View allAll Photos Tagged quicktime
Forgive the quality this movie. My computer can barely play the HD movies from my 7D, let alone process them, and the white balance looked perfect on the camera lcd and when playing in QuickTime, but now it's yellow. Anyway, this was my first and probably last attempt at making a movie of this. The mantis would crawl inside of the bowl, but it wouldn't grab over the edge, so I laid out a dock for it to walk on. I gave it a couple more seconds after I set the camera down and the mantis had just frozen and was still hanging upside down. I think maybe it would work if I drain a couple inches of water out so when it's hanging upside down it won't be submerged, but when stretched out it can still reach a fish. I probably won't mess with it again though.
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PLEASE WATCH IN FULL SCREEN, HD!
Flickr Description:
This was one of my first projects that I seriously put a lot of work into. I planned for this night a bunch, only to realize that what I really needed was a heavy, sold tripod. And for what it's worth, I forgot to turn off my image stabilizer which I am not really sure how much of a different that made. For sure the most difficult part was the editing and post processing. I really don't have the best computer at the moment, and so export and import the images to and from Lightroom was a really big pain in the butt. And then I'm not really quite familiar with how publishing the final time lapse worked so I had to play with some settings a bunch to make it the best quality that it possibly could. I would have taken less than a day to import and publish this final product but my computer really just can't process too much at a time. But here's the final product and I really hope you guys enjoy it!
Vimeo Description:
PLEASE WATCH FULL SCREEN, HD!
Photos taken on 'A' Mountain, Tempe, Arizona on Wednesday, November 30, 2011.
Taken using a Canon Rebel T1i:
f/7.1
ISO800
1.6 sec.
3 second intervals
Edited using Adobe Lightroom
Stacked together in Quicktime Pro 7
Music and titles included using Windows Movie Maker
This is basically my first time lapse that I spent a quality amount of time on planning, and doing it properly. Hope you enjoy! Also on Vimeo:
Panorama en desarrollo 360º del interior de la vivienda
SI QUIERES VER LAS PLANTAS DE LA VIVIENDA PINCHA AQUÍ
Taken during the EM 2008 Fire Training. The Casino was filled up with actors, the fire department lite some smoke candles and first for a long time, I had no problems taken photos inside :)
Quicktime version can be found under www.panotopia.org/?p=337
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Newcastle/Gateshead's Millennium Bridge performing its regular daily midday tilt. This is the newest of 7 bridges that join the city centres of Newcastle and Gateshead (with a handful more further upstream). Watching the timelapse sequence you can see why this one is nicknamed the "Blinking Eye Bridge".
For maximum fun, pick a single person and try to follow them through the whole video. The cyclist in a red coat is hard to miss. :)
Shot as a sequence of 2,257 still photographs over about 10 minutes, using a Canon 40D, and converted to video using QuickTime Pro. See Vimeo for a full set of instructions.
Follow my trip around the North East of England here or browse the map.
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On Friday, November 4, 2016 1:52 PM, "2674319089@mypixmessages.com" wrote:
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Michael Verdi passed along this video compression recipe, which works really well for small videos.
The only thing missing is that sometimes it is good to make the key frame automatic -- or specify something more frequent than 24 frames if you're having too much compression artifacts.
For longer videos, it might take a bit longer.
Written up for my own reference, but also to share with the Drupal community here:
a single frame of a timelapse short
capturing lake fog/water vapour on lake ontario
january, 2008
www.nicesmooth.com/flickr/maidmistipod.m4v - 30 megabytes
here's an IPOD ready (will play in quicktime and VLC too)
timelapse of the maids dancing in the mist. flickrmail me for
the link to view the full 1080p output. other outputs including flash
will be posted when i have some more time.
couple things to note - you can actually watch the formation of clouds over the lake... it's like they are inflating from the moisture below and then drifting away. stunning to watch in high definition. i was using my 70-200mm and as you'll see, it wasn't as stable as I thought in a couple frames. also note that I changed EV values during shooting to give me a couple options in post.
Other setups using 50mm and 16-35mm were also employed using the Canon 1D Mark 3... which I might add held up to the -22 conditions perfectly. Not once did I have to change batteries !!
and yes - movie plays forward for 50% of movie - backwards for remaining 50%.
www.nicesmooth.com/flickr/maidmistipod.m4v - 30 megabytes
also be sure to check the gorgeous shots that
uwajedi captured in the east end of toronto
other timelapse movie projects of ours:
The double star Izar as captured with a Celestron C6 telescope working at a focal length of 2700mm using an Astro-Physics barlow and a uncooled QHY5III-178C camera.
The movie begins with 5 seconds of raw video showing how the earth's atmosphere causes a star's image to be distorted ("twinkle, twinkle little star"). Following that is a still image that was created with the best 12 frames from the original 30 second video capture.
The circular ring that surrounds the star is caused by diffraction, a real and physical property of light and optics. It is not a defect or artifact from the image processing, it’s simply due to the nature of light and the fact that stars are true, unresolved points of light.
The twin components of Izar are currently separated by 2.9 arc seconds with the primary at magnitude 2.5 and the smaller secondary at 4.8. The brighter star is described as orange in color while the dimmer component is listed as greenish white (although in this video the latter appears bluish gray).
Image processing done with PixInsight (color debayer, histogram transformation, final registration for still image), PIPP (image stabilization for video frames), Photoshop CC2017 (tweaks and addition of text to still image), and Apple's QuickTime 7 Player (video creation).
All rights reserved.
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A candid moment with Kim and Neil. I have a sample slideshow from this wedding here. 24MB Quicktime, so dial-uppers beware. They're Broadway fans, "Into the Woods" specifically, so I worked that a bit into the music. Some photos by Daniel Krieger, who did a bang-up job as a second shooter.
Duration: 5 seconds.
This is an experiment to see how flickr HD deals with larger videos in non standard aspect ratios. (See also my non-HD experiment.)
The video uploaded was 1000 x 1000 pixels in size. The codec used was H264, at the highest quality setting available in Quicktime. No interlacing was used.
In HD mode it is presented in flickr at 800 x 800 pixels.
Previously, before the introduction of Flickr HD, the maximum size / dimensions were 500 x 500 pixels - which is still the default non-HD size. (That is to say, 500 pixels is the length of the longest side.)
So Flickr HD continues the creative tradition of preserving customised, non-standard, aspect ratios, a feature that other video hosting services (YouTube, Vimeo) do not offer.
The video is a CGI animation (created using Maxon's Cinema 4D) - an Emoticon of a smiling wink adapted from the default flickr "Buddy Icon". The face has been mapped into a transparent (and non-reflective) sphere, which spins and then slows to a stop. "Flickr blue" and "flickr pink" coloured spotlights illuminate the face, casting appropriately coloured shadows. The shadows have been slightly softened with a blue grey "fill" or "area" light. Reflected light does not normally illuminate in the world of CGI, because of the monumental computer processing that would be required to do this. Naturalistic lighting usually needs to be "hand crafted". This is one one of the many reasons why - despite being fabulously profitable - they don't make a Shrek movie every week.
(For me, where I am located) the playback of the video is very jerky, nowhere close to the 25 frames per second of the original. This is possibly because I live in the third world (the United Kingdom / Great Britain), with a stone age internet infrastructure. Unfortunately, the smoothest playback may be experienced in the smallest, thumbnail, photostream view.
Because Tim Berners-Lee is considered by some to be some sort of Communist (with his ideals of Universal Web Access), this may be the case forever...
Playing a flickr video a second time usually results in a smoother experience, because a version (not necessarily the best version) has already been downloaded. I have super fast internet to my local telephone exchange - but between there, and the secret hollowed out volcano where the flickr servers reside, there is usually some kind of bandwidth bottleneck...
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A timelapse shot in the clear, dark skies at 5600m way up in the Indian Himalayas. Shot as single frames on a Canon 5d II and stitched in Quicktime Pro.
The foreground is actually a lake.. hence the reflections!
Apoligies for the rotation... best i could do for now!
She knows how digital cameras/camcorders work and always says "I want to see!" after I take a photo or shoot video.
Also noted, a conversion from AVI to flickr's flash video added a ton of artifacts. I guess I'll stick to quicktime exports of my edited video from now on.
That's my first QTVR from my new series about Vila Penteado, in the same place taken in my last post.
For this panorama I used 120 shots (-2; 0; +2) processed with Photomatix Pro, Stitcher Unlimited and GoCubic to created QTVR...
If you have time you can look the QTVR on followed link Vila Penteado
Sony Alpha700 w/ 11~18mm ultra-wide lens
Mounted on Panosaurus PanoHead.
Apr.2010
All pictures in my photostream are copyright © 2010 Boby Pirovics. All rights reserved. No Usage Allowed in Any Form Without the Written Consent.
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I think this is my best Venus to date.
700 frames stacked in Autostakkert!2, final edits in Adobe Photoshop CS6/Lightroom 5.5
Camera: Nikon D5100
Telescope: Meade LX200 f/6.3 Wide Field
Barlow: Custom-built
EXIF data is scrubbed during the stacking process, however the file was sourced from a Quicktime MOV captured with a Nikon D5100.
Sexy pink n slingbacks.
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Filmed at Slimbridge.
Music by Chris Haugen.
Converted to MOV from mp4. The sharpness has suffered....
WHY can I not use an mp4????
This is a decent frame-grab from a short 4K video. I used MPEG Streamclip which gave me a 3840 × 2160 (8.3 MP) file which is the true resolution. I also tried QuickTime 7 and 10, & VLC Player but they resized it to HD I believe. VLC is the only application that plays these 4K videos smoothly when I don't have too many apps open. Very few frames were usable or sharp. I think a higher frame rate, good light and tripod would help. The Fujifilm video colors are nicely saturated, much closer to the JPG output or stronger. With my Panasonic, I always had flat movie colors compared to the stills output.
Section 2:
Cassiar Hwy 37 to Kitwanga, Yellowhead Hwy 16.
Ringo never took the class - he has his GED. He's a smart dog - as a matter of fact he shot this video.
Trees by Joyce Kilmer .... recorded by Judy on iPAQ Pocket PC
Video of tree ..... by Judy using Nikon Coolpix 8800
Asian Dreamer.... music by muvee Technologies Pte Ltd
Video creation ... Adobe Premier Elements 2.0
Converted to QuickTime (which changed the sound of the recording)
Sunrise time-lapse taken atop the summit of the Haiku Stairs / Stairway to Heaven. The video is a little jumpy in spots because of the wind but still worth posting, nonetheless.
Taken with Panasonic GF1, 14-45mm kit lens and cheap eBay timer release cable. One picture was taken every 6 sec. Time-lapse created in QuickTime Player 7 and edited in iMovie. Music is by Daft Punk.
Pictures of the hike to follow...
Forty-eight minutes of the apparent motion of Comet C/2014 E2 (Jacques) was captured on August 25, 2014. Each of the 148 images were 20 seconds in length. The individual images were combined in Quicktime Pro at 15 FPS. The dimming at the end of the video was from fogging of the lens. I had planned for more exposures; however, the humidity was too high on this particular evening.
Canon
Canon EOS 650D
Top-left
72
72
Inch
QuickTime 7.7.1
2013:09:08 21:02:49
1/15 sec.
f/2.8
Normal program
800
Exif Version 2.2
2013:09:08 18:32:00
2013:09:08 18:32:00
Y Cb Cr -
4.00 EV (1/16 sec.)
3.00 EV (f/2.8)
0.33 EV
2.83 EV (f/2.7)
Pattern
150.0 mm
27
27
27
FlashPix Version 1.0
sRGB
600
435
3865.77
3859.30
Inch
Normal process
Auto exposure
Auto white balance
Standard
On Friday, November 4, 2016 1:52 PM, "2674319089@mypixmessages.com" wrote:
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On early morning on friday, all is quiet in this old house with have a restorations now, I can make one 360 quicktime (equirectangular) from external view, many times here have celebration of marriage and all preparations, I can't have a clear shot.
Here I make this Vertorama using my new lens Sony 16mm fisheye to make some test...
Sony Alpha100 w/ 16mm fisheye
2 shots in RAW
CS3 auto-stitcher.
October 2008
On Explore Front Page Oct, 26 #228 Thank you all.
Margo playing with the dogs at Lake of the Woods, Oregon. Ringo Fetches, Sophie just steals the stick from Ringo, and Mt McLoughlin abides.
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This is a little diagram I created to help visualize the complexity of our production flow for burntwire.tv
Green lines are for monetization.
Yellow lines are stats.
Red two-way lines are monetized flash content.
Light grey lines represent creative direction.
Turquoise lines are non-monetized high-res quicktime files.
Orange lines are RSS feeds.
The light grey box is my server.
Darker gery boxes are other people's servers.
Quick star time lapse before my lens fogged up. 400ish shots each 15seconds long combined in quicktime run at 15FPS
Hi Res Youtube version www.youtube.com/user/andyathlon#p/a/u/0/IX7mK2SSSCM
Jon Satrom performs realtime audio/video, spends time data-bending, makes kludgey work-flows, creates colorful glitch-ware, and enjoys working within collaborative projects and open systems.
He spends his days fixing things, making things work, and teaching. He spends his evenings breaking things, learning, and searching for the unique blips inherent to the systems he explores and exploits.
When creating glitch-art, developing kludgy workflows is key. Softwares and languages with loop-holes, open-ports, and forgotten-functions are integral to constructing situations for glitching. In my mind, no other program embodied this ethic more than QuickTime. It’s popularity, and the fact that it’s development was to position itself within a multimedia paradigm yet-to-be solidified, makes QuickTime (versions 1.5 – 7.6) a quagmire of failures.
The rewrite of QuickTime as QuickTime X has broken an environment that helped form my ideas of how malleable digital video can be. The drumbeat of “progress” has stripped esoteric codecs and functions in favor of current flavor of standardized media consumption.
Popular computer program releases are similar to code-volcanoes barfing new functions on-top of themselves creating mountains of functionality. Due to the fact that QuickTime was one of the first popular desktop video playback and editing technologies, the program is full of strange utopic abandonware. Aside from the myriad of codecs available, two of my favorite QuickTime features are QTVR and the ability to skin one’s own player. These are once celebrated features are now forgotten on the volcanic crater of QuickTime 7.
I’ve been working and performing with these techniques for years and have only found it necessary to articulate my love and investment as I find my go-to-tool on the chopping-block of our upgrade-culture. For now, I can rest assured: it’s a weird-chopping-block; there’s still time. For now, QuickTime7 has been transformed from a player into a utility. Even now (OSX 10.6.6), there are elements of QuickTime X that rely on the robust functionality of QuickTime 7.
When working against an upgrade culture and hesitant to celebrate a retro-ness within my own work, I’m forced to jump the shark and exploit my favorite functions before they are ”legacy features”…
”QTzrk” is powered by QuickTime 7 on MacOS and Windows
Videogramo:
I am looking at all your websites, and I am completely confused by all your alter egos! Francoise Gamma on the computers club and Item Videogramo on 8bitpeoples; Who is Videogramo and who is Gamma?
ComputersClub asked me to be part of the club, but with a name. I didn't want to use my real name, so I invented Francoise (which is derived from my real name) and Gamma from color correction. I think of Francoise Gamma as a fatal rebirth of Videogramo.
Some of your newer work like "the head on the piano" on Vimeo has become less textured and more 3d, is that new and something you are going to do more?
If I would use the textures and patterns like I used in Videogramo ...I would need a whole enterprise to do animation+patterns... Videogramo's working method is crazy… madness, frame by frame ... hhgg, (although sometimes also semi automatic ^__^).
Gamma is more and more wirelined, it is an evolution or involution of Videogramo. More "new", less patterns and more animations (more and more) = ) and mutated movies. In Gamma there are almost no corrupted bodies. I think in this alter ego my mind is changing through other … corruptions.
How is failure or glitch part of your work?
I work with glitch in textures and erratic models (sometimes pure glitch from conversion of 3D formats). I also reference errors through the impossible positions of the models. In Gamma the error plays a role in motion overall. I would maybe call this "glitch simulation" or emulation
Corruption plays a formal role (errors in exporting 3d images), but this "fatal rebirth" of the image also plays a role on a conceptual and narrative level. I think there is not one logics to explain my fascination with error… I think that perhaps I recognize reflexion of myself in the error, or of the universe in general.