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What may have been the most important day in collective, 21st Century U.S. activism. Only time will tell.
From the museum label: Hannah Quinlan and Rosie Hastings explore authority in our public spaces, questioning how social hierarchy, order and obedience are negotiated.
Tulips consists of six fresco paintings and a large-scale drawing. The frescoes depict scenes of exchange, conflict and familiarity. Quinlan and Hastings imagine these scenes unfolding on streets, public parks and gardens where different modes of authority compete against one another. The legal authority of the police contends with the unruly authority of the public, as well-dressed women perform the outrage of their moral authority. The works examine power and visibility through the lens of class, gender, sexuality, race and social relations in everyday life.
The artists have chosen to work with fresco, a traditional technique of mural painting composed on freshly laid lime plaster. They are usually monumental in scale, depicting symbolic or moralistic scenes in places of worship, municipal buildings or private residences. Working on wet plaster is a laborious, time sensitive process. Each painting is constructed in sections called giornata, meaning 'a day's work'; faint seams across their surface separates one day's work from the next.
Quinlan and Hastings' collaborative practice is grounded in research into how various communities have been represented at different moments in history. Drawing on a range of visual sources such as archival street photography, each work evokes a number of eras by referencing historical artworks, clothing and architecture.
Layered with history and meaning, the works examine how the state shapes our public spaces and architecture, and how these environments may shape our behaviours and desires. Tulips invites you to question what it means to occupy public spaces today and how we might reimagine this for the future.
An old Persian king was questioning exactly what he can provide to his son as an existing for his 16th birthday. He picked a ring. The mystery of the ring When his birthday celebration came, his kid, the prince, was very pleased with the ring, till he saw just what was created on it. For, […]
I hear a lot of people questioning how BAD I really am. Look, just because I'm good in puppy class, and already know sit, down, wait, kiss, shake hands and here not to mention retrieving real ducks on land and water doesn't mean a thing.
I'm my own puppy. I do what I want, and if I want to be good, that's bad. Get it? So hush you puppies.
Now, today I'm offering a BGC tip. Read up!
There's a toy in the middle of every roll of foil. It's true!
You grab the box off the counter. Pull the roll out and run like hell with the end of it. Then, run back the other end ... and there's the toy!
Grab it and ... RUN!!!!!!
Cool, huh?
-- Faith
A new clip came out today for this film. The clip is of the detective questioning Tucci, and to say the least, Tucci looks amazing in this film.
Well this screencap here is from the clip itself. This clip is a perfect example of the type of camera work Jackson has in this film; you can see the handheld work as well as the steadicam work. This clip here looks so much like Spielberg it's frightening, and Jackson never learned from him or studied him. To say the least this film looks so visually captivating and is photographed beautifully by Lesnie. The cool thing about the lighting in some of these scenes, mostly the Earth scenes, is that it's very soft and low key, with the majority of the light sources being natural light. This scene really shows it.
:This screencap here is at the end of this clip and is one of the best focus pulls I've ever seen. The camera focuses from Harvey to the bracelet beautifully; even the framing is perfect. The thing that makes this shot so unique in it's ability to convey a message. The shot starts out on Tucci (let's call him the first focus for explanation's sake) and ends on the bracelet (lets call this the second focus). Usually these shots always have the "second focus" a little in focus, so you can see it before it changes perspective. But here the bracelet is completely out of focus as it's on the Tucci. So as the camera does the focusing, it perfectly conveys the message because things are revealed perfectly.
If that's too confusing then I'll say it this way: You start out seeing Tucci, and by his reaction you understand that something is wrong. So when the camera focuses from him to the source of his agitation (the bracelet) the audience member is more shocked at what is revealed because it's revealed perfectly; the shot perfectly drives the message home, which would have been different if the bracelet was seen a little bit as the camera was focused on Tucci.
Here's the clip www.apple.com/trailers/paramount/thelovelybones/hd/
Ink and inkwash on paper
Ira Glass:
"They tasted OK, he says, but they didn't have the right snap when you bit into them. And even worse, the color was wrong. The hot dogs were all pink instead of bright red. So they tried to figure out what was wrong. The ingredients were all the same. The spices were all the same. The process was all the same. Maybe it was the temperature in the smoke house? Maybe the water on the north side of Chicago wasn't the same as the water on the south side? They searched, they searched for a year and a half. Nothing checked out."
I loved this short story that I heard on the radio program: This American Life from July 2003. The title of the episode is
"Call in Colonel Mustard For Questioning." It reminds me of a character I have created, except this guy is the real thing, so I felt I had to draw this story. I once thought sending it to TAL as a completed pamphlet but alas it has sat in my file drawer so here it is. Text is transcripts from TAL's website.
From the "never know what you'll find at Price Chopper" file: ...and you didn't think the dry-erase marker was a "social media" tool. It is if you mash it up with the automobile. I admire inquisitiveness. Also standing for something. Wait... can I comment below? #questioning #broadcastmedia
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First Day Challenge in Int/Adv Sculpture. Materials: Yarn, Scissors, Space, and instigated, loosely organized play. Conclusion: Maybe it was the sun, but we may make better antagonists when making together. University of Idaho
I’m leaving on a journey to a place I’ve never seen…
Alone, but for once, loving loneliness
Independent, but for once, embracing fears
Scared, but for once, proceeding with doubts
Proud, but for once, of the process and not the result
Questioning, but for once, the effects and not the status
… that is how I have always wished my life had been!
© T.A
Shine Brightly for Christ...
"Shine like Lights in the world, as you hold on to the Word of Life." Philippians 2:15,16
"Do everything without grumbling or questioning, that you may be blameless and innocent, children of God without blemish in the midst of a crooked and perverse generation, among whom you Shine like Lights in the world, as you hold on to the Word of Life, so that my boast for the day of Christ may be that I did not run in vain or labor in vain."
Philippians 2:14-16
biblehub.com/nlt/philippians/2.htm
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Filename - DSC_0646 Colorful Sunset from Lake Dixon NR - 2013
Following the Son...
Blessings,
Sharon 🌻
God's Beauty In Nature is calling us into a deeper relationship with Him...
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Bloggers are welcome to use my artwork with, “Image from Art4TheGlryOfGod by Sharon under Creative Commons license”, and a link back to the images you use and please let me know in the comment section below, thank you...
Art4TheGlryOfGod Photography by Sharon
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Faith, Hope & Love in daily Art meditations...
X ~ www.twitter.com/Art4ThGlryOfGod
Flickr (complete portfolio) ~ www.Flickr.com/4ThGlryOfGod
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#prints available upon request
After much searching and questioning on several Audi forums I was informed that the Aluminum Trunk strip is glued in place on S4s instead of snapped in place like on A4s. I did'nt feel like wrestling with adhesive and possibly damaging the strip or my bumper so I plastidipped it. Did'ne come out perfect but is good enough for now.
The full quote: “The important thing is not to stop questioning. Curiosity has its own reason for existing. One cannot help but be in awe when he contemplates the mysteries of eternity, of life, of the marvelous structure of reality. It is enough if one tries merely to comprehend a little of this mystery every day. Never lose a holy curiosity.”
365(2nd)_47
Remake of a famous photo by Kertesz. I still need to figure out how to make the fork reflect light correctly. This looks so easy but (for me) it isn't.
But actually the point of this days exercise is not the image itself. I shot that a while ago. It's a thingy I was itching to test: What happens if I take a photo of uniform surface at 25600 ISO and apply it as grain to a digital shot. You'll have to forgive me LOL: I like the result. Must be the grumpy mood I'm in.
So I hope this still counts. One of the two shots was taken on the day.
Day 47
2/16/11
A questioning glance towards the referee as the fourth and final try for Northampton Old Scouts crowns a fine fightback from 24-7 down at Matlock. This score drew the visitors level, at 24-24, with fourteen minutes remaining in rugby union's Midlands One East league. But Matlock had another trick up their collective sleeve at Cromford Meadows and won 31-27, their first victory of the season. Both teams were promoted in the summer.
Admission: £3 (including 28-page programme). Attendance: 48.
Please, click on the picture and see if you know this person. If you do, call the police immediately. The person sketched is not necessarily a guilty party, but he is wanted for questioning and may have information they need in the unfortunate murder of Jessica Hawk in the 3000 block of Chartres.
Please re-post!
Shot with two lights. One beauty dish directly above and one monolight on black background.
Image can be purchased at lightstock.com.
(www.lightstock.com/users/justinkendra/media_items/can-you...)
Image protected by copyright. If you would be interested in using this photo, please contact Justin Skinner at Prixel Creative.