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Becky Quick from CNBC was one of the journalists heading the new panel for the Q & A session of the meeting. -Sat. May 2, 2009.
German postcard by Ross Verlag, no. A 2666/1, 1939-1940. Photo: Quick / Tobis.
Paul Otto (born February 8, 1878 in Berlin as Paul Otto Schlesinger; died November 30, 1943 in Berlin) was a German stage and screen actor, director, screenwriter and producer.
Paul Otto was born in 1878 in Berlin as Paul Otto Schlesinger. Initially, he began a commercial apprenticeship and took acting lessons on the side. He made his stage debut in 1895. After engagements in Halle, Wiesbaden, and Hanover, he came to Berlin in 1906, where he performed on almost all the major stages until his death. From 1910 onwards, Otto also appeared in films, often directed by Max Mack, Alwin Neuß, and Georg Jacoby. Between 1911 and 1920, he also directed films on several occasions. He started at Duskes, where he made such films as Schuldig (1912). Later he also directed films at Oliver-Film. His preferred roles as a film actor were those of gentlemen: officers and diplomats, judges, professors, but he also played unscrupulous seducers. One of his first parts was that of the gentleman thief Arsène Lupin opposite Viggo Larsen as Sherlock Holmes in the 1910 serial Arsène Lupin contra Sherlock Holmes (director unknown). He was Asta Nielsen's partner in Die Filmprimadonna (1913) and Vordertreppe – Hintertreppe (1916), both directed by Urban Gad. Otto played the railway inspector in Lupu Pick's Kammerspiel film Scherben (1921). Opposite Henny Porten he acted in e.g. Inge Larsen (Hans Steinhoff, 1923).
Paul Otto also worked as a screenwriter and producer. In the late 1910s he wrote several scripts for films with Hella Moja. He founded Argus-Film GmbH together with Marcel Boas in June 1918. His most ambitious production was Ernst Lubitsch's adaptation of August Strindberg's Rausch (1919), starring Asta Nielsen. In the film Erdgift (Paul Otto, 1919), starring Grit Hegesa, and which Otto wrote and directed in 1919, he adapted motifs from Frank Wedekind's drama Erdgeist, using expressionist stylistic devices in part. After roles in 96 silent films, he made an effortless transition to sound film. From 1921, Otto only acted in film and stopped his career as scriptwriter and director. He became a popular supporting actor all through the 1920s and also in the early sound era, in the early 1930s, he acted in such films as Thamar, das Kind der Berge (Robert Dinesen, 1924) with Lya de Putti, Frauen, die man oft nicht grüßt (Friedrich Zelnik, 1925) with Lya Mara, Die Frauengasse von Algier ( Wolfgang Hoffmann-Harnisch, 1926) with Maria Jacobini, and in the sound era, e.g. Yorck (Gustav Ucicky, 1931), Rasputin (Adolf Trotz, 1931) , Der Hauptmann von Köpenick (Richard Oswald, 1931), Liebelei (Max Ophüls, 1933).
In 1929, Paul Otto was elected to the board of the newly founded Association of Berlin Stage Artists. After the National Socialists came to power in 1933, Paul Otto turned his attention increasingly to theatre work. He continued to appear in numerous films, but always in supporting roles. His Jewish background remained undiscovered at first. In 1937, he was appointed State Actor by Adolf Hitler on account of his stage work at Heinz Hilpert's Deutsches Theater, which was highly regarded by the National Socialists, and in 1942 he took over the management of the stage department of the Reich Theater Chamber. By chance, Paul Otto's Jewish ancestry was discovered in the fall of 1943. To avoid deportation, he and his wife, actress Charlotte Klinder-Otto, took their own lives. His grave is located in the Wilmersdorf Cemetery in Berlin.
Sources: Filmportal, Wikipedia (German) and IMDb.
And please check out our blog European Film Star Postcards.
Quick release from a Dahon seatpost clamp used to facilitate quick adjustment of the bars on a Brompton P6R
iPod + iTrip ($22.99) + Waterproof Radio ($12.97) = iPod + Waterproof Case ($149.95)
Thanks for the mention pt!
08/02/09
Wow isn't this year going quickly.... it'll be Christmas soon.
Today has rushed by I had so many plans, but all I really accomplished was to change my bedding and do a water change in my fish tank. I suppose this explains the reason there is a “fish” part to my username ;D
It’s not a great shot, as fish don’t keep still and the light in the tank is not too bright. The 5 silver fish in the foreground are tinfoil barbs the tail sticking out of the plants to the bottom right is a spotted hoplo catfish. There is also a solitary Kribensis hiding in there, but he is pretty illusive when cameras come out. There is a fair bit of muck floating around in the tank because I give the gravel on the bottom a good stirring with the gravel cleaner whilst doing a water change...
I am going to do a complete strip down of this tank in the next couple of months. I intend to try and find some new "tinfoil resistant" plants, as most greenery gets chopped down fairly quickly. if anyone has any suggestions as to what I should plant I am all ears :)
Lightroom: auto levels, save to JPG.
Quick Change Trousers in 0-3 months from Anna Maria's Handmade Beginnings. Read more about these pants here.
Released in 2011 by Hot Toys. I bought this one in 2016 as used from Thailand. Unfortunately this one also has that pink panty but not a biggie for I have more Mk IV figs with intact red panties – although not sure if they will also change colours in time. It is dated and some features are not so crisp like more recent releases but I still love the doughnut and the case in the set!
Resorts Casino Hotel celebrated the Grand Opening of its newest creation, Quick Bites, a food court featuring The Original SoupMan, Famous Famiglia Pizza, Haagen Dazs, Ruby’s Diner and Dunkin’ Donuts.
Mark Giannantonio, President & CEO of Resorts, got the festivities going by cutting the cermonial ribbon. He was joined at the ceremony by Lloyd Sugarman, Principle Quick Bites, Al Tafro, AC Food Partners, Brain Chambers, General Manager of Quick Bites, and AJ Truhan Red Checker shirt Quick Bites Operations
Photo Essay by Lou Perri'Aka Travelin Man USA
Woke up quick at about noon
Just thought that I had to be in Compton soon
I gotta get drunk before the day begins
Before my mother starts bitchin' about my friends
About to go and damn near went blind
Young niggaz on the pad throwin' up gang signs
I went in the house to get the clip
With my Mac10 on the side of my hip
I bailed outside and pointed my weapon
Just as I thought, the fools kept steppin
I jumped in the fo' hit the juice on my ride
I got front and back side to side
Then I let the alpine play
I was pumpin' new shit by NWA
It was "Gangster Gangster" at the top of the list
Then I played my own shit, it went somethin' like this:
Cruisin' down the street in my 6-fo'
Jockin' the bitches, slappin' the hoe's
I went to the park to get the scoop
Knuckle-heads out there cold shootin' some hoop
A car pulls up, who can it be?
The fresh El Camino rollin Kilo G
He rolls down the window and he starts to say
It's all about makin' that G.T.A.
'cause the boyz in the hood are alwayz hard
Come talkin' that trash and we'll pull your card
Knowin' nothin' in life but to be legit
Don't quote me boy, I ain't said shit ...
Bored as hell and I wanna get I'll
So I go to a place where my homeboyz chill
The fellas out there try to make that dollar
I pulled up in the 64' impala,
Greeted with a 40 and I start drinkin'
And from the 8-ball my breath start stinkin'
I gotta get my girl to rock that body
Before I left I hit the bacardi
Pulled to the house get her out of the pad
And the bitch said something to make me mad
She said somethin' that I couldn't believe
So I grabbed the stupid bitch by her nappy ass weave
She started talkin' shit, would'nt you know?
I reached back like a pimp and slapped the hoe'
And her father stood up and he started to shout
So I threw a right-cross and knocked his old ass out
'cause the boyz in the hood are alwayz hard
Come talkin' that trash and we'll pull your card
Knowin' nothin' in life but to be legit'
Don't quote me boy, I ain't said shit ...
Punk ass trippin at the dead of night
Homies scored a key is gonna fly, punk ass fly
January 10 2009
69/365
Ritchie Burdett fires home the opening goal in Epworth Town Colts' 7-1 Carrside Playing Fields victory over Central Midlands League Division One North rivals Selston reserves. Striker Burdett netted in the ninth minute then added three more. Colts, newcomers to the Central Midlands League for the 2019-20 season, had the points in the bag after just 23 minutes, when they led 3-0.
Match statistics
Epworth Town Colts versus Selston reserves
Central Midlands League, Division One North (2pm)
Admission: free. Programme: £1.50 (12 pages). Attendance: 26. Epworth Town Colts 7-1 Selston reserves (half-time 4-0). Scoring sequence: 1-0 (9mins); 2-0 (11mins, penalty); 3-0 (23mins); 4-0 (33 mins); 5-0 (57mins); 6-0 (59mins); 6-1 (80mins); 7-1 (89 mins). Referee: Adrian Seward.
Anna Maria Horner's Quick Change Trousers pattern from Handmade Beginnings. Brown Corduroy with tushie patches in Riley Blake's Wheels line
The Classical Acting Academy Company:
Cast
Michael Gregory Henry V
Amanda Bernhardt Archbishop of Canterbury, Mistress Quickly, Charles VI King of France, Alice, maid to Princess Katherine
Victoria Rose Bonito Duke of Exeter, Captain Gower, Messenger
Bethany Ditnes Princess Katherine of France, Montjoy, a French Messenger
Brian K. Elam Duke of Westmoreland, Pistol, a commoner, the Constable of France,
John Bates, a soldier
Shaun Fury Duke of Gloucester, Captain Fluellen, Governor of Harfleur, Messenger
Nick Martorelli Chorus
Meredith H. Mitchell Earl of Salisbury, Nym, a commoner, Lord Scroop, Duke of Orleans,
Alexander Court, a soldier
Eric Wunsch Earl of Bedford, Bardolph, a commoner, Lord Gray,
The Dauphin, Michael Williams, a soldier
Production Team
Aaron Cromie Director
Faezeh Faezipour Set Designer
Amanda Kroll Costume Designer
Dave Todaro Lighting Designer
Paul Winnick Sound Designer
Brian Cowden Fight Choreographer
J.J. Van Name Text Coach
John Peakes Text Coach
Lee Huttner Stage Manager
Danielle Kindt Associate Stage Manager
Angela Coleman Electrician
Jorge McConnie Saad Run Crew
$
St Mary, Marholm, Cambridgeshire
I took the early train from Ipswich to Peterborough and then cycled out through the endless, endless Peterborough suburbia until, after about five miles, I saw a field and was quickly entering the pretty village of Marholm.
Now, I'm only going to say this once. Marholm was lovely, a delight. But so were all the other villages I visited today. Quite different in character to anything in Essex, Norfolk or Suffolk, because the cottages are mainly built of butter-coloured stone, and many of them are thatched. The area has more in common with the Leicester area than it does with Norwich, which is much further away. Despite their political location in East Anglia, these are in reality lovely Midlands villages, and in the sunshine the cottage walls glowed like honey. All thirteen of the villages I visited yesterday were lovely. Im not going to keep going on about it. They were all lovely.
Also, all the churches I visited today were built of stone. Good, solid stone. No flint, no clunch, no rubble, no carstone, no greenstone, nothing at all except solid limestone, mostly from the Barnack quarries which built, as you will know, both Norwich and Peterborough cathedrals. So I won't keep going on about this either.
The villages and churches all had one other thing in common, which is quite interesting really. Until 1965 they were all in Northamptonshire. They didn't become a part of Huntingdonshire until 1965, and then in 1974 they were subsumed into the new Cambridgeshire.
However, back to Marholm. Set away from the village street behind trees and looking out onto dairy meadows was the church.The cleaners were in, but ordinarily it is locked with a keyholder notice. The setting is delightful, demur behind cedars, in a churchyard packed with tall headstones, looking out over the meadows.The tower is Norman, topped off with a gothick stage. The aisled and clerestoried nave was rebuilt in the 19th Century, and need not detain us apart from a lovely font with floral designs and a tired looking knight asleep on a tombchest. The glory of Marholm is the chancel, rebuilt on the very eve of the Reformation by the Fitzwilliams of Milton Hall. This is packed with their grand memorials of the 17th, 18th, 19th and 20th Centuries. There is medieval heraldic glass in the east window but the rest of the windows are clear, which made photography very easy.
The lady cleaning told me that I was lucky to see inside, because the church is ordinarily locked. I pointed out the notice in the porch that said it was open at weekends. She was slightly startled by this, as if she'd never seen it before. "Well, it isn't dear" she observed finally, a fact she made plain by locking up after us as we left. She also told me that the church is used regularly for weddings by the benefice, and this helped pay for the upkeep of the chancel. Apparently they have two or three a week in summer, 'but it's years since we had a village wedding'. She said they needed the income from the weddings because it was such a tiny village, 'barely 200 people'. I wanted to say that in Norfolk or Suffolk that would be considered quite a large village, but it is a feature of Cambridgeshire's landscape that villages tend to be larger and more clustered than in the rest of East Anglia.
I left Marholm wondering if I had seen the best of the day, and if it would be my church of the day. In the event, it would only just make the top five. I cycled on, through delightfully narrow and winding lanes shadowed by tall cow parsley and the occasional oak. The long lane to Etton was designated part of the Green Wheel, several hundred miles of cycleways and lanes in and around the city of Peterborough. There are spokes leading out of the city and a continuous route you can take through the countryside right around the city consisting of about 30 miles of designated lanes. This one had to cross the East Coast Main Line, something I should have to do several times today, which meant a long wait while speeding red Virgin trains bulleted through on their way to Edinburgh or London. I get used to level crossings that cross two sets of tracks, but the east coast mainline has six sets of tracks, three in each direction. There's a refuge in the middle, so it is a long way across. On one occasion I waited for the barrier to open, but the sirens went off again while I was still halfway across - god knows what you do if you are a pedestrian. Run, I suppose.
Quick Coach Lines 1804 is a 1993 MCI 102-DL3.
Photo taken at the All Points Bus Charters yard in Hope, BC.
This is the 5' Ramsey quick connect kit (251053). I got a great deal on ebay, or I would have just made the cable myself from 2 AWG cable and a SB175 connector and a pair of 2 AWG terminal rings. Note: if you mix colors of quick connectors such as ramsey, warn, or any of the other SB175s, you will need to do some dremel work to make them fit.
A BAe 146 CC Mk. 3 undergoes preparation for a Quick-change role swap in the hangar at RAF Northolt.
Quick screenshots from today's workshop at aviodrome. These are straight out of the camera. Retouching will be done next week.
Model/styling : nadine
Quick-Look Hill-shaded Colour Relief Image of 2014 25cm LIDAR Composite Digital Terrain Model (DTM).
Data supplied by Environment Agency under the Open Government License agreement. For details please go to: www.nationalarchives.gov.uk/doc/open-government-licence/v...
For full raster dataset go to: environment.data.gov.uk/ds/survey