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PS Embassy, probably in Weymouth Bay.

老黃金

(Minolta PS 偽寬景)

foto by Caio Marcatto

Shot on Fed 3 with FP5

Progress arriving into Warrenpoint from Heysham with PS Waverley preparing for departure to Largs

 

DJI_0415

Pumpkin decorating and pretzels and root beer were used to celebrate the 1,500th instance of students Caught Being Good.

PS 9 Carnival in Brooklyn, NY on September 22, 2012.

PS Adelaide at the Port of Echuca

Enjoy my recent video aboard PS Waverley at:

www.youtube.com/watch?v=09gShdlcjB0&t=673s

 

Copyright © John G. Lidstone, all rights reserved.

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(Minolta PS 的偽寬景)

Between Brighton 7th and Brighton 8th Streets on Oceanview Avenue.

PS Waverley arrives at Rothesay - September 1972

By the light of the Silvery Moon

plastic surgery

PS students compete in events and learn about foreign countries during the PS Olympics.

Processed by RIT Darkroom 0.3a

 

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Minolta P's

Minolta Lens 24mm f/4.5 Panorama

Fujifilm X-TRA 400

Ross Bleckner

American, b. 1949

 

PS, 1997

Lithograph

98.24

 

Ross Bleckner emerged for recognition in the New York art world in the 1980s. His paintings, drawing, and prints have been largely investigations of change, loss, and memory, often addressing the subject of AIDS.

 

In unusual mixtures of figurative and abstract styles, Bleckner uses symbolic imagery rather than direct representation. His work is visually elusive, as is the case with the screenprint PS. Elegiac in meaning, it plays upon flower shapes, brought together in a floating bouquet, to memorialize lost life. His repertory of commemorative motifs includes, among others, urns, stars, radiant light, and sparkling chandeliers. The flower blossoms of PS recall Monet’s water lilies at Giverny, but they also bring to mind microscopic views of human blood cells—blood representing for Bleckner both life and, if tainted with a virus, death. The tenderness of the image is enhanced by its title, suggestive of “P.S. I love you.”

 

Bleckner was one of a younger generation of artists in the 1980s who sought to make their gay identity the subject of their art, and their art the vehicle for political activism.

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