View allAll Photos Tagged pushprocess

Nikon FE - Nikkor 50 1.2 - HP5@800 - Rodinal 1+50 - dslr scan

Nikon FE - Nikkor 50 1.2 - HP5@800 - Rodinal 1+50 - dslr scan

There is an unwritten rule that every photographer must post one of these with unsettling regularity or face permanent exile to Facebook.

 

Port Vell, Barcelona.

 

Tri-X pushed to EI 1600 in ID-11 1+1 for 11:45 @ 26c with agitation every 2m to reduce highlight blocking.

Scan of Kentmere Pan 100 pushed 3 stops and reversed to slide in PQ Universal

 

Best enjoyed with Dark Ambient / URBEX

The Sting Ray name itself came from a 1959 concept race car that inspired the second-gen Corvette's design along with the 1961 Mako Shark concept. The car took a large generational styling leap and innovated some hallmarks that would be integral for generations to come.

Often in forest or woodland photography one goes to a lot of effort to find clean and tidy compositions. I find myself doing the same, but decided for a few shots to embrace the apparent chaos that is nature and avoid the order that we humans search for. In these two cases I think it worked out very well - there is a lot going on in the photos, but the compositions retain a kind of harmony, which is just what I was hoping for.

Post script - I gave up on my tripod between these two images, as it was such a pain trying to work it with one hand while holding an umbrella in the other. To get to reasonable shutter speeds in the dark and misty forest I decided to push the HP5+ I was shooting to 1600 ISO. For a two stop push I am happily surprised that the image turned out so free of grain.

 

Film: Ilford HP5+ pushed to 1600

Camera: Hasselblad X-Pan with 45 mm lens

Developed in Ars-Imago #9 (rodinal) 1:99 semi-stand.

Digitised with an Epson V850 using Silverfast. Positive conversion and levels done with Negative Lab Pro.

 

Nikon FM2 - Nikkor 50 1.4 AI - Ilford HP5+ @ 1600 - Rodinal 5+350 - dslr scan

Minolta X-700 - Vivitar Macro 55 2.8 - Ilford HP5+ @ 800 - Rodinal 1+50 - dslr scan

May2025. The Mammoth Orange. A roadside restaurant in Redfield, Arkansas USA. IlfordFP4@400FujicaST801.Fujinon28mm-M42.YellowFilter.Diafine3+3minutes.Wash:AGOFilmProcessor.CameraScan:FujifilmXH1

Olympus XA, Portra 400 pushed one stop

A scan of slide derived from Kodak Eastman Double-X pushed 2 stops and reversed in PQ Universal

 

You can see a development error on display (particles in the midle) - ran out of Sulfuric acid, thus made my Permanganate bleach even weaker than usually. That gave me an idea to push this bleach to the limits - to bleach with this poor man's bleach without additional time for compensation. Result: a tad underbleached - just a tad and without any additional time! When the situation repeats itself, I'll add a minute or two of bleaching time and bleach to completion.

  

This tells me that I'm on the right track with using dilute (~66%) Bleach to begin with by mixing parts 1A + 1B (as in recipe) + 1 Water. This has the additional bonus of splitting Parts A and B nicely in 10 working solutions! And using dilute bleach means less frequent handling of angry concentrated chemicals.

 

So - dilute bleach is safer for emulsion, safer to handle and it saves on chemicals. Best part - bleaching time stays the same!

Nikon FE - Nikkor 28 2.8 - Ilford HP5@800 - Rodinal 1+50 - dslr scan

Nikon FE - Nikkor 28 2.8 - Ilford HP5+ @ 800 - Rodinal 1+50 - dslr scan

Nikon F3, Nikkor 180/2.8, Fuji C200@400. push +1 stop developing.

Phoenix, Arizona

 

Cinestill 50Daylight (Pushed 2 Stops)

Nikon F3

Nikkor 50mm 1.4

Processed @ Oscar's Photo Lab

Kentmere Pan 400 pushed 2 stops and reversed in PQ Universal + toned in Kala Namak or Himalayan Black Salt.

 

Project page:

www.bdklubs.lv/index.php/lv/

Nikon FE - Nikkor 50 1.4 Ai - Ilford HP5+ @ 800 - Rodinal 1+50 - dslr scan

Rolleiflex 3.5 - Ilford HP5+@800 - Rodinal 1+50 - dslr scan

Pentax Spotmatic SP, Takumar 55/1.8, Kodak Tri-X 400@800,push +1 stop developing, HC-110 dil. b, 8.5 min.

A short photostory from Baden and surrounds on those wet days of Summer.

  

Committed to expired Ilford HP5 using a Leica M3 and 50 mm Summicron DR. Developed in Ars-Imago FD with a one-stop push and digitised with a digital camera and macro lens. Positive conversion and contrast done with Negative Lab Pro. Dust removal and further contrast adjustment in Photoshop.

#smalltowninertia Tilney1 with his cassette player filled with his readings of journal entries and poetry.

 

#ILFORDHP5PLUS #ADOXADONAL #LEICAM6 #PUSHPROCESS #HANDDEVELOPED #MENTALHEALTHAWARENESS

Pentax 6x7

Kodak Portra 160VC (pushed to 400)

S-M-C Takumar 105mm

Nikon FE - Nikkor 28 2.8 - Ilford HP5+ @ 800 - Rodinal 1+50 - dslr scan

From thedailylumenbox.com Rollei RPX-25 pushed to ISO 50 with 1949 Leica Ic and Chroma Double Glass 24mm f/11 lens. Developed in Cinestill Df96 monobath.

A foggy morning at the Sault Canal- -Parks Canada National Historic Site.

 

The Sault Canal opened in 1895- - it was the world’s first electrically operated lock, and the world’s longest lock- -274 metres / 899 feet long and 18 metres / 59 feet wide. Closed in 1987 due to a lock wall collapse, the canal was reconstructed and reopened for recreational boating use in 1998.

Solar panels, Port Forum, Barcelona.

Mamiya C330f

Mamiya-Sekor 80mm f/2.8 + orange filter

Ilford HP5+ @800

ID11 1+2 19:00 min

Another of this particular orchid, taken handheld in reasonably soft daylight. One of the more successful frames from my first attempt at pushing a film.

 

Pentax ME Super, Pentax-M 50mm, Bergger Pancro 400 @800 in ID-11. The only edits made are to set the levels and remove some dust in photoshop.

 

If you like my photographs, why not consider buying a print at captures.life? I haven't yet finished building the site and putting in all of the terms and conditions and policies, but the bits that involve buying a print, having it delivered, and contacting me if anything isn't working or goes wrong are functioning just fine...

Come winter, the crowds are gone.

 

Experimenting with high ISO - pushed 3x

Nikon FE - Nikkor 50 1.2 - Ilford HP5+ @ 800 - Rodinal 1+50 - dslr scan

Nikon FE - Nikkor 50 1.2 Ai - Ilford HP5+ @ 800 - Rodinal 1+50 - dslr scan

Kentmere Pan 400 is cheap and shurely isn't the most capable and resolving film out there, but man - it's perfectly usable even pushed 2 stops and the latitude presented is a pleasant aspect of it. And it tones nicely!

 

Reversed in PQ Universal + toned in Kala Namak or Himalayan Black Salt.

With everything going on at the time, I didn't find many opportunities to get out and photograph. This one morning I found a few minutes and set about finding some images. This composition was rather spontaneous, the unmoving bridge providing a strong counterpoint to the pounding river.

.

We were very lucky in that I only had to worry about if I was going to be able to get to work or not on a given day.

Many others lost a lot due to these torrential rains and my thoughts go out to them.

  

Committed to expired Ilford HP5 using a Leica M3 and 50 mm Summicron DR. Developed in Ars-Imago FD with a one-stop push and digitised with a digital camera and macro lens. Positive conversion and contrast done with Negative Lab Pro. Dust removal and further contrast adjustment in Photoshop.

Kentmere Pan 400 pushed 2 stops and reversed in PQ Universal + toned in Kala Namak or Himalayan Black Salt.

 

Best enjoyed with Dark Ambient / URBEX

 

urban portrait, kyiv 2019

 

pushed ilford hp5+

BRONICA SQ-A push processing

Sant Martí, Llum Festival.

 

Leica M-A with 35mm Summilux and 400TX at EI1600 in XTOL stock.

Large Format (5"x4") Camera. Agfapan Film-Pushed 2 Stops. Heidelberg Drum Scanner

Scan of Kentmere Pan 400 pushed 2 stops and reversed to slide in PQ Universal + toned in Kala Namak or Himalayan Black Salt

 

Best enjoyed with Dark Ambient / URBEX

 

Nikon FE - Nikkor 50 1.2 - Ilford HP5+@800 - Rodinal 1+50 - dslr scan

Catalan Nationalist Riots, Passeig de Gracia, Barcelona, October 2019.

 

An activist celebrates the creation of a burning barrier blocking the Gran Via at Passeig de Gracia - the upmarket central shopping street in Barcelona. This was triggered by the sentencing of a number of nationalist regional political figures for sedition and misuse of public funds in connection to the illegal 2017 independence referendum.

 

These photographs are a continuation of the State of Independence project, for which I was awarded an ARPS distinction in October 2018. It is a project that I had hoped would not need any continuation.

 

More here: State of Independence XVIII

Nikon Fe - Nikkor 50 1.2 - Ilford HP5+ @ 800 - Rodinal 1+25 - dslr scan

Minolta X-700 - Vivitar Auto Macro 55 2.8 - Ilford HP5+ @ 800 - Rodinal 1+50 - dslr scan

Nikon F3, Nikkor 35/2.8 AI, Arista EDU 100@800, push +3 development, HC-110/dil. B, 15min. Negative digitized with Nikon D700, AF Micro-Nikkor 60/2.8 D, ES-2, CS-LITE

1 2 3 4 6 ••• 79 80