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These skeletal Scout Books were created by Matthew Trevaskis of Hola Pistola. The image on the books was created from one of his favorite etchings by his favorite illustrator and artist, José Posada. Living and working in Melbourne, Australia, Trevaskis has plans for more pieces honoring Posada to accompany these Scout Books in his shop soon!
pages from my "Laughing Crone" Zine self published in 2003..distibuted/sold locally and in a few alternative book stores
The Postcard
A postcard that was published by the Cynicus Publishing Co. Ltd. of Tayport, Fife. The artwork was by Cynicus.
The stamp has been removed along with the date and location of posting, but we know that the card was posted to:
Mr. E. R. Naldrell,
Rye Farm,
Barns Green,
Horsham.
The message on the divided back of the card was as follows:
"Dear E,
How would this suit you?
Sorry to see so much rain
for dad's haying.
How's things looking?
Eddie".
Cynicus
Martin Anderson, better known by his pseudonym Cynicus, was a Scottish artist, political cartoonist, postcard illustrator, and publisher.
Martin Anderson - The Early Years
Martin Anderson was born in Leuchars, Fife, in 1854. After his mother, Margaret Martin, separated from his father, she moved with her children to Cambuslang, Glasgow.
Anderson studied at Glasgow School of Art under Robert Greenlees, in Ingram Street Glasgow. On leaving he worked as a designer at a calico printer.
Martin Anderson's Career
When he was 19, Martin founded The St. Mungo Art Club in Glasgow, intending it to be an alternative to the grander Glasgow Art Club.
In 1877 he began to provide small illustrations for serial stories in the short-running "News of the Week". In 1878 his painting "The Music Lesson" was accepted for the Royal Scottish Academy's annual exhibition.
In 1879, at the age of 24, he decided to move to London, ("To study art proper" he explained in an 1894 interview in The Sketch).
In 1880 he was invited to join John Leng and Co., (the publisher of titles such as the Dundee Advertiser, the Evening Telegraph, Peoples Journal, and Peoples Friend), as its staff artist. Accepting the position, Andersen became the first such artist to be employed by any daily newspaper in Britain (until then daily newspapers were not illustrated). He moved to Broughty Ferry near Dundee.
In 1881, as a freelance artist, he began contributing cartoons and illustrations to the comic weekly "The Quiz", an imitation of the magazine "Punch". For his illustrations in The Quiz he used the pseudonym "Bob", but in November 1887 he adopted a second pseudonym, that of "Cynicus", and began to move away "from the safe and trivial to the dangerous and powerful realm of politics".
A series of cartoons entitled The Satires of Cynicus appeared in The Quiz in 1888. In 1890 he decided to publish a collected edition of his more controversial subjects. The Quiz cartoons were redrawn in a larger size and hand coloured. They were published in six monthly parts, each part containing two full-page cartoons. However, they did not sell well.
In 1891 he moved back to London in an attempt to get his work noticed, taking a shop in Drury Lane, with the sign "Cynicus Publishing Company" over its door and with prints of his cartoons displayed in its windows. The Satires of Cynicus began to attract public attention and increasing sales. The edition was limited to 1000 copies, and by the end of 1891 it was almost out of print.
In 1891 he began contributing work to the "Pall Mall Budget", as well as to "The Idler" and "Ariel or the London Puck", yet another rival to Punch.
A second book, entitled "The Humours of Cynicus", again containing many reworked The Quiz cartoons, was part-work published starting in September 1891.
The complete 1000-copy edition of the complete volume sold for 25 shillings, with a 100-edition deluxe version priced at 2 guineas. In 1892 he began work on another collection, "Symbols and Metaphors". It was also issued in parts, like its predecessors. A cheaper edition of The Satires of Cynicus was published in June 1892, and there were also later reprints of it.
Postcards
In the late 1890's a new market for Martin's products was quickly emerging - that of picture postcards. In 1898 Anderson began working for Blum & Degan where he designed court-sized postcards. In 1902, after the Post Office allowed divided back postcards, picture postcards became very popular and also began to be widely collected.
In 1902 Anderson decided to form his own company. The "Cynicus Publishing Company" was incorporated and began publishing colour postcards by the second half of 1902. Initially, the company did exceedingly well. However, by 1908 the mass-market popularity of postcards began to decline and the company suffered from dwindling profitability.
In 1911 the North of Scotland Bank forced the company to liquidate its assets. Its stocks of prints and original artwork were sold by the bank for a fraction of their true value and without any thought for their proper market: they were sold in a second-hand furniture saleroom rather than to art dealers in Edinburgh and London.
In 1912, after the collapse of the Cynicus Publishing Company, Anderson set up the "Cynicus Art Publishing Company" based in Leeds (the home of several postcard publishers), and began reissuing his old postcards and designing new ones. About 100 different postcards are known to have been printed by the Leeds company until 1914.
Cynicus and the Great War
The outbreak of war put an end to the seaside postcard market in Britain, and Cynicus Art Publishing Company was forced to close. In 1915 Anderson moved to Edinburgh, leasing a basement shop in York Place.
The printing plates for his postcards were sent from Leeds – but for uncertain reasons, and without the knowledge of Andersen, they were sold for scrap.
In 1915 he created an allegorical anti-war poster entitled "War!" In a pyramidal composition, a crowned Mammon sits on a throne, tossing away the Nation's wealth to an ecstatic crowd clutching sacks marked "War Profits"; a semi-naked Lust caresses him, famine and disease sit at her feet; Justice and Parliament stand bound and gagged; the Lamp of Truth is extinguished by censorship; the Church encourages the slaughter. In the foreground, a bloody river carries away the bodies of the dead while bankers grab the bank deposits of the dead.
This poster was displayed in his shop window until he was warned that he could be interned without trial under the terms of the Defence of the Realm Act (DORA). The poster was removed from view, but was made into a postcard which sold well.
In another allegorical poster titled "The Dictator", produced after the end of the war, soldiers returning home are greeted by a fat figure representing Capitalism, seated on a huge sack full of the earnings of others, using a megaphone entitled "The Press" to blast out "Propaganda and Misrepresentation" and setting his "Black and Tan" dog onto Ireland; the grave of Liberty and Freedom is trampled over by a truncheon-wielding policeman called DORA; two more fat figures, representing Lloyd George (standing on broken pledges) and the Church, carry a banner entitled "Britain's Welcome to the Troops" that frames the entrance to a poorhouse.
Martin Anderson's Retirement and death
In 1924 Martin's Edinburgh shop was destroyed by fire. Everything inside it was lost, and he did not have the funds to repair and restock it. He retired to his castle-like mansion in Balmullo to live in increasing poverty. A final edition of The Satires of Cynicus was published in 1926.
In 1930 he wrote "Memoirs of Cynicus", published in 12 instalments in the Glasgow Evening News.
Martin died suddenly on the 14th. April 1932, and was buried in the Martin family grave in Tayport Old Churchyard. The funeral was never paid for, and his grave is unmarked.
His mansion in Balmullo was extensively vandalised after his death.
title.
N.R.W.
Manhattan . New york city 2017. shot..... … 5 / 6
Day of departure from Japan, August 16, 2017.
The day I came back to Japan, 21 August 2017.
(4 nights 6 days.)
(Today's picture. That's unannounced.)
( ( Lumix G3 shot ) )
image.
Donald Fagen - Century's End
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Profile.
In November 2014, we caught the attention of the party selected to undertake the publicity for a mobile phone that changed the face of the world with just a single model, and will conclude a confidentiality agreement with them.
stealaway.cocolog-nifty.com/stealaway/2016/11/profile.html
youpic.com/photographer/mitsushironakagawa/
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iBooks. Electronic Publishing. It is free now.
0.about the iBooks.
stealaway.cocolog-nifty.com/stealaway/2017/03/about-digit...
1.unforgettable '(ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
For Japanese only.
2.unforgettable '(JNP.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3. Streamlined trajectory.
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8... =11
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
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YouPic
youpic.com/photographer/mitsushironakagawa/
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fotolog
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twitter.
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Japanese is the following.
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flickr . ( XL size )
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www.flickr.com/photos/stealaway/
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My Novel >> Unforgettable'
(This book is Dedicated to the future artist.)
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
There are two reasons why a person faces the sea.
One, to enjoy a slice of shine in the sea like children bubbling over in the beach.
The other, to brush the dust of memory like an old man who misses old days, staring at the shine
quietly.
Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.
I face myself to change tomorrow, a vague day into something certain.
That is the meaning of a rebirth.
I had a very sweet girlfriend when I was 18.
After she left, I knew the meaning of gentleness for the first time and also a true pain of loss. After
she left, how many times did I depend too much on her, doubt her, envy her and keep on telling lies
until I realized it is love?
I wonder whether a nobody like me could have given something to her who was struggling in the
daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.
I had been thinking about such a thing.
However, I guess what she saw in me was because I had nothing. That‘s why she tried to see
something in me. Perhaps she found a slight possibility in me, a guy filled with ambiguous, unstable
tomorrow. But I wasted days depending too much on her gentleness.
Now I finally can convey how I felt in those days when we met.
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Fin.
images.
U2 - No Line On The Horizon
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
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Title of my book > unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...
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Schedule of the next novel.
Still would stand all time.(unforgettable'2)
2018. Spring. It's expected to open it. That's Japanese.
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2018. spring.
theme.
This must be the place I waited years to leave.
place. Tokyo Big Site.
Sponsoring. Design festa.
2019.
Date unknown.
DIC Kawamura Memorial Art Museum attached gallery.
place. Sakura City, Chiba Prefecture.
theme.
From that day, forever ...
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
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YouPic
youpic.com/photographer/mitsushironakagawa/
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fotolog
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twitter.
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Japanese is the following.
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タイトル。
N.R.W.
次の小説のイメージ。
Still would stand all time.(unforgettable'2)
（いつまでもなくならないだろう）
Manhattan . New york city 2007. shot … 5 / 6
（日本を出発した日。２０１７年８月１６日。）
（日本へ帰ってきた日。２０１７年８月２１日。）
（４泊６日。）
(今日の写真。それは未発表です。)
(( Lumix G3 shot ))
image.
Donald Fagen - Century's End
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プロフィール。
2014年11月、たった1機種で世界を塗り替えた携帯電話の広告を請け負った選考者の目に留まり、秘密保持同意書を結ぶ。
stealaway.cocolog-nifty.com/stealaway/2016/11/profile.html
youpic.com/photographer/mitsushironakagawa/
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iBooks.電子出版。（現在は無料）
0.about the iBooks.
stealaway.cocolog-nifty.com/stealaway/2017/03/about-digit...
1.unforgettable’ ( ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
For Japanese only.
2.unforgettable’ ( JNP.ver.)(この小説は未来のアーティストへ捧げます)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3.流線形の軌跡。
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8...
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
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YouPic
youpic.com/photographer/mitsushironakagawa/
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twitter.
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Japanese is the following.
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僕の小説。英語版
My Novel Unforgettable' (This book is Dedicated to the future artist.)
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
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www.flickr.com/photos/stealaway/23975215274/in/dateposted...
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www.flickr.com/photos/stealaway/24515964952/in/dateposted...
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www.flickr.com/photos/stealaway/24276473749/in/dateposted...
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www.flickr.com/photos/stealaway/24548895082/in/dateposted...
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www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
_________________________________
_________________________________
Title of my book > unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...
_________________________________
_________________________________
次の小説の予定。
Still would stand all time.(unforgettable'2)
（いつまでもなくならないだろう）
２０１８年。春。公開予定。それは日本語です。
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２０１８年。春。
テーマ。
This must be the place I waited years to leave .
場所。東京ビッグサイト。
Sponsoring. Design festa.
２０１９年。
日時未定。
DIC川村記念美術館付属ギャラリー。
場所。千葉県佐倉市。
テーマ。
あの日から、ずっと…
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
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YouPic
youpic.com/photographer/mitsushironakagawa/
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fotolog
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twitter.
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Japanese is the following.
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Corporate Design für einen Design Verlag. Semesterarbeit an der FH-Mainz im Studiengang Kommunikationsdesign unter der Leitung von Stefan Hauser.
häusler design publishing:
Briefbogen, Einladungskarte DIN Lang, Visitenkarte
Verwendete Schrift: Georgia
diese und weitere Arbeiten auf meiner Website:
The publishing house founded by Rudolf Mosse (1843-1920) was one of Berlin's most influential newspaper holdings during Germany's imperial era and the early 1920s. The world economic crisis accompanied by a hyper-inflation in Germany and bad business decisions led insolvency in 1932. Shortly after the nazi takeover the editor's family was expropriated because of their jewish descent. But the nazis forgot to eliminate Mosse's insignia on the facade that resisted even the bombardements that during World War II destroyed parts of the building. When the Berlin Wall was built, the frontier passed right through the building complex.
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based on authentic facts. BEWARE!
Some background:
The VF-1 was developed by Stonewell/Bellcom/Shinnakasu for the U.N. Spacy by using alien Overtechnology obtained from the SDF-1 Macross alien spaceship. Its production was preceded by an aerodynamic proving version of its airframe, the VF-X. Unlike all later VF vehicles, the VF-X was strictly a jet aircraft, built to demonstrate that a jet fighter with the features necessary to convert to Battroid mode was aerodynamically feasible. After the VF-X's testing was finished, an advanced concept atmospheric-only prototype, the VF-0 Phoenix, was flight-tested from 2005 to 2007 and briefly served as an active-duty fighter from 2007 to the VF-1's rollout in late 2008, while the bugs were being worked out of the full-up VF-1 prototype (VF-X-1).
The space-capable VF-1's combat debut was on February 7, 2009, during the Battle of South Ataria Island - the first battle of Space War I - and remained the mainstay fighter of the U.N. Spacy for the entire conflict. Introduced in 2008, the VF-1 would be out of frontline service just five years later, though.
The VF-1 proved to be an extremely capable craft, successfully combating a variety of Zentraedi mecha even in most sorties which saw UN Spacy forces significantly outnumbered. The versatility of the Valkyrie design enabled the variable fighter to act as both large-scale infantry and as air/space superiority fighter. The signature skills of U.N. Spacy ace pilot Maximilian Jenius exemplified the effectiveness of the variable systems as he near-constantly transformed the Valkyrie in battle to seize advantages of each mode as combat conditions changed from moment to moment.
The basic VF-1 was deployed in four minor variants (designated A, D, J, and S) and its success was increased by continued development of various enhancements including the GBP-1S "Armored" Valkyrie, FAST Pack "Super" Valkyrie and the additional RÖ-X2 heavy cannon pack weapon system for the VF-1S for additional firepower.
The FAST Pack system was designed to enhance the VF-1 Valkyrie variable fighter, and the initial V1.0 came in the form of conformal pallets that could be attached to the fighter’s leg flanks for additional fuel – primarily for Long Range Interdiction tasks in atmospheric environment. Later FAST Packs were designed for space operations.
The following FAST Pack 2.0 system featured two 120.000 kg class P&W+EF-2001 booster thrusters (mounted on the dorsal section of the VF-1) and two CTB-04 conformal propellant/coolant tanks (mounted on the leg/engines), since the VF-1's internal tanks could not carry enough propellant to achieve a stable orbit from Earth bases and needed the help of a booster pack to reach Low Earth Orbit. Anyway, the FAST Pack 2.0 wasn't adapted for atmospheric use, due to its impact on a Valkyrie's aerodynamics and its weight; as such, it needed to be discarded before atmospheric entry.
Included in the FAST Pack boosters and conformal tanks were six high-maneuverability vernier thrusters and two low-thrust vernier thrusters beneath multipurpose hook/handles in two dorsal-mounted NP-BP-01, as well as ten more high-maneuverability vernier thrusters and two low-thrust vernier thrusters beneath multipurpose hook/handles in the two leg/engine-mounted NP-FB-01 systems.
Granting the VF-1 a significantly increased weapons payload as well as greater fuel and thrust, Shinnakasu Heavy Industry's FAST Pack system 2.0 was in every way a major success in space combat. The first VF-1 equipped with FAST Packs was deployed in January 2010 for an interception mission.
Following first operational deployment and its effectiveness, the FAST Pack system was embraced enthusiastically by the U.N. Spacy and found wide use. By February 2010, there were already over 300+ so-called "Super Valkyries" stationed onboard the SDF-1 Macross alone.
The FAST Pack went through constant further development, including upgraded versions for late production and updated VF-1s (V3.0 and V4.0). Another addition to the early V2.0 variant of 2010 was the so-called “S-FAST Pack”. The S-FAST pack was originally developed at the Apollo lunar base, for the locally based VF-1 interceptor squadrons that were tasked with the defense of this important production and habitat site on the Moon, but it also found its way to other orbital stations and carriers.
Officially designated FAST Pack V2.1, the S-FAST Pack consisted of the standard pair of dorsal rocket boosters plus the pallets with additional maneuvering jets, sensors and weapons. The S-FAST pack added another pair of P&W+EF-2001 boosters under the inner wings, having the duty to give to fighter the power necessary to exit easily from the gravity of moons or little planets without atmosphere, and improve acceleration during combat situations. Range was also further extended, together with additional life support systems for prolonged deep space operations, or the case of emergency.
In order to accept the S-FAST pack and exploit its potential, the VF-1’s wings and inner wing attachment points had to be strengthened due to the additional load and propulsion. The use of the S-FAST pack also precluded the fighter from transforming into Battroid or Gerwalk mode – the underwing packs had to be jettisoned beforehand. The other standard FAST Pack 2.0 elements could still be carried, though.
The modfied Valkyries capable of accepting the S-FAST Pack received an additional “S” to their type designation – more than 100 VF-1s were converted or built in this deep space configuration until late 2011. Initial deployment of the S-FAST Pack was conducted through SVF-24 “Moon Shadows” in early 2010, a unit that was quickly disbanded, though, but re-formed as SVF-124 “Moon Shooters”, tasked with the defense of the lunar Apollo Base and several special missions.
After the end of Space War I, the VF-1 continued to be manufactured both in the Sol system and throughout the UNG space colonies. Although the VF-1 would eventually be replaced as the primary Variable Fighter of the U.N. Spacy by the more capable, but also much bigger, VF-4 Lightning III in 2020, a long service record and continued production after the war proved the lasting worth of the design.
The VF-1 was without doubt the most recognizable variable fighter of Space War I and was seen as a vibrant symbol of the U.N. Spacy even into the first year of the New Era 0001 in 2013. At the end of 2015 the final rollout of the VF-1 was celebrated at a special ceremony, commemorating this most famous of variable fighters. The VF-1 Valkryie was built from 2006 to 2013 with a total production of 5,459 VF-1 variable fighters with several variants (VF-1A = 5,093, VF-1D = 85, VF-1J = 49, VF-1S = 30, VF-1G = 12, VE-1 = 122, VT-1 = 68)
However, the fighter remained active in many second line units and continued to show its worthiness years later, e. g. through Milia Jenius who would use her old VF-1 fighter in defense of the colonization fleet - 35 years after the type's service introduction!
General characteristics:
All-environment variable fighter and tactical combat Battroid,
used by U.N. Spacy, U.N. Navy, U.N. Space Air Force
Accommodation:
Pilot only in Marty & Beck Mk-7 zero/zero ejection seat
Dimensions:
Fighter Mode:
Length 14.23 meters
Wingspan 14.78 meters (at 20° minimum sweep)
Height 3.84 meters
Battroid Mode:
Height 12.68 meters
Width 7.3 meters
Length 4.0 meters
Empty weight: 13.25 metric tons;
Standard T-O mass: 18.5 metric tons;
MTOW: 37.0 metric tons
Power Plant:
2x Shinnakasu Heavy Industry/P&W/Roice FF-2001 thermonuclear reaction turbine engines, output 650 MW each, rated at 11,500 kg in standard or in overboost (225.63 kN x 2)
4 x Shinnakasu Heavy Industry NBS-1 high-thrust vernier thrusters (1 x counter reverse vernier thruster nozzle mounted on the side of each leg nacelle/air intake, 1 x wing thruster roll control system on each wingtip);
18 x P&W LHP04 low-thrust vernier thrusters beneath multipurpose hook/handles
The S-FAST Pack added 4x P&W+EF-2001 booster thrusters with 120.000 kg each, plus a total of 28x P&W LHP04 low-thrust vernier thrusters
Performance:
Battroid Mode: maximum walking speed 160 km/h
Fighter Mode: at 10,000 m Mach 2.71; at 30,000+ m Mach 3.87
g limit: in space +7
Thrust-to-weight ratio: empty 3.47; standard T-O 2.49; maximum T-O 1.24
Design Features:
3-mode variable transformation; variable geometry wing; vertical take-off and landing; control-configurable vehicle; single-axis thrust vectoring; three "magic hand" manipulators for maintenance use; retractable canopy shield for Battroid mode and atmospheric reentry; option of GBP-1S system, atmospheric-escape booster, or FAST Pack system
Transformation:
Standard time from Fighter to Battroid (automated): under 5 sec.
Min. time from Fighter to Battroid (manual): 0.9 sec.
Armament:
2x internal Mauler RÖV-20 anti-aircraft laser cannon, firing 6,000 pulses per minute
1x Howard GU-11 55 mm three-barrel Gatling gun pod with 200 RPG, fired at 1,200 rds/min
4x underwing hard points for a wide variety of ordnance, including
12x AMM-1 hybrid guided multipurpose missiles (3/point), or
12x MK-82 LDGB conventional bombs (3/point), or
6x RMS-1 large anti-ship reaction missiles (2/outboard point, 1/inboard point), or
4x UUM-7 micro-missile pods (1/point) each carrying 15 x Bifors HMM-01 micro-missiles,
or a combination of above load-outs
The optional Shinnakasu Heavy Industry S-FAST Pack 2.1 augmentative space weapon system added:
6x micro-missiles in two NP-AR-01 micro-missile launcher pods (mounted rear-ward under center ventral section in Fighter mode or on lower arm sections in GERWALK/Battroid mode)
4x12 micro missiles in four HMMP-02 micro-missile launchers, one inside each booster pod
The kit and its assembly:
This VF-1 is another contribution to the “Old Kit” Group Build at whatifmodelers.com, running in late 2016. I am not certain about the moulds’ inception date, but since it is an ARII incarnation of this type of kit and even moulded in the early pastel green styrene, I’d think that it was produced in 1982 or 83.
Anyway, I love the Macross VF-1, IMHO a design masterpiece created by Shoji Kawamori and one of my favorite mecha designs ever, because it was created as a late 70ies style jet fighter that could transform into a robot in a secondary role. As a simple, purposeful military vehicle. And not like a flashy robot toy.
Effectively, this Super Valkyrie is a highly modified OOB kit with many donation parts, and this kit is a bit special, for several reasons. There are several 1:100 OOB kits with FAST Packs from ARII/Bandai available (and still around today), but these are normally only Battroids or Gerwalks with additional parts for the FAST kit conversion. The kit I used here is different: it is, after maybe 25 years of searching and building these kits, the #70 from the original production run. It is (so far!) the only Fighter mode kit with the additional FAST Pack parts! Must be rare, and I have never seen it in catalogues?
Until today, I converted my Super or Strike Valkyries from Gerwalk kits, a task that needs some improvisation esp. around the folded arms between the legs, and there’s no OOB option for an extended landing gear. The latter made this Fighter mode kit very attractive, even though the actual kit is pretty disappointing, and AFAIK this kit variant is only available as a VF-1S.
With the Super Valkyrie fighter kit you receive basically a Gerwalk with a standard fighter cockpit (which includes a front wheel well and an extended front wheel leg), plus extra parts. The leg/engine-mounted NP-FB-01 systems are less bulbous than the parts on the Gerwalk or Battroid kit, and the OOB dorsally mounted NP-BP-01 boosters are TINY, maybe 1:120 or even 1:144! WTF?
Further confusion: the kit includes a set of lower arm parts with integrated rocket launchers, but these are not necessary at all for the Fighter build?! As a kind of compensation there’s a new and exclusive element that simulates the folded arms under the ‘fuselage’ and which, as an added value, properly holds the hand gun under the fuselage. As a quirky flaw, though, the hand gun itself comes in the extended form for the Battroid/Gerwalk mode. For the fighter in flight mode, it has to be modified, but that’s easily done.
Anyway, with the potential option to build a Super Valkyrie with an extended landing gear, this was my route to go with this vintage kit. The Super Valkyrie already looks bulky with the FAST Pack added, but then I recently found the S-FAST Pack option with two more boosters under the wings – total overkill, but unique. And I had a spare pair of booster bulks in the stash (w/o their nozzles, though), as well as a complete pair of additional bigger standard FAST boosters that could replace the ridiculous OOB parts…
Building such a Super/Strike Valkyrie means building separate components, with a marriage of parts as one of the final steps. Consequently, cockpit, central fuselage with the wings and the air intakes, the folded stabilizer pack, the folded arms element with the handgun, the two legs and the four boosters plus other ordnance had to be built and painted separately.
Here and there, details were changed or added, e. g. a different head (a ‘J’ head for the flight leader’s aircraft with two instead of the rare, OOB ‘S’ variant with four laser cannon), covers for the main landing gear (the latter does not come with wells at all, but I did not scratch them since they are hardly recognizable when the kit is sitting on the ground), the typical blade aerials under the cockpit and the feet had to be modified internally to become truly ‘open’ jet exhausts.
The wing-mounted boosters received new nozzles and their front end was re-sculpted with 2C putty into a square shape, according to reference sketches. Not 100% exact, but the rest of the VF-1 isn’t either.
This VF-1 was also supposed to carry external ordnance and my first choice were four wing-mounted RMS-1 Anti-Ship Reaction Warheads, scratched from four 1.000 lb NATO bombs. But, once finished, I was not happy with them. So I looked for another option, and in a source book I found several laser-guided bombs and missiles, also for orbital use, and from this inspiration comes the final ordnance: four rocket-propelled kinetic impact projectiles. These are actually 1:72 JASDF LGB’s from a Hasegawa weapon set, sans aerodynamic steering surfaces and with rocket boosters added to the tail. Also not perfect, but their white color and sleek shape is a good counterpart to the FAST elements.
Experience from many former builds of this mecha kit family helped a lot, since the #70 kit is very basic and nothing really fits well. Even though there are not many major seams or large elements, PSR work was considerable. This is not a pleasant build, rather a fight with a lot of compromises and semi-accuracies.
Seriously, if you want a decent 1:100 VF-1, I’d rather recommend the much more modern WAVE kits (including more realistic proportions).
Painting and markings:
The paint scheme for this Super Valkyrie was settled upon before I considered the S-FAST Pack addition: U.N. Spacy’s SVF-124 is authentic, as well as its unique camouflage paint scheme.
The latter is a special scheme for the lunar environment where the unit was originally formed and based, with all-black undersides, a high, wavy waterline and a light grey upper surface, plus some medium grey trim and a few colorful US Navy style markings and codes.
My core reference is a ‘naked’ bread-and-butter VF-1A of SVF-124 in Fighter mode, depicted as a profile in a VF-1 source book from SoftBank Publishing. The colors for the FAST Pack elements are guesstimates and personal interpretations, though, since I could not find any reference for their look in this unit.
As a side note, another, later SVF-124 aircraft in a similar design is included as an option in a limited edition 1:72 VF-22S kit from Hasegawa, which is backed by CG pics in a VF-22 source book from Softbank, too.
Furthermore, SVF-124 finds mention in a Japanese modeler magazine, where the aforementioned VF-22S kit was presented in 2008. So there must be something behind the ‘Moon Shooters’ squadron.
According to the Hasegawa VF-22S’s painting instructions, the underside becomes black and the upper surfaces are to be painted with FS36270 (with some darker fields on the VF-22, though, similar to the USAF F-15 counter-shaded air superiority scheme, just a tad darker).
Due to the 1:100 scale tininess of my VF-1, I alternatively went for Revell 75 (RAL 7039), which is lighter and also has a brownish hue, so that the resulting aircraft would not look too cold and murky, and not resemble an USAF aircraft.
All FAST Pack elements were painted in a uniform dark grey (Humbrol 32), while some subtle decorative trim on the upper surfaces, e.g. the canopy frame, an anti-glare panel and a stripe behind the cockpit and decoration trim on the wings’ upper surfaces, was added with Revell 77 (RAL 7012). Overall, colors are rather dull, but IMHO very effective in the “landscape” this machine is supposed to operate, and the few colorful markings stand out even more!
The cockpit interior was painted in a bluish grey, with reddish brown seat cushions (late 70ies style!), and the landing gear became all white. For some added detail I painted the wings’ leading edges in a mustard tone (Humbrol 225, Mid Stone).
The kit received some weathering (black ink wash, drybrushing on panels) and extra treatment of the panel lines – even though the FAST Pack elements hide a lot of surface or obscure view.
More color and individuality came with the markings. The standard decals like stencils or the U.N. Spacy insignia come from the kit’s and some other VF-1s’ OOB sheets.
Based on the SVF-124 VF-1 profile and taking the basic design a bit further, I used dull red USAF 45° digits for the 2nd flight leader’s “200” modex and the Apollo Base’s code “MA” on the dorsal boosters. Some discreet red trim was also applied to the FAST Packs – but only a little.
Since all of SVF-124’s aircraft are rumored to carry personal markings, including nose art and similar decorations, I tried to give this VF-1JS a personal note: the pin-up badges on the dorsal boosters come from a Peddinghouse decal sheet for Allied WWII tanks, placed on a silver roundel base. Unfortunately (and not visible before I applied them) the pin-up decal was not printed on a white basis, so that the contrast on the silver is not very strong, but I left it that way. Additionally, the tagline “You’re a$$ next, Jerry” (which IS printed in opaque white…?) was added next to the artwork – but it’s so tiny that you have to get really close to decipher it at all…
Finally, after some soot stains around the exhausts and some vernier nozzels with graphite, the kit received a coat of matt acrylic varnish.
Building this vintage VF-1 kit took a while and a lot of effort, but I like the result: with the S-FAST Pack, the elegant VF-1 turned into a massive space fighter hulk! The normal Super Valkyries already look very compact and purposeful, but this here is truly menacing. Especially when standing on its own feet/landing gear, with its nose-down stance and the small, original wheels, this thing reminds of a Space Shuttle that had just landed.
Good that I recently built a simple VF-1 fighter as a warm-up session. ARII’s kit #70 is not a pleasant build, rather a fight with the elements and coupled with a lot of compromises – if you want a Super Valkyrie Fighter in 1:100, the much more modern WAVE kit is IMHO the better option (and actually not much more pricey than this vintage collector’s item). But for the vintage feeling, this exotic model kit was just the right ticket, and it turned, despite many weaknesses and rather corny details, into an impressive fighter. Esp. the lunar camouflage scheme looks odd, but very unique and purposeful.
Anyway, with so many inherent flaws of the ARII kit, my former method of converting a pure (and much more common) Gerwalk kit into a space-capable VF-1 fighter is not less challenging and complicated than trying to fix this OOB option into a decent model. :-/
The large Technic panels found in the Unimog (and various other larger Technic sets) caught my eye and I thought it would be fun to build a building with them. This is the end result.
The Just Love Festival was a non-stop three day and night event that took place at Shree Peetha Nilaya, 14–16 July 2017. From the morning yoga sessions to the late night Kirtan concerts (with a Holi celebration in between), the Just Love Festival was an extraordinary experience for all who attended with a multitude of activities and performances. Great music, wonderful food, unique shopping, henna for your hands, and fun for the kids. Even a large sandy beach to play on! Truly summer fun, filled with love, and the Grace of Paramahamsa Sri Swami Vishwananda.
justlovefestival.org
Real photo postcard. Postally unused.
Valentines Real Photo series. Published by the Valentine & Sons Publishing Co., Ltd., Melbourne, Sydney & Brisbane.
Bought from an eBay seller in Haslemere, United Kingdom.
The marble statues from left to right represent: Psyche; La Prigioniera d'Amore (Prisoner of Love) by Giovanni Fontana (1821-1893); and Dispacato d'Amore (Messenger of Love). The statuary were installed in the Bathurst Fernery in June 1901.
La Prigioniera d'Amore was purchased by the Art Gallery of New South Wales at the 1879 International Exhibition in Sydney, not by Sir Henry Parkes in Italy as the 1901 newspaper article displayed in the comments suggests [see: Illustrated Sydney News and New South Wales Agriculturalist and Grazier, Saturday 20 November 1880, p. 11. - trove.nla.gov.au/ndp/del/article/64973905/5406240]. And the price would more likely have been closer to £350 than £1000 (the catalogued price when it was exhibited in 1877 at the 7th Liverpool Autumn Exhibition of Modern Pictures).
Perhaps Sir Henry Parks donated funds to the Art Gallery so they could buy the work? And perhaps the journalist (writing 22 years after the fact) assumed it was purchased in Italy because the artist was Italian? A cautionary reminder: don't believe everything you read in the paper, especially if it is not contemporary with events.
Gurupurnima is the most important day in the year where we praise our Gurudev and thank Him from the bottom of our hearts for everything that He is giving to us.
Devotees from all around the world gathered to celebrate this special day at Bhakti Marga's Shree Peetha Nilaya Ashram in Germany.
The day started with Pada Puja followed by Guruji performing puja to His personal Deities as well as Mahavatar Babaji and Sri Ramanuja Acharya. During the day we celebrated with a Bhajan Mala: devotees gathered in groups by country to sing a total of 108 Bhajans devoted to Guruji. It was truly inspiring to see the countries coming together to practice and then perform for the rest of the world!
In the evening, Pada Abhishek to Guruji's feet was offered, where devotees could come and offer their love for Him.
Guruji ended the day giving prasad and blessings to everyone, and then more singing and dancing went on, as usual, into the early morning hours.
paramahamsavishwananda.com
bhaktimarga.org
The sixth night of Navaratri honours Goddess Katyayani. Associated with the fierce form of Shakti, She is a war goddess who combats negativity. As such, she can be strict and disciplining, but She is compassionate and pure of heart and gives us the strength and ability to overcome fears, diseases and miseries of life.
paramahamsavishwananda.com
bhaktimarga.org
Gurupurnima is the most important day in the year where we praise our Gurudev and thank Him from the bottom of our hearts for everything that He is giving to us.
Devotees from all around the world gathered to celebrate this special day at Bhakti Marga's Shree Peetha Nilaya Ashram in Germany.
The day started with Pada Puja followed by Guruji performing puja to His personal Deities as well as Mahavatar Babaji and Sri Ramanuja Acharya. During the day we celebrated with a Bhajan Mala: devotees gathered in groups by country to sing a total of 108 Bhajans devoted to Guruji. It was truly inspiring to see the countries coming together to practice and then perform for the rest of the world!
In the evening, Pada Abhishek to Guruji's feet was offered, where devotees could come and offer their love for Him.
Guruji ended the day giving prasad and blessings to everyone, and then more singing and dancing went on, as usual, into the early morning hours.
paramahamsavishwananda.com
bhaktimarga.org
Gurupurnima is the most important day in the year where we praise our Gurudev and thank Him from the bottom of our hearts for everything that He is giving to us.
Devotees from all around the world gathered to celebrate this special day at Bhakti Marga's Shree Peetha Nilaya Ashram in Germany.
The day started with Pada Puja followed by Guruji performing puja to His personal Deities as well as Mahavatar Babaji and Sri Ramanuja Acharya. During the day we celebrated with a Bhajan Mala: devotees gathered in groups by country to sing a total of 108 Bhajans devoted to Guruji. It was truly inspiring to see the countries coming together to practice and then perform for the rest of the world!
In the evening, Pada Abhishek to Guruji's feet was offered, where devotees could come and offer their love for Him.
Guruji ended the day giving prasad and blessings to everyone, and then more singing and dancing went on, as usual, into the early morning hours.
paramahamsavishwananda.com
bhaktimarga.org
Gurupurnima is the most important day in the year where we praise our Gurudev and thank Him from the bottom of our hearts for everything that He is giving to us.
Devotees from all around the world gathered to celebrate this special day at Bhakti Marga's Shree Peetha Nilaya Ashram in Germany.
The day started with Pada Puja followed by Guruji performing puja to His personal Deities as well as Mahavatar Babaji and Sri Ramanuja Acharya. During the day we celebrated with a Bhajan Mala: devotees gathered in groups by country to sing a total of 108 Bhajans devoted to Guruji. It was truly inspiring to see the countries coming together to practice and then perform for the rest of the world!
In the evening, Pada Abhishek to Guruji's feet was offered, where devotees could come and offer their love for Him.
Guruji ended the day giving prasad and blessings to everyone, and then more singing and dancing went on, as usual, into the early morning hours.
paramahamsavishwananda.com
bhaktimarga.org
Production Date: Circa 1950
Source Type: Postcard
Printer, Publisher, Photographer: Manhattan Post Card Publishing Company, Colourpicture (#K5658)
Postmark: July 6, 1954, New York, New York
Collection: Steven R. Shook
Tenney and Hilbert Published Market Price in 2009: $7-$14
Source: Tenney, Fred, and Kevin Hilbert. 2009. Large Letter Postcards: The Definitive Guide 1930s to 1950s. Atglen, Pennsylvania: Schiffer Publishing, Ltd. 176 p.
Copyright 2013. Some rights reserved. The associated text may not be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission of Steven R. Shook.
Gurupurnima is the most important day in the year where we praise our Gurudev and thank Him from the bottom of our hearts for everything that He is giving to us.
Devotees from all around the world gathered to celebrate this special day at Bhakti Marga's Shree Peetha Nilaya Ashram in Germany.
The day started with Pada Puja followed by Guruji performing puja to His personal Deities as well as Mahavatar Babaji and Sri Ramanuja Acharya. During the day we celebrated with a Bhajan Mala: devotees gathered in groups by country to sing a total of 108 Bhajans devoted to Guruji. It was truly inspiring to see the countries coming together to practice and then perform for the rest of the world!
In the evening, Pada Abhishek to Guruji's feet was offered, where devotees could come and offer their love for Him.
Guruji ended the day giving prasad and blessings to everyone, and then more singing and dancing went on, as usual, into the early morning hours.
paramahamsavishwananda.com
bhaktimarga.org
Gurupurnima is the most important day in the year where we praise our Gurudev and thank Him from the bottom of our hearts for everything that He is giving to us.
Devotees from all around the world gathered to celebrate this special day at Bhakti Marga's Shree Peetha Nilaya Ashram in Germany.
The day started with Pada Puja followed by Guruji performing puja to His personal Deities as well as Mahavatar Babaji and Sri Ramanuja Acharya. During the day we celebrated with a Bhajan Mala: devotees gathered in groups by country to sing a total of 108 Bhajans devoted to Guruji. It was truly inspiring to see the countries coming together to practice and then perform for the rest of the world!
In the evening, Pada Abhishek to Guruji's feet was offered, where devotees could come and offer their love for Him.
Guruji ended the day giving prasad and blessings to everyone, and then more singing and dancing went on, as usual, into the early morning hours.
paramahamsavishwananda.com
bhaktimarga.org
Gurupurnima is the most important day in the year where we praise our Gurudev and thank Him from the bottom of our hearts for everything that He is giving to us.
Devotees from all around the world gathered to celebrate this special day at Bhakti Marga's Shree Peetha Nilaya Ashram in Germany.
The day started with Pada Puja followed by Guruji performing puja to His personal Deities as well as Mahavatar Babaji and Sri Ramanuja Acharya. During the day we celebrated with a Bhajan Mala: devotees gathered in groups by country to sing a total of 108 Bhajans devoted to Guruji. It was truly inspiring to see the countries coming together to practice and then perform for the rest of the world!
In the evening, Pada Abhishek to Guruji's feet was offered, where devotees could come and offer their love for Him.
Guruji ended the day giving prasad and blessings to everyone, and then more singing and dancing went on, as usual, into the early morning hours.
paramahamsavishwananda.com
bhaktimarga.org
The Just Love Festival was a non-stop three day and night event that took place at Shree Peetha Nilaya, 14–16 July 2017. From the morning yoga sessions to the late night Kirtan concerts (with a Holi celebration in between), the Just Love Festival was an extraordinary experience for all who attended with a multitude of activities and performances. Great music, wonderful food, unique shopping, henna for your hands, and fun for the kids. Even a large sandy beach to play on! Truly summer fun, filled with love, and the Grace of Paramahamsa Sri Swami Vishwananda.
justlovefestival.org
Gurupurnima is the most important day in the year where we praise our Gurudev and thank Him from the bottom of our hearts for everything that He is giving to us.
Devotees from all around the world gathered to celebrate this special day at Bhakti Marga's Shree Peetha Nilaya Ashram in Germany.
The day started with Pada Puja followed by Guruji performing puja to His personal Deities as well as Mahavatar Babaji and Sri Ramanuja Acharya. During the day we celebrated with a Bhajan Mala: devotees gathered in groups by country to sing a total of 108 Bhajans devoted to Guruji. It was truly inspiring to see the countries coming together to practice and then perform for the rest of the world!
In the evening, Pada Abhishek to Guruji's feet was offered, where devotees could come and offer their love for Him.
Guruji ended the day giving prasad and blessings to everyone, and then more singing and dancing went on, as usual, into the early morning hours.
paramahamsavishwananda.com
bhaktimarga.org
Gurupurnima is the most important day in the year where we praise our Gurudev and thank Him from the bottom of our hearts for everything that He is giving to us.
Devotees from all around the world gathered to celebrate this special day at Bhakti Marga's Shree Peetha Nilaya Ashram in Germany.
The day started with Pada Puja followed by Guruji performing puja to His personal Deities as well as Mahavatar Babaji and Sri Ramanuja Acharya. During the day we celebrated with a Bhajan Mala: devotees gathered in groups by country to sing a total of 108 Bhajans devoted to Guruji. It was truly inspiring to see the countries coming together to practice and then perform for the rest of the world!
In the evening, Pada Abhishek to Guruji's feet was offered, where devotees could come and offer their love for Him.
Guruji ended the day giving prasad and blessings to everyone, and then more singing and dancing went on, as usual, into the early morning hours.
paramahamsavishwananda.com
bhaktimarga.org
Mahavatar Babaji is the guru of Paramahamsa Vishwananda, and is the father of all Kriya Yoga lineages. Babaji Day recognises this immortal yogi who, 5000 years ago, pledged to stay on the planet and guide all those on the spiritual path until they reached the ultimate goal of God-realisation.
Tonight's celebration was a livestream that included a Divya Prabandham satsang given by Swami Revati, a short japa practice with Swami Tulsidasananda, and an inspirational talk by Gurudev Himself, sitting on the altar near the Babaji murti.
paramahamsavishwananda.com
bhaktimarga.org
Gurupurnima is the most important day in the year where we praise our Gurudev and thank Him from the bottom of our hearts for everything that He is giving to us.
Devotees from all around the world gathered to celebrate this special day at Bhakti Marga's Shree Peetha Nilaya Ashram in Germany.
The day started with Pada Puja followed by Guruji performing puja to His personal Deities as well as Mahavatar Babaji and Sri Ramanuja Acharya. During the day we celebrated with a Bhajan Mala: devotees gathered in groups by country to sing a total of 108 Bhajans devoted to Guruji. It was truly inspiring to see the countries coming together to practice and then perform for the rest of the world!
In the evening, Pada Abhishek to Guruji's feet was offered, where devotees could come and offer their love for Him.
Guruji ended the day giving prasad and blessings to everyone, and then more singing and dancing went on, as usual, into the early morning hours.
paramahamsavishwananda.com
bhaktimarga.org
Gurupurnima is the most important day in the year where we praise our Gurudev and thank Him from the bottom of our hearts for everything that He is giving to us.
Devotees from all around the world gathered to celebrate this special day at Bhakti Marga's Shree Peetha Nilaya Ashram in Germany.
The day started with Pada Puja followed by Guruji performing puja to His personal Deities as well as Mahavatar Babaji and Sri Ramanuja Acharya. During the day we celebrated with a Bhajan Mala: devotees gathered in groups by country to sing a total of 108 Bhajans devoted to Guruji. It was truly inspiring to see the countries coming together to practice and then perform for the rest of the world!
In the evening, Pada Abhishek to Guruji's feet was offered, where devotees could come and offer their love for Him.
Guruji ended the day giving prasad and blessings to everyone, and then more singing and dancing went on, as usual, into the early morning hours.
paramahamsavishwananda.com
bhaktimarga.org
Scott catalog number UY7a
Postmarked 1931 (no month or day); includes application to be an agent for Grit newspapers. Was mailed to Tennel Flaker of Whitefield, Alabama. Given that the card is unsevered, Mr. Flaker was not moved to apply.
Diwali is the Festival of Lights, a time when we celebrate the triumph of the darkness over the Light and remind oneself of the Divine Light within. On October 19th, 2017, Paramahamsa Vishwananda celebrated the auspicious night of Diwali at Shree Peetha Nilaya.
paramahamsavishwananda.com
bhaktimarga.org
The Just Love Festival was a non-stop three day and night event that took place at Shree Peetha Nilaya, 14–16 July 2017. From the morning yoga sessions to the late night Kirtan concerts (with a Holi celebration in between), the Just Love Festival was an extraordinary experience for all who attended with a multitude of activities and performances. Great music, wonderful food, unique shopping, henna for your hands, and fun for the kids. Even a large sandy beach to play on! Truly summer fun, filled with love, and the Grace of Paramahamsa Sri Swami Vishwananda.
justlovefestival.org
Gurupurnima is the most important day in the year where we praise our Gurudev and thank Him from the bottom of our hearts for everything that He is giving to us.
Devotees from all around the world gathered to celebrate this special day at Bhakti Marga's Shree Peetha Nilaya Ashram in Germany.
The day started with Pada Puja followed by Guruji performing puja to His personal Deities as well as Mahavatar Babaji and Sri Ramanuja Acharya. During the day we celebrated with a Bhajan Mala: devotees gathered in groups by country to sing a total of 108 Bhajans devoted to Guruji. It was truly inspiring to see the countries coming together to practice and then perform for the rest of the world!
In the evening, Pada Abhishek to Guruji's feet was offered, where devotees could come and offer their love for Him.
Guruji ended the day giving prasad and blessings to everyone, and then more singing and dancing went on, as usual, into the early morning hours.
paramahamsavishwananda.com
bhaktimarga.org
Gurupurnima is the most important day in the year where we praise our Gurudev and thank Him from the bottom of our hearts for everything that He is giving to us.
Devotees from all around the world gathered to celebrate this special day at Bhakti Marga's Shree Peetha Nilaya Ashram in Germany.
The day started with Pada Puja followed by Guruji performing puja to His personal Deities as well as Mahavatar Babaji and Sri Ramanuja Acharya. During the day we celebrated with a Bhajan Mala: devotees gathered in groups by country to sing a total of 108 Bhajans devoted to Guruji. It was truly inspiring to see the countries coming together to practice and then perform for the rest of the world!
In the evening, Pada Abhishek to Guruji's feet was offered, where devotees could come and offer their love for Him.
Guruji ended the day giving prasad and blessings to everyone, and then more singing and dancing went on, as usual, into the early morning hours.
paramahamsavishwananda.com
bhaktimarga.org
The Just Love Festival was a non-stop three day and night event that took place at Shree Peetha Nilaya, 14–16 July 2017. From the morning yoga sessions to the late night Kirtan concerts (with a Holi celebration in between), the Just Love Festival was an extraordinary experience for all who attended with a multitude of activities and performances. Great music, wonderful food, unique shopping, henna for your hands, and fun for the kids. Even a large sandy beach to play on! Truly summer fun, filled with love, and the Grace of Paramahamsa Sri Swami Vishwananda.
justlovefestival.org
Gurupurnima is the most important day in the year where we praise our Gurudev and thank Him from the bottom of our hearts for everything that He is giving to us.
Devotees from all around the world gathered to celebrate this special day at Bhakti Marga's Shree Peetha Nilaya Ashram in Germany.
The day started with Pada Puja followed by Guruji performing puja to His personal Deities as well as Mahavatar Babaji and Sri Ramanuja Acharya. During the day we celebrated with a Bhajan Mala: devotees gathered in groups by country to sing a total of 108 Bhajans devoted to Guruji. It was truly inspiring to see the countries coming together to practice and then perform for the rest of the world!
In the evening, Pada Abhishek to Guruji's feet was offered, where devotees could come and offer their love for Him.
Guruji ended the day giving prasad and blessings to everyone, and then more singing and dancing went on, as usual, into the early morning hours.
paramahamsavishwananda.com
bhaktimarga.org
The sixth night of Navaratri honours Goddess Katyayani. Associated with the fierce form of Shakti, She is a war goddess who combats negativity. As such, she can be strict and disciplining, but She is compassionate and pure of heart and gives us the strength and ability to overcome fears, diseases and miseries of life.
paramahamsavishwananda.com
bhaktimarga.org
The Just Love Festival was a non-stop three day and night event that took place at Shree Peetha Nilaya, 14–16 July 2017. From the morning yoga sessions to the late night Kirtan concerts (with a Holi celebration in between), the Just Love Festival was an extraordinary experience for all who attended with a multitude of activities and performances. Great music, wonderful food, unique shopping, henna for your hands, and fun for the kids. Even a large sandy beach to play on! Truly summer fun, filled with love, and the Grace of Paramahamsa Sri Swami Vishwananda.
justlovefestival.org
E.K.Yap, the MPA & MPAS multi-award winning photographer, has created many iconic masterpieces and photographed covers & campaigns for influential publications & luxury brands. His projects include Patek Philippe, Breguet, Chopard, Bvlgari, Cartier, Chanel & Franck Muller to name a few.
With his wide-ranging experience in art as a creative director in the advertising & publishing industry, he consistently achieves the best results with his precision skill, specialising in luxury projects particularly jewellery, timepiece, product, interior, portrait & fashion.
PHILOSOPHY
“I'm passionate in capturing more than just a beautiful image, I like to craft an inspiring masterpiece with soul & meaning”
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Advertising/Advertorial/ Editorial - MPA Far East
Architecture/ Cityscape/ Interior - MPA Far East
Illustrative & Creative - MPA Far East
Fashion - MPA Far East
Still Life - MPA Far East
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Gurupurnima is the most important day in the year where we praise our Gurudev and thank Him from the bottom of our hearts for everything that He is giving to us.
Devotees from all around the world gathered to celebrate this special day at Bhakti Marga's Shree Peetha Nilaya Ashram in Germany.
The day started with Pada Puja followed by Guruji performing puja to His personal Deities as well as Mahavatar Babaji and Sri Ramanuja Acharya. During the day we celebrated with a Bhajan Mala: devotees gathered in groups by country to sing a total of 108 Bhajans devoted to Guruji. It was truly inspiring to see the countries coming together to practice and then perform for the rest of the world!
In the evening, Pada Abhishek to Guruji's feet was offered, where devotees could come and offer their love for Him.
Guruji ended the day giving prasad and blessings to everyone, and then more singing and dancing went on, as usual, into the early morning hours.
paramahamsavishwananda.com
bhaktimarga.org