View allAll Photos Tagged pushprocess
Cropped a bit for Macro Mondays weekly theme "Made of Metal".
[Taken with Zenit 11, Helios-44-2 lens + Olympus A-macro H.Q. converter, Ilford Delta 100 BW film developed in a reversal process (DIY) +2]
Dubbo, NSW, Australia.
October 2019.
Cinestill 800T shot at EI3200. R09 push developed (1:100 stand for 10min) followed by a Cinestill C41 kit standard development.
Hasselblad 500c/m. Zeiss C 40/4.
30min exposure at f/4.
Scanned Epson V600. LR CC for dust and tones.
It's this foxy witch's birthday. Love you, baby!
Nikon FE - Nikkor 50 1.2 - Ilford HP5+ @ 800 - Rodinal 1+25 - dslr scan
April2024.
South End neighborhood in Little Rock Arkansas USA.
Foma100@200.MinoltaDynax70.Minolta28-105YellowFilter.CaffenolCH@8.5minutes.AGOFilmProcessor.CameraScan:FujifilmXH1
Leica M6 TTL 0.85 | Voigtlander 40mm 1.4 Nokton MC | Kodak Tmax 3200 @ 6400 | Kodak HC110b | www.JohnnyMartyr.com
B&W 35mm Photojournalism by Johnny Martyr
Thanks for checking out my work!
Pentacon Six TL w/ Carl Zeiss Jena Biometar 120mm f/2.8 and Kodak Tri-X @ EI 800 (Kodak Xtol 1:1, Ilford rapid fixer). f/4.8, 1/8s. Epson V600 and EpsonScan @ 4800 dpi, downsized to 2400 dpi. Retouched and cropped.
After I've shot the films I looked at my notebook and realised that the exposure was about a stop faster than compared to my Nikon F3HP. Sure the skintones hold up despite the push, but in my opinion the pushability of Tri-X has been greatly exaggerated.
Model: Ivy (MIKAs).
The abandoned Landmark Hotel project reflects in the central fountain of Charlottesville's Downtown Mall.
Rolleiflex 3.5T - Ilford HP5+@800 - Rodinal 1+50 - dslr scan
Kodak Eastman Double-X pushed 2 stops and reversed in PQ Universal + toned in Kala Namak or Himalayan Black Salt.
If the last post of the Kornhaus was meant to elicit feelings of insignificance, then this one is a commentary on the use of straight lines in city architecture. Sure, it is the most efficient use of space that we have found, but do you really enjoy spending your days in a box surrounded by other boxes? I do not.
Film: Rollei RPX 400
Camera: Rolleiflex 2.8F with orange filter
Development: Ars-Imago #9 (rodinal) 1:50 with 1/2 stop push
Digitised with a digital camera and contrast adjusted in LR
I love this kind of a hackjob! To the uninitiated - pictured are field sinks. Sinks that sport their own water tank with a push-up valve. But here you can see that they have been modified with a centralised tap and sewage. Either that or this is some kind of an exotic model, made especially for this now abandoned Technical school. But, considering the "Technical" part in the name... I'd vote for that glorious hackjob!
Ilford Delta 100 reversed in PQ Universal and scanned with Plustek 7600i Ai.
The other one of these made Explore. So here's another. Gonna try a few of these with the large format camera soon.
BTW: these are half-assed attempts at versions of work by this guy, who is the undisputed master of these types of double exposures: benoitfelten.com/
Nikon FE - Nikkor 50 1.2 - Ilford HP5+@800 - Rodinal 1+50 - dslr scan
Film, friends, and far too many cameras to choose from.
Photographica Camera Fair
Shot on AgfaPhoto APX 400 and pushed one stop in development to compensate for slow lenses used.
I've decided to use a Kodak Tri-X 400, push process simulation for a while. Reminders of my old film/darkroom days.
Fujifilm X-Pro3 with XF 35mm f2 R WR lens
Pentacon Six TL w/ Carl Zeiss Jena Biometar 120mm f/2.8 and Ilford FP4+ @ EI 400/500 (Kodak Xtol 1:0, Ilford rapid fixer). f/4, 1/250s. Epson V600 and EpsonScan @ 4800 dpi, downsized to 2400 dpi. Retouched and cropped.
I set the meter on the camera to 400 but developed as 500. Crushing the lighlights is rarely something you have to worry about when you're pushing film, so some extra time will just bring out whatever there is on the shadows.
I really like how FP4+ handles a 2 stop push. Sure it's contrasty, but it's not like Tri-X at 1600. But it really helps having dull and soft light.
The location was the water treatment plant in Lund, because my buddy Diane from Munich wanted to shoot something near the water in my landlocked city, Lund.
Model: Caroline Wollberg (Sweden Models Agency)
Nikki Glaser 11.04.23 - Leica M6 TTL 0.85 | Voigtländer 40mm 1.4 Nokton MC | Kodak TMAX P3200 @ 6400 | Kodak HC110b | www.JohnnyMartyr.com
A two-image composite, since I couldn't fit it all in a single frame.
GAF L-17 + Pentacon auto 200mm f4. Ilford HP5+ pushed to 1600.
For those coming from Explore, the background to the photo is here.