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PLEASE WATCH IN FULL SCREEN, HD!
Flickr Description:
This was one of my first projects that I seriously put a lot of work into. I planned for this night a bunch, only to realize that what I really needed was a heavy, sold tripod. And for what it's worth, I forgot to turn off my image stabilizer which I am not really sure how much of a different that made. For sure the most difficult part was the editing and post processing. I really don't have the best computer at the moment, and so export and import the images to and from Lightroom was a really big pain in the butt. And then I'm not really quite familiar with how publishing the final time lapse worked so I had to play with some settings a bunch to make it the best quality that it possibly could. I would have taken less than a day to import and publish this final product but my computer really just can't process too much at a time. But here's the final product and I really hope you guys enjoy it!
Vimeo Description:
PLEASE WATCH FULL SCREEN, HD!
Photos taken on 'A' Mountain, Tempe, Arizona on Wednesday, November 30, 2011.
Taken using a Canon Rebel T1i:
f/7.1
ISO800
1.6 sec.
3 second intervals
Edited using Adobe Lightroom
Stacked together in Quicktime Pro 7
Music and titles included using Windows Movie Maker
This is basically my first time lapse that I spent a quality amount of time on planning, and doing it properly. Hope you enjoy! Also on Vimeo:
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by tsevis
www.flickr.com/photos/tsevis/2313082920/in/set-7215759453...
Originally made in December 2007 and corrected in February 2008 to include the latest Apple products like MacBook Air, iPod nano pink etc.
Made with Synthetik Studio Artist, Adobe Photoshop and Apple QuickTime Pro with custom developed scripts and techniques.
Credit must go to Deanna Lowe @ Fortune magazine and the photographer of the original photo in which this mosaic is based.
(Best viewed large or printed).
Original photo copyrighted by Corbis.
All Apple Inc product imaged used courtesy by Apple Inc.
Forty-eight minutes of the apparent motion of Comet C/2014 E2 (Jacques) was captured on August 25, 2014. Each of the 148 images were 20 seconds in length. The individual images were combined in Quicktime Pro at 15 FPS. The dimming at the end of the video was from fogging of the lens. I had planned for more exposures; however, the humidity was too high on this particular evening.
I made this from one of the many videos of the meteor that have been posted online since the event. I have seen one small image of the whole cloud online, but wanted to try making a larger image from individual frames of one of the better videos . . The cloud did change a bit between frames in the video due to expansion over time, but I got them to line up pretty well. I used quicktime to extract the individual images from the video and photoshop cs5 to make the collage.. -larger sizes look neat. (note: largest size is pretty big)
final product from MPE time lapse photography class...input individual captures into LR for batch developing...using QuickTime Pro, opened Image Sequence identifying individual captures, rendering at 6 frames per second
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Forgive the quality this movie. My computer can barely play the HD movies from my 7D, let alone process them, and the white balance looked perfect on the camera lcd and when playing in QuickTime, but now it's yellow. Anyway, this was my first and probably last attempt at making a movie of this. The mantis would crawl inside of the bowl, but it wouldn't grab over the edge, so I laid out a dock for it to walk on. I gave it a couple more seconds after I set the camera down and the mantis had just frozen and was still hanging upside down. I think maybe it would work if I drain a couple inches of water out so when it's hanging upside down it won't be submerged, but when stretched out it can still reach a fish. I probably won't mess with it again though.
Newcastle/Gateshead's Millennium Bridge performing its regular daily midday tilt. This is the newest of 7 bridges that join the city centres of Newcastle and Gateshead (with a handful more further upstream). Watching the timelapse sequence you can see why this one is nicknamed the "Blinking Eye Bridge".
For maximum fun, pick a single person and try to follow them through the whole video. The cyclist in a red coat is hard to miss. :)
Shot as a sequence of 2,257 still photographs over about 10 minutes, using a Canon 40D, and converted to video using QuickTime Pro. See Vimeo for a full set of instructions.
Follow my trip around the North East of England here or browse the map.
a christmas card
© Manfred Schmidt Photography | All rights reserved.
Do not use, copy or edit any of my images without my written permission.
This is made with Adobe Lightroom, Adobe Illustrator, Adobe Photoshop and Apple QuickTime Pro using custom developed scripts and techniques.
On Friday, November 4, 2016 1:52 PM, "2674319089@mypixmessages.com" wrote:
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On early morning on friday, all is quiet in this old house with have a restorations now, I can make one 360 quicktime (equirectangular) from external view, many times here have celebration of marriage and all preparations, I can't have a clear shot.
Here I make this Vertorama using my new lens Sony 16mm fisheye to make some test...
Sony Alpha100 w/ 16mm fisheye
2 shots in RAW
CS3 auto-stitcher.
October 2008
On Explore Front Page Oct, 26 #228 Thank you all.
Taken during the EM 2008 Fire Training. The Casino was filled up with actors, the fire department lite some smoke candles and first for a long time, I had no problems taken photos inside :)
Quicktime version can be found under www.panotopia.org/?p=337
A candid moment with Kim and Neil. I have a sample slideshow from this wedding here. 24MB Quicktime, so dial-uppers beware. They're Broadway fans, "Into the Woods" specifically, so I worked that a bit into the music. Some photos by Daniel Krieger, who did a bang-up job as a second shooter.
The Trona Pinnacles is what remains of the now ancient saline Searles Lake. When the lake was full, fresh water springs percolated up through the saline waters precipitating out minerals forming underwater spires of porous rock. When the geology and climate changed, the lake dried leaving these unusually spire formations. The area has been the site of many sci-fi movies and automotive commercials. The land is designated as a California Desert Natural Area and Area of Critical Environmental Concern under the management of the Bureau of Land Management. Taken with Nikon D700 w/24mm @3.5 ISO 6400 and Fuji X-Pro2 w/Samyang @ f: 2.8, ISO 1600. Lightroom to Quicktime 6, iMovie.
After trying a few time lapse sequences, I decided to have a go at a HDR time lapse. Here's my first attempt!
Technical jibber jabber
- D700 resting on window ledge
- Shooting in JPG to allow a couple thousand frames on a 8GB card
- Aperture priority mode
- ISO 200
- Auto-bracket +/- 1 stop
- Intervalometer set to take 3 shots at each 10-second interval over a period of approx 1.5 hours
This gave me a total of about 1.5k JPGs which I batch processed in Photomatix, tone mapping each of the 3-bracket shot sequences into a single tone mapped image. Each of these tone mapped images was imported into Quicktime as an image sequence (I think I left it at the default 12fps), then exported/imported into iMovie.
The panning and zooming is a feature of iMovie. The JPGs are large enough to crop and still produce HD output.
24fps version here.
An art installation by the collaborative group Luftwerk in an alley in downtown Chicago. Note, the loud buzzing sounds are construction noises unrelated (I think) to the installation, but they seem to add to the strange atmosphere...
This is a decent frame-grab from a short 4K video. I used MPEG Streamclip which gave me a 3840 × 2160 (8.3 MP) file which is the true resolution. I also tried QuickTime 7 and 10, & VLC Player but they resized it to HD I believe. VLC is the only application that plays these 4K videos smoothly when I don't have too many apps open. Very few frames were usable or sharp. I think a higher frame rate, good light and tripod would help. The Fujifilm video colors are nicely saturated, much closer to the JPG output or stronger. With my Panasonic, I always had flat movie colors compared to the stills output.
Section 2:
Cassiar Hwy 37 to Kitwanga, Yellowhead Hwy 16.
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Michael Verdi passed along this video compression recipe, which works really well for small videos.
The only thing missing is that sometimes it is good to make the key frame automatic -- or specify something more frequent than 24 frames if you're having too much compression artifacts.
For longer videos, it might take a bit longer.
Written up for my own reference, but also to share with the Drupal community here:
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a single frame of a timelapse short
capturing lake fog/water vapour on lake ontario
january, 2008
www.nicesmooth.com/flickr/maidmistipod.m4v - 30 megabytes
here's an IPOD ready (will play in quicktime and VLC too)
timelapse of the maids dancing in the mist. flickrmail me for
the link to view the full 1080p output. other outputs including flash
will be posted when i have some more time.
couple things to note - you can actually watch the formation of clouds over the lake... it's like they are inflating from the moisture below and then drifting away. stunning to watch in high definition. i was using my 70-200mm and as you'll see, it wasn't as stable as I thought in a couple frames. also note that I changed EV values during shooting to give me a couple options in post.
Other setups using 50mm and 16-35mm were also employed using the Canon 1D Mark 3... which I might add held up to the -22 conditions perfectly. Not once did I have to change batteries !!
and yes - movie plays forward for 50% of movie - backwards for remaining 50%.
www.nicesmooth.com/flickr/maidmistipod.m4v - 30 megabytes
also be sure to check the gorgeous shots that
uwajedi captured in the east end of toronto
other timelapse movie projects of ours:
I'm working on a light installation with a friend of mine, so I'm evaluating the Pixelline RGB LED tubes.
It's a perfect opportunity to add colour support and do some refactoring on the Lighting Control software (it needs a name) that I've been working on, previously it only dealt with dimmers.
On the todo list is ArtNet support as I can see that working with RGB LEDs will gobble up DMX channels pretty quick, but it'll have to wait until a project requires it as I will need to buy some gear. So far 512 channels is enough and I could always run another Enttec USB DMX adapter if I need to get something running quickly.
Another thing to check out is if I can use PBOs to speed up the glReadPixels from the FBOs that make up the small canvases that are used to map pixels to lights.
Strangely enough when I tried to record this in Windows Fraps would steal the glReadPixels and I would end up with no colour data to output to the lights, an odd gotcha.
I really need to sit down and work on the layout of any on-screen information at some point as well, right now it's all just thrown somewhere it would fit.
Quicktime Screen Capture did not grab the sound unfortunately.
She knows how digital cameras/camcorders work and always says "I want to see!" after I take a photo or shoot video.
Also noted, a conversion from AVI to flickr's flash video added a ton of artifacts. I guess I'll stick to quicktime exports of my edited video from now on.
Sexy pink n slingbacks.
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Sunrise time-lapse taken atop the summit of the Haiku Stairs / Stairway to Heaven. The video is a little jumpy in spots because of the wind but still worth posting, nonetheless.
Taken with Panasonic GF1, 14-45mm kit lens and cheap eBay timer release cable. One picture was taken every 6 sec. Time-lapse created in QuickTime Player 7 and edited in iMovie. Music is by Daft Punk.
Pictures of the hike to follow...
I was fully intending to spend some time watching tv and taking it easy, but happened to see that Jupiter and Uranus were going to be extremely close together (easily same frame in prime focus) so dragged out the scope to capture it. I ended up with this image showing Jupiter, 3 of its moons, and Uranus (upper frame). I really upped the magnification so had to merge in Uranus from another separate video capture.
Tech details:
Eye piece projection capture of Jupiter and Uranus captured using 8" Meade LX200 2000mm telescope with canon 7D filming 1080p at 30 fps. I took 2.5 mins of video, extracted each individual 1920x1080 frame using quicktime pro for a total of 4500 frames. Those images were then stacked in Registax to bring out all the detail. This has been my best result so far, but still so much to learn.
For those of you wanting to see this, they are still very close together. Uranus will be off to the left and looks like a faint star next to the extremely bright Jupiter.
Markmarkmark
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A timelapse shot in the clear, dark skies at 5600m way up in the Indian Himalayas. Shot as single frames on a Canon 5d II and stitched in Quicktime Pro.
The foreground is actually a lake.. hence the reflections!
Apoligies for the rotation... best i could do for now!
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That's my first QTVR from my new series about Vila Penteado, in the same place taken in my last post.
For this panorama I used 120 shots (-2; 0; +2) processed with Photomatix Pro, Stitcher Unlimited and GoCubic to created QTVR...
If you have time you can look the QTVR on followed link Vila Penteado
Sony Alpha700 w/ 11~18mm ultra-wide lens
Mounted on Panosaurus PanoHead.
Apr.2010
All pictures in my photostream are copyright © 2010 Boby Pirovics. All rights reserved. No Usage Allowed in Any Form Without the Written Consent.
Ringo never took the class - he has his GED. He's a smart dog - as a matter of fact he shot this video.
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Trees by Joyce Kilmer .... recorded by Judy on iPAQ Pocket PC
Video of tree ..... by Judy using Nikon Coolpix 8800
Asian Dreamer.... music by muvee Technologies Pte Ltd
Video creation ... Adobe Premier Elements 2.0
Converted to QuickTime (which changed the sound of the recording)
Duration: 5 seconds.
This is an experiment to see how flickr HD deals with larger videos in non standard aspect ratios. (See also my non-HD experiment.)
The video uploaded was 1000 x 1000 pixels in size. The codec used was H264, at the highest quality setting available in Quicktime. No interlacing was used.
In HD mode it is presented in flickr at 800 x 800 pixels.
Previously, before the introduction of Flickr HD, the maximum size / dimensions were 500 x 500 pixels - which is still the default non-HD size. (That is to say, 500 pixels is the length of the longest side.)
So Flickr HD continues the creative tradition of preserving customised, non-standard, aspect ratios, a feature that other video hosting services (YouTube, Vimeo) do not offer.
The video is a CGI animation (created using Maxon's Cinema 4D) - an Emoticon of a smiling wink adapted from the default flickr "Buddy Icon". The face has been mapped into a transparent (and non-reflective) sphere, which spins and then slows to a stop. "Flickr blue" and "flickr pink" coloured spotlights illuminate the face, casting appropriately coloured shadows. The shadows have been slightly softened with a blue grey "fill" or "area" light. Reflected light does not normally illuminate in the world of CGI, because of the monumental computer processing that would be required to do this. Naturalistic lighting usually needs to be "hand crafted". This is one one of the many reasons why - despite being fabulously profitable - they don't make a Shrek movie every week.
(For me, where I am located) the playback of the video is very jerky, nowhere close to the 25 frames per second of the original. This is possibly because I live in the third world (the United Kingdom / Great Britain), with a stone age internet infrastructure. Unfortunately, the smoothest playback may be experienced in the smallest, thumbnail, photostream view.
Because Tim Berners-Lee is considered by some to be some sort of Communist (with his ideals of Universal Web Access), this may be the case forever...
Playing a flickr video a second time usually results in a smoother experience, because a version (not necessarily the best version) has already been downloaded. I have super fast internet to my local telephone exchange - but between there, and the secret hollowed out volcano where the flickr servers reside, there is usually some kind of bandwidth bottleneck...
I shot 1.3s exposures at F8, ISO400 for 8 minutes with an interval of 2s so would be 8x30 = 240 images. Run in 'electronic shutter' mode on D850 to save shutter clicks. Made as a 4k time-lapse in-camera. All I needed to do was downsize with Quicktime to make it possible to upload to Flickr. So easy!
One of the best things about allowing the camera to make the time-lapse in electronic shutter mode is that the lens aperture blades are not opened & closed between each shot. This eliminates 'flicker' due to inaccurate aperture setting. I also allowed the camera to do exposure smoothing - although I have no idea whether that actually makes any difference when you pre-lock all exposure parameters as I did here: yes I used manual mode with all exposure parameters locked so that the scene would darken naturally as the light faded (evening to night).
1.3s chosen as duration to make for a nice smooth time-lapse .. pause it anywhere you like and you can see the light-trails thanks to 1.3s; 2s interval to provide more than enough time for the camera to shoot 1.3s; 8 minutes = a reasonable time for a couple of traffic-light sequences.
I have not used post-production software to straighten vertical lines - although there is enough space to do so. Deliberately pointed camera sky-ward because the sky is much more interesting than the grass.
Any comments would be welcome. This is an area of photography I knew far too little about and am still learning!