invasion occurred in the 8th century AD by Rastrakuta king Govinda III (798–814 AD), and the last took place in 1881 AD by the monotheistic followers of Alekh (Mahima Dharma) who did not recognise the worship of Jagannatha.[13] From 1205 AD onward there were many invasions of the city and its temple by Muslims of Afghan and Moghul descent, known as Yavanas or foreigners. In most of these invasions the idols were taken to safe places by the priests and the servitors of the temple. Destruction of the temple was prevented by timely resistance or surrender by the kings of the region. However, the treasures of the temple were repeatedly looted.[14] The table lists all the 18 invasions along with the status of the three images of the temple, the triad of Jagannatha, Balabhadra and Subhadra following each invasion.

  

In the 16th century, Chaitanya Mahaprabhu of Bengal established the Bhakti movements of India, now known by the name the Hare Krishna movement. He spent many years as a devotee of Jagannatha at Puri; he is said to have merged with the deity.[25] There is also a matha of Chaitanya Mahaprabhu here known as Radhakanta Math.

 

In the 17th century, for the sailors sailing on the east coast of India, the temple served as a landmark, being located in a plaza in the centre of the city, which they called the "White Pagoda" while the Konark Sun Temple, 60 kilometres (37 mi) away to the east of Puri, was known as the "Black Pagoda".

 

The iconic representation of the images in the Jagannath temple is believed to be the forms derived from the worship made by the tribal groups of Sabaras belonging to northern Odisha. These images are replaced at regular intervals as the wood deteriorates. This replacement is a special event carried out ritualistically by special group of carpenters.

 

Govardhana matha main gate

The city has many other Mathas as well. The Emar Matha was founded by the Tamil Vaishnava saint Ramanujacharya in the 12th century AD. This Matha, which is now located in front of Simhadvara across the eastern corner of the Jagannath Temple, is reported to have been built in the 16th century during the reign of kings of Suryavamsi Gajapatis. The Matha was in the news on 25 February 2011 for the large cache of 522 silver slabs unearthed from a closed chamber.

 

The British conquered Orissa in 1803, and, recognising the importance of the Jagannath Temple in the life of the people of the state, they initially appointed an official to look after the temple's affairs and later declared the temple as part of a district.

 

Modern history

 

H.H Jagadguru Swami Nischalananda Saraswati, The Shankaracharya of Puri

In 1906, Sri Yukteswar, an exponent of Kriya Yoga and a resident of Puri, established an ashram, a spiritual training center, named "Kararashram" in Puri. He died on 9 March 1936 and his body is buried in the garden of the ashram.

 

The city is the site of the former summer residence of British Raj, the Raj Bhavan, built in 1913–14 during the era of governors.[30]

 

For the people of Puri, Lord Jagannatha, visualized as Lord Krishna, is synonymous with their city. They believe that Lord Jagannatha looks after the welfare of the state. However, after the partial collapse of the Jagannath Temple (in the Amalaka part of the temple) on 14 June 1990, people became apprehensive and considered it a bad omen for Odisha. The replacement of the fallen stone by another of the same size and weight (7 tonnes (7.7 tons)), that could be done only in the early morning hours after the temple gates were opened, was done on 28 February 1991.[25]

 

Puri has been chosen as one of the heritage cities for the Heritage City Development and Augmentation Yojana scheme of the Indian Government. It is chosen as one of the 12 heritage cities with "focus on holistic development" to be implemented within 27 months by the end of March 2017.[31]

 

Non-Hindus are not permitted to enter the shrines but are allowed to view the temple and the proceedings from the roof of the Raghunandan library, located within the precincts of the temple, for a small donation.[32]

 

Geography and climate

 

Geography

 

The Atharanala Bridge dating back to the 16th century at the entrance of Puri

Puri, located on the east coast of India on the Bay of Bengal, is in the centre of the Puri district. It is delimited by the Bay of Bengal on the southeast, the Mauza Sipaurubilla on the west, Mauza Gopinathpur in the north and Mauza Balukhand in the east. It is within the 67 kilometres (42 mi) coastal stretch of sandy beaches that extends between Chilika Lake and the south of Puri city. However, the administrative jurisdiction of the Puri Municipality extends over an area of 16.3268 square kilometres (6.3038 sq mi) spread over 30 wards, which includes a shore line of 5 kilometres (3.1 mi).[33]

 

Puri is in the coastal delta of the Mahanadi River on the shores of the Bay of Bengal. In the ancient days it was near to Sisupalgarh (also known as "Ashokan Tosali"). Then the land was drained by a tributary of the Bhargavi River, a branch of the Mahanadi River. This branch underwent a meandering course creating many arteries altering the estuary, and formed many sand hills. These sand hills could be cut through by the streams. Because of the sand hills, the Bhargavi River, flowing to the south of Puri, moved away towards the Chilika Lake. This shift also resulted in the creation of two lagoons, known as Sar and Samang, on the eastern and northern parts of Puri respectively. Sar lagoon has a length of 5 miles (8.0 km) in an east–west direction and a width of 2 miles (3.2 km) in north–south direction. The estuary of the Bhargavi River has a shallow depth of just 5 feet (1.5 m) and the process of siltation continues. According to a 15th-century Odia writer Saraladasa, the bed of the unnamed stream that flowed at the base of the Blue Mountain or Neelachal was filled up. Katakarajavamsa, a 16th-century chronicle (c.1600), attributes filling up of the bed of the river which flowed through the present Grand Road, as done during the reign of King Narasimha II (1278–1308) of Eastern Ganga dynasty.

 

Climate

According to the Köppen–Geiger climate classification system the climate of Puri is classified as Aw (Tropical savanna climate). The city has moderate and tropical climate. Humidity is fairly high throughout the year. The temperature during summer touches a maximum of 36 °C (97 °F) and during winter it is 17 °C (63 °F). The average annual rainfall is 1,337 millimetres (52.6 in) and the average annual temperature is 26.9 °C (80.4 °F).

 

Demographics

 

According to the 2011 Census of India, Puri is an urban agglomeration governed by the Municipal Corporation in Odisha state, with a population of 200,564, comprising 104,086 males, 96,478 females, and 18,471 children (under six years of age). The sex ratio is 927. The average literacy rate in the city is 88.03 percent (91.38 percent for males and 84.43 percent for females).

 

Administration

 

Samudra arati or worship of the sea at Swargadwar by disciples of the Govardhana matha

The Puri Municipality, Puri Konark Development Authority, Public Health Engineering Organisation and Orissa Water Supply Sewerage Board are some of the principal organisations that are devolved with the responsibility of providing for civic amenities such as water supply, sewerage, waste management, street lighting and infrastructure of roads. The major activity, which puts maximum pressure on these organisations, is the annual event of the Ratha Yatra held during June- July. According to the Puri Municipality more than a million people attend this event. Hence, development activities such as infrastructure and amenities to the pilgrims, apart from security, gets priority attention.

 

The civic administration of Puri is the responsibility of the Puri Municipality. The municipality came into existence in 1864 in the name of the Puri Improvement Trust, which was converted into Puri Municipality in 1881. After India's independence in 1947, the Orissa Municipal Act (1950) was promulgated entrusting the administration of the city to the Puri Municipality. This body is represented by elected representatives with a Chairperson and councilors representing the 30 wards within the municipal limits.

 

Economy

The economy of Puri is dependent on tourism to the extent of about 80 percent. The temple is the focal point of the city and provides employment to the people of the town. Agricultural production of rice, ghee, vegetables and so forth of the region meet the large requirements of the temple. Many settlements around the town exclusively cater to the other religious requirements of the temple. The temple administration employs 6,000 men to perform the rituals. The temple also provides economic sustenance to 20,000 people. According to Colleen Taylor Set an author on food and travel, writing on the food culture of India, the temple kitchen has 400 cooks serving food to as many as 100,000 people,. According to J Mohapatra, Director, Ind Barath Power Infra Ltd (IBPIL), the kitchen is known as "a largest and biggest kitchen of the world."

 

Landmarks

Jagannath Temple at Puri

 

The Jagannath Temple at Puri is one of the major Hindu temples built in the Kalinga style of architecture.The temple tower, with a spire, rises to a height of 58 metres (190 ft), and a flag is unfurled above it, fixed over a wheel (chakra).[

  

Left:Ritual chakra and flags at the top shikhara of Puri temple of Jagannatha also related to Sudarsana chakra. The red flag (12 hand or 14 feet (4.3 m) denotes that Jagannath is within the temple.

 

Right: Statue of Aruna the charioteer of the Sun God on top of the Aruna Stambha in front of the Singhadwara

The temple is built on an elevated platform (of about 420,000 square feet (39,000 m2) area),[46] 20 feet (6.1 m) above the adjacent area. The temple rises to a height of 214 feet (65 m) above the road level. The temple complex covers an area of 10.7 acres (4.3 ha).[39] There are four entry gates in four cardinal directions of the temple, each gate located at the central part of the walls. These gates are: the eastern gate called the Singhadwara (Lions Gate), the southern gate known as Ashwa Dwara (Horse Gate), the western gate called the Vyaghra Dwara (Tigers Gate) or the Khanja Gate, and the northern gate called the Hathi Dwara or (elephant gate). These four gates symbolize the four fundamental principles of Dharma (right conduct), Jnana (knowledge), Vairagya (renunciation) and Aishwarya (prosperity). The gates are crowned with pyramid shaped structures. There is a stone pillar in front of the Singhadwara, called the Aruna Stambha {Solar Pillar}, 11 metres (36 ft) in height with 16 faces, made of chlorite stone; at the top of the stamba an elegant statue of Aruṇa (Sun) in a prayer mode is mounted. This pillar was shifted from the Konarak Sun Temple.[47] The four gates are decorated with guardian statues in the form of lion, horse mounted men, tigers, and elephants in the name and order of the gates.[32] A pillar made of fossilized wood is used for placing lamps as offering. The Lion Gate (Singhadwara) is the main gate to the temple, which is guarded by two guardian deities Jaya and Vijaya.[46][47][48] The main gate is ascended through 22 steps known as Baisi Pahaca, which are revered, as it is believed to possess "spiritual animation". Children are made to roll down these steps, from top to bottom, to bring them spiritual happiness. After entering the temple, on the left side, there is a large kitchen where food is prepared in hygienic conditions in huge quantities; the kitchen is called as "the biggest hotel of the world".

  

The main entrance of the Jagannath Temple

According to a legend King Indradyumma was directed by Lord Jagannatha in a dream to build a temple for him which he did as directed. However, according to historical records the temple was started some time during the 12th century by King Chodaganga of the Eastern Ganga dynasty. It was completed by his descendant, Anangabhima Deva, in the 12th century. The wooden images of Jagannatha, Balabhadra and Subhadra were then deified here. The temple was under the control of the Hindu rulers up to 1558. Then, when Orissa was occupied by the Afghan Nawab of Bengal, it was brought under the control of the Afghan General Kalapahad. Following the defeat of the Afghan king by Raja Mansingh, the General of Mughal emperor Akbar, the temple became part of the Mughal empire till 1751. Subsequently, it was under the control of the Marathas till 1803. During the British Raj, the Puri Raja was entrusted with its management until 1947.

 

The triad of images in the temple are of Jagannatha, personifying Lord Krishna, Balabhadra, His older brother, and Subhadra, His younger sister. The images are made of neem wood in an unfinished form. The stumps of wood which form the images of the brothers have human arms, while that of Subhadra does not have any arms. The heads are large, painted and non-carved. The faces are marked with distinctive large circular eyes.[25]

 

The Pancha Tirtha of Puri

 

Markandeshwar Tank

Hindus consider it essential to bathe in the Pancha Tirtha or the five sacred bathing spots of Puri, to complete a pilgrimage to Puri. The five sacred water bodies are the Indradyumana Tank, the Rohini Kunda, the Markandeya Tank, the Swetaganga Tank, and the Bay of Bengal also called the Mahodadhi, in Sanskrit 'Mahodadhi' means a "great ocean";[49] all are considered sacred bathing spots in the Swargadwara area.[50][51][52] These tanks have perennial sources of supply from rainfall and ground water.[53]

 

Gundicha Temple

Main article: Gundicha Temple

 

Main entrance of the Gundicha Temple

The Gundicha Temple, known as the Garden House of Jagannatha, stands in the centre of a garden, bounded by compound walls on all sides. It lies at a distance of about 3 kilometres (1.9 mi) to the northeast of the Jagannath Temple. The two temples are located at the two ends of the Bada Danda (Grand Avenue), which is the pathway for the Ratha Yatra. According to a legend, Gundicha was the wife of King Indradyumna who originally built the Jagannath temple.

 

The temple is built using light-grey sandstone, and, architecturally, it exemplifies typical Kalinga temple architecture in the Deula style. The complex comprises four components: vimana (tower structure containing the sanctum), jagamohana (assembly hall), nata-mandapa (festival hall) and bhoga-mandapa (hall of offerings). There is also a kitchen connected by a small passage. The temple is set within a garden, and is known as "God's Summer Garden Retreat" or garden house of Jagannatha. The entire complex, including the garden, is surrounded by a wall which measures 430 by 320 feet (131 m × 98 m) with height of 20 feet (6.1 m).

 

Except for the 9-day Ratha Yatra, when the triad images are worshipped in the Gundicha Temple, otherwise it remains unoccupied for the rest of the year. Tourists can visit the temple after paying an entry fee. Foreigners (generally prohibited entry in the main temple) are allowed inside this temple during this period.[56] The temple is under the Jagannath Temple Administration, Puri, the governing body of the main temple. A small band of servitors maintain the temple.

 

Swargadwar

 

Sea at Swargadwar of Puri

Swargadwar is the name given to the cremation ground or burning ghat which is located on the shores of the sea. Here thousands of dead bodies of Hindus brought from faraway places are cremated. It is a belief that the Chaitanya Mahaparabhu disappeared from this Swargadwar about 500 years back.

 

Beach

 

Puri sea sunrise

 

Puri sea beach viewed from the light house

The beach at Puri, known as the "Ballighai beach, at the mouth of Nunai River", is 8 kilometres (5.0 mi) away from the town and is fringed by casurina trees.[10] It has golden yellow sand. Sunrise and sunset are pleasant scenic attractions here. Waves break in at the beach which is long and wide.

 

District museum

The Puri district museum is located on the station road where the exhibits in display are the different types of garments worn by Lord Jagannatha, local sculptures, patachitra (traditional, cloth-based scroll painting), ancient Palm-leaf manuscripts, and local craft work.

  

Festivals of Puri

The Grand Road near the Jagannath Temple

Puri witnesses 24 festivals every year, of which 13 are major. The most important of these is the Ratha Yatra, or the car festival, held in the June–July, which is attended by more than 1 million people.

 

Ratha Yatra at Puri

The Ratha Yatra in Puri in modern times showing the three chariots of the deities with the Temple in the background

The Jagannath Temple triad are normally worshipped in the sanctum of the temple at Puri, but once during the month of Asadha (rainy season of Orissa, usually in June or July), they are brought out on the Bada Danda (main street of Puri) and taken over a distance of (3 kilometres (1.9 mi)) to the Gundicha Temple[61] in huge chariots (ratha), allowing the public to have darśana (holy view). This festival is known as the Ratha Yatra, meaning the journey (yatra) of the chariots.[62] The yatra starts every year according to the Hindu calendar on the Asadha Sukla Dwitiya day, the second day of bright fortnight of Asadha (June–July).[63]

 

Historically, the ruling Ganga dynasty instituted the Ratha Yatra on the completion of the Jagannath Temple around 1150 AD. This festival was one of those Hindu festivals that was reported to the Western world very early.[64] Friar Odoric, in his account of 1321, reported how the people put the "idols" on chariots, and the King, the Queen and all the people drew them from the "church" with song and music.[65][66]

 

The Rathas are huge wooden structures provided with large wheels, which are built anew every year and are pulled by the devotees. The chariot for Lord Jagannatha is about 45 feet (14 m) high and 35 square feet (3.3 m2) and takes about 2 months for its construction.[67] The chariot is mounted with 16 wheels, each of 7 feet (2.1 m) diameter. The carving in the front face of the chariot has four wooden horses drawn by Maruti. On its other three faces, the wooden carvings are of Rama, Surya and Vishnu. The chariot is known as Nandi Ghosha. The roof of the chariot is covered with yellow and red coloured cloth. The next chariot is of Balabhadra which is 44 feet (13 m) in height fitted with 14 wheels. The chariot is carved with Satyaki as the charioteer, roof covered in red and green coloured cloth, and the chariot is known as Taladhwaja. The carvings on this chariot include images of Narasimha and Rudra as Jagannatha's companions. The next chariot in the order is of Subhadra, which is 43 feet (13 m) in height supported on 12 wheels, roof covered in black and red colour cloth, and the chariot is known as Darpa Dalaan and the charioteer carved is Arjuna. Other images carved on the chariot are of Vana Durga, Tara Devi and Chandi Devi.[63][68] The artists and painters of Puri decorate the cars and paint flower petals and other designs on the wheels, the wood-carved charioteer and horses, and the inverted lotuses on the wall behind the throne.[62] The chariots of Jagannatha pulled during Ratha Yatra is the etymological origin of the English word Juggernaut.[69] The Ratha Yatra is also termed as the Shri Gundicha yatra and Ghosha yatra

  

Pahandi bije during Ratha Yatra at Puri

Chhera Panhara

The Chhera Panhara[70] (sweeping with water) is a significant ritual associated with the Ratha Yatra. During this ritual, the Gajapati King wears the outfit of a sweeper and sweeps all around the deities and chariots. The king cleans the road in front of the chariots with a gold-handled broom and sprinkles sandalwood water and powder. As per the custom, although the Gajapati King has been considered the most exalted person in the Kalingan kingdom, he still renders the menial service to Jagannatha. This ritual signifies that under the lordship of Jagannatha, there is no distinction between the powerful sovereign and the humblest devotee.[71]

 

Chandan Yatra

 

The Chandan Yatra festival held every year on Akshaya Tritiya day marks the commencement of the construction of the chariots of the Ratha Yatra. It also marks the celebration of the Hindu new year.

 

Snana Yatra

Every year, on the Purnima day in the Hindu calendar month of Jyestha (June), the triad images of the Jagannath Temple are ceremonially bathed and decorated on the occasion of Snana Yatra. Water for the bath is taken in 108 pots from the Suna kuan (meaning: "golden well") located near the northern gate of the temple. Water is drawn from this well only once in a year for the sole purpose of the religious bath of the deities. After the bath the triad images are dressed in the fashion of the elephant god, Ganesha. Later, during the night, the original triad images are taken out in a procession back to the main temple but kept at a place known as Anasara pindi.[63] After this the Jhulana Yatra is performed when proxy images of the deities are taken out in a grand procession for 21 days, cruised over boats in the Narendra Tirtha tank.[10]

 

Anavasara or Anasara

 

Anasara, a derivative of the Sanskrit word "Anabasara", literally means vacation. Every year after the holy Snana Yatra, the triad images, without the Sudarshana Chakra, are taken to a secret altar named Anavasara Ghar (also known as Anasara pindi, 'pindi' is Oriya term meaning "platform" [72]) where they remain for the next fortnight of (Krishna paksha); devotees are not allowed to view these images. Instead, devotees go to the nearby Brahmagiri to see the Lord in the four-handed form of Alarnath, a depiction of Vishnu.[63][73] Devotees then get the first glimpse of the Lord only on the day before Ratha Yatra, which is called Navayouvana. It is a local belief that the gods suffer from fever after taking an elaborate ritual bath, and they are treated by the special servants, the Daitapatis, for 15 days. Daitapatis perform special nitis (rites) known as Netrotchhaba (a rite of painting the eyes of the triad). During this period cooked food is not offered to the deities.[74]

 

Naba Kalebara

Main articles: Nabakalevara and Nabakalebara 2015

Naba Kalebara is one of the most grand events associated with the Lord Jagannatha that takes place when one lunar month of Ashadha is followed by another of Ashadha called Adhika Masa (extra month). This can take place at an interval of 8, 12 or even 18 years. Literally meaning the "New Body" (Nava = New, Kalevar = Body) in Odia, the festival is witnessed by millions of people and the budget for this event generally exceeds $500,000. The event involves installation of new images in the temple and burial of the old ones in the temple premises at Koili Vaikuntha. During the Nabakalebara ceremony held during July 2015 the idols that were installed in the temple in 1996 were replaced by specially carved new images made of neem wood. More than 3 million people are reported to have attended this festival.[77]

 

Suna Besha

Main article: Suna Besha

 

Suna Besha or Golden Attire of Lord Jagannatha

Suna Besha, ('Suna besh'in English translates to "gold dressing"[78]) also known as Raja or Rajadhiraja Bhesha [79] or Raja Bhesha, is an event when the triad images of the Jagannath Temple are adorned with gold jewelry. This event is observed five times in a year. It is commonly observed on Magha Purnima (January), Bahuda Ekadashi also known as Asadha Ekadashi (July), Dashahara (Bijayadashami) (October), Karthik Purnima (November), and Pousa Purnima (December).[80][81] One such Suna Bhesha event is observed on Bahuda Ekadashi during the Ratha Yatra on the chariots placed at the Simhadwar. The other four Beshas are observed inside the temple on the Ratna Singhasana (gem studded altar). On this occasion gold plates are decorated over the hands and feet of Jagannatha and Balabhadra; Jagannatha is also adorned with a Chakra (disc) made of gold on the right hand while a silver conch adorns the left hand. Balabhadra is decorated with a plough made of gold on the left hand while a golden mace adorns his right hand.[80]

 

Niladri Bije

Niladri Bije, celebrated in the Hindu calendar month Asadha (June–July) on Trayodashi (13th day),[82] marks the end of the Ratha Yatra. The large wooden images of the triad of gods are taken out from the chariots and then carried to the sanctum sanctorum, swaying rhythmically; a ritual which is known as pahandi.

 

Sahi yatra

 

A scene from a play being enacted during the Sahi Yatra

The Sahi Yatra, considered the world's biggest open-air theatre,[83] is an annual event lasting 11 days; a traditional cultural theatre festival or folk drama which begins on Ram Navami and ends on Rama avishke (Sanskrit meaning : anointing). The festival includes plays depicting various scenes from the Ramayana. The residents of various localities, or Sahis, are entrusted the task of performing the drama at the street corners.[84]

 

Samudra Arati

 

Samudra arati of worship of the sea by disciples of the Matha at Puri

The Samudra arati is a daily tradition started by the present Shankaracharya 9 years ago.[85] The daily practise includes prayer and fire offering to the sea at Swargadwar in Puri by disciples of the Govardhan Matha. On Paush Purnima of every year the Shankaracharya himself comes out to offer prayers to the sea.

 

Transport

Earlier, when roads did not exist, people used to walk or travel by animal-drawn vehicles or carriages along beaten tracks to reach Puri. Travel was by riverine craft along the Ganges up to Calcutta, and then on foot or by carriages. It was only during the Maratha rule that the Jagannath Sadak (Road) was built around 1790. The East India Company laid the rail track from Calcutta to Puri, which became operational in 1898.[86] Puri is now well-connected by rail, road and air services. A broad gauge railway line of the South Eastern Railways which connects Puri with Calcutta, and Khurda is an important railway junction on this route. The rail distance is about 499 kilometres (310 mi) from Calcutta[87] and 468 kilometres (291 mi) from Vishakhapatnam. Road network includes NH 203 that links the city with Bhubaneswar, the state capital, situated about 60 kilometres (37 mi) away. NH 203 B connects the city with Satapada via Brahmagiri. Marine drive, which is part of NH 203 A, connects Puri with Konark. The nearest airport is the Biju Patnaik International Airport at Bhubaneswar.[60] Puri railway station is among the top hundred booking stations of the Indian Railways.[88]

 

Arts and crafts

 

Sand art

Sand art of a baby elephant

Sand art is a special art form that is created on the beaches of Puri. The art form is attributed to Balaram Das, a poet who lived in the 14th century. Sculptures of various gods and famous people are now created in sand by amateur artists. These are temporary in nature as they get washed away by waves. This art form has gained international fame in recent years. One of the famed sand artists of Odisha is Sudarshan Patnaik. He established the Golden Sand Art Institute in 1995, in the open air on the shores of Bay of Bengal, to provide training to students interested in this art form.[89][84]

 

Appliqué art

An applique art work

Appliqué art, which is a stitching-based craft unlike embroidery, was pioneered by Hatta Maharana of Pipili. It is widely used in Puri, both for decoration of the deities and for sale. Maharana's family members are employed as darjis or tailors or sebaks by the Maharaja of Puri. They prepare articles for decorating the deities in the temple for various festivals and religious ceremonies. The appliqué works are brightly coloured and patterned fabric in the form of canopies, umbrellas, drapery, carry bags, flags, coverings of dummy horses and cows, and other household textiles; these are marketed in Puri. The cloth used is made in dark colours of red, black, yellow, green, blue and turquoise blue.[90]

 

Patta Chaitra

Patta Chittra is the one of the oldest forms of art which has its roots to thousands of years ago. It has stayed vibrant amidst changes in cultures and still remains one of the unique art forms of India especially Odisa which originated in Puri.

 

Culture

 

Odissi dancer

Cultural activities, including the annual religious festivals, in Puri are: The Puri Beach Festival held from 5 to 9 November every year, and the Shreekshetra Utsav held from 20 December to 2 January every year. The cultural programmes include unique sand art, display of local and traditional handicrafts and food festival.[91] In addition, cultural programmes are held for two hours on every second Saturday of the month at the district Collector's Conference Hall near Sea Beach Police Station. Odissi dance, Odissi music and folk dances are part of this event.[91] Odissi dance is the cultural heritage of Puri. This dance form originated in Puri from the dances performed by Devadasis (Maharis) attached to the Jagannath Temple who performed dances in the Nata mandapa of the temple to please the deities. Though the devadasi practice has been discontinued, the dance form has become modern and classical and is widely popular; many of the Odissi virtuoso artists and gurus (teachers) are from Puri.[92] Some of the notable Odissi dancers are Kelucharan Mohapatra, Mayadhar Raut, Sonal Mansingh, and Sanjukta Panigrahi.[citation needed]

 

Goti Pua nacha (a dance form) is a famous one which has its origins from hundreds of years before much before Odissi.

 

Many Odia dishes have their roots from Puri, Malpua, Pakhala (fermented water rice), Dalma are few dishes which originated from Puri.

 

Education

 

Samanta Chandra Sekhara College, Puri

Schools

D.A.V Public School

Bholanath Vidyapith

Biswambhar Bidyapitha

Blessed Sacrament High School Puri

Kendriya Vidyalaya

Puri Zilla School

Colleges and universities

Ghanashyama Hemalata Institute of Technology and Management

Shri Jagannath Sanskrit University

Sri Jagannath Medical College and Hospital

Notable people

Chakhi Khuntia – Freedom fighter [93]

Bidhu Bhusan Das - Academic and Vice Chancellor, DPI Odisha

Gopabandhu Das – Social worker

Nilakantha Das – Social activist

Pankaj Charan Das – Odissi dancer

Prabhat Nalini Das - pro Vice Chancellor, academician, feminist, Dean IIT Kanpur

Gajapati Maharaja Dibyasingha Deb - Odia King

Charles Garrett – Cricketer

Kelucharan Mohapatra – Odissi dancer

Raghunath Mohapatra – Architect and sculptor

Baisali Mohanty - ALC Global Fellow at University of Oxford, United Kingdom

Rituraj Mohanty – Singer

Sudarshan Pattnaik – Sand Artist

Jayee Rajguru - Freedom fighter

Madhusudan Rao – Odia Poet

Sudarshan Sahoo - Sculptor

Pinaki Misra - Politician

Biswanath Das- Scholar, Philosopher (Emar Mutha, Puri)

++++++FROM WIKIPEDIA ++++

 

Puri (About this soundlisten (help·info)) is a city and a Municipality in the state of Odisha in eastern India. It is the district headquarters of Puri district and is situated on the Bay of Bengal, 60 kilometres (37 mi) south of the state capital of Bhubaneswar. It is also known as Sri Jagannatha Dhama after the 12th-century Jagannatha Temple located in the city. It is one of the original Char Dham pilgrimage sites for Hindus.

Puri

 

ପୁରୀ

 

Puri is known by several names since the ancient times, and was locally known as "Sri Kshetra" and Lord Jagannatha temple is known as "Badadeula". Puri and the Jagannatha Temple were invaded 18 times by Hindu and Muslim rulers, from the 4th century AD till the early 19th century with the objective of looting the treasures of the temple. Odisha, including Puri and its temple, were part of British India from 1803 till India attained independence in August 1947. Even though princely states do not exist in India today, the heirs of the Gajapati Dynasty of Khurda still perform the ritual duties of the temple. The temple town has many Hindu religious mathas or monasteries.

 

The economy of Puri is dependent on the religious importance of the Jagannatha Temple to the extent of nearly 80 percent. The 24 festivals, including 13 major ones, held every year in the temple complex contribute to the economy; Ratha Yatra and its related festivals are the most important which are attended by millions of people every year. Sand art and applique art are some of the important crafts of the city.

 

Puri has been chosen as one of the heritage cities for Heritage City Development and Augmentation Yojana (HRIDAY) scheme of Government of India.

Geography and climateEdit

GeographyEdit

The Atharanala Bridge dating back to the 16th century at the entrance of Puri

 

Puri, located on the east coast of India on the Bay of Bengal, is in the centre of the Puri district. It is delimited by the Bay of Bengal on the southeast, the Mauza Sipaurubilla on the west, Mauza Gopinathpur in the north and Mauza Balukhand in the east. It is within the 67 kilometres (42 mi) coastal stretch of sandy beaches that extends between Chilika Lake and the south of Puri city. However, the administrative jurisdiction of the Puri Municipality extends over an area of 16.3268 square kilometres (6.3038 sq mi) spread over 30 wards, which includes a shore line of 5 kilometres (3.1 mi).[1]

 

Puri is in the coastal delta of the Mahanadi River on the shores of the Bay of Bengal. In the ancient days it was near to Sisupalgarh (also known as "Ashokan Tosali"). Then the land was drained by a tributary of the Bhargavi River, a branch of the Mahanadi River. This branch underwent a meandering course creating many arteries altering the estuary, and formed many sand hills. These sand hills could be cut through by the streams. Because of the sand hills, the Bhargavi River, flowing to the south of Puri, moved away towards the Chilika Lake. This shift also resulted in the creation of two lagoons, known as Sar and Samang, on the eastern and northern parts of Puri respectively. Sar lagoon has a length of 5 miles (8.0 km) in an east-west direction and a width of 2 miles (3.2 km) in north-south direction. The estuary of the Bhargavi River has a shallow depth of just 5 feet (1.5 m) and the process of siltation continues. According to a 15th-century Odia writer Saraladasa, the bed of the unnamed stream that flowed at the base of the Blue Mountain or Neelachal was filled up. Katakarajavamsa, a 16th-century chronicle (c.1600), attributes filling up of the bed of the river which flowed through the present Grand Road, as done during the reign of King Narasimha II (1278–1308) of Eastern Ganga dynasty.[2]

ClimateEdit

 

According to the Köppen–Geiger climate classification system the climate of Puri is classified as Aw (Tropical savanna climate). The city has moderate and tropical climate. Humidity is fairly high throughout the year. The temperature during summer touches a maximum of 36 °C (97 °F) and during winter it is 17 °C (63 °F). The average annual rainfall is 1,337 millimetres (52.6 in) and the average annual temperature is 26.9 °C (80.4 °F). The weather data is given in the following table.[3][4]

 

HistoryEdit

Main article: Timeline of Puri

Names in historyEdit

 

Puri, the holy land of Lord Jagannatha, also known by the popular vernacular name Shrikhetra, has many ancient names in the Hindu scriptures such as the Rigveda, Matsya purana, Brahma Purana, Narada Purana, Padma Purana, Skanda Purana, Kapila Purana and Niladrimahodaya. In the Rigveda, in particular, it is mentioned as a place called Purushamandama-grama meaning the place where the Creator deity of the world – Supreme Divinity deified on an altar or mandapa was venerated near the coast and prayers offered with Vedic hymns. Over time the name got changed to Purushottama Puri and further shortened to Puri, and the Purusha came to be known as Jagannatha. Sages like Bhrigu, Atri and Markandeya had their hermitage close to this place.[5] Its name is mentioned, conforming to the deity worshipped, as Srikshetra, Purusottama Dhāma, Purusottama Kshetra, Purusottama Puri and Jagannath Puri. Puri, however, is the popular usage. It is also known by the geographical features of its location as Shankhakshetra (the layout of the town is in the form of a conch shell),[6] Neelāchala ("Blue mountain" a terminology used to name a very large sand lagoon over which the temple was built but this name is not in vogue), Neelāchalakshetra, Neelādri.[7] In Sanskrit, the word "Puri" means town or city,[8] and is cognate with polis in Greek.[9]

 

Another ancient name is Charita as identified by General Alexander Cunningham of the Archaeological Survey of India, which was later spelled as Che-li-ta-lo by Chinese traveller Hiuen Tsang. When the present temple was built by the Eastern Ganga king Anantavarman Chodaganga in the 11th and 12th centuries AD, it was called Purushottamkshetra. However, the Moghuls, the Marathas and early British rulers called it Purushottama-chhatar or just Chhatar. In Moghul ruler Akbar's Ain-i-Akbari and subsequent Muslim historical records it was known as Purushottama. In the Sanskrit drama Anargha Raghava Nataka as well, authored by Murari Mishra, a playwright, in the 8th century AD, it is referred to as Purushottama.[6] It was only after the 12th century AD that Puri came to be known by the shortened form of Jagannatha Puri, named after the deity or in a short form as Puri.[7] It is the only shrine in India, where Radha, along with Lakshmi, Saraswati, Durga, Bhudevi, Sati, Parvati, and Shakti, abodes with Krishna, who is also known by the name Jagannatha.[10]

Ancient periodEdit

king Indradyumna of Ujjayani credited with building the original temple in 318 AD

 

According to the chronicle Madala Panji, in 318 AD, the priests and servitors of the temple spirited away the idols to escape the wrath of the Rashtrakuta king Rakatavahu.[11] In the temple's historical records it finds mention in the Brahma Purana and Skanda Purana stating that the temple was built by the king Indradyumna, Ujjayani.[12]

 

S. N. Sadasivan, a historian, in his book A Social History of India quotes William Joseph Wilkins, author of the book Hindu Mythology, Vedic and Purānic as stating that in Puri, Buddhism was once a well established practice but later Buddhists were persecuted and Brahmanism became the order of the religious practice in the town; the Buddha deity is now worshipped by the Hindus as Jagannatha. It is also said by Wilkinson that some relics of Buddha were placed inside the idol of Jagannatha which the Brahmins claimed were the bones of Lord Krishna. Even during Maurya king Ashoka's reign in 240 BC, Kalinga was a Buddhist center and that a tribe known as Lohabahu (barbarians from outside Odisha) converted to Buddhism and built a temple with an idol of Buddha which is now worshipped as Jagannatha. Wilkinson also says that the Lohabahu deposited some Buddha relics in the precincts of the temple.[13]

 

Construction of the Jagannatha Temple started in 1136 AD and completed towards the latter part of the 12th century. The Eastern Ganga king Anangabhima III dedicated his kingdom to Lord Jagannatha, then known as the Purushottama-Jagannatha, and resolved that from then on he and his descendants would rule under "divine order as Jagannatha's sons and vassals". Even though princely states do not exist in India today, the heirs of the Gajapati dynasty of Khurda still perform the ritual duties of the temple; the king formally sweeps the road in front of the chariots before the start of the Ratha Yatra.[14]

Medieval and early modern periodsEdit

 

The history of Puri is on the same lines as that of the Jagannatha Temple, which was invaded 18 times during its history to plunder the treasures of the temple, rather than for religious reasons. The first invasion occurred in the 8th century AD by Rastrakuta king Govinda-III (798–814 AD), and the last took place in 1881 AD by the monotheistic followers of Alekh (Mahima Dharma) who did not recognise the worship of Jagannatha.[15] From 1205 AD onward [14] there were many invasions of the city and its temple by Muslims of Afghan and Moghul descent, known as Yavanas or foreigners. In most of these invasions the idols were taken to safe places by the priests and the servitors of the temple. Destruction of the temple was prevented by timely resistance or surrender by the kings of the region. However, the treasures of the temple were repeatedly looted.[16] The table lists all the 18 invasions along with the status of the three images of the temple, the triad of Jagannatha, Balabhadra and Subhadra following each invasion.[15]

Invasion number Invader (s), year (s) AD Local rulers Status of the three images of the Jagannatha temple

1 Raktabahu or Govinda III (798–814) of the Rashtrakuta Empire King Subhanadeva of Bhaumakara dynasty Idols shifted to Gopali near Sonepur. Was brought back to Puri by Yayati I after 146 years and re-consecrated after performing Nabakalebara.[17]

2 Illias Shah, Sultan of Bengal, 1340 Narasinghadeva III Images shifted to a secret location.[18]

3 Feroz Shah Tughlaq, 1360 Ganga King Bhanudeva III Images not found, though rumored that they were thrown into the Bay Of Bengal.[18]

4 Ismail Ghazi commander of Alauddin Hussain Shah of Bengal, 1509 King Prataprudradeva Images shifted to Chandhei Guha Pahada near Chilika Lake.[18]

5 Kalapahara, army assistant general of Sulaiman Karrani of the Afghan Sultan of Bengal, 1568 Mukundadeva Harichandan Images initially hidden in an island in Chilika Lake. However, the invader took the idols from here to the banks of the Ganges River and burnt them. Bisher Mohanty, a Vaishnavite saint, who had followed the invading army, retrieved the Brahmas and hid it in a drum at Khurdagada in 1575 AD and finally re-installed it in the deities. Deities were brought back to Puri and consecrated in the Jagannatha Temple.[19]

6 Suleman, the son of Kuthu Khan and Osman, the son of Isha (ruler of Orissa), 1592 Ramachandradeva, the Bhoi dynasty ruler of Khurda Revolt was by local Muslim rulers who desecrated the images.[20]

7 Mirza Khurum, the commander of Islam Khan I, the Nawab of Bengal, 1601 Purushottamadeva of Bhoi Dynasty Image moved to Kapileswarpur village by boat through the river Bhargavi and kept in the Panchamukhi Gosani temple. Thereafter, the deities were kept in Dobandha—Pentha.[20]

8 Hasim Khan, the Subedar of Orissa, 1608 Purushottam Deva, the King of Khurda Images shifted to the Gopal temple at Khurda and brought back in 1608.[20]

9 Hindu Rajput Jagirdar Kesodasmaru, 1610 Purusottamdeva, the king of Khurda Images kept at the Gundicha Temple and brought back to Puri after eight months.[20]

10 Kalyan Malla, 1611 Purushottamadeva, the King of Khurda Images moved to 'Mahisanasi' also known as'Brahmapura' or 'Chakanasi' in the Chilika Lake where they remained for one year.[21]

11 Kalyan Malla, 1612 Paiks of Purushottamadeva, the King of Khurda Images placed on a fleet of boats at Gurubai Gada and hidden under the 'Lotani Baragachha' or Banyan tree) and then at 'Dadhibaman Temple'.[22]

12 Mukarram Khan, 1617 Purushottama Deva, the King of Khurda Images moved to the Bankanidhi temple, Gobapadar and brought back to Puri in 1620.[22]

13 Mirza Ahmad Beg, 1621 Narasingha Deva Images shifted to 'Andharigada' in the mouth of the river Shalia across the Chilika Lake. Moved back to Puri in 1624.[23]

14 Amir Mutaquad Khan alias Mirza Makki, 1645 Narasingha Deva and Gangadhar Not known.[24]

15 Amir Fateh Khan, 1647 Not known Not known[24]

16 Ekram Khan and Mastram Khan on behalf of Mughal Emperor Aurangzeb, 1692 Divyasingha Deva, the king of Khurda Images moved to 'Maa Bhagabati Temple' and then to Bada Hantuada in Banpur across the Chilika Lake, and finally brought back to Puri in 1699.[24]

17 Muhammad Taqi Khan, 1731 and 1733 Birakishore Deva and Birakishore Deva of Athagada Images moved to Hariswar in Banpur, Chikili in Khalikote, Rumagarh in Kodala, Athagada in Ganjam and lastly to Marda in Kodala. Shifted back to Puri after 2.5 years.[24]

18 Followers of Mahima Dharma, 1881 Birakishore Deva and Birakishore Deva of Athagada Images burnt in the streets. [25]

 

Puri is the site of the Govardhana Matha, one of the four cardinal institutions established by Adi Shankaracharya, when he visited Puri in 810 AD, and since then it has become an important dham (divine centre) for the Hindus; the others being those at Sringeri, Dwarka and Jyotirmath. The Matha (monastery of various Hindu sects) is headed by Jagatguru Shankarachrya. It is a local belief about these dhams that Lord Vishnu takes his dinner at Puri, has his bath at Rameshwaram, spends the night at Dwarka and does penance at Badrinath.[12][26]

 

In the 16th century, Chaitanya Mahaprabhu of Bengal established the Bhakti movements of India, now known by the name the Hare Krishna movement. He spent many years as a devotee of Jagannatha at Puri; he is said to have merged with the deity.[27] There is also a matha of Chaitanya Mahaprabhu here known as Radhakanta Math.[12]

 

In the 17th century, for the sailors sailing on the east coast of India, the temple served as a landmark, being located in a plaza in the centre of the city, which they called the "White Pagoda" while the Konark Sun Temple, 60 kilometres (37 mi) away to the east of Puri, was known as the "Black Pagoda".[27]

 

The iconic representation of the images in the Jagannatha temple is believed to be the forms derived from the worship made by the tribal groups of Sabaras belonging to northern Odisha. These images are replaced at regular intervals as the wood deteriorates. This replacement is a special event carried out ritualistically by special group of carpenters.[27]

Govardhana matha main gate

 

The city has many other Mathas as well. The Emar Matha was founded by the Tamil Vaishnava saint Ramanujacharya in the 12th century AD. This Matha, which is now located in front of Simhadvara across the eastern corner of the Jagannatha Temple, is reported to have been built in the 16th century during the reign of kings of Suryavamsi Gajapatis. The Matha was in the news on 25 February 2011 for the large cache of 522 silver slabs unearthed from a closed chamber.[28][29]

 

The British conquered Orissa in 1803, and, recognising the importance of the Jagannatha Temple in the life of the people of the state, they initially appointed an official to look after the temple's affairs and later declared the temple as part of a district.[14]

Modern historyEdit

H.H Jagadguru Swami Nischalananda Saraswati, The Shankaracharya of Puri

 

In 1906, Sri Yukteswar, an exponent of Kriya Yoga and a resident of Puri, established an ashram, a spiritual training center, named "Kararashram" in Puri. He died on 9 March 1936 and his body is buried in the garden of the ashram.[30][31]

 

The city is the site of the former summer residence of British Raj, the Raj Bhavan, built in 1913–14 during the era of governors.[32]

 

For the people of Puri, Lord Jagannatha, visualized as Lord Krishna, is synonymous with their city. They believe that Lord Jagannatha looks after the welfare of the state. However, after the partial collapse of the Jagannatha Temple (in the Amalaka part of the temple) on 14 June 1990, people became apprehensive and considered it a bad omen for Odisha. The replacement of the fallen stone by another of the same size and weight (7 tonnes (7.7 tons)), that could be done only in the early morning hours after the temple gates were opened, was done on 28 February 1991.[27]

 

Puri has been chosen as one of the heritage cities for the Heritage City Development and Augmentation Yojana scheme of the Indian Government. It is chosen as one of the 12 heritage cities with "focus on holistic development" to be implemented within 27 months by the end of March 2017.[33]

 

Non-Hindus are not permitted to enter the shrines but are allowed to view the temple and the proceedings from the roof of the Raghunandan library, located within the precincts of the temple, for a small donation.[34]

DemographicsEdit

See also: List of cities in Odisha

 

According to the 2011 Census of India, Puri is an urban agglomeration governed by the Municipal Corporation in Odisha state, with a population of 201,026[35] This rose to 200,564 in 2011 – comprising 104,086 males, 96,478 females, and 18,471 children (under six years of age). The sex ratio is 927. The average literacy rate in the city is 88.03 percent (91.38 percent for males and 84.43 percent for females).

EconomyEdit

 

The economy of Puri is dependent on tourism to the extent of about 80 percent. The temple is the focal point of the city and provides employment to the people of the town. Agricultural production of rice, ghee, vegetables and so forth of the region meet the large requirements of the temple. Many settlements around the town exclusively cater to the other religious requirements of the temple.[36] The temple administration employs 6,000 men to perform the rituals. The temple also provides economic sustenance to 20,000 people.[34] According to Colleen Taylor Sen an author on food and travel, writing on the food culture of India, the temple kitchen has 400 cooks serving food to as many as 100,000 people,.[37] According to J Mohapatra, Director, Ind Barath Power Infra Ltd (IBPIL), the kitchen is known as "a largest and biggest kitchen of the world."[38]

City management and governanceEdit

Samudra arati or worship of the sea at Swargadwar by disciples of the Govardhana matha

 

The Puri Municipality, Puri Konark Development Authority, Public Health Engineering Organisation and Orissa Water Supply Sewerage Board are some of the principal organisations that are devolved with the responsibility of providing for civic amenities such as water supply, sewerage, waste management, street lighting and infrastructure of roads. The major activity, which puts maximum pressure on these organisations, is the annual event of the Ratha Yatra held during June- July. According to the Puri Municipality more than a million people attend this event. Hence, development activities such as infrastructure and amenities to the pilgrims, apart from security, gets priority attention.[39]

 

The civic administration of Puri is the responsibility of the Puri Municipality. The municipality came into existence in 1864 in the name of the Puri Improvement Trust, which was converted into Puri Municipality in 1881. After India's independence in 1947, the Orissa Municipal Act (1950) was promulgated entrusting the administration of the city to the Puri Municipality. This body is represented by elected representatives with a Chairperson and councilors representing the 30 wards within the municipal limits.[40]

LandmarksEdit

Jagannatha temple

Jagannatha Temple at PuriEdit

Main article: Jagannath Temple (Puri)

Left: Jagannath Temple at Puri Right: View of the temple at night

 

The Jagannatha Temple at Puri is one of the major Hindu temples built in the Kalinga style of architecture.[41] The temple tower, with a spire, rises to a height of 58 metres (190 ft), and a flag is unfurled above it, fixed over a wheel (chakra).[34][42]

Left:Ritual chakra and flags at the top shikhara of Puri temple of Jagannatha also related to Sudarsana chakra. The red flag (12 hand or 14 feet (4.3 m) denotes that Jagannath is within the temple.

Right: Statue of Aruna the charioteer of the Sun God on top of the Aruna Stambha in front of the Singhadwara

 

The temple is built on an elevated platform (of about 420,000 square feet (39,000 m2) area),[43] 20 feet (6.1 m) above the adjacent area. The temple rises to a height of 214 feet (65 m) above the road level. The temple complex covers an area of 10.7 acres (4.3 ha).[39] There are four entry gates in four cardinal directions of the temple, each gate located at the central part of the walls. These gates are: the eastern gate called the Singhadwara (Lions Gate), the southern gate known as Ashwa Dwara (Horse Gate), the western gate called the Vyaghra Dwara (Tigers Gate) or the Khanja Gate, and the northern gate called the Hathi Dwara or (elephant gate). These four gates symbolize the four fundamental principles of Dharma (right conduct), Jnana (knowledge), Vairagya (renunciation) and Aishwarya (prosperity). The gates are crowned with pyramid shaped structures. There is a stone pillar in front of the Singhadwara, called the Aruna Stambha {Solar Pillar}, 11 metres (36 ft) in height with 16 faces, made of chlorite stone; at the top of the stamba an elegant statue of Aruṇa (Sun) in a prayer mode is mounted. This pillar was shifted from the Konarak Sun Temple.[44] The four gates are decorated with guardian statues in the form of lion, horse mounted men, tigers, and elephants in the name and order of the gates.[34] A pillar made of fossilized wood is used for placing lamps as offering. The Lion Gate (Singhadwara) is the main gate to the temple, which is guarded by two guardian deities Jaya and Vijaya.[43][44][45] The main gate is ascended through 22 steps known as Baisi Pahaca, which are revered, as it is believed to possess "spiritual animation". Children are made to roll down these steps, from top to bottom, to bring them spiritual happiness. After entering the temple, on the left side, there is a large kitchen where food is prepared in hygienic conditions in huge quantities; the kitchen is called as "the biggest hotel of the world".[43]

The main entrance of the Jagannatha Temple

 

According to a legend King Indradyumma was directed by Lord Jagannatha in a dream to build a temple for him which he did as directed. However, according to historical records the temple was started some time during the 12th century by King Chodaganga of the Eastern Ganga dynasty. It was completed by his descendant, Anangabhima Deva, in the 12th century. The wooden images of Jagannatha, Balabhadra and Subhadra were then deified here. The temple was under the control of the Hindu rulers up to 1558. Then, when Orissa was occupied by the Afghan Nawab of Bengal, it was brought under the control of the Afghan General Kalapahad. Following the defeat of the Afghan king by Raja Mansingh, the General of Mughal emperor Akbar, the temple became part of the Mughal empire till 1751. Subsequently, it was under the control of the Marathas till 1803. During the British Raj, the Puri Raja was entrusted with its management until 1947.[42]

 

The triad of images in the temple are of Jagannatha, personifying Lord Krishna, Balabhadra, His older brother, and Subhadra, His younger sister. The images are made of neem wood in an unfinished form. The stumps of wood which form the images of the brothers have human arms, while that of Subhadra does not have any arms. The heads are large, painted and non-carved. The faces are marked with distinctive large circular eyes.[27]

The Pancha Tirtha of PuriEdit

Main article: Pancha Tirtha of Puri

Markandeshwar Tank

 

Hindus consider it essential to bathe in the Pancha Tirtha or the five sacred bathing spots of Puri, to complete a pilgrimage to Puri. The five sacred water bodies are the Indradyumana Tank, the Rohini Kunda, the Markandeya Tank, the Swetaganga Tank, and the Bay of Bengal also called the Mahodadhi, in Sanskrit 'Mahodadhi' means a "great ocean";[46] all are considered sacred bathing spots in the Swargadwar area.[47][48][49] These tanks have perennial sources of supply from rainfall and ground water.[50]

Gundicha TempleEdit

Main article: Gundicha Temple

The Main Gate of the Gundicha Temple

 

The Gundicha Temple, known as the Garden House of Jagannatha, stands in the centre of a beautiful garden, bounded by compound walls on all sides. It lies at a distance of about 3 kilometres (1.9 mi) to the northeast of the Jagannatha Temple. The two temples are located at the two ends of the Bada Danda (Grand Avenue), which is the pathway for the Ratha Yatra. According to a legend, Gundicha was the wife of King Indradyumna who originally built the Jagannatha temple.[51]

 

The temple is built using light-grey sandstone, and, architecturally, it exemplifies typical Kalinga temple architecture in the Deula style. The complex comprises four components: vimana (tower structure containing the sanctum), jagamohana (assembly hall), nata-mandapa (festival hall) and bhoga-mandapa (hall of offerings). There is also a kitchen connected by a small passage. The temple is set within a garden, and is known as "God's Summer Garden Retreat" or garden house of Jagannatha. The entire complex, including the garden, is surrounded by a wall which measures 430 by 320 feet (131 m × 98 m) with height of 20 feet (6.1 m).[52]

 

Except for the 9-day Ratha Yatra, when the triad images are worshipped in the Gundicha Temple, otherwise it remains unoccupied for the rest of the year. Tourists can visit the temple after paying an entry fee. Foreigners (generally prohibited entry in the main temple) are allowed inside this temple during this period.[53] The temple is under the Jagannatha Temple Administration, Puri, the governing body of the main temple. A small band of servitors maintain the temple.[52]

SwargadwarEdit

The Sea at Swargadwar of Puri

 

Swargadwar is the name given to the cremation ground or burning ghat which is located on the shores of the sea. Here thousands of dead bodies of Hindus brought from faraway places are cremated. It is a belief that the Chitanya Mahaparabhu disappeared from this Swargadwar about 500 years back.[54]

BeachEdit

Puri sea sunrise

Puri Sea Beach viewed from the light house

 

The beach at Puri, known as the "Ballighai beach, at the mouth of Nunai River, is 8 kilometres (5.0 mi) away from the town and is fringed by casurina trees.[12] It has golden yellow sand. Sunrise and sunset are pleasant scenic attractions here.[55] Waves break in at the beach which is long and wide.[27]

District museumEdit

 

The Puri district museum is located on the station road where the exhibits in display are the different types of garments worn by Lord Jagannatha, local sculptures, patachitra (traditional, cloth-based scroll painting), ancient Palm-leaf manuscripts, and local craft work.[56]

Raghunandana libraryEdit

 

Raghunandana Library is located in the Emara Matha complex (opposite Simhadwara or lion gate, the main entrance gate). The Jagannatha Aitihasika Gavesana Samiti (Jagannatha Historical Centre) is also located here. The library houses ancient palm leaf manuscripts on Jagannatha, His cult and the history of the city.[56]

Festivals of PuriEdit

Main article: List of festivals observed at Jagannatha Temple, Puri

The Grand Road near the Jagannatha Temple

 

Puri witnesses 24 festivals every year, of which 13 are major. The most important of these is the Ratha Yatra, or the car festival, held in the June–July, which is attended by more than 1 million people.[57]

Ratha Yatra at PuriEdit

Main article: Ratha-Yatra (Puri)

The Ratha Yatra in Puri in modern times showing the three chariots of the deities with the Temple in the background

 

The Jagannatha Temple triad are normally worshipped in the sanctum of the temple at Puri, but once during the month of Asadha (rainy season of Orissa, usually in June or July), they are brought out on the Bada Danda (main street of Puri) and taken over a distance of (3 kilometres (1.9 mi)) to the Shri Gundicha Temple[58] in huge chariots (ratha), allowing the public to have darśana (holy view). This festival is known as the Ratha Yatra, meaning the journey (yatra) of the chariots.[59] The yatra starts every year according to the Hindu calendar on the Asadha Sukla Dwitiya day, the second day of bright fortnight of Asadha (June–July).[60]

 

Historically, the ruling Ganga dynasty instituted the Ratha Yatra on the completion of the Jagannatha Temple around 1150 AD. This festival was one of those Hindu festivals that was reported to the Western world very early.[61] Friar Odoric, in his account of 1321, reported how the people put the "idols" on chariots, and the King, the Queen and all the people drew them from the "church" with song and music.[62][63]

 

The Rathas are huge wooden structures provided with large wheels, which are built anew every year and are pulled by the devotees. The chariot for Lord Jagannatha is about 45 feet (14 m) high and 35 square feet (3.3 m2) and takes about 2 months for its construction.[64] The chariot is mounted with 16 wheels, each of 7 feet (2.1 m) diameter. The carving in the front face of the chariot has four wooden horses drawn by Maruti. On its other three faces, the wooden carvings are of Rama, Surya and Vishnu. The chariot is known as Nandi Ghosha. The roof of the chariot is covered with yellow and red coloured cloth. The next chariot is of Balabhadra which is 44 feet (13 m) in height fitted with 14 wheels. The chariot is carved with Satyaki as the charioteer, roof covered in red and green coloured cloth, and the chariot is known as Taladhwaja. The carvings on this chariot include images of Narasimha and Rudra as Jagannatha's companions. The next chariot in the order is of Subhadra, which is 43 feet (13 m) in height supported on 12 wheels, roof covered in black and red colour cloth, and the chariot is known as Darpa Dalaan and the charioteer carved is Arjuna. Other images carved on the chariot are of Vana Durga, Tara Devi and Chandi Devi.[60][65] The artists and painters of Puri decorate the cars and paint flower petals and other designs on the wheels, the wood-carved charioteer and horses, and the inverted lotuses on the wall behind the throne.[59] The chariots of Jagannatha pulled during Ratha Yatra is the etymological origin of the English word Juggernaut.[66] The Ratha Yatra is also termed as the Shri Gundicha yatra and Ghosha yatra[60]

Pahandi bije during Ratha Yatra at Puri

Chhera PaharaEdit

 

The Chhera Pahara (sweeping with water) is a significant ritual associated with the Ratha Yatra. During this ritual, the Gajapati King wears the outfit of a sweeper and sweeps all around the deities and chariots. The king cleans the road in front of the chariots with a gold-handled broom and sprinkles sandalwood water and powder. As per the custom, although the Gajapati King has been considered the most exalted person in the Kalingan kingdom, he still renders the menial service to Jagannatha. This ritual signifies that under the lordship of Jagannatha, there is no distinction between the powerful sovereign and the humblest devotee.[67]

Chandan YatraEdit

The Narendra Tirtha tank where ceremonies of Chandan Yatra are performed

Main article: Chandan Yatra

 

The Chandan Yatra festival held every year on Akshaya Tritiya day marks the commencement of the construction of the chariots of the Ratha Yatra. It also marks the celebration of the Hindu new year.[12]

Snana YatraEdit

Main article: Snana Yatra

 

Every year, on the Purnima day in the Hindu calendar month of Jyestha (June), the triad images of the Jagannatha Temple are ceremonially bathed and decorated on the occasion of Snana Yatra. Water for the bath is taken in 108 pots from the Suna kuan (meaning: "golden well") located near the northern gate of the temple. Water is drawn from this well only once in a year for the sole purpose of the religious bath of the deities. After the bath the triad images are dressed in the fashion of the elephant god, Ganesha. Later, during the night, the original triad images are taken out in a procession back to the main temple but kept at a place known as Anasara pindi.[60] After this the Jhulana Yatra is performed when proxy images of the deities are taken out in a grand procession for 21 days, cruised over boats in the Narendra Tirtha tank.[12]

Anavasara or AnasaraEdit

Images during the Snana Yatra.

 

Anasara, a derivative of the Sanskrit word "Anabasara",[68] literally means vacation. Every year after the holy Snana Yatra, the triad images, without the Sudarshana Chakra, are taken to a secret altar named Anavasara Ghar (also known as Anasara pindi, 'pindi' is Oriya term meaning "platform" [68]) where they remain for the next fortnight of (Krishna paksha); devotees are not allowed to view these images. Instead, devotees go to the nearby Brahmagiri to see the Lord in the four-handed form of Alarnath, a depiction of Vishnu.[60][69] Devotees then get the first glimpse of the Lord only on the day before Ratha Yatra, which is called Navayouvana. It is a local belief that the gods suffer from fever after taking an elaborate ritual bath, and they are treated by the special servants, the Daitapatis, for 15 days. Daitapatis perform special nitis (rites) known as Netrotchhaba (a rite of painting the eyes of the triad). During this period cooked food is not offered to the deities.[70]

Naba KalebaraEdit

Main articles: Nabakalevara and Nabakalebara 2015

 

Naba Kalebara is one of the most grand events associated with the Lord Jagannatha that takes place when one lunar month of Ashadha is followed by another of Ashadha called Adhika Masa (extra month). This can take place at an interval of 8, 12 or even 18 years. Literally meaning the "New Body" (Nava = New, Kalevar = Body) in Odia, the festival is witnessed by millions of people and the budget for this event generally exceeds $500,000. The event involves installation of new images in the temple and burial of the old ones in the temple premises at Koili Vaikuntha. During the Nabakalebara ceremony held during July 2015 the idols that were installed in the temple in 1996 were replaced by specially carved new images made of neem wood.[71][72] More than 3 million people are reported to have attended this festival.[73]

Suna BeshaEdit

Main article: Suna Besha

Suna Besha or Golden Attire of Lord Jagannatha

 

Suna Besha, ('Suna besh'in English translates to "gold dressing”[74]) also known as Raja or Rajadhiraja Bhesha [75] or Raja Bhesha, is an event when the triad images of the Jagannatha Temple are adorned with gold jewelry. This event is observed five times in a year. It is commonly observed on Magha Purnima (January), Bahuda Ekadashi also known as Asadha Ekadashi (July), Dashahara (Bijayadashami) (October), Karthik Purnima (November), and Pousa Purnima (December).[76][77] One such Suna Bhesha event is observed on Bahuda Ekadashi during the Ratha Yatra on the chariots placed at the Simhadwar. The other four Beshas are observed inside the temple on the Ratna Singhasana (gem studded altar). On this occasion gold plates are decorated over the hands and feet of Jagannatha and Balabhadra; Jagannatha is also adorned with a Chakra (disc) made of gold on the right hand while a silver conch adorns the left hand. Balabhadra is decorated with a plough made of gold on the left hand while a golden mace adorns his right hand.[76]

Niladri BijeEdit

 

Niladri Bije, celebrated in the Hindu calendar month Asadha (June–July) on Trayodashi (13th day),[78] marks the end of the Ratha Yatra. The large wooden images of the triad of gods are taken out from the chariots and then carried to the sanctum sanctorum, swaying rhythmically; a ritual which is known as pahandi.[72]

Sahi yatraEdit

A scene from a play being enacted during the Sahi Yatra

 

The Sahi Yatra, considered the world's biggest open-air theatre,[79] is an annual event lasting 11 days; a traditional cultural theatre festival or folk drama which begins on Ram Navami and ends on Rama avishke (Sanskrit meaning : anointing). The festival includes plays depicting various scenes from the Ramayana. The residents of various localities, or Sahis, are entrusted the task of performing the drama at the street corners.[80]

Samudra AratiEdit

Samudra arati of worship of the sea by disciples of the Matha at Puri

 

The Samudra arati is a daily tradition started by the present Shankaracharya 9 years ago.[81] The daily practise includes prayer and fire offering to the sea at Swargadwar in Puri by disciples of the Govardhan Matha. On Paush Purnima of every year the Shankaracharya himself comes out to offer prayers to the sea.

TransportEdit

 

Earlier, when roads did not exist, people used to walk or travel by animal-drawn vehicles or carriages along beaten tracks to reach Puri. Travel was by riverine craft along the Ganges up to Calcutta, and then on foot or by carriages. It was only during the Maratha rule that the popular Jagannath Sadak (Road) was built around 1790. The East India Company laid the rail track from Calcutta to Puri, which became operational in 1898.[82] Puri is now well-connected by rail, road and air services. A broad gauge railway line of the South Eastern Railways which connects Puri with Calcutta, and Khurda is an important railway junction on this route. The rail distance is about 499 kilometres (310 mi) from Calcutta[83] and 468 kilometres (291 mi) from Vishakhapatnam. Road network includes NH 203 that links the city with Bhubaneswar, the state capital, situated about 60 kilometres (37 mi) away. NH 203 B connects the city with Satapada via Brahmagiri. Marine drive, which is part of NH 203 A, connects Puri with Konark. The nearest airport is the Biju Patnaik International Airport at Bhubaneswar.[57] Puri railway station is among the top hundred booking stations of the Indian Railways.[84]

Arts and craftsEdit

Sand artEdit

Sand art of a Baby Elephant

 

Sand art is a special art form that is created on the beaches of Puri. The art form is attributed to Balaram Das, a poet who lived in the 14th century. Sculptures of various gods and famous people are now created in sand by amateur artists. These are temporary in nature as they get washed away by waves. This art form has gained international fame in recent years. One of the famed sand artists of Odisha is Sudarshan Patnaik. He established the Golden Sand Art Institute in 1995, in the open air on the shores of Bay of Bengal, to provide training to students interested in this art form.[85][80]

Appliqué artEdit

An applique art work

 

Appliqué art, which is a stitching-based craft unlike embroidery, was pioneered by Hatta Maharana of Pipili. It is widely used in Puri, both for decoration of the deities and for sale. Maharana's family members are employed as darjis or tailors or sebaks by the Maharaja of Puri. They prepare articles for decorating the deities in the temple for various festivals and religious ceremonies. The appliqué works are brightly coloured and patterned fabric in the form of canopies, umbrellas, drapery, carry bags, flags, coverings of dummy horses and cows, and other household textiles; these are marketed in Puri. The cloth used is made in dark colours of red, black, yellow, green, blue and turquoise blue.[86]

CultureEdit

Odissi dancer

 

Cultural activities, including the annual religious festivals, in Puri are: The Puri Beach Festival held from 5 to 9 November every year, and the Shreekshetra Utsav held from 20 December to 2 January every year. The cultural programmes include unique sand art, display of local and traditional handicrafts and food festival.[87] In addition, cultural programmes are held for two hours on every second Saturday of the month at the district Collector's Conference Hall near Sea Beach Police Station. Odissi dance, Odissi music and folk dances are part of this event.[87] Odissi dance is the cultural heritage of Puri. This dance form originated in Puri from the dances performed by Devadasis (Maharis) attached to the Jagannatha Temple who performed dances in the Nata mandapa of the temple to please the deities. Though the devadasi practice has been discontinued, the dance form has become modern and classical and is widely popular; many of the Odissi virtuoso artists and gurus (teachers) are from Puri.[88] Some of the famous Odissi dancers are Kelucharan Mohapatra, Mayadhar Raut, Sonal Mansingh, Sanjukta Panigrahi and many more

EducationEdit

Samanta Chandra Sekhar College, Puri

 

Some of the educational institutions in Puri are:

 

Ghanashyama Hemalata Institute of Technology and Management

Gangadhar Mohapatra Law College, established in 1981[89]

Extension Unit of Regional Research Institute of Homoeopathy, Puri, under Central Council for Research in Homoeopathy (CCRH), New Delhi; established in March 2006 [90]

Shri Jagannath Sanskrit University, established in July 1981[91]

Gopabandhu Ayurveda Mahavidyalaya, a college and hospital where treatment and training is based on Ayurveda school of medicine [92]

The Industrial Training Institute, a premier technical institution to provide education to skilled, committed & talented technicians was established in 1966 by the Government of India[93]

Blessed Sacrament High School established in 1952 is otherwise known as Puri convent. It is one of the best schools in the city. The school features classes 1 to 10. It is located in VIP Road, Puri.

 

Puri peopleEdit

 

Jayee Rajguru - Freedom fighter

Chakhi Khuntia (Chandan Hajuri) – Freedom fighter [94]

Utkalmani Pandit Gopabandhu Das – Social worker

Pandit Nilakantha Das – Social activist

Bhaktakabi Madhusudan Rao – Odia Poet

Padma Vibhushan Kelucharan Mohapatra – Odissi dancer

Padma Shri Pankaj Charan Das – Odissi dancer

Padma Shri Pandit Sadashiv Rathasharma – Scholar and Preacher of Shri Jagannatha Culture

Padma Vibhushan Raghunath Mohapatra – Architect and sculptor

Padma Shri Sudarshan Pattnaik – Sand Artist

Baisali Mohanty - ALC Global Fellow at University of Oxford, United Kingdom

Rituraj Mohanty – Singer

The Emar Mutt complex was demolished August 2019 completely.

 

++++ FROM WIKIPEDIA ++++

Raghunandana Library is located in the Emara Math-a complex (opposite Simhadwara or lion gate, the main entrance gate). The Jagannatha Aitihasika Gavesana Samiti (Jagannatha Historical Centre) is also located here. The library houses ancient palm leaf manuscripts on Jagannatha, His cult and the history of the city.

 

Puri (Odia: [ˈpuɾi (ପୁରୀ)] is a coastal city and a municipality in the state of Odisha in eastern India. It is the district headquarters of Puri district and is situated on the Bay of Bengal, 60 kilometres (37 mi) south of the state capital of Bhubaneswar. It is also known as Sri Jagannatha Dhama after the 12th-century Jagannath Temple located in the city. It is one of the original Char Dham pilgrimage sites for Hindus.

 

Puri is known by several names since the ancient times, and was locally known as "Sri Kshetra" and the Jagannath temple is known as "Badadeula". Puri and the Jagannath Temple were invaded 18 times by Muslim rulers, from the 7th century AD till the early 19th century with the objective of looting the treasures of the temple. Odisha, including Puri and its temple, were part of British India from 1803 till India attained independence in August 1947. Even though princely states do not exist in India today, the heirs of the House of Gajapati still perform the ritual duties of the temple. The temple town has many Hindu religious mathas or monasteries.

 

The economy of Puri is dependent on the religious importance of the Jagannath Temple to the extent of nearly 80 percent. The 24 festivals, including 13 major ones, held every year in the temple complex contribute to the economy; Ratha Yatra and its related festivals are the most important which are attended by millions of people every year. Sand art and applique art are some of the important crafts of the city.

 

Puri has been chosen as one of the heritage cities for Heritage City Development and Augmentation Yojana (HRIDAY) scheme of Government of India.

 

History

 

Names in history

Puri, the holy land of Jagannatha, also known by the popular vernacular name Srikshetram, has many ancient names in the Hindu scriptures such as the Rigveda, Matsya purana, Brahma Purana, Narada Purana, Padma Purana, Skanda Purana, Kapila Purana and Niladrimahodaya. In the Rigveda, in particular, it is mentioned as a place called Purushamandama-grama meaning the place where the Creator deity of the world – Supreme Divinity deified on an altar or mandapa was venerated near the coast and prayers offered with Vedic hymns. Over time the name got changed to Purushottama Puri and further shortened to Puri, and the Purusha came to be known as Jagannatha. Sages like Bhrigu, Atri and Markandeya had their hermitage close to this place. Its name is mentioned, conforming to the deity worshipped, as Srikshetra, Purusottama Dhāma, Purusottama Kshetra, Purusottama Puri and Jagannath Puri. Puri, however, is the popular usage. It is also known by the geographical features of its location as Shankhakshetra (the layout of the town is in the form of a conch shell),[4] Neelāchala ("Blue mountain" a terminology used to name a very large sand lagoon over which the temple was built but this name is not in vogue), Neelāchalakshetra, Neelādri.[5] In Sanskrit, the word "Puri" means town or city,and is cognate with polis in Greek.

 

Another ancient name is Charita as identified by General Alexander Cunningham of the Archaeological Survey of India, which was later spelled as Che-li-ta-lo by Chinese traveller Hiuen Tsang. When the present temple was built by the Eastern Ganga king Anantavarman Chodaganga in the 11th and 12th centuries AD, it was called Purushottamkshetra. However, the Moghuls, the Marathas and early British rulers called it Purushottama-chhatar or just Chhatar. In Moghul ruler Akbar's Ain-i-Akbari and subsequent Muslim historical records it was known as Purushottama. In the Sanskrit drama Anargha Raghava Nataka as well, authored by Murari Mishra, a playwright, in the 8th century AD, it is referred to as Purushottama.[4] It was only after the 12th century AD that Puri came to be known by the shortened form of Jagannatha Puri, named after the deity or in a short form as Puri.[5] It is the only shrine in India, where Radha, along with Lakshmi, Saraswati, Durga, Bhudevi, Sati, Parvati, and Shakti, abodes with Krishna, who is also known by the name Jagannatha.

 

Ancient period

 

King Indradyumna of Ujjayani credited with building the original Puri Jagannath temple in 318 AD

According to the chronicle Madala Panji, in 318 AD, the priests and servitors of the temple spirited away the idols to escape the wrath of the Rashtrakuta king Rakatavahu.[9] In the temple's historical records it finds mention in the Brahma Purana and Skanda Purana stating that the temple was built by the king Indradyumna, Ujjayani.

 

S. N. Sadasivan, a historian, in his book A Social History of India quotes William Joseph Wilkins, author of the book Hindu Mythology, Vedic and Purānic as stating that in Puri, Buddhism was once a well established practice but later Buddhists were persecuted and Brahmanism became the order of the religious practice in the town; the Buddha deity is now worshipped by the Hindus as Jagannatha. It is also said by Wilkinson that some relics of Buddha were placed inside the idol of Jagannatha which the Brahmins claimed were the bones of Lord Krishna. Even during Maurya king Ashoka's reign in 240 BC, Kalinga was a Buddhist center and that a tribe known as Lohabahu (barbarians from outside Odisha) converted to Buddhism and built a temple with an idol of Buddha which is now worshipped as Jagannatha. Wilkinson also says that the Lohabahu deposited some Buddha relics in the precincts of the temple.

 

Construction of the present Jagannath Temple started in 1136 AD and completed towards the latter part of the 12th century. The Eastern Ganga king Anangabhima III dedicated his kingdom to Lord Jagannatha, then known as the Purushottama-Jagannatha, and resolved that from then on he and his descendants would rule under "divine order as Jagannatha's sons and vassals". Even though princely states do not exist in India today, the heirs of the Eastern Ganga dynasty of Puri still perform the ritual duties of the temple; the king formally sweeps the road in front of the chariots before the start of the Ratha Yatra. This ritual is called Cherra Pahanra.

 

Medieval and early modern periods

The history of Puri is on the same lines as that of the Jagannath Temple, which was invaded 18 times during its history to plunder the treasures of the temple, rather than for religious reasons. The first invasion occurred in the 8th century AD by Rastrakuta king Govinda III (798–814 AD), and the last took place in 1881 AD by the monotheistic followers of Alekh (Mahima Dharma) who did not recognise the worship of Jagannatha.[13] From 1205 AD onward there were many invasions of the city and its temple by Muslims of Afghan and Moghul descent, known as Yavanas or foreigners. In most of these invasions the idols were taken to safe places by the priests and the servitors of the temple. Destruction of the temple was prevented by timely resistance or surrender by the kings of the region. However, the treasures of the temple were repeatedly looted.[14] The table lists all the 18 invasions along with the status of the three images of the temple, the triad of Jagannatha, Balabhadra and Subhadra following each invasion.

  

In the 16th century, Chaitanya Mahaprabhu of Bengal established the Bhakti movements of India, now known by the name the Hare Krishna movement. He spent many years as a devotee of Jagannatha at Puri; he is said to have merged with the deity.[25] There is also a matha of Chaitanya Mahaprabhu here known as Radhakanta Math.

 

In the 17th century, for the sailors sailing on the east coast of India, the temple served as a landmark, being located in a plaza in the centre of the city, which they called the "White Pagoda" while the Konark Sun Temple, 60 kilometres (37 mi) away to the east of Puri, was known as the "Black Pagoda".

 

The iconic representation of the images in the Jagannath temple is believed to be the forms derived from the worship made by the tribal groups of Sabaras belonging to northern Odisha. These images are replaced at regular intervals as the wood deteriorates. This replacement is a special event carried out ritualistically by special group of carpenters.

 

Govardhana matha main gate

The city has many other Mathas as well. The Emar Matha was founded by the Tamil Vaishnava saint Ramanujacharya in the 12th century AD. This Matha, which is now located in front of Simhadvara across the eastern corner of the Jagannath Temple, is reported to have been built in the 16th century during the reign of kings of Suryavamsi Gajapatis. The Matha was in the news on 25 February 2011 for the large cache of 522 silver slabs unearthed from a closed chamber.

 

The British conquered Orissa in 1803, and, recognising the importance of the Jagannath Temple in the life of the people of the state, they initially appointed an official to look after the temple's affairs and later declared the temple as part of a district.

 

Modern history

 

H.H Jagadguru Swami Nischalananda Saraswati, The Shankaracharya of Puri

In 1906, Sri Yukteswar, an exponent of Kriya Yoga and a resident of Puri, established an ashram, a spiritual training center, named "Kararashram" in Puri. He died on 9 March 1936 and his body is buried in the garden of the ashram.

 

The city is the site of the former summer residence of British Raj, the Raj Bhavan, built in 1913–14 during the era of governors.[30]

 

For the people of Puri, Lord Jagannatha, visualized as Lord Krishna, is synonymous with their city. They believe that Lord Jagannatha looks after the welfare of the state. However, after the partial collapse of the Jagannath Temple (in the Amalaka part of the temple) on 14 June 1990, people became apprehensive and considered it a bad omen for Odisha. The replacement of the fallen stone by another of the same size and weight (7 tonnes (7.7 tons)), that could be done only in the early morning hours after the temple gates were opened, was done on 28 February 1991.[25]

 

Puri has been chosen as one of the heritage cities for the Heritage City Development and Augmentation Yojana scheme of the Indian Government. It is chosen as one of the 12 heritage cities with "focus on holistic development" to be implemented within 27 months by the end of March 2017.[31]

 

Non-Hindus are not permitted to enter the shrines but are allowed to view the temple and the proceedings from the roof of the Raghunandan library, located within the precincts of the temple, for a small donation.[32]

 

Geography and climate

 

Geography

 

The Atharanala Bridge dating back to the 16th century at the entrance of Puri

Puri, located on the east coast of India on the Bay of Bengal, is in the centre of the Puri district. It is delimited by the Bay of Bengal on the southeast, the Mauza Sipaurubilla on the west, Mauza Gopinathpur in the north and Mauza Balukhand in the east. It is within the 67 kilometres (42 mi) coastal stretch of sandy beaches that extends between Chilika Lake and the south of Puri city. However, the administrative jurisdiction of the Puri Municipality extends over an area of 16.3268 square kilometres (6.3038 sq mi) spread over 30 wards, which includes a shore line of 5 kilometres (3.1 mi).[33]

 

Puri is in the coastal delta of the Mahanadi River on the shores of the Bay of Bengal. In the ancient days it was near to Sisupalgarh (also known as "Ashokan Tosali"). Then the land was drained by a tributary of the Bhargavi River, a branch of the Mahanadi River. This branch underwent a meandering course creating many arteries altering the estuary, and formed many sand hills. These sand hills could be cut through by the streams. Because of the sand hills, the Bhargavi River, flowing to the south of Puri, moved away towards the Chilika Lake. This shift also resulted in the creation of two lagoons, known as Sar and Samang, on the eastern and northern parts of Puri respectively. Sar lagoon has a length of 5 miles (8.0 km) in an east–west direction and a width of 2 miles (3.2 km) in north–south direction. The estuary of the Bhargavi River has a shallow depth of just 5 feet (1.5 m) and the process of siltation continues. According to a 15th-century Odia writer Saraladasa, the bed of the unnamed stream that flowed at the base of the Blue Mountain or Neelachal was filled up. Katakarajavamsa, a 16th-century chronicle (c.1600), attributes filling up of the bed of the river which flowed through the present Grand Road, as done during the reign of King Narasimha II (1278–1308) of Eastern Ganga dynasty.

 

Climate

According to the Köppen–Geiger climate classification system the climate of Puri is classified as Aw (Tropical savanna climate). The city has moderate and tropical climate. Humidity is fairly high throughout the year. The temperature during summer touches a maximum of 36 °C (97 °F) and during winter it is 17 °C (63 °F). The average annual rainfall is 1,337 millimetres (52.6 in) and the average annual temperature is 26.9 °C (80.4 °F).

 

Demographics

 

According to the 2011 Census of India, Puri is an urban agglomeration governed by the Municipal Corporation in Odisha state, with a population of 200,564, comprising 104,086 males, 96,478 females, and 18,471 children (under six years of age). The sex ratio is 927. The average literacy rate in the city is 88.03 percent (91.38 percent for males and 84.43 percent for females).

 

Administration

 

Samudra arati or worship of the sea at Swargadwar by disciples of the Govardhana matha

The Puri Municipality, Puri Konark Development Authority, Public Health Engineering Organisation and Orissa Water Supply Sewerage Board are some of the principal organisations that are devolved with the responsibility of providing for civic amenities such as water supply, sewerage, waste management, street lighting and infrastructure of roads. The major activity, which puts maximum pressure on these organisations, is the annual event of the Ratha Yatra held during June- July. According to the Puri Municipality more than a million people attend this event. Hence, development activities such as infrastructure and amenities to the pilgrims, apart from security, gets priority attention.

 

The civic administration of Puri is the responsibility of the Puri Municipality. The municipality came into existence in 1864 in the name of the Puri Improvement Trust, which was converted into Puri Municipality in 1881. After India's independence in 1947, the Orissa Municipal Act (1950) was promulgated entrusting the administration of the city to the Puri Municipality. This body is represented by elected representatives with a Chairperson and councilors representing the 30 wards within the municipal limits.

 

Economy

The economy of Puri is dependent on tourism to the extent of about 80 percent. The temple is the focal point of the city and provides employment to the people of the town. Agricultural production of rice, ghee, vegetables and so forth of the region meet the large requirements of the temple. Many settlements around the town exclusively cater to the other religious requirements of the temple. The temple administration employs 6,000 men to perform the rituals. The temple also provides economic sustenance to 20,000 people. According to Colleen Taylor Set an author on food and travel, writing on the food culture of India, the temple kitchen has 400 cooks serving food to as many as 100,000 people,. According to J Mohapatra, Director, Ind Barath Power Infra Ltd (IBPIL), the kitchen is known as "a largest and biggest kitchen of the world."

 

Landmarks

Jagannath Temple at Puri

 

The Jagannath Temple at Puri is one of the major Hindu temples built in the Kalinga style of architecture.The temple tower, with a spire, rises to a height of 58 metres (190 ft), and a flag is unfurled above it, fixed over a wheel (chakra).[

  

Left:Ritual chakra and flags at the top shikhara of Puri temple of Jagannatha also related to Sudarsana chakra. The red flag (12 hand or 14 feet (4.3 m) denotes that Jagannath is within the temple.

 

Right: Statue of Aruna the charioteer of the Sun God on top of the Aruna Stambha in front of the Singhadwara

The temple is built on an elevated platform (of about 420,000 square feet (39,000 m2) area),[46] 20 feet (6.1 m) above the adjacent area. The temple rises to a height of 214 feet (65 m) above the road level. The temple complex covers an area of 10.7 acres (4.3 ha).[39] There are four entry gates in four cardinal directions of the temple, each gate located at the central part of the walls. These gates are: the eastern gate called the Singhadwara (Lions Gate), the southern gate known as Ashwa Dwara (Horse Gate), the western gate called the Vyaghra Dwara (Tigers Gate) or the Khanja Gate, and the northern gate called the Hathi Dwara or (elephant gate). These four gates symbolize the four fundamental principles of Dharma (right conduct), Jnana (knowledge), Vairagya (renunciation) and Aishwarya (prosperity). The gates are crowned with pyramid shaped structures. There is a stone pillar in front of the Singhadwara, called the Aruna Stambha {Solar Pillar}, 11 metres (36 ft) in height with 16 faces, made of chlorite stone; at the top of the stamba an elegant statue of Aruṇa (Sun) in a prayer mode is mounted. This pillar was shifted from the Konarak Sun Temple.[47] The four gates are decorated with guardian statues in the form of lion, horse mounted men, tigers, and elephants in the name and order of the gates.[32] A pillar made of fossilized wood is used for placing lamps as offering. The Lion Gate (Singhadwara) is the main gate to the temple, which is guarded by two guardian deities Jaya and Vijaya.[46][47][48] The main gate is ascended through 22 steps known as Baisi Pahaca, which are revered, as it is believed to possess "spiritual animation". Children are made to roll down these steps, from top to bottom, to bring them spiritual happiness. After entering the temple, on the left side, there is a large kitchen where food is prepared in hygienic conditions in huge quantities; the kitchen is called as "the biggest hotel of the world".

  

The main entrance of the Jagannath Temple

According to a legend King Indradyumma was directed by Lord Jagannatha in a dream to build a temple for him which he did as directed. However, according to historical records the temple was started some time during the 12th century by King Chodaganga of the Eastern Ganga dynasty. It was completed by his descendant, Anangabhima Deva, in the 12th century. The wooden images of Jagannatha, Balabhadra and Subhadra were then deified here. The temple was under the control of the Hindu rulers up to 1558. Then, when Orissa was occupied by the Afghan Nawab of Bengal, it was brought under the control of the Afghan General Kalapahad. Following the defeat of the Afghan king by Raja Mansingh, the General of Mughal emperor Akbar, the temple became part of the Mughal empire till 1751. Subsequently, it was under the control of the Marathas till 1803. During the British Raj, the Puri Raja was entrusted with its management until 1947.

 

The triad of images in the temple are of Jagannatha, personifying Lord Krishna, Balabhadra, His older brother, and Subhadra, His younger sister. The images are made of neem wood in an unfinished form. The stumps of wood which form the images of the brothers have human arms, while that of Subhadra does not have any arms. The heads are large, painted and non-carved. The faces are marked with distinctive large circular eyes.[25]

 

The Pancha Tirtha of Puri

 

Markandeshwar Tank

Hindus consider it essential to bathe in the Pancha Tirtha or the five sacred bathing spots of Puri, to complete a pilgrimage to Puri. The five sacred water bodies are the Indradyumana Tank, the Rohini Kunda, the Markandeya Tank, the Swetaganga Tank, and the Bay of Bengal also called the Mahodadhi, in Sanskrit 'Mahodadhi' means a "great ocean";[49] all are considered sacred bathing spots in the Swargadwara area.[50][51][52] These tanks have perennial sources of supply from rainfall and ground water.[53]

 

Gundicha Temple

Main article: Gundicha Temple

 

Main entrance of the Gundicha Temple

The Gundicha Temple, known as the Garden House of Jagannatha, stands in the centre of a garden, bounded by compound walls on all sides. It lies at a distance of about 3 kilometres (1.9 mi) to the northeast of the Jagannath Temple. The two temples are located at the two ends of the Bada Danda (Grand Avenue), which is the pathway for the Ratha Yatra. According to a legend, Gundicha was the wife of King Indradyumna who originally built the Jagannath temple.

 

The temple is built using light-grey sandstone, and, architecturally, it exemplifies typical Kalinga temple architecture in the Deula style. The complex comprises four components: vimana (tower structure containing the sanctum), jagamohana (assembly hall), nata-mandapa (festival hall) and bhoga-mandapa (hall of offerings). There is also a kitchen connected by a small passage. The temple is set within a garden, and is known as "God's Summer Garden Retreat" or garden house of Jagannatha. The entire complex, including the garden, is surrounded by a wall which measures 430 by 320 feet (131 m × 98 m) with height of 20 feet (6.1 m).

 

Except for the 9-day Ratha Yatra, when the triad images are worshipped in the Gundicha Temple, otherwise it remains unoccupied for the rest of the year. Tourists can visit the temple after paying an entry fee. Foreigners (generally prohibited entry in the main temple) are allowed inside this temple during this period.[56] The temple is under the Jagannath Temple Administration, Puri, the governing body of the main temple. A small band of servitors maintain the temple.

 

Swargadwar

 

Sea at Swargadwar of Puri

Swargadwar is the name given to the cremation ground or burning ghat which is located on the shores of the sea. Here thousands of dead bodies of Hindus brought from faraway places are cremated. It is a belief that the Chaitanya Mahaparabhu disappeared from this Swargadwar about 500 years back.

 

Beach

 

Puri sea sunrise

 

Puri sea beach viewed from the light house

The beach at Puri, known as the "Ballighai beach, at the mouth of Nunai River", is 8 kilometres (5.0 mi) away from the town and is fringed by casurina trees.[10] It has golden yellow sand. Sunrise and sunset are pleasant scenic attractions here. Waves break in at the beach which is long and wide.

 

District museum

The Puri district museum is located on the station road where the exhibits in display are the different types of garments worn by Lord Jagannatha, local sculptures, patachitra (traditional, cloth-based scroll painting), ancient Palm-leaf manuscripts, and local craft work.

  

Festivals of Puri

The Grand Road near the Jagannath Temple

Puri witnesses 24 festivals every year, of which 13 are major. The most important of these is the Ratha Yatra, or the car festival, held in the June–July, which is attended by more than 1 million people.

 

Ratha Yatra at Puri

The Ratha Yatra in Puri in modern times showing the three chariots of the deities with the Temple in the background

The Jagannath Temple triad are normally worshipped in the sanctum of the temple at Puri, but once during the month of Asadha (rainy season of Orissa, usually in June or July), they are brought out on the Bada Danda (main street of Puri) and taken over a distance of (3 kilometres (1.9 mi)) to the Gundicha Temple[61] in huge chariots (ratha), allowing the public to have darśana (holy view). This festival is known as the Ratha Yatra, meaning the journey (yatra) of the chariots.[62] The yatra starts every year according to the Hindu calendar on the Asadha Sukla Dwitiya day, the second day of bright fortnight of Asadha (June–July).[63]

 

Historically, the ruling Ganga dynasty instituted the Ratha Yatra on the completion of the Jagannath Temple around 1150 AD. This festival was one of those Hindu festivals that was reported to the Western world very early.[64] Friar Odoric, in his account of 1321, reported how the people put the "idols" on chariots, and the King, the Queen and all the people drew them from the "church" with song and music.[65][66]

 

The Rathas are huge wooden structures provided with large wheels, which are built anew every year and are pulled by the devotees. The chariot for Lord Jagannatha is about 45 feet (14 m) high and 35 square feet (3.3 m2) and takes about 2 months for its construction.[67] The chariot is mounted with 16 wheels, each of 7 feet (2.1 m) diameter. The carving in the front face of the chariot has four wooden horses drawn by Maruti. On its other three faces, the wooden carvings are of Rama, Surya and Vishnu. The chariot is known as Nandi Ghosha. The roof of the chariot is covered with yellow and red coloured cloth. The next chariot is of Balabhadra which is 44 feet (13 m) in height fitted with 14 wheels. The chariot is carved with Satyaki as the charioteer, roof covered in red and green coloured cloth, and the chariot is known as Taladhwaja. The carvings on this chariot include images of Narasimha and Rudra as Jagannatha's companions. The next chariot in the order is of Subhadra, which is 43 feet (13 m) in height supported on 12 wheels, roof covered in black and red colour cloth, and the chariot is known as Darpa Dalaan and the charioteer carved is Arjuna. Other images carved on the chariot are of Vana Durga, Tara Devi and Chandi Devi.[63][68] The artists and painters of Puri decorate the cars and paint flower petals and other designs on the wheels, the wood-carved charioteer and horses, and the inverted lotuses on the wall behind the throne.[62] The chariots of Jagannatha pulled during Ratha Yatra is the etymological origin of the English word Juggernaut.[69] The Ratha Yatra is also termed as the Shri Gundicha yatra and Ghosha yatra

  

Pahandi bije during Ratha Yatra at Puri

Chhera Panhara

The Chhera Panhara[70] (sweeping with water) is a significant ritual associated with the Ratha Yatra. During this ritual, the Gajapati King wears the outfit of a sweeper and sweeps all around the deities and chariots. The king cleans the road in front of the chariots with a gold-handled broom and sprinkles sandalwood water and powder. As per the custom, although the Gajapati King has been considered the most exalted person in the Kalingan kingdom, he still renders the menial service to Jagannatha. This ritual signifies that under the lordship of Jagannatha, there is no distinction between the powerful sovereign and the humblest devotee.[71]

 

Chandan Yatra

 

The Chandan Yatra festival held every year on Akshaya Tritiya day marks the commencement of the construction of the chariots of the Ratha Yatra. It also marks the celebration of the Hindu new year.

 

Snana Yatra

Every year, on the Purnima day in the Hindu calendar month of Jyestha (June), the triad images of the Jagannath Temple are ceremonially bathed and decorated on the occasion of Snana Yatra. Water for the bath is taken in 108 pots from the Suna kuan (meaning: "golden well") located near the northern gate of the temple. Water is drawn from this well only once in a year for the sole purpose of the religious bath of the deities. After the bath the triad images are dressed in the fashion of the elephant god, Ganesha. Later, during the night, the original triad images are taken out in a procession back to the main temple but kept at a place known as Anasara pindi.[63] After this the Jhulana Yatra is performed when proxy images of the deities are taken out in a grand procession for 21 days, cruised over boats in the Narendra Tirtha tank.[10]

 

Anavasara or Anasara

 

Anasara, a derivative of the Sanskrit word "Anabasara", literally means vacation. Every year after the holy Snana Yatra, the triad images, without the Sudarshana Chakra, are taken to a secret altar named Anavasara Ghar (also known as Anasara pindi, 'pindi' is Oriya term meaning "platform" [72]) where they remain for the next fortnight of (Krishna paksha); devotees are not allowed to view these images. Instead, devotees go to the nearby Brahmagiri to see the Lord in the four-handed form of Alarnath, a depiction of Vishnu.[63][73] Devotees then get the first glimpse of the Lord only on the day before Ratha Yatra, which is called Navayouvana. It is a local belief that the gods suffer from fever after taking an elaborate ritual bath, and they are treated by the special servants, the Daitapatis, for 15 days. Daitapatis perform special nitis (rites) known as Netrotchhaba (a rite of painting the eyes of the triad). During this period cooked food is not offered to the deities.[74]

 

Naba Kalebara

Main articles: Nabakalevara and Nabakalebara 2015

Naba Kalebara is one of the most grand events associated with the Lord Jagannatha that takes place when one lunar month of Ashadha is followed by another of Ashadha called Adhika Masa (extra month). This can take place at an interval of 8, 12 or even 18 years. Literally meaning the "New Body" (Nava = New, Kalevar = Body) in Odia, the festival is witnessed by millions of people and the budget for this event generally exceeds $500,000. The event involves installation of new images in the temple and burial of the old ones in the temple premises at Koili Vaikuntha. During the Nabakalebara ceremony held during July 2015 the idols that were installed in the temple in 1996 were replaced by specially carved new images made of neem wood. More than 3 million people are reported to have attended this festival.[77]

 

Suna Besha

Main article: Suna Besha

 

Suna Besha or Golden Attire of Lord Jagannatha

Suna Besha, ('Suna besh'in English translates to "gold dressing"[78]) also known as Raja or Rajadhiraja Bhesha [79] or Raja Bhesha, is an event when the triad images of the Jagannath Temple are adorned with gold jewelry. This event is observed five times in a year. It is commonly observed on Magha Purnima (January), Bahuda Ekadashi also known as Asadha Ekadashi (July), Dashahara (Bijayadashami) (October), Karthik Purnima (November), and Pousa Purnima (December).[80][81] One such Suna Bhesha event is observed on Bahuda Ekadashi during the Ratha Yatra on the chariots placed at the Simhadwar. The other four Beshas are observed inside the temple on the Ratna Singhasana (gem studded altar). On this occasion gold plates are decorated over the hands and feet of Jagannatha and Balabhadra; Jagannatha is also adorned with a Chakra (disc) made of gold on the right hand while a silver conch adorns the left hand. Balabhadra is decorated with a plough made of gold on the left hand while a golden mace adorns his right hand.[80]

 

Niladri Bije

Niladri Bije, celebrated in the Hindu calendar month Asadha (June–July) on Trayodashi (13th day),[82] marks the end of the Ratha Yatra. The large wooden images of the triad of gods are taken out from the chariots and then carried to the sanctum sanctorum, swaying rhythmically; a ritual which is known as pahandi.

 

Sahi yatra

 

A scene from a play being enacted during the Sahi Yatra

The Sahi Yatra, considered the world's biggest open-air theatre,[83] is an annual event lasting 11 days; a traditional cultural theatre festival or folk drama which begins on Ram Navami and ends on Rama avishke (Sanskrit meaning : anointing). The festival includes plays depicting various scenes from the Ramayana. The residents of various localities, or Sahis, are entrusted the task of performing the drama at the street corners.[84]

 

Samudra Arati

 

Samudra arati of worship of the sea by disciples of the Matha at Puri

The Samudra arati is a daily tradition started by the present Shankaracharya 9 years ago.[85] The daily practise includes prayer and fire offering to the sea at Swargadwar in Puri by disciples of the Govardhan Matha. On Paush Purnima of every year the Shankaracharya himself comes out to offer prayers to the sea.

 

Transport

Earlier, when roads did not exist, people used to walk or travel by animal-drawn vehicles or carriages along beaten tracks to reach Puri. Travel was by riverine craft along the Ganges up to Calcutta, and then on foot or by carriages. It was only during the Maratha rule that the Jagannath Sadak (Road) was built around 1790. The East India Company laid the rail track from Calcutta to Puri, which became operational in 1898.[86] Puri is now well-connected by rail, road and air services. A broad gauge railway line of the South Eastern Railways which connects Puri with Calcutta, and Khurda is an important railway junction on this route. The rail distance is about 499 kilometres (310 mi) from Calcutta[87] and 468 kilometres (291 mi) from Vishakhapatnam. Road network includes NH 203 that links the city with Bhubaneswar, the state capital, situated about 60 kilometres (37 mi) away. NH 203 B connects the city with Satapada via Brahmagiri. Marine drive, which is part of NH 203 A, connects Puri with Konark. The nearest airport is the Biju Patnaik International Airport at Bhubaneswar.[60] Puri railway station is among the top hundred booking stations of the Indian Railways.[88]

 

Arts and crafts

 

Sand art

Sand art of a baby elephant

Sand art is a special art form that is created on the beaches of Puri. The art form is attributed to Balaram Das, a poet who lived in the 14th century. Sculptures of various gods and famous people are now created in sand by amateur artists. These are temporary in nature as they get washed away by waves. This art form has gained international fame in recent years. One of the famed sand artists of Odisha is Sudarshan Patnaik. He established the Golden Sand Art Institute in 1995, in the open air on the shores of Bay of Bengal, to provide training to students interested in this art form.[89][84]

 

Appliqué art

An applique art work

Appliqué art, which is a stitching-based craft unlike embroidery, was pioneered by Hatta Maharana of Pipili. It is widely used in Puri, both for decoration of the deities and for sale. Maharana's family members are employed as darjis or tailors or sebaks by the Maharaja of Puri. They prepare articles for decorating the deities in the temple for various festivals and religious ceremonies. The appliqué works are brightly coloured and patterned fabric in the form of canopies, umbrellas, drapery, carry bags, flags, coverings of dummy horses and cows, and other household textiles; these are marketed in Puri. The cloth used is made in dark colours of red, black, yellow, green, blue and turquoise blue.[90]

 

Patta Chaitra

Patta Chittra is the one of the oldest forms of art which has its roots to thousands of years ago. It has stayed vibrant amidst changes in cultures and still remains one of the unique art forms of India especially Odisa which originated in Puri.

 

Culture

 

Odissi dancer

Cultural activities, including the annual religious festivals, in Puri are: The Puri Beach Festival held from 5 to 9 November every year, and the Shreekshetra Utsav held from 20 December to 2 January every year. The cultural programmes include unique sand art, display of local and traditional handicrafts and food festival.[91] In addition, cultural programmes are held for two hours on every second Saturday of the month at the district Collector's Conference Hall near Sea Beach Police Station. Odissi dance, Odissi music and folk dances are part of this event.[91] Odissi dance is the cultural heritage of Puri. This dance form originated in Puri from the dances performed by Devadasis (Maharis) attached to the Jagannath Temple who performed dances in the Nata mandapa of the temple to please the deities. Though the devadasi practice has been discontinued, the dance form has become modern and classical and is widely popular; many of the Odissi virtuoso artists and gurus (teachers) are from Puri.[92] Some of the notable Odissi dancers are Kelucharan Mohapatra, Mayadhar Raut, Sonal Mansingh, and Sanjukta Panigrahi.[citation needed]

 

Goti Pua nacha (a dance form) is a famous one which has its origins from hundreds of years before much before Odissi.

 

Many Odia dishes have their roots from Puri, Malpua, Pakhala (fermented water rice), Dalma are few dishes which originated from Puri.

 

Education

 

Samanta Chandra Sekhara College, Puri

Schools

D.A.V Public School

Bholanath Vidyapith

Biswambhar Bidyapitha

Blessed Sacrament High School Puri

Kendriya Vidyalaya

Puri Zilla School

Colleges and universities

Ghanashyama Hemalata Institute of Technology and Management

Shri Jagannath Sanskrit University

Sri Jagannath Medical College and Hospital

Notable people

Chakhi Khuntia – Freedom fighter [93]

Bidhu Bhusan Das - Academic and Vice Chancellor, DPI Odisha

Gopabandhu Das – Social worker

Nilakantha Das – Social activist

Pankaj Charan Das – Odissi dancer

Prabhat Nalini Das - pro Vice Chancellor, academician, feminist, Dean IIT Kanpur

Gajapati Maharaja Dibyasingha Deb - Odia King

Charles Garrett – Cricketer

Kelucharan Mohapatra – Odissi dancer

Raghunath Mohapatra – Architect and sculptor

Baisali Mohanty - ALC Global Fellow at University of Oxford, United Kingdom

Rituraj Mohanty – Singer

Sudarshan Pattnaik – Sand Artist

Jayee Rajguru - Freedom fighter

Madhusudan Rao – Odia Poet

Sudarshan Sahoo - Sculptor

Pinaki Misra - Politician

Biswanath Das- Scholar, Philosopher (Emar Mutha, Puri)

++++++FROM WIKIPEDIA ++++

 

Puri (About this soundlisten (help·info)) is a city and a Municipality in the state of Odisha in eastern India. It is the district headquarters of Puri district and is situated on the Bay of Bengal, 60 kilometres (37 mi) south of the state capital of Bhubaneswar. It is also known as Sri Jagannatha Dhama after the 12th-century Jagannatha Temple located in the city. It is one of the original Char Dham pilgrimage sites for Hindus.

Puri

 

ପୁରୀ

 

Puri is known by several names since the ancient times, and was locally known as "Sri Kshetra" and Lord Jagannatha temple is known as "Badadeula". Puri and the Jagannatha Temple were invaded 18 times by Hindu and Muslim rulers, from the 4th century AD till the early 19th century with the objective of looting the treasures of the temple. Odisha, including Puri and its temple, were part of British India from 1803 till India attained independence in August 1947. Even though princely states do not exist in India today, the heirs of the Gajapati Dynasty of Khurda still perform the ritual duties of the temple. The temple town has many Hindu religious mathas or monasteries.

 

The economy of Puri is dependent on the religious importance of the Jagannatha Temple to the extent of nearly 80 percent. The 24 festivals, including 13 major ones, held every year in the temple complex contribute to the economy; Ratha Yatra and its related festivals are the most important which are attended by millions of people every year. Sand art and applique art are some of the important crafts of the city.

 

Puri has been chosen as one of the heritage cities for Heritage City Development and Augmentation Yojana (HRIDAY) scheme of Government of India.

Geography and climateEdit

GeographyEdit

The Atharanala Bridge dating back to the 16th century at the entrance of Puri

 

Puri, located on the east coast of India on the Bay of Bengal, is in the centre of the Puri district. It is delimited by the Bay of Bengal on the southeast, the Mauza Sipaurubilla on the west, Mauza Gopinathpur in the north and Mauza Balukhand in the east. It is within the 67 kilometres (42 mi) coastal stretch of sandy beaches that extends between Chilika Lake and the south of Puri city. However, the administrative jurisdiction of the Puri Municipality extends over an area of 16.3268 square kilometres (6.3038 sq mi) spread over 30 wards, which includes a shore line of 5 kilometres (3.1 mi).[1]

 

Puri is in the coastal delta of the Mahanadi River on the shores of the Bay of Bengal. In the ancient days it was near to Sisupalgarh (also known as "Ashokan Tosali"). Then the land was drained by a tributary of the Bhargavi River, a branch of the Mahanadi River. This branch underwent a meandering course creating many arteries altering the estuary, and formed many sand hills. These sand hills could be cut through by the streams. Because of the sand hills, the Bhargavi River, flowing to the south of Puri, moved away towards the Chilika Lake. This shift also resulted in the creation of two lagoons, known as Sar and Samang, on the eastern and northern parts of Puri respectively. Sar lagoon has a length of 5 miles (8.0 km) in an east-west direction and a width of 2 miles (3.2 km) in north-south direction. The estuary of the Bhargavi River has a shallow depth of just 5 feet (1.5 m) and the process of siltation continues. According to a 15th-century Odia writer Saraladasa, the bed of the unnamed stream that flowed at the base of the Blue Mountain or Neelachal was filled up. Katakarajavamsa, a 16th-century chronicle (c.1600), attributes filling up of the bed of the river which flowed through the present Grand Road, as done during the reign of King Narasimha II (1278–1308) of Eastern Ganga dynasty.[2]

ClimateEdit

 

According to the Köppen–Geiger climate classification system the climate of Puri is classified as Aw (Tropical savanna climate). The city has moderate and tropical climate. Humidity is fairly high throughout the year. The temperature during summer touches a maximum of 36 °C (97 °F) and during winter it is 17 °C (63 °F). The average annual rainfall is 1,337 millimetres (52.6 in) and the average annual temperature is 26.9 °C (80.4 °F). The weather data is given in the following table.[3][4]

 

HistoryEdit

Main article: Timeline of Puri

Names in historyEdit

 

Puri, the holy land of Lord Jagannatha, also known by the popular vernacular name Shrikhetra, has many ancient names in the Hindu scriptures such as the Rigveda, Matsya purana, Brahma Purana, Narada Purana, Padma Purana, Skanda Purana, Kapila Purana and Niladrimahodaya. In the Rigveda, in particular, it is mentioned as a place called Purushamandama-grama meaning the place where the Creator deity of the world – Supreme Divinity deified on an altar or mandapa was venerated near the coast and prayers offered with Vedic hymns. Over time the name got changed to Purushottama Puri and further shortened to Puri, and the Purusha came to be known as Jagannatha. Sages like Bhrigu, Atri and Markandeya had their hermitage close to this place.[5] Its name is mentioned, conforming to the deity worshipped, as Srikshetra, Purusottama Dhāma, Purusottama Kshetra, Purusottama Puri and Jagannath Puri. Puri, however, is the popular usage. It is also known by the geographical features of its location as Shankhakshetra (the layout of the town is in the form of a conch shell),[6] Neelāchala ("Blue mountain" a terminology used to name a very large sand lagoon over which the temple was built but this name is not in vogue), Neelāchalakshetra, Neelādri.[7] In Sanskrit, the word "Puri" means town or city,[8] and is cognate with polis in Greek.[9]

 

Another ancient name is Charita as identified by General Alexander Cunningham of the Archaeological Survey of India, which was later spelled as Che-li-ta-lo by Chinese traveller Hiuen Tsang. When the present temple was built by the Eastern Ganga king Anantavarman Chodaganga in the 11th and 12th centuries AD, it was called Purushottamkshetra. However, the Moghuls, the Marathas and early British rulers called it Purushottama-chhatar or just Chhatar. In Moghul ruler Akbar's Ain-i-Akbari and subsequent Muslim historical records it was known as Purushottama. In the Sanskrit drama Anargha Raghava Nataka as well, authored by Murari Mishra, a playwright, in the 8th century AD, it is referred to as Purushottama.[6] It was only after the 12th century AD that Puri came to be known by the shortened form of Jagannatha Puri, named after the deity or in a short form as Puri.[7] It is the only shrine in India, where Radha, along with Lakshmi, Saraswati, Durga, Bhudevi, Sati, Parvati, and Shakti, abodes with Krishna, who is also known by the name Jagannatha.[10]

Ancient periodEdit

king Indradyumna of Ujjayani credited with building the original temple in 318 AD

 

According to the chronicle Madala Panji, in 318 AD, the priests and servitors of the temple spirited away the idols to escape the wrath of the Rashtrakuta king Rakatavahu.[11] In the temple's historical records it finds mention in the Brahma Purana and Skanda Purana stating that the temple was built by the king Indradyumna, Ujjayani.[12]

 

S. N. Sadasivan, a historian, in his book A Social History of India quotes William Joseph Wilkins, author of the book Hindu Mythology, Vedic and Purānic as stating that in Puri, Buddhism was once a well established practice but later Buddhists were persecuted and Brahmanism became the order of the religious practice in the town; the Buddha deity is now worshipped by the Hindus as Jagannatha. It is also said by Wilkinson that some relics of Buddha were placed inside the idol of Jagannatha which the Brahmins claimed were the bones of Lord Krishna. Even during Maurya king Ashoka's reign in 240 BC, Kalinga was a Buddhist center and that a tribe known as Lohabahu (barbarians from outside Odisha) converted to Buddhism and built a temple with an idol of Buddha which is now worshipped as Jagannatha. Wilkinson also says that the Lohabahu deposited some Buddha relics in the precincts of the temple.[13]

 

Construction of the Jagannatha Temple started in 1136 AD and completed towards the latter part of the 12th century. The Eastern Ganga king Anangabhima III dedicated his kingdom to Lord Jagannatha, then known as the Purushottama-Jagannatha, and resolved that from then on he and his descendants would rule under "divine order as Jagannatha's sons and vassals". Even though princely states do not exist in India today, the heirs of the Gajapati dynasty of Khurda still perform the ritual duties of the temple; the king formally sweeps the road in front of the chariots before the start of the Ratha Yatra.[14]

Medieval and early modern periodsEdit

 

The history of Puri is on the same lines as that of the Jagannatha Temple, which was invaded 18 times during its history to plunder the treasures of the temple, rather than for religious reasons. The first invasion occurred in the 8th century AD by Rastrakuta king Govinda-III (798–814 AD), and the last took place in 1881 AD by the monotheistic followers of Alekh (Mahima Dharma) who did not recognise the worship of Jagannatha.[15] From 1205 AD onward [14] there were many invasions of the city and its temple by Muslims of Afghan and Moghul descent, known as Yavanas or foreigners. In most of these invasions the idols were taken to safe places by the priests and the servitors of the temple. Destruction of the temple was prevented by timely resistance or surrender by the kings of the region. However, the treasures of the temple were repeatedly looted.[16] The table lists all the 18 invasions along with the status of the three images of the temple, the triad of Jagannatha, Balabhadra and Subhadra following each invasion.[15]

Invasion number Invader (s), year (s) AD Local rulers Status of the three images of the Jagannatha temple

1 Raktabahu or Govinda III (798–814) of the Rashtrakuta Empire King Subhanadeva of Bhaumakara dynasty Idols shifted to Gopali near Sonepur. Was brought back to Puri by Yayati I after 146 years and re-consecrated after performing Nabakalebara.[17]

2 Illias Shah, Sultan of Bengal, 1340 Narasinghadeva III Images shifted to a secret location.[18]

3 Feroz Shah Tughlaq, 1360 Ganga King Bhanudeva III Images not found, though rumored that they were thrown into the Bay Of Bengal.[18]

4 Ismail Ghazi commander of Alauddin Hussain Shah of Bengal, 1509 King Prataprudradeva Images shifted to Chandhei Guha Pahada near Chilika Lake.[18]

5 Kalapahara, army assistant general of Sulaiman Karrani of the Afghan Sultan of Bengal, 1568 Mukundadeva Harichandan Images initially hidden in an island in Chilika Lake. However, the invader took the idols from here to the banks of the Ganges River and burnt them. Bisher Mohanty, a Vaishnavite saint, who had followed the invading army, retrieved the Brahmas and hid it in a drum at Khurdagada in 1575 AD and finally re-installed it in the deities. Deities were brought back to Puri and consecrated in the Jagannatha Temple.[19]

6 Suleman, the son of Kuthu Khan and Osman, the son of Isha (ruler of Orissa), 1592 Ramachandradeva, the Bhoi dynasty ruler of Khurda Revolt was by local Muslim rulers who desecrated the images.[20]

7 Mirza Khurum, the commander of Islam Khan I, the Nawab of Bengal, 1601 Purushottamadeva of Bhoi Dynasty Image moved to Kapileswarpur village by boat through the river Bhargavi and kept in the Panchamukhi Gosani temple. Thereafter, the deities were kept in Dobandha—Pentha.[20]

8 Hasim Khan, the Subedar of Orissa, 1608 Purushottam Deva, the King of Khurda Images shifted to the Gopal temple at Khurda and brought back in 1608.[20]

9 Hindu Rajput Jagirdar Kesodasmaru, 1610 Purusottamdeva, the king of Khurda Images kept at the Gundicha Temple and brought back to Puri after eight months.[20]

10 Kalyan Malla, 1611 Purushottamadeva, the King of Khurda Images moved to 'Mahisanasi' also known as'Brahmapura' or 'Chakanasi' in the Chilika Lake where they remained for one year.[21]

11 Kalyan Malla, 1612 Paiks of Purushottamadeva, the King of Khurda Images placed on a fleet of boats at Gurubai Gada and hidden under the 'Lotani Baragachha' or Banyan tree) and then at 'Dadhibaman Temple'.[22]

12 Mukarram Khan, 1617 Purushottama Deva, the King of Khurda Images moved to the Bankanidhi temple, Gobapadar and brought back to Puri in 1620.[22]

13 Mirza Ahmad Beg, 1621 Narasingha Deva Images shifted to 'Andharigada' in the mouth of the river Shalia across the Chilika Lake. Moved back to Puri in 1624.[23]

14 Amir Mutaquad Khan alias Mirza Makki, 1645 Narasingha Deva and Gangadhar Not known.[24]

15 Amir Fateh Khan, 1647 Not known Not known[24]

16 Ekram Khan and Mastram Khan on behalf of Mughal Emperor Aurangzeb, 1692 Divyasingha Deva, the king of Khurda Images moved to 'Maa Bhagabati Temple' and then to Bada Hantuada in Banpur across the Chilika Lake, and finally brought back to Puri in 1699.[24]

17 Muhammad Taqi Khan, 1731 and 1733 Birakishore Deva and Birakishore Deva of Athagada Images moved to Hariswar in Banpur, Chikili in Khalikote, Rumagarh in Kodala, Athagada in Ganjam and lastly to Marda in Kodala. Shifted back to Puri after 2.5 years.[24]

18 Followers of Mahima Dharma, 1881 Birakishore Deva and Birakishore Deva of Athagada Images burnt in the streets. [25]

 

Puri is the site of the Govardhana Matha, one of the four cardinal institutions established by Adi Shankaracharya, when he visited Puri in 810 AD, and since then it has become an important dham (divine centre) for the Hindus; the others being those at Sringeri, Dwarka and Jyotirmath. The Matha (monastery of various Hindu sects) is headed by Jagatguru Shankarachrya. It is a local belief about these dhams that Lord Vishnu takes his dinner at Puri, has his bath at Rameshwaram, spends the night at Dwarka and does penance at Badrinath.[12][26]

 

In the 16th century, Chaitanya Mahaprabhu of Bengal established the Bhakti movements of India, now known by the name the Hare Krishna movement. He spent many years as a devotee of Jagannatha at Puri; he is said to have merged with the deity.[27] There is also a matha of Chaitanya Mahaprabhu here known as Radhakanta Math.[12]

 

In the 17th century, for the sailors sailing on the east coast of India, the temple served as a landmark, being located in a plaza in the centre of the city, which they called the "White Pagoda" while the Konark Sun Temple, 60 kilometres (37 mi) away to the east of Puri, was known as the "Black Pagoda".[27]

 

The iconic representation of the images in the Jagannatha temple is believed to be the forms derived from the worship made by the tribal groups of Sabaras belonging to northern Odisha. These images are replaced at regular intervals as the wood deteriorates. This replacement is a special event carried out ritualistically by special group of carpenters.[27]

Govardhana matha main gate

 

The city has many other Mathas as well. The Emar Matha was founded by the Tamil Vaishnava saint Ramanujacharya in the 12th century AD. This Matha, which is now located in front of Simhadvara across the eastern corner of the Jagannatha Temple, is reported to have been built in the 16th century during the reign of kings of Suryavamsi Gajapatis. The Matha was in the news on 25 February 2011 for the large cache of 522 silver slabs unearthed from a closed chamber.[28][29]

 

The British conquered Orissa in 1803, and, recognising the importance of the Jagannatha Temple in the life of the people of the state, they initially appointed an official to look after the temple's affairs and later declared the temple as part of a district.[14]

Modern historyEdit

H.H Jagadguru Swami Nischalananda Saraswati, The Shankaracharya of Puri

 

In 1906, Sri Yukteswar, an exponent of Kriya Yoga and a resident of Puri, established an ashram, a spiritual training center, named "Kararashram" in Puri. He died on 9 March 1936 and his body is buried in the garden of the ashram.[30][31]

 

The city is the site of the former summer residence of British Raj, the Raj Bhavan, built in 1913–14 during the era of governors.[32]

 

For the people of Puri, Lord Jagannatha, visualized as Lord Krishna, is synonymous with their city. They believe that Lord Jagannatha looks after the welfare of the state. However, after the partial collapse of the Jagannatha Temple (in the Amalaka part of the temple) on 14 June 1990, people became apprehensive and considered it a bad omen for Odisha. The replacement of the fallen stone by another of the same size and weight (7 tonnes (7.7 tons)), that could be done only in the early morning hours after the temple gates were opened, was done on 28 February 1991.[27]

 

Puri has been chosen as one of the heritage cities for the Heritage City Development and Augmentation Yojana scheme of the Indian Government. It is chosen as one of the 12 heritage cities with "focus on holistic development" to be implemented within 27 months by the end of March 2017.[33]

 

Non-Hindus are not permitted to enter the shrines but are allowed to view the temple and the proceedings from the roof of the Raghunandan library, located within the precincts of the temple, for a small donation.[34]

DemographicsEdit

See also: List of cities in Odisha

 

According to the 2011 Census of India, Puri is an urban agglomeration governed by the Municipal Corporation in Odisha state, with a population of 201,026[35] This rose to 200,564 in 2011 – comprising 104,086 males, 96,478 females, and 18,471 children (under six years of age). The sex ratio is 927. The average literacy rate in the city is 88.03 percent (91.38 percent for males and 84.43 percent for females).

EconomyEdit

 

The economy of Puri is dependent on tourism to the extent of about 80 percent. The temple is the focal point of the city and provides employment to the people of the town. Agricultural production of rice, ghee, vegetables and so forth of the region meet the large requirements of the temple. Many settlements around the town exclusively cater to the other religious requirements of the temple.[36] The temple administration employs 6,000 men to perform the rituals. The temple also provides economic sustenance to 20,000 people.[34] According to Colleen Taylor Sen an author on food and travel, writing on the food culture of India, the temple kitchen has 400 cooks serving food to as many as 100,000 people,.[37] According to J Mohapatra, Director, Ind Barath Power Infra Ltd (IBPIL), the kitchen is known as "a largest and biggest kitchen of the world."[38]

City management and governanceEdit

Samudra arati or worship of the sea at Swargadwar by disciples of the Govardhana matha

 

The Puri Municipality, Puri Konark Development Authority, Public Health Engineering Organisation and Orissa Water Supply Sewerage Board are some of the principal organisations that are devolved with the responsibility of providing for civic amenities such as water supply, sewerage, waste management, street lighting and infrastructure of roads. The major activity, which puts maximum pressure on these organisations, is the annual event of the Ratha Yatra held during June- July. According to the Puri Municipality more than a million people attend this event. Hence, development activities such as infrastructure and amenities to the pilgrims, apart from security, gets priority attention.[39]

 

The civic administration of Puri is the responsibility of the Puri Municipality. The municipality came into existence in 1864 in the name of the Puri Improvement Trust, which was converted into Puri Municipality in 1881. After India's independence in 1947, the Orissa Municipal Act (1950) was promulgated entrusting the administration of the city to the Puri Municipality. This body is represented by elected representatives with a Chairperson and councilors representing the 30 wards within the municipal limits.[40]

LandmarksEdit

Jagannatha temple

Jagannatha Temple at PuriEdit

Main article: Jagannath Temple (Puri)

Left: Jagannath Temple at Puri Right: View of the temple at night

 

The Jagannatha Temple at Puri is one of the major Hindu temples built in the Kalinga style of architecture.[41] The temple tower, with a spire, rises to a height of 58 metres (190 ft), and a flag is unfurled above it, fixed over a wheel (chakra).[34][42]

Left:Ritual chakra and flags at the top shikhara of Puri temple of Jagannatha also related to Sudarsana chakra. The red flag (12 hand or 14 feet (4.3 m) denotes that Jagannath is within the temple.

Right: Statue of Aruna the charioteer of the Sun God on top of the Aruna Stambha in front of the Singhadwara

 

The temple is built on an elevated platform (of about 420,000 square feet (39,000 m2) area),[43] 20 feet (6.1 m) above the adjacent area. The temple rises to a height of 214 feet (65 m) above the road level. The temple complex covers an area of 10.7 acres (4.3 ha).[39] There are four entry gates in four cardinal directions of the temple, each gate located at the central part of the walls. These gates are: the eastern gate called the Singhadwara (Lions Gate), the southern gate known as Ashwa Dwara (Horse Gate), the western gate called the Vyaghra Dwara (Tigers Gate) or the Khanja Gate, and the northern gate called the Hathi Dwara or (elephant gate). These four gates symbolize the four fundamental principles of Dharma (right conduct), Jnana (knowledge), Vairagya (renunciation) and Aishwarya (prosperity). The gates are crowned with pyramid shaped structures. There is a stone pillar in front of the Singhadwara, called the Aruna Stambha {Solar Pillar}, 11 metres (36 ft) in height with 16 faces, made of chlorite stone; at the top of the stamba an elegant statue of Aruṇa (Sun) in a prayer mode is mounted. This pillar was shifted from the Konarak Sun Temple.[44] The four gates are decorated with guardian statues in the form of lion, horse mounted men, tigers, and elephants in the name and order of the gates.[34] A pillar made of fossilized wood is used for placing lamps as offering. The Lion Gate (Singhadwara) is the main gate to the temple, which is guarded by two guardian deities Jaya and Vijaya.[43][44][45] The main gate is ascended through 22 steps known as Baisi Pahaca, which are revered, as it is believed to possess "spiritual animation". Children are made to roll down these steps, from top to bottom, to bring them spiritual happiness. After entering the temple, on the left side, there is a large kitchen where food is prepared in hygienic conditions in huge quantities; the kitchen is called as "the biggest hotel of the world".[43]

The main entrance of the Jagannatha Temple

 

According to a legend King Indradyumma was directed by Lord Jagannatha in a dream to build a temple for him which he did as directed. However, according to historical records the temple was started some time during the 12th century by King Chodaganga of the Eastern Ganga dynasty. It was completed by his descendant, Anangabhima Deva, in the 12th century. The wooden images of Jagannatha, Balabhadra and Subhadra were then deified here. The temple was under the control of the Hindu rulers up to 1558. Then, when Orissa was occupied by the Afghan Nawab of Bengal, it was brought under the control of the Afghan General Kalapahad. Following the defeat of the Afghan king by Raja Mansingh, the General of Mughal emperor Akbar, the temple became part of the Mughal empire till 1751. Subsequently, it was under the control of the Marathas till 1803. During the British Raj, the Puri Raja was entrusted with its management until 1947.[42]

 

The triad of images in the temple are of Jagannatha, personifying Lord Krishna, Balabhadra, His older brother, and Subhadra, His younger sister. The images are made of neem wood in an unfinished form. The stumps of wood which form the images of the brothers have human arms, while that of Subhadra does not have any arms. The heads are large, painted and non-carved. The faces are marked with distinctive large circular eyes.[27]

The Pancha Tirtha of PuriEdit

Main article: Pancha Tirtha of Puri

Markandeshwar Tank

 

Hindus consider it essential to bathe in the Pancha Tirtha or the five sacred bathing spots of Puri, to complete a pilgrimage to Puri. The five sacred water bodies are the Indradyumana Tank, the Rohini Kunda, the Markandeya Tank, the Swetaganga Tank, and the Bay of Bengal also called the Mahodadhi, in Sanskrit 'Mahodadhi' means a "great ocean";[46] all are considered sacred bathing spots in the Swargadwar area.[47][48][49] These tanks have perennial sources of supply from rainfall and ground water.[50]

Gundicha TempleEdit

Main article: Gundicha Temple

The Main Gate of the Gundicha Temple

 

The Gundicha Temple, known as the Garden House of Jagannatha, stands in the centre of a beautiful garden, bounded by compound walls on all sides. It lies at a distance of about 3 kilometres (1.9 mi) to the northeast of the Jagannatha Temple. The two temples are located at the two ends of the Bada Danda (Grand Avenue), which is the pathway for the Ratha Yatra. According to a legend, Gundicha was the wife of King Indradyumna who originally built the Jagannatha temple.[51]

 

The temple is built using light-grey sandstone, and, architecturally, it exemplifies typical Kalinga temple architecture in the Deula style. The complex comprises four components: vimana (tower structure containing the sanctum), jagamohana (assembly hall), nata-mandapa (festival hall) and bhoga-mandapa (hall of offerings). There is also a kitchen connected by a small passage. The temple is set within a garden, and is known as "God's Summer Garden Retreat" or garden house of Jagannatha. The entire complex, including the garden, is surrounded by a wall which measures 430 by 320 feet (131 m × 98 m) with height of 20 feet (6.1 m).[52]

 

Except for the 9-day Ratha Yatra, when the triad images are worshipped in the Gundicha Temple, otherwise it remains unoccupied for the rest of the year. Tourists can visit the temple after paying an entry fee. Foreigners (generally prohibited entry in the main temple) are allowed inside this temple during this period.[53] The temple is under the Jagannatha Temple Administration, Puri, the governing body of the main temple. A small band of servitors maintain the temple.[52]

SwargadwarEdit

The Sea at Swargadwar of Puri

 

Swargadwar is the name given to the cremation ground or burning ghat which is located on the shores of the sea. Here thousands of dead bodies of Hindus brought from faraway places are cremated. It is a belief that the Chitanya Mahaparabhu disappeared from this Swargadwar about 500 years back.[54]

BeachEdit

Puri sea sunrise

Puri Sea Beach viewed from the light house

 

The beach at Puri, known as the "Ballighai beach, at the mouth of Nunai River, is 8 kilometres (5.0 mi) away from the town and is fringed by casurina trees.[12] It has golden yellow sand. Sunrise and sunset are pleasant scenic attractions here.[55] Waves break in at the beach which is long and wide.[27]

District museumEdit

 

The Puri district museum is located on the station road where the exhibits in display are the different types of garments worn by Lord Jagannatha, local sculptures, patachitra (traditional, cloth-based scroll painting), ancient Palm-leaf manuscripts, and local craft work.[56]

Raghunandana libraryEdit

 

Raghunandana Library is located in the Emara Matha complex (opposite Simhadwara or lion gate, the main entrance gate). The Jagannatha Aitihasika Gavesana Samiti (Jagannatha Historical Centre) is also located here. The library houses ancient palm leaf manuscripts on Jagannatha, His cult and the history of the city.[56]

Festivals of PuriEdit

Main article: List of festivals observed at Jagannatha Temple, Puri

The Grand Road near the Jagannatha Temple

 

Puri witnesses 24 festivals every year, of which 13 are major. The most important of these is the Ratha Yatra, or the car festival, held in the June–July, which is attended by more than 1 million people.[57]

Ratha Yatra at PuriEdit

Main article: Ratha-Yatra (Puri)

The Ratha Yatra in Puri in modern times showing the three chariots of the deities with the Temple in the background

 

The Jagannatha Temple triad are normally worshipped in the sanctum of the temple at Puri, but once during the month of Asadha (rainy season of Orissa, usually in June or July), they are brought out on the Bada Danda (main street of Puri) and taken over a distance of (3 kilometres (1.9 mi)) to the Shri Gundicha Temple[58] in huge chariots (ratha), allowing the public to have darśana (holy view). This festival is known as the Ratha Yatra, meaning the journey (yatra) of the chariots.[59] The yatra starts every year according to the Hindu calendar on the Asadha Sukla Dwitiya day, the second day of bright fortnight of Asadha (June–July).[60]

 

Historically, the ruling Ganga dynasty instituted the Ratha Yatra on the completion of the Jagannatha Temple around 1150 AD. This festival was one of those Hindu festivals that was reported to the Western world very early.[61] Friar Odoric, in his account of 1321, reported how the people put the "idols" on chariots, and the King, the Queen and all the people drew them from the "church" with song and music.[62][63]

 

The Rathas are huge wooden structures provided with large wheels, which are built anew every year and are pulled by the devotees. The chariot for Lord Jagannatha is about 45 feet (14 m) high and 35 square feet (3.3 m2) and takes about 2 months for its construction.[64] The chariot is mounted with 16 wheels, each of 7 feet (2.1 m) diameter. The carving in the front face of the chariot has four wooden horses drawn by Maruti. On its other three faces, the wooden carvings are of Rama, Surya and Vishnu. The chariot is known as Nandi Ghosha. The roof of the chariot is covered with yellow and red coloured cloth. The next chariot is of Balabhadra which is 44 feet (13 m) in height fitted with 14 wheels. The chariot is carved with Satyaki as the charioteer, roof covered in red and green coloured cloth, and the chariot is known as Taladhwaja. The carvings on this chariot include images of Narasimha and Rudra as Jagannatha's companions. The next chariot in the order is of Subhadra, which is 43 feet (13 m) in height supported on 12 wheels, roof covered in black and red colour cloth, and the chariot is known as Darpa Dalaan and the charioteer carved is Arjuna. Other images carved on the chariot are of Vana Durga, Tara Devi and Chandi Devi.[60][65] The artists and painters of Puri decorate the cars and paint flower petals and other designs on the wheels, the wood-carved charioteer and horses, and the inverted lotuses on the wall behind the throne.[59] The chariots of Jagannatha pulled during Ratha Yatra is the etymological origin of the English word Juggernaut.[66] The Ratha Yatra is also termed as the Shri Gundicha yatra and Ghosha yatra[60]

Pahandi bije during Ratha Yatra at Puri

Chhera PaharaEdit

 

The Chhera Pahara (sweeping with water) is a significant ritual associated with the Ratha Yatra. During this ritual, the Gajapati King wears the outfit of a sweeper and sweeps all around the deities and chariots. The king cleans the road in front of the chariots with a gold-handled broom and sprinkles sandalwood water and powder. As per the custom, although the Gajapati King has been considered the most exalted person in the Kalingan kingdom, he still renders the menial service to Jagannatha. This ritual signifies that under the lordship of Jagannatha, there is no distinction between the powerful sovereign and the humblest devotee.[67]

Chandan YatraEdit

The Narendra Tirtha tank where ceremonies of Chandan Yatra are performed

Main article: Chandan Yatra

 

The Chandan Yatra festival held every year on Akshaya Tritiya day marks the commencement of the construction of the chariots of the Ratha Yatra. It also marks the celebration of the Hindu new year.[12]

Snana YatraEdit

Main article: Snana Yatra

 

Every year, on the Purnima day in the Hindu calendar month of Jyestha (June), the triad images of the Jagannatha Temple are ceremonially bathed and decorated on the occasion of Snana Yatra. Water for the bath is taken in 108 pots from the Suna kuan (meaning: "golden well") located near the northern gate of the temple. Water is drawn from this well only once in a year for the sole purpose of the religious bath of the deities. After the bath the triad images are dressed in the fashion of the elephant god, Ganesha. Later, during the night, the original triad images are taken out in a procession back to the main temple but kept at a place known as Anasara pindi.[60] After this the Jhulana Yatra is performed when proxy images of the deities are taken out in a grand procession for 21 days, cruised over boats in the Narendra Tirtha tank.[12]

Anavasara or AnasaraEdit

Images during the Snana Yatra.

 

Anasara, a derivative of the Sanskrit word "Anabasara",[68] literally means vacation. Every year after the holy Snana Yatra, the triad images, without the Sudarshana Chakra, are taken to a secret altar named Anavasara Ghar (also known as Anasara pindi, 'pindi' is Oriya term meaning "platform" [68]) where they remain for the next fortnight of (Krishna paksha); devotees are not allowed to view these images. Instead, devotees go to the nearby Brahmagiri to see the Lord in the four-handed form of Alarnath, a depiction of Vishnu.[60][69] Devotees then get the first glimpse of the Lord only on the day before Ratha Yatra, which is called Navayouvana. It is a local belief that the gods suffer from fever after taking an elaborate ritual bath, and they are treated by the special servants, the Daitapatis, for 15 days. Daitapatis perform special nitis (rites) known as Netrotchhaba (a rite of painting the eyes of the triad). During this period cooked food is not offered to the deities.[70]

Naba KalebaraEdit

Main articles: Nabakalevara and Nabakalebara 2015

 

Naba Kalebara is one of the most grand events associated with the Lord Jagannatha that takes place when one lunar month of Ashadha is followed by another of Ashadha called Adhika Masa (extra month). This can take place at an interval of 8, 12 or even 18 years. Literally meaning the "New Body" (Nava = New, Kalevar = Body) in Odia, the festival is witnessed by millions of people and the budget for this event generally exceeds $500,000. The event involves installation of new images in the temple and burial of the old ones in the temple premises at Koili Vaikuntha. During the Nabakalebara ceremony held during July 2015 the idols that were installed in the temple in 1996 were replaced by specially carved new images made of neem wood.[71][72] More than 3 million people are reported to have attended this festival.[73]

Suna BeshaEdit

Main article: Suna Besha

Suna Besha or Golden Attire of Lord Jagannatha

 

Suna Besha, ('Suna besh'in English translates to "gold dressing”[74]) also known as Raja or Rajadhiraja Bhesha [75] or Raja Bhesha, is an event when the triad images of the Jagannatha Temple are adorned with gold jewelry. This event is observed five times in a year. It is commonly observed on Magha Purnima (January), Bahuda Ekadashi also known as Asadha Ekadashi (July), Dashahara (Bijayadashami) (October), Karthik Purnima (November), and Pousa Purnima (December).[76][77] One such Suna Bhesha event is observed on Bahuda Ekadashi during the Ratha Yatra on the chariots placed at the Simhadwar. The other four Beshas are observed inside the temple on the Ratna Singhasana (gem studded altar). On this occasion gold plates are decorated over the hands and feet of Jagannatha and Balabhadra; Jagannatha is also adorned with a Chakra (disc) made of gold on the right hand while a silver conch adorns the left hand. Balabhadra is decorated with a plough made of gold on the left hand while a golden mace adorns his right hand.[76]

Niladri BijeEdit

 

Niladri Bije, celebrated in the Hindu calendar month Asadha (June–July) on Trayodashi (13th day),[78] marks the end of the Ratha Yatra. The large wooden images of the triad of gods are taken out from the chariots and then carried to the sanctum sanctorum, swaying rhythmically; a ritual which is known as pahandi.[72]

Sahi yatraEdit

A scene from a play being enacted during the Sahi Yatra

 

The Sahi Yatra, considered the world's biggest open-air theatre,[79] is an annual event lasting 11 days; a traditional cultural theatre festival or folk drama which begins on Ram Navami and ends on Rama avishke (Sanskrit meaning : anointing). The festival includes plays depicting various scenes from the Ramayana. The residents of various localities, or Sahis, are entrusted the task of performing the drama at the street corners.[80]

Samudra AratiEdit

Samudra arati of worship of the sea by disciples of the Matha at Puri

 

The Samudra arati is a daily tradition started by the present Shankaracharya 9 years ago.[81] The daily practise includes prayer and fire offering to the sea at Swargadwar in Puri by disciples of the Govardhan Matha. On Paush Purnima of every year the Shankaracharya himself comes out to offer prayers to the sea.

TransportEdit

 

Earlier, when roads did not exist, people used to walk or travel by animal-drawn vehicles or carriages along beaten tracks to reach Puri. Travel was by riverine craft along the Ganges up to Calcutta, and then on foot or by carriages. It was only during the Maratha rule that the popular Jagannath Sadak (Road) was built around 1790. The East India Company laid the rail track from Calcutta to Puri, which became operational in 1898.[82] Puri is now well-connected by rail, road and air services. A broad gauge railway line of the South Eastern Railways which connects Puri with Calcutta, and Khurda is an important railway junction on this route. The rail distance is about 499 kilometres (310 mi) from Calcutta[83] and 468 kilometres (291 mi) from Vishakhapatnam. Road network includes NH 203 that links the city with Bhubaneswar, the state capital, situated about 60 kilometres (37 mi) away. NH 203 B connects the city with Satapada via Brahmagiri. Marine drive, which is part of NH 203 A, connects Puri with Konark. The nearest airport is the Biju Patnaik International Airport at Bhubaneswar.[57] Puri railway station is among the top hundred booking stations of the Indian Railways.[84]

Arts and craftsEdit

Sand artEdit

Sand art of a Baby Elephant

 

Sand art is a special art form that is created on the beaches of Puri. The art form is attributed to Balaram Das, a poet who lived in the 14th century. Sculptures of various gods and famous people are now created in sand by amateur artists. These are temporary in nature as they get washed away by waves. This art form has gained international fame in recent years. One of the famed sand artists of Odisha is Sudarshan Patnaik. He established the Golden Sand Art Institute in 1995, in the open air on the shores of Bay of Bengal, to provide training to students interested in this art form.[85][80]

Appliqué artEdit

An applique art work

 

Appliqué art, which is a stitching-based craft unlike embroidery, was pioneered by Hatta Maharana of Pipili. It is widely used in Puri, both for decoration of the deities and for sale. Maharana's family members are employed as darjis or tailors or sebaks by the Maharaja of Puri. They prepare articles for decorating the deities in the temple for various festivals and religious ceremonies. The appliqué works are brightly coloured and patterned fabric in the form of canopies, umbrellas, drapery, carry bags, flags, coverings of dummy horses and cows, and other household textiles; these are marketed in Puri. The cloth used is made in dark colours of red, black, yellow, green, blue and turquoise blue.[86]

CultureEdit

Odissi dancer

 

Cultural activities, including the annual religious festivals, in Puri are: The Puri Beach Festival held from 5 to 9 November every year, and the Shreekshetra Utsav held from 20 December to 2 January every year. The cultural programmes include unique sand art, display of local and traditional handicrafts and food festival.[87] In addition, cultural programmes are held for two hours on every second Saturday of the month at the district Collector's Conference Hall near Sea Beach Police Station. Odissi dance, Odissi music and folk dances are part of this event.[87] Odissi dance is the cultural heritage of Puri. This dance form originated in Puri from the dances performed by Devadasis (Maharis) attached to the Jagannatha Temple who performed dances in the Nata mandapa of the temple to please the deities. Though the devadasi practice has been discontinued, the dance form has become modern and classical and is widely popular; many of the Odissi virtuoso artists and gurus (teachers) are from Puri.[88] Some of the famous Odissi dancers are Kelucharan Mohapatra, Mayadhar Raut, Sonal Mansingh, Sanjukta Panigrahi and many more

EducationEdit

Samanta Chandra Sekhar College, Puri

 

Some of the educational institutions in Puri are:

 

Ghanashyama Hemalata Institute of Technology and Management

Gangadhar Mohapatra Law College, established in 1981[89]

Extension Unit of Regional Research Institute of Homoeopathy, Puri, under Central Council for Research in Homoeopathy (CCRH), New Delhi; established in March 2006 [90]

Shri Jagannath Sanskrit University, established in July 1981[91]

Gopabandhu Ayurveda Mahavidyalaya, a college and hospital where treatment and training is based on Ayurveda school of medicine [92]

The Industrial Training Institute, a premier technical institution to provide education to skilled, committed & talented technicians was established in 1966 by the Government of India[93]

Blessed Sacrament High School established in 1952 is otherwise known as Puri convent. It is one of the best schools in the city. The school features classes 1 to 10. It is located in VIP Road, Puri.

 

Puri peopleEdit

 

Jayee Rajguru - Freedom fighter

Chakhi Khuntia (Chandan Hajuri) – Freedom fighter [94]

Utkalmani Pandit Gopabandhu Das – Social worker

Pandit Nilakantha Das – Social activist

Bhaktakabi Madhusudan Rao – Odia Poet

Padma Vibhushan Kelucharan Mohapatra – Odissi dancer

Padma Shri Pankaj Charan Das – Odissi dancer

Padma Shri Pandit Sadashiv Rathasharma – Scholar and Preacher of Shri Jagannatha Culture

Padma Vibhushan Raghunath Mohapatra – Architect and sculptor

Padma Shri Sudarshan Pattnaik – Sand Artist

Baisali Mohanty - ALC Global Fellow at University of Oxford, United Kingdom

Rituraj Mohanty – Singer

++++++FROM WIKIPEDIA ++++

 

Puri (About this soundlisten (help·info)) is a city and a Municipality in the state of Odisha in eastern India. It is the district headquarters of Puri district and is situated on the Bay of Bengal, 60 kilometres (37 mi) south of the state capital of Bhubaneswar. It is also known as Sri Jagannatha Dhama after the 12th-century Jagannatha Temple located in the city. It is one of the original Char Dham pilgrimage sites for Hindus.

Puri

 

ପୁରୀ

 

Puri is known by several names since the ancient times, and was locally known as "Sri Kshetra" and Lord Jagannatha temple is known as "Badadeula". Puri and the Jagannatha Temple were invaded 18 times by Hindu and Muslim rulers, from the 4th century AD till the early 19th century with the objective of looting the treasures of the temple. Odisha, including Puri and its temple, were part of British India from 1803 till India attained independence in August 1947. Even though princely states do not exist in India today, the heirs of the Gajapati Dynasty of Khurda still perform the ritual duties of the temple. The temple town has many Hindu religious mathas or monasteries.

 

The economy of Puri is dependent on the religious importance of the Jagannatha Temple to the extent of nearly 80 percent. The 24 festivals, including 13 major ones, held every year in the temple complex contribute to the economy; Ratha Yatra and its related festivals are the most important which are attended by millions of people every year. Sand art and applique art are some of the important crafts of the city.

 

Puri has been chosen as one of the heritage cities for Heritage City Development and Augmentation Yojana (HRIDAY) scheme of Government of India.

Geography and climateEdit

GeographyEdit

The Atharanala Bridge dating back to the 16th century at the entrance of Puri

 

Puri, located on the east coast of India on the Bay of Bengal, is in the centre of the Puri district. It is delimited by the Bay of Bengal on the southeast, the Mauza Sipaurubilla on the west, Mauza Gopinathpur in the north and Mauza Balukhand in the east. It is within the 67 kilometres (42 mi) coastal stretch of sandy beaches that extends between Chilika Lake and the south of Puri city. However, the administrative jurisdiction of the Puri Municipality extends over an area of 16.3268 square kilometres (6.3038 sq mi) spread over 30 wards, which includes a shore line of 5 kilometres (3.1 mi).[1]

 

Puri is in the coastal delta of the Mahanadi River on the shores of the Bay of Bengal. In the ancient days it was near to Sisupalgarh (also known as "Ashokan Tosali"). Then the land was drained by a tributary of the Bhargavi River, a branch of the Mahanadi River. This branch underwent a meandering course creating many arteries altering the estuary, and formed many sand hills. These sand hills could be cut through by the streams. Because of the sand hills, the Bhargavi River, flowing to the south of Puri, moved away towards the Chilika Lake. This shift also resulted in the creation of two lagoons, known as Sar and Samang, on the eastern and northern parts of Puri respectively. Sar lagoon has a length of 5 miles (8.0 km) in an east-west direction and a width of 2 miles (3.2 km) in north-south direction. The estuary of the Bhargavi River has a shallow depth of just 5 feet (1.5 m) and the process of siltation continues. According to a 15th-century Odia writer Saraladasa, the bed of the unnamed stream that flowed at the base of the Blue Mountain or Neelachal was filled up. Katakarajavamsa, a 16th-century chronicle (c.1600), attributes filling up of the bed of the river which flowed through the present Grand Road, as done during the reign of King Narasimha II (1278–1308) of Eastern Ganga dynasty.[2]

ClimateEdit

 

According to the Köppen–Geiger climate classification system the climate of Puri is classified as Aw (Tropical savanna climate). The city has moderate and tropical climate. Humidity is fairly high throughout the year. The temperature during summer touches a maximum of 36 °C (97 °F) and during winter it is 17 °C (63 °F). The average annual rainfall is 1,337 millimetres (52.6 in) and the average annual temperature is 26.9 °C (80.4 °F). The weather data is given in the following table.[3][4]

 

HistoryEdit

Main article: Timeline of Puri

Names in historyEdit

 

Puri, the holy land of Lord Jagannatha, also known by the popular vernacular name Shrikhetra, has many ancient names in the Hindu scriptures such as the Rigveda, Matsya purana, Brahma Purana, Narada Purana, Padma Purana, Skanda Purana, Kapila Purana and Niladrimahodaya. In the Rigveda, in particular, it is mentioned as a place called Purushamandama-grama meaning the place where the Creator deity of the world – Supreme Divinity deified on an altar or mandapa was venerated near the coast and prayers offered with Vedic hymns. Over time the name got changed to Purushottama Puri and further shortened to Puri, and the Purusha came to be known as Jagannatha. Sages like Bhrigu, Atri and Markandeya had their hermitage close to this place.[5] Its name is mentioned, conforming to the deity worshipped, as Srikshetra, Purusottama Dhāma, Purusottama Kshetra, Purusottama Puri and Jagannath Puri. Puri, however, is the popular usage. It is also known by the geographical features of its location as Shankhakshetra (the layout of the town is in the form of a conch shell),[6] Neelāchala ("Blue mountain" a terminology used to name a very large sand lagoon over which the temple was built but this name is not in vogue), Neelāchalakshetra, Neelādri.[7] In Sanskrit, the word "Puri" means town or city,[8] and is cognate with polis in Greek.[9]

 

Another ancient name is Charita as identified by General Alexander Cunningham of the Archaeological Survey of India, which was later spelled as Che-li-ta-lo by Chinese traveller Hiuen Tsang. When the present temple was built by the Eastern Ganga king Anantavarman Chodaganga in the 11th and 12th centuries AD, it was called Purushottamkshetra. However, the Moghuls, the Marathas and early British rulers called it Purushottama-chhatar or just Chhatar. In Moghul ruler Akbar's Ain-i-Akbari and subsequent Muslim historical records it was known as Purushottama. In the Sanskrit drama Anargha Raghava Nataka as well, authored by Murari Mishra, a playwright, in the 8th century AD, it is referred to as Purushottama.[6] It was only after the 12th century AD that Puri came to be known by the shortened form of Jagannatha Puri, named after the deity or in a short form as Puri.[7] It is the only shrine in India, where Radha, along with Lakshmi, Saraswati, Durga, Bhudevi, Sati, Parvati, and Shakti, abodes with Krishna, who is also known by the name Jagannatha.[10]

Ancient periodEdit

king Indradyumna of Ujjayani credited with building the original temple in 318 AD

 

According to the chronicle Madala Panji, in 318 AD, the priests and servitors of the temple spirited away the idols to escape the wrath of the Rashtrakuta king Rakatavahu.[11] In the temple's historical records it finds mention in the Brahma Purana and Skanda Purana stating that the temple was built by the king Indradyumna, Ujjayani.[12]

 

S. N. Sadasivan, a historian, in his book A Social History of India quotes William Joseph Wilkins, author of the book Hindu Mythology, Vedic and Purānic as stating that in Puri, Buddhism was once a well established practice but later Buddhists were persecuted and Brahmanism became the order of the religious practice in the town; the Buddha deity is now worshipped by the Hindus as Jagannatha. It is also said by Wilkinson that some relics of Buddha were placed inside the idol of Jagannatha which the Brahmins claimed were the bones of Lord Krishna. Even during Maurya king Ashoka's reign in 240 BC, Kalinga was a Buddhist center and that a tribe known as Lohabahu (barbarians from outside Odisha) converted to Buddhism and built a temple with an idol of Buddha which is now worshipped as Jagannatha. Wilkinson also says that the Lohabahu deposited some Buddha relics in the precincts of the temple.[13]

 

Construction of the Jagannatha Temple started in 1136 AD and completed towards the latter part of the 12th century. The Eastern Ganga king Anangabhima III dedicated his kingdom to Lord Jagannatha, then known as the Purushottama-Jagannatha, and resolved that from then on he and his descendants would rule under "divine order as Jagannatha's sons and vassals". Even though princely states do not exist in India today, the heirs of the Gajapati dynasty of Khurda still perform the ritual duties of the temple; the king formally sweeps the road in front of the chariots before the start of the Ratha Yatra.[14]

Medieval and early modern periodsEdit

 

The history of Puri is on the same lines as that of the Jagannatha Temple, which was invaded 18 times during its history to plunder the treasures of the temple, rather than for religious reasons. The first invasion occurred in the 8th century AD by Rastrakuta king Govinda-III (798–814 AD), and the last took place in 1881 AD by the monotheistic followers of Alekh (Mahima Dharma) who did not recognise the worship of Jagannatha.[15] From 1205 AD onward [14] there were many invasions of the city and its temple by Muslims of Afghan and Moghul descent, known as Yavanas or foreigners. In most of these invasions the idols were taken to safe places by the priests and the servitors of the temple. Destruction of the temple was prevented by timely resistance or surrender by the kings of the region. However, the treasures of the temple were repeatedly looted.[16] The table lists all the 18 invasions along with the status of the three images of the temple, the triad of Jagannatha, Balabhadra and Subhadra following each invasion.[15]

Invasion number Invader (s), year (s) AD Local rulers Status of the three images of the Jagannatha temple

1 Raktabahu or Govinda III (798–814) of the Rashtrakuta Empire King Subhanadeva of Bhaumakara dynasty Idols shifted to Gopali near Sonepur. Was brought back to Puri by Yayati I after 146 years and re-consecrated after performing Nabakalebara.[17]

2 Illias Shah, Sultan of Bengal, 1340 Narasinghadeva III Images shifted to a secret location.[18]

3 Feroz Shah Tughlaq, 1360 Ganga King Bhanudeva III Images not found, though rumored that they were thrown into the Bay Of Bengal.[18]

4 Ismail Ghazi commander of Alauddin Hussain Shah of Bengal, 1509 King Prataprudradeva Images shifted to Chandhei Guha Pahada near Chilika Lake.[18]

5 Kalapahara, army assistant general of Sulaiman Karrani of the Afghan Sultan of Bengal, 1568 Mukundadeva Harichandan Images initially hidden in an island in Chilika Lake. However, the invader took the idols from here to the banks of the Ganges River and burnt them. Bisher Mohanty, a Vaishnavite saint, who had followed the invading army, retrieved the Brahmas and hid it in a drum at Khurdagada in 1575 AD and finally re-installed it in the deities. Deities were brought back to Puri and consecrated in the Jagannatha Temple.[19]

6 Suleman, the son of Kuthu Khan and Osman, the son of Isha (ruler of Orissa), 1592 Ramachandradeva, the Bhoi dynasty ruler of Khurda Revolt was by local Muslim rulers who desecrated the images.[20]

7 Mirza Khurum, the commander of Islam Khan I, the Nawab of Bengal, 1601 Purushottamadeva of Bhoi Dynasty Image moved to Kapileswarpur village by boat through the river Bhargavi and kept in the Panchamukhi Gosani temple. Thereafter, the deities were kept in Dobandha—Pentha.[20]

8 Hasim Khan, the Subedar of Orissa, 1608 Purushottam Deva, the King of Khurda Images shifted to the Gopal temple at Khurda and brought back in 1608.[20]

9 Hindu Rajput Jagirdar Kesodasmaru, 1610 Purusottamdeva, the king of Khurda Images kept at the Gundicha Temple and brought back to Puri after eight months.[20]

10 Kalyan Malla, 1611 Purushottamadeva, the King of Khurda Images moved to 'Mahisanasi' also known as'Brahmapura' or 'Chakanasi' in the Chilika Lake where they remained for one year.[21]

11 Kalyan Malla, 1612 Paiks of Purushottamadeva, the King of Khurda Images placed on a fleet of boats at Gurubai Gada and hidden under the 'Lotani Baragachha' or Banyan tree) and then at 'Dadhibaman Temple'.[22]

12 Mukarram Khan, 1617 Purushottama Deva, the King of Khurda Images moved to the Bankanidhi temple, Gobapadar and brought back to Puri in 1620.[22]

13 Mirza Ahmad Beg, 1621 Narasingha Deva Images shifted to 'Andharigada' in the mouth of the river Shalia across the Chilika Lake. Moved back to Puri in 1624.[23]

14 Amir Mutaquad Khan alias Mirza Makki, 1645 Narasingha Deva and Gangadhar Not known.[24]

15 Amir Fateh Khan, 1647 Not known Not known[24]

16 Ekram Khan and Mastram Khan on behalf of Mughal Emperor Aurangzeb, 1692 Divyasingha Deva, the king of Khurda Images moved to 'Maa Bhagabati Temple' and then to Bada Hantuada in Banpur across the Chilika Lake, and finally brought back to Puri in 1699.[24]

17 Muhammad Taqi Khan, 1731 and 1733 Birakishore Deva and Birakishore Deva of Athagada Images moved to Hariswar in Banpur, Chikili in Khalikote, Rumagarh in Kodala, Athagada in Ganjam and lastly to Marda in Kodala. Shifted back to Puri after 2.5 years.[24]

18 Followers of Mahima Dharma, 1881 Birakishore Deva and Birakishore Deva of Athagada Images burnt in the streets. [25]

 

Puri is the site of the Govardhana Matha, one of the four cardinal institutions established by Adi Shankaracharya, when he visited Puri in 810 AD, and since then it has become an important dham (divine centre) for the Hindus; the others being those at Sringeri, Dwarka and Jyotirmath. The Matha (monastery of various Hindu sects) is headed by Jagatguru Shankarachrya. It is a local belief about these dhams that Lord Vishnu takes his dinner at Puri, has his bath at Rameshwaram, spends the night at Dwarka and does penance at Badrinath.[12][26]

 

In the 16th century, Chaitanya Mahaprabhu of Bengal established the Bhakti movements of India, now known by the name the Hare Krishna movement. He spent many years as a devotee of Jagannatha at Puri; he is said to have merged with the deity.[27] There is also a matha of Chaitanya Mahaprabhu here known as Radhakanta Math.[12]

 

In the 17th century, for the sailors sailing on the east coast of India, the temple served as a landmark, being located in a plaza in the centre of the city, which they called the "White Pagoda" while the Konark Sun Temple, 60 kilometres (37 mi) away to the east of Puri, was known as the "Black Pagoda".[27]

 

The iconic representation of the images in the Jagannatha temple is believed to be the forms derived from the worship made by the tribal groups of Sabaras belonging to northern Odisha. These images are replaced at regular intervals as the wood deteriorates. This replacement is a special event carried out ritualistically by special group of carpenters.[27]

Govardhana matha main gate

 

The city has many other Mathas as well. The Emar Matha was founded by the Tamil Vaishnava saint Ramanujacharya in the 12th century AD. This Matha, which is now located in front of Simhadvara across the eastern corner of the Jagannatha Temple, is reported to have been built in the 16th century during the reign of kings of Suryavamsi Gajapatis. The Matha was in the news on 25 February 2011 for the large cache of 522 silver slabs unearthed from a closed chamber.[28][29]

 

The British conquered Orissa in 1803, and, recognising the importance of the Jagannatha Temple in the life of the people of the state, they initially appointed an official to look after the temple's affairs and later declared the temple as part of a district.[14]

Modern historyEdit

H.H Jagadguru Swami Nischalananda Saraswati, The Shankaracharya of Puri

 

In 1906, Sri Yukteswar, an exponent of Kriya Yoga and a resident of Puri, established an ashram, a spiritual training center, named "Kararashram" in Puri. He died on 9 March 1936 and his body is buried in the garden of the ashram.[30][31]

 

The city is the site of the former summer residence of British Raj, the Raj Bhavan, built in 1913–14 during the era of governors.[32]

 

For the people of Puri, Lord Jagannatha, visualized as Lord Krishna, is synonymous with their city. They believe that Lord Jagannatha looks after the welfare of the state. However, after the partial collapse of the Jagannatha Temple (in the Amalaka part of the temple) on 14 June 1990, people became apprehensive and considered it a bad omen for Odisha. The replacement of the fallen stone by another of the same size and weight (7 tonnes (7.7 tons)), that could be done only in the early morning hours after the temple gates were opened, was done on 28 February 1991.[27]

 

Puri has been chosen as one of the heritage cities for the Heritage City Development and Augmentation Yojana scheme of the Indian Government. It is chosen as one of the 12 heritage cities with "focus on holistic development" to be implemented within 27 months by the end of March 2017.[33]

 

Non-Hindus are not permitted to enter the shrines but are allowed to view the temple and the proceedings from the roof of the Raghunandan library, located within the precincts of the temple, for a small donation.[34]

DemographicsEdit

See also: List of cities in Odisha

 

According to the 2011 Census of India, Puri is an urban agglomeration governed by the Municipal Corporation in Odisha state, with a population of 201,026[35] This rose to 200,564 in 2011 – comprising 104,086 males, 96,478 females, and 18,471 children (under six years of age). The sex ratio is 927. The average literacy rate in the city is 88.03 percent (91.38 percent for males and 84.43 percent for females).

EconomyEdit

 

The economy of Puri is dependent on tourism to the extent of about 80 percent. The temple is the focal point of the city and provides employment to the people of the town. Agricultural production of rice, ghee, vegetables and so forth of the region meet the large requirements of the temple. Many settlements around the town exclusively cater to the other religious requirements of the temple.[36] The temple administration employs 6,000 men to perform the rituals. The temple also provides economic sustenance to 20,000 people.[34] According to Colleen Taylor Sen an author on food and travel, writing on the food culture of India, the temple kitchen has 400 cooks serving food to as many as 100,000 people,.[37] According to J Mohapatra, Director, Ind Barath Power Infra Ltd (IBPIL), the kitchen is known as "a largest and biggest kitchen of the world."[38]

City management and governanceEdit

Samudra arati or worship of the sea at Swargadwar by disciples of the Govardhana matha

 

The Puri Municipality, Puri Konark Development Authority, Public Health Engineering Organisation and Orissa Water Supply Sewerage Board are some of the principal organisations that are devolved with the responsibility of providing for civic amenities such as water supply, sewerage, waste management, street lighting and infrastructure of roads. The major activity, which puts maximum pressure on these organisations, is the annual event of the Ratha Yatra held during June- July. According to the Puri Municipality more than a million people attend this event. Hence, development activities such as infrastructure and amenities to the pilgrims, apart from security, gets priority attention.[39]

 

The civic administration of Puri is the responsibility of the Puri Municipality. The municipality came into existence in 1864 in the name of the Puri Improvement Trust, which was converted into Puri Municipality in 1881. After India's independence in 1947, the Orissa Municipal Act (1950) was promulgated entrusting the administration of the city to the Puri Municipality. This body is represented by elected representatives with a Chairperson and councilors representing the 30 wards within the municipal limits.[40]

LandmarksEdit

Jagannatha temple

Jagannatha Temple at PuriEdit

Main article: Jagannath Temple (Puri)

Left: Jagannath Temple at Puri Right: View of the temple at night

 

The Jagannatha Temple at Puri is one of the major Hindu temples built in the Kalinga style of architecture.[41] The temple tower, with a spire, rises to a height of 58 metres (190 ft), and a flag is unfurled above it, fixed over a wheel (chakra).[34][42]

Left:Ritual chakra and flags at the top shikhara of Puri temple of Jagannatha also related to Sudarsana chakra. The red flag (12 hand or 14 feet (4.3 m) denotes that Jagannath is within the temple.

Right: Statue of Aruna the charioteer of the Sun God on top of the Aruna Stambha in front of the Singhadwara

 

The temple is built on an elevated platform (of about 420,000 square feet (39,000 m2) area),[43] 20 feet (6.1 m) above the adjacent area. The temple rises to a height of 214 feet (65 m) above the road level. The temple complex covers an area of 10.7 acres (4.3 ha).[39] There are four entry gates in four cardinal directions of the temple, each gate located at the central part of the walls. These gates are: the eastern gate called the Singhadwara (Lions Gate), the southern gate known as Ashwa Dwara (Horse Gate), the western gate called the Vyaghra Dwara (Tigers Gate) or the Khanja Gate, and the northern gate called the Hathi Dwara or (elephant gate). These four gates symbolize the four fundamental principles of Dharma (right conduct), Jnana (knowledge), Vairagya (renunciation) and Aishwarya (prosperity). The gates are crowned with pyramid shaped structures. There is a stone pillar in front of the Singhadwara, called the Aruna Stambha {Solar Pillar}, 11 metres (36 ft) in height with 16 faces, made of chlorite stone; at the top of the stamba an elegant statue of Aruṇa (Sun) in a prayer mode is mounted. This pillar was shifted from the Konarak Sun Temple.[44] The four gates are decorated with guardian statues in the form of lion, horse mounted men, tigers, and elephants in the name and order of the gates.[34] A pillar made of fossilized wood is used for placing lamps as offering. The Lion Gate (Singhadwara) is the main gate to the temple, which is guarded by two guardian deities Jaya and Vijaya.[43][44][45] The main gate is ascended through 22 steps known as Baisi Pahaca, which are revered, as it is believed to possess "spiritual animation". Children are made to roll down these steps, from top to bottom, to bring them spiritual happiness. After entering the temple, on the left side, there is a large kitchen where food is prepared in hygienic conditions in huge quantities; the kitchen is called as "the biggest hotel of the world".[43]

The main entrance of the Jagannatha Temple

 

According to a legend King Indradyumma was directed by Lord Jagannatha in a dream to build a temple for him which he did as directed. However, according to historical records the temple was started some time during the 12th century by King Chodaganga of the Eastern Ganga dynasty. It was completed by his descendant, Anangabhima Deva, in the 12th century. The wooden images of Jagannatha, Balabhadra and Subhadra were then deified here. The temple was under the control of the Hindu rulers up to 1558. Then, when Orissa was occupied by the Afghan Nawab of Bengal, it was brought under the control of the Afghan General Kalapahad. Following the defeat of the Afghan king by Raja Mansingh, the General of Mughal emperor Akbar, the temple became part of the Mughal empire till 1751. Subsequently, it was under the control of the Marathas till 1803. During the British Raj, the Puri Raja was entrusted with its management until 1947.[42]

 

The triad of images in the temple are of Jagannatha, personifying Lord Krishna, Balabhadra, His older brother, and Subhadra, His younger sister. The images are made of neem wood in an unfinished form. The stumps of wood which form the images of the brothers have human arms, while that of Subhadra does not have any arms. The heads are large, painted and non-carved. The faces are marked with distinctive large circular eyes.[27]

The Pancha Tirtha of PuriEdit

Main article: Pancha Tirtha of Puri

Markandeshwar Tank

 

Hindus consider it essential to bathe in the Pancha Tirtha or the five sacred bathing spots of Puri, to complete a pilgrimage to Puri. The five sacred water bodies are the Indradyumana Tank, the Rohini Kunda, the Markandeya Tank, the Swetaganga Tank, and the Bay of Bengal also called the Mahodadhi, in Sanskrit 'Mahodadhi' means a "great ocean";[46] all are considered sacred bathing spots in the Swargadwar area.[47][48][49] These tanks have perennial sources of supply from rainfall and ground water.[50]

Gundicha TempleEdit

Main article: Gundicha Temple

The Main Gate of the Gundicha Temple

 

The Gundicha Temple, known as the Garden House of Jagannatha, stands in the centre of a beautiful garden, bounded by compound walls on all sides. It lies at a distance of about 3 kilometres (1.9 mi) to the northeast of the Jagannatha Temple. The two temples are located at the two ends of the Bada Danda (Grand Avenue), which is the pathway for the Ratha Yatra. According to a legend, Gundicha was the wife of King Indradyumna who originally built the Jagannatha temple.[51]

 

The temple is built using light-grey sandstone, and, architecturally, it exemplifies typical Kalinga temple architecture in the Deula style. The complex comprises four components: vimana (tower structure containing the sanctum), jagamohana (assembly hall), nata-mandapa (festival hall) and bhoga-mandapa (hall of offerings). There is also a kitchen connected by a small passage. The temple is set within a garden, and is known as "God's Summer Garden Retreat" or garden house of Jagannatha. The entire complex, including the garden, is surrounded by a wall which measures 430 by 320 feet (131 m × 98 m) with height of 20 feet (6.1 m).[52]

 

Except for the 9-day Ratha Yatra, when the triad images are worshipped in the Gundicha Temple, otherwise it remains unoccupied for the rest of the year. Tourists can visit the temple after paying an entry fee. Foreigners (generally prohibited entry in the main temple) are allowed inside this temple during this period.[53] The temple is under the Jagannatha Temple Administration, Puri, the governing body of the main temple. A small band of servitors maintain the temple.[52]

SwargadwarEdit

The Sea at Swargadwar of Puri

 

Swargadwar is the name given to the cremation ground or burning ghat which is located on the shores of the sea. Here thousands of dead bodies of Hindus brought from faraway places are cremated. It is a belief that the Chitanya Mahaparabhu disappeared from this Swargadwar about 500 years back.[54]

BeachEdit

Puri sea sunrise

Puri Sea Beach viewed from the light house

 

The beach at Puri, known as the "Ballighai beach, at the mouth of Nunai River, is 8 kilometres (5.0 mi) away from the town and is fringed by casurina trees.[12] It has golden yellow sand. Sunrise and sunset are pleasant scenic attractions here.[55] Waves break in at the beach which is long and wide.[27]

District museumEdit

 

The Puri district museum is located on the station road where the exhibits in display are the different types of garments worn by Lord Jagannatha, local sculptures, patachitra (traditional, cloth-based scroll painting), ancient Palm-leaf manuscripts, and local craft work.[56]

Raghunandana libraryEdit

 

Raghunandana Library is located in the Emara Matha complex (opposite Simhadwara or lion gate, the main entrance gate). The Jagannatha Aitihasika Gavesana Samiti (Jagannatha Historical Centre) is also located here. The library houses ancient palm leaf manuscripts on Jagannatha, His cult and the history of the city.[56]

Festivals of PuriEdit

Main article: List of festivals observed at Jagannatha Temple, Puri

The Grand Road near the Jagannatha Temple

 

Puri witnesses 24 festivals every year, of which 13 are major. The most important of these is the Ratha Yatra, or the car festival, held in the June–July, which is attended by more than 1 million people.[57]

Ratha Yatra at PuriEdit

Main article: Ratha-Yatra (Puri)

The Ratha Yatra in Puri in modern times showing the three chariots of the deities with the Temple in the background

 

The Jagannatha Temple triad are normally worshipped in the sanctum of the temple at Puri, but once during the month of Asadha (rainy season of Orissa, usually in June or July), they are brought out on the Bada Danda (main street of Puri) and taken over a distance of (3 kilometres (1.9 mi)) to the Shri Gundicha Temple[58] in huge chariots (ratha), allowing the public to have darśana (holy view). This festival is known as the Ratha Yatra, meaning the journey (yatra) of the chariots.[59] The yatra starts every year according to the Hindu calendar on the Asadha Sukla Dwitiya day, the second day of bright fortnight of Asadha (June–July).[60]

 

Historically, the ruling Ganga dynasty instituted the Ratha Yatra on the completion of the Jagannatha Temple around 1150 AD. This festival was one of those Hindu festivals that was reported to the Western world very early.[61] Friar Odoric, in his account of 1321, reported how the people put the "idols" on chariots, and the King, the Queen and all the people drew them from the "church" with song and music.[62][63]

 

The Rathas are huge wooden structures provided with large wheels, which are built anew every year and are pulled by the devotees. The chariot for Lord Jagannatha is about 45 feet (14 m) high and 35 square feet (3.3 m2) and takes about 2 months for its construction.[64] The chariot is mounted with 16 wheels, each of 7 feet (2.1 m) diameter. The carving in the front face of the chariot has four wooden horses drawn by Maruti. On its other three faces, the wooden carvings are of Rama, Surya and Vishnu. The chariot is known as Nandi Ghosha. The roof of the chariot is covered with yellow and red coloured cloth. The next chariot is of Balabhadra which is 44 feet (13 m) in height fitted with 14 wheels. The chariot is carved with Satyaki as the charioteer, roof covered in red and green coloured cloth, and the chariot is known as Taladhwaja. The carvings on this chariot include images of Narasimha and Rudra as Jagannatha's companions. The next chariot in the order is of Subhadra, which is 43 feet (13 m) in height supported on 12 wheels, roof covered in black and red colour cloth, and the chariot is known as Darpa Dalaan and the charioteer carved is Arjuna. Other images carved on the chariot are of Vana Durga, Tara Devi and Chandi Devi.[60][65] The artists and painters of Puri decorate the cars and paint flower petals and other designs on the wheels, the wood-carved charioteer and horses, and the inverted lotuses on the wall behind the throne.[59] The chariots of Jagannatha pulled during Ratha Yatra is the etymological origin of the English word Juggernaut.[66] The Ratha Yatra is also termed as the Shri Gundicha yatra and Ghosha yatra[60]

Pahandi bije during Ratha Yatra at Puri

Chhera PaharaEdit

 

The Chhera Pahara (sweeping with water) is a significant ritual associated with the Ratha Yatra. During this ritual, the Gajapati King wears the outfit of a sweeper and sweeps all around the deities and chariots. The king cleans the road in front of the chariots with a gold-handled broom and sprinkles sandalwood water and powder. As per the custom, although the Gajapati King has been considered the most exalted person in the Kalingan kingdom, he still renders the menial service to Jagannatha. This ritual signifies that under the lordship of Jagannatha, there is no distinction between the powerful sovereign and the humblest devotee.[67]

Chandan YatraEdit

The Narendra Tirtha tank where ceremonies of Chandan Yatra are performed

Main article: Chandan Yatra

 

The Chandan Yatra festival held every year on Akshaya Tritiya day marks the commencement of the construction of the chariots of the Ratha Yatra. It also marks the celebration of the Hindu new year.[12]

Snana YatraEdit

Main article: Snana Yatra

 

Every year, on the Purnima day in the Hindu calendar month of Jyestha (June), the triad images of the Jagannatha Temple are ceremonially bathed and decorated on the occasion of Snana Yatra. Water for the bath is taken in 108 pots from the Suna kuan (meaning: "golden well") located near the northern gate of the temple. Water is drawn from this well only once in a year for the sole purpose of the religious bath of the deities. After the bath the triad images are dressed in the fashion of the elephant god, Ganesha. Later, during the night, the original triad images are taken out in a procession back to the main temple but kept at a place known as Anasara pindi.[60] After this the Jhulana Yatra is performed when proxy images of the deities are taken out in a grand procession for 21 days, cruised over boats in the Narendra Tirtha tank.[12]

Anavasara or AnasaraEdit

Images during the Snana Yatra.

 

Anasara, a derivative of the Sanskrit word "Anabasara",[68] literally means vacation. Every year after the holy Snana Yatra, the triad images, without the Sudarshana Chakra, are taken to a secret altar named Anavasara Ghar (also known as Anasara pindi, 'pindi' is Oriya term meaning "platform" [68]) where they remain for the next fortnight of (Krishna paksha); devotees are not allowed to view these images. Instead, devotees go to the nearby Brahmagiri to see the Lord in the four-handed form of Alarnath, a depiction of Vishnu.[60][69] Devotees then get the first glimpse of the Lord only on the day before Ratha Yatra, which is called Navayouvana. It is a local belief that the gods suffer from fever after taking an elaborate ritual bath, and they are treated by the special servants, the Daitapatis, for 15 days. Daitapatis perform special nitis (rites) known as Netrotchhaba (a rite of painting the eyes of the triad). During this period cooked food is not offered to the deities.[70]

Naba KalebaraEdit

Main articles: Nabakalevara and Nabakalebara 2015

 

Naba Kalebara is one of the most grand events associated with the Lord Jagannatha that takes place when one lunar month of Ashadha is followed by another of Ashadha called Adhika Masa (extra month). This can take place at an interval of 8, 12 or even 18 years. Literally meaning the "New Body" (Nava = New, Kalevar = Body) in Odia, the festival is witnessed by millions of people and the budget for this event generally exceeds $500,000. The event involves installation of new images in the temple and burial of the old ones in the temple premises at Koili Vaikuntha. During the Nabakalebara ceremony held during July 2015 the idols that were installed in the temple in 1996 were replaced by specially carved new images made of neem wood.[71][72] More than 3 million people are reported to have attended this festival.[73]

Suna BeshaEdit

Main article: Suna Besha

Suna Besha or Golden Attire of Lord Jagannatha

 

Suna Besha, ('Suna besh'in English translates to "gold dressing”[74]) also known as Raja or Rajadhiraja Bhesha [75] or Raja Bhesha, is an event when the triad images of the Jagannatha Temple are adorned with gold jewelry. This event is observed five times in a year. It is commonly observed on Magha Purnima (January), Bahuda Ekadashi also known as Asadha Ekadashi (July), Dashahara (Bijayadashami) (October), Karthik Purnima (November), and Pousa Purnima (December).[76][77] One such Suna Bhesha event is observed on Bahuda Ekadashi during the Ratha Yatra on the chariots placed at the Simhadwar. The other four Beshas are observed inside the temple on the Ratna Singhasana (gem studded altar). On this occasion gold plates are decorated over the hands and feet of Jagannatha and Balabhadra; Jagannatha is also adorned with a Chakra (disc) made of gold on the right hand while a silver conch adorns the left hand. Balabhadra is decorated with a plough made of gold on the left hand while a golden mace adorns his right hand.[76]

Niladri BijeEdit

 

Niladri Bije, celebrated in the Hindu calendar month Asadha (June–July) on Trayodashi (13th day),[78] marks the end of the Ratha Yatra. The large wooden images of the triad of gods are taken out from the chariots and then carried to the sanctum sanctorum, swaying rhythmically; a ritual which is known as pahandi.[72]

Sahi yatraEdit

A scene from a play being enacted during the Sahi Yatra

 

The Sahi Yatra, considered the world's biggest open-air theatre,[79] is an annual event lasting 11 days; a traditional cultural theatre festival or folk drama which begins on Ram Navami and ends on Rama avishke (Sanskrit meaning : anointing). The festival includes plays depicting various scenes from the Ramayana. The residents of various localities, or Sahis, are entrusted the task of performing the drama at the street corners.[80]

Samudra AratiEdit

Samudra arati of worship of the sea by disciples of the Matha at Puri

 

The Samudra arati is a daily tradition started by the present Shankaracharya 9 years ago.[81] The daily practise includes prayer and fire offering to the sea at Swargadwar in Puri by disciples of the Govardhan Matha. On Paush Purnima of every year the Shankaracharya himself comes out to offer prayers to the sea.

TransportEdit

 

Earlier, when roads did not exist, people used to walk or travel by animal-drawn vehicles or carriages along beaten tracks to reach Puri. Travel was by riverine craft along the Ganges up to Calcutta, and then on foot or by carriages. It was only during the Maratha rule that the popular Jagannath Sadak (Road) was built around 1790. The East India Company laid the rail track from Calcutta to Puri, which became operational in 1898.[82] Puri is now well-connected by rail, road and air services. A broad gauge railway line of the South Eastern Railways which connects Puri with Calcutta, and Khurda is an important railway junction on this route. The rail distance is about 499 kilometres (310 mi) from Calcutta[83] and 468 kilometres (291 mi) from Vishakhapatnam. Road network includes NH 203 that links the city with Bhubaneswar, the state capital, situated about 60 kilometres (37 mi) away. NH 203 B connects the city with Satapada via Brahmagiri. Marine drive, which is part of NH 203 A, connects Puri with Konark. The nearest airport is the Biju Patnaik International Airport at Bhubaneswar.[57] Puri railway station is among the top hundred booking stations of the Indian Railways.[84]

Arts and craftsEdit

Sand artEdit

Sand art of a Baby Elephant

 

Sand art is a special art form that is created on the beaches of Puri. The art form is attributed to Balaram Das, a poet who lived in the 14th century. Sculptures of various gods and famous people are now created in sand by amateur artists. These are temporary in nature as they get washed away by waves. This art form has gained international fame in recent years. One of the famed sand artists of Odisha is Sudarshan Patnaik. He established the Golden Sand Art Institute in 1995, in the open air on the shores of Bay of Bengal, to provide training to students interested in this art form.[85][80]

Appliqué artEdit

An applique art work

 

Appliqué art, which is a stitching-based craft unlike embroidery, was pioneered by Hatta Maharana of Pipili. It is widely used in Puri, both for decoration of the deities and for sale. Maharana's family members are employed as darjis or tailors or sebaks by the Maharaja of Puri. They prepare articles for decorating the deities in the temple for various festivals and religious ceremonies. The appliqué works are brightly coloured and patterned fabric in the form of canopies, umbrellas, drapery, carry bags, flags, coverings of dummy horses and cows, and other household textiles; these are marketed in Puri. The cloth used is made in dark colours of red, black, yellow, green, blue and turquoise blue.[86]

CultureEdit

Odissi dancer

 

Cultural activities, including the annual religious festivals, in Puri are: The Puri Beach Festival held from 5 to 9 November every year, and the Shreekshetra Utsav held from 20 December to 2 January every year. The cultural programmes include unique sand art, display of local and traditional handicrafts and food festival.[87] In addition, cultural programmes are held for two hours on every second Saturday of the month at the district Collector's Conference Hall near Sea Beach Police Station. Odissi dance, Odissi music and folk dances are part of this event.[87] Odissi dance is the cultural heritage of Puri. This dance form originated in Puri from the dances performed by Devadasis (Maharis) attached to the Jagannatha Temple who performed dances in the Nata mandapa of the temple to please the deities. Though the devadasi practice has been discontinued, the dance form has become modern and classical and is widely popular; many of the Odissi virtuoso artists and gurus (teachers) are from Puri.[88] Some of the famous Odissi dancers are Kelucharan Mohapatra, Mayadhar Raut, Sonal Mansingh, Sanjukta Panigrahi and many more

EducationEdit

Samanta Chandra Sekhar College, Puri

 

Some of the educational institutions in Puri are:

 

Ghanashyama Hemalata Institute of Technology and Management

Gangadhar Mohapatra Law College, established in 1981[89]

Extension Unit of Regional Research Institute of Homoeopathy, Puri, under Central Council for Research in Homoeopathy (CCRH), New Delhi; established in March 2006 [90]

Shri Jagannath Sanskrit University, established in July 1981[91]

Gopabandhu Ayurveda Mahavidyalaya, a college and hospital where treatment and training is based on Ayurveda school of medicine [92]

The Industrial Training Institute, a premier technical institution to provide education to skilled, committed & talented technicians was established in 1966 by the Government of India[93]

Blessed Sacrament High School established in 1952 is otherwise known as Puri convent. It is one of the best schools in the city. The school features classes 1 to 10. It is located in VIP Road, Puri.

 

Puri peopleEdit

 

Jayee Rajguru - Freedom fighter

Chakhi Khuntia (Chandan Hajuri) – Freedom fighter [94]

Utkalmani Pandit Gopabandhu Das – Social worker

Pandit Nilakantha Das – Social activist

Bhaktakabi Madhusudan Rao – Odia Poet

Padma Vibhushan Kelucharan Mohapatra – Odissi dancer

Padma Shri Pankaj Charan Das – Odissi dancer

Padma Shri Pandit Sadashiv Rathasharma – Scholar and Preacher of Shri Jagannatha Culture

Padma Vibhushan Raghunath Mohapatra – Architect and sculptor

Padma Shri Sudarshan Pattnaik – Sand Artist

Baisali Mohanty - ALC Global Fellow at University of Oxford, United Kingdom

Rituraj Mohanty – Singer

++++++FROM WIKIPEDIA ++++

 

Puri (About this soundlisten (help·info)) is a city and a Municipality in the state of Odisha in eastern India. It is the district headquarters of Puri district and is situated on the Bay of Bengal, 60 kilometres (37 mi) south of the state capital of Bhubaneswar. It is also known as Sri Jagannatha Dhama after the 12th-century Jagannatha Temple located in the city. It is one of the original Char Dham pilgrimage sites for Hindus.

Puri

 

ପୁରୀ

 

Puri is known by several names since the ancient times, and was locally known as "Sri Kshetra" and Lord Jagannatha temple is known as "Badadeula". Puri and the Jagannatha Temple were invaded 18 times by Hindu and Muslim rulers, from the 4th century AD till the early 19th century with the objective of looting the treasures of the temple. Odisha, including Puri and its temple, were part of British India from 1803 till India attained independence in August 1947. Even though princely states do not exist in India today, the heirs of the Gajapati Dynasty of Khurda still perform the ritual duties of the temple. The temple town has many Hindu religious mathas or monasteries.

 

The economy of Puri is dependent on the religious importance of the Jagannatha Temple to the extent of nearly 80 percent. The 24 festivals, including 13 major ones, held every year in the temple complex contribute to the economy; Ratha Yatra and its related festivals are the most important which are attended by millions of people every year. Sand art and applique art are some of the important crafts of the city.

 

Puri has been chosen as one of the heritage cities for Heritage City Development and Augmentation Yojana (HRIDAY) scheme of Government of India.

Geography and climateEdit

GeographyEdit

The Atharanala Bridge dating back to the 16th century at the entrance of Puri

 

Puri, located on the east coast of India on the Bay of Bengal, is in the centre of the Puri district. It is delimited by the Bay of Bengal on the southeast, the Mauza Sipaurubilla on the west, Mauza Gopinathpur in the north and Mauza Balukhand in the east. It is within the 67 kilometres (42 mi) coastal stretch of sandy beaches that extends between Chilika Lake and the south of Puri city. However, the administrative jurisdiction of the Puri Municipality extends over an area of 16.3268 square kilometres (6.3038 sq mi) spread over 30 wards, which includes a shore line of 5 kilometres (3.1 mi).[1]

 

Puri is in the coastal delta of the Mahanadi River on the shores of the Bay of Bengal. In the ancient days it was near to Sisupalgarh (also known as "Ashokan Tosali"). Then the land was drained by a tributary of the Bhargavi River, a branch of the Mahanadi River. This branch underwent a meandering course creating many arteries altering the estuary, and formed many sand hills. These sand hills could be cut through by the streams. Because of the sand hills, the Bhargavi River, flowing to the south of Puri, moved away towards the Chilika Lake. This shift also resulted in the creation of two lagoons, known as Sar and Samang, on the eastern and northern parts of Puri respectively. Sar lagoon has a length of 5 miles (8.0 km) in an east-west direction and a width of 2 miles (3.2 km) in north-south direction. The estuary of the Bhargavi River has a shallow depth of just 5 feet (1.5 m) and the process of siltation continues. According to a 15th-century Odia writer Saraladasa, the bed of the unnamed stream that flowed at the base of the Blue Mountain or Neelachal was filled up. Katakarajavamsa, a 16th-century chronicle (c.1600), attributes filling up of the bed of the river which flowed through the present Grand Road, as done during the reign of King Narasimha II (1278–1308) of Eastern Ganga dynasty.[2]

ClimateEdit

 

According to the Köppen–Geiger climate classification system the climate of Puri is classified as Aw (Tropical savanna climate). The city has moderate and tropical climate. Humidity is fairly high throughout the year. The temperature during summer touches a maximum of 36 °C (97 °F) and during winter it is 17 °C (63 °F). The average annual rainfall is 1,337 millimetres (52.6 in) and the average annual temperature is 26.9 °C (80.4 °F). The weather data is given in the following table.[3][4]

 

HistoryEdit

Main article: Timeline of Puri

Names in historyEdit

 

Puri, the holy land of Lord Jagannatha, also known by the popular vernacular name Shrikhetra, has many ancient names in the Hindu scriptures such as the Rigveda, Matsya purana, Brahma Purana, Narada Purana, Padma Purana, Skanda Purana, Kapila Purana and Niladrimahodaya. In the Rigveda, in particular, it is mentioned as a place called Purushamandama-grama meaning the place where the Creator deity of the world – Supreme Divinity deified on an altar or mandapa was venerated near the coast and prayers offered with Vedic hymns. Over time the name got changed to Purushottama Puri and further shortened to Puri, and the Purusha came to be known as Jagannatha. Sages like Bhrigu, Atri and Markandeya had their hermitage close to this place.[5] Its name is mentioned, conforming to the deity worshipped, as Srikshetra, Purusottama Dhāma, Purusottama Kshetra, Purusottama Puri and Jagannath Puri. Puri, however, is the popular usage. It is also known by the geographical features of its location as Shankhakshetra (the layout of the town is in the form of a conch shell),[6] Neelāchala ("Blue mountain" a terminology used to name a very large sand lagoon over which the temple was built but this name is not in vogue), Neelāchalakshetra, Neelādri.[7] In Sanskrit, the word "Puri" means town or city,[8] and is cognate with polis in Greek.[9]

 

Another ancient name is Charita as identified by General Alexander Cunningham of the Archaeological Survey of India, which was later spelled as Che-li-ta-lo by Chinese traveller Hiuen Tsang. When the present temple was built by the Eastern Ganga king Anantavarman Chodaganga in the 11th and 12th centuries AD, it was called Purushottamkshetra. However, the Moghuls, the Marathas and early British rulers called it Purushottama-chhatar or just Chhatar. In Moghul ruler Akbar's Ain-i-Akbari and subsequent Muslim historical records it was known as Purushottama. In the Sanskrit drama Anargha Raghava Nataka as well, authored by Murari Mishra, a playwright, in the 8th century AD, it is referred to as Purushottama.[6] It was only after the 12th century AD that Puri came to be known by the shortened form of Jagannatha Puri, named after the deity or in a short form as Puri.[7] It is the only shrine in India, where Radha, along with Lakshmi, Saraswati, Durga, Bhudevi, Sati, Parvati, and Shakti, abodes with Krishna, who is also known by the name Jagannatha.[10]

Ancient periodEdit

king Indradyumna of Ujjayani credited with building the original temple in 318 AD

 

According to the chronicle Madala Panji, in 318 AD, the priests and servitors of the temple spirited away the idols to escape the wrath of the Rashtrakuta king Rakatavahu.[11] In the temple's historical records it finds mention in the Brahma Purana and Skanda Purana stating that the temple was built by the king Indradyumna, Ujjayani.[12]

 

S. N. Sadasivan, a historian, in his book A Social History of India quotes William Joseph Wilkins, author of the book Hindu Mythology, Vedic and Purānic as stating that in Puri, Buddhism was once a well established practice but later Buddhists were persecuted and Brahmanism became the order of the religious practice in the town; the Buddha deity is now worshipped by the Hindus as Jagannatha. It is also said by Wilkinson that some relics of Buddha were placed inside the idol of Jagannatha which the Brahmins claimed were the bones of Lord Krishna. Even during Maurya king Ashoka's reign in 240 BC, Kalinga was a Buddhist center and that a tribe known as Lohabahu (barbarians from outside Odisha) converted to Buddhism and built a temple with an idol of Buddha which is now worshipped as Jagannatha. Wilkinson also says that the Lohabahu deposited some Buddha relics in the precincts of the temple.[13]

 

Construction of the Jagannatha Temple started in 1136 AD and completed towards the latter part of the 12th century. The Eastern Ganga king Anangabhima III dedicated his kingdom to Lord Jagannatha, then known as the Purushottama-Jagannatha, and resolved that from then on he and his descendants would rule under "divine order as Jagannatha's sons and vassals". Even though princely states do not exist in India today, the heirs of the Gajapati dynasty of Khurda still perform the ritual duties of the temple; the king formally sweeps the road in front of the chariots before the start of the Ratha Yatra.[14]

Medieval and early modern periodsEdit

 

The history of Puri is on the same lines as that of the Jagannatha Temple, which was invaded 18 times during its history to plunder the treasures of the temple, rather than for religious reasons. The first invasion occurred in the 8th century AD by Rastrakuta king Govinda-III (798–814 AD), and the last took place in 1881 AD by the monotheistic followers of Alekh (Mahima Dharma) who did not recognise the worship of Jagannatha.[15] From 1205 AD onward [14] there were many invasions of the city and its temple by Muslims of Afghan and Moghul descent, known as Yavanas or foreigners. In most of these invasions the idols were taken to safe places by the priests and the servitors of the temple. Destruction of the temple was prevented by timely resistance or surrender by the kings of the region. However, the treasures of the temple were repeatedly looted.[16] The table lists all the 18 invasions along with the status of the three images of the temple, the triad of Jagannatha, Balabhadra and Subhadra following each invasion.[15]

Invasion number Invader (s), year (s) AD Local rulers Status of the three images of the Jagannatha temple

1 Raktabahu or Govinda III (798–814) of the Rashtrakuta Empire King Subhanadeva of Bhaumakara dynasty Idols shifted to Gopali near Sonepur. Was brought back to Puri by Yayati I after 146 years and re-consecrated after performing Nabakalebara.[17]

2 Illias Shah, Sultan of Bengal, 1340 Narasinghadeva III Images shifted to a secret location.[18]

3 Feroz Shah Tughlaq, 1360 Ganga King Bhanudeva III Images not found, though rumored that they were thrown into the Bay Of Bengal.[18]

4 Ismail Ghazi commander of Alauddin Hussain Shah of Bengal, 1509 King Prataprudradeva Images shifted to Chandhei Guha Pahada near Chilika Lake.[18]

5 Kalapahara, army assistant general of Sulaiman Karrani of the Afghan Sultan of Bengal, 1568 Mukundadeva Harichandan Images initially hidden in an island in Chilika Lake. However, the invader took the idols from here to the banks of the Ganges River and burnt them. Bisher Mohanty, a Vaishnavite saint, who had followed the invading army, retrieved the Brahmas and hid it in a drum at Khurdagada in 1575 AD and finally re-installed it in the deities. Deities were brought back to Puri and consecrated in the Jagannatha Temple.[19]

6 Suleman, the son of Kuthu Khan and Osman, the son of Isha (ruler of Orissa), 1592 Ramachandradeva, the Bhoi dynasty ruler of Khurda Revolt was by local Muslim rulers who desecrated the images.[20]

7 Mirza Khurum, the commander of Islam Khan I, the Nawab of Bengal, 1601 Purushottamadeva of Bhoi Dynasty Image moved to Kapileswarpur village by boat through the river Bhargavi and kept in the Panchamukhi Gosani temple. Thereafter, the deities were kept in Dobandha—Pentha.[20]

8 Hasim Khan, the Subedar of Orissa, 1608 Purushottam Deva, the King of Khurda Images shifted to the Gopal temple at Khurda and brought back in 1608.[20]

9 Hindu Rajput Jagirdar Kesodasmaru, 1610 Purusottamdeva, the king of Khurda Images kept at the Gundicha Temple and brought back to Puri after eight months.[20]

10 Kalyan Malla, 1611 Purushottamadeva, the King of Khurda Images moved to 'Mahisanasi' also known as'Brahmapura' or 'Chakanasi' in the Chilika Lake where they remained for one year.[21]

11 Kalyan Malla, 1612 Paiks of Purushottamadeva, the King of Khurda Images placed on a fleet of boats at Gurubai Gada and hidden under the 'Lotani Baragachha' or Banyan tree) and then at 'Dadhibaman Temple'.[22]

12 Mukarram Khan, 1617 Purushottama Deva, the King of Khurda Images moved to the Bankanidhi temple, Gobapadar and brought back to Puri in 1620.[22]

13 Mirza Ahmad Beg, 1621 Narasingha Deva Images shifted to 'Andharigada' in the mouth of the river Shalia across the Chilika Lake. Moved back to Puri in 1624.[23]

14 Amir Mutaquad Khan alias Mirza Makki, 1645 Narasingha Deva and Gangadhar Not known.[24]

15 Amir Fateh Khan, 1647 Not known Not known[24]

16 Ekram Khan and Mastram Khan on behalf of Mughal Emperor Aurangzeb, 1692 Divyasingha Deva, the king of Khurda Images moved to 'Maa Bhagabati Temple' and then to Bada Hantuada in Banpur across the Chilika Lake, and finally brought back to Puri in 1699.[24]

17 Muhammad Taqi Khan, 1731 and 1733 Birakishore Deva and Birakishore Deva of Athagada Images moved to Hariswar in Banpur, Chikili in Khalikote, Rumagarh in Kodala, Athagada in Ganjam and lastly to Marda in Kodala. Shifted back to Puri after 2.5 years.[24]

18 Followers of Mahima Dharma, 1881 Birakishore Deva and Birakishore Deva of Athagada Images burnt in the streets. [25]

 

Puri is the site of the Govardhana Matha, one of the four cardinal institutions established by Adi Shankaracharya, when he visited Puri in 810 AD, and since then it has become an important dham (divine centre) for the Hindus; the others being those at Sringeri, Dwarka and Jyotirmath. The Matha (monastery of various Hindu sects) is headed by Jagatguru Shankarachrya. It is a local belief about these dhams that Lord Vishnu takes his dinner at Puri, has his bath at Rameshwaram, spends the night at Dwarka and does penance at Badrinath.[12][26]

 

In the 16th century, Chaitanya Mahaprabhu of Bengal established the Bhakti movements of India, now known by the name the Hare Krishna movement. He spent many years as a devotee of Jagannatha at Puri; he is said to have merged with the deity.[27] There is also a matha of Chaitanya Mahaprabhu here known as Radhakanta Math.[12]

 

In the 17th century, for the sailors sailing on the east coast of India, the temple served as a landmark, being located in a plaza in the centre of the city, which they called the "White Pagoda" while the Konark Sun Temple, 60 kilometres (37 mi) away to the east of Puri, was known as the "Black Pagoda".[27]

 

The iconic representation of the images in the Jagannatha temple is believed to be the forms derived from the worship made by the tribal groups of Sabaras belonging to northern Odisha. These images are replaced at regular intervals as the wood deteriorates. This replacement is a special event carried out ritualistically by special group of carpenters.[27]

Govardhana matha main gate

 

The city has many other Mathas as well. The Emar Matha was founded by the Tamil Vaishnava saint Ramanujacharya in the 12th century AD. This Matha, which is now located in front of Simhadvara across the eastern corner of the Jagannatha Temple, is reported to have been built in the 16th century during the reign of kings of Suryavamsi Gajapatis. The Matha was in the news on 25 February 2011 for the large cache of 522 silver slabs unearthed from a closed chamber.[28][29]

 

The British conquered Orissa in 1803, and, recognising the importance of the Jagannatha Temple in the life of the people of the state, they initially appointed an official to look after the temple's affairs and later declared the temple as part of a district.[14]

Modern historyEdit

H.H Jagadguru Swami Nischalananda Saraswati, The Shankaracharya of Puri

 

In 1906, Sri Yukteswar, an exponent of Kriya Yoga and a resident of Puri, established an ashram, a spiritual training center, named "Kararashram" in Puri. He died on 9 March 1936 and his body is buried in the garden of the ashram.[30][31]

 

The city is the site of the former summer residence of British Raj, the Raj Bhavan, built in 1913–14 during the era of governors.[32]

 

For the people of Puri, Lord Jagannatha, visualized as Lord Krishna, is synonymous with their city. They believe that Lord Jagannatha looks after the welfare of the state. However, after the partial collapse of the Jagannatha Temple (in the Amalaka part of the temple) on 14 June 1990, people became apprehensive and considered it a bad omen for Odisha. The replacement of the fallen stone by another of the same size and weight (7 tonnes (7.7 tons)), that could be done only in the early morning hours after the temple gates were opened, was done on 28 February 1991.[27]

 

Puri has been chosen as one of the heritage cities for the Heritage City Development and Augmentation Yojana scheme of the Indian Government. It is chosen as one of the 12 heritage cities with "focus on holistic development" to be implemented within 27 months by the end of March 2017.[33]

 

Non-Hindus are not permitted to enter the shrines but are allowed to view the temple and the proceedings from the roof of the Raghunandan library, located within the precincts of the temple, for a small donation.[34]

DemographicsEdit

See also: List of cities in Odisha

 

According to the 2011 Census of India, Puri is an urban agglomeration governed by the Municipal Corporation in Odisha state, with a population of 201,026[35] This rose to 200,564 in 2011 – comprising 104,086 males, 96,478 females, and 18,471 children (under six years of age). The sex ratio is 927. The average literacy rate in the city is 88.03 percent (91.38 percent for males and 84.43 percent for females).

EconomyEdit

 

The economy of Puri is dependent on tourism to the extent of about 80 percent. The temple is the focal point of the city and provides employment to the people of the town. Agricultural production of rice, ghee, vegetables and so forth of the region meet the large requirements of the temple. Many settlements around the town exclusively cater to the other religious requirements of the temple.[36] The temple administration employs 6,000 men to perform the rituals. The temple also provides economic sustenance to 20,000 people.[34] According to Colleen Taylor Sen an author on food and travel, writing on the food culture of India, the temple kitchen has 400 cooks serving food to as many as 100,000 people,.[37] According to J Mohapatra, Director, Ind Barath Power Infra Ltd (IBPIL), the kitchen is known as "a largest and biggest kitchen of the world."[38]

City management and governanceEdit

Samudra arati or worship of the sea at Swargadwar by disciples of the Govardhana matha

 

The Puri Municipality, Puri Konark Development Authority, Public Health Engineering Organisation and Orissa Water Supply Sewerage Board are some of the principal organisations that are devolved with the responsibility of providing for civic amenities such as water supply, sewerage, waste management, street lighting and infrastructure of roads. The major activity, which puts maximum pressure on these organisations, is the annual event of the Ratha Yatra held during June- July. According to the Puri Municipality more than a million people attend this event. Hence, development activities such as infrastructure and amenities to the pilgrims, apart from security, gets priority attention.[39]

 

The civic administration of Puri is the responsibility of the Puri Municipality. The municipality came into existence in 1864 in the name of the Puri Improvement Trust, which was converted into Puri Municipality in 1881. After India's independence in 1947, the Orissa Municipal Act (1950) was promulgated entrusting the administration of the city to the Puri Municipality. This body is represented by elected representatives with a Chairperson and councilors representing the 30 wards within the municipal limits.[40]

LandmarksEdit

Jagannatha temple

Jagannatha Temple at PuriEdit

Main article: Jagannath Temple (Puri)

Left: Jagannath Temple at Puri Right: View of the temple at night

 

The Jagannatha Temple at Puri is one of the major Hindu temples built in the Kalinga style of architecture.[41] The temple tower, with a spire, rises to a height of 58 metres (190 ft), and a flag is unfurled above it, fixed over a wheel (chakra).[34][42]

Left:Ritual chakra and flags at the top shikhara of Puri temple of Jagannatha also related to Sudarsana chakra. The red flag (12 hand or 14 feet (4.3 m) denotes that Jagannath is within the temple.

Right: Statue of Aruna the charioteer of the Sun God on top of the Aruna Stambha in front of the Singhadwara

 

The temple is built on an elevated platform (of about 420,000 square feet (39,000 m2) area),[43] 20 feet (6.1 m) above the adjacent area. The temple rises to a height of 214 feet (65 m) above the road level. The temple complex covers an area of 10.7 acres (4.3 ha).[39] There are four entry gates in four cardinal directions of the temple, each gate located at the central part of the walls. These gates are: the eastern gate called the Singhadwara (Lions Gate), the southern gate known as Ashwa Dwara (Horse Gate), the western gate called the Vyaghra Dwara (Tigers Gate) or the Khanja Gate, and the northern gate called the Hathi Dwara or (elephant gate). These four gates symbolize the four fundamental principles of Dharma (right conduct), Jnana (knowledge), Vairagya (renunciation) and Aishwarya (prosperity). The gates are crowned with pyramid shaped structures. There is a stone pillar in front of the Singhadwara, called the Aruna Stambha {Solar Pillar}, 11 metres (36 ft) in height with 16 faces, made of chlorite stone; at the top of the stamba an elegant statue of Aruṇa (Sun) in a prayer mode is mounted. This pillar was shifted from the Konarak Sun Temple.[44] The four gates are decorated with guardian statues in the form of lion, horse mounted men, tigers, and elephants in the name and order of the gates.[34] A pillar made of fossilized wood is used for placing lamps as offering. The Lion Gate (Singhadwara) is the main gate to the temple, which is guarded by two guardian deities Jaya and Vijaya.[43][44][45] The main gate is ascended through 22 steps known as Baisi Pahaca, which are revered, as it is believed to possess "spiritual animation". Children are made to roll down these steps, from top to bottom, to bring them spiritual happiness. After entering the temple, on the left side, there is a large kitchen where food is prepared in hygienic conditions in huge quantities; the kitchen is called as "the biggest hotel of the world".[43]

The main entrance of the Jagannatha Temple

 

According to a legend King Indradyumma was directed by Lord Jagannatha in a dream to build a temple for him which he did as directed. However, according to historical records the temple was started some time during the 12th century by King Chodaganga of the Eastern Ganga dynasty. It was completed by his descendant, Anangabhima Deva, in the 12th century. The wooden images of Jagannatha, Balabhadra and Subhadra were then deified here. The temple was under the control of the Hindu rulers up to 1558. Then, when Orissa was occupied by the Afghan Nawab of Bengal, it was brought under the control of the Afghan General Kalapahad. Following the defeat of the Afghan king by Raja Mansingh, the General of Mughal emperor Akbar, the temple became part of the Mughal empire till 1751. Subsequently, it was under the control of the Marathas till 1803. During the British Raj, the Puri Raja was entrusted with its management until 1947.[42]

 

The triad of images in the temple are of Jagannatha, personifying Lord Krishna, Balabhadra, His older brother, and Subhadra, His younger sister. The images are made of neem wood in an unfinished form. The stumps of wood which form the images of the brothers have human arms, while that of Subhadra does not have any arms. The heads are large, painted and non-carved. The faces are marked with distinctive large circular eyes.[27]

The Pancha Tirtha of PuriEdit

Main article: Pancha Tirtha of Puri

Markandeshwar Tank

 

Hindus consider it essential to bathe in the Pancha Tirtha or the five sacred bathing spots of Puri, to complete a pilgrimage to Puri. The five sacred water bodies are the Indradyumana Tank, the Rohini Kunda, the Markandeya Tank, the Swetaganga Tank, and the Bay of Bengal also called the Mahodadhi, in Sanskrit 'Mahodadhi' means a "great ocean";[46] all are considered sacred bathing spots in the Swargadwar area.[47][48][49] These tanks have perennial sources of supply from rainfall and ground water.[50]

Gundicha TempleEdit

Main article: Gundicha Temple

The Main Gate of the Gundicha Temple

 

The Gundicha Temple, known as the Garden House of Jagannatha, stands in the centre of a beautiful garden, bounded by compound walls on all sides. It lies at a distance of about 3 kilometres (1.9 mi) to the northeast of the Jagannatha Temple. The two temples are located at the two ends of the Bada Danda (Grand Avenue), which is the pathway for the Ratha Yatra. According to a legend, Gundicha was the wife of King Indradyumna who originally built the Jagannatha temple.[51]

 

The temple is built using light-grey sandstone, and, architecturally, it exemplifies typical Kalinga temple architecture in the Deula style. The complex comprises four components: vimana (tower structure containing the sanctum), jagamohana (assembly hall), nata-mandapa (festival hall) and bhoga-mandapa (hall of offerings). There is also a kitchen connected by a small passage. The temple is set within a garden, and is known as "God's Summer Garden Retreat" or garden house of Jagannatha. The entire complex, including the garden, is surrounded by a wall which measures 430 by 320 feet (131 m × 98 m) with height of 20 feet (6.1 m).[52]

 

Except for the 9-day Ratha Yatra, when the triad images are worshipped in the Gundicha Temple, otherwise it remains unoccupied for the rest of the year. Tourists can visit the temple after paying an entry fee. Foreigners (generally prohibited entry in the main temple) are allowed inside this temple during this period.[53] The temple is under the Jagannatha Temple Administration, Puri, the governing body of the main temple. A small band of servitors maintain the temple.[52]

SwargadwarEdit

The Sea at Swargadwar of Puri

 

Swargadwar is the name given to the cremation ground or burning ghat which is located on the shores of the sea. Here thousands of dead bodies of Hindus brought from faraway places are cremated. It is a belief that the Chitanya Mahaparabhu disappeared from this Swargadwar about 500 years back.[54]

BeachEdit

Puri sea sunrise

Puri Sea Beach viewed from the light house

 

The beach at Puri, known as the "Ballighai beach, at the mouth of Nunai River, is 8 kilometres (5.0 mi) away from the town and is fringed by casurina trees.[12] It has golden yellow sand. Sunrise and sunset are pleasant scenic attractions here.[55] Waves break in at the beach which is long and wide.[27]

District museumEdit

 

The Puri district museum is located on the station road where the exhibits in display are the different types of garments worn by Lord Jagannatha, local sculptures, patachitra (traditional, cloth-based scroll painting), ancient Palm-leaf manuscripts, and local craft work.[56]

Raghunandana libraryEdit

 

Raghunandana Library is located in the Emara Matha complex (opposite Simhadwara or lion gate, the main entrance gate). The Jagannatha Aitihasika Gavesana Samiti (Jagannatha Historical Centre) is also located here. The library houses ancient palm leaf manuscripts on Jagannatha, His cult and the history of the city.[56]

Festivals of PuriEdit

Main article: List of festivals observed at Jagannatha Temple, Puri

The Grand Road near the Jagannatha Temple

 

Puri witnesses 24 festivals every year, of which 13 are major. The most important of these is the Ratha Yatra, or the car festival, held in the June–July, which is attended by more than 1 million people.[57]

Ratha Yatra at PuriEdit

Main article: Ratha-Yatra (Puri)

The Ratha Yatra in Puri in modern times showing the three chariots of the deities with the Temple in the background

 

The Jagannatha Temple triad are normally worshipped in the sanctum of the temple at Puri, but once during the month of Asadha (rainy season of Orissa, usually in June or July), they are brought out on the Bada Danda (main street of Puri) and taken over a distance of (3 kilometres (1.9 mi)) to the Shri Gundicha Temple[58] in huge chariots (ratha), allowing the public to have darśana (holy view). This festival is known as the Ratha Yatra, meaning the journey (yatra) of the chariots.[59] The yatra starts every year according to the Hindu calendar on the Asadha Sukla Dwitiya day, the second day of bright fortnight of Asadha (June–July).[60]

 

Historically, the ruling Ganga dynasty instituted the Ratha Yatra on the completion of the Jagannatha Temple around 1150 AD. This festival was one of those Hindu festivals that was reported to the Western world very early.[61] Friar Odoric, in his account of 1321, reported how the people put the "idols" on chariots, and the King, the Queen and all the people drew them from the "church" with song and music.[62][63]

 

The Rathas are huge wooden structures provided with large wheels, which are built anew every year and are pulled by the devotees. The chariot for Lord Jagannatha is about 45 feet (14 m) high and 35 square feet (3.3 m2) and takes about 2 months for its construction.[64] The chariot is mounted with 16 wheels, each of 7 feet (2.1 m) diameter. The carving in the front face of the chariot has four wooden horses drawn by Maruti. On its other three faces, the wooden carvings are of Rama, Surya and Vishnu. The chariot is known as Nandi Ghosha. The roof of the chariot is covered with yellow and red coloured cloth. The next chariot is of Balabhadra which is 44 feet (13 m) in height fitted with 14 wheels. The chariot is carved with Satyaki as the charioteer, roof covered in red and green coloured cloth, and the chariot is known as Taladhwaja. The carvings on this chariot include images of Narasimha and Rudra as Jagannatha's companions. The next chariot in the order is of Subhadra, which is 43 feet (13 m) in height supported on 12 wheels, roof covered in black and red colour cloth, and the chariot is known as Darpa Dalaan and the charioteer carved is Arjuna. Other images carved on the chariot are of Vana Durga, Tara Devi and Chandi Devi.[60][65] The artists and painters of Puri decorate the cars and paint flower petals and other designs on the wheels, the wood-carved charioteer and horses, and the inverted lotuses on the wall behind the throne.[59] The chariots of Jagannatha pulled during Ratha Yatra is the etymological origin of the English word Juggernaut.[66] The Ratha Yatra is also termed as the Shri Gundicha yatra and Ghosha yatra[60]

Pahandi bije during Ratha Yatra at Puri

Chhera PaharaEdit

 

The Chhera Pahara (sweeping with water) is a significant ritual associated with the Ratha Yatra. During this ritual, the Gajapati King wears the outfit of a sweeper and sweeps all around the deities and chariots. The king cleans the road in front of the chariots with a gold-handled broom and sprinkles sandalwood water and powder. As per the custom, although the Gajapati King has been considered the most exalted person in the Kalingan kingdom, he still renders the menial service to Jagannatha. This ritual signifies that under the lordship of Jagannatha, there is no distinction between the powerful sovereign and the humblest devotee.[67]

Chandan YatraEdit

The Narendra Tirtha tank where ceremonies of Chandan Yatra are performed

Main article: Chandan Yatra

 

The Chandan Yatra festival held every year on Akshaya Tritiya day marks the commencement of the construction of the chariots of the Ratha Yatra. It also marks the celebration of the Hindu new year.[12]

Snana YatraEdit

Main article: Snana Yatra

 

Every year, on the Purnima day in the Hindu calendar month of Jyestha (June), the triad images of the Jagannatha Temple are ceremonially bathed and decorated on the occasion of Snana Yatra. Water for the bath is taken in 108 pots from the Suna kuan (meaning: "golden well") located near the northern gate of the temple. Water is drawn from this well only once in a year for the sole purpose of the religious bath of the deities. After the bath the triad images are dressed in the fashion of the elephant god, Ganesha. Later, during the night, the original triad images are taken out in a procession back to the main temple but kept at a place known as Anasara pindi.[60] After this the Jhulana Yatra is performed when proxy images of the deities are taken out in a grand procession for 21 days, cruised over boats in the Narendra Tirtha tank.[12]

Anavasara or AnasaraEdit

Images during the Snana Yatra.

 

Anasara, a derivative of the Sanskrit word "Anabasara",[68] literally means vacation. Every year after the holy Snana Yatra, the triad images, without the Sudarshana Chakra, are taken to a secret altar named Anavasara Ghar (also known as Anasara pindi, 'pindi' is Oriya term meaning "platform" [68]) where they remain for the next fortnight of (Krishna paksha); devotees are not allowed to view these images. Instead, devotees go to the nearby Brahmagiri to see the Lord in the four-handed form of Alarnath, a depiction of Vishnu.[60][69] Devotees then get the first glimpse of the Lord only on the day before Ratha Yatra, which is called Navayouvana. It is a local belief that the gods suffer from fever after taking an elaborate ritual bath, and they are treated by the special servants, the Daitapatis, for 15 days. Daitapatis perform special nitis (rites) known as Netrotchhaba (a rite of painting the eyes of the triad). During this period cooked food is not offered to the deities.[70]

Naba KalebaraEdit

Main articles: Nabakalevara and Nabakalebara 2015

 

Naba Kalebara is one of the most grand events associated with the Lord Jagannatha that takes place when one lunar month of Ashadha is followed by another of Ashadha called Adhika Masa (extra month). This can take place at an interval of 8, 12 or even 18 years. Literally meaning the "New Body" (Nava = New, Kalevar = Body) in Odia, the festival is witnessed by millions of people and the budget for this event generally exceeds $500,000. The event involves installation of new images in the temple and burial of the old ones in the temple premises at Koili Vaikuntha. During the Nabakalebara ceremony held during July 2015 the idols that were installed in the temple in 1996 were replaced by specially carved new images made of neem wood.[71][72] More than 3 million people are reported to have attended this festival.[73]

Suna BeshaEdit

Main article: Suna Besha

Suna Besha or Golden Attire of Lord Jagannatha

 

Suna Besha, ('Suna besh'in English translates to "gold dressing”[74]) also known as Raja or Rajadhiraja Bhesha [75] or Raja Bhesha, is an event when the triad images of the Jagannatha Temple are adorned with gold jewelry. This event is observed five times in a year. It is commonly observed on Magha Purnima (January), Bahuda Ekadashi also known as Asadha Ekadashi (July), Dashahara (Bijayadashami) (October), Karthik Purnima (November), and Pousa Purnima (December).[76][77] One such Suna Bhesha event is observed on Bahuda Ekadashi during the Ratha Yatra on the chariots placed at the Simhadwar. The other four Beshas are observed inside the temple on the Ratna Singhasana (gem studded altar). On this occasion gold plates are decorated over the hands and feet of Jagannatha and Balabhadra; Jagannatha is also adorned with a Chakra (disc) made of gold on the right hand while a silver conch adorns the left hand. Balabhadra is decorated with a plough made of gold on the left hand while a golden mace adorns his right hand.[76]

Niladri BijeEdit

 

Niladri Bije, celebrated in the Hindu calendar month Asadha (June–July) on Trayodashi (13th day),[78] marks the end of the Ratha Yatra. The large wooden images of the triad of gods are taken out from the chariots and then carried to the sanctum sanctorum, swaying rhythmically; a ritual which is known as pahandi.[72]

Sahi yatraEdit

A scene from a play being enacted during the Sahi Yatra

 

The Sahi Yatra, considered the world's biggest open-air theatre,[79] is an annual event lasting 11 days; a traditional cultural theatre festival or folk drama which begins on Ram Navami and ends on Rama avishke (Sanskrit meaning : anointing). The festival includes plays depicting various scenes from the Ramayana. The residents of various localities, or Sahis, are entrusted the task of performing the drama at the street corners.[80]

Samudra AratiEdit

Samudra arati of worship of the sea by disciples of the Matha at Puri

 

The Samudra arati is a daily tradition started by the present Shankaracharya 9 years ago.[81] The daily practise includes prayer and fire offering to the sea at Swargadwar in Puri by disciples of the Govardhan Matha. On Paush Purnima of every year the Shankaracharya himself comes out to offer prayers to the sea.

TransportEdit

 

Earlier, when roads did not exist, people used to walk or travel by animal-drawn vehicles or carriages along beaten tracks to reach Puri. Travel was by riverine craft along the Ganges up to Calcutta, and then on foot or by carriages. It was only during the Maratha rule that the popular Jagannath Sadak (Road) was built around 1790. The East India Company laid the rail track from Calcutta to Puri, which became operational in 1898.[82] Puri is now well-connected by rail, road and air services. A broad gauge railway line of the South Eastern Railways which connects Puri with Calcutta, and Khurda is an important railway junction on this route. The rail distance is about 499 kilometres (310 mi) from Calcutta[83] and 468 kilometres (291 mi) from Vishakhapatnam. Road network includes NH 203 that links the city with Bhubaneswar, the state capital, situated about 60 kilometres (37 mi) away. NH 203 B connects the city with Satapada via Brahmagiri. Marine drive, which is part of NH 203 A, connects Puri with Konark. The nearest airport is the Biju Patnaik International Airport at Bhubaneswar.[57] Puri railway station is among the top hundred booking stations of the Indian Railways.[84]

Arts and craftsEdit

Sand artEdit

Sand art of a Baby Elephant

 

Sand art is a special art form that is created on the beaches of Puri. The art form is attributed to Balaram Das, a poet who lived in the 14th century. Sculptures of various gods and famous people are now created in sand by amateur artists. These are temporary in nature as they get washed away by waves. This art form has gained international fame in recent years. One of the famed sand artists of Odisha is Sudarshan Patnaik. He established the Golden Sand Art Institute in 1995, in the open air on the shores of Bay of Bengal, to provide training to students interested in this art form.[85][80]

Appliqué artEdit

An applique art work

 

Appliqué art, which is a stitching-based craft unlike embroidery, was pioneered by Hatta Maharana of Pipili. It is widely used in Puri, both for decoration of the deities and for sale. Maharana's family members are employed as darjis or tailors or sebaks by the Maharaja of Puri. They prepare articles for decorating the deities in the temple for various festivals and religious ceremonies. The appliqué works are brightly coloured and patterned fabric in the form of canopies, umbrellas, drapery, carry bags, flags, coverings of dummy horses and cows, and other household textiles; these are marketed in Puri. The cloth used is made in dark colours of red, black, yellow, green, blue and turquoise blue.[86]

CultureEdit

Odissi dancer

 

Cultural activities, including the annual religious festivals, in Puri are: The Puri Beach Festival held from 5 to 9 November every year, and the Shreekshetra Utsav held from 20 December to 2 January every year. The cultural programmes include unique sand art, display of local and traditional handicrafts and food festival.[87] In addition, cultural programmes are held for two hours on every second Saturday of the month at the district Collector's Conference Hall near Sea Beach Police Station. Odissi dance, Odissi music and folk dances are part of this event.[87] Odissi dance is the cultural heritage of Puri. This dance form originated in Puri from the dances performed by Devadasis (Maharis) attached to the Jagannatha Temple who performed dances in the Nata mandapa of the temple to please the deities. Though the devadasi practice has been discontinued, the dance form has become modern and classical and is widely popular; many of the Odissi virtuoso artists and gurus (teachers) are from Puri.[88] Some of the famous Odissi dancers are Kelucharan Mohapatra, Mayadhar Raut, Sonal Mansingh, Sanjukta Panigrahi and many more

EducationEdit

Samanta Chandra Sekhar College, Puri

 

Some of the educational institutions in Puri are:

 

Ghanashyama Hemalata Institute of Technology and Management

Gangadhar Mohapatra Law College, established in 1981[89]

Extension Unit of Regional Research Institute of Homoeopathy, Puri, under Central Council for Research in Homoeopathy (CCRH), New Delhi; established in March 2006 [90]

Shri Jagannath Sanskrit University, established in July 1981[91]

Gopabandhu Ayurveda Mahavidyalaya, a college and hospital where treatment and training is based on Ayurveda school of medicine [92]

The Industrial Training Institute, a premier technical institution to provide education to skilled, committed & talented technicians was established in 1966 by the Government of India[93]

Blessed Sacrament High School established in 1952 is otherwise known as Puri convent. It is one of the best schools in the city. The school features classes 1 to 10. It is located in VIP Road, Puri.

 

Puri peopleEdit

 

Jayee Rajguru - Freedom fighter

Chakhi Khuntia (Chandan Hajuri) – Freedom fighter [94]

Utkalmani Pandit Gopabandhu Das – Social worker

Pandit Nilakantha Das – Social activist

Bhaktakabi Madhusudan Rao – Odia Poet

Padma Vibhushan Kelucharan Mohapatra – Odissi dancer

Padma Shri Pankaj Charan Das – Odissi dancer

Padma Shri Pandit Sadashiv Rathasharma – Scholar and Preacher of Shri Jagannatha Culture

Padma Vibhushan Raghunath Mohapatra – Architect and sculptor

Padma Shri Sudarshan Pattnaik – Sand Artist

Baisali Mohanty - ALC Global Fellow at University of Oxford, United Kingdom

Rituraj Mohanty – Singer

The Emar Mutt complex was demolished August 2019 completely.

 

++++ FROM WIKIPEDIA ++++

Raghunandana Library is located in the Emara Math-a complex (opposite Simhadwara or lion gate, the main entrance gate). The Jagannatha Aitihasika Gavesana Samiti (Jagannatha Historical Centre) is also located here. The library houses ancient palm leaf manuscripts on Jagannatha, His cult and the history of the city.

 

Puri (Odia: [ˈpuɾi (ପୁରୀ)] is a coastal city and a municipality in the state of Odisha in eastern India. It is the district headquarters of Puri district and is situated on the Bay of Bengal, 60 kilometres (37 mi) south of the state capital of Bhubaneswar. It is also known as Sri Jagannatha Dhama after the 12th-century Jagannath Temple located in the city. It is one of the original Char Dham pilgrimage sites for Hindus.

 

Puri is known by several names since the ancient times, and was locally known as "Sri Kshetra" and the Jagannath temple is known as "Badadeula". Puri and the Jagannath Temple were invaded 18 times by Muslim rulers, from the 7th century AD till the early 19th century with the objective of looting the treasures of the temple. Odisha, including Puri and its temple, were part of British India from 1803 till India attained independence in August 1947. Even though princely states do not exist in India today, the heirs of the House of Gajapati still perform the ritual duties of the temple. The temple town has many Hindu religious mathas or monasteries.

 

The economy of Puri is dependent on the religious importance of the Jagannath Temple to the extent of nearly 80 percent. The 24 festivals, including 13 major ones, held every year in the temple complex contribute to the economy; Ratha Yatra and its related festivals are the most important which are attended by millions of people every year. Sand art and applique art are some of the important crafts of the city.

 

Puri has been chosen as one of the heritage cities for Heritage City Development and Augmentation Yojana (HRIDAY) scheme of Government of India.

 

History

 

Names in history

Puri, the holy land of Jagannatha, also known by the popular vernacular name Srikshetram, has many ancient names in the Hindu scriptures such as the Rigveda, Matsya purana, Brahma Purana, Narada Purana, Padma Purana, Skanda Purana, Kapila Purana and Niladrimahodaya. In the Rigveda, in particular, it is mentioned as a place called Purushamandama-grama meaning the place where the Creator deity of the world – Supreme Divinity deified on an altar or mandapa was venerated near the coast and prayers offered with Vedic hymns. Over time the name got changed to Purushottama Puri and further shortened to Puri, and the Purusha came to be known as Jagannatha. Sages like Bhrigu, Atri and Markandeya had their hermitage close to this place. Its name is mentioned, conforming to the deity worshipped, as Srikshetra, Purusottama Dhāma, Purusottama Kshetra, Purusottama Puri and Jagannath Puri. Puri, however, is the popular usage. It is also known by the geographical features of its location as Shankhakshetra (the layout of the town is in the form of a conch shell),[4] Neelāchala ("Blue mountain" a terminology used to name a very large sand lagoon over which the temple was built but this name is not in vogue), Neelāchalakshetra, Neelādri.[5] In Sanskrit, the word "Puri" means town or city,and is cognate with polis in Greek.

 

Another ancient name is Charita as identified by General Alexander Cunningham of the Archaeological Survey of India, which was later spelled as Che-li-ta-lo by Chinese traveller Hiuen Tsang. When the present temple was built by the Eastern Ganga king Anantavarman Chodaganga in the 11th and 12th centuries AD, it was called Purushottamkshetra. However, the Moghuls, the Marathas and early British rulers called it Purushottama-chhatar or just Chhatar. In Moghul ruler Akbar's Ain-i-Akbari and subsequent Muslim historical records it was known as Purushottama. In the Sanskrit drama Anargha Raghava Nataka as well, authored by Murari Mishra, a playwright, in the 8th century AD, it is referred to as Purushottama.[4] It was only after the 12th century AD that Puri came to be known by the shortened form of Jagannatha Puri, named after the deity or in a short form as Puri.[5] It is the only shrine in India, where Radha, along with Lakshmi, Saraswati, Durga, Bhudevi, Sati, Parvati, and Shakti, abodes with Krishna, who is also known by the name Jagannatha.

 

Ancient period

 

King Indradyumna of Ujjayani credited with building the original Puri Jagannath temple in 318 AD

According to the chronicle Madala Panji, in 318 AD, the priests and servitors of the temple spirited away the idols to escape the wrath of the Rashtrakuta king Rakatavahu.[9] In the temple's historical records it finds mention in the Brahma Purana and Skanda Purana stating that the temple was built by the king Indradyumna, Ujjayani.

 

S. N. Sadasivan, a historian, in his book A Social History of India quotes William Joseph Wilkins, author of the book Hindu Mythology, Vedic and Purānic as stating that in Puri, Buddhism was once a well established practice but later Buddhists were persecuted and Brahmanism became the order of the religious practice in the town; the Buddha deity is now worshipped by the Hindus as Jagannatha. It is also said by Wilkinson that some relics of Buddha were placed inside the idol of Jagannatha which the Brahmins claimed were the bones of Lord Krishna. Even during Maurya king Ashoka's reign in 240 BC, Kalinga was a Buddhist center and that a tribe known as Lohabahu (barbarians from outside Odisha) converted to Buddhism and built a temple with an idol of Buddha which is now worshipped as Jagannatha. Wilkinson also says that the Lohabahu deposited some Buddha relics in the precincts of the temple.

 

Construction of the present Jagannath Temple started in 1136 AD and completed towards the latter part of the 12th century. The Eastern Ganga king Anangabhima III dedicated his kingdom to Lord Jagannatha, then known as the Purushottama-Jagannatha, and resolved that from then on he and his descendants would rule under "divine order as Jagannatha's sons and vassals". Even though princely states do not exist in India today, the heirs of the Eastern Ganga dynasty of Puri still perform the ritual duties of the temple; the king formally sweeps the road in front of the chariots before the start of the Ratha Yatra. This ritual is called Cherra Pahanra.

 

Medieval and early modern periods

The history of Puri is on the same lines as that of the Jagannath Temple, which was invaded 18 times during its history to plunder the treasures of the temple, rather than for religious reasons. The first invasion occurred in the 8th century AD by Rastrakuta king Govinda III (798–814 AD), and the last took place in 1881 AD by the monotheistic followers of Alekh (Mahima Dharma) who did not recognise the worship of Jagannatha.[13] From 1205 AD onward there were many invasions of the city and its temple by Muslims of Afghan and Moghul descent, known as Yavanas or foreigners. In most of these invasions the idols were taken to safe places by the priests and the servitors of the temple. Destruction of the temple was prevented by timely resistance or surrender by the kings of the region. However, the treasures of the temple were repeatedly looted.[14] The table lists all the 18 invasions along with the status of the three images of the temple, the triad of Jagannatha, Balabhadra and Subhadra following each invasion.

  

In the 16th century, Chaitanya Mahaprabhu of Bengal established the Bhakti movements of India, now known by the name the Hare Krishna movement. He spent many years as a devotee of Jagannatha at Puri; he is said to have merged with the deity.[25] There is also a matha of Chaitanya Mahaprabhu here known as Radhakanta Math.

 

In the 17th century, for the sailors sailing on the east coast of India, the temple served as a landmark, being located in a plaza in the centre of the city, which they called the "White Pagoda" while the Konark Sun Temple, 60 kilometres (37 mi) away to the east of Puri, was known as the "Black Pagoda".

 

The iconic representation of the images in the Jagannath temple is believed to be the forms derived from the worship made by the tribal groups of Sabaras belonging to northern Odisha. These images are replaced at regular intervals as the wood deteriorates. This replacement is a special event carried out ritualistically by special group of carpenters.

 

Govardhana matha main gate

The city has many other Mathas as well. The Emar Matha was founded by the Tamil Vaishnava saint Ramanujacharya in the 12th century AD. This Matha, which is now located in front of Simhadvara across the eastern corner of the Jagannath Temple, is reported to have been built in the 16th century during the reign of kings of Suryavamsi Gajapatis. The Matha was in the news on 25 February 2011 for the large cache of 522 silver slabs unearthed from a closed chamber.

 

The British conquered Orissa in 1803, and, recognising the importance of the Jagannath Temple in the life of the people of the state, they initially appointed an official to look after the temple's affairs and later declared the temple as part of a district.

 

Modern history

 

H.H Jagadguru Swami Nischalananda Saraswati, The Shankaracharya of Puri

In 1906, Sri Yukteswar, an exponent of Kriya Yoga and a resident of Puri, established an ashram, a spiritual training center, named "Kararashram" in Puri. He died on 9 March 1936 and his body is buried in the garden of the ashram.

 

The city is the site of the former summer residence of British Raj, the Raj Bhavan, built in 1913–14 during the era of governors.[30]

 

For the people of Puri, Lord Jagannatha, visualized as Lord Krishna, is synonymous with their city. They believe that Lord Jagannatha looks after the welfare of the state. However, after the partial collapse of the Jagannath Temple (in the Amalaka part of the temple) on 14 June 1990, people became apprehensive and considered it a bad omen for Odisha. The replacement of the fallen stone by another of the same size and weight (7 tonnes (7.7 tons)), that could be done only in the early morning hours after the temple gates were opened, was done on 28 February 1991.[25]

 

Puri has been chosen as one of the heritage cities for the Heritage City Development and Augmentation Yojana scheme of the Indian Government. It is chosen as one of the 12 heritage cities with "focus on holistic development" to be implemented within 27 months by the end of March 2017.[31]

 

Non-Hindus are not permitted to enter the shrines but are allowed to view the temple and the proceedings from the roof of the Raghunandan library, located within the precincts of the temple, for a small donation.[32]

 

Geography and climate

 

Geography

 

The Atharanala Bridge dating back to the 16th century at the entrance of Puri

Puri, located on the east coast of India on the Bay of Bengal, is in the centre of the Puri district. It is delimited by the Bay of Bengal on the southeast, the Mauza Sipaurubilla on the west, Mauza Gopinathpur in the north and Mauza Balukhand in the east. It is within the 67 kilometres (42 mi) coastal stretch of sandy beaches that extends between Chilika Lake and the south of Puri city. However, the administrative jurisdiction of the Puri Municipality extends over an area of 16.3268 square kilometres (6.3038 sq mi) spread over 30 wards, which includes a shore line of 5 kilometres (3.1 mi).[33]

 

Puri is in the coastal delta of the Mahanadi River on the shores of the Bay of Bengal. In the ancient days it was near to Sisupalgarh (also known as "Ashokan Tosali"). Then the land was drained by a tributary of the Bhargavi River, a branch of the Mahanadi River. This branch underwent a meandering course creating many arteries altering the estuary, and formed many sand hills. These sand hills could be cut through by the streams. Because of the sand hills, the Bhargavi River, flowing to the south of Puri, moved away towards the Chilika Lake. This shift also resulted in the creation of two lagoons, known as Sar and Samang, on the eastern and northern parts of Puri respectively. Sar lagoon has a length of 5 miles (8.0 km) in an east–west direction and a width of 2 miles (3.2 km) in north–south direction. The estuary of the Bhargavi River has a shallow depth of just 5 feet (1.5 m) and the process of siltation continues. According to a 15th-century Odia writer Saraladasa, the bed of the unnamed stream that flowed at the base of the Blue Mountain or Neelachal was filled up. Katakarajavamsa, a 16th-century chronicle (c.1600), attributes filling up of the bed of the river which flowed through the present Grand Road, as done during the reign of King Narasimha II (1278–1308) of Eastern Ganga dynasty.

 

Climate

According to the Köppen–Geiger climate classification system the climate of Puri is classified as Aw (Tropical savanna climate). The city has moderate and tropical climate. Humidity is fairly high throughout the year. The temperature during summer touches a maximum of 36 °C (97 °F) and during winter it is 17 °C (63 °F). The average annual rainfall is 1,337 millimetres (52.6 in) and the average annual temperature is 26.9 °C (80.4 °F).

 

Demographics

 

According to the 2011 Census of India, Puri is an urban agglomeration governed by the Municipal Corporation in Odisha state, with a population of 200,564, comprising 104,086 males, 96,478 females, and 18,471 children (under six years of age). The sex ratio is 927. The average literacy rate in the city is 88.03 percent (91.38 percent for males and 84.43 percent for females).

 

Administration

 

Samudra arati or worship of the sea at Swargadwar by disciples of the Govardhana matha

The Puri Municipality, Puri Konark Development Authority, Public Health Engineering Organisation and Orissa Water Supply Sewerage Board are some of the principal organisations that are devolved with the responsibility of providing for civic amenities such as water supply, sewerage, waste management, street lighting and infrastructure of roads. The major activity, which puts maximum pressure on these organisations, is the annual event of the Ratha Yatra held during June- July. According to the Puri Municipality more than a million people attend this event. Hence, development activities such as infrastructure and amenities to the pilgrims, apart from security, gets priority attention.

 

The civic administration of Puri is the responsibility of the Puri Municipality. The municipality came into existence in 1864 in the name of the Puri Improvement Trust, which was converted into Puri Municipality in 1881. After India's independence in 1947, the Orissa Municipal Act (1950) was promulgated entrusting the administration of the city to the Puri Municipality. This body is represented by elected representatives with a Chairperson and councilors representing the 30 wards within the municipal limits.

 

Economy

The economy of Puri is dependent on tourism to the extent of about 80 percent. The temple is the focal point of the city and provides employment to the people of the town. Agricultural production of rice, ghee, vegetables and so forth of the region meet the large requirements of the temple. Many settlements around the town exclusively cater to the other religious requirements of the temple. The temple administration employs 6,000 men to perform the rituals. The temple also provides economic sustenance to 20,000 people. According to Colleen Taylor Set an author on food and travel, writing on the food culture of India, the temple kitchen has 400 cooks serving food to as many as 100,000 people,. According to J Mohapatra, Director, Ind Barath Power Infra Ltd (IBPIL), the kitchen is known as "a largest and biggest kitchen of the world."

 

Landmarks

Jagannath Temple at Puri

 

The Jagannath Temple at Puri is one of the major Hindu temples built in the Kalinga style of architecture.The temple tower, with a spire, rises to a height of 58 metres (190 ft), and a flag is unfurled above it, fixed over a wheel (chakra).[

  

Left:Ritual chakra and flags at the top shikhara of Puri temple of Jagannatha also related to Sudarsana chakra. The red flag (12 hand or 14 feet (4.3 m) denotes that Jagannath is within the temple.

 

Right: Statue of Aruna the charioteer of the Sun God on top of the Aruna Stambha in front of the Singhadwara

The temple is built on an elevated platform (of about 420,000 square feet (39,000 m2) area),[46] 20 feet (6.1 m) above the adjacent area. The temple rises to a height of 214 feet (65 m) above the road level. The temple complex covers an area of 10.7 acres (4.3 ha).[39] There are four entry gates in four cardinal directions of the temple, each gate located at the central part of the walls. These gates are: the eastern gate called the Singhadwara (Lions Gate), the southern gate known as Ashwa Dwara (Horse Gate), the western gate called the Vyaghra Dwara (Tigers Gate) or the Khanja Gate, and the northern gate called the Hathi Dwara or (elephant gate). These four gates symbolize the four fundamental principles of Dharma (right conduct), Jnana (knowledge), Vairagya (renunciation) and Aishwarya (prosperity). The gates are crowned with pyramid shaped structures. There is a stone pillar in front of the Singhadwara, called the Aruna Stambha {Solar Pillar}, 11 metres (36 ft) in height with 16 faces, made of chlorite stone; at the top of the stamba an elegant statue of Aruṇa (Sun) in a prayer mode is mounted. This pillar was shifted from the Konarak Sun Temple.[47] The four gates are decorated with guardian statues in the form of lion, horse mounted men, tigers, and elephants in the name and order of the gates.[32] A pillar made of fossilized wood is used for placing lamps as offering. The Lion Gate (Singhadwara) is the main gate to the temple, which is guarded by two guardian deities Jaya and Vijaya.[46][47][48] The main gate is ascended through 22 steps known as Baisi Pahaca, which are revered, as it is believed to possess "spiritual animation". Children are made to roll down these steps, from top to bottom, to bring them spiritual happiness. After entering the temple, on the left side, there is a large kitchen where food is prepared in hygienic conditions in huge quantities; the kitchen is called as "the biggest hotel of the world".

  

The main entrance of the Jagannath Temple

According to a legend King Indradyumma was directed by Lord Jagannatha in a dream to build a temple for him which he did as directed. However, according to historical records the temple was started some time during the 12th century by King Chodaganga of the Eastern Ganga dynasty. It was completed by his descendant, Anangabhima Deva, in the 12th century. The wooden images of Jagannatha, Balabhadra and Subhadra were then deified here. The temple was under the control of the Hindu rulers up to 1558. Then, when Orissa was occupied by the Afghan Nawab of Bengal, it was brought under the control of the Afghan General Kalapahad. Following the defeat of the Afghan king by Raja Mansingh, the General of Mughal emperor Akbar, the temple became part of the Mughal empire till 1751. Subsequently, it was under the control of the Marathas till 1803. During the British Raj, the Puri Raja was entrusted with its management until 1947.

 

The triad of images in the temple are of Jagannatha, personifying Lord Krishna, Balabhadra, His older brother, and Subhadra, His younger sister. The images are made of neem wood in an unfinished form. The stumps of wood which form the images of the brothers have human arms, while that of Subhadra does not have any arms. The heads are large, painted and non-carved. The faces are marked with distinctive large circular eyes.[25]

 

The Pancha Tirtha of Puri

 

Markandeshwar Tank

Hindus consider it essential to bathe in the Pancha Tirtha or the five sacred bathing spots of Puri, to complete a pilgrimage to Puri. The five sacred water bodies are the Indradyumana Tank, the Rohini Kunda, the Markandeya Tank, the Swetaganga Tank, and the Bay of Bengal also called the Mahodadhi, in Sanskrit 'Mahodadhi' means a "great ocean";[49] all are considered sacred bathing spots in the Swargadwara area.[50][51][52] These tanks have perennial sources of supply from rainfall and ground water.[53]

 

Gundicha Temple

Main article: Gundicha Temple

 

Main entrance of the Gundicha Temple

The Gundicha Temple, known as the Garden House of Jagannatha, stands in the centre of a garden, bounded by compound walls on all sides. It lies at a distance of about 3 kilometres (1.9 mi) to the northeast of the Jagannath Temple. The two temples are located at the two ends of the Bada Danda (Grand Avenue), which is the pathway for the Ratha Yatra. According to a legend, Gundicha was the wife of King Indradyumna who originally built the Jagannath temple.

 

The temple is built using light-grey sandstone, and, architecturally, it exemplifies typical Kalinga temple architecture in the Deula style. The complex comprises four components: vimana (tower structure containing the sanctum), jagamohana (assembly hall), nata-mandapa (festival hall) and bhoga-mandapa (hall of offerings). There is also a kitchen connected by a small passage. The temple is set within a garden, and is known as "God's Summer Garden Retreat" or garden house of Jagannatha. The entire complex, including the garden, is surrounded by a wall which measures 430 by 320 feet (131 m × 98 m) with height of 20 feet (6.1 m).

 

Except for the 9-day Ratha Yatra, when the triad images are worshipped in the Gundicha Temple, otherwise it remains unoccupied for the rest of the year. Tourists can visit the temple after paying an entry fee. Foreigners (generally prohibited entry in the main temple) are allowed inside this temple during this period.[56] The temple is under the Jagannath Temple Administration, Puri, the governing body of the main temple. A small band of servitors maintain the temple.

 

Swargadwar

 

Sea at Swargadwar of Puri

Swargadwar is the name given to the cremation ground or burning ghat which is located on the shores of the sea. Here thousands of dead bodies of Hindus brought from faraway places are cremated. It is a belief that the Chaitanya Mahaparabhu disappeared from this Swargadwar about 500 years back.

 

Beach

 

Puri sea sunrise

 

Puri sea beach viewed from the light house

The beach at Puri, known as the "Ballighai beach, at the mouth of Nunai River", is 8 kilometres (5.0 mi) away from the town and is fringed by casurina trees.[10] It has golden yellow sand. Sunrise and sunset are pleasant scenic attractions here. Waves break in at the beach which is long and wide.

 

District museum

The Puri district museum is located on the station road where the exhibits in display are the different types of garments worn by Lord Jagannatha, local sculptures, patachitra (traditional, cloth-based scroll painting), ancient Palm-leaf manuscripts, and local craft work.

  

Festivals of Puri

The Grand Road near the Jagannath Temple

Puri witnesses 24 festivals every year, of which 13 are major. The most important of these is the Ratha Yatra, or the car festival, held in the June–July, which is attended by more than 1 million people.

 

Ratha Yatra at Puri

The Ratha Yatra in Puri in modern times showing the three chariots of the deities with the Temple in the background

The Jagannath Temple triad are normally worshipped in the sanctum of the temple at Puri, but once during the month of Asadha (rainy season of Orissa, usually in June or July), they are brought out on the Bada Danda (main street of Puri) and taken over a distance of (3 kilometres (1.9 mi)) to the Gundicha Temple[61] in huge chariots (ratha), allowing the public to have darśana (holy view). This festival is known as the Ratha Yatra, meaning the journey (yatra) of the chariots.[62] The yatra starts every year according to the Hindu calendar on the Asadha Sukla Dwitiya day, the second day of bright fortnight of Asadha (June–July).[63]

 

Historically, the ruling Ganga dynasty instituted the Ratha Yatra on the completion of the Jagannath Temple around 1150 AD. This festival was one of those Hindu festivals that was reported to the Western world very early.[64] Friar Odoric, in his account of 1321, reported how the people put the "idols" on chariots, and the King, the Queen and all the people drew them from the "church" with song and music.[65][66]

 

The Rathas are huge wooden structures provided with large wheels, which are built anew every year and are pulled by the devotees. The chariot for Lord Jagannatha is about 45 feet (14 m) high and 35 square feet (3.3 m2) and takes about 2 months for its construction.[67] The chariot is mounted with 16 wheels, each of 7 feet (2.1 m) diameter. The carving in the front face of the chariot has four wooden horses drawn by Maruti. On its other three faces, the wooden carvings are of Rama, Surya and Vishnu. The chariot is known as Nandi Ghosha. The roof of the chariot is covered with yellow and red coloured cloth. The next chariot is of Balabhadra which is 44 feet (13 m) in height fitted with 14 wheels. The chariot is carved with Satyaki as the charioteer, roof covered in red and green coloured cloth, and the chariot is known as Taladhwaja. The carvings on this chariot include images of Narasimha and Rudra as Jagannatha's companions. The next chariot in the order is of Subhadra, which is 43 feet (13 m) in height supported on 12 wheels, roof covered in black and red colour cloth, and the chariot is known as Darpa Dalaan and the charioteer carved is Arjuna. Other images carved on the chariot are of Vana Durga, Tara Devi and Chandi Devi.[63][68] The artists and painters of Puri decorate the cars and paint flower petals and other designs on the wheels, the wood-carved charioteer and horses, and the inverted lotuses on the wall behind the throne.[62] The chariots of Jagannatha pulled during Ratha Yatra is the etymological origin of the English word Juggernaut.[69] The Ratha Yatra is also termed as the Shri Gundicha yatra and Ghosha yatra

  

Pahandi bije during Ratha Yatra at Puri

Chhera Panhara

The Chhera Panhara[70] (sweeping with water) is a significant ritual associated with the Ratha Yatra. During this ritual, the Gajapati King wears the outfit of a sweeper and sweeps all around the deities and chariots. The king cleans the road in front of the chariots with a gold-handled broom and sprinkles sandalwood water and powder. As per the custom, although the Gajapati King has been considered the most exalted person in the Kalingan kingdom, he still renders the menial service to Jagannatha. This ritual signifies that under the lordship of Jagannatha, there is no distinction between the powerful sovereign and the humblest devotee.[71]

 

Chandan Yatra

 

The Chandan Yatra festival held every year on Akshaya Tritiya day marks the commencement of the construction of the chariots of the Ratha Yatra. It also marks the celebration of the Hindu new year.

 

Snana Yatra

Every year, on the Purnima day in the Hindu calendar month of Jyestha (June), the triad images of the Jagannath Temple are ceremonially bathed and decorated on the occasion of Snana Yatra. Water for the bath is taken in 108 pots from the Suna kuan (meaning: "golden well") located near the northern gate of the temple. Water is drawn from this well only once in a year for the sole purpose of the religious bath of the deities. After the bath the triad images are dressed in the fashion of the elephant god, Ganesha. Later, during the night, the original triad images are taken out in a procession back to the main temple but kept at a place known as Anasara pindi.[63] After this the Jhulana Yatra is performed when proxy images of the deities are taken out in a grand procession for 21 days, cruised over boats in the Narendra Tirtha tank.[10]

 

Anavasara or Anasara

 

Anasara, a derivative of the Sanskrit word "Anabasara", literally means vacation. Every year after the holy Snana Yatra, the triad images, without the Sudarshana Chakra, are taken to a secret altar named Anavasara Ghar (also known as Anasara pindi, 'pindi' is Oriya term meaning "platform" [72]) where they remain for the next fortnight of (Krishna paksha); devotees are not allowed to view these images. Instead, devotees go to the nearby Brahmagiri to see the Lord in the four-handed form of Alarnath, a depiction of Vishnu.[63][73] Devotees then get the first glimpse of the Lord only on the day before Ratha Yatra, which is called Navayouvana. It is a local belief that the gods suffer from fever after taking an elaborate ritual bath, and they are treated by the special servants, the Daitapatis, for 15 days. Daitapatis perform special nitis (rites) known as Netrotchhaba (a rite of painting the eyes of the triad). During this period cooked food is not offered to the deities.[74]

 

Naba Kalebara

Main articles: Nabakalevara and Nabakalebara 2015

Naba Kalebara is one of the most grand events associated with the Lord Jagannatha that takes place when one lunar month of Ashadha is followed by another of Ashadha called Adhika Masa (extra month). This can take place at an interval of 8, 12 or even 18 years. Literally meaning the "New Body" (Nava = New, Kalevar = Body) in Odia, the festival is witnessed by millions of people and the budget for this event generally exceeds $500,000. The event involves installation of new images in the temple and burial of the old ones in the temple premises at Koili Vaikuntha. During the Nabakalebara ceremony held during July 2015 the idols that were installed in the temple in 1996 were replaced by specially carved new images made of neem wood. More than 3 million people are reported to have attended this festival.[77]

 

Suna Besha

Main article: Suna Besha

 

Suna Besha or Golden Attire of Lord Jagannatha

Suna Besha, ('Suna besh'in English translates to "gold dressing"[78]) also known as Raja or Rajadhiraja Bhesha [79] or Raja Bhesha, is an event when the triad images of the Jagannath Temple are adorned with gold jewelry. This event is observed five times in a year. It is commonly observed on Magha Purnima (January), Bahuda Ekadashi also known as Asadha Ekadashi (July), Dashahara (Bijayadashami) (October), Karthik Purnima (November), and Pousa Purnima (December).[80][81] One such Suna Bhesha event is observed on Bahuda Ekadashi during the Ratha Yatra on the chariots placed at the Simhadwar. The other four Beshas are observed inside the temple on the Ratna Singhasana (gem studded altar). On this occasion gold plates are decorated over the hands and feet of Jagannatha and Balabhadra; Jagannatha is also adorned with a Chakra (disc) made of gold on the right hand while a silver conch adorns the left hand. Balabhadra is decorated with a plough made of gold on the left hand while a golden mace adorns his right hand.[80]

 

Niladri Bije

Niladri Bije, celebrated in the Hindu calendar month Asadha (June–July) on Trayodashi (13th day),[82] marks the end of the Ratha Yatra. The large wooden images of the triad of gods are taken out from the chariots and then carried to the sanctum sanctorum, swaying rhythmically; a ritual which is known as pahandi.

 

Sahi yatra

 

A scene from a play being enacted during the Sahi Yatra

The Sahi Yatra, considered the world's biggest open-air theatre,[83] is an annual event lasting 11 days; a traditional cultural theatre festival or folk drama which begins on Ram Navami and ends on Rama avishke (Sanskrit meaning : anointing). The festival includes plays depicting various scenes from the Ramayana. The residents of various localities, or Sahis, are entrusted the task of performing the drama at the street corners.[84]

 

Samudra Arati

 

Samudra arati of worship of the sea by disciples of the Matha at Puri

The Samudra arati is a daily tradition started by the present Shankaracharya 9 years ago.[85] The daily practise includes prayer and fire offering to the sea at Swargadwar in Puri by disciples of the Govardhan Matha. On Paush Purnima of every year the Shankaracharya himself comes out to offer prayers to the sea.

 

Transport

Earlier, when roads did not exist, people used to walk or travel by animal-drawn vehicles or carriages along beaten tracks to reach Puri. Travel was by riverine craft along the Ganges up to Calcutta, and then on foot or by carriages. It was only during the Maratha rule that the Jagannath Sadak (Road) was built around 1790. The East India Company laid the rail track from Calcutta to Puri, which became operational in 1898.[86] Puri is now well-connected by rail, road and air services. A broad gauge railway line of the South Eastern Railways which connects Puri with Calcutta, and Khurda is an important railway junction on this route. The rail distance is about 499 kilometres (310 mi) from Calcutta[87] and 468 kilometres (291 mi) from Vishakhapatnam. Road network includes NH 203 that links the city with Bhubaneswar, the state capital, situated about 60 kilometres (37 mi) away. NH 203 B connects the city with Satapada via Brahmagiri. Marine drive, which is part of NH 203 A, connects Puri with Konark. The nearest airport is the Biju Patnaik International Airport at Bhubaneswar.[60] Puri railway station is among the top hundred booking stations of the Indian Railways.[88]

 

Arts and crafts

 

Sand art

Sand art of a baby elephant

Sand art is a special art form that is created on the beaches of Puri. The art form is attributed to Balaram Das, a poet who lived in the 14th century. Sculptures of various gods and famous people are now created in sand by amateur artists. These are temporary in nature as they get washed away by waves. This art form has gained international fame in recent years. One of the famed sand artists of Odisha is Sudarshan Patnaik. He established the Golden Sand Art Institute in 1995, in the open air on the shores of Bay of Bengal, to provide training to students interested in this art form.[89][84]

 

Appliqué art

An applique art work

Appliqué art, which is a stitching-based craft unlike embroidery, was pioneered by Hatta Maharana of Pipili. It is widely used in Puri, both for decoration of the deities and for sale. Maharana's family members are employed as darjis or tailors or sebaks by the Maharaja of Puri. They prepare articles for decorating the deities in the temple for various festivals and religious ceremonies. The appliqué works are brightly coloured and patterned fabric in the form of canopies, umbrellas, drapery, carry bags, flags, coverings of dummy horses and cows, and other household textiles; these are marketed in Puri. The cloth used is made in dark colours of red, black, yellow, green, blue and turquoise blue.[90]

 

Patta Chaitra

Patta Chittra is the one of the oldest forms of art which has its roots to thousands of years ago. It has stayed vibrant amidst changes in cultures and still remains one of the unique art forms of India especially Odisa which originated in Puri.

 

Culture

 

Odissi dancer

Cultural activities, including the annual religious festivals, in Puri are: The Puri Beach Festival held from 5 to 9 November every year, and the Shreekshetra Utsav held from 20 December to 2 January every year. The cultural programmes include unique sand art, display of local and traditional handicrafts and food festival.[91] In addition, cultural programmes are held for two hours on every second Saturday of the month at the district Collector's Conference Hall near Sea Beach Police Station. Odissi dance, Odissi music and folk dances are part of this event.[91] Odissi dance is the cultural heritage of Puri. This dance form originated in Puri from the dances performed by Devadasis (Maharis) attached to the Jagannath Temple who performed dances in the Nata mandapa of the temple to please the deities. Though the devadasi practice has been discontinued, the dance form has become modern and classical and is widely popular; many of the Odissi virtuoso artists and gurus (teachers) are from Puri.[92] Some of the notable Odissi dancers are Kelucharan Mohapatra, Mayadhar Raut, Sonal Mansingh, and Sanjukta Panigrahi.[citation needed]

 

Goti Pua nacha (a dance form) is a famous one which has its origins from hundreds of years before much before Odissi.

 

Many Odia dishes have their roots from Puri, Malpua, Pakhala (fermented water rice), Dalma are few dishes which originated from Puri.

 

Education

 

Samanta Chandra Sekhara College, Puri

Schools

D.A.V Public School

Bholanath Vidyapith

Biswambhar Bidyapitha

Blessed Sacrament High School Puri

Kendriya Vidyalaya

Puri Zilla School

Colleges and universities

Ghanashyama Hemalata Institute of Technology and Management

Shri Jagannath Sanskrit University

Sri Jagannath Medical College and Hospital

Notable people

Chakhi Khuntia – Freedom fighter [93]

Bidhu Bhusan Das - Academic and Vice Chancellor, DPI Odisha

Gopabandhu Das – Social worker

Nilakantha Das – Social activist

Pankaj Charan Das – Odissi dancer

Prabhat Nalini Das - pro Vice Chancellor, academician, feminist, Dean IIT Kanpur

Gajapati Maharaja Dibyasingha Deb - Odia King

Charles Garrett – Cricketer

Kelucharan Mohapatra – Odissi dancer

Raghunath Mohapatra – Architect and sculptor

Baisali Mohanty - ALC Global Fellow at University of Oxford, United Kingdom

Rituraj Mohanty – Singer

Sudarshan Pattnaik – Sand Artist

Jayee Rajguru - Freedom fighter

Madhusudan Rao – Odia Poet

Sudarshan Sahoo - Sculptor

Pinaki Misra - Politician

Biswanath Das- Scholar, Philosopher (Emar Mutha, Puri)

The Emar Mutt complex was demolished August 2019 completely.

 

++++ FROM WIKIPEDIA ++++

Raghunandana Library is located in the Emara Math-a complex (opposite Simhadwara or lion gate, the main entrance gate). The Jagannatha Aitihasika Gavesana Samiti (Jagannatha Historical Centre) is also located here. The library houses ancient palm leaf manuscripts on Jagannatha, His cult and the history of the city.

 

Puri (Odia: [ˈpuɾi (ପୁରୀ)] is a coastal city and a municipality in the state of Odisha in eastern India. It is the district headquarters of Puri district and is situated on the Bay of Bengal, 60 kilometres (37 mi) south of the state capital of Bhubaneswar. It is also known as Sri Jagannatha Dhama after the 12th-century Jagannath Temple located in the city. It is one of the original Char Dham pilgrimage sites for Hindus.

 

Puri is known by several names since the ancient times, and was locally known as "Sri Kshetra" and the Jagannath temple is known as "Badadeula". Puri and the Jagannath Temple were invaded 18 times by Muslim rulers, from the 7th century AD till the early 19th century with the objective of looting the treasures of the temple. Odisha, including Puri and its temple, were part of British India from 1803 till India attained independence in August 1947. Even though princely states do not exist in India today, the heirs of the House of Gajapati still perform the ritual duties of the temple. The temple town has many Hindu religious mathas or monasteries.

 

The economy of Puri is dependent on the religious importance of the Jagannath Temple to the extent of nearly 80 percent. The 24 festivals, including 13 major ones, held every year in the temple complex contribute to the economy; Ratha Yatra and its related festivals are the most important which are attended by millions of people every year. Sand art and applique art are some of the important crafts of the city.

 

Puri has been chosen as one of the heritage cities for Heritage City Development and Augmentation Yojana (HRIDAY) scheme of Government of India.

 

History

 

Names in history

Puri, the holy land of Jagannatha, also known by the popular vernacular name Srikshetram, has many ancient names in the Hindu scriptures such as the Rigveda, Matsya purana, Brahma Purana, Narada Purana, Padma Purana, Skanda Purana, Kapila Purana and Niladrimahodaya. In the Rigveda, in particular, it is mentioned as a place called Purushamandama-grama meaning the place where the Creator deity of the world – Supreme Divinity deified on an altar or mandapa was venerated near the coast and prayers offered with Vedic hymns. Over time the name got changed to Purushottama Puri and further shortened to Puri, and the Purusha came to be known as Jagannatha. Sages like Bhrigu, Atri and Markandeya had their hermitage close to this place. Its name is mentioned, conforming to the deity worshipped, as Srikshetra, Purusottama Dhāma, Purusottama Kshetra, Purusottama Puri and Jagannath Puri. Puri, however, is the popular usage. It is also known by the geographical features of its location as Shankhakshetra (the layout of the town is in the form of a conch shell),[4] Neelāchala ("Blue mountain" a terminology used to name a very large sand lagoon over which the temple was built but this name is not in vogue), Neelāchalakshetra, Neelādri.[5] In Sanskrit, the word "Puri" means town or city,and is cognate with polis in Greek.

 

Another ancient name is Charita as identified by General Alexander Cunningham of the Archaeological Survey of India, which was later spelled as Che-li-ta-lo by Chinese traveller Hiuen Tsang. When the present temple was built by the Eastern Ganga king Anantavarman Chodaganga in the 11th and 12th centuries AD, it was called Purushottamkshetra. However, the Moghuls, the Marathas and early British rulers called it Purushottama-chhatar or just Chhatar. In Moghul ruler Akbar's Ain-i-Akbari and subsequent Muslim historical records it was known as Purushottama. In the Sanskrit drama Anargha Raghava Nataka as well, authored by Murari Mishra, a playwright, in the 8th century AD, it is referred to as Purushottama.[4] It was only after the 12th century AD that Puri came to be known by the shortened form of Jagannatha Puri, named after the deity or in a short form as Puri.[5] It is the only shrine in India, where Radha, along with Lakshmi, Saraswati, Durga, Bhudevi, Sati, Parvati, and Shakti, abodes with Krishna, who is also known by the name Jagannatha.

 

Ancient period

 

King Indradyumna of Ujjayani credited with building the original Puri Jagannath temple in 318 AD

According to the chronicle Madala Panji, in 318 AD, the priests and servitors of the temple spirited away the idols to escape the wrath of the Rashtrakuta king Rakatavahu.[9] In the temple's historical records it finds mention in the Brahma Purana and Skanda Purana stating that the temple was built by the king Indradyumna, Ujjayani.

 

S. N. Sadasivan, a historian, in his book A Social History of India quotes William Joseph Wilkins, author of the book Hindu Mythology, Vedic and Purānic as stating that in Puri, Buddhism was once a well established practice but later Buddhists were persecuted and Brahmanism became the order of the religious practice in the town; the Buddha deity is now worshipped by the Hindus as Jagannatha. It is also said by Wilkinson that some relics of Buddha were placed inside the idol of Jagannatha which the Brahmins claimed were the bones of Lord Krishna. Even during Maurya king Ashoka's reign in 240 BC, Kalinga was a Buddhist center and that a tribe known as Lohabahu (barbarians from outside Odisha) converted to Buddhism and built a temple with an idol of Buddha which is now worshipped as Jagannatha. Wilkinson also says that the Lohabahu deposited some Buddha relics in the precincts of the temple.

 

Construction of the present Jagannath Temple started in 1136 AD and completed towards the latter part of the 12th century. The Eastern Ganga king Anangabhima III dedicated his kingdom to Lord Jagannatha, then known as the Purushottama-Jagannatha, and resolved that from then on he and his descendants would rule under "divine order as Jagannatha's sons and vassals". Even though princely states do not exist in India today, the heirs of the Eastern Ganga dynasty of Puri still perform the ritual duties of the temple; the king formally sweeps the road in front of the chariots before the start of the Ratha Yatra. This ritual is called Cherra Pahanra.

 

Medieval and early modern periods

The history of Puri is on the same lines as that of the Jagannath Temple, which was invaded 18 times during its history to plunder the treasures of the temple, rather than for religious reasons. The first invasion occurred in the 8th century AD by Rastrakuta king Govinda III (798–814 AD), and the last took place in 1881 AD by the monotheistic followers of Alekh (Mahima Dharma) who did not recognise the worship of Jagannatha.[13] From 1205 AD onward there were many invasions of the city and its temple by Muslims of Afghan and Moghul descent, known as Yavanas or foreigners. In most of these invasions the idols were taken to safe places by the priests and the servitors of the temple. Destruction of the temple was prevented by timely resistance or surrender by the kings of the region. However, the treasures of the temple were repeatedly looted.[14] The table lists all the 18 invasions along with the status of the three images of the temple, the triad of Jagannatha, Balabhadra and Subhadra following each invasion.

  

In the 16th century, Chaitanya Mahaprabhu of Bengal established the Bhakti movements of India, now known by the name the Hare Krishna movement. He spent many years as a devotee of Jagannatha at Puri; he is said to have merged with the deity.[25] There is also a matha of Chaitanya Mahaprabhu here known as Radhakanta Math.

 

In the 17th century, for the sailors sailing on the east coast of India, the temple served as a landmark, being located in a plaza in the centre of the city, which they called the "White Pagoda" while the Konark Sun Temple, 60 kilometres (37 mi) away to the east of Puri, was known as the "Black Pagoda".

 

The iconic representation of the images in the Jagannath temple is believed to be the forms derived from the worship made by the tribal groups of Sabaras belonging to northern Odisha. These images are replaced at regular intervals as the wood deteriorates. This replacement is a special event carried out ritualistically by special group of carpenters.

 

Govardhana matha main gate

The city has many other Mathas as well. The Emar Matha was founded by the Tamil Vaishnava saint Ramanujacharya in the 12th century AD. This Matha, which is now located in front of Simhadvara across the eastern corner of the Jagannath Temple, is reported to have been built in the 16th century during the reign of kings of Suryavamsi Gajapatis. The Matha was in the news on 25 February 2011 for the large cache of 522 silver slabs unearthed from a closed chamber.

 

The British conquered Orissa in 1803, and, recognising the importance of the Jagannath Temple in the life of the people of the state, they initially appointed an official to look after the temple's affairs and later declared the temple as part of a district.

 

Modern history

 

H.H Jagadguru Swami Nischalananda Saraswati, The Shankaracharya of Puri

In 1906, Sri Yukteswar, an exponent of Kriya Yoga and a resident of Puri, established an ashram, a spiritual training center, named "Kararashram" in Puri. He died on 9 March 1936 and his body is buried in the garden of the ashram.

 

The city is the site of the former summer residence of British Raj, the Raj Bhavan, built in 1913–14 during the era of governors.[30]

 

For the people of Puri, Lord Jagannatha, visualized as Lord Krishna, is synonymous with their city. They believe that Lord Jagannatha looks after the welfare of the state. However, after the partial collapse of the Jagannath Temple (in the Amalaka part of the temple) on 14 June 1990, people became apprehensive and considered it a bad omen for Odisha. The replacement of the fallen stone by another of the same size and weight (7 tonnes (7.7 tons)), that could be done only in the early morning hours after the temple gates were opened, was done on 28 February 1991.[25]

 

Puri has been chosen as one of the heritage cities for the Heritage City Development and Augmentation Yojana scheme of the Indian Government. It is chosen as one of the 12 heritage cities with "focus on holistic development" to be implemented within 27 months by the end of March 2017.[31]

 

Non-Hindus are not permitted to enter the shrines but are allowed to view the temple and the proceedings from the roof of the Raghunandan library, located within the precincts of the temple, for a small donation.[32]

 

Geography and climate

 

Geography

 

The Atharanala Bridge dating back to the 16th century at the entrance of Puri

Puri, located on the east coast of India on the Bay of Bengal, is in the centre of the Puri district. It is delimited by the Bay of Bengal on the southeast, the Mauza Sipaurubilla on the west, Mauza Gopinathpur in the north and Mauza Balukhand in the east. It is within the 67 kilometres (42 mi) coastal stretch of sandy beaches that extends between Chilika Lake and the south of Puri city. However, the administrative jurisdiction of the Puri Municipality extends over an area of 16.3268 square kilometres (6.3038 sq mi) spread over 30 wards, which includes a shore line of 5 kilometres (3.1 mi).[33]

 

Puri is in the coastal delta of the Mahanadi River on the shores of the Bay of Bengal. In the ancient days it was near to Sisupalgarh (also known as "Ashokan Tosali"). Then the land was drained by a tributary of the Bhargavi River, a branch of the Mahanadi River. This branch underwent a meandering course creating many arteries altering the estuary, and formed many sand hills. These sand hills could be cut through by the streams. Because of the sand hills, the Bhargavi River, flowing to the south of Puri, moved away towards the Chilika Lake. This shift also resulted in the creation of two lagoons, known as Sar and Samang, on the eastern and northern parts of Puri respectively. Sar lagoon has a length of 5 miles (8.0 km) in an east–west direction and a width of 2 miles (3.2 km) in north–south direction. The estuary of the Bhargavi River has a shallow depth of just 5 feet (1.5 m) and the process of siltation continues. According to a 15th-century Odia writer Saraladasa, the bed of the unnamed stream that flowed at the base of the Blue Mountain or Neelachal was filled up. Katakarajavamsa, a 16th-century chronicle (c.1600), attributes filling up of the bed of the river which flowed through the present Grand Road, as done during the reign of King Narasimha II (1278–1308) of Eastern Ganga dynasty.

 

Climate

According to the Köppen–Geiger climate classification system the climate of Puri is classified as Aw (Tropical savanna climate). The city has moderate and tropical climate. Humidity is fairly high throughout the year. The temperature during summer touches a maximum of 36 °C (97 °F) and during winter it is 17 °C (63 °F). The average annual rainfall is 1,337 millimetres (52.6 in) and the average annual temperature is 26.9 °C (80.4 °F).

 

Demographics

 

According to the 2011 Census of India, Puri is an urban agglomeration governed by the Municipal Corporation in Odisha state, with a population of 200,564, comprising 104,086 males, 96,478 females, and 18,471 children (under six years of age). The sex ratio is 927. The average literacy rate in the city is 88.03 percent (91.38 percent for males and 84.43 percent for females).

 

Administration

 

Samudra arati or worship of the sea at Swargadwar by disciples of the Govardhana matha

The Puri Municipality, Puri Konark Development Authority, Public Health Engineering Organisation and Orissa Water Supply Sewerage Board are some of the principal organisations that are devolved with the responsibility of providing for civic amenities such as water supply, sewerage, waste management, street lighting and infrastructure of roads. The major activity, which puts maximum pressure on these organisations, is the annual event of the Ratha Yatra held during June- July. According to the Puri Municipality more than a million people attend this event. Hence, development activities such as infrastructure and amenities to the pilgrims, apart from security, gets priority attention.

 

The civic administration of Puri is the responsibility of the Puri Municipality. The municipality came into existence in 1864 in the name of the Puri Improvement Trust, which was converted into Puri Municipality in 1881. After India's independence in 1947, the Orissa Municipal Act (1950) was promulgated entrusting the administration of the city to the Puri Municipality. This body is represented by elected representatives with a Chairperson and councilors representing the 30 wards within the municipal limits.

 

Economy

The economy of Puri is dependent on tourism to the extent of about 80 percent. The temple is the focal point of the city and provides employment to the people of the town. Agricultural production of rice, ghee, vegetables and so forth of the region meet the large requirements of the temple. Many settlements around the town exclusively cater to the other religious requirements of the temple. The temple administration employs 6,000 men to perform the rituals. The temple also provides economic sustenance to 20,000 people. According to Colleen Taylor Set an author on food and travel, writing on the food culture of India, the temple kitchen has 400 cooks serving food to as many as 100,000 people,. According to J Mohapatra, Director, Ind Barath Power Infra Ltd (IBPIL), the kitchen is known as "a largest and biggest kitchen of the world."

 

Landmarks

Jagannath Temple at Puri

 

The Jagannath Temple at Puri is one of the major Hindu temples built in the Kalinga style of architecture.The temple tower, with a spire, rises to a height of 58 metres (190 ft), and a flag is unfurled above it, fixed over a wheel (chakra).[

  

Left:Ritual chakra and flags at the top shikhara of Puri temple of Jagannatha also related to Sudarsana chakra. The red flag (12 hand or 14 feet (4.3 m) denotes that Jagannath is within the temple.

 

Right: Statue of Aruna the charioteer of the Sun God on top of the Aruna Stambha in front of the Singhadwara

The temple is built on an elevated platform (of about 420,000 square feet (39,000 m2) area),[46] 20 feet (6.1 m) above the adjacent area. The temple rises to a height of 214 feet (65 m) above the road level. The temple complex covers an area of 10.7 acres (4.3 ha).[39] There are four entry gates in four cardinal directions of the temple, each gate located at the central part of the walls. These gates are: the eastern gate called the Singhadwara (Lions Gate), the southern gate known as Ashwa Dwara (Horse Gate), the western gate called the Vyaghra Dwara (Tigers Gate) or the Khanja Gate, and the northern gate called the Hathi Dwara or (elephant gate). These four gates symbolize the four fundamental principles of Dharma (right conduct), Jnana (knowledge), Vairagya (renunciation) and Aishwarya (prosperity). The gates are crowned with pyramid shaped structures. There is a stone pillar in front of the Singhadwara, called the Aruna Stambha {Solar Pillar}, 11 metres (36 ft) in height with 16 faces, made of chlorite stone; at the top of the stamba an elegant statue of Aruṇa (Sun) in a prayer mode is mounted. This pillar was shifted from the Konarak Sun Temple.[47] The four gates are decorated with guardian statues in the form of lion, horse mounted men, tigers, and elephants in the name and order of the gates.[32] A pillar made of fossilized wood is used for placing lamps as offering. The Lion Gate (Singhadwara) is the main gate to the temple, which is guarded by two guardian deities Jaya and Vijaya.[46][47][48] The main gate is ascended through 22 steps known as Baisi Pahaca, which are revered, as it is believed to possess "spiritual animation". Children are made to roll down these steps, from top to bottom, to bring them spiritual happiness. After entering the temple, on the left side, there is a large kitchen where food is prepared in hygienic conditions in huge quantities; the kitchen is called as "the biggest hotel of the world".

  

The main entrance of the Jagannath Temple

According to a legend King Indradyumma was directed by Lord Jagannatha in a dream to build a temple for him which he did as directed. However, according to historical records the temple was started some time during the 12th century by King Chodaganga of the Eastern Ganga dynasty. It was completed by his descendant, Anangabhima Deva, in the 12th century. The wooden images of Jagannatha, Balabhadra and Subhadra were then deified here. The temple was under the control of the Hindu rulers up to 1558. Then, when Orissa was occupied by the Afghan Nawab of Bengal, it was brought under the control of the Afghan General Kalapahad. Following the defeat of the Afghan king by Raja Mansingh, the General of Mughal emperor Akbar, the temple became part of the Mughal empire till 1751. Subsequently, it was under the control of the Marathas till 1803. During the British Raj, the Puri Raja was entrusted with its management until 1947.

 

The triad of images in the temple are of Jagannatha, personifying Lord Krishna, Balabhadra, His older brother, and Subhadra, His younger sister. The images are made of neem wood in an unfinished form. The stumps of wood which form the images of the brothers have human arms, while that of Subhadra does not have any arms. The heads are large, painted and non-carved. The faces are marked with distinctive large circular eyes.[25]

 

The Pancha Tirtha of Puri

 

Markandeshwar Tank

Hindus consider it essential to bathe in the Pancha Tirtha or the five sacred bathing spots of Puri, to complete a pilgrimage to Puri. The five sacred water bodies are the Indradyumana Tank, the Rohini Kunda, the Markandeya Tank, the Swetaganga Tank, and the Bay of Bengal also called the Mahodadhi, in Sanskrit 'Mahodadhi' means a "great ocean";[49] all are considered sacred bathing spots in the Swargadwara area.[50][51][52] These tanks have perennial sources of supply from rainfall and ground water.[53]

 

Gundicha Temple

Main article: Gundicha Temple

 

Main entrance of the Gundicha Temple

The Gundicha Temple, known as the Garden House of Jagannatha, stands in the centre of a garden, bounded by compound walls on all sides. It lies at a distance of about 3 kilometres (1.9 mi) to the northeast of the Jagannath Temple. The two temples are located at the two ends of the Bada Danda (Grand Avenue), which is the pathway for the Ratha Yatra. According to a legend, Gundicha was the wife of King Indradyumna who originally built the Jagannath temple.

 

The temple is built using light-grey sandstone, and, architecturally, it exemplifies typical Kalinga temple architecture in the Deula style. The complex comprises four components: vimana (tower structure containing the sanctum), jagamohana (assembly hall), nata-mandapa (festival hall) and bhoga-mandapa (hall of offerings). There is also a kitchen connected by a small passage. The temple is set within a garden, and is known as "God's Summer Garden Retreat" or garden house of Jagannatha. The entire complex, including the garden, is surrounded by a wall which measures 430 by 320 feet (131 m × 98 m) with height of 20 feet (6.1 m).

 

Except for the 9-day Ratha Yatra, when the triad images are worshipped in the Gundicha Temple, otherwise it remains unoccupied for the rest of the year. Tourists can visit the temple after paying an entry fee. Foreigners (generally prohibited entry in the main temple) are allowed inside this temple during this period.[56] The temple is under the Jagannath Temple Administration, Puri, the governing body of the main temple. A small band of servitors maintain the temple.

 

Swargadwar

 

Sea at Swargadwar of Puri

Swargadwar is the name given to the cremation ground or burning ghat which is located on the shores of the sea. Here thousands of dead bodies of Hindus brought from faraway places are cremated. It is a belief that the Chaitanya Mahaparabhu disappeared from this Swargadwar about 500 years back.

 

Beach

 

Puri sea sunrise

 

Puri sea beach viewed from the light house

The beach at Puri, known as the "Ballighai beach, at the mouth of Nunai River", is 8 kilometres (5.0 mi) away from the town and is fringed by casurina trees.[10] It has golden yellow sand. Sunrise and sunset are pleasant scenic attractions here. Waves break in at the beach which is long and wide.

 

District museum

The Puri district museum is located on the station road where the exhibits in display are the different types of garments worn by Lord Jagannatha, local sculptures, patachitra (traditional, cloth-based scroll painting), ancient Palm-leaf manuscripts, and local craft work.

  

Festivals of Puri

The Grand Road near the Jagannath Temple

Puri witnesses 24 festivals every year, of which 13 are major. The most important of these is the Ratha Yatra, or the car festival, held in the June–July, which is attended by more than 1 million people.

 

Ratha Yatra at Puri

The Ratha Yatra in Puri in modern times showing the three chariots of the deities with the Temple in the background

The Jagannath Temple triad are normally worshipped in the sanctum of the temple at Puri, but once during the month of Asadha (rainy season of Orissa, usually in June or July), they are brought out on the Bada Danda (main street of Puri) and taken over a distance of (3 kilometres (1.9 mi)) to the Gundicha Temple[61] in huge chariots (ratha), allowing the public to have darśana (holy view). This festival is known as the Ratha Yatra, meaning the journey (yatra) of the chariots.[62] The yatra starts every year according to the Hindu calendar on the Asadha Sukla Dwitiya day, the second day of bright fortnight of Asadha (June–July).[63]

 

Historically, the ruling Ganga dynasty instituted the Ratha Yatra on the completion of the Jagannath Temple around 1150 AD. This festival was one of those Hindu festivals that was reported to the Western world very early.[64] Friar Odoric, in his account of 1321, reported how the people put the "idols" on chariots, and the King, the Queen and all the people drew them from the "church" with song and music.[65][66]

 

The Rathas are huge wooden structures provided with large wheels, which are built anew every year and are pulled by the devotees. The chariot for Lord Jagannatha is about 45 feet (14 m) high and 35 square feet (3.3 m2) and takes about 2 months for its construction.[67] The chariot is mounted with 16 wheels, each of 7 feet (2.1 m) diameter. The carving in the front face of the chariot has four wooden horses drawn by Maruti. On its other three faces, the wooden carvings are of Rama, Surya and Vishnu. The chariot is known as Nandi Ghosha. The roof of the chariot is covered with yellow and red coloured cloth. The next chariot is of Balabhadra which is 44 feet (13 m) in height fitted with 14 wheels. The chariot is carved with Satyaki as the charioteer, roof covered in red and green coloured cloth, and the chariot is known as Taladhwaja. The carvings on this chariot include images of Narasimha and Rudra as Jagannatha's companions. The next chariot in the order is of Subhadra, which is 43 feet (13 m) in height supported on 12 wheels, roof covered in black and red colour cloth, and the chariot is known as Darpa Dalaan and the charioteer carved is Arjuna. Other images carved on the chariot are of Vana Durga, Tara Devi and Chandi Devi.[63][68] The artists and painters of Puri decorate the cars and paint flower petals and other designs on the wheels, the wood-carved charioteer and horses, and the inverted lotuses on the wall behind the throne.[62] The chariots of Jagannatha pulled during Ratha Yatra is the etymological origin of the English word Juggernaut.[69] The Ratha Yatra is also termed as the Shri Gundicha yatra and Ghosha yatra

  

Pahandi bije during Ratha Yatra at Puri

Chhera Panhara

The Chhera Panhara[70] (sweeping with water) is a significant ritual associated with the Ratha Yatra. During this ritual, the Gajapati King wears the outfit of a sweeper and sweeps all around the deities and chariots. The king cleans the road in front of the chariots with a gold-handled broom and sprinkles sandalwood water and powder. As per the custom, although the Gajapati King has been considered the most exalted person in the Kalingan kingdom, he still renders the menial service to Jagannatha. This ritual signifies that under the lordship of Jagannatha, there is no distinction between the powerful sovereign and the humblest devotee.[71]

 

Chandan Yatra

 

The Chandan Yatra festival held every year on Akshaya Tritiya day marks the commencement of the construction of the chariots of the Ratha Yatra. It also marks the celebration of the Hindu new year.

 

Snana Yatra

Every year, on the Purnima day in the Hindu calendar month of Jyestha (June), the triad images of the Jagannath Temple are ceremonially bathed and decorated on the occasion of Snana Yatra. Water for the bath is taken in 108 pots from the Suna kuan (meaning: "golden well") located near the northern gate of the temple. Water is drawn from this well only once in a year for the sole purpose of the religious bath of the deities. After the bath the triad images are dressed in the fashion of the elephant god, Ganesha. Later, during the night, the original triad images are taken out in a procession back to the main temple but kept at a place known as Anasara pindi.[63] After this the Jhulana Yatra is performed when proxy images of the deities are taken out in a grand procession for 21 days, cruised over boats in the Narendra Tirtha tank.[10]

 

Anavasara or Anasara

 

Anasara, a derivative of the Sanskrit word "Anabasara", literally means vacation. Every year after the holy Snana Yatra, the triad images, without the Sudarshana Chakra, are taken to a secret altar named Anavasara Ghar (also known as Anasara pindi, 'pindi' is Oriya term meaning "platform" [72]) where they remain for the next fortnight of (Krishna paksha); devotees are not allowed to view these images. Instead, devotees go to the nearby Brahmagiri to see the Lord in the four-handed form of Alarnath, a depiction of Vishnu.[63][73] Devotees then get the first glimpse of the Lord only on the day before Ratha Yatra, which is called Navayouvana. It is a local belief that the gods suffer from fever after taking an elaborate ritual bath, and they are treated by the special servants, the Daitapatis, for 15 days. Daitapatis perform special nitis (rites) known as Netrotchhaba (a rite of painting the eyes of the triad). During this period cooked food is not offered to the deities.[74]

 

Naba Kalebara

Main articles: Nabakalevara and Nabakalebara 2015

Naba Kalebara is one of the most grand events associated with the Lord Jagannatha that takes place when one lunar month of Ashadha is followed by another of Ashadha called Adhika Masa (extra month). This can take place at an interval of 8, 12 or even 18 years. Literally meaning the "New Body" (Nava = New, Kalevar = Body) in Odia, the festival is witnessed by millions of people and the budget for this event generally exceeds $500,000. The event involves installation of new images in the temple and burial of the old ones in the temple premises at Koili Vaikuntha. During the Nabakalebara ceremony held during July 2015 the idols that were installed in the temple in 1996 were replaced by specially carved new images made of neem wood. More than 3 million people are reported to have attended this festival.[77]

 

Suna Besha

Main article: Suna Besha

 

Suna Besha or Golden Attire of Lord Jagannatha

Suna Besha, ('Suna besh'in English translates to "gold dressing"[78]) also known as Raja or Rajadhiraja Bhesha [79] or Raja Bhesha, is an event when the triad images of the Jagannath Temple are adorned with gold jewelry. This event is observed five times in a year. It is commonly observed on Magha Purnima (January), Bahuda Ekadashi also known as Asadha Ekadashi (July), Dashahara (Bijayadashami) (October), Karthik Purnima (November), and Pousa Purnima (December).[80][81] One such Suna Bhesha event is observed on Bahuda Ekadashi during the Ratha Yatra on the chariots placed at the Simhadwar. The other four Beshas are observed inside the temple on the Ratna Singhasana (gem studded altar). On this occasion gold plates are decorated over the hands and feet of Jagannatha and Balabhadra; Jagannatha is also adorned with a Chakra (disc) made of gold on the right hand while a silver conch adorns the left hand. Balabhadra is decorated with a plough made of gold on the left hand while a golden mace adorns his right hand.[80]

 

Niladri Bije

Niladri Bije, celebrated in the Hindu calendar month Asadha (June–July) on Trayodashi (13th day),[82] marks the end of the Ratha Yatra. The large wooden images of the triad of gods are taken out from the chariots and then carried to the sanctum sanctorum, swaying rhythmically; a ritual which is known as pahandi.

 

Sahi yatra

 

A scene from a play being enacted during the Sahi Yatra

The Sahi Yatra, considered the world's biggest open-air theatre,[83] is an annual event lasting 11 days; a traditional cultural theatre festival or folk drama which begins on Ram Navami and ends on Rama avishke (Sanskrit meaning : anointing). The festival includes plays depicting various scenes from the Ramayana. The residents of various localities, or Sahis, are entrusted the task of performing the drama at the street corners.[84]

 

Samudra Arati

 

Samudra arati of worship of the sea by disciples of the Matha at Puri

The Samudra arati is a daily tradition started by the present Shankaracharya 9 years ago.[85] The daily practise includes prayer and fire offering to the sea at Swargadwar in Puri by disciples of the Govardhan Matha. On Paush Purnima of every year the Shankaracharya himself comes out to offer prayers to the sea.

 

Transport

Earlier, when roads did not exist, people used to walk or travel by animal-drawn vehicles or carriages along beaten tracks to reach Puri. Travel was by riverine craft along the Ganges up to Calcutta, and then on foot or by carriages. It was only during the Maratha rule that the Jagannath Sadak (Road) was built around 1790. The East India Company laid the rail track from Calcutta to Puri, which became operational in 1898.[86] Puri is now well-connected by rail, road and air services. A broad gauge railway line of the South Eastern Railways which connects Puri with Calcutta, and Khurda is an important railway junction on this route. The rail distance is about 499 kilometres (310 mi) from Calcutta[87] and 468 kilometres (291 mi) from Vishakhapatnam. Road network includes NH 203 that links the city with Bhubaneswar, the state capital, situated about 60 kilometres (37 mi) away. NH 203 B connects the city with Satapada via Brahmagiri. Marine drive, which is part of NH 203 A, connects Puri with Konark. The nearest airport is the Biju Patnaik International Airport at Bhubaneswar.[60] Puri railway station is among the top hundred booking stations of the Indian Railways.[88]

 

Arts and crafts

 

Sand art

Sand art of a baby elephant

Sand art is a special art form that is created on the beaches of Puri. The art form is attributed to Balaram Das, a poet who lived in the 14th century. Sculptures of various gods and famous people are now created in sand by amateur artists. These are temporary in nature as they get washed away by waves. This art form has gained international fame in recent years. One of the famed sand artists of Odisha is Sudarshan Patnaik. He established the Golden Sand Art Institute in 1995, in the open air on the shores of Bay of Bengal, to provide training to students interested in this art form.[89][84]

 

Appliqué art

An applique art work

Appliqué art, which is a stitching-based craft unlike embroidery, was pioneered by Hatta Maharana of Pipili. It is widely used in Puri, both for decoration of the deities and for sale. Maharana's family members are employed as darjis or tailors or sebaks by the Maharaja of Puri. They prepare articles for decorating the deities in the temple for various festivals and religious ceremonies. The appliqué works are brightly coloured and patterned fabric in the form of canopies, umbrellas, drapery, carry bags, flags, coverings of dummy horses and cows, and other household textiles; these are marketed in Puri. The cloth used is made in dark colours of red, black, yellow, green, blue and turquoise blue.[90]

 

Patta Chaitra

Patta Chittra is the one of the oldest forms of art which has its roots to thousands of years ago. It has stayed vibrant amidst changes in cultures and still remains one of the unique art forms of India especially Odisa which originated in Puri.

 

Culture

 

Odissi dancer

Cultural activities, including the annual religious festivals, in Puri are: The Puri Beach Festival held from 5 to 9 November every year, and the Shreekshetra Utsav held from 20 December to 2 January every year. The cultural programmes include unique sand art, display of local and traditional handicrafts and food festival.[91] In addition, cultural programmes are held for two hours on every second Saturday of the month at the district Collector's Conference Hall near Sea Beach Police Station. Odissi dance, Odissi music and folk dances are part of this event.[91] Odissi dance is the cultural heritage of Puri. This dance form originated in Puri from the dances performed by Devadasis (Maharis) attached to the Jagannath Temple who performed dances in the Nata mandapa of the temple to please the deities. Though the devadasi practice has been discontinued, the dance form has become modern and classical and is widely popular; many of the Odissi virtuoso artists and gurus (teachers) are from Puri.[92] Some of the notable Odissi dancers are Kelucharan Mohapatra, Mayadhar Raut, Sonal Mansingh, and Sanjukta Panigrahi.[citation needed]

 

Goti Pua nacha (a dance form) is a famous one which has its origins from hundreds of years before much before Odissi.

 

Many Odia dishes have their roots from Puri, Malpua, Pakhala (fermented water rice), Dalma are few dishes which originated from Puri.

 

Education

 

Samanta Chandra Sekhara College, Puri

Schools

D.A.V Public School

Bholanath Vidyapith

Biswambhar Bidyapitha

Blessed Sacrament High School Puri

Kendriya Vidyalaya

Puri Zilla School

Colleges and universities

Ghanashyama Hemalata Institute of Technology and Management

Shri Jagannath Sanskrit University

Sri Jagannath Medical College and Hospital

Notable people

Chakhi Khuntia – Freedom fighter [93]

Bidhu Bhusan Das - Academic and Vice Chancellor, DPI Odisha

Gopabandhu Das – Social worker

Nilakantha Das – Social activist

Pankaj Charan Das – Odissi dancer

Prabhat Nalini Das - pro Vice Chancellor, academician, feminist, Dean IIT Kanpur

Gajapati Maharaja Dibyasingha Deb - Odia King

Charles Garrett – Cricketer

Kelucharan Mohapatra – Odissi dancer

Raghunath Mohapatra – Architect and sculptor

Baisali Mohanty - ALC Global Fellow at University of Oxford, United Kingdom

Rituraj Mohanty – Singer

Sudarshan Pattnaik – Sand Artist

Jayee Rajguru - Freedom fighter

Madhusudan Rao – Odia Poet

Sudarshan Sahoo - Sculptor

Pinaki Misra - Politician

Biswanath Das- Scholar, Philosopher (Emar Mutha, Puri)

The Emar Mutt complex was demolished August 2019 completely.

 

++++ FROM WIKIPEDIA ++++

Raghunandana Library is located in the Emara Math-a complex (opposite Simhadwara or lion gate, the main entrance gate). The Jagannatha Aitihasika Gavesana Samiti (Jagannatha Historical Centre) is also located here. The library houses ancient palm leaf manuscripts on Jagannatha, His cult and the history of the city.

 

Puri (Odia: [ˈpuɾi (ପୁରୀ)] is a coastal city and a municipality in the state of Odisha in eastern India. It is the district headquarters of Puri district and is situated on the Bay of Bengal, 60 kilometres (37 mi) south of the state capital of Bhubaneswar. It is also known as Sri Jagannatha Dhama after the 12th-century Jagannath Temple located in the city. It is one of the original Char Dham pilgrimage sites for Hindus.

 

Puri is known by several names since the ancient times, and was locally known as "Sri Kshetra" and the Jagannath temple is known as "Badadeula". Puri and the Jagannath Temple were invaded 18 times by Muslim rulers, from the 7th century AD till the early 19th century with the objective of looting the treasures of the temple. Odisha, including Puri and its temple, were part of British India from 1803 till India attained independence in August 1947. Even though princely states do not exist in India today, the heirs of the House of Gajapati still perform the ritual duties of the temple. The temple town has many Hindu religious mathas or monasteries.

 

The economy of Puri is dependent on the religious importance of the Jagannath Temple to the extent of nearly 80 percent. The 24 festivals, including 13 major ones, held every year in the temple complex contribute to the economy; Ratha Yatra and its related festivals are the most important which are attended by millions of people every year. Sand art and applique art are some of the important crafts of the city.

 

Puri has been chosen as one of the heritage cities for Heritage City Development and Augmentation Yojana (HRIDAY) scheme of Government of India.

 

History

 

Names in history

Puri, the holy land of Jagannatha, also known by the popular vernacular name Srikshetram, has many ancient names in the Hindu scriptures such as the Rigveda, Matsya purana, Brahma Purana, Narada Purana, Padma Purana, Skanda Purana, Kapila Purana and Niladrimahodaya. In the Rigveda, in particular, it is mentioned as a place called Purushamandama-grama meaning the place where the Creator deity of the world – Supreme Divinity deified on an altar or mandapa was venerated near the coast and prayers offered with Vedic hymns. Over time the name got changed to Purushottama Puri and further shortened to Puri, and the Purusha came to be known as Jagannatha. Sages like Bhrigu, Atri and Markandeya had their hermitage close to this place. Its name is mentioned, conforming to the deity worshipped, as Srikshetra, Purusottama Dhāma, Purusottama Kshetra, Purusottama Puri and Jagannath Puri. Puri, however, is the popular usage. It is also known by the geographical features of its location as Shankhakshetra (the layout of the town is in the form of a conch shell),[4] Neelāchala ("Blue mountain" a terminology used to name a very large sand lagoon over which the temple was built but this name is not in vogue), Neelāchalakshetra, Neelādri.[5] In Sanskrit, the word "Puri" means town or city,and is cognate with polis in Greek.

 

Another ancient name is Charita as identified by General Alexander Cunningham of the Archaeological Survey of India, which was later spelled as Che-li-ta-lo by Chinese traveller Hiuen Tsang. When the present temple was built by the Eastern Ganga king Anantavarman Chodaganga in the 11th and 12th centuries AD, it was called Purushottamkshetra. However, the Moghuls, the Marathas and early British rulers called it Purushottama-chhatar or just Chhatar. In Moghul ruler Akbar's Ain-i-Akbari and subsequent Muslim historical records it was known as Purushottama. In the Sanskrit drama Anargha Raghava Nataka as well, authored by Murari Mishra, a playwright, in the 8th century AD, it is referred to as Purushottama.[4] It was only after the 12th century AD that Puri came to be known by the shortened form of Jagannatha Puri, named after the deity or in a short form as Puri.[5] It is the only shrine in India, where Radha, along with Lakshmi, Saraswati, Durga, Bhudevi, Sati, Parvati, and Shakti, abodes with Krishna, who is also known by the name Jagannatha.

 

Ancient period

 

King Indradyumna of Ujjayani credited with building the original Puri Jagannath temple in 318 AD

According to the chronicle Madala Panji, in 318 AD, the priests and servitors of the temple spirited away the idols to escape the wrath of the Rashtrakuta king Rakatavahu.[9] In the temple's historical records it finds mention in the Brahma Purana and Skanda Purana stating that the temple was built by the king Indradyumna, Ujjayani.

 

S. N. Sadasivan, a historian, in his book A Social History of India quotes William Joseph Wilkins, author of the book Hindu Mythology, Vedic and Purānic as stating that in Puri, Buddhism was once a well established practice but later Buddhists were persecuted and Brahmanism became the order of the religious practice in the town; the Buddha deity is now worshipped by the Hindus as Jagannatha. It is also said by Wilkinson that some relics of Buddha were placed inside the idol of Jagannatha which the Brahmins claimed were the bones of Lord Krishna. Even during Maurya king Ashoka's reign in 240 BC, Kalinga was a Buddhist center and that a tribe known as Lohabahu (barbarians from outside Odisha) converted to Buddhism and built a temple with an idol of Buddha which is now worshipped as Jagannatha. Wilkinson also says that the Lohabahu deposited some Buddha relics in the precincts of the temple.

 

Construction of the present Jagannath Temple started in 1136 AD and completed towards the latter part of the 12th century. The Eastern Ganga king Anangabhima III dedicated his kingdom to Lord Jagannatha, then known as the Purushottama-Jagannatha, and resolved that from then on he and his descendants would rule under "divine order as Jagannatha's sons and vassals". Even though princely states do not exist in India today, the heirs of the Eastern Ganga dynasty of Puri still perform the ritual duties of the temple; the king formally sweeps the road in front of the chariots before the start of the Ratha Yatra. This ritual is called Cherra Pahanra.

 

Medieval and early modern periods

The history of Puri is on the same lines as that of the Jagannath Temple, which was invaded 18 times during its history to plunder the treasures of the temple, rather than for religious reasons. The first invasion occurred in the 8th century AD by Rastrakuta king Govinda III (798–814 AD), and the last took place in 1881 AD by the monotheistic followers of Alekh (Mahima Dharma) who did not recognise the worship of Jagannatha.[13] From 1205 AD onward there were many invasions of the city and its temple by Muslims of Afghan and Moghul descent, known as Yavanas or foreigners. In most of these invasions the idols were taken to safe places by the priests and the servitors of the temple. Destruction of the temple was prevented by timely resistance or surrender by the kings of the region. However, the treasures of the temple were repeatedly looted.[14] The table lists all the 18 invasions along with the status of the three images of the temple, the triad of Jagannatha, Balabhadra and Subhadra following each invasion.

  

In the 16th century, Chaitanya Mahaprabhu of Bengal established the Bhakti movements of India, now known by the name the Hare Krishna movement. He spent many years as a devotee of Jagannatha at Puri; he is said to have merged with the deity.[25] There is also a matha of Chaitanya Mahaprabhu here known as Radhakanta Math.

 

In the 17th century, for the sailors sailing on the east coast of India, the temple served as a landmark, being located in a plaza in the centre of the city, which they called the "White Pagoda" while the Konark Sun Temple, 60 kilometres (37 mi) away to the east of Puri, was known as the "Black Pagoda".

 

The iconic representation of the images in the Jagannath temple is believed to be the forms derived from the worship made by the tribal groups of Sabaras belonging to northern Odisha. These images are replaced at regular intervals as the wood deteriorates. This replacement is a special event carried out ritualistically by special group of carpenters.

 

Govardhana matha main gate

The city has many other Mathas as well. The Emar Matha was founded by the Tamil Vaishnava saint Ramanujacharya in the 12th century AD. This Matha, which is now located in front of Simhadvara across the eastern corner of the Jagannath Temple, is reported to have been built in the 16th century during the reign of kings of Suryavamsi Gajapatis. The Matha was in the news on 25 February 2011 for the large cache of 522 silver slabs unearthed from a closed chamber.

 

The British conquered Orissa in 1803, and, recognising the importance of the Jagannath Temple in the life of the people of the state, they initially appointed an official to look after the temple's affairs and later declared the temple as part of a district.

 

Modern history

 

H.H Jagadguru Swami Nischalananda Saraswati, The Shankaracharya of Puri

In 1906, Sri Yukteswar, an exponent of Kriya Yoga and a resident of Puri, established an ashram, a spiritual training center, named "Kararashram" in Puri. He died on 9 March 1936 and his body is buried in the garden of the ashram.

 

The city is the site of the former summer residence of British Raj, the Raj Bhavan, built in 1913–14 during the era of governors.[30]

 

For the people of Puri, Lord Jagannatha, visualized as Lord Krishna, is synonymous with their city. They believe that Lord Jagannatha looks after the welfare of the state. However, after the partial collapse of the Jagannath Temple (in the Amalaka part of the temple) on 14 June 1990, people became apprehensive and considered it a bad omen for Odisha. The replacement of the fallen stone by another of the same size and weight (7 tonnes (7.7 tons)), that could be done only in the early morning hours after the temple gates were opened, was done on 28 February 1991.[25]

 

Puri has been chosen as one of the heritage cities for the Heritage City Development and Augmentation Yojana scheme of the Indian Government. It is chosen as one of the 12 heritage cities with "focus on holistic development" to be implemented within 27 months by the end of March 2017.[31]

 

Non-Hindus are not permitted to enter the shrines but are allowed to view the temple and the proceedings from the roof of the Raghunandan library, located within the precincts of the temple, for a small donation.[32]

 

Geography and climate

 

Geography

 

The Atharanala Bridge dating back to the 16th century at the entrance of Puri

Puri, located on the east coast of India on the Bay of Bengal, is in the centre of the Puri district. It is delimited by the Bay of Bengal on the southeast, the Mauza Sipaurubilla on the west, Mauza Gopinathpur in the north and Mauza Balukhand in the east. It is within the 67 kilometres (42 mi) coastal stretch of sandy beaches that extends between Chilika Lake and the south of Puri city. However, the administrative jurisdiction of the Puri Municipality extends over an area of 16.3268 square kilometres (6.3038 sq mi) spread over 30 wards, which includes a shore line of 5 kilometres (3.1 mi).[33]

 

Puri is in the coastal delta of the Mahanadi River on the shores of the Bay of Bengal. In the ancient days it was near to Sisupalgarh (also known as "Ashokan Tosali"). Then the land was drained by a tributary of the Bhargavi River, a branch of the Mahanadi River. This branch underwent a meandering course creating many arteries altering the estuary, and formed many sand hills. These sand hills could be cut through by the streams. Because of the sand hills, the Bhargavi River, flowing to the south of Puri, moved away towards the Chilika Lake. This shift also resulted in the creation of two lagoons, known as Sar and Samang, on the eastern and northern parts of Puri respectively. Sar lagoon has a length of 5 miles (8.0 km) in an east–west direction and a width of 2 miles (3.2 km) in north–south direction. The estuary of the Bhargavi River has a shallow depth of just 5 feet (1.5 m) and the process of siltation continues. According to a 15th-century Odia writer Saraladasa, the bed of the unnamed stream that flowed at the base of the Blue Mountain or Neelachal was filled up. Katakarajavamsa, a 16th-century chronicle (c.1600), attributes filling up of the bed of the river which flowed through the present Grand Road, as done during the reign of King Narasimha II (1278–1308) of Eastern Ganga dynasty.

 

Climate

According to the Köppen–Geiger climate classification system the climate of Puri is classified as Aw (Tropical savanna climate). The city has moderate and tropical climate. Humidity is fairly high throughout the year. The temperature during summer touches a maximum of 36 °C (97 °F) and during winter it is 17 °C (63 °F). The average annual rainfall is 1,337 millimetres (52.6 in) and the average annual temperature is 26.9 °C (80.4 °F).

 

Demographics

 

According to the 2011 Census of India, Puri is an urban agglomeration governed by the Municipal Corporation in Odisha state, with a population of 200,564, comprising 104,086 males, 96,478 females, and 18,471 children (under six years of age). The sex ratio is 927. The average literacy rate in the city is 88.03 percent (91.38 percent for males and 84.43 percent for females).

 

Administration

 

Samudra arati or worship of the sea at Swargadwar by disciples of the Govardhana matha

The Puri Municipality, Puri Konark Development Authority, Public Health Engineering Organisation and Orissa Water Supply Sewerage Board are some of the principal organisations that are devolved with the responsibility of providing for civic amenities such as water supply, sewerage, waste management, street lighting and infrastructure of roads. The major activity, which puts maximum pressure on these organisations, is the annual event of the Ratha Yatra held during June- July. According to the Puri Municipality more than a million people attend this event. Hence, development activities such as infrastructure and amenities to the pilgrims, apart from security, gets priority attention.

 

The civic administration of Puri is the responsibility of the Puri Municipality. The municipality came into existence in 1864 in the name of the Puri Improvement Trust, which was converted into Puri Municipality in 1881. After India's independence in 1947, the Orissa Municipal Act (1950) was promulgated entrusting the administration of the city to the Puri Municipality. This body is represented by elected representatives with a Chairperson and councilors representing the 30 wards within the municipal limits.

 

Economy

The economy of Puri is dependent on tourism to the extent of about 80 percent. The temple is the focal point of the city and provides employment to the people of the town. Agricultural production of rice, ghee, vegetables and so forth of the region meet the large requirements of the temple. Many settlements around the town exclusively cater to the other religious requirements of the temple. The temple administration employs 6,000 men to perform the rituals. The temple also provides economic sustenance to 20,000 people. According to Colleen Taylor Set an author on food and travel, writing on the food culture of India, the temple kitchen has 400 cooks serving food to as many as 100,000 people,. According to J Mohapatra, Director, Ind Barath Power Infra Ltd (IBPIL), the kitchen is known as "a largest and biggest kitchen of the world."

 

Landmarks

Jagannath Temple at Puri

 

The Jagannath Temple at Puri is one of the major Hindu temples built in the Kalinga style of architecture.The temple tower, with a spire, rises to a height of 58 metres (190 ft), and a flag is unfurled above it, fixed over a wheel (chakra).[

  

Left:Ritual chakra and flags at the top shikhara of Puri temple of Jagannatha also related to Sudarsana chakra. The red flag (12 hand or 14 feet (4.3 m) denotes that Jagannath is within the temple.

 

Right: Statue of Aruna the charioteer of the Sun God on top of the Aruna Stambha in front of the Singhadwara

The temple is built on an elevated platform (of about 420,000 square feet (39,000 m2) area),[46] 20 feet (6.1 m) above the adjacent area. The temple rises to a height of 214 feet (65 m) above the road level. The temple complex covers an area of 10.7 acres (4.3 ha).[39] There are four entry gates in four cardinal directions of the temple, each gate located at the central part of the walls. These gates are: the eastern gate called the Singhadwara (Lions Gate), the southern gate known as Ashwa Dwara (Horse Gate), the western gate called the Vyaghra Dwara (Tigers Gate) or the Khanja Gate, and the northern gate called the Hathi Dwara or (elephant gate). These four gates symbolize the four fundamental principles of Dharma (right conduct), Jnana (knowledge), Vairagya (renunciation) and Aishwarya (prosperity). The gates are crowned with pyramid shaped structures. There is a stone pillar in front of the Singhadwara, called the Aruna Stambha {Solar Pillar}, 11 metres (36 ft) in height with 16 faces, made of chlorite stone; at the top of the stamba an elegant statue of Aruṇa (Sun) in a prayer mode is mounted. This pillar was shifted from the Konarak Sun Temple.[47] The four gates are decorated with guardian statues in the form of lion, horse mounted men, tigers, and elephants in the name and order of the gates.[32] A pillar made of fossilized wood is used for placing lamps as offering. The Lion Gate (Singhadwara) is the main gate to the temple, which is guarded by two guardian deities Jaya and Vijaya.[46][47][48] The main gate is ascended through 22 steps known as Baisi Pahaca, which are revered, as it is believed to possess "spiritual animation". Children are made to roll down these steps, from top to bottom, to bring them spiritual happiness. After entering the temple, on the left side, there is a large kitchen where food is prepared in hygienic conditions in huge quantities; the kitchen is called as "the biggest hotel of the world".

  

The main entrance of the Jagannath Temple

According to a legend King Indradyumma was directed by Lord Jagannatha in a dream to build a temple for him which he did as directed. However, according to historical records the temple was started some time during the 12th century by King Chodaganga of the Eastern Ganga dynasty. It was completed by his descendant, Anangabhima Deva, in the 12th century. The wooden images of Jagannatha, Balabhadra and Subhadra were then deified here. The temple was under the control of the Hindu rulers up to 1558. Then, when Orissa was occupied by the Afghan Nawab of Bengal, it was brought under the control of the Afghan General Kalapahad. Following the defeat of the Afghan king by Raja Mansingh, the General of Mughal emperor Akbar, the temple became part of the Mughal empire till 1751. Subsequently, it was under the control of the Marathas till 1803. During the British Raj, the Puri Raja was entrusted with its management until 1947.

 

The triad of images in the temple are of Jagannatha, personifying Lord Krishna, Balabhadra, His older brother, and Subhadra, His younger sister. The images are made of neem wood in an unfinished form. The stumps of wood which form the images of the brothers have human arms, while that of Subhadra does not have any arms. The heads are large, painted and non-carved. The faces are marked with distinctive large circular eyes.[25]

 

The Pancha Tirtha of Puri

 

Markandeshwar Tank

Hindus consider it essential to bathe in the Pancha Tirtha or the five sacred bathing spots of Puri, to complete a pilgrimage to Puri. The five sacred water bodies are the Indradyumana Tank, the Rohini Kunda, the Markandeya Tank, the Swetaganga Tank, and the Bay of Bengal also called the Mahodadhi, in Sanskrit 'Mahodadhi' means a "great ocean";[49] all are considered sacred bathing spots in the Swargadwara area.[50][51][52] These tanks have perennial sources of supply from rainfall and ground water.[53]

 

Gundicha Temple

Main article: Gundicha Temple

 

Main entrance of the Gundicha Temple

The Gundicha Temple, known as the Garden House of Jagannatha, stands in the centre of a garden, bounded by compound walls on all sides. It lies at a distance of about 3 kilometres (1.9 mi) to the northeast of the Jagannath Temple. The two temples are located at the two ends of the Bada Danda (Grand Avenue), which is the pathway for the Ratha Yatra. According to a legend, Gundicha was the wife of King Indradyumna who originally built the Jagannath temple.

 

The temple is built using light-grey sandstone, and, architecturally, it exemplifies typical Kalinga temple architecture in the Deula style. The complex comprises four components: vimana (tower structure containing the sanctum), jagamohana (assembly hall), nata-mandapa (festival hall) and bhoga-mandapa (hall of offerings). There is also a kitchen connected by a small passage. The temple is set within a garden, and is known as "God's Summer Garden Retreat" or garden house of Jagannatha. The entire complex, including the garden, is surrounded by a wall which measures 430 by 320 feet (131 m × 98 m) with height of 20 feet (6.1 m).

 

Except for the 9-day Ratha Yatra, when the triad images are worshipped in the Gundicha Temple, otherwise it remains unoccupied for the rest of the year. Tourists can visit the temple after paying an entry fee. Foreigners (generally prohibited entry in the main temple) are allowed inside this temple during this period.[56] The temple is under the Jagannath Temple Administration, Puri, the governing body of the main temple. A small band of servitors maintain the temple.

 

Swargadwar

 

Sea at Swargadwar of Puri

Swargadwar is the name given to the cremation ground or burning ghat which is located on the shores of the sea. Here thousands of dead bodies of Hindus brought from faraway places are cremated. It is a belief that the Chaitanya Mahaparabhu disappeared from this Swargadwar about 500 years back.

 

Beach

 

Puri sea sunrise

 

Puri sea beach viewed from the light house

The beach at Puri, known as the "Ballighai beach, at the mouth of Nunai River", is 8 kilometres (5.0 mi) away from the town and is fringed by casurina trees.[10] It has golden yellow sand. Sunrise and sunset are pleasant scenic attractions here. Waves break in at the beach which is long and wide.

 

District museum

The Puri district museum is located on the station road where the exhibits in display are the different types of garments worn by Lord Jagannatha, local sculptures, patachitra (traditional, cloth-based scroll painting), ancient Palm-leaf manuscripts, and local craft work.

  

Festivals of Puri

The Grand Road near the Jagannath Temple

Puri witnesses 24 festivals every year, of which 13 are major. The most important of these is the Ratha Yatra, or the car festival, held in the June–July, which is attended by more than 1 million people.

 

Ratha Yatra at Puri

The Ratha Yatra in Puri in modern times showing the three chariots of the deities with the Temple in the background

The Jagannath Temple triad are normally worshipped in the sanctum of the temple at Puri, but once during the month of Asadha (rainy season of Orissa, usually in June or July), they are brought out on the Bada Danda (main street of Puri) and taken over a distance of (3 kilometres (1.9 mi)) to the Gundicha Temple[61] in huge chariots (ratha), allowing the public to have darśana (holy view). This festival is known as the Ratha Yatra, meaning the journey (yatra) of the chariots.[62] The yatra starts every year according to the Hindu calendar on the Asadha Sukla Dwitiya day, the second day of bright fortnight of Asadha (June–July).[63]

 

Historically, the ruling Ganga dynasty instituted the Ratha Yatra on the completion of the Jagannath Temple around 1150 AD. This festival was one of those Hindu festivals that was reported to the Western world very early.[64] Friar Odoric, in his account of 1321, reported how the people put the "idols" on chariots, and the King, the Queen and all the people drew them from the "church" with song and music.[65][66]

 

The Rathas are huge wooden structures provided with large wheels, which are built anew every year and are pulled by the devotees. The chariot for Lord Jagannatha is about 45 feet (14 m) high and 35 square feet (3.3 m2) and takes about 2 months for its construction.[67] The chariot is mounted with 16 wheels, each of 7 feet (2.1 m) diameter. The carving in the front face of the chariot has four wooden horses drawn by Maruti. On its other three faces, the wooden carvings are of Rama, Surya and Vishnu. The chariot is known as Nandi Ghosha. The roof of the chariot is covered with yellow and red coloured cloth. The next chariot is of Balabhadra which is 44 feet (13 m) in height fitted with 14 wheels. The chariot is carved with Satyaki as the charioteer, roof covered in red and green coloured cloth, and the chariot is known as Taladhwaja. The carvings on this chariot include images of Narasimha and Rudra as Jagannatha's companions. The next chariot in the order is of Subhadra, which is 43 feet (13 m) in height supported on 12 wheels, roof covered in black and red colour cloth, and the chariot is known as Darpa Dalaan and the charioteer carved is Arjuna. Other images carved on the chariot are of Vana Durga, Tara Devi and Chandi Devi.[63][68] The artists and painters of Puri decorate the cars and paint flower petals and other designs on the wheels, the wood-carved charioteer and horses, and the inverted lotuses on the wall behind the throne.[62] The chariots of Jagannatha pulled during Ratha Yatra is the etymological origin of the English word Juggernaut.[69] The Ratha Yatra is also termed as the Shri Gundicha yatra and Ghosha yatra

  

Pahandi bije during Ratha Yatra at Puri

Chhera Panhara

The Chhera Panhara[70] (sweeping with water) is a significant ritual associated with the Ratha Yatra. During this ritual, the Gajapati King wears the outfit of a sweeper and sweeps all around the deities and chariots. The king cleans the road in front of the chariots with a gold-handled broom and sprinkles sandalwood water and powder. As per the custom, although the Gajapati King has been considered the most exalted person in the Kalingan kingdom, he still renders the menial service to Jagannatha. This ritual signifies that under the lordship of Jagannatha, there is no distinction between the powerful sovereign and the humblest devotee.[71]

 

Chandan Yatra

 

The Chandan Yatra festival held every year on Akshaya Tritiya day marks the commencement of the construction of the chariots of the Ratha Yatra. It also marks the celebration of the Hindu new year.

 

Snana Yatra

Every year, on the Purnima day in the Hindu calendar month of Jyestha (June), the triad images of the Jagannath Temple are ceremonially bathed and decorated on the occasion of Snana Yatra. Water for the bath is taken in 108 pots from the Suna kuan (meaning: "golden well") located near the northern gate of the temple. Water is drawn from this well only once in a year for the sole purpose of the religious bath of the deities. After the bath the triad images are dressed in the fashion of the elephant god, Ganesha. Later, during the night, the original triad images are taken out in a procession back to the main temple but kept at a place known as Anasara pindi.[63] After this the Jhulana Yatra is performed when proxy images of the deities are taken out in a grand procession for 21 days, cruised over boats in the Narendra Tirtha tank.[10]

 

Anavasara or Anasara

 

Anasara, a derivative of the Sanskrit word "Anabasara", literally means vacation. Every year after the holy Snana Yatra, the triad images, without the Sudarshana Chakra, are taken to a secret altar named Anavasara Ghar (also known as Anasara pindi, 'pindi' is Oriya term meaning "platform" [72]) where they remain for the next fortnight of (Krishna paksha); devotees are not allowed to view these images. Instead, devotees go to the nearby Brahmagiri to see the Lord in the four-handed form of Alarnath, a depiction of Vishnu.[63][73] Devotees then get the first glimpse of the Lord only on the day before Ratha Yatra, which is called Navayouvana. It is a local belief that the gods suffer from fever after taking an elaborate ritual bath, and they are treated by the special servants, the Daitapatis, for 15 days. Daitapatis perform special nitis (rites) known as Netrotchhaba (a rite of painting the eyes of the triad). During this period cooked food is not offered to the deities.[74]

 

Naba Kalebara

Main articles: Nabakalevara and Nabakalebara 2015

Naba Kalebara is one of the most grand events associated with the Lord Jagannatha that takes place when one lunar month of Ashadha is followed by another of Ashadha called Adhika Masa (extra month). This can take place at an interval of 8, 12 or even 18 years. Literally meaning the "New Body" (Nava = New, Kalevar = Body) in Odia, the festival is witnessed by millions of people and the budget for this event generally exceeds $500,000. The event involves installation of new images in the temple and burial of the old ones in the temple premises at Koili Vaikuntha. During the Nabakalebara ceremony held during July 2015 the idols that were installed in the temple in 1996 were replaced by specially carved new images made of neem wood. More than 3 million people are reported to have attended this festival.[77]

 

Suna Besha

Main article: Suna Besha

 

Suna Besha or Golden Attire of Lord Jagannatha

Suna Besha, ('Suna besh'in English translates to "gold dressing"[78]) also known as Raja or Rajadhiraja Bhesha [79] or Raja Bhesha, is an event when the triad images of the Jagannath Temple are adorned with gold jewelry. This event is observed five times in a year. It is commonly observed on Magha Purnima (January), Bahuda Ekadashi also known as Asadha Ekadashi (July), Dashahara (Bijayadashami) (October), Karthik Purnima (November), and Pousa Purnima (December).[80][81] One such Suna Bhesha event is observed on Bahuda Ekadashi during the Ratha Yatra on the chariots placed at the Simhadwar. The other four Beshas are observed inside the temple on the Ratna Singhasana (gem studded altar). On this occasion gold plates are decorated over the hands and feet of Jagannatha and Balabhadra; Jagannatha is also adorned with a Chakra (disc) made of gold on the right hand while a silver conch adorns the left hand. Balabhadra is decorated with a plough made of gold on the left hand while a golden mace adorns his right hand.[80]

 

Niladri Bije

Niladri Bije, celebrated in the Hindu calendar month Asadha (June–July) on Trayodashi (13th day),[82] marks the end of the Ratha Yatra. The large wooden images of the triad of gods are taken out from the chariots and then carried to the sanctum sanctorum, swaying rhythmically; a ritual which is known as pahandi.

 

Sahi yatra

 

A scene from a play being enacted during the Sahi Yatra

The Sahi Yatra, considered the world's biggest open-air theatre,[83] is an annual event lasting 11 days; a traditional cultural theatre festival or folk drama which begins on Ram Navami and ends on Rama avishke (Sanskrit meaning : anointing). The festival includes plays depicting various scenes from the Ramayana. The residents of various localities, or Sahis, are entrusted the task of performing the drama at the street corners.[84]

 

Samudra Arati

 

Samudra arati of worship of the sea by disciples of the Matha at Puri

The Samudra arati is a daily tradition started by the present Shankaracharya 9 years ago.[85] The daily practise includes prayer and fire offering to the sea at Swargadwar in Puri by disciples of the Govardhan Matha. On Paush Purnima of every year the Shankaracharya himself comes out to offer prayers to the sea.

 

Transport

Earlier, when roads did not exist, people used to walk or travel by animal-drawn vehicles or carriages along beaten tracks to reach Puri. Travel was by riverine craft along the Ganges up to Calcutta, and then on foot or by carriages. It was only during the Maratha rule that the Jagannath Sadak (Road) was built around 1790. The East India Company laid the rail track from Calcutta to Puri, which became operational in 1898.[86] Puri is now well-connected by rail, road and air services. A broad gauge railway line of the South Eastern Railways which connects Puri with Calcutta, and Khurda is an important railway junction on this route. The rail distance is about 499 kilometres (310 mi) from Calcutta[87] and 468 kilometres (291 mi) from Vishakhapatnam. Road network includes NH 203 that links the city with Bhubaneswar, the state capital, situated about 60 kilometres (37 mi) away. NH 203 B connects the city with Satapada via Brahmagiri. Marine drive, which is part of NH 203 A, connects Puri with Konark. The nearest airport is the Biju Patnaik International Airport at Bhubaneswar.[60] Puri railway station is among the top hundred booking stations of the Indian Railways.[88]

 

Arts and crafts

 

Sand art

Sand art of a baby elephant

Sand art is a special art form that is created on the beaches of Puri. The art form is attributed to Balaram Das, a poet who lived in the 14th century. Sculptures of various gods and famous people are now created in sand by amateur artists. These are temporary in nature as they get washed away by waves. This art form has gained international fame in recent years. One of the famed sand artists of Odisha is Sudarshan Patnaik. He established the Golden Sand Art Institute in 1995, in the open air on the shores of Bay of Bengal, to provide training to students interested in this art form.[89][84]

 

Appliqué art

An applique art work

Appliqué art, which is a stitching-based craft unlike embroidery, was pioneered by Hatta Maharana of Pipili. It is widely used in Puri, both for decoration of the deities and for sale. Maharana's family members are employed as darjis or tailors or sebaks by the Maharaja of Puri. They prepare articles for decorating the deities in the temple for various festivals and religious ceremonies. The appliqué works are brightly coloured and patterned fabric in the form of canopies, umbrellas, drapery, carry bags, flags, coverings of dummy horses and cows, and other household textiles; these are marketed in Puri. The cloth used is made in dark colours of red, black, yellow, green, blue and turquoise blue.[90]

 

Patta Chaitra

Patta Chittra is the one of the oldest forms of art which has its roots to thousands of years ago. It has stayed vibrant amidst changes in cultures and still remains one of the unique art forms of India especially Odisa which originated in Puri.

 

Culture

 

Odissi dancer

Cultural activities, including the annual religious festivals, in Puri are: The Puri Beach Festival held from 5 to 9 November every year, and the Shreekshetra Utsav held from 20 December to 2 January every year. The cultural programmes include unique sand art, display of local and traditional handicrafts and food festival.[91] In addition, cultural programmes are held for two hours on every second Saturday of the month at the district Collector's Conference Hall near Sea Beach Police Station. Odissi dance, Odissi music and folk dances are part of this event.[91] Odissi dance is the cultural heritage of Puri. This dance form originated in Puri from the dances performed by Devadasis (Maharis) attached to the Jagannath Temple who performed dances in the Nata mandapa of the temple to please the deities. Though the devadasi practice has been discontinued, the dance form has become modern and classical and is widely popular; many of the Odissi virtuoso artists and gurus (teachers) are from Puri.[92] Some of the notable Odissi dancers are Kelucharan Mohapatra, Mayadhar Raut, Sonal Mansingh, and Sanjukta Panigrahi.[citation needed]

 

Goti Pua nacha (a dance form) is a famous one which has its origins from hundreds of years before much before Odissi.

 

Many Odia dishes have their roots from Puri, Malpua, Pakhala (fermented water rice), Dalma are few dishes which originated from Puri.

 

Education

 

Samanta Chandra Sekhara College, Puri

Schools

D.A.V Public School

Bholanath Vidyapith

Biswambhar Bidyapitha

Blessed Sacrament High School Puri

Kendriya Vidyalaya

Puri Zilla School

Colleges and universities

Ghanashyama Hemalata Institute of Technology and Management

Shri Jagannath Sanskrit University

Sri Jagannath Medical College and Hospital

Notable people

Chakhi Khuntia – Freedom fighter [93]

Bidhu Bhusan Das - Academic and Vice Chancellor, DPI Odisha

Gopabandhu Das – Social worker

Nilakantha Das – Social activist

Pankaj Charan Das – Odissi dancer

Prabhat Nalini Das - pro Vice Chancellor, academician, feminist, Dean IIT Kanpur

Gajapati Maharaja Dibyasingha Deb - Odia King

Charles Garrett – Cricketer

Kelucharan Mohapatra – Odissi dancer

Raghunath Mohapatra – Architect and sculptor

Baisali Mohanty - ALC Global Fellow at University of Oxford, United Kingdom

Rituraj Mohanty – Singer

Sudarshan Pattnaik – Sand Artist

Jayee Rajguru - Freedom fighter

Madhusudan Rao – Odia Poet

Sudarshan Sahoo - Sculptor

Pinaki Misra - Politician

Biswanath Das- Scholar, Philosopher (Emar Mutha, Puri)

++++++FROM WIKIPEDIA ++++

 

Puri (About this soundlisten (help·info)) is a city and a Municipality in the state of Odisha in eastern India. It is the district headquarters of Puri district and is situated on the Bay of Bengal, 60 kilometres (37 mi) south of the state capital of Bhubaneswar. It is also known as Sri Jagannatha Dhama after the 12th-century Jagannatha Temple located in the city. It is one of the original Char Dham pilgrimage sites for Hindus.

Puri

 

ପୁରୀ

 

Puri is known by several names since the ancient times, and was locally known as "Sri Kshetra" and Lord Jagannatha temple is known as "Badadeula". Puri and the Jagannatha Temple were invaded 18 times by Hindu and Muslim rulers, from the 4th century AD till the early 19th century with the objective of looting the treasures of the temple. Odisha, including Puri and its temple, were part of British India from 1803 till India attained independence in August 1947. Even though princely states do not exist in India today, the heirs of the Gajapati Dynasty of Khurda still perform the ritual duties of the temple. The temple town has many Hindu religious mathas or monasteries.

 

The economy of Puri is dependent on the religious importance of the Jagannatha Temple to the extent of nearly 80 percent. The 24 festivals, including 13 major ones, held every year in the temple complex contribute to the economy; Ratha Yatra and its related festivals are the most important which are attended by millions of people every year. Sand art and applique art are some of the important crafts of the city.

 

Puri has been chosen as one of the heritage cities for Heritage City Development and Augmentation Yojana (HRIDAY) scheme of Government of India.

Geography and climateEdit

GeographyEdit

The Atharanala Bridge dating back to the 16th century at the entrance of Puri

 

Puri, located on the east coast of India on the Bay of Bengal, is in the centre of the Puri district. It is delimited by the Bay of Bengal on the southeast, the Mauza Sipaurubilla on the west, Mauza Gopinathpur in the north and Mauza Balukhand in the east. It is within the 67 kilometres (42 mi) coastal stretch of sandy beaches that extends between Chilika Lake and the south of Puri city. However, the administrative jurisdiction of the Puri Municipality extends over an area of 16.3268 square kilometres (6.3038 sq mi) spread over 30 wards, which includes a shore line of 5 kilometres (3.1 mi).[1]

 

Puri is in the coastal delta of the Mahanadi River on the shores of the Bay of Bengal. In the ancient days it was near to Sisupalgarh (also known as "Ashokan Tosali"). Then the land was drained by a tributary of the Bhargavi River, a branch of the Mahanadi River. This branch underwent a meandering course creating many arteries altering the estuary, and formed many sand hills. These sand hills could be cut through by the streams. Because of the sand hills, the Bhargavi River, flowing to the south of Puri, moved away towards the Chilika Lake. This shift also resulted in the creation of two lagoons, known as Sar and Samang, on the eastern and northern parts of Puri respectively. Sar lagoon has a length of 5 miles (8.0 km) in an east-west direction and a width of 2 miles (3.2 km) in north-south direction. The estuary of the Bhargavi River has a shallow depth of just 5 feet (1.5 m) and the process of siltation continues. According to a 15th-century Odia writer Saraladasa, the bed of the unnamed stream that flowed at the base of the Blue Mountain or Neelachal was filled up. Katakarajavamsa, a 16th-century chronicle (c.1600), attributes filling up of the bed of the river which flowed through the present Grand Road, as done during the reign of King Narasimha II (1278–1308) of Eastern Ganga dynasty.[2]

ClimateEdit

 

According to the Köppen–Geiger climate classification system the climate of Puri is classified as Aw (Tropical savanna climate). The city has moderate and tropical climate. Humidity is fairly high throughout the year. The temperature during summer touches a maximum of 36 °C (97 °F) and during winter it is 17 °C (63 °F). The average annual rainfall is 1,337 millimetres (52.6 in) and the average annual temperature is 26.9 °C (80.4 °F). The weather data is given in the following table.[3][4]

 

HistoryEdit

Main article: Timeline of Puri

Names in historyEdit

 

Puri, the holy land of Lord Jagannatha, also known by the popular vernacular name Shrikhetra, has many ancient names in the Hindu scriptures such as the Rigveda, Matsya purana, Brahma Purana, Narada Purana, Padma Purana, Skanda Purana, Kapila Purana and Niladrimahodaya. In the Rigveda, in particular, it is mentioned as a place called Purushamandama-grama meaning the place where the Creator deity of the world – Supreme Divinity deified on an altar or mandapa was venerated near the coast and prayers offered with Vedic hymns. Over time the name got changed to Purushottama Puri and further shortened to Puri, and the Purusha came to be known as Jagannatha. Sages like Bhrigu, Atri and Markandeya had their hermitage close to this place.[5] Its name is mentioned, conforming to the deity worshipped, as Srikshetra, Purusottama Dhāma, Purusottama Kshetra, Purusottama Puri and Jagannath Puri. Puri, however, is the popular usage. It is also known by the geographical features of its location as Shankhakshetra (the layout of the town is in the form of a conch shell),[6] Neelāchala ("Blue mountain" a terminology used to name a very large sand lagoon over which the temple was built but this name is not in vogue), Neelāchalakshetra, Neelādri.[7] In Sanskrit, the word "Puri" means town or city,[8] and is cognate with polis in Greek.[9]

 

Another ancient name is Charita as identified by General Alexander Cunningham of the Archaeological Survey of India, which was later spelled as Che-li-ta-lo by Chinese traveller Hiuen Tsang. When the present temple was built by the Eastern Ganga king Anantavarman Chodaganga in the 11th and 12th centuries AD, it was called Purushottamkshetra. However, the Moghuls, the Marathas and early British rulers called it Purushottama-chhatar or just Chhatar. In Moghul ruler Akbar's Ain-i-Akbari and subsequent Muslim historical records it was known as Purushottama. In the Sanskrit drama Anargha Raghava Nataka as well, authored by Murari Mishra, a playwright, in the 8th century AD, it is referred to as Purushottama.[6] It was only after the 12th century AD that Puri came to be known by the shortened form of Jagannatha Puri, named after the deity or in a short form as Puri.[7] It is the only shrine in India, where Radha, along with Lakshmi, Saraswati, Durga, Bhudevi, Sati, Parvati, and Shakti, abodes with Krishna, who is also known by the name Jagannatha.[10]

Ancient periodEdit

king Indradyumna of Ujjayani credited with building the original temple in 318 AD

 

According to the chronicle Madala Panji, in 318 AD, the priests and servitors of the temple spirited away the idols to escape the wrath of the Rashtrakuta king Rakatavahu.[11] In the temple's historical records it finds mention in the Brahma Purana and Skanda Purana stating that the temple was built by the king Indradyumna, Ujjayani.[12]

 

S. N. Sadasivan, a historian, in his book A Social History of India quotes William Joseph Wilkins, author of the book Hindu Mythology, Vedic and Purānic as stating that in Puri, Buddhism was once a well established practice but later Buddhists were persecuted and Brahmanism became the order of the religious practice in the town; the Buddha deity is now worshipped by the Hindus as Jagannatha. It is also said by Wilkinson that some relics of Buddha were placed inside the idol of Jagannatha which the Brahmins claimed were the bones of Lord Krishna. Even during Maurya king Ashoka's reign in 240 BC, Kalinga was a Buddhist center and that a tribe known as Lohabahu (barbarians from outside Odisha) converted to Buddhism and built a temple with an idol of Buddha which is now worshipped as Jagannatha. Wilkinson also says that the Lohabahu deposited some Buddha relics in the precincts of the temple.[13]

 

Construction of the Jagannatha Temple started in 1136 AD and completed towards the latter part of the 12th century. The Eastern Ganga king Anangabhima III dedicated his kingdom to Lord Jagannatha, then known as the Purushottama-Jagannatha, and resolved that from then on he and his descendants would rule under "divine order as Jagannatha's sons and vassals". Even though princely states do not exist in India today, the heirs of the Gajapati dynasty of Khurda still perform the ritual duties of the temple; the king formally sweeps the road in front of the chariots before the start of the Ratha Yatra.[14]

Medieval and early modern periodsEdit

 

The history of Puri is on the same lines as that of the Jagannatha Temple, which was invaded 18 times during its history to plunder the treasures of the temple, rather than for religious reasons. The first invasion occurred in the 8th century AD by Rastrakuta king Govinda-III (798–814 AD), and the last took place in 1881 AD by the monotheistic followers of Alekh (Mahima Dharma) who did not recognise the worship of Jagannatha.[15] From 1205 AD onward [14] there were many invasions of the city and its temple by Muslims of Afghan and Moghul descent, known as Yavanas or foreigners. In most of these invasions the idols were taken to safe places by the priests and the servitors of the temple. Destruction of the temple was prevented by timely resistance or surrender by the kings of the region. However, the treasures of the temple were repeatedly looted.[16] The table lists all the 18 invasions along with the status of the three images of the temple, the triad of Jagannatha, Balabhadra and Subhadra following each invasion.[15]

Invasion number Invader (s), year (s) AD Local rulers Status of the three images of the Jagannatha temple

1 Raktabahu or Govinda III (798–814) of the Rashtrakuta Empire King Subhanadeva of Bhaumakara dynasty Idols shifted to Gopali near Sonepur. Was brought back to Puri by Yayati I after 146 years and re-consecrated after performing Nabakalebara.[17]

2 Illias Shah, Sultan of Bengal, 1340 Narasinghadeva III Images shifted to a secret location.[18]

3 Feroz Shah Tughlaq, 1360 Ganga King Bhanudeva III Images not found, though rumored that they were thrown into the Bay Of Bengal.[18]

4 Ismail Ghazi commander of Alauddin Hussain Shah of Bengal, 1509 King Prataprudradeva Images shifted to Chandhei Guha Pahada near Chilika Lake.[18]

5 Kalapahara, army assistant general of Sulaiman Karrani of the Afghan Sultan of Bengal, 1568 Mukundadeva Harichandan Images initially hidden in an island in Chilika Lake. However, the invader took the idols from here to the banks of the Ganges River and burnt them. Bisher Mohanty, a Vaishnavite saint, who had followed the invading army, retrieved the Brahmas and hid it in a drum at Khurdagada in 1575 AD and finally re-installed it in the deities. Deities were brought back to Puri and consecrated in the Jagannatha Temple.[19]

6 Suleman, the son of Kuthu Khan and Osman, the son of Isha (ruler of Orissa), 1592 Ramachandradeva, the Bhoi dynasty ruler of Khurda Revolt was by local Muslim rulers who desecrated the images.[20]

7 Mirza Khurum, the commander of Islam Khan I, the Nawab of Bengal, 1601 Purushottamadeva of Bhoi Dynasty Image moved to Kapileswarpur village by boat through the river Bhargavi and kept in the Panchamukhi Gosani temple. Thereafter, the deities were kept in Dobandha—Pentha.[20]

8 Hasim Khan, the Subedar of Orissa, 1608 Purushottam Deva, the King of Khurda Images shifted to the Gopal temple at Khurda and brought back in 1608.[20]

9 Hindu Rajput Jagirdar Kesodasmaru, 1610 Purusottamdeva, the king of Khurda Images kept at the Gundicha Temple and brought back to Puri after eight months.[20]

10 Kalyan Malla, 1611 Purushottamadeva, the King of Khurda Images moved to 'Mahisanasi' also known as'Brahmapura' or 'Chakanasi' in the Chilika Lake where they remained for one year.[21]

11 Kalyan Malla, 1612 Paiks of Purushottamadeva, the King of Khurda Images placed on a fleet of boats at Gurubai Gada and hidden under the 'Lotani Baragachha' or Banyan tree) and then at 'Dadhibaman Temple'.[22]

12 Mukarram Khan, 1617 Purushottama Deva, the King of Khurda Images moved to the Bankanidhi temple, Gobapadar and brought back to Puri in 1620.[22]

13 Mirza Ahmad Beg, 1621 Narasingha Deva Images shifted to 'Andharigada' in the mouth of the river Shalia across the Chilika Lake. Moved back to Puri in 1624.[23]

14 Amir Mutaquad Khan alias Mirza Makki, 1645 Narasingha Deva and Gangadhar Not known.[24]

15 Amir Fateh Khan, 1647 Not known Not known[24]

16 Ekram Khan and Mastram Khan on behalf of Mughal Emperor Aurangzeb, 1692 Divyasingha Deva, the king of Khurda Images moved to 'Maa Bhagabati Temple' and then to Bada Hantuada in Banpur across the Chilika Lake, and finally brought back to Puri in 1699.[24]

17 Muhammad Taqi Khan, 1731 and 1733 Birakishore Deva and Birakishore Deva of Athagada Images moved to Hariswar in Banpur, Chikili in Khalikote, Rumagarh in Kodala, Athagada in Ganjam and lastly to Marda in Kodala. Shifted back to Puri after 2.5 years.[24]

18 Followers of Mahima Dharma, 1881 Birakishore Deva and Birakishore Deva of Athagada Images burnt in the streets. [25]

 

Puri is the site of the Govardhana Matha, one of the four cardinal institutions established by Adi Shankaracharya, when he visited Puri in 810 AD, and since then it has become an important dham (divine centre) for the Hindus; the others being those at Sringeri, Dwarka and Jyotirmath. The Matha (monastery of various Hindu sects) is headed by Jagatguru Shankarachrya. It is a local belief about these dhams that Lord Vishnu takes his dinner at Puri, has his bath at Rameshwaram, spends the night at Dwarka and does penance at Badrinath.[12][26]

 

In the 16th century, Chaitanya Mahaprabhu of Bengal established the Bhakti movements of India, now known by the name the Hare Krishna movement. He spent many years as a devotee of Jagannatha at Puri; he is said to have merged with the deity.[27] There is also a matha of Chaitanya Mahaprabhu here known as Radhakanta Math.[12]

 

In the 17th century, for the sailors sailing on the east coast of India, the temple served as a landmark, being located in a plaza in the centre of the city, which they called the "White Pagoda" while the Konark Sun Temple, 60 kilometres (37 mi) away to the east of Puri, was known as the "Black Pagoda".[27]

 

The iconic representation of the images in the Jagannatha temple is believed to be the forms derived from the worship made by the tribal groups of Sabaras belonging to northern Odisha. These images are replaced at regular intervals as the wood deteriorates. This replacement is a special event carried out ritualistically by special group of carpenters.[27]

Govardhana matha main gate

 

The city has many other Mathas as well. The Emar Matha was founded by the Tamil Vaishnava saint Ramanujacharya in the 12th century AD. This Matha, which is now located in front of Simhadvara across the eastern corner of the Jagannatha Temple, is reported to have been built in the 16th century during the reign of kings of Suryavamsi Gajapatis. The Matha was in the news on 25 February 2011 for the large cache of 522 silver slabs unearthed from a closed chamber.[28][29]

 

The British conquered Orissa in 1803, and, recognising the importance of the Jagannatha Temple in the life of the people of the state, they initially appointed an official to look after the temple's affairs and later declared the temple as part of a district.[14]

Modern historyEdit

H.H Jagadguru Swami Nischalananda Saraswati, The Shankaracharya of Puri

 

In 1906, Sri Yukteswar, an exponent of Kriya Yoga and a resident of Puri, established an ashram, a spiritual training center, named "Kararashram" in Puri. He died on 9 March 1936 and his body is buried in the garden of the ashram.[30][31]

 

The city is the site of the former summer residence of British Raj, the Raj Bhavan, built in 1913–14 during the era of governors.[32]

 

For the people of Puri, Lord Jagannatha, visualized as Lord Krishna, is synonymous with their city. They believe that Lord Jagannatha looks after the welfare of the state. However, after the partial collapse of the Jagannatha Temple (in the Amalaka part of the temple) on 14 June 1990, people became apprehensive and considered it a bad omen for Odisha. The replacement of the fallen stone by another of the same size and weight (7 tonnes (7.7 tons)), that could be done only in the early morning hours after the temple gates were opened, was done on 28 February 1991.[27]

 

Puri has been chosen as one of the heritage cities for the Heritage City Development and Augmentation Yojana scheme of the Indian Government. It is chosen as one of the 12 heritage cities with "focus on holistic development" to be implemented within 27 months by the end of March 2017.[33]

 

Non-Hindus are not permitted to enter the shrines but are allowed to view the temple and the proceedings from the roof of the Raghunandan library, located within the precincts of the temple, for a small donation.[34]

DemographicsEdit

See also: List of cities in Odisha

 

According to the 2011 Census of India, Puri is an urban agglomeration governed by the Municipal Corporation in Odisha state, with a population of 201,026[35] This rose to 200,564 in 2011 – comprising 104,086 males, 96,478 females, and 18,471 children (under six years of age). The sex ratio is 927. The average literacy rate in the city is 88.03 percent (91.38 percent for males and 84.43 percent for females).

EconomyEdit

 

The economy of Puri is dependent on tourism to the extent of about 80 percent. The temple is the focal point of the city and provides employment to the people of the town. Agricultural production of rice, ghee, vegetables and so forth of the region meet the large requirements of the temple. Many settlements around the town exclusively cater to the other religious requirements of the temple.[36] The temple administration employs 6,000 men to perform the rituals. The temple also provides economic sustenance to 20,000 people.[34] According to Colleen Taylor Sen an author on food and travel, writing on the food culture of India, the temple kitchen has 400 cooks serving food to as many as 100,000 people,.[37] According to J Mohapatra, Director, Ind Barath Power Infra Ltd (IBPIL), the kitchen is known as "a largest and biggest kitchen of the world."[38]

City management and governanceEdit

Samudra arati or worship of the sea at Swargadwar by disciples of the Govardhana matha

 

The Puri Municipality, Puri Konark Development Authority, Public Health Engineering Organisation and Orissa Water Supply Sewerage Board are some of the principal organisations that are devolved with the responsibility of providing for civic amenities such as water supply, sewerage, waste management, street lighting and infrastructure of roads. The major activity, which puts maximum pressure on these organisations, is the annual event of the Ratha Yatra held during June- July. According to the Puri Municipality more than a million people attend this event. Hence, development activities such as infrastructure and amenities to the pilgrims, apart from security, gets priority attention.[39]

 

The civic administration of Puri is the responsibility of the Puri Municipality. The municipality came into existence in 1864 in the name of the Puri Improvement Trust, which was converted into Puri Municipality in 1881. After India's independence in 1947, the Orissa Municipal Act (1950) was promulgated entrusting the administration of the city to the Puri Municipality. This body is represented by elected representatives with a Chairperson and councilors representing the 30 wards within the municipal limits.[40]

LandmarksEdit

Jagannatha temple

Jagannatha Temple at PuriEdit

Main article: Jagannath Temple (Puri)

Left: Jagannath Temple at Puri Right: View of the temple at night

 

The Jagannatha Temple at Puri is one of the major Hindu temples built in the Kalinga style of architecture.[41] The temple tower, with a spire, rises to a height of 58 metres (190 ft), and a flag is unfurled above it, fixed over a wheel (chakra).[34][42]

Left:Ritual chakra and flags at the top shikhara of Puri temple of Jagannatha also related to Sudarsana chakra. The red flag (12 hand or 14 feet (4.3 m) denotes that Jagannath is within the temple.

Right: Statue of Aruna the charioteer of the Sun God on top of the Aruna Stambha in front of the Singhadwara

 

The temple is built on an elevated platform (of about 420,000 square feet (39,000 m2) area),[43] 20 feet (6.1 m) above the adjacent area. The temple rises to a height of 214 feet (65 m) above the road level. The temple complex covers an area of 10.7 acres (4.3 ha).[39] There are four entry gates in four cardinal directions of the temple, each gate located at the central part of the walls. These gates are: the eastern gate called the Singhadwara (Lions Gate), the southern gate known as Ashwa Dwara (Horse Gate), the western gate called the Vyaghra Dwara (Tigers Gate) or the Khanja Gate, and the northern gate called the Hathi Dwara or (elephant gate). These four gates symbolize the four fundamental principles of Dharma (right conduct), Jnana (knowledge), Vairagya (renunciation) and Aishwarya (prosperity). The gates are crowned with pyramid shaped structures. There is a stone pillar in front of the Singhadwara, called the Aruna Stambha {Solar Pillar}, 11 metres (36 ft) in height with 16 faces, made of chlorite stone; at the top of the stamba an elegant statue of Aruṇa (Sun) in a prayer mode is mounted. This pillar was shifted from the Konarak Sun Temple.[44] The four gates are decorated with guardian statues in the form of lion, horse mounted men, tigers, and elephants in the name and order of the gates.[34] A pillar made of fossilized wood is used for placing lamps as offering. The Lion Gate (Singhadwara) is the main gate to the temple, which is guarded by two guardian deities Jaya and Vijaya.[43][44][45] The main gate is ascended through 22 steps known as Baisi Pahaca, which are revered, as it is believed to possess "spiritual animation". Children are made to roll down these steps, from top to bottom, to bring them spiritual happiness. After entering the temple, on the left side, there is a large kitchen where food is prepared in hygienic conditions in huge quantities; the kitchen is called as "the biggest hotel of the world".[43]

The main entrance of the Jagannatha Temple

 

According to a legend King Indradyumma was directed by Lord Jagannatha in a dream to build a temple for him which he did as directed. However, according to historical records the temple was started some time during the 12th century by King Chodaganga of the Eastern Ganga dynasty. It was completed by his descendant, Anangabhima Deva, in the 12th century. The wooden images of Jagannatha, Balabhadra and Subhadra were then deified here. The temple was under the control of the Hindu rulers up to 1558. Then, when Orissa was occupied by the Afghan Nawab of Bengal, it was brought under the control of the Afghan General Kalapahad. Following the defeat of the Afghan king by Raja Mansingh, the General of Mughal emperor Akbar, the temple became part of the Mughal empire till 1751. Subsequently, it was under the control of the Marathas till 1803. During the British Raj, the Puri Raja was entrusted with its management until 1947.[42]

 

The triad of images in the temple are of Jagannatha, personifying Lord Krishna, Balabhadra, His older brother, and Subhadra, His younger sister. The images are made of neem wood in an unfinished form. The stumps of wood which form the images of the brothers have human arms, while that of Subhadra does not have any arms. The heads are large, painted and non-carved. The faces are marked with distinctive large circular eyes.[27]

The Pancha Tirtha of PuriEdit

Main article: Pancha Tirtha of Puri

Markandeshwar Tank

 

Hindus consider it essential to bathe in the Pancha Tirtha or the five sacred bathing spots of Puri, to complete a pilgrimage to Puri. The five sacred water bodies are the Indradyumana Tank, the Rohini Kunda, the Markandeya Tank, the Swetaganga Tank, and the Bay of Bengal also called the Mahodadhi, in Sanskrit 'Mahodadhi' means a "great ocean";[46] all are considered sacred bathing spots in the Swargadwar area.[47][48][49] These tanks have perennial sources of supply from rainfall and ground water.[50]

Gundicha TempleEdit

Main article: Gundicha Temple

The Main Gate of the Gundicha Temple

 

The Gundicha Temple, known as the Garden House of Jagannatha, stands in the centre of a beautiful garden, bounded by compound walls on all sides. It lies at a distance of about 3 kilometres (1.9 mi) to the northeast of the Jagannatha Temple. The two temples are located at the two ends of the Bada Danda (Grand Avenue), which is the pathway for the Ratha Yatra. According to a legend, Gundicha was the wife of King Indradyumna who originally built the Jagannatha temple.[51]

 

The temple is built using light-grey sandstone, and, architecturally, it exemplifies typical Kalinga temple architecture in the Deula style. The complex comprises four components: vimana (tower structure containing the sanctum), jagamohana (assembly hall), nata-mandapa (festival hall) and bhoga-mandapa (hall of offerings). There is also a kitchen connected by a small passage. The temple is set within a garden, and is known as "God's Summer Garden Retreat" or garden house of Jagannatha. The entire complex, including the garden, is surrounded by a wall which measures 430 by 320 feet (131 m × 98 m) with height of 20 feet (6.1 m).[52]

 

Except for the 9-day Ratha Yatra, when the triad images are worshipped in the Gundicha Temple, otherwise it remains unoccupied for the rest of the year. Tourists can visit the temple after paying an entry fee. Foreigners (generally prohibited entry in the main temple) are allowed inside this temple during this period.[53] The temple is under the Jagannatha Temple Administration, Puri, the governing body of the main temple. A small band of servitors maintain the temple.[52]

SwargadwarEdit

The Sea at Swargadwar of Puri

 

Swargadwar is the name given to the cremation ground or burning ghat which is located on the shores of the sea. Here thousands of dead bodies of Hindus brought from faraway places are cremated. It is a belief that the Chitanya Mahaparabhu disappeared from this Swargadwar about 500 years back.[54]

BeachEdit

Puri sea sunrise

Puri Sea Beach viewed from the light house

 

The beach at Puri, known as the "Ballighai beach, at the mouth of Nunai River, is 8 kilometres (5.0 mi) away from the town and is fringed by casurina trees.[12] It has golden yellow sand. Sunrise and sunset are pleasant scenic attractions here.[55] Waves break in at the beach which is long and wide.[27]

District museumEdit

 

The Puri district museum is located on the station road where the exhibits in display are the different types of garments worn by Lord Jagannatha, local sculptures, patachitra (traditional, cloth-based scroll painting), ancient Palm-leaf manuscripts, and local craft work.[56]

Raghunandana libraryEdit

 

Raghunandana Library is located in the Emara Matha complex (opposite Simhadwara or lion gate, the main entrance gate). The Jagannatha Aitihasika Gavesana Samiti (Jagannatha Historical Centre) is also located here. The library houses ancient palm leaf manuscripts on Jagannatha, His cult and the history of the city.[56]

Festivals of PuriEdit

Main article: List of festivals observed at Jagannatha Temple, Puri

The Grand Road near the Jagannatha Temple

 

Puri witnesses 24 festivals every year, of which 13 are major. The most important of these is the Ratha Yatra, or the car festival, held in the June–July, which is attended by more than 1 million people.[57]

Ratha Yatra at PuriEdit

Main article: Ratha-Yatra (Puri)

The Ratha Yatra in Puri in modern times showing the three chariots of the deities with the Temple in the background

 

The Jagannatha Temple triad are normally worshipped in the sanctum of the temple at Puri, but once during the month of Asadha (rainy season of Orissa, usually in June or July), they are brought out on the Bada Danda (main street of Puri) and taken over a distance of (3 kilometres (1.9 mi)) to the Shri Gundicha Temple[58] in huge chariots (ratha), allowing the public to have darśana (holy view). This festival is known as the Ratha Yatra, meaning the journey (yatra) of the chariots.[59] The yatra starts every year according to the Hindu calendar on the Asadha Sukla Dwitiya day, the second day of bright fortnight of Asadha (June–July).[60]

 

Historically, the ruling Ganga dynasty instituted the Ratha Yatra on the completion of the Jagannatha Temple around 1150 AD. This festival was one of those Hindu festivals that was reported to the Western world very early.[61] Friar Odoric, in his account of 1321, reported how the people put the "idols" on chariots, and the King, the Queen and all the people drew them from the "church" with song and music.[62][63]

 

The Rathas are huge wooden structures provided with large wheels, which are built anew every year and are pulled by the devotees. The chariot for Lord Jagannatha is about 45 feet (14 m) high and 35 square feet (3.3 m2) and takes about 2 months for its construction.[64] The chariot is mounted with 16 wheels, each of 7 feet (2.1 m) diameter. The carving in the front face of the chariot has four wooden horses drawn by Maruti. On its other three faces, the wooden carvings are of Rama, Surya and Vishnu. The chariot is known as Nandi Ghosha. The roof of the chariot is covered with yellow and red coloured cloth. The next chariot is of Balabhadra which is 44 feet (13 m) in height fitted with 14 wheels. The chariot is carved with Satyaki as the charioteer, roof covered in red and green coloured cloth, and the chariot is known as Taladhwaja. The carvings on this chariot include images of Narasimha and Rudra as Jagannatha's companions. The next chariot in the order is of Subhadra, which is 43 feet (13 m) in height supported on 12 wheels, roof covered in black and red colour cloth, and the chariot is known as Darpa Dalaan and the charioteer carved is Arjuna. Other images carved on the chariot are of Vana Durga, Tara Devi and Chandi Devi.[60][65] The artists and painters of Puri decorate the cars and paint flower petals and other designs on the wheels, the wood-carved charioteer and horses, and the inverted lotuses on the wall behind the throne.[59] The chariots of Jagannatha pulled during Ratha Yatra is the etymological origin of the English word Juggernaut.[66] The Ratha Yatra is also termed as the Shri Gundicha yatra and Ghosha yatra[60]

Pahandi bije during Ratha Yatra at Puri

Chhera PaharaEdit

 

The Chhera Pahara (sweeping with water) is a significant ritual associated with the Ratha Yatra. During this ritual, the Gajapati King wears the outfit of a sweeper and sweeps all around the deities and chariots. The king cleans the road in front of the chariots with a gold-handled broom and sprinkles sandalwood water and powder. As per the custom, although the Gajapati King has been considered the most exalted person in the Kalingan kingdom, he still renders the menial service to Jagannatha. This ritual signifies that under the lordship of Jagannatha, there is no distinction between the powerful sovereign and the humblest devotee.[67]

Chandan YatraEdit

The Narendra Tirtha tank where ceremonies of Chandan Yatra are performed

Main article: Chandan Yatra

 

The Chandan Yatra festival held every year on Akshaya Tritiya day marks the commencement of the construction of the chariots of the Ratha Yatra. It also marks the celebration of the Hindu new year.[12]

Snana YatraEdit

Main article: Snana Yatra

 

Every year, on the Purnima day in the Hindu calendar month of Jyestha (June), the triad images of the Jagannatha Temple are ceremonially bathed and decorated on the occasion of Snana Yatra. Water for the bath is taken in 108 pots from the Suna kuan (meaning: "golden well") located near the northern gate of the temple. Water is drawn from this well only once in a year for the sole purpose of the religious bath of the deities. After the bath the triad images are dressed in the fashion of the elephant god, Ganesha. Later, during the night, the original triad images are taken out in a procession back to the main temple but kept at a place known as Anasara pindi.[60] After this the Jhulana Yatra is performed when proxy images of the deities are taken out in a grand procession for 21 days, cruised over boats in the Narendra Tirtha tank.[12]

Anavasara or AnasaraEdit

Images during the Snana Yatra.

 

Anasara, a derivative of the Sanskrit word "Anabasara",[68] literally means vacation. Every year after the holy Snana Yatra, the triad images, without the Sudarshana Chakra, are taken to a secret altar named Anavasara Ghar (also known as Anasara pindi, 'pindi' is Oriya term meaning "platform" [68]) where they remain for the next fortnight of (Krishna paksha); devotees are not allowed to view these images. Instead, devotees go to the nearby Brahmagiri to see the Lord in the four-handed form of Alarnath, a depiction of Vishnu.[60][69] Devotees then get the first glimpse of the Lord only on the day before Ratha Yatra, which is called Navayouvana. It is a local belief that the gods suffer from fever after taking an elaborate ritual bath, and they are treated by the special servants, the Daitapatis, for 15 days. Daitapatis perform special nitis (rites) known as Netrotchhaba (a rite of painting the eyes of the triad). During this period cooked food is not offered to the deities.[70]

Naba KalebaraEdit

Main articles: Nabakalevara and Nabakalebara 2015

 

Naba Kalebara is one of the most grand events associated with the Lord Jagannatha that takes place when one lunar month of Ashadha is followed by another of Ashadha called Adhika Masa (extra month). This can take place at an interval of 8, 12 or even 18 years. Literally meaning the "New Body" (Nava = New, Kalevar = Body) in Odia, the festival is witnessed by millions of people and the budget for this event generally exceeds $500,000. The event involves installation of new images in the temple and burial of the old ones in the temple premises at Koili Vaikuntha. During the Nabakalebara ceremony held during July 2015 the idols that were installed in the temple in 1996 were replaced by specially carved new images made of neem wood.[71][72] More than 3 million people are reported to have attended this festival.[73]

Suna BeshaEdit

Main article: Suna Besha

Suna Besha or Golden Attire of Lord Jagannatha

 

Suna Besha, ('Suna besh'in English translates to "gold dressing”[74]) also known as Raja or Rajadhiraja Bhesha [75] or Raja Bhesha, is an event when the triad images of the Jagannatha Temple are adorned with gold jewelry. This event is observed five times in a year. It is commonly observed on Magha Purnima (January), Bahuda Ekadashi also known as Asadha Ekadashi (July), Dashahara (Bijayadashami) (October), Karthik Purnima (November), and Pousa Purnima (December).[76][77] One such Suna Bhesha event is observed on Bahuda Ekadashi during the Ratha Yatra on the chariots placed at the Simhadwar. The other four Beshas are observed inside the temple on the Ratna Singhasana (gem studded altar). On this occasion gold plates are decorated over the hands and feet of Jagannatha and Balabhadra; Jagannatha is also adorned with a Chakra (disc) made of gold on the right hand while a silver conch adorns the left hand. Balabhadra is decorated with a plough made of gold on the left hand while a golden mace adorns his right hand.[76]

Niladri BijeEdit

 

Niladri Bije, celebrated in the Hindu calendar month Asadha (June–July) on Trayodashi (13th day),[78] marks the end of the Ratha Yatra. The large wooden images of the triad of gods are taken out from the chariots and then carried to the sanctum sanctorum, swaying rhythmically; a ritual which is known as pahandi.[72]

Sahi yatraEdit

A scene from a play being enacted during the Sahi Yatra

 

The Sahi Yatra, considered the world's biggest open-air theatre,[79] is an annual event lasting 11 days; a traditional cultural theatre festival or folk drama which begins on Ram Navami and ends on Rama avishke (Sanskrit meaning : anointing). The festival includes plays depicting various scenes from the Ramayana. The residents of various localities, or Sahis, are entrusted the task of performing the drama at the street corners.[80]

Samudra AratiEdit

Samudra arati of worship of the sea by disciples of the Matha at Puri

 

The Samudra arati is a daily tradition started by the present Shankaracharya 9 years ago.[81] The daily practise includes prayer and fire offering to the sea at Swargadwar in Puri by disciples of the Govardhan Matha. On Paush Purnima of every year the Shankaracharya himself comes out to offer prayers to the sea.

TransportEdit

 

Earlier, when roads did not exist, people used to walk or travel by animal-drawn vehicles or carriages along beaten tracks to reach Puri. Travel was by riverine craft along the Ganges up to Calcutta, and then on foot or by carriages. It was only during the Maratha rule that the popular Jagannath Sadak (Road) was built around 1790. The East India Company laid the rail track from Calcutta to Puri, which became operational in 1898.[82] Puri is now well-connected by rail, road and air services. A broad gauge railway line of the South Eastern Railways which connects Puri with Calcutta, and Khurda is an important railway junction on this route. The rail distance is about 499 kilometres (310 mi) from Calcutta[83] and 468 kilometres (291 mi) from Vishakhapatnam. Road network includes NH 203 that links the city with Bhubaneswar, the state capital, situated about 60 kilometres (37 mi) away. NH 203 B connects the city with Satapada via Brahmagiri. Marine drive, which is part of NH 203 A, connects Puri with Konark. The nearest airport is the Biju Patnaik International Airport at Bhubaneswar.[57] Puri railway station is among the top hundred booking stations of the Indian Railways.[84]

Arts and craftsEdit

Sand artEdit

Sand art of a Baby Elephant

 

Sand art is a special art form that is created on the beaches of Puri. The art form is attributed to Balaram Das, a poet who lived in the 14th century. Sculptures of various gods and famous people are now created in sand by amateur artists. These are temporary in nature as they get washed away by waves. This art form has gained international fame in recent years. One of the famed sand artists of Odisha is Sudarshan Patnaik. He established the Golden Sand Art Institute in 1995, in the open air on the shores of Bay of Bengal, to provide training to students interested in this art form.[85][80]

Appliqué artEdit

An applique art work

 

Appliqué art, which is a stitching-based craft unlike embroidery, was pioneered by Hatta Maharana of Pipili. It is widely used in Puri, both for decoration of the deities and for sale. Maharana's family members are employed as darjis or tailors or sebaks by the Maharaja of Puri. They prepare articles for decorating the deities in the temple for various festivals and religious ceremonies. The appliqué works are brightly coloured and patterned fabric in the form of canopies, umbrellas, drapery, carry bags, flags, coverings of dummy horses and cows, and other household textiles; these are marketed in Puri. The cloth used is made in dark colours of red, black, yellow, green, blue and turquoise blue.[86]

CultureEdit

Odissi dancer

 

Cultural activities, including the annual religious festivals, in Puri are: The Puri Beach Festival held from 5 to 9 November every year, and the Shreekshetra Utsav held from 20 December to 2 January every year. The cultural programmes include unique sand art, display of local and traditional handicrafts and food festival.[87] In addition, cultural programmes are held for two hours on every second Saturday of the month at the district Collector's Conference Hall near Sea Beach Police Station. Odissi dance, Odissi music and folk dances are part of this event.[87] Odissi dance is the cultural heritage of Puri. This dance form originated in Puri from the dances performed by Devadasis (Maharis) attached to the Jagannatha Temple who performed dances in the Nata mandapa of the temple to please the deities. Though the devadasi practice has been discontinued, the dance form has become modern and classical and is widely popular; many of the Odissi virtuoso artists and gurus (teachers) are from Puri.[88] Some of the famous Odissi dancers are Kelucharan Mohapatra, Mayadhar Raut, Sonal Mansingh, Sanjukta Panigrahi and many more

EducationEdit

Samanta Chandra Sekhar College, Puri

 

Some of the educational institutions in Puri are:

 

Ghanashyama Hemalata Institute of Technology and Management

Gangadhar Mohapatra Law College, established in 1981[89]

Extension Unit of Regional Research Institute of Homoeopathy, Puri, under Central Council for Research in Homoeopathy (CCRH), New Delhi; established in March 2006 [90]

Shri Jagannath Sanskrit University, established in July 1981[91]

Gopabandhu Ayurveda Mahavidyalaya, a college and hospital where treatment and training is based on Ayurveda school of medicine [92]

The Industrial Training Institute, a premier technical institution to provide education to skilled, committed & talented technicians was established in 1966 by the Government of India[93]

Blessed Sacrament High School established in 1952 is otherwise known as Puri convent. It is one of the best schools in the city. The school features classes 1 to 10. It is located in VIP Road, Puri.

 

Puri peopleEdit

 

Jayee Rajguru - Freedom fighter

Chakhi Khuntia (Chandan Hajuri) – Freedom fighter [94]

Utkalmani Pandit Gopabandhu Das – Social worker

Pandit Nilakantha Das – Social activist

Bhaktakabi Madhusudan Rao – Odia Poet

Padma Vibhushan Kelucharan Mohapatra – Odissi dancer

Padma Shri Pankaj Charan Das – Odissi dancer

Padma Shri Pandit Sadashiv Rathasharma – Scholar and Preacher of Shri Jagannatha Culture

Padma Vibhushan Raghunath Mohapatra – Architect and sculptor

Padma Shri Sudarshan Pattnaik – Sand Artist

Baisali Mohanty - ALC Global Fellow at University of Oxford, United Kingdom

Rituraj Mohanty – Singer

And Bheema made Baka in to pieces . .

 

Taken during "Baka Vadham " Kadhakali performed in Cochin last week .

 

Thanks to Krupa Rajguru for the caption.

++++++FROM WIKIPEDIA ++++

 

Puri (About this soundlisten (help·info)) is a city and a Municipality in the state of Odisha in eastern India. It is the district headquarters of Puri district and is situated on the Bay of Bengal, 60 kilometres (37 mi) south of the state capital of Bhubaneswar. It is also known as Sri Jagannatha Dhama after the 12th-century Jagannatha Temple located in the city. It is one of the original Char Dham pilgrimage sites for Hindus.

Puri

 

ପୁରୀ

 

Puri is known by several names since the ancient times, and was locally known as "Sri Kshetra" and Lord Jagannatha temple is known as "Badadeula". Puri and the Jagannatha Temple were invaded 18 times by Hindu and Muslim rulers, from the 4th century AD till the early 19th century with the objective of looting the treasures of the temple. Odisha, including Puri and its temple, were part of British India from 1803 till India attained independence in August 1947. Even though princely states do not exist in India today, the heirs of the Gajapati Dynasty of Khurda still perform the ritual duties of the temple. The temple town has many Hindu religious mathas or monasteries.

 

The economy of Puri is dependent on the religious importance of the Jagannatha Temple to the extent of nearly 80 percent. The 24 festivals, including 13 major ones, held every year in the temple complex contribute to the economy; Ratha Yatra and its related festivals are the most important which are attended by millions of people every year. Sand art and applique art are some of the important crafts of the city.

 

Puri has been chosen as one of the heritage cities for Heritage City Development and Augmentation Yojana (HRIDAY) scheme of Government of India.

Geography and climateEdit

GeographyEdit

The Atharanala Bridge dating back to the 16th century at the entrance of Puri

 

Puri, located on the east coast of India on the Bay of Bengal, is in the centre of the Puri district. It is delimited by the Bay of Bengal on the southeast, the Mauza Sipaurubilla on the west, Mauza Gopinathpur in the north and Mauza Balukhand in the east. It is within the 67 kilometres (42 mi) coastal stretch of sandy beaches that extends between Chilika Lake and the south of Puri city. However, the administrative jurisdiction of the Puri Municipality extends over an area of 16.3268 square kilometres (6.3038 sq mi) spread over 30 wards, which includes a shore line of 5 kilometres (3.1 mi).[1]

 

Puri is in the coastal delta of the Mahanadi River on the shores of the Bay of Bengal. In the ancient days it was near to Sisupalgarh (also known as "Ashokan Tosali"). Then the land was drained by a tributary of the Bhargavi River, a branch of the Mahanadi River. This branch underwent a meandering course creating many arteries altering the estuary, and formed many sand hills. These sand hills could be cut through by the streams. Because of the sand hills, the Bhargavi River, flowing to the south of Puri, moved away towards the Chilika Lake. This shift also resulted in the creation of two lagoons, known as Sar and Samang, on the eastern and northern parts of Puri respectively. Sar lagoon has a length of 5 miles (8.0 km) in an east-west direction and a width of 2 miles (3.2 km) in north-south direction. The estuary of the Bhargavi River has a shallow depth of just 5 feet (1.5 m) and the process of siltation continues. According to a 15th-century Odia writer Saraladasa, the bed of the unnamed stream that flowed at the base of the Blue Mountain or Neelachal was filled up. Katakarajavamsa, a 16th-century chronicle (c.1600), attributes filling up of the bed of the river which flowed through the present Grand Road, as done during the reign of King Narasimha II (1278–1308) of Eastern Ganga dynasty.[2]

ClimateEdit

 

According to the Köppen–Geiger climate classification system the climate of Puri is classified as Aw (Tropical savanna climate). The city has moderate and tropical climate. Humidity is fairly high throughout the year. The temperature during summer touches a maximum of 36 °C (97 °F) and during winter it is 17 °C (63 °F). The average annual rainfall is 1,337 millimetres (52.6 in) and the average annual temperature is 26.9 °C (80.4 °F). The weather data is given in the following table.[3][4]

 

HistoryEdit

Main article: Timeline of Puri

Names in historyEdit

 

Puri, the holy land of Lord Jagannatha, also known by the popular vernacular name Shrikhetra, has many ancient names in the Hindu scriptures such as the Rigveda, Matsya purana, Brahma Purana, Narada Purana, Padma Purana, Skanda Purana, Kapila Purana and Niladrimahodaya. In the Rigveda, in particular, it is mentioned as a place called Purushamandama-grama meaning the place where the Creator deity of the world – Supreme Divinity deified on an altar or mandapa was venerated near the coast and prayers offered with Vedic hymns. Over time the name got changed to Purushottama Puri and further shortened to Puri, and the Purusha came to be known as Jagannatha. Sages like Bhrigu, Atri and Markandeya had their hermitage close to this place.[5] Its name is mentioned, conforming to the deity worshipped, as Srikshetra, Purusottama Dhāma, Purusottama Kshetra, Purusottama Puri and Jagannath Puri. Puri, however, is the popular usage. It is also known by the geographical features of its location as Shankhakshetra (the layout of the town is in the form of a conch shell),[6] Neelāchala ("Blue mountain" a terminology used to name a very large sand lagoon over which the temple was built but this name is not in vogue), Neelāchalakshetra, Neelādri.[7] In Sanskrit, the word "Puri" means town or city,[8] and is cognate with polis in Greek.[9]

 

Another ancient name is Charita as identified by General Alexander Cunningham of the Archaeological Survey of India, which was later spelled as Che-li-ta-lo by Chinese traveller Hiuen Tsang. When the present temple was built by the Eastern Ganga king Anantavarman Chodaganga in the 11th and 12th centuries AD, it was called Purushottamkshetra. However, the Moghuls, the Marathas and early British rulers called it Purushottama-chhatar or just Chhatar. In Moghul ruler Akbar's Ain-i-Akbari and subsequent Muslim historical records it was known as Purushottama. In the Sanskrit drama Anargha Raghava Nataka as well, authored by Murari Mishra, a playwright, in the 8th century AD, it is referred to as Purushottama.[6] It was only after the 12th century AD that Puri came to be known by the shortened form of Jagannatha Puri, named after the deity or in a short form as Puri.[7] It is the only shrine in India, where Radha, along with Lakshmi, Saraswati, Durga, Bhudevi, Sati, Parvati, and Shakti, abodes with Krishna, who is also known by the name Jagannatha.[10]

Ancient periodEdit

king Indradyumna of Ujjayani credited with building the original temple in 318 AD

 

According to the chronicle Madala Panji, in 318 AD, the priests and servitors of the temple spirited away the idols to escape the wrath of the Rashtrakuta king Rakatavahu.[11] In the temple's historical records it finds mention in the Brahma Purana and Skanda Purana stating that the temple was built by the king Indradyumna, Ujjayani.[12]

 

S. N. Sadasivan, a historian, in his book A Social History of India quotes William Joseph Wilkins, author of the book Hindu Mythology, Vedic and Purānic as stating that in Puri, Buddhism was once a well established practice but later Buddhists were persecuted and Brahmanism became the order of the religious practice in the town; the Buddha deity is now worshipped by the Hindus as Jagannatha. It is also said by Wilkinson that some relics of Buddha were placed inside the idol of Jagannatha which the Brahmins claimed were the bones of Lord Krishna. Even during Maurya king Ashoka's reign in 240 BC, Kalinga was a Buddhist center and that a tribe known as Lohabahu (barbarians from outside Odisha) converted to Buddhism and built a temple with an idol of Buddha which is now worshipped as Jagannatha. Wilkinson also says that the Lohabahu deposited some Buddha relics in the precincts of the temple.[13]

 

Construction of the Jagannatha Temple started in 1136 AD and completed towards the latter part of the 12th century. The Eastern Ganga king Anangabhima III dedicated his kingdom to Lord Jagannatha, then known as the Purushottama-Jagannatha, and resolved that from then on he and his descendants would rule under "divine order as Jagannatha's sons and vassals". Even though princely states do not exist in India today, the heirs of the Gajapati dynasty of Khurda still perform the ritual duties of the temple; the king formally sweeps the road in front of the chariots before the start of the Ratha Yatra.[14]

Medieval and early modern periodsEdit

 

The history of Puri is on the same lines as that of the Jagannatha Temple, which was invaded 18 times during its history to plunder the treasures of the temple, rather than for religious reasons. The first invasion occurred in the 8th century AD by Rastrakuta king Govinda-III (798–814 AD), and the last took place in 1881 AD by the monotheistic followers of Alekh (Mahima Dharma) who did not recognise the worship of Jagannatha.[15] From 1205 AD onward [14] there were many invasions of the city and its temple by Muslims of Afghan and Moghul descent, known as Yavanas or foreigners. In most of these invasions the idols were taken to safe places by the priests and the servitors of the temple. Destruction of the temple was prevented by timely resistance or surrender by the kings of the region. However, the treasures of the temple were repeatedly looted.[16] The table lists all the 18 invasions along with the status of the three images of the temple, the triad of Jagannatha, Balabhadra and Subhadra following each invasion.[15]

Invasion number Invader (s), year (s) AD Local rulers Status of the three images of the Jagannatha temple

1 Raktabahu or Govinda III (798–814) of the Rashtrakuta Empire King Subhanadeva of Bhaumakara dynasty Idols shifted to Gopali near Sonepur. Was brought back to Puri by Yayati I after 146 years and re-consecrated after performing Nabakalebara.[17]

2 Illias Shah, Sultan of Bengal, 1340 Narasinghadeva III Images shifted to a secret location.[18]

3 Feroz Shah Tughlaq, 1360 Ganga King Bhanudeva III Images not found, though rumored that they were thrown into the Bay Of Bengal.[18]

4 Ismail Ghazi commander of Alauddin Hussain Shah of Bengal, 1509 King Prataprudradeva Images shifted to Chandhei Guha Pahada near Chilika Lake.[18]

5 Kalapahara, army assistant general of Sulaiman Karrani of the Afghan Sultan of Bengal, 1568 Mukundadeva Harichandan Images initially hidden in an island in Chilika Lake. However, the invader took the idols from here to the banks of the Ganges River and burnt them. Bisher Mohanty, a Vaishnavite saint, who had followed the invading army, retrieved the Brahmas and hid it in a drum at Khurdagada in 1575 AD and finally re-installed it in the deities. Deities were brought back to Puri and consecrated in the Jagannatha Temple.[19]

6 Suleman, the son of Kuthu Khan and Osman, the son of Isha (ruler of Orissa), 1592 Ramachandradeva, the Bhoi dynasty ruler of Khurda Revolt was by local Muslim rulers who desecrated the images.[20]

7 Mirza Khurum, the commander of Islam Khan I, the Nawab of Bengal, 1601 Purushottamadeva of Bhoi Dynasty Image moved to Kapileswarpur village by boat through the river Bhargavi and kept in the Panchamukhi Gosani temple. Thereafter, the deities were kept in Dobandha—Pentha.[20]

8 Hasim Khan, the Subedar of Orissa, 1608 Purushottam Deva, the King of Khurda Images shifted to the Gopal temple at Khurda and brought back in 1608.[20]

9 Hindu Rajput Jagirdar Kesodasmaru, 1610 Purusottamdeva, the king of Khurda Images kept at the Gundicha Temple and brought back to Puri after eight months.[20]

10 Kalyan Malla, 1611 Purushottamadeva, the King of Khurda Images moved to 'Mahisanasi' also known as'Brahmapura' or 'Chakanasi' in the Chilika Lake where they remained for one year.[21]

11 Kalyan Malla, 1612 Paiks of Purushottamadeva, the King of Khurda Images placed on a fleet of boats at Gurubai Gada and hidden under the 'Lotani Baragachha' or Banyan tree) and then at 'Dadhibaman Temple'.[22]

12 Mukarram Khan, 1617 Purushottama Deva, the King of Khurda Images moved to the Bankanidhi temple, Gobapadar and brought back to Puri in 1620.[22]

13 Mirza Ahmad Beg, 1621 Narasingha Deva Images shifted to 'Andharigada' in the mouth of the river Shalia across the Chilika Lake. Moved back to Puri in 1624.[23]

14 Amir Mutaquad Khan alias Mirza Makki, 1645 Narasingha Deva and Gangadhar Not known.[24]

15 Amir Fateh Khan, 1647 Not known Not known[24]

16 Ekram Khan and Mastram Khan on behalf of Mughal Emperor Aurangzeb, 1692 Divyasingha Deva, the king of Khurda Images moved to 'Maa Bhagabati Temple' and then to Bada Hantuada in Banpur across the Chilika Lake, and finally brought back to Puri in 1699.[24]

17 Muhammad Taqi Khan, 1731 and 1733 Birakishore Deva and Birakishore Deva of Athagada Images moved to Hariswar in Banpur, Chikili in Khalikote, Rumagarh in Kodala, Athagada in Ganjam and lastly to Marda in Kodala. Shifted back to Puri after 2.5 years.[24]

18 Followers of Mahima Dharma, 1881 Birakishore Deva and Birakishore Deva of Athagada Images burnt in the streets. [25]

 

Puri is the site of the Govardhana Matha, one of the four cardinal institutions established by Adi Shankaracharya, when he visited Puri in 810 AD, and since then it has become an important dham (divine centre) for the Hindus; the others being those at Sringeri, Dwarka and Jyotirmath. The Matha (monastery of various Hindu sects) is headed by Jagatguru Shankarachrya. It is a local belief about these dhams that Lord Vishnu takes his dinner at Puri, has his bath at Rameshwaram, spends the night at Dwarka and does penance at Badrinath.[12][26]

 

In the 16th century, Chaitanya Mahaprabhu of Bengal established the Bhakti movements of India, now known by the name the Hare Krishna movement. He spent many years as a devotee of Jagannatha at Puri; he is said to have merged with the deity.[27] There is also a matha of Chaitanya Mahaprabhu here known as Radhakanta Math.[12]

 

In the 17th century, for the sailors sailing on the east coast of India, the temple served as a landmark, being located in a plaza in the centre of the city, which they called the "White Pagoda" while the Konark Sun Temple, 60 kilometres (37 mi) away to the east of Puri, was known as the "Black Pagoda".[27]

 

The iconic representation of the images in the Jagannatha temple is believed to be the forms derived from the worship made by the tribal groups of Sabaras belonging to northern Odisha. These images are replaced at regular intervals as the wood deteriorates. This replacement is a special event carried out ritualistically by special group of carpenters.[27]

Govardhana matha main gate

 

The city has many other Mathas as well. The Emar Matha was founded by the Tamil Vaishnava saint Ramanujacharya in the 12th century AD. This Matha, which is now located in front of Simhadvara across the eastern corner of the Jagannatha Temple, is reported to have been built in the 16th century during the reign of kings of Suryavamsi Gajapatis. The Matha was in the news on 25 February 2011 for the large cache of 522 silver slabs unearthed from a closed chamber.[28][29]

 

The British conquered Orissa in 1803, and, recognising the importance of the Jagannatha Temple in the life of the people of the state, they initially appointed an official to look after the temple's affairs and later declared the temple as part of a district.[14]

Modern historyEdit

H.H Jagadguru Swami Nischalananda Saraswati, The Shankaracharya of Puri

 

In 1906, Sri Yukteswar, an exponent of Kriya Yoga and a resident of Puri, established an ashram, a spiritual training center, named "Kararashram" in Puri. He died on 9 March 1936 and his body is buried in the garden of the ashram.[30][31]

 

The city is the site of the former summer residence of British Raj, the Raj Bhavan, built in 1913–14 during the era of governors.[32]

 

For the people of Puri, Lord Jagannatha, visualized as Lord Krishna, is synonymous with their city. They believe that Lord Jagannatha looks after the welfare of the state. However, after the partial collapse of the Jagannatha Temple (in the Amalaka part of the temple) on 14 June 1990, people became apprehensive and considered it a bad omen for Odisha. The replacement of the fallen stone by another of the same size and weight (7 tonnes (7.7 tons)), that could be done only in the early morning hours after the temple gates were opened, was done on 28 February 1991.[27]

 

Puri has been chosen as one of the heritage cities for the Heritage City Development and Augmentation Yojana scheme of the Indian Government. It is chosen as one of the 12 heritage cities with "focus on holistic development" to be implemented within 27 months by the end of March 2017.[33]

 

Non-Hindus are not permitted to enter the shrines but are allowed to view the temple and the proceedings from the roof of the Raghunandan library, located within the precincts of the temple, for a small donation.[34]

DemographicsEdit

See also: List of cities in Odisha

 

According to the 2011 Census of India, Puri is an urban agglomeration governed by the Municipal Corporation in Odisha state, with a population of 201,026[35] This rose to 200,564 in 2011 – comprising 104,086 males, 96,478 females, and 18,471 children (under six years of age). The sex ratio is 927. The average literacy rate in the city is 88.03 percent (91.38 percent for males and 84.43 percent for females).

EconomyEdit

 

The economy of Puri is dependent on tourism to the extent of about 80 percent. The temple is the focal point of the city and provides employment to the people of the town. Agricultural production of rice, ghee, vegetables and so forth of the region meet the large requirements of the temple. Many settlements around the town exclusively cater to the other religious requirements of the temple.[36] The temple administration employs 6,000 men to perform the rituals. The temple also provides economic sustenance to 20,000 people.[34] According to Colleen Taylor Sen an author on food and travel, writing on the food culture of India, the temple kitchen has 400 cooks serving food to as many as 100,000 people,.[37] According to J Mohapatra, Director, Ind Barath Power Infra Ltd (IBPIL), the kitchen is known as "a largest and biggest kitchen of the world."[38]

City management and governanceEdit

Samudra arati or worship of the sea at Swargadwar by disciples of the Govardhana matha

 

The Puri Municipality, Puri Konark Development Authority, Public Health Engineering Organisation and Orissa Water Supply Sewerage Board are some of the principal organisations that are devolved with the responsibility of providing for civic amenities such as water supply, sewerage, waste management, street lighting and infrastructure of roads. The major activity, which puts maximum pressure on these organisations, is the annual event of the Ratha Yatra held during June- July. According to the Puri Municipality more than a million people attend this event. Hence, development activities such as infrastructure and amenities to the pilgrims, apart from security, gets priority attention.[39]

 

The civic administration of Puri is the responsibility of the Puri Municipality. The municipality came into existence in 1864 in the name of the Puri Improvement Trust, which was converted into Puri Municipality in 1881. After India's independence in 1947, the Orissa Municipal Act (1950) was promulgated entrusting the administration of the city to the Puri Municipality. This body is represented by elected representatives with a Chairperson and councilors representing the 30 wards within the municipal limits.[40]

LandmarksEdit

Jagannatha temple

Jagannatha Temple at PuriEdit

Main article: Jagannath Temple (Puri)

Left: Jagannath Temple at Puri Right: View of the temple at night

 

The Jagannatha Temple at Puri is one of the major Hindu temples built in the Kalinga style of architecture.[41] The temple tower, with a spire, rises to a height of 58 metres (190 ft), and a flag is unfurled above it, fixed over a wheel (chakra).[34][42]

Left:Ritual chakra and flags at the top shikhara of Puri temple of Jagannatha also related to Sudarsana chakra. The red flag (12 hand or 14 feet (4.3 m) denotes that Jagannath is within the temple.

Right: Statue of Aruna the charioteer of the Sun God on top of the Aruna Stambha in front of the Singhadwara

 

The temple is built on an elevated platform (of about 420,000 square feet (39,000 m2) area),[43] 20 feet (6.1 m) above the adjacent area. The temple rises to a height of 214 feet (65 m) above the road level. The temple complex covers an area of 10.7 acres (4.3 ha).[39] There are four entry gates in four cardinal directions of the temple, each gate located at the central part of the walls. These gates are: the eastern gate called the Singhadwara (Lions Gate), the southern gate known as Ashwa Dwara (Horse Gate), the western gate called the Vyaghra Dwara (Tigers Gate) or the Khanja Gate, and the northern gate called the Hathi Dwara or (elephant gate). These four gates symbolize the four fundamental principles of Dharma (right conduct), Jnana (knowledge), Vairagya (renunciation) and Aishwarya (prosperity). The gates are crowned with pyramid shaped structures. There is a stone pillar in front of the Singhadwara, called the Aruna Stambha {Solar Pillar}, 11 metres (36 ft) in height with 16 faces, made of chlorite stone; at the top of the stamba an elegant statue of Aruṇa (Sun) in a prayer mode is mounted. This pillar was shifted from the Konarak Sun Temple.[44] The four gates are decorated with guardian statues in the form of lion, horse mounted men, tigers, and elephants in the name and order of the gates.[34] A pillar made of fossilized wood is used for placing lamps as offering. The Lion Gate (Singhadwara) is the main gate to the temple, which is guarded by two guardian deities Jaya and Vijaya.[43][44][45] The main gate is ascended through 22 steps known as Baisi Pahaca, which are revered, as it is believed to possess "spiritual animation". Children are made to roll down these steps, from top to bottom, to bring them spiritual happiness. After entering the temple, on the left side, there is a large kitchen where food is prepared in hygienic conditions in huge quantities; the kitchen is called as "the biggest hotel of the world".[43]

The main entrance of the Jagannatha Temple

 

According to a legend King Indradyumma was directed by Lord Jagannatha in a dream to build a temple for him which he did as directed. However, according to historical records the temple was started some time during the 12th century by King Chodaganga of the Eastern Ganga dynasty. It was completed by his descendant, Anangabhima Deva, in the 12th century. The wooden images of Jagannatha, Balabhadra and Subhadra were then deified here. The temple was under the control of the Hindu rulers up to 1558. Then, when Orissa was occupied by the Afghan Nawab of Bengal, it was brought under the control of the Afghan General Kalapahad. Following the defeat of the Afghan king by Raja Mansingh, the General of Mughal emperor Akbar, the temple became part of the Mughal empire till 1751. Subsequently, it was under the control of the Marathas till 1803. During the British Raj, the Puri Raja was entrusted with its management until 1947.[42]

 

The triad of images in the temple are of Jagannatha, personifying Lord Krishna, Balabhadra, His older brother, and Subhadra, His younger sister. The images are made of neem wood in an unfinished form. The stumps of wood which form the images of the brothers have human arms, while that of Subhadra does not have any arms. The heads are large, painted and non-carved. The faces are marked with distinctive large circular eyes.[27]

The Pancha Tirtha of PuriEdit

Main article: Pancha Tirtha of Puri

Markandeshwar Tank

 

Hindus consider it essential to bathe in the Pancha Tirtha or the five sacred bathing spots of Puri, to complete a pilgrimage to Puri. The five sacred water bodies are the Indradyumana Tank, the Rohini Kunda, the Markandeya Tank, the Swetaganga Tank, and the Bay of Bengal also called the Mahodadhi, in Sanskrit 'Mahodadhi' means a "great ocean";[46] all are considered sacred bathing spots in the Swargadwar area.[47][48][49] These tanks have perennial sources of supply from rainfall and ground water.[50]

Gundicha TempleEdit

Main article: Gundicha Temple

The Main Gate of the Gundicha Temple

 

The Gundicha Temple, known as the Garden House of Jagannatha, stands in the centre of a beautiful garden, bounded by compound walls on all sides. It lies at a distance of about 3 kilometres (1.9 mi) to the northeast of the Jagannatha Temple. The two temples are located at the two ends of the Bada Danda (Grand Avenue), which is the pathway for the Ratha Yatra. According to a legend, Gundicha was the wife of King Indradyumna who originally built the Jagannatha temple.[51]

 

The temple is built using light-grey sandstone, and, architecturally, it exemplifies typical Kalinga temple architecture in the Deula style. The complex comprises four components: vimana (tower structure containing the sanctum), jagamohana (assembly hall), nata-mandapa (festival hall) and bhoga-mandapa (hall of offerings). There is also a kitchen connected by a small passage. The temple is set within a garden, and is known as "God's Summer Garden Retreat" or garden house of Jagannatha. The entire complex, including the garden, is surrounded by a wall which measures 430 by 320 feet (131 m × 98 m) with height of 20 feet (6.1 m).[52]

 

Except for the 9-day Ratha Yatra, when the triad images are worshipped in the Gundicha Temple, otherwise it remains unoccupied for the rest of the year. Tourists can visit the temple after paying an entry fee. Foreigners (generally prohibited entry in the main temple) are allowed inside this temple during this period.[53] The temple is under the Jagannatha Temple Administration, Puri, the governing body of the main temple. A small band of servitors maintain the temple.[52]

SwargadwarEdit

The Sea at Swargadwar of Puri

 

Swargadwar is the name given to the cremation ground or burning ghat which is located on the shores of the sea. Here thousands of dead bodies of Hindus brought from faraway places are cremated. It is a belief that the Chitanya Mahaparabhu disappeared from this Swargadwar about 500 years back.[54]

BeachEdit

Puri sea sunrise

Puri Sea Beach viewed from the light house

 

The beach at Puri, known as the "Ballighai beach, at the mouth of Nunai River, is 8 kilometres (5.0 mi) away from the town and is fringed by casurina trees.[12] It has golden yellow sand. Sunrise and sunset are pleasant scenic attractions here.[55] Waves break in at the beach which is long and wide.[27]

District museumEdit

 

The Puri district museum is located on the station road where the exhibits in display are the different types of garments worn by Lord Jagannatha, local sculptures, patachitra (traditional, cloth-based scroll painting), ancient Palm-leaf manuscripts, and local craft work.[56]

Raghunandana libraryEdit

 

Raghunandana Library is located in the Emara Matha complex (opposite Simhadwara or lion gate, the main entrance gate). The Jagannatha Aitihasika Gavesana Samiti (Jagannatha Historical Centre) is also located here. The library houses ancient palm leaf manuscripts on Jagannatha, His cult and the history of the city.[56]

Festivals of PuriEdit

Main article: List of festivals observed at Jagannatha Temple, Puri

The Grand Road near the Jagannatha Temple

 

Puri witnesses 24 festivals every year, of which 13 are major. The most important of these is the Ratha Yatra, or the car festival, held in the June–July, which is attended by more than 1 million people.[57]

Ratha Yatra at PuriEdit

Main article: Ratha-Yatra (Puri)

The Ratha Yatra in Puri in modern times showing the three chariots of the deities with the Temple in the background

 

The Jagannatha Temple triad are normally worshipped in the sanctum of the temple at Puri, but once during the month of Asadha (rainy season of Orissa, usually in June or July), they are brought out on the Bada Danda (main street of Puri) and taken over a distance of (3 kilometres (1.9 mi)) to the Shri Gundicha Temple[58] in huge chariots (ratha), allowing the public to have darśana (holy view). This festival is known as the Ratha Yatra, meaning the journey (yatra) of the chariots.[59] The yatra starts every year according to the Hindu calendar on the Asadha Sukla Dwitiya day, the second day of bright fortnight of Asadha (June–July).[60]

 

Historically, the ruling Ganga dynasty instituted the Ratha Yatra on the completion of the Jagannatha Temple around 1150 AD. This festival was one of those Hindu festivals that was reported to the Western world very early.[61] Friar Odoric, in his account of 1321, reported how the people put the "idols" on chariots, and the King, the Queen and all the people drew them from the "church" with song and music.[62][63]

 

The Rathas are huge wooden structures provided with large wheels, which are built anew every year and are pulled by the devotees. The chariot for Lord Jagannatha is about 45 feet (14 m) high and 35 square feet (3.3 m2) and takes about 2 months for its construction.[64] The chariot is mounted with 16 wheels, each of 7 feet (2.1 m) diameter. The carving in the front face of the chariot has four wooden horses drawn by Maruti. On its other three faces, the wooden carvings are of Rama, Surya and Vishnu. The chariot is known as Nandi Ghosha. The roof of the chariot is covered with yellow and red coloured cloth. The next chariot is of Balabhadra which is 44 feet (13 m) in height fitted with 14 wheels. The chariot is carved with Satyaki as the charioteer, roof covered in red and green coloured cloth, and the chariot is known as Taladhwaja. The carvings on this chariot include images of Narasimha and Rudra as Jagannatha's companions. The next chariot in the order is of Subhadra, which is 43 feet (13 m) in height supported on 12 wheels, roof covered in black and red colour cloth, and the chariot is known as Darpa Dalaan and the charioteer carved is Arjuna. Other images carved on the chariot are of Vana Durga, Tara Devi and Chandi Devi.[60][65] The artists and painters of Puri decorate the cars and paint flower petals and other designs on the wheels, the wood-carved charioteer and horses, and the inverted lotuses on the wall behind the throne.[59] The chariots of Jagannatha pulled during Ratha Yatra is the etymological origin of the English word Juggernaut.[66] The Ratha Yatra is also termed as the Shri Gundicha yatra and Ghosha yatra[60]

Pahandi bije during Ratha Yatra at Puri

Chhera PaharaEdit

 

The Chhera Pahara (sweeping with water) is a significant ritual associated with the Ratha Yatra. During this ritual, the Gajapati King wears the outfit of a sweeper and sweeps all around the deities and chariots. The king cleans the road in front of the chariots with a gold-handled broom and sprinkles sandalwood water and powder. As per the custom, although the Gajapati King has been considered the most exalted person in the Kalingan kingdom, he still renders the menial service to Jagannatha. This ritual signifies that under the lordship of Jagannatha, there is no distinction between the powerful sovereign and the humblest devotee.[67]

Chandan YatraEdit

The Narendra Tirtha tank where ceremonies of Chandan Yatra are performed

Main article: Chandan Yatra

 

The Chandan Yatra festival held every year on Akshaya Tritiya day marks the commencement of the construction of the chariots of the Ratha Yatra. It also marks the celebration of the Hindu new year.[12]

Snana YatraEdit

Main article: Snana Yatra

 

Every year, on the Purnima day in the Hindu calendar month of Jyestha (June), the triad images of the Jagannatha Temple are ceremonially bathed and decorated on the occasion of Snana Yatra. Water for the bath is taken in 108 pots from the Suna kuan (meaning: "golden well") located near the northern gate of the temple. Water is drawn from this well only once in a year for the sole purpose of the religious bath of the deities. After the bath the triad images are dressed in the fashion of the elephant god, Ganesha. Later, during the night, the original triad images are taken out in a procession back to the main temple but kept at a place known as Anasara pindi.[60] After this the Jhulana Yatra is performed when proxy images of the deities are taken out in a grand procession for 21 days, cruised over boats in the Narendra Tirtha tank.[12]

Anavasara or AnasaraEdit

Images during the Snana Yatra.

 

Anasara, a derivative of the Sanskrit word "Anabasara",[68] literally means vacation. Every year after the holy Snana Yatra, the triad images, without the Sudarshana Chakra, are taken to a secret altar named Anavasara Ghar (also known as Anasara pindi, 'pindi' is Oriya term meaning "platform" [68]) where they remain for the next fortnight of (Krishna paksha); devotees are not allowed to view these images. Instead, devotees go to the nearby Brahmagiri to see the Lord in the four-handed form of Alarnath, a depiction of Vishnu.[60][69] Devotees then get the first glimpse of the Lord only on the day before Ratha Yatra, which is called Navayouvana. It is a local belief that the gods suffer from fever after taking an elaborate ritual bath, and they are treated by the special servants, the Daitapatis, for 15 days. Daitapatis perform special nitis (rites) known as Netrotchhaba (a rite of painting the eyes of the triad). During this period cooked food is not offered to the deities.[70]

Naba KalebaraEdit

Main articles: Nabakalevara and Nabakalebara 2015

 

Naba Kalebara is one of the most grand events associated with the Lord Jagannatha that takes place when one lunar month of Ashadha is followed by another of Ashadha called Adhika Masa (extra month). This can take place at an interval of 8, 12 or even 18 years. Literally meaning the "New Body" (Nava = New, Kalevar = Body) in Odia, the festival is witnessed by millions of people and the budget for this event generally exceeds $500,000. The event involves installation of new images in the temple and burial of the old ones in the temple premises at Koili Vaikuntha. During the Nabakalebara ceremony held during July 2015 the idols that were installed in the temple in 1996 were replaced by specially carved new images made of neem wood.[71][72] More than 3 million people are reported to have attended this festival.[73]

Suna BeshaEdit

Main article: Suna Besha

Suna Besha or Golden Attire of Lord Jagannatha

 

Suna Besha, ('Suna besh'in English translates to "gold dressing”[74]) also known as Raja or Rajadhiraja Bhesha [75] or Raja Bhesha, is an event when the triad images of the Jagannatha Temple are adorned with gold jewelry. This event is observed five times in a year. It is commonly observed on Magha Purnima (January), Bahuda Ekadashi also known as Asadha Ekadashi (July), Dashahara (Bijayadashami) (October), Karthik Purnima (November), and Pousa Purnima (December).[76][77] One such Suna Bhesha event is observed on Bahuda Ekadashi during the Ratha Yatra on the chariots placed at the Simhadwar. The other four Beshas are observed inside the temple on the Ratna Singhasana (gem studded altar). On this occasion gold plates are decorated over the hands and feet of Jagannatha and Balabhadra; Jagannatha is also adorned with a Chakra (disc) made of gold on the right hand while a silver conch adorns the left hand. Balabhadra is decorated with a plough made of gold on the left hand while a golden mace adorns his right hand.[76]

Niladri BijeEdit

 

Niladri Bije, celebrated in the Hindu calendar month Asadha (June–July) on Trayodashi (13th day),[78] marks the end of the Ratha Yatra. The large wooden images of the triad of gods are taken out from the chariots and then carried to the sanctum sanctorum, swaying rhythmically; a ritual which is known as pahandi.[72]

Sahi yatraEdit

A scene from a play being enacted during the Sahi Yatra

 

The Sahi Yatra, considered the world's biggest open-air theatre,[79] is an annual event lasting 11 days; a traditional cultural theatre festival or folk drama which begins on Ram Navami and ends on Rama avishke (Sanskrit meaning : anointing). The festival includes plays depicting various scenes from the Ramayana. The residents of various localities, or Sahis, are entrusted the task of performing the drama at the street corners.[80]

Samudra AratiEdit

Samudra arati of worship of the sea by disciples of the Matha at Puri

 

The Samudra arati is a daily tradition started by the present Shankaracharya 9 years ago.[81] The daily practise includes prayer and fire offering to the sea at Swargadwar in Puri by disciples of the Govardhan Matha. On Paush Purnima of every year the Shankaracharya himself comes out to offer prayers to the sea.

TransportEdit

 

Earlier, when roads did not exist, people used to walk or travel by animal-drawn vehicles or carriages along beaten tracks to reach Puri. Travel was by riverine craft along the Ganges up to Calcutta, and then on foot or by carriages. It was only during the Maratha rule that the popular Jagannath Sadak (Road) was built around 1790. The East India Company laid the rail track from Calcutta to Puri, which became operational in 1898.[82] Puri is now well-connected by rail, road and air services. A broad gauge railway line of the South Eastern Railways which connects Puri with Calcutta, and Khurda is an important railway junction on this route. The rail distance is about 499 kilometres (310 mi) from Calcutta[83] and 468 kilometres (291 mi) from Vishakhapatnam. Road network includes NH 203 that links the city with Bhubaneswar, the state capital, situated about 60 kilometres (37 mi) away. NH 203 B connects the city with Satapada via Brahmagiri. Marine drive, which is part of NH 203 A, connects Puri with Konark. The nearest airport is the Biju Patnaik International Airport at Bhubaneswar.[57] Puri railway station is among the top hundred booking stations of the Indian Railways.[84]

Arts and craftsEdit

Sand artEdit

Sand art of a Baby Elephant

 

Sand art is a special art form that is created on the beaches of Puri. The art form is attributed to Balaram Das, a poet who lived in the 14th century. Sculptures of various gods and famous people are now created in sand by amateur artists. These are temporary in nature as they get washed away by waves. This art form has gained international fame in recent years. One of the famed sand artists of Odisha is Sudarshan Patnaik. He established the Golden Sand Art Institute in 1995, in the open air on the shores of Bay of Bengal, to provide training to students interested in this art form.[85][80]

Appliqué artEdit

An applique art work

 

Appliqué art, which is a stitching-based craft unlike embroidery, was pioneered by Hatta Maharana of Pipili. It is widely used in Puri, both for decoration of the deities and for sale. Maharana's family members are employed as darjis or tailors or sebaks by the Maharaja of Puri. They prepare articles for decorating the deities in the temple for various festivals and religious ceremonies. The appliqué works are brightly coloured and patterned fabric in the form of canopies, umbrellas, drapery, carry bags, flags, coverings of dummy horses and cows, and other household textiles; these are marketed in Puri. The cloth used is made in dark colours of red, black, yellow, green, blue and turquoise blue.[86]

CultureEdit

Odissi dancer

 

Cultural activities, including the annual religious festivals, in Puri are: The Puri Beach Festival held from 5 to 9 November every year, and the Shreekshetra Utsav held from 20 December to 2 January every year. The cultural programmes include unique sand art, display of local and traditional handicrafts and food festival.[87] In addition, cultural programmes are held for two hours on every second Saturday of the month at the district Collector's Conference Hall near Sea Beach Police Station. Odissi dance, Odissi music and folk dances are part of this event.[87] Odissi dance is the cultural heritage of Puri. This dance form originated in Puri from the dances performed by Devadasis (Maharis) attached to the Jagannatha Temple who performed dances in the Nata mandapa of the temple to please the deities. Though the devadasi practice has been discontinued, the dance form has become modern and classical and is widely popular; many of the Odissi virtuoso artists and gurus (teachers) are from Puri.[88] Some of the famous Odissi dancers are Kelucharan Mohapatra, Mayadhar Raut, Sonal Mansingh, Sanjukta Panigrahi and many more

EducationEdit

Samanta Chandra Sekhar College, Puri

 

Some of the educational institutions in Puri are:

 

Ghanashyama Hemalata Institute of Technology and Management

Gangadhar Mohapatra Law College, established in 1981[89]

Extension Unit of Regional Research Institute of Homoeopathy, Puri, under Central Council for Research in Homoeopathy (CCRH), New Delhi; established in March 2006 [90]

Shri Jagannath Sanskrit University, established in July 1981[91]

Gopabandhu Ayurveda Mahavidyalaya, a college and hospital where treatment and training is based on Ayurveda school of medicine [92]

The Industrial Training Institute, a premier technical institution to provide education to skilled, committed & talented technicians was established in 1966 by the Government of India[93]

Blessed Sacrament High School established in 1952 is otherwise known as Puri convent. It is one of the best schools in the city. The school features classes 1 to 10. It is located in VIP Road, Puri.

 

Puri peopleEdit

 

Jayee Rajguru - Freedom fighter

Chakhi Khuntia (Chandan Hajuri) – Freedom fighter [94]

Utkalmani Pandit Gopabandhu Das – Social worker

Pandit Nilakantha Das – Social activist

Bhaktakabi Madhusudan Rao – Odia Poet

Padma Vibhushan Kelucharan Mohapatra – Odissi dancer

Padma Shri Pankaj Charan Das – Odissi dancer

Padma Shri Pandit Sadashiv Rathasharma – Scholar and Preacher of Shri Jagannatha Culture

Padma Vibhushan Raghunath Mohapatra – Architect and sculptor

Padma Shri Sudarshan Pattnaik – Sand Artist

Baisali Mohanty - ALC Global Fellow at University of Oxford, United Kingdom

Rituraj Mohanty – Singer

++++++FROM WIKIPEDIA ++++

 

Puri (About this soundlisten (help·info)) is a city and a Municipality in the state of Odisha in eastern India. It is the district headquarters of Puri district and is situated on the Bay of Bengal, 60 kilometres (37 mi) south of the state capital of Bhubaneswar. It is also known as Sri Jagannatha Dhama after the 12th-century Jagannatha Temple located in the city. It is one of the original Char Dham pilgrimage sites for Hindus.

Puri

 

ପୁରୀ

 

Puri is known by several names since the ancient times, and was locally known as "Sri Kshetra" and Lord Jagannatha temple is known as "Badadeula". Puri and the Jagannatha Temple were invaded 18 times by Hindu and Muslim rulers, from the 4th century AD till the early 19th century with the objective of looting the treasures of the temple. Odisha, including Puri and its temple, were part of British India from 1803 till India attained independence in August 1947. Even though princely states do not exist in India today, the heirs of the Gajapati Dynasty of Khurda still perform the ritual duties of the temple. The temple town has many Hindu religious mathas or monasteries.

 

The economy of Puri is dependent on the religious importance of the Jagannatha Temple to the extent of nearly 80 percent. The 24 festivals, including 13 major ones, held every year in the temple complex contribute to the economy; Ratha Yatra and its related festivals are the most important which are attended by millions of people every year. Sand art and applique art are some of the important crafts of the city.

 

Puri has been chosen as one of the heritage cities for Heritage City Development and Augmentation Yojana (HRIDAY) scheme of Government of India.

Geography and climateEdit

GeographyEdit

The Atharanala Bridge dating back to the 16th century at the entrance of Puri

 

Puri, located on the east coast of India on the Bay of Bengal, is in the centre of the Puri district. It is delimited by the Bay of Bengal on the southeast, the Mauza Sipaurubilla on the west, Mauza Gopinathpur in the north and Mauza Balukhand in the east. It is within the 67 kilometres (42 mi) coastal stretch of sandy beaches that extends between Chilika Lake and the south of Puri city. However, the administrative jurisdiction of the Puri Municipality extends over an area of 16.3268 square kilometres (6.3038 sq mi) spread over 30 wards, which includes a shore line of 5 kilometres (3.1 mi).[1]

 

Puri is in the coastal delta of the Mahanadi River on the shores of the Bay of Bengal. In the ancient days it was near to Sisupalgarh (also known as "Ashokan Tosali"). Then the land was drained by a tributary of the Bhargavi River, a branch of the Mahanadi River. This branch underwent a meandering course creating many arteries altering the estuary, and formed many sand hills. These sand hills could be cut through by the streams. Because of the sand hills, the Bhargavi River, flowing to the south of Puri, moved away towards the Chilika Lake. This shift also resulted in the creation of two lagoons, known as Sar and Samang, on the eastern and northern parts of Puri respectively. Sar lagoon has a length of 5 miles (8.0 km) in an east-west direction and a width of 2 miles (3.2 km) in north-south direction. The estuary of the Bhargavi River has a shallow depth of just 5 feet (1.5 m) and the process of siltation continues. According to a 15th-century Odia writer Saraladasa, the bed of the unnamed stream that flowed at the base of the Blue Mountain or Neelachal was filled up. Katakarajavamsa, a 16th-century chronicle (c.1600), attributes filling up of the bed of the river which flowed through the present Grand Road, as done during the reign of King Narasimha II (1278–1308) of Eastern Ganga dynasty.[2]

ClimateEdit

 

According to the Köppen–Geiger climate classification system the climate of Puri is classified as Aw (Tropical savanna climate). The city has moderate and tropical climate. Humidity is fairly high throughout the year. The temperature during summer touches a maximum of 36 °C (97 °F) and during winter it is 17 °C (63 °F). The average annual rainfall is 1,337 millimetres (52.6 in) and the average annual temperature is 26.9 °C (80.4 °F). The weather data is given in the following table.[3][4]

 

HistoryEdit

Main article: Timeline of Puri

Names in historyEdit

 

Puri, the holy land of Lord Jagannatha, also known by the popular vernacular name Shrikhetra, has many ancient names in the Hindu scriptures such as the Rigveda, Matsya purana, Brahma Purana, Narada Purana, Padma Purana, Skanda Purana, Kapila Purana and Niladrimahodaya. In the Rigveda, in particular, it is mentioned as a place called Purushamandama-grama meaning the place where the Creator deity of the world – Supreme Divinity deified on an altar or mandapa was venerated near the coast and prayers offered with Vedic hymns. Over time the name got changed to Purushottama Puri and further shortened to Puri, and the Purusha came to be known as Jagannatha. Sages like Bhrigu, Atri and Markandeya had their hermitage close to this place.[5] Its name is mentioned, conforming to the deity worshipped, as Srikshetra, Purusottama Dhāma, Purusottama Kshetra, Purusottama Puri and Jagannath Puri. Puri, however, is the popular usage. It is also known by the geographical features of its location as Shankhakshetra (the layout of the town is in the form of a conch shell),[6] Neelāchala ("Blue mountain" a terminology used to name a very large sand lagoon over which the temple was built but this name is not in vogue), Neelāchalakshetra, Neelādri.[7] In Sanskrit, the word "Puri" means town or city,[8] and is cognate with polis in Greek.[9]

 

Another ancient name is Charita as identified by General Alexander Cunningham of the Archaeological Survey of India, which was later spelled as Che-li-ta-lo by Chinese traveller Hiuen Tsang. When the present temple was built by the Eastern Ganga king Anantavarman Chodaganga in the 11th and 12th centuries AD, it was called Purushottamkshetra. However, the Moghuls, the Marathas and early British rulers called it Purushottama-chhatar or just Chhatar. In Moghul ruler Akbar's Ain-i-Akbari and subsequent Muslim historical records it was known as Purushottama. In the Sanskrit drama Anargha Raghava Nataka as well, authored by Murari Mishra, a playwright, in the 8th century AD, it is referred to as Purushottama.[6] It was only after the 12th century AD that Puri came to be known by the shortened form of Jagannatha Puri, named after the deity or in a short form as Puri.[7] It is the only shrine in India, where Radha, along with Lakshmi, Saraswati, Durga, Bhudevi, Sati, Parvati, and Shakti, abodes with Krishna, who is also known by the name Jagannatha.[10]

Ancient periodEdit

king Indradyumna of Ujjayani credited with building the original temple in 318 AD

 

According to the chronicle Madala Panji, in 318 AD, the priests and servitors of the temple spirited away the idols to escape the wrath of the Rashtrakuta king Rakatavahu.[11] In the temple's historical records it finds mention in the Brahma Purana and Skanda Purana stating that the temple was built by the king Indradyumna, Ujjayani.[12]

 

S. N. Sadasivan, a historian, in his book A Social History of India quotes William Joseph Wilkins, author of the book Hindu Mythology, Vedic and Purānic as stating that in Puri, Buddhism was once a well established practice but later Buddhists were persecuted and Brahmanism became the order of the religious practice in the town; the Buddha deity is now worshipped by the Hindus as Jagannatha. It is also said by Wilkinson that some relics of Buddha were placed inside the idol of Jagannatha which the Brahmins claimed were the bones of Lord Krishna. Even during Maurya king Ashoka's reign in 240 BC, Kalinga was a Buddhist center and that a tribe known as Lohabahu (barbarians from outside Odisha) converted to Buddhism and built a temple with an idol of Buddha which is now worshipped as Jagannatha. Wilkinson also says that the Lohabahu deposited some Buddha relics in the precincts of the temple.[13]

 

Construction of the Jagannatha Temple started in 1136 AD and completed towards the latter part of the 12th century. The Eastern Ganga king Anangabhima III dedicated his kingdom to Lord Jagannatha, then known as the Purushottama-Jagannatha, and resolved that from then on he and his descendants would rule under "divine order as Jagannatha's sons and vassals". Even though princely states do not exist in India today, the heirs of the Gajapati dynasty of Khurda still perform the ritual duties of the temple; the king formally sweeps the road in front of the chariots before the start of the Ratha Yatra.[14]

Medieval and early modern periodsEdit

 

The history of Puri is on the same lines as that of the Jagannatha Temple, which was invaded 18 times during its history to plunder the treasures of the temple, rather than for religious reasons. The first invasion occurred in the 8th century AD by Rastrakuta king Govinda-III (798–814 AD), and the last took place in 1881 AD by the monotheistic followers of Alekh (Mahima Dharma) who did not recognise the worship of Jagannatha.[15] From 1205 AD onward [14] there were many invasions of the city and its temple by Muslims of Afghan and Moghul descent, known as Yavanas or foreigners. In most of these invasions the idols were taken to safe places by the priests and the servitors of the temple. Destruction of the temple was prevented by timely resistance or surrender by the kings of the region. However, the treasures of the temple were repeatedly looted.[16] The table lists all the 18 invasions along with the status of the three images of the temple, the triad of Jagannatha, Balabhadra and Subhadra following each invasion.[15]

Invasion number Invader (s), year (s) AD Local rulers Status of the three images of the Jagannatha temple

1 Raktabahu or Govinda III (798–814) of the Rashtrakuta Empire King Subhanadeva of Bhaumakara dynasty Idols shifted to Gopali near Sonepur. Was brought back to Puri by Yayati I after 146 years and re-consecrated after performing Nabakalebara.[17]

2 Illias Shah, Sultan of Bengal, 1340 Narasinghadeva III Images shifted to a secret location.[18]

3 Feroz Shah Tughlaq, 1360 Ganga King Bhanudeva III Images not found, though rumored that they were thrown into the Bay Of Bengal.[18]

4 Ismail Ghazi commander of Alauddin Hussain Shah of Bengal, 1509 King Prataprudradeva Images shifted to Chandhei Guha Pahada near Chilika Lake.[18]

5 Kalapahara, army assistant general of Sulaiman Karrani of the Afghan Sultan of Bengal, 1568 Mukundadeva Harichandan Images initially hidden in an island in Chilika Lake. However, the invader took the idols from here to the banks of the Ganges River and burnt them. Bisher Mohanty, a Vaishnavite saint, who had followed the invading army, retrieved the Brahmas and hid it in a drum at Khurdagada in 1575 AD and finally re-installed it in the deities. Deities were brought back to Puri and consecrated in the Jagannatha Temple.[19]

6 Suleman, the son of Kuthu Khan and Osman, the son of Isha (ruler of Orissa), 1592 Ramachandradeva, the Bhoi dynasty ruler of Khurda Revolt was by local Muslim rulers who desecrated the images.[20]

7 Mirza Khurum, the commander of Islam Khan I, the Nawab of Bengal, 1601 Purushottamadeva of Bhoi Dynasty Image moved to Kapileswarpur village by boat through the river Bhargavi and kept in the Panchamukhi Gosani temple. Thereafter, the deities were kept in Dobandha—Pentha.[20]

8 Hasim Khan, the Subedar of Orissa, 1608 Purushottam Deva, the King of Khurda Images shifted to the Gopal temple at Khurda and brought back in 1608.[20]

9 Hindu Rajput Jagirdar Kesodasmaru, 1610 Purusottamdeva, the king of Khurda Images kept at the Gundicha Temple and brought back to Puri after eight months.[20]

10 Kalyan Malla, 1611 Purushottamadeva, the King of Khurda Images moved to 'Mahisanasi' also known as'Brahmapura' or 'Chakanasi' in the Chilika Lake where they remained for one year.[21]

11 Kalyan Malla, 1612 Paiks of Purushottamadeva, the King of Khurda Images placed on a fleet of boats at Gurubai Gada and hidden under the 'Lotani Baragachha' or Banyan tree) and then at 'Dadhibaman Temple'.[22]

12 Mukarram Khan, 1617 Purushottama Deva, the King of Khurda Images moved to the Bankanidhi temple, Gobapadar and brought back to Puri in 1620.[22]

13 Mirza Ahmad Beg, 1621 Narasingha Deva Images shifted to 'Andharigada' in the mouth of the river Shalia across the Chilika Lake. Moved back to Puri in 1624.[23]

14 Amir Mutaquad Khan alias Mirza Makki, 1645 Narasingha Deva and Gangadhar Not known.[24]

15 Amir Fateh Khan, 1647 Not known Not known[24]

16 Ekram Khan and Mastram Khan on behalf of Mughal Emperor Aurangzeb, 1692 Divyasingha Deva, the king of Khurda Images moved to 'Maa Bhagabati Temple' and then to Bada Hantuada in Banpur across the Chilika Lake, and finally brought back to Puri in 1699.[24]

17 Muhammad Taqi Khan, 1731 and 1733 Birakishore Deva and Birakishore Deva of Athagada Images moved to Hariswar in Banpur, Chikili in Khalikote, Rumagarh in Kodala, Athagada in Ganjam and lastly to Marda in Kodala. Shifted back to Puri after 2.5 years.[24]

18 Followers of Mahima Dharma, 1881 Birakishore Deva and Birakishore Deva of Athagada Images burnt in the streets. [25]

 

Puri is the site of the Govardhana Matha, one of the four cardinal institutions established by Adi Shankaracharya, when he visited Puri in 810 AD, and since then it has become an important dham (divine centre) for the Hindus; the others being those at Sringeri, Dwarka and Jyotirmath. The Matha (monastery of various Hindu sects) is headed by Jagatguru Shankarachrya. It is a local belief about these dhams that Lord Vishnu takes his dinner at Puri, has his bath at Rameshwaram, spends the night at Dwarka and does penance at Badrinath.[12][26]

 

In the 16th century, Chaitanya Mahaprabhu of Bengal established the Bhakti movements of India, now known by the name the Hare Krishna movement. He spent many years as a devotee of Jagannatha at Puri; he is said to have merged with the deity.[27] There is also a matha of Chaitanya Mahaprabhu here known as Radhakanta Math.[12]

 

In the 17th century, for the sailors sailing on the east coast of India, the temple served as a landmark, being located in a plaza in the centre of the city, which they called the "White Pagoda" while the Konark Sun Temple, 60 kilometres (37 mi) away to the east of Puri, was known as the "Black Pagoda".[27]

 

The iconic representation of the images in the Jagannatha temple is believed to be the forms derived from the worship made by the tribal groups of Sabaras belonging to northern Odisha. These images are replaced at regular intervals as the wood deteriorates. This replacement is a special event carried out ritualistically by special group of carpenters.[27]

Govardhana matha main gate

 

The city has many other Mathas as well. The Emar Matha was founded by the Tamil Vaishnava saint Ramanujacharya in the 12th century AD. This Matha, which is now located in front of Simhadvara across the eastern corner of the Jagannatha Temple, is reported to have been built in the 16th century during the reign of kings of Suryavamsi Gajapatis. The Matha was in the news on 25 February 2011 for the large cache of 522 silver slabs unearthed from a closed chamber.[28][29]

 

The British conquered Orissa in 1803, and, recognising the importance of the Jagannatha Temple in the life of the people of the state, they initially appointed an official to look after the temple's affairs and later declared the temple as part of a district.[14]

Modern historyEdit

H.H Jagadguru Swami Nischalananda Saraswati, The Shankaracharya of Puri

 

In 1906, Sri Yukteswar, an exponent of Kriya Yoga and a resident of Puri, established an ashram, a spiritual training center, named "Kararashram" in Puri. He died on 9 March 1936 and his body is buried in the garden of the ashram.[30][31]

 

The city is the site of the former summer residence of British Raj, the Raj Bhavan, built in 1913–14 during the era of governors.[32]

 

For the people of Puri, Lord Jagannatha, visualized as Lord Krishna, is synonymous with their city. They believe that Lord Jagannatha looks after the welfare of the state. However, after the partial collapse of the Jagannatha Temple (in the Amalaka part of the temple) on 14 June 1990, people became apprehensive and considered it a bad omen for Odisha. The replacement of the fallen stone by another of the same size and weight (7 tonnes (7.7 tons)), that could be done only in the early morning hours after the temple gates were opened, was done on 28 February 1991.[27]

 

Puri has been chosen as one of the heritage cities for the Heritage City Development and Augmentation Yojana scheme of the Indian Government. It is chosen as one of the 12 heritage cities with "focus on holistic development" to be implemented within 27 months by the end of March 2017.[33]

 

Non-Hindus are not permitted to enter the shrines but are allowed to view the temple and the proceedings from the roof of the Raghunandan library, located within the precincts of the temple, for a small donation.[34]

DemographicsEdit

See also: List of cities in Odisha

 

According to the 2011 Census of India, Puri is an urban agglomeration governed by the Municipal Corporation in Odisha state, with a population of 201,026[35] This rose to 200,564 in 2011 – comprising 104,086 males, 96,478 females, and 18,471 children (under six years of age). The sex ratio is 927. The average literacy rate in the city is 88.03 percent (91.38 percent for males and 84.43 percent for females).

EconomyEdit

 

The economy of Puri is dependent on tourism to the extent of about 80 percent. The temple is the focal point of the city and provides employment to the people of the town. Agricultural production of rice, ghee, vegetables and so forth of the region meet the large requirements of the temple. Many settlements around the town exclusively cater to the other religious requirements of the temple.[36] The temple administration employs 6,000 men to perform the rituals. The temple also provides economic sustenance to 20,000 people.[34] According to Colleen Taylor Sen an author on food and travel, writing on the food culture of India, the temple kitchen has 400 cooks serving food to as many as 100,000 people,.[37] According to J Mohapatra, Director, Ind Barath Power Infra Ltd (IBPIL), the kitchen is known as "a largest and biggest kitchen of the world."[38]

City management and governanceEdit

Samudra arati or worship of the sea at Swargadwar by disciples of the Govardhana matha

 

The Puri Municipality, Puri Konark Development Authority, Public Health Engineering Organisation and Orissa Water Supply Sewerage Board are some of the principal organisations that are devolved with the responsibility of providing for civic amenities such as water supply, sewerage, waste management, street lighting and infrastructure of roads. The major activity, which puts maximum pressure on these organisations, is the annual event of the Ratha Yatra held during June- July. According to the Puri Municipality more than a million people attend this event. Hence, development activities such as infrastructure and amenities to the pilgrims, apart from security, gets priority attention.[39]

 

The civic administration of Puri is the responsibility of the Puri Municipality. The municipality came into existence in 1864 in the name of the Puri Improvement Trust, which was converted into Puri Municipality in 1881. After India's independence in 1947, the Orissa Municipal Act (1950) was promulgated entrusting the administration of the city to the Puri Municipality. This body is represented by elected representatives with a Chairperson and councilors representing the 30 wards within the municipal limits.[40]

LandmarksEdit

Jagannatha temple

Jagannatha Temple at PuriEdit

Main article: Jagannath Temple (Puri)

Left: Jagannath Temple at Puri Right: View of the temple at night

 

The Jagannatha Temple at Puri is one of the major Hindu temples built in the Kalinga style of architecture.[41] The temple tower, with a spire, rises to a height of 58 metres (190 ft), and a flag is unfurled above it, fixed over a wheel (chakra).[34][42]

Left:Ritual chakra and flags at the top shikhara of Puri temple of Jagannatha also related to Sudarsana chakra. The red flag (12 hand or 14 feet (4.3 m) denotes that Jagannath is within the temple.

Right: Statue of Aruna the charioteer of the Sun God on top of the Aruna Stambha in front of the Singhadwara

 

The temple is built on an elevated platform (of about 420,000 square feet (39,000 m2) area),[43] 20 feet (6.1 m) above the adjacent area. The temple rises to a height of 214 feet (65 m) above the road level. The temple complex covers an area of 10.7 acres (4.3 ha).[39] There are four entry gates in four cardinal directions of the temple, each gate located at the central part of the walls. These gates are: the eastern gate called the Singhadwara (Lions Gate), the southern gate known as Ashwa Dwara (Horse Gate), the western gate called the Vyaghra Dwara (Tigers Gate) or the Khanja Gate, and the northern gate called the Hathi Dwara or (elephant gate). These four gates symbolize the four fundamental principles of Dharma (right conduct), Jnana (knowledge), Vairagya (renunciation) and Aishwarya (prosperity). The gates are crowned with pyramid shaped structures. There is a stone pillar in front of the Singhadwara, called the Aruna Stambha {Solar Pillar}, 11 metres (36 ft) in height with 16 faces, made of chlorite stone; at the top of the stamba an elegant statue of Aruṇa (Sun) in a prayer mode is mounted. This pillar was shifted from the Konarak Sun Temple.[44] The four gates are decorated with guardian statues in the form of lion, horse mounted men, tigers, and elephants in the name and order of the gates.[34] A pillar made of fossilized wood is used for placing lamps as offering. The Lion Gate (Singhadwara) is the main gate to the temple, which is guarded by two guardian deities Jaya and Vijaya.[43][44][45] The main gate is ascended through 22 steps known as Baisi Pahaca, which are revered, as it is believed to possess "spiritual animation". Children are made to roll down these steps, from top to bottom, to bring them spiritual happiness. After entering the temple, on the left side, there is a large kitchen where food is prepared in hygienic conditions in huge quantities; the kitchen is called as "the biggest hotel of the world".[43]

The main entrance of the Jagannatha Temple

 

According to a legend King Indradyumma was directed by Lord Jagannatha in a dream to build a temple for him which he did as directed. However, according to historical records the temple was started some time during the 12th century by King Chodaganga of the Eastern Ganga dynasty. It was completed by his descendant, Anangabhima Deva, in the 12th century. The wooden images of Jagannatha, Balabhadra and Subhadra were then deified here. The temple was under the control of the Hindu rulers up to 1558. Then, when Orissa was occupied by the Afghan Nawab of Bengal, it was brought under the control of the Afghan General Kalapahad. Following the defeat of the Afghan king by Raja Mansingh, the General of Mughal emperor Akbar, the temple became part of the Mughal empire till 1751. Subsequently, it was under the control of the Marathas till 1803. During the British Raj, the Puri Raja was entrusted with its management until 1947.[42]

 

The triad of images in the temple are of Jagannatha, personifying Lord Krishna, Balabhadra, His older brother, and Subhadra, His younger sister. The images are made of neem wood in an unfinished form. The stumps of wood which form the images of the brothers have human arms, while that of Subhadra does not have any arms. The heads are large, painted and non-carved. The faces are marked with distinctive large circular eyes.[27]

The Pancha Tirtha of PuriEdit

Main article: Pancha Tirtha of Puri

Markandeshwar Tank

 

Hindus consider it essential to bathe in the Pancha Tirtha or the five sacred bathing spots of Puri, to complete a pilgrimage to Puri. The five sacred water bodies are the Indradyumana Tank, the Rohini Kunda, the Markandeya Tank, the Swetaganga Tank, and the Bay of Bengal also called the Mahodadhi, in Sanskrit 'Mahodadhi' means a "great ocean";[46] all are considered sacred bathing spots in the Swargadwar area.[47][48][49] These tanks have perennial sources of supply from rainfall and ground water.[50]

Gundicha TempleEdit

Main article: Gundicha Temple

The Main Gate of the Gundicha Temple

 

The Gundicha Temple, known as the Garden House of Jagannatha, stands in the centre of a beautiful garden, bounded by compound walls on all sides. It lies at a distance of about 3 kilometres (1.9 mi) to the northeast of the Jagannatha Temple. The two temples are located at the two ends of the Bada Danda (Grand Avenue), which is the pathway for the Ratha Yatra. According to a legend, Gundicha was the wife of King Indradyumna who originally built the Jagannatha temple.[51]

 

The temple is built using light-grey sandstone, and, architecturally, it exemplifies typical Kalinga temple architecture in the Deula style. The complex comprises four components: vimana (tower structure containing the sanctum), jagamohana (assembly hall), nata-mandapa (festival hall) and bhoga-mandapa (hall of offerings). There is also a kitchen connected by a small passage. The temple is set within a garden, and is known as "God's Summer Garden Retreat" or garden house of Jagannatha. The entire complex, including the garden, is surrounded by a wall which measures 430 by 320 feet (131 m × 98 m) with height of 20 feet (6.1 m).[52]

 

Except for the 9-day Ratha Yatra, when the triad images are worshipped in the Gundicha Temple, otherwise it remains unoccupied for the rest of the year. Tourists can visit the temple after paying an entry fee. Foreigners (generally prohibited entry in the main temple) are allowed inside this temple during this period.[53] The temple is under the Jagannatha Temple Administration, Puri, the governing body of the main temple. A small band of servitors maintain the temple.[52]

SwargadwarEdit

The Sea at Swargadwar of Puri

 

Swargadwar is the name given to the cremation ground or burning ghat which is located on the shores of the sea. Here thousands of dead bodies of Hindus brought from faraway places are cremated. It is a belief that the Chitanya Mahaparabhu disappeared from this Swargadwar about 500 years back.[54]

BeachEdit

Puri sea sunrise

Puri Sea Beach viewed from the light house

 

The beach at Puri, known as the "Ballighai beach, at the mouth of Nunai River, is 8 kilometres (5.0 mi) away from the town and is fringed by casurina trees.[12] It has golden yellow sand. Sunrise and sunset are pleasant scenic attractions here.[55] Waves break in at the beach which is long and wide.[27]

District museumEdit

 

The Puri district museum is located on the station road where the exhibits in display are the different types of garments worn by Lord Jagannatha, local sculptures, patachitra (traditional, cloth-based scroll painting), ancient Palm-leaf manuscripts, and local craft work.[56]

Raghunandana libraryEdit

 

Raghunandana Library is located in the Emara Matha complex (opposite Simhadwara or lion gate, the main entrance gate). The Jagannatha Aitihasika Gavesana Samiti (Jagannatha Historical Centre) is also located here. The library houses ancient palm leaf manuscripts on Jagannatha, His cult and the history of the city.[56]

Festivals of PuriEdit

Main article: List of festivals observed at Jagannatha Temple, Puri

The Grand Road near the Jagannatha Temple

 

Puri witnesses 24 festivals every year, of which 13 are major. The most important of these is the Ratha Yatra, or the car festival, held in the June–July, which is attended by more than 1 million people.[57]

Ratha Yatra at PuriEdit

Main article: Ratha-Yatra (Puri)

The Ratha Yatra in Puri in modern times showing the three chariots of the deities with the Temple in the background

 

The Jagannatha Temple triad are normally worshipped in the sanctum of the temple at Puri, but once during the month of Asadha (rainy season of Orissa, usually in June or July), they are brought out on the Bada Danda (main street of Puri) and taken over a distance of (3 kilometres (1.9 mi)) to the Shri Gundicha Temple[58] in huge chariots (ratha), allowing the public to have darśana (holy view). This festival is known as the Ratha Yatra, meaning the journey (yatra) of the chariots.[59] The yatra starts every year according to the Hindu calendar on the Asadha Sukla Dwitiya day, the second day of bright fortnight of Asadha (June–July).[60]

 

Historically, the ruling Ganga dynasty instituted the Ratha Yatra on the completion of the Jagannatha Temple around 1150 AD. This festival was one of those Hindu festivals that was reported to the Western world very early.[61] Friar Odoric, in his account of 1321, reported how the people put the "idols" on chariots, and the King, the Queen and all the people drew them from the "church" with song and music.[62][63]

 

The Rathas are huge wooden structures provided with large wheels, which are built anew every year and are pulled by the devotees. The chariot for Lord Jagannatha is about 45 feet (14 m) high and 35 square feet (3.3 m2) and takes about 2 months for its construction.[64] The chariot is mounted with 16 wheels, each of 7 feet (2.1 m) diameter. The carving in the front face of the chariot has four wooden horses drawn by Maruti. On its other three faces, the wooden carvings are of Rama, Surya and Vishnu. The chariot is known as Nandi Ghosha. The roof of the chariot is covered with yellow and red coloured cloth. The next chariot is of Balabhadra which is 44 feet (13 m) in height fitted with 14 wheels. The chariot is carved with Satyaki as the charioteer, roof covered in red and green coloured cloth, and the chariot is known as Taladhwaja. The carvings on this chariot include images of Narasimha and Rudra as Jagannatha's companions. The next chariot in the order is of Subhadra, which is 43 feet (13 m) in height supported on 12 wheels, roof covered in black and red colour cloth, and the chariot is known as Darpa Dalaan and the charioteer carved is Arjuna. Other images carved on the chariot are of Vana Durga, Tara Devi and Chandi Devi.[60][65] The artists and painters of Puri decorate the cars and paint flower petals and other designs on the wheels, the wood-carved charioteer and horses, and the inverted lotuses on the wall behind the throne.[59] The chariots of Jagannatha pulled during Ratha Yatra is the etymological origin of the English word Juggernaut.[66] The Ratha Yatra is also termed as the Shri Gundicha yatra and Ghosha yatra[60]

Pahandi bije during Ratha Yatra at Puri

Chhera PaharaEdit

 

The Chhera Pahara (sweeping with water) is a significant ritual associated with the Ratha Yatra. During this ritual, the Gajapati King wears the outfit of a sweeper and sweeps all around the deities and chariots. The king cleans the road in front of the chariots with a gold-handled broom and sprinkles sandalwood water and powder. As per the custom, although the Gajapati King has been considered the most exalted person in the Kalingan kingdom, he still renders the menial service to Jagannatha. This ritual signifies that under the lordship of Jagannatha, there is no distinction between the powerful sovereign and the humblest devotee.[67]

Chandan YatraEdit

The Narendra Tirtha tank where ceremonies of Chandan Yatra are performed

Main article: Chandan Yatra

 

The Chandan Yatra festival held every year on Akshaya Tritiya day marks the commencement of the construction of the chariots of the Ratha Yatra. It also marks the celebration of the Hindu new year.[12]

Snana YatraEdit

Main article: Snana Yatra

 

Every year, on the Purnima day in the Hindu calendar month of Jyestha (June), the triad images of the Jagannatha Temple are ceremonially bathed and decorated on the occasion of Snana Yatra. Water for the bath is taken in 108 pots from the Suna kuan (meaning: "golden well") located near the northern gate of the temple. Water is drawn from this well only once in a year for the sole purpose of the religious bath of the deities. After the bath the triad images are dressed in the fashion of the elephant god, Ganesha. Later, during the night, the original triad images are taken out in a procession back to the main temple but kept at a place known as Anasara pindi.[60] After this the Jhulana Yatra is performed when proxy images of the deities are taken out in a grand procession for 21 days, cruised over boats in the Narendra Tirtha tank.[12]

Anavasara or AnasaraEdit

Images during the Snana Yatra.

 

Anasara, a derivative of the Sanskrit word "Anabasara",[68] literally means vacation. Every year after the holy Snana Yatra, the triad images, without the Sudarshana Chakra, are taken to a secret altar named Anavasara Ghar (also known as Anasara pindi, 'pindi' is Oriya term meaning "platform" [68]) where they remain for the next fortnight of (Krishna paksha); devotees are not allowed to view these images. Instead, devotees go to the nearby Brahmagiri to see the Lord in the four-handed form of Alarnath, a depiction of Vishnu.[60][69] Devotees then get the first glimpse of the Lord only on the day before Ratha Yatra, which is called Navayouvana. It is a local belief that the gods suffer from fever after taking an elaborate ritual bath, and they are treated by the special servants, the Daitapatis, for 15 days. Daitapatis perform special nitis (rites) known as Netrotchhaba (a rite of painting the eyes of the triad). During this period cooked food is not offered to the deities.[70]

Naba KalebaraEdit

Main articles: Nabakalevara and Nabakalebara 2015

 

Naba Kalebara is one of the most grand events associated with the Lord Jagannatha that takes place when one lunar month of Ashadha is followed by another of Ashadha called Adhika Masa (extra month). This can take place at an interval of 8, 12 or even 18 years. Literally meaning the "New Body" (Nava = New, Kalevar = Body) in Odia, the festival is witnessed by millions of people and the budget for this event generally exceeds $500,000. The event involves installation of new images in the temple and burial of the old ones in the temple premises at Koili Vaikuntha. During the Nabakalebara ceremony held during July 2015 the idols that were installed in the temple in 1996 were replaced by specially carved new images made of neem wood.[71][72] More than 3 million people are reported to have attended this festival.[73]

Suna BeshaEdit

Main article: Suna Besha

Suna Besha or Golden Attire of Lord Jagannatha

 

Suna Besha, ('Suna besh'in English translates to "gold dressing”[74]) also known as Raja or Rajadhiraja Bhesha [75] or Raja Bhesha, is an event when the triad images of the Jagannatha Temple are adorned with gold jewelry. This event is observed five times in a year. It is commonly observed on Magha Purnima (January), Bahuda Ekadashi also known as Asadha Ekadashi (July), Dashahara (Bijayadashami) (October), Karthik Purnima (November), and Pousa Purnima (December).[76][77] One such Suna Bhesha event is observed on Bahuda Ekadashi during the Ratha Yatra on the chariots placed at the Simhadwar. The other four Beshas are observed inside the temple on the Ratna Singhasana (gem studded altar). On this occasion gold plates are decorated over the hands and feet of Jagannatha and Balabhadra; Jagannatha is also adorned with a Chakra (disc) made of gold on the right hand while a silver conch adorns the left hand. Balabhadra is decorated with a plough made of gold on the left hand while a golden mace adorns his right hand.[76]

Niladri BijeEdit

 

Niladri Bije, celebrated in the Hindu calendar month Asadha (June–July) on Trayodashi (13th day),[78] marks the end of the Ratha Yatra. The large wooden images of the triad of gods are taken out from the chariots and then carried to the sanctum sanctorum, swaying rhythmically; a ritual which is known as pahandi.[72]

Sahi yatraEdit

A scene from a play being enacted during the Sahi Yatra

 

The Sahi Yatra, considered the world's biggest open-air theatre,[79] is an annual event lasting 11 days; a traditional cultural theatre festival or folk drama which begins on Ram Navami and ends on Rama avishke (Sanskrit meaning : anointing). The festival includes plays depicting various scenes from the Ramayana. The residents of various localities, or Sahis, are entrusted the task of performing the drama at the street corners.[80]

Samudra AratiEdit

Samudra arati of worship of the sea by disciples of the Matha at Puri

 

The Samudra arati is a daily tradition started by the present Shankaracharya 9 years ago.[81] The daily practise includes prayer and fire offering to the sea at Swargadwar in Puri by disciples of the Govardhan Matha. On Paush Purnima of every year the Shankaracharya himself comes out to offer prayers to the sea.

TransportEdit

 

Earlier, when roads did not exist, people used to walk or travel by animal-drawn vehicles or carriages along beaten tracks to reach Puri. Travel was by riverine craft along the Ganges up to Calcutta, and then on foot or by carriages. It was only during the Maratha rule that the popular Jagannath Sadak (Road) was built around 1790. The East India Company laid the rail track from Calcutta to Puri, which became operational in 1898.[82] Puri is now well-connected by rail, road and air services. A broad gauge railway line of the South Eastern Railways which connects Puri with Calcutta, and Khurda is an important railway junction on this route. The rail distance is about 499 kilometres (310 mi) from Calcutta[83] and 468 kilometres (291 mi) from Vishakhapatnam. Road network includes NH 203 that links the city with Bhubaneswar, the state capital, situated about 60 kilometres (37 mi) away. NH 203 B connects the city with Satapada via Brahmagiri. Marine drive, which is part of NH 203 A, connects Puri with Konark. The nearest airport is the Biju Patnaik International Airport at Bhubaneswar.[57] Puri railway station is among the top hundred booking stations of the Indian Railways.[84]

Arts and craftsEdit

Sand artEdit

Sand art of a Baby Elephant

 

Sand art is a special art form that is created on the beaches of Puri. The art form is attributed to Balaram Das, a poet who lived in the 14th century. Sculptures of various gods and famous people are now created in sand by amateur artists. These are temporary in nature as they get washed away by waves. This art form has gained international fame in recent years. One of the famed sand artists of Odisha is Sudarshan Patnaik. He established the Golden Sand Art Institute in 1995, in the open air on the shores of Bay of Bengal, to provide training to students interested in this art form.[85][80]

Appliqué artEdit

An applique art work

 

Appliqué art, which is a stitching-based craft unlike embroidery, was pioneered by Hatta Maharana of Pipili. It is widely used in Puri, both for decoration of the deities and for sale. Maharana's family members are employed as darjis or tailors or sebaks by the Maharaja of Puri. They prepare articles for decorating the deities in the temple for various festivals and religious ceremonies. The appliqué works are brightly coloured and patterned fabric in the form of canopies, umbrellas, drapery, carry bags, flags, coverings of dummy horses and cows, and other household textiles; these are marketed in Puri. The cloth used is made in dark colours of red, black, yellow, green, blue and turquoise blue.[86]

CultureEdit

Odissi dancer

 

Cultural activities, including the annual religious festivals, in Puri are: The Puri Beach Festival held from 5 to 9 November every year, and the Shreekshetra Utsav held from 20 December to 2 January every year. The cultural programmes include unique sand art, display of local and traditional handicrafts and food festival.[87] In addition, cultural programmes are held for two hours on every second Saturday of the month at the district Collector's Conference Hall near Sea Beach Police Station. Odissi dance, Odissi music and folk dances are part of this event.[87] Odissi dance is the cultural heritage of Puri. This dance form originated in Puri from the dances performed by Devadasis (Maharis) attached to the Jagannatha Temple who performed dances in the Nata mandapa of the temple to please the deities. Though the devadasi practice has been discontinued, the dance form has become modern and classical and is widely popular; many of the Odissi virtuoso artists and gurus (teachers) are from Puri.[88] Some of the famous Odissi dancers are Kelucharan Mohapatra, Mayadhar Raut, Sonal Mansingh, Sanjukta Panigrahi and many more

EducationEdit

Samanta Chandra Sekhar College, Puri

 

Some of the educational institutions in Puri are:

 

Ghanashyama Hemalata Institute of Technology and Management

Gangadhar Mohapatra Law College, established in 1981[89]

Extension Unit of Regional Research Institute of Homoeopathy, Puri, under Central Council for Research in Homoeopathy (CCRH), New Delhi; established in March 2006 [90]

Shri Jagannath Sanskrit University, established in July 1981[91]

Gopabandhu Ayurveda Mahavidyalaya, a college and hospital where treatment and training is based on Ayurveda school of medicine [92]

The Industrial Training Institute, a premier technical institution to provide education to skilled, committed & talented technicians was established in 1966 by the Government of India[93]

Blessed Sacrament High School established in 1952 is otherwise known as Puri convent. It is one of the best schools in the city. The school features classes 1 to 10. It is located in VIP Road, Puri.

 

Puri peopleEdit

 

Jayee Rajguru - Freedom fighter

Chakhi Khuntia (Chandan Hajuri) – Freedom fighter [94]

Utkalmani Pandit Gopabandhu Das – Social worker

Pandit Nilakantha Das – Social activist

Bhaktakabi Madhusudan Rao – Odia Poet

Padma Vibhushan Kelucharan Mohapatra – Odissi dancer

Padma Shri Pankaj Charan Das – Odissi dancer

Padma Shri Pandit Sadashiv Rathasharma – Scholar and Preacher of Shri Jagannatha Culture

Padma Vibhushan Raghunath Mohapatra – Architect and sculptor

Padma Shri Sudarshan Pattnaik – Sand Artist

Baisali Mohanty - ALC Global Fellow at University of Oxford, United Kingdom

Rituraj Mohanty – Singer

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1350 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi His highness Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 6 million visitors annually.

 

THE ROYAL LINEAGE

Mummadi Krishnaraja Wadiyar was Maharaja from 1799 to 1868. After the fall of Tipu Sultan he made Mysore his capital in May 1799 and focused on education, religious sites and donating jewels to temples including Melkote. Chamaraja Wadiyar was coronated on September 23, 1868, at the age of five. He was anointed king on the date fixed by the Governor General. He is credited with founding India's first democratic institutions with the Mysore representative assembly in 1881. Nalwadi Krishnaraja Wadiyar was Maharaja from 1895 to 1940 He was also called the Saint King by Mahatma Gandhi. Assisted by dewans Sir M Visvesvaraya and Sir Mirza Ismail, he changed Mysore by adding Asia's first hydro electric project at Shivanasamudra, the KRS dam and the University of Mysore in 1916. Jayachamaraja Wadiyar was the twenty fifth and the last king, reining from 1940 to 1950, when he agreed to merge the state with the union of India. A musicologist and a philanthropist, he was named Raj Parmukh of Mysore from Jan 26, 1950, a post he held for six years. The present Maharaja is Yaduveera, who was adopted by his aunt.

 

MYSORE

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dashera festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

The palace is an excellent combination of Indo-Saracenic architecture and features a number of unique rooms.

 

AMBAVILASA

This room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

Kalyana Mantapa

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

Other rooms

 

The palace houses several rooms of importance. These include:

 

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions.

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to

Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITORS INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

ACQUISITION

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

WIKIPEDIA

Still taken from a play “Shaeed – e – Aazam Bhagat Singh!

Copyright Ankur Thatai / A T Images

ALL RIGHTS RESERVED

Caution: Using picture without author prior written consent is an offence

  

Today, March 23rd is martyrdom day of Indian Freedom Fighters Bhagat Singh, Rajguru and Sukhdev.

Shaheed Bhagat Singh photographed secretly at Lahore Railway Police Station, during his first arrest 29 May to 4 July 1927 - in connection with Lahore Dussehra Bomb Case (25 Oct 1926) with Gopal Singh Pannu DSP, CID Lahore.

Bhagat Singh was born in Chak Banga 105 G.B. Lyallpur (Faisalabad) Pakistan. Date Of Birth 26-9-1907. He was hanged on 23rd March, 1931 at 7 PM. in Lahore Jail.

Shortly after his arrest and trial for the Assembly bombing, the British came to know of his involvement in the murder of J. P. Saunders. Bhagat Singh, Rajguru, and Sukhdev were charged with the murder. Bhagat Singh decided to use the court as a tool to publicize his cause for the independence of India. He admitted to the murder and made statements against the British rule during the trial.[citation needed] The case was ordered to be carried out without members of the HSRA present at the hearing. This created an uproar amongst Singh's supporters as he could no longer publicise his views.

While in jail, Bhagat Singh and other prisoners launched a hunger strike advocating for the rights of prisoners and those facing trial. The reason for the strike was that British murderers and thieves were treated better than Indian political prisoners, who, by law, were meant to be given better rights. The aims in their strike were to ensure a decent standard of food for political prisoners, the availability of books and a daily newspaper, as well as better clothing and the supply of toilet necessities and other hygienic necessities. He also demanded that political prisoners should not be forced to do any labour or undignified work. During this hunger strike that lasted 63 days and ended with the British succumbing to his wishes, he gained much popularity among the common Indians. Before the strike his popularity was limited mainly to the Punjab region.

Muhammad Ali Jinnah, one of the politicians present when the Central Legislative Assembly was bombed, made no secret of his sympathies for the Lahore prisoners - commenting on the hunger strike he said "the man who goes on hunger strike has a soul. He is moved by that soul, and he believes in the justice of his cause." And talking of Singh's actions said "however much you deplore them and however much you say they are misguided, it is the system, this damnable system of governance, which is resented by the people".

Bhagat Singh also maintained the use of a diary, which he eventually made to fill 404 pages. In this diary he made numerous notes relating to the quotations and popular sayings of various people whose views he supported. Prominent in his diary were the views of Karl Marx and Friedrich Engels. The comments in his diary led to an understanding of the philosophical thinking of Bhagat Singh. Before dying he also wrote a pamphlet entitled "Why I am an atheist, as he was being accused of vanity by not accepting God in the face of death".

On March 23, 1931, Bhagat Singh was hanged in Lahore with his fellow comrades Rajguru and Sukhdev. His supporters, who had been protesting against the hanging, immediately declared him as a shaheed or martyr. According to the Superintendent of Police at the time, V.N. Smith, the hanging was advanced:

Normally execution took place at 8 am, but it was decided to act at once before the public could become aware of what had happened...At about 7 pm shouts of Inquilab Zindabad were heard from inside the jail. This was correctly, interpreted as a signal that the final curtain was about to drop.

Singh was cremated at Hussainiwala on banks of Sutlej river.

A Short history of the Andaman Islands

 

The Andamans are a chain of 184 odd islands in the Andaman sea at approx 1100 Kms to the south of Kolkata. The largest among them, The Andaman Island is 355 Kms long and 60 Kms wide. There was a time when ancient tribes lived here. Some of the natives it is said bore a remarkable resemblance to the aboriginaltribes of Australia. Today some tribes have receded into the deep forest while others have been resettled. Port Blair, it's principal port, is a picturesque and bustling town, full of greenery. It is well connected to the main land by regular passage of ships and scheduled flights from KolKata and Madras. Different communities are living in harmony and use hindi as their language.

 

Port Blair was named after the East India Companies' Lt. Archibald Blair who occupied the Andamans in 1789 to keep his ships safe and protected in the rains as a safe harbour and as a penal settlement for prisoners. But because of the unhygienic climate and outbreak of diseases and the expenses in maintaining the harbour he had to abandon the Andamans in 1796. Early in the first decade of the 19th century the roots of the East India Company were firmly entrenched in India. The British were subjecting Indians to a lot of abject atrocities, snatching away land from peasants, destroying the livelihood of craftsmen, increasing taxes, usurping the states from the Nawabs and native kings. Ordinary people, soldiers, nawabs and kings were all being terrified and harassed. Generally everywhere there was resentment and revolt. People were determined to do away with the East India Company

 

Recapture of Andaman Islands to keep Political Prisoners

 

The Andamans reminds us of those freedom fighters who on 10th May 1857, gave the clarion call to rise against the British rule. This was our First War of Independence, what the British in their history books refer to as the Sepoy Mutiny. To totally stomp out the uprising the British sent thousands to the gallows and even hung them up from trees, tied them to cannons and blew them up, destroyed them with guns and swords as if they had gone mad and were out to get revenge.

 

The revolutionaries, who survived, were exiled for life to the Andamans so that their connection with their families and their country would be severed and their countrymen would forget them forever. For this reason, in January 1858, the British reoccupied Port Blair, Andamans. For the first time on 10th March 1858, Supdt. J.B. Walker arrived with a batch of 200 freedom fighters. The second batch of 733 freedom fighter prisoners arrived in April 1868 from Karachi. They had been sentenced for life imprisonment. After this however it is not known how many thousands of freedom fighters were sent to the Andamans from the harbours of Bombay, Kolkata and Madras. Their numbers, names and addresses are not known.

 

It is said that all records were burnt when the Japanese occupied the Andamans. Some preliminary research was done by our organisation in the India Office Library, London, but no light could be shed. This worried us because whatever else the British might have been they were excellent record keepers. The truth is still not known and it needs to be. It is the responsibility of our present Indian Government to have a thorough research done to fill these gaps and to put forward in front of our countrymen, the true history of our freedom struggle and the different streams and revolts involved. The Cellular Jail was inalienably linked to the long and glorious struggle of our revolutionary freedom movement fought on the mainland and it had deep political significance. Leading figures from revolutionary upsurges on the mainland were invariably banished to languish and suffer in the Andamans.

 

Atrocities committed on early freedom fighters

 

In almost perennial rainy weather, with heavy bar fetters and shackles on their feet, surrounded by snakes, leeches and scorpions the freedom fighters were expected, in deep primeval forests to clear a path for roads through marshy land. They were punished and faced hard labour if they slowed down. In March 1868, 238 prisoners tried to escape. By April they were all caught. One committed suicide and of the remainder Supdt. Walker ordered 87 to be hanged.

 

Sher Ali: The killing of Lord Mayo

 

Despite these atrocities the freedom fighters used to resist and fight for their self-respect and for the love of their country. Sher Ali was given life imprisonment during the Wahabi movement against the British Raj. He assassinated Lord Mayo, Viceroy of India with a knife on 8th February, 1872. He was hanged on Viper Island.

 

The Construction of the Cellular Jail

 

From 1896 the construction of Cellular Jail was started and it was completed in 1906 with 698 cells. The Jail was constructed with seven wings, spreading out like a seven-petal flower. In its centre it had a tower with a turret. Connected to this were the three storey high seven wings with 698 isolated cells. This is why it is called the Cellular Jail.

 

Freedom Fighters of the National Revolutionary Movements

 

National movements were flaring up against the British rule all over India and the freedom fighters related to these movements were sent to Andamans or the "Kala Pani" with long sentences. Prominent among these were those from The Wahabi Movement (1830 - 1869), Mopla Rebellion (1792 - 1947), First Rampa Rebellion (1878 - 1879), Second Rampa Rebellion (1922 - 1924), Tharawadi Peasant Rebellion, Burma (1930). Etc.

 

The National Revolutionary Movement had prominent among them in Punjab, the Heroes of The Gadar party, The Hinduthan Republican Association in U.P. formed by Sachin Sanyal, in Maharashtra with the Savarkar brothers and of course with the partition of Bengal in 1905, secret societies and lots of underground groups were beginning to form. Lots of conspiracy cases started in the courts and the number of revolutionary freedom fighters in the jails began to swell. Most of the leaders of these movements if not hanged outright were deported to the Andaman Cellular Jail. Several died due to inhuman treatment and torture.

  

Alipore Conspiracy Case

 

Bengal's Alipore Conspiracy Case (1908) saw 34 revolutionaries being accused. In which were Barin Ghosh, Ullaskar Dutt, Upendranath Banerjee and Hem Chandra Das. They were sent to the Andamans in 1909. Later revolutionaries from U.P. and Maharashtra were also sent.

  

Veer Savarkar

 

For the assassination of Collector Jackson of Nasik District in the Nasik Conspiracy Case Veer Vinayak savarkar was convicted and sent to the Cellular jail on 7th April, 1911. According to Savarkar Freedom Fighters were made to do hard labour. They had to peel coconuts and take out oil from them. They were forced to go around like bullocks to take out oil from mustard seeds. Outside they were forced to clear the jungles and trees on hillside levelling marshy land. They were flogged on refusal. On top of this they did not even get a full meal every day.

  

Gadar Party Revolutionaries in Cellular Jail (1914)

 

The Gadar Party whose president was Baba Sohan Singh and the secretary was Lala Har Dayal was formed in America to get our country free from the British. In 1914, with arms and ammunition, Gadar Party members, travelling by the ship Kama Gata Maru arrived in Calcutta. They were arrested by the British.

  

Repatriation of prisoners from Andamans (1921)

 

The rise of socialism in Russia and the rising influence of the Chinese Revolution gave rise to revolutionary thoughts and action here in our country, and were very popular with the young. The Bengal revolutionary parties like Anushilan and Yugantar again became active. In Punjab and Uttar Pradesh, the Naujavan Bharat Sabha provided a good platform for the youth. The Hindusthan Socialist Republican Association and its leader Shaheed Bhagat Singh's ideas are symptomatic of those times.

  

Assembly Bomb Case (1929)

 

On 8 April 1929 in protest against the trade dispute bill Sardar Bhagat Singh and Batukeshwar Dutt threw a bomb in the central constituent assembly. They threw leaflets and got themselves arrested. There was a tremendous impact on the nation. On 12 June 1929 both were given life imprisonment.

  

The Second Lahore Conspiracy Case

 

The British government filed the second Lahore Conspiracy Case against Bhagat Singh and 16 of his colleagues. In 1930, Bhagat Singh, Sukh Dev and Rajguru were hanged. Shri Yatendra Nath died because of hunger strike. Bhagat Singh's other friends Batukeshwar Dutt, Bejoy Kumar Sinha, Shiv Verma, Jaidev kapoor, Dr. Gaya Prasad, Kamal Nath Tiwari, Mahabir Singh were given life imprisonment and were sent to Andaman Cellular Jail.

  

The Chittagong Revolt (1930)

 

On the night of 18th April 1930 revolutionaries occupied Chittagong Armoury. For many days they battled with British army on the hills of Jalalabad. Many died a heroic death and many were arrested on 1st March 1932., 12 out of 32 people were given life imprisonment. Revolutionary leader (Master Da Surya Sen) was arrested and hanged on 12th Jan 1934. Ambika Chakraborty, Ganesh Ghosh, Anant Singh, Lok Nath Bal, Anand Gupta, Randhir Dass Gupta, Fakir Sen and other compatriots were sent to Cellular Jail.

  

The Reopening of the Andaman Cellular Jail (1932)

 

All around the country there were revolts against the British. In Bengal, Bihar, Uttar Pradesh and Punjab a chain of revolutionary conspiracies started. On a large scale there were arrests and long sentences were given. National revolutionary movement leaders and active participants started being sent to the Cellular Jail in Andamans.

  

Inhuman treatment in Jail (1932)

 

The food that was given was not fit for human consumption. There were worms when you opened the bread and wild grass was boiled and served in lieu of vegetables. Rain drinking water was full of insects and worms. The 13' X 6' cells were dark and damp and dingy thickly coated with moss. There were no toilets. There were no lights, no reading material. Prisoners were not allowed to meet with each other. The guards carried out physical torture and flogging. Their behaviour was insulting. Things had become unbearable.

  

The first mass hunger strike

 

12 May 1933 The only alternative before the freedom fighters was to resort to a hunger strike against these atrocities. On 12 May 1933 they started a fast undo death. Mahavir Singh, Mohan Kishore Namo Das and Mohit Moitra died during this hunger strike. Their bodies were quietly ferreted away and thrown out to sea. Punjab's jail inspector Barker was called to break the hunger strike. He issued orders to stop the issuing of drinking water. The freedom fighters were resolute. There was a huge outcry throughout India because of this hunger strike. After 46 days the British Raj had to bow and the demands of the freedom fighters had to be accepted. The hunger strike ended on 26 June 1933.

  

Facilities obtained after the hunger strike

 

After the death of three colleagues the facilities won from jail authorities proved beneficial for the future. There was light in the cells. The prisoners started getting newspapers, books and periodicals. They were allowed to meet. The facility to read individually or on a collective basis was allowed. The opportunity to play sports and organise cultural events was given. The jail work was reduced to minimal. Above all there was respect for the freedom fighters from the prison officials and a marked improvement in their behaviour. A new environment was created as the freedom fighters met to discuss and read. A thirst for books and knowledge began. There were students, doctors, lawyers, peasants, and workers all together. They discussed politics, economics, history and philosophy.

 

There were classes in biology and physiology given by the doctors amongst them. Others gave classes in historical and dialectical materialism. Knowledge, experience and books were hungrily shared. A jail library was started. A veritable university of freedom fighters had begun where revolutionaries were learning about Marxist and socialist ideas and how to disseminate these amongst the people whose freedom they were fighting for. A Communist consolidation was formed of 39 prisoners on 26 April 1935. This number later swelled to 200. The freedom fighters started feeling that the atmosphere for a world war was gathering and that before the war starts we should get back to our country to be with our people and take active part in the upheaval that was imminent. A petition was sent to the Viceroy on 9 July 1937 by the freedom fighters that all political prisoners should be repatriated to the mainland and released An ultimatum was given that if these demands were not met a hunger strike would begin.

  

The second hunger strike for the repatriation of freedom fighters began on 25 July 1937

 

A country wide movement on the mainland in support of the demands of the Andaman freedom fighters began as other political prisoners in other jails on the mainland also started hunger strikes in support. There was a mass demonstration of working people, intellectuals and students. This upsurge clearly showed that their people on the mainland did not forget them. After four weeks telegrams from Bengal's chief minister, leaders of the nation Jawaharlal Nehru, Subhash Chandra Bose, Sharad Chandra Bose, Rabindra Nath Tagore etc poured in imploring the freedom fighters to end their hunger strike.

 

On 28 August 1937, Gandhiji, poet Rabindra Nath Tagore and the Congress Working Committee sent a telegram…"the whole nation appeals to you to end the hunger strike… and assures you to take up your demands and to see them fulfilled…" After a lot of deliberation and discussion this historic 36-day hunger strike of 200 revolutionary freedom fighters ended. The process of repatriation started in September 1937. There were a total of 385 freedom fighters in jail at the time. 339 from Bengal, 19 from Bihar, 11 from Uttar Pradesh, 5 from Assam, 3 from Punjab, 2 from Delhi and 2 from Madras.

  

Netaji in Andamans

 

Netaji's Azad Hind Fauz first of all gave independence to Port Blair, Andaman. Netaji visited the Andaman Island and hoisted the tricolour flag on 30 December 1943. He had declared that the very first bastion to be relieved of the British yolk was Andamans, the Indian Bastille revolutionary freedom fighters were kept, very much like the Bastille in Paris during the French Revolution. The British reoccupied the Andaman and Nicobar Islands and abolished the Penal Settlement in 1945.

 

The Demolition of the Cellular Jail

 

We do not know on whose initiative the demolition of the Cellular Jail was begun. We revolutionaries who were incarcerated in the Cellular Jail intervened. We felt strongly that this symbol of tyranny needed to be preserved as a National Memorial to remind our future generations of the tremendous cost that was paid in Indian blood for the freedom of our country.

 

Source : hridyapalbhogal.hubpages.com/hub/Andaman-Cellular-Jail-Ka...

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Aaditi Pohankar; Aahana Kumra; Aakanksha Singh; Aamna Sharif; Aanchal Munjal; Aarathi; Aarti Agarwal; Aarti Chhabria; Aashka Goradia; Abhirami; Adah Sharma; Aditi Arya; Aditi Ravi; Aditi Sharma; Aditi Govitrikar; Aditi Rao Hydari; Aditi Sarangdhar; Advani Lakshmi Devi; Ahaana Krishna; Ahsaas Channa; Aindrita Ray; Aisha Sharma; Aishwarya; Aishwarya Arjun; Aishwarya Devan; Aishwarya Nag; Aishwarya Rai Bachchan; Aishwarya Rajesh; Aishwarya Sakhuja; Akanksha Juneja; Aksha Pardasany; Akshara Gowda; Akshara Haasan; Akshara Menon; Alia Bhatt; Alaya Furniturewala; Amala Akkineni; Amala Paul; Ambika; Ameeta; Ameesha Patel; Amoolya; Amrita Arora; Amrita Prakash; Amrita Puri; Amrita Rao; Amrita Raichand; Amrita Singh; Amrutha Iyengar; Amruta Khanvilkar; Amruta Subhash; Amyra Dastur; Amy Jackson; Anaika Soti; Ananya; Ananya Panday; Ananya Kasaravalli; Anaswara Kumar; Anaswara Rajan; Andrea Jeremiah; Andria D'Souza; Anindita Nayar; Angira Dhar; Annie; Anita Hassanandani Reddy; Anita Guha; Anita Raj; Anjala Zhaveri; Anjali; Anjali Devi; Anjali Sudhakar; Anjana Bhowmick; Anjana Sukhani; Anju Mahendru; Ankita Lokhande; Ann Augustine; Ansiba Hassan; Antara Mali; Anu Agarwal; Anu Prabhakar; Anu Sithara; Anupama Parameswaran; Anupriya Goenka; Anuradha Mehta; Anurita Jha; Anusha Dandekar; Anushka Ranjan; Anushka Sen; Anushka Sharma; Anushka Shetty; Anuya Bhagvath; Anya Singh; Aparajita Mohanty; Aparnaa Bajpai; Aparna Balamurali; Aparna Sen; Apoorva Arora; Archana; Archana Jose Kavi; Archana Puran Singh; Archana Gupta; Archita Sahu; Aruna Balraj; Aruna Irani; Aruna Shields; Arundathi Nag; Asawari Joshi; Asha Negi; Asha Bhat; Asha Parekh; Asha Saini; Ashima Bhalla; Ashnoor Kaur; Ashwini Bhave; Ashwini Kalsekar; Asin Thottumkal; Athiya Shetty; Athulya Ravi; Ayesha Jhulka; Ayesha Raza; Ayesha Takia; Akanksha Puri; Avani Modi; Avantika Mishra; Avneet Kaur; Auritra Ghosh; B; Babita; Barkha Bisht; Barkha Singh; Bala Hijam; Barsha Priyadarshini; Barsha Rani Bishaya; Beena Banerjee; Bhagyashree Patwardhan; Bhairavi Goswami; Bhama; Bhanumathi; Bhanupriya; Bharathi Vishnuvardhan; Bhargavi Narayan; Bhavana; Bhavana (actress); Bhavana Rao; Bhavani Prakash; Bhavya; Bhoomika Chawla; Bhumi Pednekar; Bijoya Ray; Bianca Desai; Bidita Bag; Bindu; Bindu Madhavi; Bipasha Basu; Bina Rai; Bobby Darling; Bruna Abdullah; B. V. Radha; C; Carol Gracias; Celina Jaitley; Chahat Khanna; Chandrakala; Chandrika; Charmila; Charmy Kaur; Charu Asopa; Chaya Singh; Chetana Das; Chetna Pande; Chhavi Mittal; Chippy; Chithra; Chitrangada Singh; Chitrashi Rawat; Catherine Tresa; Claudia Ciesla; D; Deepti Sati; Daisy Bopanna; Daisy Shah; Daisy Irani; Debashree Roy; Deeksha Seth; Deepa Sahi; Deepa Sannidhi; Deepal Shaw; Deepika Amin; Deepika Chikhalia; Deepika Padukone; Deepti Naval; Deepti Bhatnagar; Delnaaz Paul; Devayani; Devika; Devika Rani Roerich; Dharti Bhatt; Dia Mirza; Diana Hayden; Diana Penty; Digangana Suryavanshi; Dimple Jhangiani; Dimple Kapadia; Dipannita Sharma; Disha Parmar; Disha Patani; Disha Vakani; Divya Bharati; Divya Dutta; Divya Khosla Kumar; Divyanka Tripathi; Drashti Dhami; E; Elli Avram; Esha Deol; Esha Gupta; Ena Saha; Eesha Rebba; Evelyn Sharma; Elina Samantray; Erica Fernandes; F; Farah Naaz; Farida Jalal; Fatima Sana Shaikh; Fatma Begum; Freida Pinto; Feryna Wazheir; G; Gabriela Bertante; Gajala; Gauahar Khan; Gauri Karnik; Gautami; Gayathri Raguram; Gayathrie; Gayatri; Gayatri Jayaraman; Gayatri Joshi; Gayatri Patel; Geeta Bali; Geeta Basra; Geeta Dutt; Geetanjali Thapa; Geetha; Geetu Mohandas; Genelia D'Souza; Girija; Girija Lokesh; Girija Shettar; Giselli Monteiro; Gopika; Gowri Pandit; Gowri Munjal; Gul Panag; Gunjan Malhotra; H; Hansika Motwani; Harini; Haripriya; Harshika Poonacha; Hasleen Kaur; Hazel Keech; Heera Rajagopal; Helen; Hema Bellur; Hema Prabhath; Hema Malini; Honey Rose; Hrishitaa Bhatt; Huma Qureshi; Humaima Malik; Hebah Patel; Hina Khan; Hiba Nawab; I; Ilene Hamann; Indrani Haldar; Iniya; Iravati Harshe; Isha Chawla; Isha Sharvani; Isha Koppikar; Isha Talwar; Ishita Dutta; Ishita Raj Sharma; Izabelle Leite; Ileana D'Cruz; J; Jacqueline Fernandez; Jannat Zubair Rahmani; Janhvi Kapoor; Jasmin Bhasin; Jayabharathi; Jayachitra; J. Jayalalithaa; Jaya Bachchan; Jaya Prada; Jaya Seal; Jayasudha; Jayamala; Jayamalini; Jennifer Kotwal; Jennifer Winget; Jharana Bajracharya; Jhataleka Malhotra; Jiya Khan; Jugnu Ishiqui; Juhi Chawla; Juhi Babbar; Jyothika; Jonita Gandhi; K; Kainaat Arora; Kajal Aggarwal; Kajal Kiran; Kajjanbai; Kajol; Kalki Koechlin; Kalpana (Kannada actress); Kalpana (Hindi Film actress); Kalpana (Malayalam actress); Kalpana Iyer; Kalpana Kartik; Kalyani Priyadarshan; Kamini Kaushal; Kamini Kadam; Kamalinee Mukherjee; Kamna Jethmalani; Kanaka; Kanakam; Kanchana; Kangana Ranaut; Kanika Subramaniam; Kareena Kapoor; Karishma Kapoor; Karishma Kotak; Karishma Sharma; Karishma Tanna; Karunya Ram; Karthika Mathew; Karthika Nair; Katrina Kaif; Kashmira Irani; Kashmira Shah; Kausalya; Kaviyoor Ponnamma; Kavya Madhavan; Keerthi Reddy; Keerthi Suresh; Khushali Kumar; Kiara Advani; Kimi Katkar; Kimi Verma; Kim Sharma; Kim Yashpal; Kiran Rathod; Kirron Kher; Kirat Bhattal; Kiran Juneja; Kirti Kulhari; Kitu Gidwani; Koel Mallick; Koel Purie; Koena Mitra; Komal; Komal Jha; Konkona Sen Sharma; K. R. Vijaya; Krishna Kumari; Kranti Redkar; Kriti Kharbanda; Kriti Sanon; Kritika Kamra; Krystle D'Souza; Kubbra Sait; Khushbu Sundar; Kumari; Kumkum; Kuljeet Randhawa; Kulraj Randhawa; Kyra Dutt; L; Laila Mehdin; Lalita Pawar Zayn; Lalitha (KPAC); Lalitha; Lara Dutta; Lakshmi; Lakshmi Chandrashekar; Lakshmidevi; Laxmi Chhaya; Lakshmi Gopalaswamy; Lakshmi Manchu; Lakshmi Menon; Lakshmi Rai; Latha; Lauren Gottlieb; Lavanya Tripathi; Laya; Leela Chitnis; Leelavathi; Leena Chandavarkar; Leena Jumani; Lekha Washington; Lena; Leslie Tripathy; Lilette Dubey; Lisa Ray; Lisa Haydon; M; Madhavi; Madhubala; Madhumitha; Madhuri Bhattacharya; Madhuri Dixit; Madhuri Itagi; Madhurima Tuli; Madhuurima; Madhu Shalini; Madhura Naik; Madonna Sebastian; Mahasweta Ray; Mahalakshmi; Mahek Chahal; Mahie Gill; Mahika Sharma; Mahima Chaudhry; Mahira Khan; Mahua Roychoudhury; Mala Sinha; Malashri; Malavika; Malaika Arora; Malavika Avinash; Malavika Mohanan; Malavika Nair; Malavika Nair; Malavika Wales; Mallika Kapoor; Mallika Sherawat; Mamta Kulkarni; Mamta Mohandas; Mansi Parekh; Manasvi Mamgai; Mandakini; Mandana Karimi; Mandira Bedi; Manini Mishra; Manisha Koirala; Manjari Phadnis; Manjima Mohan; Manju Bhargavi; Manju Warrier; Manjula; Manjula Vijayakumar; Manorama; Mantra; Manushi Chhillar; Manya; Masumeh Makhija; Mawra Hocane; Mayuri Kango; Meena; Meena Kumari; Meenakshi; Meenakshi; Meenakshi Dixit; Meenakshi Seshadri; Meera; Meera Chopra; Meera Jasmine; Meera Nandan; Meera Syal; Meera Vasudevan; Mehreen Pirzada; Megha Akash; Meghana Gaonkar; Meghna Naidu; Meghana Raj; Meher Vij; Merle Oberon; Mia Uyeda; Minissha Lamba; Mini Mathur; Mink Brar; Mita Vashisht; Mishti; Mithila Palkar; Mithra Kurian; Moloya Goswami; Momal Sheikh; Monalisa; Mona Singh; Monali Thakur; Monica; Monica Bedi; Monisha Unni; Moon Moon Sen; Mouni Roy; Moushumi Chatterji; Mrinal Dev-Kulkarni; Mrinalini Sharma; Mrunal Thakur; Mrunmayee Deshpande; Mukta Barve; Mumaith Khan; Mumtaj; Mumtaz Shanti; Mumtaz; Mumtaz Sorcar; Mugdha Godse; Munmun Dutta; Mugdha Chaphekar; Muskaan Mihani; Mynavathi; N; Nadira; Nadiya Moidu; Nagma; Nalini; Nalini Jaywant; Namrata Shirodkar; Namrata Thapa; Namitha; Namitha Pramod; Nanda; Nandana Sen; Nandita Chandra; Nandita Swetha; Nandita Das; Nargis (Now Nargis Dutt); Nargis Fakhri; Nathalia Kaur; Nauheed Cyrusi; Nausheen Sardar Ali; Navaneet Kaur; Navneet Kaur Dhillon; Navya Nair; Nayanthara; Nazriya Nazim; Neelam; Neelam Verma; Neelima Azeem; Neena Gupta; Neena Kulkarni; Neha Bamb; Neha Dhupia; Neha Hinge; Neha Khan; Neha Mahajan; Neha Oberoi; Neha Sharma; Neeru Bajwa; Neethu; Neetu Chandra; Neetu Singh; Nethra Raghuraman; Nia Sharma; Nicolette Bird; Nidhhi Agerwal; Nidhi Subbaiah; Niharika Konidela; Niharika Singh; Niharica Raizada; Nikesha Patel; Niki Aneja; Nikita Anand; Nikita J Palekar; Nikita Dutta; Nikita Thukral; Nikki Galrani; Nila (alias for Meera Chopra); Nimisha Sajayan; Nimmi; Nirmala Chennappa; Nirupa Roy; Misscat Mita; Nirmalamma; Nirosha; Nisha Agarwal; Nisha Kothari; Nisha Ravikrishnan; Nishi; Nishita Goswami; Nithya Das; Nithya Menen; Nivedita Jain; Nivedita Joshi Saraf; Nivetha Thomas; Nivetha Pethuraj; Noor Jehan; Nora Fatehi[1]; Nutan; Nimrat Kaur; Nushrat Bharucha; Nathalia Kaur; Nyla Usha; O; Oviya Helen; P; Padmapriya; Padma Khanna; Padma Kumta; Padma Lakshmi; Padma Vasanthi; Padmaja Rao; Padmini Kolhapure; Padmini; Padmavati Rao; Pallavi Joshi; Pallavi Kulkarni; Pallavi Subhash; Pallavi Sharda; Panchi Bora; Pandari Bai; Pankhuri Awasthy; Pakhi Tyrewala; Paoli Dam; Parineeti Chopra; Parminder Nagra; Parul Chauhan; Parul Gulati; Parul Yadav; Parvathy Jayaram; Parvathy Nair; Parvathy Omanakuttan; Parvati Melton; Parvathy Thiruvothu; Parveen Babi; Patience Cooper; Patralekha; Payal Rohatgi; Payel Sarkar; Payal Ghosh; Perizaad Zorabian; Pia Bajpai; Plabita Borthakur; Pooja Batra; Pooja Bedi; Pooja Bhatt; Pooja Chopra; Pooja Gandhi; Pooja Gor; Pooja Hegde; Pooja Kanwal; Pooja Lokesh; Pooja Sawant; Pooja Umashankar; Poonam Bajwa; Poonam Dhillon; Poonam Kaur; Poonam Pandey; Poornima Bhagyaraj; Prayaga Martin; Prachi Desai; Prachi Shah; Pramila Joshai; Pratibha Sinha; Pranitha Subhash; Prarthana Behere; Preetha Vijayakumar; Preeti Jhangiani; Preity Zinta; Prema; Prema Narayan; Priti Sapru; Priya Anand; Priya Bapat; Priya Gill; Priya Lal; Priya Raman; Priya Rajvansh; Priya Bhavani Shankar; Priya Wal; Priyamani; Priyanka Bassi; Priyanka Chopra Jonas; Priyanka Arul Mohan; Priyanka Nair; Priyanka Trivedi; Preetika Rao; Puja Gupta; Puja Banerjee; Purbi Joshi; R; Raakhee (Now Raakhi Gulzar); Radhika Apte; Radhika Madan; Raadhika Sarathkumar; Rachana Narayanankutty; Rachna Banerjee; Radha; Radha Saluja; Radhika Chaudhari; Radhika Kumaraswamy; Radhika Pandit; Ragini Travancore Sisters; Ragini Dwivedi; Ragini Khanna; Raima Sen; Rajisha Vijayan; Rajshree; Rajshri Deshpande; Rakhi Sawant; Rakul Preet Singh; Rakshita; Raashi Khanna; Rambha; Rameshwari; Ranjeeta Kaur; Ranjitha; Rajini; Rani Mukerji; Ramya; Ramya Barna; Ramya Krishnan; Ramya Sri; Ramya Nambaseean; Rashi Khanna; Rashi Mal; Rashmi; Rashmi Desai; Rashmi Gautam; Rashmika Mandanna; Ratan Rajput; Rati Agnihotri; Rati Pandey; Ratna Pathak Shah; Raveena Tandon; Reena Roy; Reema Lagoo; Reema Sen; Regina Cassandra; Rekha; Rekha; also known as Josephine; Rekha Das; Rekha Rana; Rekha Vedavyas; Reenu Mathews; Renuka Menon; Renukamma Murugodu; Renuka Shahane; Revathi; Rhea Chakraborty; Richa Ahuja; Richa Chaddha; Richa Gangopadhyay; Richa Pallod; Richa Panai; Richa Sharma; Ridhi Dogra; Rima Kallingal; Rimi Sen; Rimi Tomy; Rinke Khanna; Rinku Rajguru; Rita Bhaduri; Ritika Singh; Rituparna Sengupta; Riya Sen; Rohini Hattangadi; Rohini; Roja; Roja Ramani; Roma; Roopa Ganguly; Roopa Iyer; Roshni Chopra; R.T. 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The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1350 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi His highness Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 6 million visitors annually.

 

THE ROYAL LINEAGE

Mummadi Krishnaraja Wadiyar was Maharaja from 1799 to 1868. After the fall of Tipu Sultan he made Mysore his capital in May 1799 and focused on education, religious sites and donating jewels to temples including Melkote. Chamaraja Wadiyar was coronated on September 23, 1868, at the age of five. He was anointed king on the date fixed by the Governor General. He is credited with founding India's first democratic institutions with the Mysore representative assembly in 1881. Nalwadi Krishnaraja Wadiyar was Maharaja from 1895 to 1940 He was also called the Saint King by Mahatma Gandhi. Assisted by dewans Sir M Visvesvaraya and Sir Mirza Ismail, he changed Mysore by adding Asia's first hydro electric project at Shivanasamudra, the KRS dam and the University of Mysore in 1916. Jayachamaraja Wadiyar was the twenty fifth and the last king, reining from 1940 to 1950, when he agreed to merge the state with the union of India. A musicologist and a philanthropist, he was named Raj Parmukh of Mysore from Jan 26, 1950, a post he held for six years. The present Maharaja is Yaduveera, who was adopted by his aunt.

 

MYSORE

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dashera festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

The palace is an excellent combination of Indo-Saracenic architecture and features a number of unique rooms.

 

AMBAVILASA

This room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

Kalyana Mantapa

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

Other rooms

 

The palace houses several rooms of importance. These include:

 

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions.

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to

Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITORS INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

ACQUISITION

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

WIKIPEDIA

Thanks to Krupa Rajguru for the caption

A Short history of the Andaman Islands

 

The Andamans are a chain of 184 odd islands in the Andaman sea at approx 1100 Kms to the south of Kolkata. The largest among them, The Andaman Island is 355 Kms long and 60 Kms wide. There was a time when ancient tribes lived here. Some of the natives it is said bore a remarkable resemblance to the aboriginaltribes of Australia. Today some tribes have receded into the deep forest while others have been resettled. Port Blair, it's principal port, is a picturesque and bustling town, full of greenery. It is well connected to the main land by regular passage of ships and scheduled flights from KolKata and Madras. Different communities are living in harmony and use hindi as their language.

 

Port Blair was named after the East India Companies' Lt. Archibald Blair who occupied the Andamans in 1789 to keep his ships safe and protected in the rains as a safe harbour and as a penal settlement for prisoners. But because of the unhygienic climate and outbreak of diseases and the expenses in maintaining the harbour he had to abandon the Andamans in 1796. Early in the first decade of the 19th century the roots of the East India Company were firmly entrenched in India. The British were subjecting Indians to a lot of abject atrocities, snatching away land from peasants, destroying the livelihood of craftsmen, increasing taxes, usurping the states from the Nawabs and native kings. Ordinary people, soldiers, nawabs and kings were all being terrified and harassed. Generally everywhere there was resentment and revolt. People were determined to do away with the East India Company

 

Recapture of Andaman Islands to keep Political Prisoners

 

The Andamans reminds us of those freedom fighters who on 10th May 1857, gave the clarion call to rise against the British rule. This was our First War of Independence, what the British in their history books refer to as the Sepoy Mutiny. To totally stomp out the uprising the British sent thousands to the gallows and even hung them up from trees, tied them to cannons and blew them up, destroyed them with guns and swords as if they had gone mad and were out to get revenge.

 

The revolutionaries, who survived, were exiled for life to the Andamans so that their connection with their families and their country would be severed and their countrymen would forget them forever. For this reason, in January 1858, the British reoccupied Port Blair, Andamans. For the first time on 10th March 1858, Supdt. J.B. Walker arrived with a batch of 200 freedom fighters. The second batch of 733 freedom fighter prisoners arrived in April 1868 from Karachi. They had been sentenced for life imprisonment. After this however it is not known how many thousands of freedom fighters were sent to the Andamans from the harbours of Bombay, Kolkata and Madras. Their numbers, names and addresses are not known.

 

It is said that all records were burnt when the Japanese occupied the Andamans. Some preliminary research was done by our organisation in the India Office Library, London, but no light could be shed. This worried us because whatever else the British might have been they were excellent record keepers. The truth is still not known and it needs to be. It is the responsibility of our present Indian Government to have a thorough research done to fill these gaps and to put forward in front of our countrymen, the true history of our freedom struggle and the different streams and revolts involved. The Cellular Jail was inalienably linked to the long and glorious struggle of our revolutionary freedom movement fought on the mainland and it had deep political significance. Leading figures from revolutionary upsurges on the mainland were invariably banished to languish and suffer in the Andamans.

 

Atrocities committed on early freedom fighters

 

In almost perennial rainy weather, with heavy bar fetters and shackles on their feet, surrounded by snakes, leeches and scorpions the freedom fighters were expected, in deep primeval forests to clear a path for roads through marshy land. They were punished and faced hard labour if they slowed down. In March 1868, 238 prisoners tried to escape. By April they were all caught. One committed suicide and of the remainder Supdt. Walker ordered 87 to be hanged.

 

Sher Ali: The killing of Lord Mayo

 

Despite these atrocities the freedom fighters used to resist and fight for their self-respect and for the love of their country. Sher Ali was given life imprisonment during the Wahabi movement against the British Raj. He assassinated Lord Mayo, Viceroy of India with a knife on 8th February, 1872. He was hanged on Viper Island.

 

The Construction of the Cellular Jail

 

From 1896 the construction of Cellular Jail was started and it was completed in 1906 with 698 cells. The Jail was constructed with seven wings, spreading out like a seven-petal flower. In its centre it had a tower with a turret. Connected to this were the three storey high seven wings with 698 isolated cells. This is why it is called the Cellular Jail.

 

Freedom Fighters of the National Revolutionary Movements

 

National movements were flaring up against the British rule all over India and the freedom fighters related to these movements were sent to Andamans or the "Kala Pani" with long sentences. Prominent among these were those from The Wahabi Movement (1830 - 1869), Mopla Rebellion (1792 - 1947), First Rampa Rebellion (1878 - 1879), Second Rampa Rebellion (1922 - 1924), Tharawadi Peasant Rebellion, Burma (1930). Etc.

 

The National Revolutionary Movement had prominent among them in Punjab, the Heroes of The Gadar party, The Hinduthan Republican Association in U.P. formed by Sachin Sanyal, in Maharashtra with the Savarkar brothers and of course with the partition of Bengal in 1905, secret societies and lots of underground groups were beginning to form. Lots of conspiracy cases started in the courts and the number of revolutionary freedom fighters in the jails began to swell. Most of the leaders of these movements if not hanged outright were deported to the Andaman Cellular Jail. Several died due to inhuman treatment and torture.

  

Alipore Conspiracy Case

 

Bengal's Alipore Conspiracy Case (1908) saw 34 revolutionaries being accused. In which were Barin Ghosh, Ullaskar Dutt, Upendranath Banerjee and Hem Chandra Das. They were sent to the Andamans in 1909. Later revolutionaries from U.P. and Maharashtra were also sent.

  

Veer Savarkar

 

For the assassination of Collector Jackson of Nasik District in the Nasik Conspiracy Case Veer Vinayak savarkar was convicted and sent to the Cellular jail on 7th April, 1911. According to Savarkar Freedom Fighters were made to do hard labour. They had to peel coconuts and take out oil from them. They were forced to go around like bullocks to take out oil from mustard seeds. Outside they were forced to clear the jungles and trees on hillside levelling marshy land. They were flogged on refusal. On top of this they did not even get a full meal every day.

  

Gadar Party Revolutionaries in Cellular Jail (1914)

 

The Gadar Party whose president was Baba Sohan Singh and the secretary was Lala Har Dayal was formed in America to get our country free from the British. In 1914, with arms and ammunition, Gadar Party members, travelling by the ship Kama Gata Maru arrived in Calcutta. They were arrested by the British.

  

Repatriation of prisoners from Andamans (1921)

 

The rise of socialism in Russia and the rising influence of the Chinese Revolution gave rise to revolutionary thoughts and action here in our country, and were very popular with the young. The Bengal revolutionary parties like Anushilan and Yugantar again became active. In Punjab and Uttar Pradesh, the Naujavan Bharat Sabha provided a good platform for the youth. The Hindusthan Socialist Republican Association and its leader Shaheed Bhagat Singh's ideas are symptomatic of those times.

  

Assembly Bomb Case (1929)

 

On 8 April 1929 in protest against the trade dispute bill Sardar Bhagat Singh and Batukeshwar Dutt threw a bomb in the central constituent assembly. They threw leaflets and got themselves arrested. There was a tremendous impact on the nation. On 12 June 1929 both were given life imprisonment.

  

The Second Lahore Conspiracy Case

 

The British government filed the second Lahore Conspiracy Case against Bhagat Singh and 16 of his colleagues. In 1930, Bhagat Singh, Sukh Dev and Rajguru were hanged. Shri Yatendra Nath died because of hunger strike. Bhagat Singh's other friends Batukeshwar Dutt, Bejoy Kumar Sinha, Shiv Verma, Jaidev kapoor, Dr. Gaya Prasad, Kamal Nath Tiwari, Mahabir Singh were given life imprisonment and were sent to Andaman Cellular Jail.

  

The Chittagong Revolt (1930)

 

On the night of 18th April 1930 revolutionaries occupied Chittagong Armoury. For many days they battled with British army on the hills of Jalalabad. Many died a heroic death and many were arrested on 1st March 1932., 12 out of 32 people were given life imprisonment. Revolutionary leader (Master Da Surya Sen) was arrested and hanged on 12th Jan 1934. Ambika Chakraborty, Ganesh Ghosh, Anant Singh, Lok Nath Bal, Anand Gupta, Randhir Dass Gupta, Fakir Sen and other compatriots were sent to Cellular Jail.

  

The Reopening of the Andaman Cellular Jail (1932)

 

All around the country there were revolts against the British. In Bengal, Bihar, Uttar Pradesh and Punjab a chain of revolutionary conspiracies started. On a large scale there were arrests and long sentences were given. National revolutionary movement leaders and active participants started being sent to the Cellular Jail in Andamans.

  

Inhuman treatment in Jail (1932)

 

The food that was given was not fit for human consumption. There were worms when you opened the bread and wild grass was boiled and served in lieu of vegetables. Rain drinking water was full of insects and worms. The 13' X 6' cells were dark and damp and dingy thickly coated with moss. There were no toilets. There were no lights, no reading material. Prisoners were not allowed to meet with each other. The guards carried out physical torture and flogging. Their behaviour was insulting. Things had become unbearable.

  

The first mass hunger strike

 

12 May 1933 The only alternative before the freedom fighters was to resort to a hunger strike against these atrocities. On 12 May 1933 they started a fast undo death. Mahavir Singh, Mohan Kishore Namo Das and Mohit Moitra died during this hunger strike. Their bodies were quietly ferreted away and thrown out to sea. Punjab's jail inspector Barker was called to break the hunger strike. He issued orders to stop the issuing of drinking water. The freedom fighters were resolute. There was a huge outcry throughout India because of this hunger strike. After 46 days the British Raj had to bow and the demands of the freedom fighters had to be accepted. The hunger strike ended on 26 June 1933.

  

Facilities obtained after the hunger strike

 

After the death of three colleagues the facilities won from jail authorities proved beneficial for the future. There was light in the cells. The prisoners started getting newspapers, books and periodicals. They were allowed to meet. The facility to read individually or on a collective basis was allowed. The opportunity to play sports and organise cultural events was given. The jail work was reduced to minimal. Above all there was respect for the freedom fighters from the prison officials and a marked improvement in their behaviour. A new environment was created as the freedom fighters met to discuss and read. A thirst for books and knowledge began. There were students, doctors, lawyers, peasants, and workers all together. They discussed politics, economics, history and philosophy.

 

There were classes in biology and physiology given by the doctors amongst them. Others gave classes in historical and dialectical materialism. Knowledge, experience and books were hungrily shared. A jail library was started. A veritable university of freedom fighters had begun where revolutionaries were learning about Marxist and socialist ideas and how to disseminate these amongst the people whose freedom they were fighting for. A Communist consolidation was formed of 39 prisoners on 26 April 1935. This number later swelled to 200. The freedom fighters started feeling that the atmosphere for a world war was gathering and that before the war starts we should get back to our country to be with our people and take active part in the upheaval that was imminent. A petition was sent to the Viceroy on 9 July 1937 by the freedom fighters that all political prisoners should be repatriated to the mainland and released An ultimatum was given that if these demands were not met a hunger strike would begin.

  

The second hunger strike for the repatriation of freedom fighters began on 25 July 1937

 

A country wide movement on the mainland in support of the demands of the Andaman freedom fighters began as other political prisoners in other jails on the mainland also started hunger strikes in support. There was a mass demonstration of working people, intellectuals and students. This upsurge clearly showed that their people on the mainland did not forget them. After four weeks telegrams from Bengal's chief minister, leaders of the nation Jawaharlal Nehru, Subhash Chandra Bose, Sharad Chandra Bose, Rabindra Nath Tagore etc poured in imploring the freedom fighters to end their hunger strike.

 

On 28 August 1937, Gandhiji, poet Rabindra Nath Tagore and the Congress Working Committee sent a telegram…"the whole nation appeals to you to end the hunger strike… and assures you to take up your demands and to see them fulfilled…" After a lot of deliberation and discussion this historic 36-day hunger strike of 200 revolutionary freedom fighters ended. The process of repatriation started in September 1937. There were a total of 385 freedom fighters in jail at the time. 339 from Bengal, 19 from Bihar, 11 from Uttar Pradesh, 5 from Assam, 3 from Punjab, 2 from Delhi and 2 from Madras.

  

Netaji in Andamans

 

Netaji's Azad Hind Fauz first of all gave independence to Port Blair, Andaman. Netaji visited the Andaman Island and hoisted the tricolour flag on 30 December 1943. He had declared that the very first bastion to be relieved of the British yolk was Andamans, the Indian Bastille revolutionary freedom fighters were kept, very much like the Bastille in Paris during the French Revolution. The British reoccupied the Andaman and Nicobar Islands and abolished the Penal Settlement in 1945.

 

The Demolition of the Cellular Jail

 

We do not know on whose initiative the demolition of the Cellular Jail was begun. We revolutionaries who were incarcerated in the Cellular Jail intervened. We felt strongly that this symbol of tyranny needed to be preserved as a National Memorial to remind our future generations of the tremendous cost that was paid in Indian blood for the freedom of our country.

 

Source : hridyapalbhogal.hubpages.com/hub/Andaman-Cellular-Jail-Ka...

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1350 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi His highness Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 6 million visitors annually.

 

THE ROYAL LINEAGE

Mummadi Krishnaraja Wadiyar was Maharaja from 1799 to 1868. After the fall of Tipu Sultan he made Mysore his capital in May 1799 and focused on education, religious sites and donating jewels to temples including Melkote. Chamaraja Wadiyar was coronated on September 23, 1868, at the age of five. He was anointed king on the date fixed by the Governor General. He is credited with founding India's first democratic institutions with the Mysore representative assembly in 1881. Nalwadi Krishnaraja Wadiyar was Maharaja from 1895 to 1940 He was also called the Saint King by Mahatma Gandhi. Assisted by dewans Sir M Visvesvaraya and Sir Mirza Ismail, he changed Mysore by adding Asia's first hydro electric project at Shivanasamudra, the KRS dam and the University of Mysore in 1916. Jayachamaraja Wadiyar was the twenty fifth and the last king, reining from 1940 to 1950, when he agreed to merge the state with the union of India. A musicologist and a philanthropist, he was named Raj Parmukh of Mysore from Jan 26, 1950, a post he held for six years. The present Maharaja is Yaduveera, who was adopted by his aunt.

 

MYSORE

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dashera festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

The palace is an excellent combination of Indo-Saracenic architecture and features a number of unique rooms.

 

AMBAVILASA

This room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

Kalyana Mantapa

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

Other rooms

 

The palace houses several rooms of importance. These include:

 

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions.

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to

Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITORS INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

ACQUISITION

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

WIKIPEDIA

Tara Miah (50) is a farmer from Rajguru in Rahamanbari union, Barisal, Bangladesh. He used seeder fertilizer drills to plant wheat on his fields. Previously, this was done manually. SFD has resulted in a better harvest for Tara Miah.

 

Ranak Martin/

ranakmartin.wordpress.com/

Model - Yash Rajguru

Model - Yash Rajguru

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1350 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi His highness Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 6 million visitors annually.

 

THE ROYAL LINEAGE

Mummadi Krishnaraja Wadiyar was Maharaja from 1799 to 1868. After the fall of Tipu Sultan he made Mysore his capital in May 1799 and focused on education, religious sites and donating jewels to temples including Melkote. Chamaraja Wadiyar was coronated on September 23, 1868, at the age of five. He was anointed king on the date fixed by the Governor General. He is credited with founding India's first democratic institutions with the Mysore representative assembly in 1881. Nalwadi Krishnaraja Wadiyar was Maharaja from 1895 to 1940 He was also called the Saint King by Mahatma Gandhi. Assisted by dewans Sir M Visvesvaraya and Sir Mirza Ismail, he changed Mysore by adding Asia's first hydro electric project at Shivanasamudra, the KRS dam and the University of Mysore in 1916. Jayachamaraja Wadiyar was the twenty fifth and the last king, reining from 1940 to 1950, when he agreed to merge the state with the union of India. A musicologist and a philanthropist, he was named Raj Parmukh of Mysore from Jan 26, 1950, a post he held for six years. The present Maharaja is Yaduveera, who was adopted by his aunt.

 

MYSORE

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dashera festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

The palace is an excellent combination of Indo-Saracenic architecture and features a number of unique rooms.

 

AMBAVILASA

This room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

Kalyana Mantapa

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

Other rooms

 

The palace houses several rooms of importance. These include:

 

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions.

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to

Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITORS INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

ACQUISITION

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

WIKIPEDIA

A Short history of the Andaman Islands

 

The Andamans are a chain of 184 odd islands in the Andaman sea at approx 1100 Kms to the south of Kolkata. The largest among them, The Andaman Island is 355 Kms long and 60 Kms wide. There was a time when ancient tribes lived here. Some of the natives it is said bore a remarkable resemblance to the aboriginaltribes of Australia. Today some tribes have receded into the deep forest while others have been resettled. Port Blair, it's principal port, is a picturesque and bustling town, full of greenery. It is well connected to the main land by regular passage of ships and scheduled flights from KolKata and Madras. Different communities are living in harmony and use hindi as their language.

 

Port Blair was named after the East India Companies' Lt. Archibald Blair who occupied the Andamans in 1789 to keep his ships safe and protected in the rains as a safe harbour and as a penal settlement for prisoners. But because of the unhygienic climate and outbreak of diseases and the expenses in maintaining the harbour he had to abandon the Andamans in 1796. Early in the first decade of the 19th century the roots of the East India Company were firmly entrenched in India. The British were subjecting Indians to a lot of abject atrocities, snatching away land from peasants, destroying the livelihood of craftsmen, increasing taxes, usurping the states from the Nawabs and native kings. Ordinary people, soldiers, nawabs and kings were all being terrified and harassed. Generally everywhere there was resentment and revolt. People were determined to do away with the East India Company

 

Recapture of Andaman Islands to keep Political Prisoners

 

The Andamans reminds us of those freedom fighters who on 10th May 1857, gave the clarion call to rise against the British rule. This was our First War of Independence, what the British in their history books refer to as the Sepoy Mutiny. To totally stomp out the uprising the British sent thousands to the gallows and even hung them up from trees, tied them to cannons and blew them up, destroyed them with guns and swords as if they had gone mad and were out to get revenge.

 

The revolutionaries, who survived, were exiled for life to the Andamans so that their connection with their families and their country would be severed and their countrymen would forget them forever. For this reason, in January 1858, the British reoccupied Port Blair, Andamans. For the first time on 10th March 1858, Supdt. J.B. Walker arrived with a batch of 200 freedom fighters. The second batch of 733 freedom fighter prisoners arrived in April 1868 from Karachi. They had been sentenced for life imprisonment. After this however it is not known how many thousands of freedom fighters were sent to the Andamans from the harbours of Bombay, Kolkata and Madras. Their numbers, names and addresses are not known.

 

It is said that all records were burnt when the Japanese occupied the Andamans. Some preliminary research was done by our organisation in the India Office Library, London, but no light could be shed. This worried us because whatever else the British might have been they were excellent record keepers. The truth is still not known and it needs to be. It is the responsibility of our present Indian Government to have a thorough research done to fill these gaps and to put forward in front of our countrymen, the true history of our freedom struggle and the different streams and revolts involved. The Cellular Jail was inalienably linked to the long and glorious struggle of our revolutionary freedom movement fought on the mainland and it had deep political significance. Leading figures from revolutionary upsurges on the mainland were invariably banished to languish and suffer in the Andamans.

 

Atrocities committed on early freedom fighters

 

In almost perennial rainy weather, with heavy bar fetters and shackles on their feet, surrounded by snakes, leeches and scorpions the freedom fighters were expected, in deep primeval forests to clear a path for roads through marshy land. They were punished and faced hard labour if they slowed down. In March 1868, 238 prisoners tried to escape. By April they were all caught. One committed suicide and of the remainder Supdt. Walker ordered 87 to be hanged.

 

Sher Ali: The killing of Lord Mayo

 

Despite these atrocities the freedom fighters used to resist and fight for their self-respect and for the love of their country. Sher Ali was given life imprisonment during the Wahabi movement against the British Raj. He assassinated Lord Mayo, Viceroy of India with a knife on 8th February, 1872. He was hanged on Viper Island.

 

The Construction of the Cellular Jail

 

From 1896 the construction of Cellular Jail was started and it was completed in 1906 with 698 cells. The Jail was constructed with seven wings, spreading out like a seven-petal flower. In its centre it had a tower with a turret. Connected to this were the three storey high seven wings with 698 isolated cells. This is why it is called the Cellular Jail.

 

Freedom Fighters of the National Revolutionary Movements

 

National movements were flaring up against the British rule all over India and the freedom fighters related to these movements were sent to Andamans or the "Kala Pani" with long sentences. Prominent among these were those from The Wahabi Movement (1830 - 1869), Mopla Rebellion (1792 - 1947), First Rampa Rebellion (1878 - 1879), Second Rampa Rebellion (1922 - 1924), Tharawadi Peasant Rebellion, Burma (1930). Etc.

 

The National Revolutionary Movement had prominent among them in Punjab, the Heroes of The Gadar party, The Hinduthan Republican Association in U.P. formed by Sachin Sanyal, in Maharashtra with the Savarkar brothers and of course with the partition of Bengal in 1905, secret societies and lots of underground groups were beginning to form. Lots of conspiracy cases started in the courts and the number of revolutionary freedom fighters in the jails began to swell. Most of the leaders of these movements if not hanged outright were deported to the Andaman Cellular Jail. Several died due to inhuman treatment and torture.

  

Alipore Conspiracy Case

 

Bengal's Alipore Conspiracy Case (1908) saw 34 revolutionaries being accused. In which were Barin Ghosh, Ullaskar Dutt, Upendranath Banerjee and Hem Chandra Das. They were sent to the Andamans in 1909. Later revolutionaries from U.P. and Maharashtra were also sent.

  

Veer Savarkar

 

For the assassination of Collector Jackson of Nasik District in the Nasik Conspiracy Case Veer Vinayak savarkar was convicted and sent to the Cellular jail on 7th April, 1911. According to Savarkar Freedom Fighters were made to do hard labour. They had to peel coconuts and take out oil from them. They were forced to go around like bullocks to take out oil from mustard seeds. Outside they were forced to clear the jungles and trees on hillside levelling marshy land. They were flogged on refusal. On top of this they did not even get a full meal every day.

  

Gadar Party Revolutionaries in Cellular Jail (1914)

 

The Gadar Party whose president was Baba Sohan Singh and the secretary was Lala Har Dayal was formed in America to get our country free from the British. In 1914, with arms and ammunition, Gadar Party members, travelling by the ship Kama Gata Maru arrived in Calcutta. They were arrested by the British.

  

Repatriation of prisoners from Andamans (1921)

 

The rise of socialism in Russia and the rising influence of the Chinese Revolution gave rise to revolutionary thoughts and action here in our country, and were very popular with the young. The Bengal revolutionary parties like Anushilan and Yugantar again became active. In Punjab and Uttar Pradesh, the Naujavan Bharat Sabha provided a good platform for the youth. The Hindusthan Socialist Republican Association and its leader Shaheed Bhagat Singh's ideas are symptomatic of those times.

  

Assembly Bomb Case (1929)

 

On 8 April 1929 in protest against the trade dispute bill Sardar Bhagat Singh and Batukeshwar Dutt threw a bomb in the central constituent assembly. They threw leaflets and got themselves arrested. There was a tremendous impact on the nation. On 12 June 1929 both were given life imprisonment.

  

The Second Lahore Conspiracy Case

 

The British government filed the second Lahore Conspiracy Case against Bhagat Singh and 16 of his colleagues. In 1930, Bhagat Singh, Sukh Dev and Rajguru were hanged. Shri Yatendra Nath died because of hunger strike. Bhagat Singh's other friends Batukeshwar Dutt, Bejoy Kumar Sinha, Shiv Verma, Jaidev kapoor, Dr. Gaya Prasad, Kamal Nath Tiwari, Mahabir Singh were given life imprisonment and were sent to Andaman Cellular Jail.

  

The Chittagong Revolt (1930)

 

On the night of 18th April 1930 revolutionaries occupied Chittagong Armoury. For many days they battled with British army on the hills of Jalalabad. Many died a heroic death and many were arrested on 1st March 1932., 12 out of 32 people were given life imprisonment. Revolutionary leader (Master Da Surya Sen) was arrested and hanged on 12th Jan 1934. Ambika Chakraborty, Ganesh Ghosh, Anant Singh, Lok Nath Bal, Anand Gupta, Randhir Dass Gupta, Fakir Sen and other compatriots were sent to Cellular Jail.

  

The Reopening of the Andaman Cellular Jail (1932)

 

All around the country there were revolts against the British. In Bengal, Bihar, Uttar Pradesh and Punjab a chain of revolutionary conspiracies started. On a large scale there were arrests and long sentences were given. National revolutionary movement leaders and active participants started being sent to the Cellular Jail in Andamans.

  

Inhuman treatment in Jail (1932)

 

The food that was given was not fit for human consumption. There were worms when you opened the bread and wild grass was boiled and served in lieu of vegetables. Rain drinking water was full of insects and worms. The 13' X 6' cells were dark and damp and dingy thickly coated with moss. There were no toilets. There were no lights, no reading material. Prisoners were not allowed to meet with each other. The guards carried out physical torture and flogging. Their behaviour was insulting. Things had become unbearable.

  

The first mass hunger strike

 

12 May 1933 The only alternative before the freedom fighters was to resort to a hunger strike against these atrocities. On 12 May 1933 they started a fast undo death. Mahavir Singh, Mohan Kishore Namo Das and Mohit Moitra died during this hunger strike. Their bodies were quietly ferreted away and thrown out to sea. Punjab's jail inspector Barker was called to break the hunger strike. He issued orders to stop the issuing of drinking water. The freedom fighters were resolute. There was a huge outcry throughout India because of this hunger strike. After 46 days the British Raj had to bow and the demands of the freedom fighters had to be accepted. The hunger strike ended on 26 June 1933.

  

Facilities obtained after the hunger strike

 

After the death of three colleagues the facilities won from jail authorities proved beneficial for the future. There was light in the cells. The prisoners started getting newspapers, books and periodicals. They were allowed to meet. The facility to read individually or on a collective basis was allowed. The opportunity to play sports and organise cultural events was given. The jail work was reduced to minimal. Above all there was respect for the freedom fighters from the prison officials and a marked improvement in their behaviour. A new environment was created as the freedom fighters met to discuss and read. A thirst for books and knowledge began. There were students, doctors, lawyers, peasants, and workers all together. They discussed politics, economics, history and philosophy.

 

There were classes in biology and physiology given by the doctors amongst them. Others gave classes in historical and dialectical materialism. Knowledge, experience and books were hungrily shared. A jail library was started. A veritable university of freedom fighters had begun where revolutionaries were learning about Marxist and socialist ideas and how to disseminate these amongst the people whose freedom they were fighting for. A Communist consolidation was formed of 39 prisoners on 26 April 1935. This number later swelled to 200. The freedom fighters started feeling that the atmosphere for a world war was gathering and that before the war starts we should get back to our country to be with our people and take active part in the upheaval that was imminent. A petition was sent to the Viceroy on 9 July 1937 by the freedom fighters that all political prisoners should be repatriated to the mainland and released An ultimatum was given that if these demands were not met a hunger strike would begin.

  

The second hunger strike for the repatriation of freedom fighters began on 25 July 1937

 

A country wide movement on the mainland in support of the demands of the Andaman freedom fighters began as other political prisoners in other jails on the mainland also started hunger strikes in support. There was a mass demonstration of working people, intellectuals and students. This upsurge clearly showed that their people on the mainland did not forget them. After four weeks telegrams from Bengal's chief minister, leaders of the nation Jawaharlal Nehru, Subhash Chandra Bose, Sharad Chandra Bose, Rabindra Nath Tagore etc poured in imploring the freedom fighters to end their hunger strike.

 

On 28 August 1937, Gandhiji, poet Rabindra Nath Tagore and the Congress Working Committee sent a telegram…"the whole nation appeals to you to end the hunger strike… and assures you to take up your demands and to see them fulfilled…" After a lot of deliberation and discussion this historic 36-day hunger strike of 200 revolutionary freedom fighters ended. The process of repatriation started in September 1937. There were a total of 385 freedom fighters in jail at the time. 339 from Bengal, 19 from Bihar, 11 from Uttar Pradesh, 5 from Assam, 3 from Punjab, 2 from Delhi and 2 from Madras.

  

Netaji in Andamans

 

Netaji's Azad Hind Fauz first of all gave independence to Port Blair, Andaman. Netaji visited the Andaman Island and hoisted the tricolour flag on 30 December 1943. He had declared that the very first bastion to be relieved of the British yolk was Andamans, the Indian Bastille revolutionary freedom fighters were kept, very much like the Bastille in Paris during the French Revolution. The British reoccupied the Andaman and Nicobar Islands and abolished the Penal Settlement in 1945.

 

The Demolition of the Cellular Jail

 

We do not know on whose initiative the demolition of the Cellular Jail was begun. We revolutionaries who were incarcerated in the Cellular Jail intervened. We felt strongly that this symbol of tyranny needed to be preserved as a National Memorial to remind our future generations of the tremendous cost that was paid in Indian blood for the freedom of our country.

 

Source : hridyapalbhogal.hubpages.com/hub/Andaman-Cellular-Jail-Ka...

A Short history of the Andaman Islands

 

The Andamans are a chain of 184 odd islands in the Andaman sea at approx 1100 Kms to the south of Kolkata. The largest among them, The Andaman Island is 355 Kms long and 60 Kms wide. There was a time when ancient tribes lived here. Some of the natives it is said bore a remarkable resemblance to the aboriginaltribes of Australia. Today some tribes have receded into the deep forest while others have been resettled. Port Blair, it's principal port, is a picturesque and bustling town, full of greenery. It is well connected to the main land by regular passage of ships and scheduled flights from KolKata and Madras. Different communities are living in harmony and use hindi as their language.

 

Port Blair was named after the East India Companies' Lt. Archibald Blair who occupied the Andamans in 1789 to keep his ships safe and protected in the rains as a safe harbour and as a penal settlement for prisoners. But because of the unhygienic climate and outbreak of diseases and the expenses in maintaining the harbour he had to abandon the Andamans in 1796. Early in the first decade of the 19th century the roots of the East India Company were firmly entrenched in India. The British were subjecting Indians to a lot of abject atrocities, snatching away land from peasants, destroying the livelihood of craftsmen, increasing taxes, usurping the states from the Nawabs and native kings. Ordinary people, soldiers, nawabs and kings were all being terrified and harassed. Generally everywhere there was resentment and revolt. People were determined to do away with the East India Company

 

Recapture of Andaman Islands to keep Political Prisoners

 

The Andamans reminds us of those freedom fighters who on 10th May 1857, gave the clarion call to rise against the British rule. This was our First War of Independence, what the British in their history books refer to as the Sepoy Mutiny. To totally stomp out the uprising the British sent thousands to the gallows and even hung them up from trees, tied them to cannons and blew them up, destroyed them with guns and swords as if they had gone mad and were out to get revenge.

 

The revolutionaries, who survived, were exiled for life to the Andamans so that their connection with their families and their country would be severed and their countrymen would forget them forever. For this reason, in January 1858, the British reoccupied Port Blair, Andamans. For the first time on 10th March 1858, Supdt. J.B. Walker arrived with a batch of 200 freedom fighters. The second batch of 733 freedom fighter prisoners arrived in April 1868 from Karachi. They had been sentenced for life imprisonment. After this however it is not known how many thousands of freedom fighters were sent to the Andamans from the harbours of Bombay, Kolkata and Madras. Their numbers, names and addresses are not known.

 

It is said that all records were burnt when the Japanese occupied the Andamans. Some preliminary research was done by our organisation in the India Office Library, London, but no light could be shed. This worried us because whatever else the British might have been they were excellent record keepers. The truth is still not known and it needs to be. It is the responsibility of our present Indian Government to have a thorough research done to fill these gaps and to put forward in front of our countrymen, the true history of our freedom struggle and the different streams and revolts involved. The Cellular Jail was inalienably linked to the long and glorious struggle of our revolutionary freedom movement fought on the mainland and it had deep political significance. Leading figures from revolutionary upsurges on the mainland were invariably banished to languish and suffer in the Andamans.

 

Atrocities committed on early freedom fighters

 

In almost perennial rainy weather, with heavy bar fetters and shackles on their feet, surrounded by snakes, leeches and scorpions the freedom fighters were expected, in deep primeval forests to clear a path for roads through marshy land. They were punished and faced hard labour if they slowed down. In March 1868, 238 prisoners tried to escape. By April they were all caught. One committed suicide and of the remainder Supdt. Walker ordered 87 to be hanged.

 

Sher Ali: The killing of Lord Mayo

 

Despite these atrocities the freedom fighters used to resist and fight for their self-respect and for the love of their country. Sher Ali was given life imprisonment during the Wahabi movement against the British Raj. He assassinated Lord Mayo, Viceroy of India with a knife on 8th February, 1872. He was hanged on Viper Island.

 

The Construction of the Cellular Jail

 

From 1896 the construction of Cellular Jail was started and it was completed in 1906 with 698 cells. The Jail was constructed with seven wings, spreading out like a seven-petal flower. In its centre it had a tower with a turret. Connected to this were the three storey high seven wings with 698 isolated cells. This is why it is called the Cellular Jail.

 

Freedom Fighters of the National Revolutionary Movements

 

National movements were flaring up against the British rule all over India and the freedom fighters related to these movements were sent to Andamans or the "Kala Pani" with long sentences. Prominent among these were those from The Wahabi Movement (1830 - 1869), Mopla Rebellion (1792 - 1947), First Rampa Rebellion (1878 - 1879), Second Rampa Rebellion (1922 - 1924), Tharawadi Peasant Rebellion, Burma (1930). Etc.

 

The National Revolutionary Movement had prominent among them in Punjab, the Heroes of The Gadar party, The Hinduthan Republican Association in U.P. formed by Sachin Sanyal, in Maharashtra with the Savarkar brothers and of course with the partition of Bengal in 1905, secret societies and lots of underground groups were beginning to form. Lots of conspiracy cases started in the courts and the number of revolutionary freedom fighters in the jails began to swell. Most of the leaders of these movements if not hanged outright were deported to the Andaman Cellular Jail. Several died due to inhuman treatment and torture.

  

Alipore Conspiracy Case

 

Bengal's Alipore Conspiracy Case (1908) saw 34 revolutionaries being accused. In which were Barin Ghosh, Ullaskar Dutt, Upendranath Banerjee and Hem Chandra Das. They were sent to the Andamans in 1909. Later revolutionaries from U.P. and Maharashtra were also sent.

  

Veer Savarkar

 

For the assassination of Collector Jackson of Nasik District in the Nasik Conspiracy Case Veer Vinayak savarkar was convicted and sent to the Cellular jail on 7th April, 1911. According to Savarkar Freedom Fighters were made to do hard labour. They had to peel coconuts and take out oil from them. They were forced to go around like bullocks to take out oil from mustard seeds. Outside they were forced to clear the jungles and trees on hillside levelling marshy land. They were flogged on refusal. On top of this they did not even get a full meal every day.

  

Gadar Party Revolutionaries in Cellular Jail (1914)

 

The Gadar Party whose president was Baba Sohan Singh and the secretary was Lala Har Dayal was formed in America to get our country free from the British. In 1914, with arms and ammunition, Gadar Party members, travelling by the ship Kama Gata Maru arrived in Calcutta. They were arrested by the British.

  

Repatriation of prisoners from Andamans (1921)

 

The rise of socialism in Russia and the rising influence of the Chinese Revolution gave rise to revolutionary thoughts and action here in our country, and were very popular with the young. The Bengal revolutionary parties like Anushilan and Yugantar again became active. In Punjab and Uttar Pradesh, the Naujavan Bharat Sabha provided a good platform for the youth. The Hindusthan Socialist Republican Association and its leader Shaheed Bhagat Singh's ideas are symptomatic of those times.

  

Assembly Bomb Case (1929)

 

On 8 April 1929 in protest against the trade dispute bill Sardar Bhagat Singh and Batukeshwar Dutt threw a bomb in the central constituent assembly. They threw leaflets and got themselves arrested. There was a tremendous impact on the nation. On 12 June 1929 both were given life imprisonment.

  

The Second Lahore Conspiracy Case

 

The British government filed the second Lahore Conspiracy Case against Bhagat Singh and 16 of his colleagues. In 1930, Bhagat Singh, Sukh Dev and Rajguru were hanged. Shri Yatendra Nath died because of hunger strike. Bhagat Singh's other friends Batukeshwar Dutt, Bejoy Kumar Sinha, Shiv Verma, Jaidev kapoor, Dr. Gaya Prasad, Kamal Nath Tiwari, Mahabir Singh were given life imprisonment and were sent to Andaman Cellular Jail.

  

The Chittagong Revolt (1930)

 

On the night of 18th April 1930 revolutionaries occupied Chittagong Armoury. For many days they battled with British army on the hills of Jalalabad. Many died a heroic death and many were arrested on 1st March 1932., 12 out of 32 people were given life imprisonment. Revolutionary leader (Master Da Surya Sen) was arrested and hanged on 12th Jan 1934. Ambika Chakraborty, Ganesh Ghosh, Anant Singh, Lok Nath Bal, Anand Gupta, Randhir Dass Gupta, Fakir Sen and other compatriots were sent to Cellular Jail.

  

The Reopening of the Andaman Cellular Jail (1932)

 

All around the country there were revolts against the British. In Bengal, Bihar, Uttar Pradesh and Punjab a chain of revolutionary conspiracies started. On a large scale there were arrests and long sentences were given. National revolutionary movement leaders and active participants started being sent to the Cellular Jail in Andamans.

  

Inhuman treatment in Jail (1932)

 

The food that was given was not fit for human consumption. There were worms when you opened the bread and wild grass was boiled and served in lieu of vegetables. Rain drinking water was full of insects and worms. The 13' X 6' cells were dark and damp and dingy thickly coated with moss. There were no toilets. There were no lights, no reading material. Prisoners were not allowed to meet with each other. The guards carried out physical torture and flogging. Their behaviour was insulting. Things had become unbearable.

  

The first mass hunger strike

 

12 May 1933 The only alternative before the freedom fighters was to resort to a hunger strike against these atrocities. On 12 May 1933 they started a fast undo death. Mahavir Singh, Mohan Kishore Namo Das and Mohit Moitra died during this hunger strike. Their bodies were quietly ferreted away and thrown out to sea. Punjab's jail inspector Barker was called to break the hunger strike. He issued orders to stop the issuing of drinking water. The freedom fighters were resolute. There was a huge outcry throughout India because of this hunger strike. After 46 days the British Raj had to bow and the demands of the freedom fighters had to be accepted. The hunger strike ended on 26 June 1933.

  

Facilities obtained after the hunger strike

 

After the death of three colleagues the facilities won from jail authorities proved beneficial for the future. There was light in the cells. The prisoners started getting newspapers, books and periodicals. They were allowed to meet. The facility to read individually or on a collective basis was allowed. The opportunity to play sports and organise cultural events was given. The jail work was reduced to minimal. Above all there was respect for the freedom fighters from the prison officials and a marked improvement in their behaviour. A new environment was created as the freedom fighters met to discuss and read. A thirst for books and knowledge began. There were students, doctors, lawyers, peasants, and workers all together. They discussed politics, economics, history and philosophy.

 

There were classes in biology and physiology given by the doctors amongst them. Others gave classes in historical and dialectical materialism. Knowledge, experience and books were hungrily shared. A jail library was started. A veritable university of freedom fighters had begun where revolutionaries were learning about Marxist and socialist ideas and how to disseminate these amongst the people whose freedom they were fighting for. A Communist consolidation was formed of 39 prisoners on 26 April 1935. This number later swelled to 200. The freedom fighters started feeling that the atmosphere for a world war was gathering and that before the war starts we should get back to our country to be with our people and take active part in the upheaval that was imminent. A petition was sent to the Viceroy on 9 July 1937 by the freedom fighters that all political prisoners should be repatriated to the mainland and released An ultimatum was given that if these demands were not met a hunger strike would begin.

  

The second hunger strike for the repatriation of freedom fighters began on 25 July 1937

 

A country wide movement on the mainland in support of the demands of the Andaman freedom fighters began as other political prisoners in other jails on the mainland also started hunger strikes in support. There was a mass demonstration of working people, intellectuals and students. This upsurge clearly showed that their people on the mainland did not forget them. After four weeks telegrams from Bengal's chief minister, leaders of the nation Jawaharlal Nehru, Subhash Chandra Bose, Sharad Chandra Bose, Rabindra Nath Tagore etc poured in imploring the freedom fighters to end their hunger strike.

 

On 28 August 1937, Gandhiji, poet Rabindra Nath Tagore and the Congress Working Committee sent a telegram…"the whole nation appeals to you to end the hunger strike… and assures you to take up your demands and to see them fulfilled…" After a lot of deliberation and discussion this historic 36-day hunger strike of 200 revolutionary freedom fighters ended. The process of repatriation started in September 1937. There were a total of 385 freedom fighters in jail at the time. 339 from Bengal, 19 from Bihar, 11 from Uttar Pradesh, 5 from Assam, 3 from Punjab, 2 from Delhi and 2 from Madras.

  

Netaji in Andamans

 

Netaji's Azad Hind Fauz first of all gave independence to Port Blair, Andaman. Netaji visited the Andaman Island and hoisted the tricolour flag on 30 December 1943. He had declared that the very first bastion to be relieved of the British yolk was Andamans, the Indian Bastille revolutionary freedom fighters were kept, very much like the Bastille in Paris during the French Revolution. The British reoccupied the Andaman and Nicobar Islands and abolished the Penal Settlement in 1945.

 

The Demolition of the Cellular Jail

 

We do not know on whose initiative the demolition of the Cellular Jail was begun. We revolutionaries who were incarcerated in the Cellular Jail intervened. We felt strongly that this symbol of tyranny needed to be preserved as a National Memorial to remind our future generations of the tremendous cost that was paid in Indian blood for the freedom of our country.

 

Source : hridyapalbhogal.hubpages.com/hub/Andaman-Cellular-Jail-Ka...

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1350 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi His highness Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 6 million visitors annually.

 

THE ROYAL LINEAGE

Mummadi Krishnaraja Wadiyar was Maharaja from 1799 to 1868. After the fall of Tipu Sultan he made Mysore his capital in May 1799 and focused on education, religious sites and donating jewels to temples including Melkote. Chamaraja Wadiyar was coronated on September 23, 1868, at the age of five. He was anointed king on the date fixed by the Governor General. He is credited with founding India's first democratic institutions with the Mysore representative assembly in 1881. Nalwadi Krishnaraja Wadiyar was Maharaja from 1895 to 1940 He was also called the Saint King by Mahatma Gandhi. Assisted by dewans Sir M Visvesvaraya and Sir Mirza Ismail, he changed Mysore by adding Asia's first hydro electric project at Shivanasamudra, the KRS dam and the University of Mysore in 1916. Jayachamaraja Wadiyar was the twenty fifth and the last king, reining from 1940 to 1950, when he agreed to merge the state with the union of India. A musicologist and a philanthropist, he was named Raj Parmukh of Mysore from Jan 26, 1950, a post he held for six years. The present Maharaja is Yaduveera, who was adopted by his aunt.

 

MYSORE

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dashera festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

The palace is an excellent combination of Indo-Saracenic architecture and features a number of unique rooms.

 

AMBAVILASA

This room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

Kalyana Mantapa

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

Other rooms

 

The palace houses several rooms of importance. These include:

 

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions.

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to

Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITORS INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

ACQUISITION

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

WIKIPEDIA

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1399 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 3 million visitors annually.

 

HISTORY

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Royal Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Sri Sir Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Sri Sir Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

 

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now working as the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति कदाचन" (never terrified).

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dasara festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

Mysore Palace is one of the most magnificent buildings. It is a sight not to be missed when it is illuminated on Sundays and festive occasions. The interior of the Palace is equally worth a visit, for its spacious halls, paintings and architectural beauty. The palace is an excellent combination of Indo-Saracenic architecture.

 

AMBAVILASA

This spectacular room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (DOLL`S PAVILION)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

KALYANA MANTAPA

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

 

OTHER ROOMS

The palace houses several rooms of importance. These include:

 

- The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions

- An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITOR INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1399 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 3 million visitors annually.

 

HISTORY

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Royal Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Sri Sir Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Sri Sir Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

 

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now working as the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति कदाचन" (never terrified).

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dasara festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

Mysore Palace is one of the most magnificent buildings. It is a sight not to be missed when it is illuminated on Sundays and festive occasions. The interior of the Palace is equally worth a visit, for its spacious halls, paintings and architectural beauty. The palace is an excellent combination of Indo-Saracenic architecture.

 

AMBAVILASA

This spectacular room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (DOLL`S PAVILION)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

KALYANA MANTAPA

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

 

OTHER ROOMS

The palace houses several rooms of importance. These include:

 

- The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions

- An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITOR INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1350 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi His highness Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 6 million visitors annually.

 

THE ROYAL LINEAGE

Mummadi Krishnaraja Wadiyar was Maharaja from 1799 to 1868. After the fall of Tipu Sultan he made Mysore his capital in May 1799 and focused on education, religious sites and donating jewels to temples including Melkote. Chamaraja Wadiyar was coronated on September 23, 1868, at the age of five. He was anointed king on the date fixed by the Governor General. He is credited with founding India's first democratic institutions with the Mysore representative assembly in 1881. Nalwadi Krishnaraja Wadiyar was Maharaja from 1895 to 1940 He was also called the Saint King by Mahatma Gandhi. Assisted by dewans Sir M Visvesvaraya and Sir Mirza Ismail, he changed Mysore by adding Asia's first hydro electric project at Shivanasamudra, the KRS dam and the University of Mysore in 1916. Jayachamaraja Wadiyar was the twenty fifth and the last king, reining from 1940 to 1950, when he agreed to merge the state with the union of India. A musicologist and a philanthropist, he was named Raj Parmukh of Mysore from Jan 26, 1950, a post he held for six years. The present Maharaja is Yaduveera, who was adopted by his aunt.

 

MYSORE

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dashera festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

The palace is an excellent combination of Indo-Saracenic architecture and features a number of unique rooms.

 

AMBAVILASA

This room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

Kalyana Mantapa

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

Other rooms

 

The palace houses several rooms of importance. These include:

 

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions.

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to

Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITORS INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

ACQUISITION

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

WIKIPEDIA

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1350 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi His highness Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 6 million visitors annually.

 

THE ROYAL LINEAGE

Mummadi Krishnaraja Wadiyar was Maharaja from 1799 to 1868. After the fall of Tipu Sultan he made Mysore his capital in May 1799 and focused on education, religious sites and donating jewels to temples including Melkote. Chamaraja Wadiyar was coronated on September 23, 1868, at the age of five. He was anointed king on the date fixed by the Governor General. He is credited with founding India's first democratic institutions with the Mysore representative assembly in 1881. Nalwadi Krishnaraja Wadiyar was Maharaja from 1895 to 1940 He was also called the Saint King by Mahatma Gandhi. Assisted by dewans Sir M Visvesvaraya and Sir Mirza Ismail, he changed Mysore by adding Asia's first hydro electric project at Shivanasamudra, the KRS dam and the University of Mysore in 1916. Jayachamaraja Wadiyar was the twenty fifth and the last king, reining from 1940 to 1950, when he agreed to merge the state with the union of India. A musicologist and a philanthropist, he was named Raj Parmukh of Mysore from Jan 26, 1950, a post he held for six years. The present Maharaja is Yaduveera, who was adopted by his aunt.

 

MYSORE

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dashera festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

The palace is an excellent combination of Indo-Saracenic architecture and features a number of unique rooms.

 

AMBAVILASA

This room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

Kalyana Mantapa

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

Other rooms

 

The palace houses several rooms of importance. These include:

 

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions.

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to

Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITORS INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

ACQUISITION

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

WIKIPEDIA

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1350 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi His highness Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 6 million visitors annually.

 

THE ROYAL LINEAGE

Mummadi Krishnaraja Wadiyar was Maharaja from 1799 to 1868. After the fall of Tipu Sultan he made Mysore his capital in May 1799 and focused on education, religious sites and donating jewels to temples including Melkote. Chamaraja Wadiyar was coronated on September 23, 1868, at the age of five. He was anointed king on the date fixed by the Governor General. He is credited with founding India's first democratic institutions with the Mysore representative assembly in 1881. Nalwadi Krishnaraja Wadiyar was Maharaja from 1895 to 1940 He was also called the Saint King by Mahatma Gandhi. Assisted by dewans Sir M Visvesvaraya and Sir Mirza Ismail, he changed Mysore by adding Asia's first hydro electric project at Shivanasamudra, the KRS dam and the University of Mysore in 1916. Jayachamaraja Wadiyar was the twenty fifth and the last king, reining from 1940 to 1950, when he agreed to merge the state with the union of India. A musicologist and a philanthropist, he was named Raj Parmukh of Mysore from Jan 26, 1950, a post he held for six years. The present Maharaja is Yaduveera, who was adopted by his aunt.

 

MYSORE

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dashera festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

The palace is an excellent combination of Indo-Saracenic architecture and features a number of unique rooms.

 

AMBAVILASA

This room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

Kalyana Mantapa

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

Other rooms

 

The palace houses several rooms of importance. These include:

 

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions.

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to

Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITORS INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

ACQUISITION

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

WIKIPEDIA

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1350 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi His highness Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 6 million visitors annually.

 

THE ROYAL LINEAGE

Mummadi Krishnaraja Wadiyar was Maharaja from 1799 to 1868. After the fall of Tipu Sultan he made Mysore his capital in May 1799 and focused on education, religious sites and donating jewels to temples including Melkote. Chamaraja Wadiyar was coronated on September 23, 1868, at the age of five. He was anointed king on the date fixed by the Governor General. He is credited with founding India's first democratic institutions with the Mysore representative assembly in 1881. Nalwadi Krishnaraja Wadiyar was Maharaja from 1895 to 1940 He was also called the Saint King by Mahatma Gandhi. Assisted by dewans Sir M Visvesvaraya and Sir Mirza Ismail, he changed Mysore by adding Asia's first hydro electric project at Shivanasamudra, the KRS dam and the University of Mysore in 1916. Jayachamaraja Wadiyar was the twenty fifth and the last king, reining from 1940 to 1950, when he agreed to merge the state with the union of India. A musicologist and a philanthropist, he was named Raj Parmukh of Mysore from Jan 26, 1950, a post he held for six years. The present Maharaja is Yaduveera, who was adopted by his aunt.

 

MYSORE

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dashera festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

The palace is an excellent combination of Indo-Saracenic architecture and features a number of unique rooms.

 

AMBAVILASA

This room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

Kalyana Mantapa

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

Other rooms

 

The palace houses several rooms of importance. These include:

 

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions.

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to

Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITORS INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

ACQUISITION

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

WIKIPEDIA

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1399 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 3 million visitors annually.

 

HISTORY

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Royal Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Sri Sir Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Sri Sir Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

 

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now working as the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति कदाचन" (never terrified).

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dasara festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

Mysore Palace is one of the most magnificent buildings. It is a sight not to be missed when it is illuminated on Sundays and festive occasions. The interior of the Palace is equally worth a visit, for its spacious halls, paintings and architectural beauty. The palace is an excellent combination of Indo-Saracenic architecture.

 

AMBAVILASA

This spectacular room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (DOLL`S PAVILION)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

KALYANA MANTAPA

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

 

OTHER ROOMS

The palace houses several rooms of importance. These include:

 

- The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions

- An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITOR INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

  

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1399 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi H.H. Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 4 million visitors annually.

 

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

 

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति कदाचन" (never terrified)

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dasara festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

Mysore Palace is one of the most magnificent buildings. It is a sight not to be missed when it is illuminated on Sundays and festive occasions. The interior of the Palace is equally worth a visit, for its spacious halls, paintings and architectural beauty. The palace is an excellent combination of Indo-Saracenic architecture.

 

This spectacular room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

 

The palace houses several rooms of importance. These include:

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

Wiki

                                                             

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1399 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 3 million visitors annually.

 

HISTORY

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Royal Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Sri Sir Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Sri Sir Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

 

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now working as the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति कदाचन" (never terrified).

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dasara festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

Mysore Palace is one of the most magnificent buildings. It is a sight not to be missed when it is illuminated on Sundays and festive occasions. The interior of the Palace is equally worth a visit, for its spacious halls, paintings and architectural beauty. The palace is an excellent combination of Indo-Saracenic architecture.

 

AMBAVILASA

This spectacular room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (DOLL`S PAVILION)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

KALYANA MANTAPA

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

 

OTHER ROOMS

The palace houses several rooms of importance. These include:

 

- The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions

- An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITOR INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1399 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 3 million visitors annually.

 

HISTORY

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Royal Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Sri Sir Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Sri Sir Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

 

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now working as the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति कदाचन" (never terrified).

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dasara festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

Mysore Palace is one of the most magnificent buildings. It is a sight not to be missed when it is illuminated on Sundays and festive occasions. The interior of the Palace is equally worth a visit, for its spacious halls, paintings and architectural beauty. The palace is an excellent combination of Indo-Saracenic architecture.

 

AMBAVILASA

This spectacular room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (DOLL`S PAVILION)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

KALYANA MANTAPA

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

 

OTHER ROOMS

The palace houses several rooms of importance. These include:

 

- The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions

- An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITOR INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1399 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 3 million visitors annually.

 

HISTORY

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Royal Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Sri Sir Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Sri Sir Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

 

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now working as the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति कदाचन" (never terrified).

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dasara festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

Mysore Palace is one of the most magnificent buildings. It is a sight not to be missed when it is illuminated on Sundays and festive occasions. The interior of the Palace is equally worth a visit, for its spacious halls, paintings and architectural beauty. The palace is an excellent combination of Indo-Saracenic architecture.

 

AMBAVILASA

This spectacular room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (DOLL`S PAVILION)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

KALYANA MANTAPA

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

 

OTHER ROOMS

The palace houses several rooms of importance. These include:

 

- The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions

- An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITOR INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

WIKIPEDIA

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1350 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Built by the Maharaja Rajarshi His highness Krishnarajendra Wadiyar IV, Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 6 million visitors annually.

 

THE ROYAL LINEAGE

Mummadi Krishnaraja Wadiyar was Maharaja from 1799 to 1868. After the fall of Tipu Sultan he made Mysore his capital in May 1799 and focused on education, religious sites and donating jewels to temples including Melkote. Chamaraja Wadiyar was coronated on September 23, 1868, at the age of five. He was anointed king on the date fixed by the Governor General. He is credited with founding India's first democratic institutions with the Mysore representative assembly in 1881. Nalwadi Krishnaraja Wadiyar was Maharaja from 1895 to 1940 He was also called the Saint King by Mahatma Gandhi. Assisted by dewans Sir M Visvesvaraya and Sir Mirza Ismail, he changed Mysore by adding Asia's first hydro electric project at Shivanasamudra, the KRS dam and the University of Mysore in 1916. Jayachamaraja Wadiyar was the twenty fifth and the last king, reining from 1940 to 1950, when he agreed to merge the state with the union of India. A musicologist and a philanthropist, he was named Raj Parmukh of Mysore from Jan 26, 1950, a post he held for six years. The present Maharaja is Yaduveera, who was adopted by his aunt.

 

MYSORE

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dashera festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

The palace is an excellent combination of Indo-Saracenic architecture and features a number of unique rooms.

 

AMBAVILASA

This room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (Doll’s Pavilion)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

Kalyana Mantapa

 

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

Other rooms

 

The palace houses several rooms of importance. These include:

 

The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions.

An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to

Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITORS INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.

 

A major issue for visitors is the frequent extortion of bribes from visitors and tourists from corrupt Police and Palace Guards. Several scams have been reported which include guards who "befriend" visitors while offering to take them to a "secret room" where they extort money from tourists. Guards frequently requests bribes for taking photos, or try and intimidate visitors into providing money or foreign currency. Visitors have reported other scams perpetrated by corrupt officials which include demands to produce tickets and further requesting bribes.

 

ACQUISITION

Currently, a major portion of the palace is under the control of the Government of Karnataka, acquired by passing the Mysore Palace Acquisition Act. Only a small portion of the palace, towards the West Gate, is under the possession of Princess Pramodadevi Wadiyar. In fact, the High Court of Karnataka had passed judgment in favor of the late prince H.H. Srikantadatta Narasimharaja Wadiyar that the palace belongs to the royal family. However, the Government of Karnataka moved Supreme Court after its defeat in the High Court. The case is still pending. Only the prince did not survive to continue fighting against the government, who demised on the 10th of December, 2013.

 

WIKIPEDIA

The Palace of Mysore (also known as the Amba Vilas Palace) is a historical palace in the city of Mysore in Karnataka, southern India. It is the official residence and seat of the Wodeyars — the Maharajas of Mysore, the former royal family of Mysore, who ruled the princely state of Mysore from 1399 to 1950. The palace houses two durbar halls (ceremonial meeting halls of the royal court) and incorporates a mesmerizing and gigantic array of courtyards, gardens, and buildings. The palace is in the central region of inner Mysore, facing the Chamundi Hills eastward.

 

Mysore is commonly described as the City of Palaces. There are about seven palaces inclusive of this; however, Mysore Palace refers specifically to the one within the Old Fort. Mysore Palace is now one of the most famous tourist attractions in India, after the Taj Mahal, and has more than 3 million visitors annually.

 

HISTORY

King Yaduraya first built a palace inside the Old Fort in Mysore in the 14th century, which was demolished and constructed multiple times. The regent of Mysore, Her Royal Majesty Maharani Vani Vilas Sannidhna, and her son, the Maharaja of Mysore His Highness Rajarshi Sri Sir Krishnaraja Wodeyar IV, commissioned the British architect Lord Henry Irwin to build a new palace to replace the old one which had been turned into ashes by fire. Meanwhile, the royal family stayed in the nearby Jaganmohan Palace.

 

Construction of the current palace was commissioned in 1897, completed in 1912, and expanded around 1940 (including the addition of the present Public Durbar Hall wing) during the reign of His Highness Maharaja Sri Sir Jayachamarajendra Wadiyar, the last Maharaja of Mysore Kingdom. The construction was completed in 1912, but the fort continued to be beautified and its inhabitants were slowly moved to the newer extension built off the palace.

 

Apart from the leonine Ambavilas Palace and Jaganmohan Palace (which, later, His Highness Maharaja Jayachamarajendra Wadiyar used as his art gallery and it remains an art gallery), the city has several other grand palaces like Jayalakshmi Vilas Mansion (now working as the office of the district commissioner), Rajendra Vilas Mansion (now a private hotel atop Chamundi Hills), Lalitha Mahal Palace (now a five-star hotel), Laxmi Vilas Mansion, Cheluvamba Vilas Palace (the palace which His Highness Maharaja Sri Jayachamarajendra Wadiyar donated to the newly born Govt. of India; now the headquarters of Central Food Technological Research Institute, a national research institute), and Krishnarajendra Vilas Palace (now Krishna Rajendra Hospital). Besides there are buildings a century old or more, like Crowfard Hall (now the headquarters of the University of Mysore), Oriental Research Institute building, Corporation Complex of Mysore City Corporation, et cetera. In all the above palaces, the royal family holds blocks held by the kings traditionally. However, the Bangalore Palace and Ambavilas are entirely under the possession of the royal family. Despite this, the state government of Karnataka has its tourism department authorized the supervision Mysore Palace. Bangalore Palace remains entirely a private property of the princess.

 

ARCHITECTURE

The architectural style domes of the palace is commonly described as Indo-Saracenic and blends Hindu, Muslim, Rajput, and Gothic styles. It is a three-stone structure with marble domes and a 145 ft five-story tower. The palace is surrounded by a large garden. The entrance gate and arch hold the emblem and coat of arms of the kingdom of Mysore, around which is written the kingdom's motto in Sanskrit: "न बिभॆति कदाचन" (never terrified).

 

The palace has three entrances: the East Gate (the front gate, opened only during the Dasara and for VVIPs), the South Entrance (for public), and the West Entrance (usually opened only during the Dasara). In addition, there are numerous secret tunnels from the palace cellar leading to Srirangapatna, other palaces, and confidential areas.

 

The three-story stone building of fine gray granite with deep pink marble domes has a facade with several expansive arches and two smaller ones flanking the central arch, which is supported by tall pillars. Above the central arch is a sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck and abundance with her elephants. There are three major exclusive temple buildings within the Old Fort, and about 18 inside the palace heart building. The Maharajas of Mysore were devotees of Goddess Chamundi, which is why the place faces Chamundi Hills. Besides, head of the Parakala Mutt stays the spiritual rajguru (royal teacher and guide) as a reason of which the palace is built next to an even older Parakala Mutt headquarters.

 

SPECIAL EVENTS

Every autumn, the palace is the venue for the famous Mysore Dasara festival, during which leading artists perform on a stage set up in the palace grounds. On the tenth day of the festival Vijaya Dashami, a parade with caparisoned elephants and floats originate from the palace grounds.

 

Dasara is the most extravagant festival of Mysore. It is celebrated in September and October of each year. The festival celebrates and commemorates the victory of the great Goddess Durga, also called Chamundeshwari, after she slew the demon Mahishasura, thereby symbolizing the triumph of good over evil according to Hindu mythology.

 

This festival has been celebrated by the Wodeyars at Srirangapatna since 1610, and in Mysore with great pomp since 1799. The tradition is still carried on, although the scale of the celebrations has diminished. The Dasara festivities have become an integral part of the culture and life in Mysore. To celebrate this festival, the Palace of Mysore is illuminated with more than 96,000 lights during the two-month period.

 

UNIQUE ROOMS

Mysore Palace is one of the most magnificent buildings. It is a sight not to be missed when it is illuminated on Sundays and festive occasions. The interior of the Palace is equally worth a visit, for its spacious halls, paintings and architectural beauty. The palace is an excellent combination of Indo-Saracenic architecture.

 

AMBAVILASA

This spectacular room was used by the king as a hall for private audiences. Entry to this opulent hall is through an elegantly carved rosewood doorway inlaid with ivory that opens into a shrine dedicated to Ganesha. The central nave of the hall has ornately gilded columns, stained glass ceilings, decorative steel grills, and chandeliers with fine floral motifs, mirrored in the pietra dura mosaic floor embellished with semi-precious stones. This is where the king would confer with his ministers. It was the chamber in which he gave audience to people deserving special attention.

 

GOMBE THOTTI (DOLL`S PAVILION)

Entry to the palace is through the Gombe Thotti, or Doll’s Pavilion, a gallery of traditional dolls from the nineteenth and early twentieth centuries. The pavilion also houses a fine collection of Indian and European sculpture and ceremonial objects, including a wooden elephant howdah (frame to carry passengers) decorated with 84 kilograms of gold.

 

KALYANA MANTAPA

The Kalyana Mantapa, or marriage hall, is a grand, octagonal-shaped pavilion with a multi-hued stained glass ceiling with peacock motifs arranged in geometrical patterns. The entire structure was wrought in Glasgow, Scotland.

 

The floor also displays a peacock mosaic, designed with tiles from England. Oil paintings illustrating the royal procession and Dasara celebrations of bygone years are displayed on the walls.

 

OTHER ROOMS

The palace houses several rooms of importance. These include:

 

- The Diwan-e-aam, a public durbar where the general population could meet the king at scheduled times to submit petitions

- An armory which contains arms used by the members of the royal family. It contains lances, cutlasses, and other 14th century weapons as well as those used in the early twentieth century, such as pistols.

 

TEMPLES

The palace complex includes twelve Hindu temples. The oldest was built in the 14th century, while the most recent was built in 1953.

 

Some of the famous temples are:

 

- Someshvara Temple, dedicated to God Lord Shiva

- Lakshmiramana Temple, dedicated to God Lord Vishnu

- Shwetha Varahaswamy Temple, dedicated to Lord Varahaswamy, one of the 10 incarnations of lord Vishnu

- Sri Prasanna krishna Swami Temple

- Sri Bhuvaneshwari Temple

- Kodi Someshwaraswami Temple

- Sri Gayatri Temple

- Sri Trineshwara temple

 

VISITOR INFORMATION

The palace is ten minutes from the city central railway station and from the suburb bus-stand; right behind city bus-stand, and twenty minutes (less four miles) from Mysore Airport. The domestic airport is directly connected to the international airports of Bangalore (Kempegowda International Airport), Chennai (Chennai International Airport), Thiruvananthapuram (Trivandrum International Airport), Hyderabad (Rajiv Gandhi International Airport), and Bombay (Chhatrapati Shivaji International Airport). The city is connected through the state highway SH-17.

 

- Palace light illumination on Sundays and all public holidays between 7 and 7:45 in the evening.

- Sound and light programs are arranged on all days between 7 and 7:45, except on Sundays and public holidays.

 

The scenes of every detail in and around the palace attract one's attention. However, the authorities have prohibited photography inside the main palace complex.

 

The Old Fort of the palace stands open from morning 10 to night 8 and is free of cost. Entry to the palace buildings is between 11 in the morning and 3 in the afternoon, under tight security. Two squads, one police and one paramilitary, stand guard during the day, and two more during night. Children below seven are free to enter the palace, while those between seven and twelve are charged rupees 25 per head. For adults, tickets are available for Rs. 40. Price of admission for foreign tourists is INR 200. Footwear is removed before entering the palace complexes.