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Har kisi ko nahi milta yaha pyar zindagi mein

E hoje porque não, escrever um lindo postal com a palavra AMO-TE em várias linguas?

 

Albanês — Te dua Te dua

Árabe — Behibak Ana (para homem)

Árabe — Ana behibek (para mulher)

Armênio – Yes kez sirumen

Bielorusso — Ya tabe kahayu

Bisaya — Nahigugma ako kanimo

Cantonese/Chinese Cantonês / Chinês –Ngo oiy ney a

Catalão — T’estimo

Cheyenne — Ne mohotatse

Croata — Volim te

Checo — Miluji te

Dinamarquês — Jeg Elsker Dig

Holandês — Ik hou van jou

Inglês — I love you

Etiópia – Ewedishalehu: masculino / feminino para masculino; Ewedihalehu: masculino / feminino para masculino.

Persa — Doset daram

Filipino — Mahal kita

Finlandês — Mina rakastan sinua

Francês — Je t’aime, Je t’adore

Irlandês — Ta gra agam ort

Georgiano — Mikvarhar

Alemão — Ich liebe dich

Grego — S’agapo

Havaiano — Aloha wau ia oi

Hebraico — Ani ohev otah (para mulher)

Hindi — Hum Tumhe Pyar Karte hai

Húngaro — Szeretlek

Islandês — Ég elska þig

Indonésio — Saya cinta padamu

Irlandês — Taim i’ ngra leat

Italiano — Ti amo

Japonês — Aishiteru

Coreano — Sarang Heyo

Letão — Es tevi miilu

Libanês — Bahibak

Lituano — Tave myliu

Maltês — Inhobbok

Chinês mandarim — Wo ai ni

Marroquino — Ana moajaba bik

Norueguês — Jeg Elsker Deg

Polonês — Kocham Cie

Português — Amo-te

Romeno — Te ubesc

Russo — Ya tebya liubliu

Sérvio — Volim te

Eslovaco — Lu`bim ta

Esloveno — Ljubim te

Espanhol — Te quiero

Sueco — Jag alskar dig

Taiwan — Wa ga ei li

Tailandês — Chan rak khun (para homem)

Tailandês – Phom rak khun (para mulher)

Turco — Seni Seviyorum

Ucraniano — Ya tebe kahayu

Vietnamita – Anh ye ^ u em (para mulher)

Vietnamita — Em ye ^ u anh (para homem)

Zimbabué — Ndinokuda

I met Mr Danny Denzongpa first time during the making of Boxer 1982 directed by Mr Raj N Sippy .. and from that day till the present it has been a very long journey ,, and I learnt my trade , the sartorial architecture understanding the Art of creating new looks from him ,, be it China Gate Barsaat Army Hum Khuda Gawah Pukar Agneepath .. Luck Jai Ho Baby Bang Bang and so many others ,,

Dannyji is one of the most gifted and human person , his hospitality is the finest in all Bollywood ,, whatever I am today as a person , as a couturier I owe it to Dannyji, I followed his advise , and he was there at my sons weddings ,, and recently I was at Chautha of Mr Madan Arora who was with Mr Danny for almost 40 years ..his passing away hit us all ,, Madanji was a great humanbeing too ,,,and helped me out with the most difficult situations ,,I miss him terribly ,,

And Mr Danny is a fiercely private person he hates the Internet ,, is not on Facebook or Twitter ,, Once I told him someone was successfully impersonating him on Twitter ,, I am on Twitter since 2008 ,, I took his permission and reprimanded the guy who was actually a hardcore Dannyji fan.. he deleted his account as I tagged Twitter India too.

Now I hope to be connected with his son Rinzing Denzongpa too once he hits the silverscreen

 

about mr danny

 

Danny Denzongpa (Nepali: डेनी डेन्जोङ्पा, Hindi: डैनी डेन्जोंगपा, Tamil: டேனி டென்சோங்பா, Telugu: డానీ డెంజోంగ్ప; born 25 February 1948) is an Indian actor of Sikkimese-Bhutia descent, working in Bollywood films though he has also appeared in several Kollywood, Tollywood and Kollywood films as well. He has acted in around 190 Hindi films since 1971. He has also starred in some international projects, the most famous being Seven Years in Tibet where he acted alongside Hollywood actor Brad Pitt. In 2003, Denzongpa was awarded the Padma Shree, India's fourth highest civilian honour. Denzongpa is noted for his villainous and character roles.

 

Early life and education[edit]

Danny was born to a Buddhist family in the Yuksom, Sikkim[2] (the 22nd state of India since 1975) where he had his early schooling, and thereafter completed his schooling from Birla Vidya Mandir and St. Joseph's College, Darjeeling, in 1964. Denzongpa's love of horses and horse riding began at an early age, as his family was into horse breeding.

 

He nursed an ambition to join the Indian Army and won the Best Cadet award from West Bengal and participated in the Republic Day parade. In an interview to The Times of India newspaper, he said that he had qualified for prestigious Armed Forces Medical College, Pune but withdrew admission to join Film and Television Institute of India (FTII), Pune. He decided to change his name to a simpler sounding "Danny" as his original name was tough to be pronounced by other students. The name has stuck since.[3]

 

Film and singing career[edit]

During his early film career, Danny used to practice learning Hindi by talking to the ocean.

 

He started out with B-grade movies such as B.R. Ishara's Zaroorat in 1971(released in 1972), and had positive role in Mere Apne(1971). He had his first major negative role which he played in B.R.Chopra's 'Dhundh'(1973), a role which showed his power to emote. He got his major break in Gulzar's Mere Apne and later in B R Chopra's Dhund where he played a crippled and frustrated husband. Danny, in the 1970s period was increasingly open to do versatile roles but chose to do more positive roles. It is said Danny was the first choice to play the iconic role of Gabbar Singh in the film Sholay. However since he was away on the shoot of Feroz Khan film Dharmatma, eventually Gabbar's role went to Amjad Khan. He played more positive roles in commercially successful critically acclaimed films like Chor Machaye Shor, 36 Ghante, Fakira, Sangram(1976), Kalicharan, Kala Sona and Devata(1978).

 

Danny's film career spans more than 4 decades. After his performance in the film Devata (1978) he started getting more significant lengthy roles. He was simultaneously part of big budget movies like Aashiq Hoon Baharon Ka, Paapi, Bandish, The Burning Train and Chunoti in negative roles.

 

In the early 1980 period, he had thought of quitting films. He said in an interview, when asked why he decided to direct a film, "I remember in 80′s I was so fed up of the films I was doing. Those days every villain was a dacoit and I remember going on the sets where an actor called Tiwari was my henchmen and my den was a cave with lanterns. Next day I went on another set and I saw Tiwari again as my henchman, and the same lanterns. I asked myself what was I doing? I left Mumbai. I did lot of trekking and did not do films for a couple of years. I told NN Sippy about a script that I had in mind. and he asked me to direct. I made Phir Wohi Raat with Rajesh Khanna and my then girlfriend Kim." [4] After the success of his directorial debut, he received offers to act as the hero again in the films like Bulundi and Hum Se Badkar Kaun in 1981, which became successful. He played double role in the film Bulundi. However, most of the subsequent films of Danny between 1981-83 were not successful. Hence Danny started accepting supporting roles, often playing a character quite elder to his real age. He played Kumar Gaurav’s father in law in Love Story(1981) and Mithu Chakrabothy’s father in Boxer(1984). He started increasingly getting offers to play the negative character in Hindi films, post success of films Phir Wahi Raat, Jeeo Aur Jeene Do and Dharm Aur Qanoon. He then went on to play the roles of the villain many times since 1984. Since 1984 and through the 1990s, Danny mainly featured as the lead negative character opposite all the leading actors of those times such as Rajesh Khanna, Dharmendra, Jeetendra, Mithun Chakraborty, Vinod Khanna, Anil Kapoor and Sunny Deol.

 

His most applauded negative characters are in Dharm Aur Qanoon (1984) as SP Karan, Kanoon Kya Karega (1984) as Raghuvir Singh, Andar Baahar (1984) as Shera, Oonche Log (1985) as Thakur Maan Singh, Aandhi Toofan (1986), Bhagwaan Dada (1986) as Gangwaa, Agneepath (1990) as Kancha Cheena, Hum (1991) as Bakhtawar, Ghatak: Lethal as Kaatya, Krantiveer (1994) as Chatur Singh , Pukar (2000) as Abhrush and Indian as Shankar Singhania. He was pitted against Pran in the film Sanam Bewafa and 1942:A Love Story. His command over the Hindi language came in handy in films such as Sawan Kumar's Sanam Bewafa and Mukul Anand's Khuda Gawah.

 

At a time, when he was increasingly doing negative lead roles, Rajkumar Santoshi cast him as the positive role in China Gate(1998). In the early 2000s, Danny gave stellar performances in movies such as Asoka and 16 December (2002). Some of the antihero roles he played were an unscrupulous politician, corrupt policeman, traitor, and mingy landlord.He has also starred in some international projects, the most famous being Seven Years in Tibet where he acted alongside Hollywood actor Brad Pitt.

 

Danny in the early 2003 decided to take a break from films as he wanted to do different but strong roles, even if it was a negative character. He appeared in only 10 films between 2003-2009.

 

He is an accomplished singer having sung with Lata Mangeshkar, Mohammed Rafi and Asha Bhosle, three stalwarts of Indian music. He has released Nepalese songs and has sung for Nepalese movies. His two most famous songs recorded in the 1970s but still hit are "Chiso Chiso Hawama" ("In the cool air") and "Manko kura lai bandhi narakha..."("Do not keep the words of the heart tied"). He is also a painter, a writer and a sculptor.

 

He wrote and acted in the Nepali film Saino which was super hit. His nephew Ugyen Chhopel directed it. He has sung its title song and a duet with Deepa Narayan, wife of Udit Narayan. Later, this film was made in Hindi as Ajnabi as a telefilm for Doordarshan. He has sung a Nepali duet with Asha Bhosle, "Aage aage topai ko gola pachhi pachhi machinegun barara". R.D.Burman composed the song -Sang Mere Nikle The Sajan from the film Phir Wohi Raat - after getting inspired from melody of the Nepali folk song sung by Danny 'Aage Aage Topaiko Gola'. His all-Nepali songs are hits and people like them even today: "Hiun vanda chiso, Aago vanda taato..." ("Colder than snow, hotter than fire.."), "Naachana hoi maichyan hau nachana"' ("Dance o lovely girl"), "Jhimkai deu pareli manma bajchha mitho murali..." ("Please blink your eyes and sweet sound of flute plays in the heart), "Rato rani phulay ghai sanja ma "etc. are his few hit numbers. He gained popularity as a singer in the period 1975-1990 especially in places like Nepal, Darjeeling, Sikkim and Assam.

 

He then made a strong comeback as the villain with his role in Enthiran.He made his debut in the Tamil films with Enthiran, co-starring Rajinikanth and Aishwarya Rai in the leads. Denzongpa played the antagonist role of Bohra, a prominent scientist who transforms Chitti (played by Rajinikanth) into an evil robot. He then started playing villain in big budget movies like Jai Ho (2014) co-starring Salman Khan, Bang Bang (2014) co-starring Hrithik Roshan.

 

Personal life[edit]

Danny, who married Gawa Denzongpa, a Sikkimese princess and niece of the last chogyal from her hometown of Gangtok, currently resides in Juhu in Mumbai. Since the 2003, he has become more selective of the roles he plays.In the movies he chooses, he works on his own terms. His brother owns a bouj and beer factory in Melli, Sikkim.

 

Honours[edit]

Year From Award Won/Honored

2003 Government of India Padma Shri Honoured

Awards[edit]

Year From Award Film Won

1979 Filmfare Awards Filmfare Best Supporting Actor Award Devata No

1985 Filmfare Awards Filmfare Best Supporting Actor Award Kanoon Kya Karega No

1990 Filmfare Awards Filmfare Best Supporting Actor Award Agneepath No

1992 Filmfare Awards Filmfare Best Supporting Actor Award Sanam Bewafa Yes

1992 Filmfare Awards Filmfare Best Villain Award Hum No

1994 Filmfare Awards Filmfare Best Supporting Actor Award Khuda Gawah Yes

1995 Filmfare Awards Filmfare Best Villain Award Krantiveer No

1995 Filmfare Awards Filmfare Best Villain Award Vijaypath No

1996 Filmfare Awards Filmfare Best Villain Award Barsaat No

1997 Filmfare Awards Filmfare Best Villain Award Ghatak No

As director[edit]

Year Film Director

1980 Phir Wahi Raat Yes

Unknown Ram Yes

[icon] This section requires expansion. (March 2014)

Filmography[edit]

[icon] This section requires expansion. (March 2014)

Year Film Role/Notes

2015 Baby Firoz

2014 Bang Bang! Omar

2014 Jai Ho Home Minister Dashrat Singh

2013 Boss Big Boss (Mentor of Boss-Akshay Kumar)

2010 Enthiran Professor Bohra (Tamil)

2009 Acid Factory Om

2008 Luck Tamang

2008 Karzzzz Kabira

2008 Chamku Baba

2007 Big Brother

2007 Hattrick David Anna

2007 Frozen Karma

2004 Ab Tumhare Hawale Watan Saathiyo Colonel Ashfaque Khan

2004 Shikaar Darshan Damania

2003 Sandhya

2003 Ek Hindustani Special Appearance

2002 Soch Nautiyal

2002 Ab Ke Baras CBI Officer Sikander Baksh

2002 16 December Vir Vijay Singh

2002 Yeh Mohabbat Hai Aman Khan

2001 Moksha Bachelor Simon

2001 Indian Shankar Singhania

2001 Lajja Gajendra

2001 Aśoka Virat

2001 Pukar Abhrush

2001 Officer Pratap Rai/Dushyant Singh

2000 Tune Mera Dil Le Liya

1999 Silsila Hai Pyar Ka Jabhal Khargoshi

1999 Dahek: A Burning Passion Jabbar Bahkshi

1999 Kohram Minister Virbhadra Singh

1998 Zulm O Situm Sikander

1998 Vinashak - Destroyer Jailer Lankeshwar

1998 China Gate Maj. Ranjir Singh Gurung

1997 Udaan Mr. Rana

1997 Dhaal: The Battle of Law Against Law Advocate Diwan

1997 Himalay Putra Rana

1996 Ghatak: Lethal Katya

1996 Rajkumar

1996 Army Naagraj

1996 Shastra Babu

1996 Army

1995 Barsaat (1995 film) ACP Neghi

1995 Sarhad: The Border of Crime

1994 Vijaypath Dilawar Singh

1994 Chauraha Baba Bhatti

1994 Krantiveer Chatursingh

1994 Mohabbat Ki Arzoo Jagpal Singh alias Jaggu dada

1993 1942: A Love Story

1993 Dhartiputra Major Hisht

1993 Gurudev Khakan

1993 Prateeksha Dinesh Khanna

1993 Sangram Madhu's father

1993 Tahqiqaat Bhanu Pratap

1992 Drohi (Antham - Telugu) J.P. Sethi (Raghav's boss)

1992 Balwaan Bhaiji

1992 Khule-Aam Insp. Uday Singh/Insp. Ranvir Singh Rathod

1992 Khuda Gawah Khuda Baksh

1991 Lakshmanrekha Birju

1991 Vishnu-Devaa Thakur Shamsher Singh/Samppat

1991 Hum Bakhtawar

1991 Bahadur Bahadur (Bengali)

1991 Sanam Bewafa Sher Khan

1991 First Love Letter Thakur Ajit Singh

1991 Yodha Daaga/Justice Dharmesh Agnihotri

1990 Agneepath Kancha Cheena

1990 Pyaar Ke Naam Qurban Prince Yeshwant Singh

1990 Chingariyan

1990 Jagira

1990 Shandaar Dhaga

1990 Shesh Naag

1989 Shehzaade (uncredited) Thakur Roshan Singh

1989 Jung Baaz Mahakal

1989 Kasam Suhaag Ki

1989 Galiyon Ka Badshah Inspector Vijay

1989 Khoj

1989 Saaya

1989 Ustad

1988 Commando Ninja

1988 Shoorveer Shankar

1988 Ek Hi Maqsad Inspector. Deepak

1988 Mardon Wali Baat Raja Sunder Singh

1988 Gunahon Ka Faisla

1988 Janam Janam

1988 Jeete Hain Shaan Se J.P.

1988 Mera Shikar

1988 Paap Ki Duniya Pasha

1988 Yateem Girivar Prasad Mathur

1987 Saino (Nepali Film)

1987 Itihaas

1987 Faqir Badshah

1987 Aag Hi Aag Daulat Singh/Choudhury

1987 Deewana Tere Naam Ka Shambhu

1986 Chambal Ka Badshah Sultan

1986 Bhagwan Dada Shambu Dada

1986 Allah Rakha

1985 Maha Shaktiman aka Maharudra (India: Bengali title)

1985 Yudh Gama Maating/Mr. Chinoy

1985 Jawaab Seth. Jagmohan

1985 Aandhi Toofan

1985 Aitbaar Inspector Barua

1985 Oonche Log Thakur Maan Singh

1985 Patthar Dil Jung Bahadur

1984 Andar Baahar Shera

1984 Farishta

1984 Boxer Dharma

1984 Jagir Danny

1984 Kanoon Kya Karega

1984 Manzil Manzil Gautam (Pahadi Baba)

1984 Mera Dost Mera Dushman

1984 Pyar Jhukta Nahin

1983 Mujhe Insaaf Chahiye

1983 Lovers

1983 Ganga Meri Maa

1983 Andha Kanoon Akhbar Ali

1982 Raj Mahal

1982 Kachche Heere Arjun

1981 Love Story Ram Dogra

1980 Chunaoti

1980 Kali Ghata Kishore

1980 Abdullah

1980 Bandish Kapil Kumar

1980 Bulundi Lobo

1980 The Burning Train

1980 Choron Ki Baraat

1980 Phir Wahi Raat Ashok

1979 Griha Pravesh Danny

1979 Aaj Ki Dhara Danny

1979 Lahu Ke Do Rang

1978 Lal Kuthi (Bengali)

1978 Devata Inspector Lawrence

1978 Naya Daur

1977 Aashiq Hoon Baharon Ka Vikram (Jamunadas' son)

1977 Abhi To Jee Lein Danny

1977 Chandi Sona

1977 Khel Khilari Ka

1977 Mit Jayenge Mitane Wale

1977 Paapi Abdul

1976 Fakira Munna/Ajay/Toofan

1976 Kalicharan

1976 Laila Majnu Prince Bahksh

1976 Sangram Salim/Altaf

1975 Aakhri Dao Robert

1975 Apne Rang Hazaar

1975 Kala Sona

1975 Ponga Pandit Rocky

1975 Raftaar

1975 Rani Aur Lalpari

1975 Zorro

1974 Chor Machaye Shor

1974 36 Ghante Dilawar Khan

1974 Khote Sikkay Danny

1973 Dhund Thakur Ranjit Singh (crippled husband)

1973 Khoon Khoon remake of Dirty Harry (English)

1972 Milap

1972 Rakhi Aur Hathkadi Raja

1972 Yeh Gulistan Hamara

1971 Mere Apne Sanju

1971 Zaroorat

Itna Karo Na Mujhe Pyar – 9th November 2015 – Episode 202

Video watch online Itna Karo Na Mujhe Pyar 9th November 2015 latest new full Episode 202 Sony Tv drama serial Itna Karo Na Mujhe Pyar complete show episodes by sonytv.

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Telecast Date: 9th November 2015

Itna Karo Na Mujhe Pyaar also known as IKNMP is an Indian Soap Opera Hindi Drama Serial. All videos, live news, written updates and Itna Karo Na Mujhe Pyar 9th November 2015 episodes are available on ItnaKaroNaMujhePyar.com

Itna Karo Na Mujhe Pyar 9th November 2015 Written Update

  

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पलक से पानी गिरा है तो उसको गिरने दो;

 

कोई पुरानी तमन्ना पिघल रही है पिघलने दो...!!!

 

If the water is spilled down her eyelid two;

 

An old wish is melting, melting two ... !!!

 

ift.tt/2jIOybC Best Happy April Fools' Day 2016, Best hindi image Pyar Mohabbat Shayari, Best Hindi Love Shayari pics images 2016, Hindi Sad Shayari hd image for lovers

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Telecast Date: 16th November 2015

Itna Karo Na Mujhe Pyaar also known as IKNMP is an Indian Soap Opera Hindi Drama Serial. All videos, live news, written updates and Itna Karo Na Mujhe Pyar 16th November 2015 episodes are available on ItnaKaroNaMujhePyar.com

Itna Karo Na Mujhe Pyar 16th November 2015 Written Update

  

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Kis Kisko Pyar Karu Full Hindi Movie DVDRip Watch Online Free, Watch Kis Kisko Pyar Karu Movie online, Kis Kisko Pyar Karu Stream ONline, Kis Kisko Pyar Karu Movie Download Free, Kis Kisko Pyar Karu Movie Online Watch Free

  

Kis Kisko Pyaar Karoon is an Indian romantic comedy film directed by dir...

 

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Kis Kisko Pyaar Karu

2015 Film

Kis Kisko Pyaar Karu (English translation: Who Should I Love) is an Indian 2015 romantic comedy film directed by director Abbas Mustan. Indian stand-up comedian Kapil Sharma will make his Bollywood debut with this movie. Other casts include Arbaaz Khan, Manjari ...

 

www.downloadmovies.website/kis-kisko-pyar-karu-2015-hd-mo...

Tere Jalwon Ka Mujpe Aisa Asar Ho Gaya,

Din-O-Duniya Se Main Bekhabar Ho Gaya,

 

Sujta Kuch Bhi Nahi Mujko Bas Tere Siwa,

Tu Hi Manzil Aur Tu Hi Hum Safar Ho Gaya.

 

तेरे जलवों का मुझपें ऐसा असर हो गया,

दीन-ओ-दुनिया से मैं बेख़बर हो गया

सूझता कुछ भी नहीं मुझको बस तेरे सिवा

तु ही मंज़िल और तू ही हमसफ़र हो गया॥

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Telecast Date: 27th October 2015

Itna Karo Na Mujhe Pyaar also known as IKNMP is an Indian Soap Opera Hindi Drama Serial. All videos, live news, written updates and Itna Karo Na Mujhe Pyar 27th October 2015 episodes are available on ItnaKaroNaMujhePyar.com

Itna Karo Na Mujhe Pyar 27th October 2015 Written Update

  

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Telecast Date: 5th October 2015

Itna Karo Na Mujhe Pyaar also known as IKNMP is an Indian Soap Opera Hindi Drama Serial. All videos, live news, written updates and Itna Karo Na Mujhe Pyar 5th October 2015 episodes are available on ItnaKaroNaMujhePyar.com

Itna Karo Na Mujhe Pyar 5th October 2015 Written Update

  

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English ~~ I LOVE YOU

Telugu ~~ Nenu ninnu premisthunnaanu

Tamil ~~ NAN UNNAI KHADAL LIKERAN

Punjabi ~~ Main tenu pyar karda haan

Oriya ~~ Mu tumaku bhala paye

Malayalam ~~ ngyaan ninne premikkunnu

Explored !! #323 !! :D

 

These lines are lyrics of an old Hindi song which roughly translates into " Every since I saw such a beautiful face , I have but loved and loved and loved"

 

Taken from inside the Taj Mahal... Saw a man sitting all by himself in one of the chambers oblivious to the crowd around him....

 

( this photo won the "solitude" themed photo contest on PCA Group)

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Telecast Date: 7th October 2015

Itna Karo Na Mujhe Pyaar also known as IKNMP is an Indian Soap Opera Hindi Drama Serial. All videos, live news, written updates and Itna Karo Na Mujhe Pyar 7th October 2015 episodes are available on ItnaKaroNaMujhePyar.com

Itna Karo Na Mujhe Pyar 7th October 2015 Written Update

  

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Telecast Date: 30th September 2015

Itna Karo Na Mujhe Pyaar also known as IKNMP is an Indian Soap Opera Hindi Drama Serial. All videos, live news, written updates and Itna Karo Na Mujhe Pyar 30th September 2015 episodes are available on ItnaKaroNaMujhePyar.com

Itna Karo Na Mujhe Pyar 30th September 2015 Written Update

  

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Telecast Date: 15th October 2015

Itna Karo Na Mujhe Pyaar also known as IKNMP is an Indian Soap Opera Hindi Drama Serial. All videos, live news, written updates and Itna Karo Na Mujhe Pyar 15th October 2015 episodes are available on ItnaKaroNaMujhePyar.com

Itna Karo Na Mujhe Pyar 15th October 2015 Written Update

  

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Telecast Date: 29th September 2015

Itna Karo Na Mujhe Pyaar also known as IKNMP is an Indian Soap Opera Hindi Drama Serial. All videos, live news, written updates and Itna Karo Na Mujhe Pyar 29th September 2015 episodes are available on ItnaKaroNaMujhePyar.com

Itna Karo Na Mujhe Pyar 29th September 2015 Written Update

  

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Udaipur is a major city, municipal corporation and the administrative headquarters of the Udaipur district in the Indian state of Rajasthan. It is the historic capital of the kingdom of Mewar in the former Rajputana Agency. Maharana Udai Singh of the Sisodia clan of Rajput founded the city 1553, and shifted his capital from the city of Chittorgarh to Udaipur. It remained as the capital city till 1818 when it became a British princely state, and thereafter the Mewar province became a part of Rajasthan when India gained independence in 1947.

 

Udaipur is a very popular tourist destination. Known for its history, culture, scenic locations and the Rajput-era palaces, Udaipur was also voted as the best city in the world in 2009 by the Travel + Leisure magazine.

 

HISTORY

Udaipur was founded in 1553, by Maharana Udai Singh II in the fertile circular Girwa Valley to the southwest of Nagda, on the Banas River. The city was established as the new capital of the Mewar kingdom. This area already had a thriving trading town, Ayad, which had served as capital of Mewar in the 10th through 12th centuries. The Girwa region was thus already well-known to Chittaud rulers who moved to it whenever the vulnerable tableland Chittaurgarh was threatened with enemy attacks. Maharana Udai Singh II, in the wake of 16th century emergence of artillery warfare, decided during his exile at Kumbhalgarh to move his capital to a more secure location. Ayad was flood-prone, hence he chose the ridge east of Pichola Lake to start his new capital city, where he came upon a hermit while hunting in the foothills of the Aravalli Range. The hermit blessed the king and guided him to build a palace on the spot, assuring him it would be well protected. Udai Singh II consequently established a residence on the site. In November 1567, the Mughal emperor Akbar laid siege to the venerated fort of Chittor. To protect Udaipur from External attacks, Maharana Udai Singh built a six kilometer long city wall, with seven gates, namely Surajpole, Chandpole, Udiapole, Hathipole, Ambapole, Brahmpole and so on. The area within these walls and gates is still known as the old city or the walled city.

 

As the Mughal empire weakened, the Sisodia rulers, reasserted their independence and recaptured most of Mewar except for Chittor. Udaipur remained the capital of the state, which became a princely state of British India in 1818. Being a mountainous region and unsuitable for heavily armoured Mughal horses, Udaipur remained safe from Mughal influence despite much pressure. At present, Arvind Singh Mewar is the 76th custodian of the Mewar dynasty.

 

GEOGRAPHY

TOPOGRAPHY

Udaipur is located at 24.525049°N 73.677116°E. The city covers an area of 37 km2 and lies at an altitude of 598.00 m above sea level. It is located in the southern region of Rajasthan, near the Gujarat border. The city lies 403 kilometres southwest of the state capital, Jaipur and 250 km northeast from Ahmedabad.

 

Udaipur with its lakes lies on the south slope of the Aravalli Range in Rajasthan. The Northern part of the district consists generally of elevated plateaus, while the eastern part has vast stretches of fertile plains. The southern part is covered with rocks, Hills and dense Forest. There are two important passages in the Aravali ranges viz. Desuri Nal and Saoke which serves as a link between Udaipur and Jodhpur

 

DISTRICT CITYSCAPE

The lakes of the city being interconnected form a lake system which supports and sustains the ground water recharge, water availability for drinking, agriculture, industries and is a source of employment through tourism. The lake system has three main lakes in its upper catchment area, six lakes within its municipal boundary and one lake in the downstream. The Udaipur lake system, arising out of the river Berach (Banas Basin) and its tributaries, is an integral component of the upper Berach basin. The upper Berach basin is a part of the Gangetic river system, wherein the river Berach meets river Ganga through the rivers Banas, Chambal & Yamuna.

 

The Udaipur Lake System can be divided into the following categories:

- Upper lakes: Lake Badi, Chhota Madar & Bada Madar.

- City Lakes: Lake Pichola, Fateh Sagar Lake, Swaroop Sagar, Rang Sagar, Kumharia Talab, Goverdhan Sagar.

- Downstream Lake: Lake Udai Sagar.

- River: River Ahar.

 

Watershed or the catchment areas include :

- Bada Madar: 8780.48 ha

- Chhota Madar: 2987.23 ha

- Badi Lake: 1906.55 ha

 

The city lacks an organised sewerage system and treatment facility for the solid wastes and sewage generated. With an absence of waste segregation, processing and scientific disposal facilities, the city's lakes have been facing increased levels of pollution, thereby threatening an ecological degradation. Five of the major lakes have been included under the restoration project of the National Lake Conservation Plan (NLCP) of the Government of India in order to preserve the cleanliness of the water bodies in the city.

 

These are :

- Fateh Sagar Lake

- Pichola Lake

- Swaroopsagar

- Rangsagar

- Doodh Talai Lake

 

In a judgement passed by the Rajasthan High Court, all bathing activities at the lake shores and immersion of religious idols in the lake waters was banned in the city.

 

The city recently scored poorly in the Swachh Bharat list of the cleanest cities in India, getting placed at 417th position out of a total 476 cities.

 

CLIMATE

Udaipur city has particularly a tropical climate. The three main seasons, summer, monsoon and winter respectively, dominate the city of Udaipur. Being located in the desert lands of Rajasthan, the climate and weather of Udaipur is usually hot. The summer season runs from mid-March to June and touches temperature ranging from 23 °C to 44 °C in the months of March to June. Monsoons arrive in the month of July heralded by dust and thunderstorms. With lush greenery and enchanting lakes, the sporadic rainfalls enhance the beauty of the city, making it one of the top monsoon destinations of the country. The winter season prevails from the month of October till the month of March. Humidity, which prevails during monsoons, diminishes at the arrival of winters. The city observes pleasant sunny days and enjoyable cool nights with the temperature ranging from 5 °C to 30 °C.

 

Udaipur's winter climate is the most appealing time to visit. Tourists arrive in large numbers, anytime between mid-September to late March or early April. Even in January, the coldest month, the days are bright, sunny and warm with maximum temperature around 28.3 °C. Mornings, evenings and nights are cold

 

DEMOGRAPHICS

According to the 2011 census, the total urban population of Udaipur district was 608,426. and the population density was 262/km2. As per the data, the male population of the city was 315,485 and the female population was 292,941 in 2011. The total population for the age group of 0–6 years old was 67,068. The sex-ratio of the urban area was 929 while that for the rural area was 966, the average being 958. The child sex-ratio (0–6 years of age) was 865.

 

Udaipur has an average effective literacy rate of 90.43 percent, as compared to the national average of 74.04 percent: male literacy rate being 95.41 percent while the female literacy rate being 85.08 percent.

 

Hindi, Mewari and English are the major languages spoken in Udaipur. Marwari, Wagdi and Gujarati are some others which are in use in the city.

 

Hinduism is the major religion followed in the city. With a large Jain community, Jainism is amongst the other main religions practised. Jains makes about 10% of the population, as compared to the national average of 0.37%.

 

ECONOMY

Udaipur has a diversified economic base. The major contributions to the city's economy come from tourism, agriculture and mineral industries. The handicraft and cottage industry sectors play an important part in contributing to the growing economy. The city has also been included under the Smart Cities mission initiated by the Government of India, and is selected in the list of first 20 cities to be developed as smart cities.

 

HANDICRAFTS

Udaipur is well known for handicrafts such as paintings, marble articles, silver arts and terracotta. The Shilpgram is a platform where regional handicraft and hand-loom products is developed. Craft bazaars are organized by the Shilpgram, with an aim to encourage the regional arts and crafts, the handicraft and hand-loom works.

 

TOURISM

Udaipur, with its picturesque landscape, lakes, and historic palaces and architecture, is a major destination for most tourists, both domestic and foreign nationals visiting the state. With numerous hotels to serve visiting tourists, Udaipur is home to some of the world's most renowned and the country's best luxury hotels and resorts. The Oberoi Udaivilas has been ranked as the world's number 1 hotel in 2015. The Taj Lake Palace and the Leela palace Udaipur are also amongst the most expensive hotels in the country. With various other renowned hotel chains present in the city, the tourism sector has been a fairly large contributor to the economic growth and fame of Udaipur.

 

METALS AND MINERALS INDUSTRIES

Udaipur district is particularly rich in mineral resources as a large variety of important minerals are found here. Copper, lead, zinc and silver, industrial minerals like phosphate, asbestos, calcite, lime-stone, Talc (soap stone), barites, wollastonite and marble are the major driving resources behind the industries based in the city. Marble is exclusively mined, processed and exported from here around the world. The marble industry is well set and established with proper infrastructure and technological support for mining and processing. It is the largest sector giving employment to many people of the city and the immigrants from nearby areas. Udaipur is also home to the world's second largest Zinc producer, Hindustan Zinc.

 

AGRICULTURE

Agriculture like most other parts of the country, remains a leading sector in the city's economy. The Major crops of the area are Maize and Jowar in Kharif season and Wheat and Mustard in the Rabi season.[38] Pulses, Groundnut and vegetables like brinjals are some of the major food products grown in the city. The Maharana Pratap University of Agriculture and Technology, along with its affiliated institutions, has been working towards identifying, designing, preparing and adapting new techniques in the field of production technology for agricultural development since its establishment.

 

RETAIL

Udaipur has both traditional as well as modern retail shopping destinations. The traditional markets include Bapu Bazaar, Chetak Circle, Suraj Pole, Nehru Bazaar, Bada Bazaar and Chand Pole, while the areas including Durga Nursery Road, Shakti Nagar and Sudkhadia Circle provide opportunities to new entrants. Udaipur is also progressing towards a mall culture, and has witnessed many retail malls including Celebration Mall, Lakecity Mall, Arvana Shopping Mall, Chetak Shopping Mall, City Centre Mall, Mangalam Square Mall and R.Kay Mall.

 

TOURISM

CITY PALACE - 1559

Standing on the east bank of Lake Pichola is a massive series of palaces built at different times from 1559. Its main entrance is through the triple-arched gate - the Tripolia, built in 1725. This gate leads to a series of courtyards, overlapping parations, terraces, corridors and gardens. The palace now houses a museum with many antique articles, paintings, decorative furniture and utensils from the royal era.

 

LAKE PALACE - 1743-1746

Situated over an island in Lake Pichola, the Lake Palace was constructed to serve as a royal summer palace. Built of white marble, the palace is now a luxury 5 Star hotel, operating under the "Taj Hotels Resorts and Palaces" banner.

 

JAG MANDIR - 1551-1652

Jag Mandir is a palace built on an island in the Lake Pichola. Also known as the "Lake Garden Palace", it was constructed by three Maharanas of the Mewar kingdom. The construction started in 1551, and was completed by 1652. The royal family used the palace as a summer resort and pleasure palace.

 

MONSOON PALACE

Monsoon Palace, also known as Sajjan Garh Palace, was built as an astronomical centre to keep track of the movement of monsoon clouds in the area and also served as the summer resort of the Maharanas. Built with white marble, it is located on Bansdara peak of the Aravalli hill range at an elevation of 944 m above mean sea level. The palace offers a panoramic view of the city's lakes, palaces and surrounding countryside.

 

JAGDISH TEMPLE - 1651

The Jagdish Temple is a large Hindu temple in the middle of Udaipur, built by Maharana Jagat Singh I. A key tourist place in the city, this temple is an example of Māru-Gurjara Architecture.

 

FATEH SAGAR LAKE - 1678

Lake Fatehsagar is an artificial lake situated in the north-west part of Udaipur. The lake was originally built by Maharana Jai Singh and later reconstructed and extended by Maharana Fateh Singh. It is one of the most popular destinations in the city for tourists and the city residents.

 

SUKHADIA CIRCLE

Sukhadia Circle (square) is large roundabout in the city's northern suburb and is a popular recreational centre. The square has in its centre, a small pond admist which lies a 21 ft high three-tiered fountain. The fountain, made of marble is surmounted by a wheat-ear motif, a symbol of prosperity.

 

SAHELIYON-KI-BARI - 1710-1734

Sahelion ki Bari is a major garden and a popular tourist space in the northern part of the city. The garden with its fountains and kiosks, a lotus pool and marble elephants, was laid for a group of forty-eight young women attendants who accompanied a princess to Udaipur as part of her dowry.

 

LAKE PICHOLA - 1362

Lake Pichola is an artificial fresh water lake and is one of the several contiguous lakes in the city of Udaipur. The lake’s surroundings and the several islands within the lake have been developed over the centuries, with palaces, marble temples, family mansions, bathing ghats and chabutaras (a raised platform, normally within a courtyard).

 

MOTI MAGRI

Moti Magri or Pearl Hill, is a memorial of the Rajput hero Maharana Pratap. It is basically a small hilloc, atop of which there is a bronze statue of the Maharana astride his favourite horse "Chetak". It was initiated by Maharana Bhagwat Singh Mewar, and carried over and completed with the help of a public trust.

 

NEEMACH MATA TEMPLE

Neemach mata is located on a hill near fateh sagar lake. The temple is 900 meters above on the top of the hill. One can see a beautiful view of Udaipur from the temple.

 

CULTURE

Udaipur has received a rich cultural heritage from the bygone ages. The lakes, temples, huge forts and palaces boast about the rich legacy of this city. The city has kept a balance between preserving the rituals and traditions of the past while keeping up with the modern advancements and changes in lifestyle. Like any other place in the state of Rajasthan, folk dance and music have an important place in adding to the city's cultural richness. The dynamic and vibrant dances of Bhavai, Ghoomar, Kachchhi Ghodi, Kalbeliya and Terahtaali add a sparkle to the rich cultural heritage of Udaipur.

 

- Ghoomar dance is a part of the tribal culture of the Mewar Region of Rajasthan. This is a community dance for women and performed on auspicious occasions where the ladies move gracefully in circles.

- Kalbelia, one of the most sensuous dance forms of Rajasthan, is performed by the Kalbeliya snake charmers’ community with the sapera dancers wearing long, black skirts embroidered with silver ribbons.

- Bhavai dance consists of veiled women dancers balancing up to seven or nine brass pitchers as they dance nimbly, pirouetting and then swaying with the soles of their feet perched on the top of a glass or on the edge of the sword

- Kachchhi Ghodi dance dance is performed on dummy horses where men in elaborate costumes ride the equally well decorated dummy horses. Holding naked swords, these dancers move rhythmically to the beating of drums and fifes.

 

Following a lineage of age old traditions and adhering to religious significance, the various dances complement the fairs and festivals held in the city. The city's music consists mainly of the use of Morchang, Naad, Tanpura, and Sarangi, among many other instruments, that used to echo in the courts of the erstwhile rulers of the state.

 

Miniature paintings are amongst the most famous paintings developed under the patronage of the rulers of Rajasthan. The simplest among these are done on walls, and though folk in style, they nevertheless have some of the flavour of frescoes one sees in the old palaces. The tradition on painting the wall of houses with scenes from mythological and chivalric tales has been prevalent in Rajasthan for the past many centuries. The people of the city make use of such wall paintings for decorations during wedding celebrations. Noted amongst the miniature style of paintings are particularly the Pichvais, which are those made on cloth, and Phad, made on cloth scroll in folk style.

 

The Bharatiya Lok Kala Mandal is a cultural institution based in the city. The institute with its museum is a platform which displays a collection of Rajasthani culture. Offering an insight into the lifestyle of the royal era in Udaipur, the museum has a fine collection of dresses, tribal jewellery, turbans, dolls, masks, musical instruments, paintings and puppets. With various cultural events including folk song and dance performances, theatre and puppetry, the institute highlights the different social stigmas, thereby proving to be a powerful education tool for the masses.

 

FESTIVALS

GANGAUR FESTIVAL

Gangaur is one of the most important local festivals in Rajasthan. In some form or the other it is celebrated all over Rajasthan. “gan” is a synonym for Lord Shiva and “gauri” or “gaur” stands for Goddess Parvati, the heavenly consort of Lord Shiva. Gangaur celebrates the union of the two and is a symbol of conjugal and marital happiness.

 

It is celebrated in the month of Chaitra (March–April), the first month of the Hindu calendar. This month marks the end of winter and the onset of spring. This festival is celebrated especially by women, who worship clay idols of “Gan” & “Gauri” in their houses. These idols are worshiped by the virgins who seek the blessings of Gan and Gauri for a good spouse, while the married women pray for the good health and long life of their husbands. On the eve of Gangaur festival, women decorate their palms and fingers with henna. The idols of Gan and Gauri are immersed in a pond or in a nearby lake on the last day of the festival.

 

A traditional procession of Gangaur commences form the City Palace which passes through various areas of the city. The procession is headed by an old palanquins, chariots, bullock carts and performance folk artistes.

 

SHILPGRAM UTSAV

Shilpgram, a crafts village 3 km west of Lake Fateh Sagar, has displays of traditional houses from Rajasthan, Gujarat, Goa and Maharashtra. There are also demonstrations by musicians, dancers, or artisans from these states. The 10 day festival organised here is a treat for the visitor to an array of exquisite art and craft. One of the important objectives of Shilpgram festival is in the sphere of increasing awareness and knowledge of rural life and crafts, specifically, for the younger generation. Special emphasis is laid on workshops for children on arts, crafts, theatre and music.

 

HARIYALI AMAVASYA

Hariyali Amavasya (new moon day of the Sawan / Shravan month) marks the beginning of the monsoons and greenery. It arrvies three days before the famous Hartalika Teej(Shravan shukla tritiya). People worship God Shiva for abundant rains and good agricultural season. Melas and fests are arranged in several places in the city.

 

JAGANNATH RATH YATRA

In udaipur, the third biggest Ratha-Yatra[49] is organised on the auspicious day of Ashadh Shukla Paksha (bright fortnight) Dwitiya according to Indian Vikram Samvat. On this cultural day of summer solstice theme, June 21 of every year, the journey of the lord jagannath to their aunts house is started. The presiding deities of the temple lord Jagannath (Krishna), Balabhadra (Balarama) and their sister Subhadra are taken through the streets in heavily decorated wooden chariots, which are made every year for the purpose. The Chariot of Lord Jagannath, called Nandighosha, has 16 wheels and is draped in red and yellow.

 

The sanctity of the festival is such that even a touch of the chariot or even the ropes with which these are pulled is considered enough to confer the results of several pious deeds or penance for ages.

 

JAL-JHULNI EKADASHI

According to the Hindu calendar, Gyaras, or Ekadashi is basically, the 11th day of each waxing (Shukla paksha ) and waning moon (Krishna paksha). This ekadashi, known as Jal-Jhulni Gyaras, or Jal-Jhulni Ekadashi, like all other festivals, is celebrated with great enthusiasm in Udaipur. Different processions start from the various parts of the city and end at one point i.e. Gangaur Ghat where people swing the idols of Lord Krishna in child form (Baal Gopal) in the Lake Pichola. These procession are called Ram Revdies.

Udaipur in popular culture

 

Udaipur was voted the Best City in the World in 2009 by the Travel + Leisure magazine, and is now amongst the favourite wedding destinations for Indian as well as foreign nationals. The city is a blend of sights, sounds and experiences, which have made it one of the top destinations for weddings and celebrations.

 

MOVIES AND TELEVISION

Udaipur is mentioned under the spelling Oodeypore in Rudyard Kipling's The Jungle Book as the birthplace of Bagheera, the fictional panther in the king's Menagerie.

 

Because of its picturesque and scenic locations, Udaipur has been the shooting location for many Hollywood and Bollywood movies. Indian sections of the James Bond film Octopussy were filmed in the city, the Lake Palace, and the Monsoon Palace. The nearby desert was the backdrop of the remarkable rescue of Octopussy (Maud Adams) by Bond (Roger Moore). Some scenes from the British television series The Jewel in the Crown were also filmed in Udaipur. The Disney channel film, The Cheetah Girls One World, was shot in Udaipur in January 2008. Some of the other non-Indian movies and TV shows filmed in Udaipur include: Darjeeling Limited, Opening Night, Heat and Dust, Indische Ring, Inside Octopussy, James Bond in India, The Best Exotic Marigold Hotel, Gandhi, and The Fall. Jag Mandir, a documentary film directed for television by Werner Herzog in 1991, was also filmed in the city.

 

Udaipur has been a popular location for Bollywood movies. Some of them shot here include : Guide, Mera Saaya, Phool Bane Angaray, Kachche Dhaage, Mera Gaon Mera Desh, Jalmahal, Yaadein, Return of the thief of the bagdad, Eklavya: The Royal Guard, Dhamaal, Jis Desh Mei Ganga Rehta Hai, Chalo Ishq Ladaaye, Fiza, Gaddaar, Hum Hain Rahi Pyar Ke, Khuda Gawah, Kundan, Nandini, Saajan Ka Ghar,Yeh Jawaani Hai Deewani, Ramleela, Prem Ratan Dhan Payo. Udaipur is also the setting of various Television series like Yeh Rishta Kya Kehlata Hai, Rakhi Ka Swayamwar and Bharat Ka Veer Putra – Maharana Pratap.

 

EDUCATION

Udaipur has a well-established education infrastructure. There are a number of universities, colleges and schools meeting the requirements of not only the city but the region and country as well. The main universities in Udaipur include IIM Udaipur, Mohan Lal Sukhadia University, Sir Padampat Singhania University and Maharana Pratap University of Agriculture and Technology. Other educational institutes include College of Technology And Engineering, College of Dairy & Food Science Technology, R.N.T. Medical College, Pacific Medical College and Hospital, Pacific Institute of Medical Sciences, Bhupal Nobles' College, J.R.N. Rajasthan Vidyapeeth (Deemed), S S College Of Engineering, Techno India NJR Institute of Technology, Geetanjali Medical College and Hospital, Pacific Commerce college, Pacific ENG College, Pacific Dental College & Hospital, Geetanjali Institute of technical studies, Institute of Hotel Management Catering and Tourism.

 

Udaipur is now the first district in Rajasthan to have implemented a smart class system in all the government schools, enabling them with information and communication technologies (ICT) infrastructure. This model of ICT in education is getting replicated in all government schools of ICT infrastructure of Rajasthan State. This ICT based initiation was started on 4 December 2013 by Dept of Education, Udaipur in joint initiative with Moinee Foundation, Jaipur and is popularly known as Project Utkarsh

 

According to the census-2011 data on educational status, Udaipur has the highest percentage of graduates in the entire state. It has 26 graduates for every 100 persons.

 

Nowadays many students get the educational facilities here itself so they need not to go to Kota or some other place for IIT-JEE preparation. Many students of the place have cleared the prestigious exam. In fact the All India Rank-1 in IIT-JEE 2014 belonged to Udaipur city.

 

WIKIPEDIA

In Greek: "S' ayapo",

In Hindi: "Mein Tumse Pyar Karta Hoon",

In Italian : "Ti amo",

In Malay: "Saya cintamu",

In German:"Ich liebe Dich",

In Chines:"Wo ie ni"

In Dhivehi:"Loabivey"

No matter which language you say it ,

No matter how you say it ,

It really mean's a lot .

I LOVE YOU

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Telecast Date: 14th October 2015

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Itna Karo Na Mujhe Pyar 14th October 2015 Written Update

  

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English - I love you

Afrikaans - Ek het jou life

Albanian - Te dua

Arabic - Ana behibak (to male)

Arabic - Ana behibek (to female)

Armenian - Yes kez sirumen

Bambara - M'bi few

Bengali - Ami tomake bhalobashi (pronounced: Amee toe-ma-kee bhalo-bashee)

Belarusian - Ya tabe kahayu

Bisaya - Nahigugma ako kanimo

Bulgarian - Obicham te

Cambodian - Soro lahn nhee ah

Cantonese Chinese - Ngo oiy ney a

Catalan - T'estimo

Cherokee - Tsi GE yu I (Thanks Nancy!)

Cheyenne - Ne mohotatse

Chichewa - Ndimakukonda

Chinese - 我愛你 - Wo ai ni

Corsican - It tengu caru (to male)

Creol - Mi aime jou

Croatian - Volim te

Czech - Miluji te

Danish - Jeg Elsker Dig

Dutch - Ik hou van jou

Elvish - Amin mela lle (from The Lord of The Rings, by J.R.R. Tolkien)

Esperanto - Mi amas vin

Estonian - Ma armastan sind

Ethiopian - Afgreki'

Faroese - E.g. Elski teg

Farsi - Doset daram

Filipino - Mahal Kita

Finnish - Mina rakastan sinua

French - Je t'aime, Je t'adore

Frisian - I hâld fan dy

Gaelic - At gra agam ort

Georgian - Mikvarhar

German - ich liebe Dich

Greek - S'agapo

Gujarati - Hoo thunay prem karoo choo

Hiligaynon - Palangga ko ikaw

Hawaiian - Aloha Au Ia`oe

Hebrew (Thanks Lilach)

Hebrew to male: "ani ohev otcha" (said by male) "Ohevet ot'cha" (said by female)

Hebrew to female: "ani ohev otach" (said by male) "ohevet Otach" (said by female)

Hiligaynon - Guina higugma ko ikaw

Hindi - Hum Tumhe Pyar Karte hae

Hmong - Kuv hlub koj

Hopi - Nu' umi unangwa'ta

Hungarian - Szeretlek(Thanks Dóra!)

Hrvatski(Croatian):Volim te

Icelandic - E.g. Elska tig

Ilonggo - Palangga ko ikaw

Indonesian - Saya cinta padamu

Inuit - Negligevapse

Irish - Taim I ngra leat

Italian - Ti amo

Japanese - Aishiteru

Kannada - Naanu ninna preetisuttene

Kapampangan - Kaluguran daka

Kiswahili - Nakupenda

Konkani - Tu magel moga cho

Korean - Sarang Heyo

Latin - Te amo

Latvian - Es tevi miilu

Lebanese - Bahibak

Lithuanian - Tave myliu

Luxembourgeois - Ech Hun dech gäer

Macedonian - Te Sakam

Malay - Saya cintakan mu / Aku cinta padamu

Malayalam - Njan Ninne Premikunnu

Maltese - Inhobbok

Mandarin Chinese - Wo AI in

Marathi - Me tula prem karto

Mohawk - Kanbhik

Moroccan - Ana moajaba bik

Nahuatl - In mits neki

Navaho - Ayor anosh'ni

Norwegian - Jeg Elsker Deg

Pandacan - Syota na Kita!!

Pangasinan - Inaru Taka

Papiamento - Mi at stimabo

Persian - Doo-set daaram

Pig Latin - Iay ovlay ouyay

Polish - Kocham Ciebie

Portuguese - Eu te amo

Romanian - Te iubesc

Russian - Ya tebya liubliu

Scot Gaelic - Tha gra\dh agam ort

Serbian - Volim te

Setswana - Ke a go rata

Sign Language - ,\,,/ (represents position of fingers when signing'I Love You')

Sindhi - Maa tokhe pyar kendo ahyan

Sioux - Techihhila

Slovak - Lu`bim at

Slovenian - Ljubim te

Spanish - Te quiero / Te amo

Swahili - Ninapenda wewe

Swedish - Jag alskar dig

Swiss-German - Ich lieb Di

Surinam - Mi lobi Joe

Tagalog - Mahal Kita

Taiwanese - Wa Ga ei li

Tahitian - Ua Here Vau Ia Oe

Tamil - Nan unnai kathalikaraen

Telugu - Nenu ninnu premistunnanu

Thai - Chan rak khun (to male)

Thai - Phom rak khun (to female)

Turkish - Seni Seviyorum

Ukrainian - Ya tebe kahayu

Urdu - mai aap say pyaar karta hoo

Vietnamese - Anh ye^u em (to female)

Vietnamese - Em ye^u anh (to male)

Welsh - 'Rwy'n dy garu di

Yiddish - Ikh hob dikh

Yoruba - Mo in few

    

Video watch online Itna Karo Na Mujhe Pyar 22nd September 2015 latest new full Episode 177 Sony Tv drama serial Itna Karo Na Mujhe Pyar complete show episodes by sonytv.

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Video Owner: Sony Entertainment Television – Sony Tv Official Website Sonyliv All Rights Reserved.

Telecast Date: 22nd September 2015

Itna Karo Na Mujhe Pyaar also known as IKNMP is an Indian Soap Opera Hindi Drama Serial. All videos, live news, written updates and Itna Karo Na Mujhe Pyar 22nd September 2015 episodes are available on ItnaKaroNaMujhePyar.com

Itna Karo Na Mujhe Pyar 22nd September 2015 Written Update

  

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"Ek Shahanshah ne banwa ke haseen Taj Mahal;

saari duniya ko mohabbat ki nishaani di hai".

 

My experiment with texture continues - I hope I did justice to it.

 

Tajmahal photograph credit: Afshan Peerzada (My daughter) from Nikon Cool Pix L70.

I have been categorically told and ordered that her name should be credited and that I snatch away her photograph and put my name on it).

The original picture can be seen on this link:

farm4.static.flickr.com/3235/2423160309_346e5cea91_b.jpg

 

Texture credit: freaky665.deviantart.com

 

Models: Salim Baig and Surabhi Tiwari.

 

Sad Shayari in Hindi for Love

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Sad Shayari for Girlfriend

ताज्जुब है तेरी गहरी मुहब्बत पर,

तू हमारी रूह में, और हम तेरे वहम ओ गुमान में भी नही.

 

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Very Sad Shayari for Life

समजने समजाने मे ही गुजर गई तू,

ए जिन्दगी तूजे एकबार भी जी न पाए हम.

 

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2 Line Sad Shayari in English Font

Is trah tum ny mujhy chor diya…

Jesy koi rasta gunnah ka ho……!!

 

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Two Line Sad Shayari for Boyfriend

Ek Choti Si Galti Par Tu Mujhe Chor Gaya.

Jesy Tu Sadiyon Se Meri Galti Ki Talaash Mehh Tha…!!!

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Sad Shayari in Hindi With English Font

Meri Maut par bhi unki aankho me aansoo nahi,

Unhe shak hai mujme jaan abhi baki hai.

 

Bewafaai Sad Two Line Shayari for Love

Teri wafai ka samundar kisi aur ke liye hoga

Tere sahil se hum to roz pyase he gujar jate hain.

 

Sad Shayari in Hindi With English Font

Meri Maut par bhi unki aankho me aansoo nahi,

Unhe shak hai mujme jaan abhi baki hai.

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Very Sad Shayari in Hindi Font for GF/BF

उसे लगता था कि उसकी चालाकियां हमें समझ नहीं आतीं

हम बड़ी खामोशी से देखते थे उसे अपनी नजरों से गिरते हुए।

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Sad Shayari for Love in English Font

Wo khud ko samajte he jannt-e-hoor

kon janta tha use meri mohbbat se pahLe.

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SoCha tha uss se bichrenge to mar jayenge

Jaan lewa khauf tha bas, huwa kuch b nahi..!!

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दर्द है दिल में पर इसका एहसास नहीं होता;

रोता है दिल जब वो पास नहीं होता;

बर्बाद हो गए हम उसके प्यार में;

और वो कहते हैं इस तरह प्यार नहीं होता

 

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Suna hai abki bar tere sahar me barish nhi hui…

Lagta hai ashiqo ne sabar karna sikh liya hai…!!!

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Likhne ko toh uski bewafai par ek puri kitaab likh du,

Par fir sochta hu, Jis shaks ne aansu se bhari aankhe

aur rote hue wo shabd naa samjhe,

woh panno par likhi baat kya samjhega.

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Rehne Do Mujhe Iss Andhere Ki Duniya Mein Hi….

Kambkhat Roshni Ne To Apno Ka Aslee Chehra Dikha Diya…!!!

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Muddato baad aaj Phir Pareshan hua hai Dil….

Jaane kis Haal me hoga Mujhe Chhor kar jane Wala…!!!

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Us Ke Haath Me Hai Mere Hi Khat Ke Hajaar Tukde…..

Kitne Jawaab Laaya Hai Mere Ek Sawaal Ke..!!!

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Tum Maano Ya Na Maano…..

Meri Yaad To Aati Hogi…..!!!

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ला तेरे पेरों पर मरहम लगा दूं…

कुछ चोट तो तुझे भी आई होगी मेरे दिल को ठोकर मार कर…!!!

 

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रूठा रहे वो मुझसे ये मंज़ूर है हमें लेकिन,

यारो उसे समझाओ के मेरा शहर न छोड़े…

 

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ये वक़्त बेवक़्त मेरे ख्यालों में आने की आदत छोड़ दो तुम,

कसूर तुम्हारा होता है और लोग मुझे आवारा समझते हैं..!!

 

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ये मुकरने का अंदाज़ मुझे भी सीखा दो

वादे नीभा-नीभा के थक गया हूँ मैं…

 

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ये भी एक तमाशा है इश्क ओ मोहब्बत में

दिल किसी का होता है और बस किसी का चलता है

 

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ये ना पूछ कितनी शिकायतें हैं तुझसे ऐ ज़िन्दगी,

सिर्फ इतना बता की तेरा कोई और सितम बाक़ी तो नहीं.

 

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ये जो मेरे दामन पर कजरारे छींटें हैं थोड़े-बहुत

झाँक के देखो,तेरे गिरेबाँ से धूल कुछ उडी लगती है

 

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Qareeb Aa Teri Aankhon Mein, Dekh Lun Khud Ko…..

Bahut Dino Se mainy Aaina Nahi Dekha….!!!

 

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Main to us ki talaash main gum hoon….

Woh kabhi mujh ko dhoondta hi nahin…..!!!

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Rukhi hue thi meri saanse mere seene mein….

Usy gale na lgati to Ghutt ke mar jaati..!!!

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Kuch thokro ke bad Nazakat aa gyi hai mujh me….

Mai ab Dil ke Mashwaro pe bharosa nahi karta…!!!

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Ek Dukh Pe Hazaar Aansu…

Uff Mere Dil ki Ye Fazol kharchiya…!!!

 

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guror tu nahi karta lakin etna yaqeen zaror hai….

Agar yaad nahi kro gay tu bhula bhi nahi pao gay….!!!

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Hath ki nabz kaat baitha hu……

Shayad wo dil se nikal jaye khoon ke jariye..!!!

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वो अपने फ़ायदे की खातिर फिर आ मिले थे हम से,

हम नादान समझे के हमारी दुआओं में असर बहुत है..

 

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वो अपनी ज़िंदगी में हुआ मशरूफ इतना;

वो किस-किस को भूल गया उसे यह भी याद नहीं।

 

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ले रहे थे मोहब्बत के बाज़ार में इश्क की चादर…

लोगो ने आवाज़ दी कफन भी ले लो…

 

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वफादार और तुम…?? ख्याल अच्छा है,

बेवफा और हम…?? इल्जाम भी अच्छा है…

 

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वादा निभाया ना जाए तो वादा किया ना कर,

इस खेल में वादे नही दिल टूटा करते हैं…

 

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लोग कहते है हम मुस्कराते बहुत है…

और हम थक गए दर्द छुपाते छुपाते…

 

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लम्हों की दौलत से दोनों महरूम रहे ,

मुझे चुराना न आया, तुम्हें कमाना न आया

 

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लगता है इस बार मुझे मोहब्बत होकर ही रहेगी,

आज रात ख्वाब में मैंने खुद को बरबाद होते देखा है….

 

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Sath Chorne Se Pehle Yeh soch Lena Hum Titli Jese Hain….

Pakar Kar Choro Gy To Mar Jaiyen Gy…!!!

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झलक जाने दो पैमाने, महखाने भी क्या याद रखेंगे,

आया था कोई दीवाना, अपनी मोहब्बत को भूलाने.

 

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Kiye The Zulm Jinki Khatir Bata Unse kya Paya

Qabr Mein Soona Pada Hai, koi Fatiha Padhne Bhi Na Aaya

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Nikal Diya Usne Hame apni Zindgi se bheege Kagaz ki trah

Na likhne Ke kabil chora Na padhne ke..!!!

 

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Roz rote hue kahti hai zindagi mujh se……

Sirf ek Shakhs ki khatir mujh ko barbaad na kar….!!!

 

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Barsoo Baad Mila To Poochny Lage K Tum Kon Ho….!

Bichadte Waqt Jis Ne Kaha Tha K Tum Bohat Yaad Aao Gay॥

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मसरूफ़ जिंदगी में तेरी याद के सिवा …

आता नहीँ है कोई मेरा हाल पूछने !!

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हर रात जान बूझकर रखता हूँ दरवाज़ा खुला…

शायद कोई लुटेरा मेरा गम भी लूट ले…..

 

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Tu Ishq ki doosri Nishani de de Mujhko,

Aansoo to roz gir ke sukh jate hain.

 

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उसकी बातों को बार बार याद करके रोये,

उसके लिये दर पे फरियाद करके रोये,

उसकी खुशी के लिये उसको छोड दिया फिर,

उसे किसी ओर के साथ आबाद करके रोये.

 

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Chhod Diya Hai Kismat Ki Lakiro Par Yakin Karna,

Jab Log Badal Sakte Hai toh Kismat Kya Cheez Hai.

 

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“सदमो से कोई “मर नहीं जाता,

तेरे सामने है “मिशाल मेरी.

 

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कब तक तेरे फरेब को हादसे का नाम दूँ,

ऐ इश्क तूने तो मेरा तमाशा बना दिया.

 

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Zara sa baat karne ka saleeqa seekh lo tum bhi

Idhar tum lub hilate ho udar dil toot jata hai.

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मोहब्बत की आजतक बस दो ही बातें अधूरी रही,

इक मै तुझे बता नही पाया, और दूसरी तूम समझ नही पाये.

 

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सामने होते हुए भी तुझसे दूर रहना,

बेबसी की इससे बड़ी मिसाल क्या होगी.

 

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Tere Jaane Ke Baad Kaun Rokta Humein….

Jee Bhar Kar Khud Ko BarBaad Kiya Humne….

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भरोसा ना करना इस दुनिया के लोगों पे

मुझे तबाह करने वाला मेरा बहुत अज़ीज़ था.

 

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आँधियों में भी जो जलता हुआ मिल जाएगा..

उस दिये से पूछना, मेरा पता मिल जाएगा..

 

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होठों ने सब बातें छुपा कर रखीं,

आँखों को ये हुनर… कभी आया ही नहीं..

 

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हालात ने तोड़ दिया हमें कच्चे धागे की तरह…

वरना हमारे वादे भी कभी ज़ंजीर हुआ करते थे..

 

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तोङ दिये हैं मैने अपने घर के सभी आईने,

नफरत है मुझे उनसे जो तुझसे मोहब्बत करते हैं.

 

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Kuch Log Do Pal Sath Chal kar Fir

Umar Bhar Ki Tanhayi pata ni kyun De Jaate Hain…!!

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वो शायद मतलब से मिलते हैं,

मुझे तो मिलने से मतलब है.!

 

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Bahut Khush Naseeb hote hain Wo Log

Jin ka Pyaar Unki Kadar bhi

Karta hai aur Izzat bhi.

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Tum Dil Ban Kar Dharkte Ho

Mere Seenay Mein….

Yehii Ek Aass Mujhe Marne Nahi Deti aE d0sT….!!!

 

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Humain maloom tha anjam muhabbat ka….

Jawani Josh par thi zindagi kharab kar bethy…!!!

 

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Dil sochta hai to phir sochta he reh jata hai….

ye jo apne hote hain apne kyun nahi hote…!!!

 

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Tajurba kaheta hai mohabbat se kinara kar lu…

Aur dil kaheta hai ki ye tajurba dubara kar lu….!!!

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वो मेरी किस्मत मैं नहीं, ये सुना है लोगों से,

फिर सोचता हूँ, किस्मत खुदा लिखता है, लोग नहीं….

 

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वो जान गयी थी ,हमे दर्द में मुस्कराने की आदत हैं

वो रोज नया जख्म देती थी मेरी ख़ुशी के लिए

 

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वो कतरा बनके हुए आपे से बाहर …

मैँ दरिया होकर भी अपनी औकात मेँ हूँ”

 

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वो एक रात जला……. तो उसे चिराग कह दिया !!!

हम बरसो से जल रहे है ! कोई तो खिताब दो .!!!

 

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वो इस कमाल से खेले थे इश्क की बाजी …..!!

मैं अपनी फतह समझता रहा मात होने तक…!!!

 

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Humein Surat Se Kya Matlab Hum Seerat Pey Martey Hain….

Usey Kehna Tumhara Husn Jab Dhal Jaye To Loat Aana….!!!

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नाकामयाब मोहब्बत ही सच्ची होती है !!

कामयाब होने के बाद मोहब्बत नहीं बचती !!

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Tum to Apnay they Tum kyun Chor gaye…,

WO Bewafa Hans k B0Lii…,

ZindAGi B To Apni h0ti hai…,

Wo kyun Chor Jati Hai…!!

 

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मोहब्बत नही तो मुकदमा हि दायर कर दे जालिम,

तारीख दर तारीख तेरा दीदार तो होगा.

 

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फुर्सत मिले तो कभी बैठ कर सोचना….

तुम भी मेरे अपने हो…

या सिर्फ हम ही तुम्हारे हैं ??

 

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मैं मोहब्बत करता हूँ तो टूट कर करता हुँ…

ये काम मुझे जरूरत के मुताबिक नहीं आता….

 

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सारी दुनिया की खुशी अपनी जगह …

उन सबके बीच तेरी कमी अपनी जगह .

 

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सिखा दी बेवफ़ाई करना ज़ालिम ज़माने ने तुम्हे,

कि तुम जो भी सीख जाते हो हम पर ही आजमाते हो…

 

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तेरे बाद किसी को प्यार से ना देखा हमने…..

हमें इश्क का शौक है, आवारगी का नही…

 

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साथ भी छोडा तो कब,जब सब बुरे दिन कट गए |

ज़िन्दगी तुने कहा आकर दिया धोखा मुझे ||

 

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सहमी-सहमी हुई रहती हैं मकाने दिल में

आरज़ूएँ भी ग़रीबों की तरह होती हैं ..

 

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सलीक़ा हो अगर भीगी हुई आँखों को पढने का,

तो फिर बहते हुए आंसू भी अक्सर बात करते हैं

 

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शौक से तोड़ो दिल मेरा मुझे क्या परवाह,

तुम ही रहते हो इसमें अपना ही घर उजाडोगे.

 

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वो हमारा हाल भी ना पुछ सके हमें बैहाल देखकर।

और हम कुछ बता भी ना सके उस बेवफा को खुशहाल देखकर।

 

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Ajeeb Kissa Hai Zindagi Ka….

Ajnabee Haal Puch Rahe Hai

Aur Apno Ko Khabar Tak Nahi…!!!

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साथ आयीं थी सुबह मुस्कुराते मुस्कुराते,

शाम घर को लौटती बुझी बुझी ये ख्वाहिशें.

 

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तन्हाई कुछ यूँ राझ आ गई है यारों,

अपने साये से भी हर पल दूर भागता हूँ.

 

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जी लेंगे अगर जीना पड़ा तेरे बिना,

लेकिन आज भी तुज पे मर मिटने का ख़्वाब ✍ है।

 

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तेरे जाने के बाद,

हामने भावनाओं को काबू करना सिख लिया,

ए-बेरहम, तेरी मेहरबानी से मैने जीना सिख लिया.

 

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सबको मेरा साथ अच्छा लगता है,

ए किस्मत कभी तु भी मेरा साथ दिया कर.

 

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कुछ मेरे दिल से,

किया था वादा अपने आप से ना रोएँगे कभी,

तूने अपनी कहानी सुनाई और वादा टूट गया।

 

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सोचा था घर बना कर बैठुंगा सुकून से…

पर घर की ज़रूरतों ने मुसाफ़िर बना डाला !!

 

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सुलाके सबको गहरी नींद में …

फिर अकेला क्युं अंधेरा जागता है!!!!!!

 

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सुनी थी सिर्फ हमने ग़ज़लों में जुदाई की बातें ;

अब खुद पे बीती तो हक़ीक़त का अंदाज़ा हुआ !!

 

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सुना हे, वोह जब मायुश होते हे, हमे बहोत याद करते हे

अये खुदा, अब तुहि बता, उसकी खुशी की दुआ करु या मायुशि कि!!!

 

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हथेलिया भर भर के दर्द न दे मुझे,

दर्द के समंदर ले बैठा हूँ में…

 

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Saaye Ne Saath Chhod Diya Yaar Ne Dil Tod Diya,

Ab Toh Khuda Bhi Mere Khilaf Ho Gaya,

 

Jo Pyar Ka Chirag Jalaya Tha Maine,

Usi Chiraag Se Jalkar Main Khak Ho Gaya…

 

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वो सितारा है चमकने दो यूँ ही आँखों में,

क्या ज़रूरी है उसे हाथ लगाकर देखो..

 

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मुझे खामोश देखकर इतना हैरान क्यों होते हो दोस्तों।

कुछ नहीं हुवा है बस, भरोसा कर के धोखा खाया है।

 

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शायरों की महफ़िलों में हम इसलिए भी जाते हैं,

हम से बिछड़ कर शायद वो भी शायर हो गयी हो.

 

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Acha hai Jo tu Meri takleef nahin samajti,

Agar samajti toh tuhje bhi takleef hoti,

Aur woh mujhe acha nahin lagta

 

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उन्हें क्या पता जो कहते है हर वक़्त रोया ना करो,

मैं कैसे समझाऊं कुछ दर्द सहने के काबिल नही होते.

 

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मौसम की पहली बारिश का शौक तुम्हें होगा.

“हम तो रोज किसी की यादो मे भीगें रहते है.

 

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मेरे दिल को आवाज देने वाले ये लफ़्ज भी आखिर बेवफ़ा निकले.

सर्दियो कि जरा सी आहट मे ठिठुरना शुरु कर दिए!.

 

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कुछ आरजू दिल मै दबी ही रह जाये तो अच्छा है,

ना दिल टूटने का डर ना दिल दुखाने का.

 

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हुनर-ओ-इश्क अब सीख कर आया हूँ………

चलो फिर से खेल दिल का खेलते है…..!!

 

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हर मुलाक़ात पर वक़्त का तकाज़ा हुआ ;

हर याद पे दिल का दर्द ताज़ा हुआ .!

 

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हाथ ज़ख़्मी हुए तो कुछ अपनी ही खता थी…..

लकीरों को मिटाना चाहा किसी को पाने की खातिर….!

 

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हमे पता था की उसकी मोहब्बत में ज़हर हैं ;

पर उसके पिलाने का अंदाज ही इतना प्यारा था की हम ठुकरा ना सके !

 

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हमें तो प्यार के दो लफ्ज ही नसीब नहीं,

और बदनाम ऐसे जैसे इश्क के बादशाह थे हम!!

 

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हमें ए दिल कहीं ले चल … बड़ा तेरा करम होगा

हमारे दम से है हर गम …न होंगे हम और ना गम होगा

 

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बेशक मेरा वक़्त तो कट जाता है तेरे बिना,

बस अब फ़र्क़ सिर्फ़ उतना है उस वक़्त तुम शामिल नही.

 

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तेरी पुरानी chats पड़ते वक़्त ख़ुशी तो होती है,

पर जब एहसास होता है की सब खत्म हो गया,

बहुत दुखी हो जाता हूँ.

 

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Ishq haraa hai to dil thaam ke kyu bethey ho ,

Tum to har baat pe kehte the “koi baat nahe” ….!!!

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Kafan ko utha kar deedar kar lo,

Band ho gayi hai woh aankhein jinko tum rulaya karty thy.

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Wisaal ,Hijr ,wafa ,fikr , dard majboori

zara si umr me kitne zamaney ate hein.

 

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कुदरत ने लिखा था तुझको मेरी तमन्नाओं में,

मेरी किस्मत में तुम न थे ये और बात है…!!!

 

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Tumhe paakar bhi na paa sake hum,

Khaata to Humari thi joh itni mohobaat kar baithe hum.

 

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Tanha Hu Is Dard Mohabbat Mei,

Meri Tarah Behaal Tum Bhi Ho,

Hum Hai Kisi Ujde Hue Shahar Ki Misaal,

Aankhen Bata Rahi Hai Ki Viraan Tum Bhi Ho.

 

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हमने तो फिराई थी रेतो पर उंगलिया ,

मुड़ कर देखा तो तुम्हारी “तस्वीर “बन गयी .!!

 

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हमसे मत पूछिए जिंदगी के बारे में

अजनबी क्या जाने अजनबी के बारे में

 

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हम भी अक़्सर इन फूलो कि तरह तन्हा रहते हैँ..

कभी ख़ुद टूट जाते है, कभी लोग हमे तोड़ जाते है.

 

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दुश्मन भी सामने आने से डरते थे,

और. वो पगली दिल से खेल कर चली गई.

 

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हर पल मिलन की आस ना लगा ए दिल,

नामुमकीन है उसे पाना तू नही उसके काबिल.

 

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Oye HOye Pyar Ho Gaya Punjabi Movie

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Starring : Sharry Mann, Niharika Kareer

Directed By : Aditya Sood

Written By : Aditya Sood

Screenplay By : Aditya Sood

Produced By : Adityas Films ltd

Release Date : may 2013

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Tu Mile Dil Khile Aur Jeene Ko Kya Chaahiye

Na Ho Tu Udaas Tere Paas Paas Main Rahunga Zindagi Bhar

Saare Sansaar Ka Pyar Maine Tujhi Mein Paya

Tu Mile Dil Khile Aur Jeene Ko Kya Chaahiye

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Video watch online Itna Karo Na Mujhe Pyar 2nd November 2015 latest new full Episode 197 Sony Tv drama serial Itna Karo Na Mujhe Pyar complete show episodes by sonytv.

Video Source: Dailymotion

Video Owner: Sony Entertainment Television – Sony Tv Official Website Sonyliv All Rights Reserved.

Telecast Date: 2nd November 2015

Itna Karo Na Mujhe Pyaar also known as IKNMP is an Indian Soap Opera Hindi Drama Serial. All videos, live news, written updates and Itna Karo Na Mujhe Pyar 2nd November 2015 episodes are available on ItnaKaroNaMujhePyar.com

Itna Karo Na Mujhe Pyar 2nd November 2015 Written Update

  

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Video watch online Itna Karo Na Mujhe Pyar 12th October 2015 latest new full Episode 188 Sony Tv drama serial Itna Karo Na Mujhe Pyar complete show episodes by sonytv.

Video Source: Dailymotion

Video Owner: Sony Entertainment Television – Sony Tv Official Website Sonyliv All Rights Reserved.

Telecast Date: 12th October 2015

Itna Karo Na Mujhe Pyaar also known as IKNMP is an Indian Soap Opera Hindi Drama Serial. All videos, live news, written updates and Itna Karo Na Mujhe Pyar 12th October 2015 episodes are available on ItnaKaroNaMujhePyar.com

Itna Karo Na Mujhe Pyar 12th October 2015 Written Update

  

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www.definingelegance.com/blog/archives/4539

Udaipur is a major city, municipal corporation and the administrative headquarters of the Udaipur district in the Indian state of Rajasthan. It is the historic capital of the kingdom of Mewar in the former Rajputana Agency. Maharana Udai Singh of the Sisodia clan of Rajput founded the city 1553, and shifted his capital from the city of Chittorgarh to Udaipur. It remained as the capital city till 1818 when it became a British princely state, and thereafter the Mewar province became a part of Rajasthan when India gained independence in 1947.

 

Udaipur is a very popular tourist destination. Known for its history, culture, scenic locations and the Rajput-era palaces, Udaipur was also voted as the best city in the world in 2009 by the Travel + Leisure magazine.

 

HISTORY

Udaipur was founded in 1553, by Maharana Udai Singh II in the fertile circular Girwa Valley to the southwest of Nagda, on the Banas River. The city was established as the new capital of the Mewar kingdom. This area already had a thriving trading town, Ayad, which had served as capital of Mewar in the 10th through 12th centuries. The Girwa region was thus already well-known to Chittaud rulers who moved to it whenever the vulnerable tableland Chittaurgarh was threatened with enemy attacks. Maharana Udai Singh II, in the wake of 16th century emergence of artillery warfare, decided during his exile at Kumbhalgarh to move his capital to a more secure location. Ayad was flood-prone, hence he chose the ridge east of Pichola Lake to start his new capital city, where he came upon a hermit while hunting in the foothills of the Aravalli Range. The hermit blessed the king and guided him to build a palace on the spot, assuring him it would be well protected. Udai Singh II consequently established a residence on the site. In November 1567, the Mughal emperor Akbar laid siege to the venerated fort of Chittor. To protect Udaipur from External attacks, Maharana Udai Singh built a six kilometer long city wall, with seven gates, namely Surajpole, Chandpole, Udiapole, Hathipole, Ambapole, Brahmpole and so on. The area within these walls and gates is still known as the old city or the walled city.

 

As the Mughal empire weakened, the Sisodia rulers, reasserted their independence and recaptured most of Mewar except for Chittor. Udaipur remained the capital of the state, which became a princely state of British India in 1818. Being a mountainous region and unsuitable for heavily armoured Mughal horses, Udaipur remained safe from Mughal influence despite much pressure. At present, Arvind Singh Mewar is the 76th custodian of the Mewar dynasty.

 

GEOGRAPHY

TOPOGRAPHY

Udaipur is located at 24.525049°N 73.677116°E. The city covers an area of 37 km2 and lies at an altitude of 598.00 m above sea level. It is located in the southern region of Rajasthan, near the Gujarat border. The city lies 403 kilometres southwest of the state capital, Jaipur and 250 km northeast from Ahmedabad.

 

Udaipur with its lakes lies on the south slope of the Aravalli Range in Rajasthan. The Northern part of the district consists generally of elevated plateaus, while the eastern part has vast stretches of fertile plains. The southern part is covered with rocks, Hills and dense Forest. There are two important passages in the Aravali ranges viz. Desuri Nal and Saoke which serves as a link between Udaipur and Jodhpur

 

DISTRICT CITYSCAPE

The lakes of the city being interconnected form a lake system which supports and sustains the ground water recharge, water availability for drinking, agriculture, industries and is a source of employment through tourism. The lake system has three main lakes in its upper catchment area, six lakes within its municipal boundary and one lake in the downstream. The Udaipur lake system, arising out of the river Berach (Banas Basin) and its tributaries, is an integral component of the upper Berach basin. The upper Berach basin is a part of the Gangetic river system, wherein the river Berach meets river Ganga through the rivers Banas, Chambal & Yamuna.

 

The Udaipur Lake System can be divided into the following categories:

- Upper lakes: Lake Badi, Chhota Madar & Bada Madar.

- City Lakes: Lake Pichola, Fateh Sagar Lake, Swaroop Sagar, Rang Sagar, Kumharia Talab, Goverdhan Sagar.

- Downstream Lake: Lake Udai Sagar.

- River: River Ahar.

 

Watershed or the catchment areas include :

- Bada Madar: 8780.48 ha

- Chhota Madar: 2987.23 ha

- Badi Lake: 1906.55 ha

 

The city lacks an organised sewerage system and treatment facility for the solid wastes and sewage generated. With an absence of waste segregation, processing and scientific disposal facilities, the city's lakes have been facing increased levels of pollution, thereby threatening an ecological degradation. Five of the major lakes have been included under the restoration project of the National Lake Conservation Plan (NLCP) of the Government of India in order to preserve the cleanliness of the water bodies in the city.

 

These are :

- Fateh Sagar Lake

- Pichola Lake

- Swaroopsagar

- Rangsagar

- Doodh Talai Lake

 

In a judgement passed by the Rajasthan High Court, all bathing activities at the lake shores and immersion of religious idols in the lake waters was banned in the city.

 

The city recently scored poorly in the Swachh Bharat list of the cleanest cities in India, getting placed at 417th position out of a total 476 cities.

 

CLIMATE

Udaipur city has particularly a tropical climate. The three main seasons, summer, monsoon and winter respectively, dominate the city of Udaipur. Being located in the desert lands of Rajasthan, the climate and weather of Udaipur is usually hot. The summer season runs from mid-March to June and touches temperature ranging from 23 °C to 44 °C in the months of March to June. Monsoons arrive in the month of July heralded by dust and thunderstorms. With lush greenery and enchanting lakes, the sporadic rainfalls enhance the beauty of the city, making it one of the top monsoon destinations of the country. The winter season prevails from the month of October till the month of March. Humidity, which prevails during monsoons, diminishes at the arrival of winters. The city observes pleasant sunny days and enjoyable cool nights with the temperature ranging from 5 °C to 30 °C.

 

Udaipur's winter climate is the most appealing time to visit. Tourists arrive in large numbers, anytime between mid-September to late March or early April. Even in January, the coldest month, the days are bright, sunny and warm with maximum temperature around 28.3 °C. Mornings, evenings and nights are cold

 

DEMOGRAPHICS

According to the 2011 census, the total urban population of Udaipur district was 608,426. and the population density was 262/km2. As per the data, the male population of the city was 315,485 and the female population was 292,941 in 2011. The total population for the age group of 0–6 years old was 67,068. The sex-ratio of the urban area was 929 while that for the rural area was 966, the average being 958. The child sex-ratio (0–6 years of age) was 865.

 

Udaipur has an average effective literacy rate of 90.43 percent, as compared to the national average of 74.04 percent: male literacy rate being 95.41 percent while the female literacy rate being 85.08 percent.

 

Hindi, Mewari and English are the major languages spoken in Udaipur. Marwari, Wagdi and Gujarati are some others which are in use in the city.

 

Hinduism is the major religion followed in the city. With a large Jain community, Jainism is amongst the other main religions practised. Jains makes about 10% of the population, as compared to the national average of 0.37%.

 

ECONOMY

Udaipur has a diversified economic base. The major contributions to the city's economy come from tourism, agriculture and mineral industries. The handicraft and cottage industry sectors play an important part in contributing to the growing economy. The city has also been included under the Smart Cities mission initiated by the Government of India, and is selected in the list of first 20 cities to be developed as smart cities.

 

HANDICRAFTS

Udaipur is well known for handicrafts such as paintings, marble articles, silver arts and terracotta. The Shilpgram is a platform where regional handicraft and hand-loom products is developed. Craft bazaars are organized by the Shilpgram, with an aim to encourage the regional arts and crafts, the handicraft and hand-loom works.

 

TOURISM

Udaipur, with its picturesque landscape, lakes, and historic palaces and architecture, is a major destination for most tourists, both domestic and foreign nationals visiting the state. With numerous hotels to serve visiting tourists, Udaipur is home to some of the world's most renowned and the country's best luxury hotels and resorts. The Oberoi Udaivilas has been ranked as the world's number 1 hotel in 2015. The Taj Lake Palace and the Leela palace Udaipur are also amongst the most expensive hotels in the country. With various other renowned hotel chains present in the city, the tourism sector has been a fairly large contributor to the economic growth and fame of Udaipur.

 

METALS AND MINERALS INDUSTRIES

Udaipur district is particularly rich in mineral resources as a large variety of important minerals are found here. Copper, lead, zinc and silver, industrial minerals like phosphate, asbestos, calcite, lime-stone, Talc (soap stone), barites, wollastonite and marble are the major driving resources behind the industries based in the city. Marble is exclusively mined, processed and exported from here around the world. The marble industry is well set and established with proper infrastructure and technological support for mining and processing. It is the largest sector giving employment to many people of the city and the immigrants from nearby areas. Udaipur is also home to the world's second largest Zinc producer, Hindustan Zinc.

 

AGRICULTURE

Agriculture like most other parts of the country, remains a leading sector in the city's economy. The Major crops of the area are Maize and Jowar in Kharif season and Wheat and Mustard in the Rabi season.[38] Pulses, Groundnut and vegetables like brinjals are some of the major food products grown in the city. The Maharana Pratap University of Agriculture and Technology, along with its affiliated institutions, has been working towards identifying, designing, preparing and adapting new techniques in the field of production technology for agricultural development since its establishment.

 

RETAIL

Udaipur has both traditional as well as modern retail shopping destinations. The traditional markets include Bapu Bazaar, Chetak Circle, Suraj Pole, Nehru Bazaar, Bada Bazaar and Chand Pole, while the areas including Durga Nursery Road, Shakti Nagar and Sudkhadia Circle provide opportunities to new entrants. Udaipur is also progressing towards a mall culture, and has witnessed many retail malls including Celebration Mall, Lakecity Mall, Arvana Shopping Mall, Chetak Shopping Mall, City Centre Mall, Mangalam Square Mall and R.Kay Mall.

 

TOURISM

CITY PALACE - 1559

Standing on the east bank of Lake Pichola is a massive series of palaces built at different times from 1559. Its main entrance is through the triple-arched gate - the Tripolia, built in 1725. This gate leads to a series of courtyards, overlapping parations, terraces, corridors and gardens. The palace now houses a museum with many antique articles, paintings, decorative furniture and utensils from the royal era.

 

LAKE PALACE - 1743-1746

Situated over an island in Lake Pichola, the Lake Palace was constructed to serve as a royal summer palace. Built of white marble, the palace is now a luxury 5 Star hotel, operating under the "Taj Hotels Resorts and Palaces" banner.

 

JAG MANDIR - 1551-1652

Jag Mandir is a palace built on an island in the Lake Pichola. Also known as the "Lake Garden Palace", it was constructed by three Maharanas of the Mewar kingdom. The construction started in 1551, and was completed by 1652. The royal family used the palace as a summer resort and pleasure palace.

 

MONSOON PALACE

Monsoon Palace, also known as Sajjan Garh Palace, was built as an astronomical centre to keep track of the movement of monsoon clouds in the area and also served as the summer resort of the Maharanas. Built with white marble, it is located on Bansdara peak of the Aravalli hill range at an elevation of 944 m above mean sea level. The palace offers a panoramic view of the city's lakes, palaces and surrounding countryside.

 

JAGDISH TEMPLE - 1651

The Jagdish Temple is a large Hindu temple in the middle of Udaipur, built by Maharana Jagat Singh I. A key tourist place in the city, this temple is an example of Māru-Gurjara Architecture.

 

FATEH SAGAR LAKE - 1678

Lake Fatehsagar is an artificial lake situated in the north-west part of Udaipur. The lake was originally built by Maharana Jai Singh and later reconstructed and extended by Maharana Fateh Singh. It is one of the most popular destinations in the city for tourists and the city residents.

 

SUKHADIA CIRCLE

Sukhadia Circle (square) is large roundabout in the city's northern suburb and is a popular recreational centre. The square has in its centre, a small pond admist which lies a 21 ft high three-tiered fountain. The fountain, made of marble is surmounted by a wheat-ear motif, a symbol of prosperity.

 

SAHELIYON-KI-BARI - 1710-1734

Sahelion ki Bari is a major garden and a popular tourist space in the northern part of the city. The garden with its fountains and kiosks, a lotus pool and marble elephants, was laid for a group of forty-eight young women attendants who accompanied a princess to Udaipur as part of her dowry.

 

LAKE PICHOLA - 1362

Lake Pichola is an artificial fresh water lake and is one of the several contiguous lakes in the city of Udaipur. The lake’s surroundings and the several islands within the lake have been developed over the centuries, with palaces, marble temples, family mansions, bathing ghats and chabutaras (a raised platform, normally within a courtyard).

 

MOTI MAGRI

Moti Magri or Pearl Hill, is a memorial of the Rajput hero Maharana Pratap. It is basically a small hilloc, atop of which there is a bronze statue of the Maharana astride his favourite horse "Chetak". It was initiated by Maharana Bhagwat Singh Mewar, and carried over and completed with the help of a public trust.

 

NEEMACH MATA TEMPLE

Neemach mata is located on a hill near fateh sagar lake. The temple is 900 meters above on the top of the hill. One can see a beautiful view of Udaipur from the temple.

 

CULTURE

Udaipur has received a rich cultural heritage from the bygone ages. The lakes, temples, huge forts and palaces boast about the rich legacy of this city. The city has kept a balance between preserving the rituals and traditions of the past while keeping up with the modern advancements and changes in lifestyle. Like any other place in the state of Rajasthan, folk dance and music have an important place in adding to the city's cultural richness. The dynamic and vibrant dances of Bhavai, Ghoomar, Kachchhi Ghodi, Kalbeliya and Terahtaali add a sparkle to the rich cultural heritage of Udaipur.

 

- Ghoomar dance is a part of the tribal culture of the Mewar Region of Rajasthan. This is a community dance for women and performed on auspicious occasions where the ladies move gracefully in circles.

- Kalbelia, one of the most sensuous dance forms of Rajasthan, is performed by the Kalbeliya snake charmers’ community with the sapera dancers wearing long, black skirts embroidered with silver ribbons.

- Bhavai dance consists of veiled women dancers balancing up to seven or nine brass pitchers as they dance nimbly, pirouetting and then swaying with the soles of their feet perched on the top of a glass or on the edge of the sword

- Kachchhi Ghodi dance dance is performed on dummy horses where men in elaborate costumes ride the equally well decorated dummy horses. Holding naked swords, these dancers move rhythmically to the beating of drums and fifes.

 

Following a lineage of age old traditions and adhering to religious significance, the various dances complement the fairs and festivals held in the city. The city's music consists mainly of the use of Morchang, Naad, Tanpura, and Sarangi, among many other instruments, that used to echo in the courts of the erstwhile rulers of the state.

 

Miniature paintings are amongst the most famous paintings developed under the patronage of the rulers of Rajasthan. The simplest among these are done on walls, and though folk in style, they nevertheless have some of the flavour of frescoes one sees in the old palaces. The tradition on painting the wall of houses with scenes from mythological and chivalric tales has been prevalent in Rajasthan for the past many centuries. The people of the city make use of such wall paintings for decorations during wedding celebrations. Noted amongst the miniature style of paintings are particularly the Pichvais, which are those made on cloth, and Phad, made on cloth scroll in folk style.

 

The Bharatiya Lok Kala Mandal is a cultural institution based in the city. The institute with its museum is a platform which displays a collection of Rajasthani culture. Offering an insight into the lifestyle of the royal era in Udaipur, the museum has a fine collection of dresses, tribal jewellery, turbans, dolls, masks, musical instruments, paintings and puppets. With various cultural events including folk song and dance performances, theatre and puppetry, the institute highlights the different social stigmas, thereby proving to be a powerful education tool for the masses.

 

FESTIVALS

GANGAUR FESTIVAL

Gangaur is one of the most important local festivals in Rajasthan. In some form or the other it is celebrated all over Rajasthan. “gan” is a synonym for Lord Shiva and “gauri” or “gaur” stands for Goddess Parvati, the heavenly consort of Lord Shiva. Gangaur celebrates the union of the two and is a symbol of conjugal and marital happiness.

 

It is celebrated in the month of Chaitra (March–April), the first month of the Hindu calendar. This month marks the end of winter and the onset of spring. This festival is celebrated especially by women, who worship clay idols of “Gan” & “Gauri” in their houses. These idols are worshiped by the virgins who seek the blessings of Gan and Gauri for a good spouse, while the married women pray for the good health and long life of their husbands. On the eve of Gangaur festival, women decorate their palms and fingers with henna. The idols of Gan and Gauri are immersed in a pond or in a nearby lake on the last day of the festival.

 

A traditional procession of Gangaur commences form the City Palace which passes through various areas of the city. The procession is headed by an old palanquins, chariots, bullock carts and performance folk artistes.

 

SHILPGRAM UTSAV

Shilpgram, a crafts village 3 km west of Lake Fateh Sagar, has displays of traditional houses from Rajasthan, Gujarat, Goa and Maharashtra. There are also demonstrations by musicians, dancers, or artisans from these states. The 10 day festival organised here is a treat for the visitor to an array of exquisite art and craft. One of the important objectives of Shilpgram festival is in the sphere of increasing awareness and knowledge of rural life and crafts, specifically, for the younger generation. Special emphasis is laid on workshops for children on arts, crafts, theatre and music.

 

HARIYALI AMAVASYA

Hariyali Amavasya (new moon day of the Sawan / Shravan month) marks the beginning of the monsoons and greenery. It arrvies three days before the famous Hartalika Teej(Shravan shukla tritiya). People worship God Shiva for abundant rains and good agricultural season. Melas and fests are arranged in several places in the city.

 

JAGANNATH RATH YATRA

In udaipur, the third biggest Ratha-Yatra[49] is organised on the auspicious day of Ashadh Shukla Paksha (bright fortnight) Dwitiya according to Indian Vikram Samvat. On this cultural day of summer solstice theme, June 21 of every year, the journey of the lord jagannath to their aunts house is started. The presiding deities of the temple lord Jagannath (Krishna), Balabhadra (Balarama) and their sister Subhadra are taken through the streets in heavily decorated wooden chariots, which are made every year for the purpose. The Chariot of Lord Jagannath, called Nandighosha, has 16 wheels and is draped in red and yellow.

 

The sanctity of the festival is such that even a touch of the chariot or even the ropes with which these are pulled is considered enough to confer the results of several pious deeds or penance for ages.

 

JAL-JHULNI EKADASHI

According to the Hindu calendar, Gyaras, or Ekadashi is basically, the 11th day of each waxing (Shukla paksha ) and waning moon (Krishna paksha). This ekadashi, known as Jal-Jhulni Gyaras, or Jal-Jhulni Ekadashi, like all other festivals, is celebrated with great enthusiasm in Udaipur. Different processions start from the various parts of the city and end at one point i.e. Gangaur Ghat where people swing the idols of Lord Krishna in child form (Baal Gopal) in the Lake Pichola. These procession are called Ram Revdies.

Udaipur in popular culture

 

Udaipur was voted the Best City in the World in 2009 by the Travel + Leisure magazine, and is now amongst the favourite wedding destinations for Indian as well as foreign nationals. The city is a blend of sights, sounds and experiences, which have made it one of the top destinations for weddings and celebrations.

 

MOVIES AND TELEVISION

Udaipur is mentioned under the spelling Oodeypore in Rudyard Kipling's The Jungle Book as the birthplace of Bagheera, the fictional panther in the king's Menagerie.

 

Because of its picturesque and scenic locations, Udaipur has been the shooting location for many Hollywood and Bollywood movies. Indian sections of the James Bond film Octopussy were filmed in the city, the Lake Palace, and the Monsoon Palace. The nearby desert was the backdrop of the remarkable rescue of Octopussy (Maud Adams) by Bond (Roger Moore). Some scenes from the British television series The Jewel in the Crown were also filmed in Udaipur. The Disney channel film, The Cheetah Girls One World, was shot in Udaipur in January 2008. Some of the other non-Indian movies and TV shows filmed in Udaipur include: Darjeeling Limited, Opening Night, Heat and Dust, Indische Ring, Inside Octopussy, James Bond in India, The Best Exotic Marigold Hotel, Gandhi, and The Fall. Jag Mandir, a documentary film directed for television by Werner Herzog in 1991, was also filmed in the city.

 

Udaipur has been a popular location for Bollywood movies. Some of them shot here include : Guide, Mera Saaya, Phool Bane Angaray, Kachche Dhaage, Mera Gaon Mera Desh, Jalmahal, Yaadein, Return of the thief of the bagdad, Eklavya: The Royal Guard, Dhamaal, Jis Desh Mei Ganga Rehta Hai, Chalo Ishq Ladaaye, Fiza, Gaddaar, Hum Hain Rahi Pyar Ke, Khuda Gawah, Kundan, Nandini, Saajan Ka Ghar,Yeh Jawaani Hai Deewani, Ramleela, Prem Ratan Dhan Payo. Udaipur is also the setting of various Television series like Yeh Rishta Kya Kehlata Hai, Rakhi Ka Swayamwar and Bharat Ka Veer Putra – Maharana Pratap.

 

EDUCATION

Udaipur has a well-established education infrastructure. There are a number of universities, colleges and schools meeting the requirements of not only the city but the region and country as well. The main universities in Udaipur include IIM Udaipur, Mohan Lal Sukhadia University, Sir Padampat Singhania University and Maharana Pratap University of Agriculture and Technology. Other educational institutes include College of Technology And Engineering, College of Dairy & Food Science Technology, R.N.T. Medical College, Pacific Medical College and Hospital, Pacific Institute of Medical Sciences, Bhupal Nobles' College, J.R.N. Rajasthan Vidyapeeth (Deemed), S S College Of Engineering, Techno India NJR Institute of Technology, Geetanjali Medical College and Hospital, Pacific Commerce college, Pacific ENG College, Pacific Dental College & Hospital, Geetanjali Institute of technical studies, Institute of Hotel Management Catering and Tourism.

 

Udaipur is now the first district in Rajasthan to have implemented a smart class system in all the government schools, enabling them with information and communication technologies (ICT) infrastructure. This model of ICT in education is getting replicated in all government schools of ICT infrastructure of Rajasthan State. This ICT based initiation was started on 4 December 2013 by Dept of Education, Udaipur in joint initiative with Moinee Foundation, Jaipur and is popularly known as Project Utkarsh

 

According to the census-2011 data on educational status, Udaipur has the highest percentage of graduates in the entire state. It has 26 graduates for every 100 persons.

 

Nowadays many students get the educational facilities here itself so they need not to go to Kota or some other place for IIT-JEE preparation. Many students of the place have cleared the prestigious exam. In fact the All India Rank-1 in IIT-JEE 2014 belonged to Udaipur city.

 

WIKIPEDIA

Video watch online Itna Karo Na Mujhe Pyar 3rd November 2015 latest new full Episode 198 Sony Tv drama serial Itna Karo Na Mujhe Pyar complete show episodes by sonytv.

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Telecast Date: 3rd November 2015

Itna Karo Na Mujhe Pyaar also known as IKNMP is an Indian Soap Opera Hindi Drama Serial. All videos, live news, written updates and Itna Karo Na Mujhe Pyar 3rd November 2015 episodes are available on ItnaKaroNaMujhePyar.com

Itna Karo Na Mujhe Pyar 3rd November 2015 Written Update

  

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Video watch online Itna Karo Na Mujhe Pyar 24th September 2015 latest new full Episode 179 Sony Tv drama serial Itna Karo Na Mujhe Pyar complete show episodes by sonytv.

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Video Owner: Sony Entertainment Television – Sony Tv Official Website Sonyliv All Rights Reserved.

Telecast Date: 24th September 2015

Itna Karo Na Mujhe Pyaar also known as IKNMP is an Indian Soap Opera Hindi Drama Serial. All videos, live news, written updates and Itna Karo Na Mujhe Pyar 24th September 2015 episodes are available on ItnaKaroNaMujhePyar.com

Itna Karo Na Mujhe Pyar 24th September 2015 Written Update

  

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The face of love / Nusrat Fateh Ali Khan & eddie Vedder ( Dead Man Walking Original Soundtrack )

 

jeena kaisa pyar bina [what is life without love?]

is duniya mein aaye ho to [now that you have come to this world]

ek duje se pyar karo [love each other, one another]

jeena kaisa pyar bina [what is life without love?]

is duniya mein aaye ho to [now that you have come to this world]

ek duje se pyar karo [love each other, one another]

My only fright is of death and I think everyone should have this fright. Death can visit anyone anytime but when it snatches your dear and near ones, it pains and one just cannot forget the,

Saddest moment was when I lost my mother and brother within a span of 6 months time.They both come in my dreams and I feel they are still with me all the time. I miss them and their support and felt that suddenly I was thrust the responsibility of my family. I always had this child like streak in me, like a free bird and suddenly maturity stepped in and I had to became an adult.

 

Parting of any kind is very difficult.

 

Unfulfilled love is another remorse of my life, "jisko sacha pyar kiya wo nahi mila" - the one whom I truly loved, I did not get. I loved a lady deeply but I couldn't marry her. I have had some great moments during my college days with her which are still memorable and which I will always cherish.

Now after so many years, the only thing I want and wish is too just see her.

 

I have introduced many students and faces on stage to do plays, though I never launched them with any motive but some of them have a motive and once that motive gets accomplished, they change and that saddens me. Their behaviour and attitude changes drastically when they grow in stature, but I don't hold any grudges as they are like my own children. I feel happy and elated when they become successful actors and earn name and fame, they were and always be my children whom I nurtured on stage.

"Khud ke liye jiye to kya jiye, jio to dusro ke liye, usi mein khushi milti hai" - Everyone lives for themselves, true happiness is in living for others.

 

In contrast to those 'some' there are many who shower me with so much love and respect making my eyes moist.

To be a good director one has to be a good actor too. I have always tried to balanced this and chalked my career in dramatics. Friends and well wishers tell me that film industry lost a brilliant actor in me as they failed to notice me and my acting prowess. The Jewellers of the film industry failed to take notice of a gem, probably also the gem too did not wanted to be noticed

They feel sad for me as I am not given the right due and recognition. Even I go through the same emotion of sadness, maybe I did not go through the cycle of so called 'struggle in film industry' properly. I was just too immersed in dramatics, planning and doing plays, launching and nurturing others all the time and never thought or planned for myself or may be i was just plain lazy.

 

Now at this age and phase, I cannot struggle. After reaching a certain stage in life, ones ego stops you to go around begging for work.

 

I want to tell my Fankaar arts artists, that "There is lots to learn and explore, so keep doing plays”.

 

I love my family, my wife, my bhabhie, my sisters, my son Affan, my nephew Azhar and my nieces. I would'nt want / like my son Affan to go in acting field. I wish that he joins Merchant Navy, as there is a lot of struggle in acting field which i don't want him to go through.

 

I want to tell my nephew Azhar that "tu mera hero hai, anchoring ke saath saath acting bhi karo aur Kazi Family ka naam aur aage badhao" - You are my hero and along with anchoring you do acting too and take the name of our Kazi family forward.

 

I have a beautiful sher for those who are reading this interview

 

Kirno ke mitaane se mite hai na mitengen

Aafat -e- zamaane se jhuke hai na jhukegen

Hum maut ke maare hai, dabe hai na dabengen,

Hum zinda the, hum zinda hai, hum zinda hi rahengen.

 

Tamam fankaar ke artists ke liye aur tamam log jo zinda hai unke liye ek sher pesh karna chahta hoon:

 

Shama bujhne ke baad phir se jal sakti hai,

Had -e- toofan se guzar sakti hai,

Mayoos na ho, apne iraade na badal,

Kismat kisi bhi wakt palat sakti hai.

 

www.humansofmumbai.in/

Udaipur is a city, a municipal corporation and the administrative headquarters of the Udaipur district in the state of Rajasthan in western India. It is located 403 kilometres southwest of the state capital, Jaipur and 250 km northeast from Ahmedabad. Udaipur is the historic capital of the kingdom of Mewar in the former Rajputana Agency. The Sisodia clan of Rajputs ruled the Mewar and its capital was shifted from Chittorgarh to Udaipur after founding city of Udaipur by Maharana Uday Singh. The Mewar province became part of Rajasthan after India became independent.

 

Udaipur is a very popular tourist destination. Apart from its history, culture, and scenic locations, it is also known for its Rajput-era palaces. The Lake Palace, for instance, covers an entire island in the Pichola Lake. Many of the palaces have been converted into luxury hotels. It is often called the "Venice of the East", and is also nicknamed the "Lake City" or "City of Lakes". Lake Pichola, Fateh Sagar Lake, Udai Sagar and Swaroop Sagar in this city are considered some of the most beautiful lakes in the state.

 

HISTORY

Udaipur was founded in 1559 by Maharana Udai Singh II as the final capital of the erstwhile Mewar kingdom, located in the fertile circular valley-"Girwa" to the southwest of Nagda, on the Banas River, the first capital of the Mewar kingdom. This area already had a thriving trading town of "Ayad" which had served as capital of Mewar for over 200 years and 17 rulers of Mewar had ruled from Ayad town of Girwa Valley (~10-12th centuries, Ruler #18-34), still earlier (4+1) Rawals ruled from Nagda; so the “Girwa” (& adjoining) valley was already well-known to Chittaud rulers who moved to it whenever the vulnerable tableland (Mesa)Chittaudgadh was threatened with enemy attacks. Maharana Udai Singh II, in the wake of 16th century emergence of artillery warfare decided to move his capital to a more secure location, importance of which he had realized during his exile at Kumbhalgadh. Ayad was flood-prone, hence he chose the ridge east of Pichola Lake to start his new capital city, where he came upon a hermit while hunting in the foothills of the Aravalli Range. The hermit blessed the king and asked him to build a palace on the spot, assuring him it would be well protected. Udai Singh II consequently established a residence on the site. In November 1567, the Mughal emperor Akbar attacked & laid siege of the venerated fort of Chittor, which was reduced to one of the 84 forts of Mewar.

 

As the Mughal empire weakened, the Sisodia ranas, and later maharanas (also called the Guhilots or Suryavansh), who had always tried to oppose Mughal dominance, reasserted their independence and recaptured most of Mewar except for Chittor. Udaipur remained the capital of the state, which became a princely state of British India in 1818. Being a mountainous region and unsuitable for heavily armoured Mughal horses, Udaipur remained safe from Mughal influence in spite of much pressure. The rajvansh of Udaipur was one of the oldest dynasties of the world. Maharana Mahendra Singh Mewar (the Royal Family of Udaipur),is the current symbolic ruler of the city.

 

GEOGRAPHY & CLIMATE

Udaipur is located at 24.525049°N 73.677116°E. It has an average elevation of 598.00 m. It is located in the southern region of Rajasthan and is close to Gujarat. It has five major lakes, which are under restoration with funds provided by the National Lake Conservation Plan (NLCP) of the Government of India:

 

Fateh Sagar Lake

Rangsagar Lake

Pichola Lake

Swaroopsagar Lake

Dudh Talai Lake

Udaisagar Lake

 

Udaipur's autumn / winter climate is the most appealing time to pay her a visit. Tourists arrive in numbers, anytime between mid-September to late March or early April. Even in January, the coldest month, the days are bright, sunny and warm with maximum temperature around 28.3 °C. Mornings, evenings and nights are cold with minimum temperature around 11.6 °C especially if there is a slight breeze in the air.

 

CITY PALACE

Standing on the east bank of Lake Pichola is a massive series of palaces built at different times from 1559. The balconies of the palace provide panoramic views of the "Jag Niwas" (the Lake Palace Hotel). They also have views of Jag Mandir on one side and the city of Udaipur on the other. Its main entrance is through the triple-arched gate - the Tripolia, built in 1725. The way now leads to a series of courtyards, overlapping parations, terraces, corridors and gardens. There is a Suraj Gokhda, where the maharanas of Mewar presented themselves in the times of trouble to the people to restore confidence. The Mor-chowk (Peacock courtyard), gets its name from the mosaics in glass decorating its walls. The chini chitrashala is noteworthy while a series of wall paintings of Krishna are on display in Bhim Vilas. There are numerous other palaces such as Dilkhush mahal, Sheesh mahal, Moti mahal and Krishna vilas - in memory of a princess of striking beauty who poisoned herself to avert a bloody battle for her hand by rival princes. Now the palace contains many antique articles, paintings, decorative furniture and utensils and attracts thousands of visitors every day. Celebration mall (Highest rated mall of Rajasthan) that is India's first and only Heritage mall, is now serving as a tourist attraction destination.

 

The former guesthouse of the city palace, Shiv Niwas Palace and the Fateh Prakash Palace have been converted into heritage hotels.

 

LAKE PALACE

The Lake Palace was built in 1743-1746. It is made of marble and is situated on Jag Niwas island in Lake Pichola. It was originally built as a royal summer palace, but is now a luxury 5 Star hotel, operating under the "Taj Hotels Resorts and Palaces" banner.

 

JAG MANDIR

Jag Mandir is another island in Lake Pichola which is known for its garden courtyard. Shah Jahan took refuge here while revolting against his father. There is a restaurant run by the HRH group of hotels.

 

MONSOON PALACE

Monsoon Palace also known as Sajjan Garh Palace The summer resort of the Maharajas is atop the hill overlooking all of the lakes. This palace had a way to collect rain water for consumption all year around.

 

Jagdish Temple

 

The Jagdish Temple is a large Hindu temple in the middle of Udaipur. It was built by Maharana Jagat Singh Ist in 1651 A.D. It is an example of Indo - Aryan architecture. This temple is a great example of architecture and art. The area is the main tourist place in the city. You can also find some special kind of things like rajasthani dress, paintings etc.

 

FATEH SAGAR LAKE

Fateh Sagar Lake is situated in the north of Lake Picholas. It was originally built by Maharana Jai Singh in the year 1678 AD, but later on reconstructed and extended by Maharana Fateh Singh after much destruction was caused by heavy rains. In 1993-1994, the water vanished from the lake, but in 2005-2006, the lake regained its water.

 

LAKE PICHOLA

Lake Pichola has two islands, Jag Niwas and the Jag Mandir. This lake is 4 km long and 3 km wide, originally built by Maharana Udai Singh II. There are many ghats, like the bathing and washing ghats, which can be approached through boats from the City Palace of Udaipur (Bansi Ghat). In the heart of the lake the Lake Palace stands, which is now converted into a heritage palace hotel. The lake remains fairly shallow even during heavy rains, and gets dry easily in times of severe drought.

 

SAHELION KI BARI

Sahelion ki Bari was laid for a group of forty-eight young women attendants who accompanied a princess to Udaipur as part of her dowry. The gardens set below the embankment of the Fatah Sagar Lake have lotus pools, marble pavilions and elephant-shaped fountains. These fountains are fed by the water of the lake gushing through ducts made for the purpose.

 

UDAIPUR IN POPULAR CULTURE

Udaipur is mentioned under the spelling Oodeypore in Rudyard Kipling's The Jungle Book as the birthplace of Bagheera, the fictional panther in the king's Menagerie.

 

Because of its picturesque and scenic locations, Udaipur has been the shooting location for many Hollywood and Bollywood movies. Indian sections of the James Bond film Octopussy were filmed in the city,[10] the Lake Palace, and the Monsoon Palace. The nearby desert was the backdrop of the remarkable rescue of Octopussy (Maud Adams) by Bond (Roger Moore). Some scenes from the British television series The Jewel in the Crown were filmed in Udaipur. The Disney channel film, The Cheetah Girls One World, was shot in Udaipur in January 2008. Additional non-Indian movies/TV serials filmed in Udaipur include: Darjeeling Limited, Opening Night, Heat and Dust, Indische Ring, Inside Octopussy, James Bond in India, Gandhi, and The Fall.

 

Some of the Bollywood movies shot here are Guide, Mera Saaya, Phool Bane Angaray, Kachche Dhaage, Mera Gaon Mera Desh, Jalmahal, Yaadein, Return of the thief of the bagdad, Eklavya: The Royal Guard, Dhamaal, Jis Desh Mei Ganga Rehta Hai, Chalo Ishq Ladaaye, Fiza, Gaddaar, Hum Hain Rahi Pyar Ke, Khuda Gawah, Kundan, Nandini, Saajan Ka Ghar,Yeh Jawaani Hai Deewani,Ramleela, In addition, many Bollywood films' songs were filmed in Udaipur. Udaipur is also the setting of Star Plus's hit serial Yeh Rishta Kya Kehlata Hai. TV serials Swayamber of Rakhi Sawant and Swayambar of Rahul Mahajan on NDTV Imagine also filmed here at Hotel Fatehgarh. A hit historical show by Contiloe Telefilms named "Maharana Pratap" on Sony is shooting in that place. The pop Star Shakira performed in a party on 15 November 2011 of real estate tycoon owner of DLF Kush Pal Singh.The Party was held in Jag Mandir Palace.

 

WIKIPEDIA

Esha Gupta Shoot Hot Number For 'Gori Tere Pyar Mein'

Für Dich,

--

San Valentino fiore - Saint Valentine flower . Valentinstag / 2011

-

 

Ich denk an Dich bei Tag und Nacht.

Ich denk an Dich, weil ich Dich mag.

Ich denk an Dich, ich hab Dich gern.

Ich liebe Dich, mein kleiner Stern!

-

I think of you at day and night.

I think of you, because I like you.

I think of you - you are - my heart.

I love you, my little star!

-----------------------------------

by Brizia

 

Traducción en Español

 

ch pienso en ti día y noche.

Pienso en ti porque me gustas.

Pienso en ti, soy feliz.

Te amo, mi pequeña estrella!

-

 

Pienso en ti día y noche.

Pienso en ti, porque te gusta.

Pienso en ti - eres - mi corazón.

Te amo, mi pequeña estrella!

 

° TE AMO °°°°°°°°°°°°°°°°°°°°°°°°°°°°

 

Lindo poemita Amigo

  

°°°°°°°°°°°°°° I LOVE YOU °°°°°°°°°°°°°°°°°°°°°°°°°°°°

Afrikaans

Ek het jou lief

Albanisch

Te dua

Arabisch

Ana behibak

 

(Frau zum Mann)

 

Ana behibek

 

(Mann zur Frau)

Armenisch

Yes kez sirumen

Äthiopisch

Afgreki'

 

Bambara

M'bi fe

Bengalisch

Aamee tuma ke bhalo aashi

Bisaya

Nahigugma ako kanimo

Bulgarisch

Obicham te

 

Chinesisch

Ngo oiy ney a

Cheyenne

Ne mohotatse

Chichewa

Ndimakukonda

Dänisch

Jeg Elsker Dig

Deutsch Ich liebe dich

Englisch I love you

 

Esperanto

Mi amas vin

Estnisch

Ma armastan sind

Färöisch

Eg elski teg

Farsi

Doset daram

Filipinisch

Mahal kita

Finnisch

Mina rakastan sinua

Französisch

 

Je t'aime

 

Je t'adore

 

Gälisch

Ta gra agam ort

Georgisch

Mikvarhar

Griechisch

S'agapo

Gujarati

Hoo thunay prem karoo choo

Hiligaynon

Palangga ko ikaw

Hawaiianisch

Aloha wau ia oi

 

Hebräisch

Ani ohev otah

 

(Mann zur Frau)

 

Ani ohev et otha

 

(Frau zum Mann)

 

Hiligaynon

Guina higugma ko ikaw

 

Hindi

Hum

Tumhe Pyar Karte hae

Hmong

Kuv hlub koj

Hopi

Nu' umi unangwa'ta

Isländisch

Eg elska tig

Ilonggo

Palangga ko ikaw

Indonesisch

Saya cinta padamu

 

Inuit Negligevapse

 

Irisch Taim i' ngra leat

 

Italienisch Ti amo

 

Japanisch

Aishiteru

 

Jiddisch Ikh hob dikh

 

Kambodschanisch

Soro lahn nhee ah

Kannadisch

Naanu ninna preetisuttene

Kapampangan

Kaluguran daka

 

Katalanisch T'estimo

 

Kiswahili

Nakupenda

Konkani

Tu magel moga cho

Koreanisch

Sarang Heyo

Korsisch

Ti tengu cara

 

(Mann zu Frau)

Ti tengu caru

 

(Frau zu Mann)

Kreolisch Mi aime jou

Kroatisch Volim te

Lateinisch Te amo

 

Latvian

Es tevi miilu

Lebanesisch

Bahibak

Lithuanian

Tave myliu

Malayisch

Saya cintakan mu

 

Aku cinta padamu

Malayalam

Njan Ninne Premikunnu

Mandarin

Wo ai ni

 

Marathi

Me tula prem karto

Mohawk

Kanbhik

Marokkanisch

Ana moajaba bik

Nahuatl

Ni mits neki

 

Navaho Ayor anosh'ni

Niederländisch Ik hou van jou

 

Norwegisch

Jeg Elsker Deg

Pandacan

Syota na kita!!

Pangasinan

Inaru Taka

Papiamento

Mi ta stimabo

 

Persisch Doo-set daaram

Pig Latin Iay ovlay ouyay

 

Polnisch

Kocham Ciebie

Portugiesisch

Eu te amo

 

Rumänisch Te iubesc

 

Russisch Ya tebya liubliu

 

Serbisch

Volim te

Setswana

Ke a go rata

Sindhi

Maa tokhe pyar kendo ahyan

 

Sioux Techihhila

Slovakisch Lu`bim ta

Slovenisch Ljubim te

Spanisch

Te quiero

Te amo

 

Swahili

Ninapenda wewe

Schwedisch

Jag alskar dig

Tagalog

Mahal kita

Taiwanesisch

Wa ga ei li

Tahitianisch

Ua Here Vau Ia Oe

 

Tamil

Nan unnai kathalikaraen

Telugu

Nenu ninnu premistunnanu

Thai

Phom rak khun

 

(Mann zur Frau)

 

Chan rak khun

 

(Frau zum Mann)

Tschechisch

Miluji te

 

TurkishSeni Seviyorum

 

Ukrainianisch

Ya tebe kahayu

 

Ungarisch

Szeretlek

Urdu

mai aap say pyaar karta hoo

 

Vietnamesisch

Anh yeû em

 

(Mann zur Frau)

Em yeû anh

 

(Frau zum Mann)

 

Weißrussisch

Ya tabe kahayu

Walisisch

Rwy'n dy garu di

YorubaMo ni fe

Zulu

Mena tanda wena

Ngiyakuthanda

Remember "pyar hua, ikraar hua" from Shree 420?

 

Shot at Bergen, Norway

hamne

khaste hue

dabe tone

mai kaha

begum hame

dili se pyar hai

wahan ka mahol

aisa hafte bhar

itwar hai..bambai

hamari karam bhoomi

yahan jeena dushwar hai

raste par har kone par

mar dhad hai ,,, lift

band ho jati hai toh

lagta hai building bhi

koie pahad hai ..

hame begum dili

jane ka jama masjid

pe gol gappe khane

ka intizar hai.. dili

main kante bhi aur

aam admi ka jhad hai

binni bunai kahaniyan

kejriwal sab ke gale

ka har hai.. sach much

yahan ke kuch neta

bilkul makar hai..

bikne ko tayyar hai

25 crore ki punji..

tarraki unatti aur

raftar hai ...haryali

dayin taraf us par hai

 

begum ne kaha

nakab ke peeche se

aap toh satiyagaye hain

apki batein bilkul nagawar hain

asif ke abba..ap ki kaichi par

na koie dhar hai.. ..kya dilli main

bhi koie ladies bar hai....

  

#delhi

#firozeshakir

#beggarpoet

  

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