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Del dilluns 23 al divendres 27 de març del 2009.

A new audio mixing room in downtown Los Angeles.

"Spanky" Listening Sessions @MusicWorksNYC

Producer Evan Brown (E-Note inc.) , Master Drumer Michael Carvin, Chris Theberge, Robin Johnson, Spanky the MC

Thedy e João Vicente (Nenhum de Nós) utilizando o microfone Aries, Black Box, Axiom 49 e Pro Tools em workshop Quanta Muisc/M-Audio - Abril 2008

AVID VENUE SC48 Digital Mixdesk

The digital audio desk, its one of the digital audio station in our audio Lab here in LIT.

   

I love the look of ebony and ivory....even if it's really plastic!

  

24 Likes on Instagram

 

1 Comments on Instagram:

 

dan_august_official: Whatcha giggin on?

  

Jenny Amaya, owner and instructor of Commercial Music Lab, helps student Melissa Feild, of Riverside, operate a music software . Amaya teaches students on how to use the software to compose and record music at her home. In back is Chaz Faucher, 24, of Hemet.

 

STAN LIM/PRESS ENTERPRISE PHOTOGRAPHER

The new FastOcean (left) and FastTracka-II, both equiped with the FastAct RLC unit

Borrowed from Pascal Claquin (Université de Caen, France)

Mmmmm, Pro Tools. We had a Pro Tools party at the studio the other night.

just to keep it on hand in case I loose my screen grab

So far, just using gel pens. A bit messy.

Interview Wednesday, October 4, 2006, Vlagtwedde.

When using ProTools to record Production Audio in a cramped space, make sure you're able to move quickly and easily. Portable rack mounts might be the easiest way to run this (not that it's easy to begin with). I had to move for just about every shot, so it's not the easiest way, even if it is the most flexible.

Jamie recording his tracks at Sonic Lounge studio in Grove City, OH.

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