View allAll Photos Tagged protools
Shapland mobiles are available for recording on location anywhere in Europe. Will has two mobiles; Mobile one features an air conditioned 10 metre trailer with over 7.5 metres of control room space with a really nice raised artists or client space. The truck has 5.1 Monitoring, an SSL MT digital mixing desk with Total Reset for instant re-configuration, 72 remote mic pre-amps, Pyramix recorders etc.
Mobile two is based on a 9 metre air conditioned trailer with Sony DMXR 100 mixing desk, ATC monitoring and the option of recording to Alesis HD24 or Protools HD.
Will Shapland Mobiles also have mobile flight cased systems with remote control mic amps, fibre optic cables recording to Pyramix recorders
This shot is bitter sweet for me. I was working with some new ideas on how to advance my smoke art. This smoke wheel was the basis for one of those ideas. Fortunately I had backed up the file after I quit for the night. Today I was working for several hours and Photoshop gave up the ghost and "poof" it was all gone.
At work my protools is on auto back up and it is fairly transparent. With Photoshop once the files reach around 30 gigs back ups that take over 2.5 hours are the norm, so I fly by the seat of my pants and backup when I take a break or quit for the night.
Since my attention span is limited and organizational skills leave a lot to be desired, I rarely been able to recreate the same work twice because of all the variables.
I am bitter about losing the project but sweet on having saved this at it's first stage.
This is one smoke plume from an incense stick mirrored and copied. Hue, saturation, vibrance boosted and adjusted.
Shot was taken with a Nikkor 200-500mm lens from one end of my living room.
Dialogue mixer working on Dub stage 12 at Sony Pictures Studios (Columbia/Tri-Star) putting the final touches on a show called "Future Man" for Hulu.
Test shot from new camera straight out of the box. Hadn't yet changed the settings to raw yet, so shot as a Jpeg at 3200 ISO in very low available light. The electronic shutter is awesome, great for candid shots.
The other drive that lives in this sawtooth box runs pro-tools, under Jaguar 10.2.8.
I used to make fun of people that ran pro-tools on a 7500 under 7.5.1, I've kind of become them.
There is a certain Zen about attaining the level that works for you. Took me a while to get it.
I'm not so much tethered to the AudioMedia III card as the AudioMedia III dictates what I can and cannot do.
That's fine. Theoretically I have 30 tracks, I can get by with 16. When I install more memory I could push 24.
In the meantime, you learn to do more with less.
Rooftops #vancityscape #yvr #rooftops #vancouverbc #nikon #nightshoot #longexposure #protools #tourismvancouver #marriot #cityscapes #sexy #nikond750 #miniaturemode #bigcity #nightphotography #ryanshawnmcdonald #604 #famousphotographers #islay #worldsbest #djs #producers #photographers #sexyart #vancouver_canada #loveyou #wanderlust
03.23.11
This past weekend I worked in a recording studio for a total of 12 HOURS! I'm taking this class called Sound Recording Fundamentals, and our final project was to hire a rock band to come into the studio, and record them playing a song! It was crazy work and we used a 24 channel sound board (as shown above) in addition to lots of work on the software, Protools. I'm considering going into producing or audio engineering in a recording studio down in LA after I graduate, and this was my first shot at it! Pretty exciting stuff :D
I took this picture while in the studio (obvsly). I took lots of pictures of my group members working, hahaha.
Shure 55SH Elvis 1994 Reissue; This is the first picture of Elvis that I was genuinely happy with, the bokeh behind from my ProTools rig and using off-shoe lighting.
This was also the last picture I ever shot with a DSLR. Why?
Photography can be a money pit, and even though I would later go lens-crazy with m4/3, I finally settled down with an RX1 and a Leica T with a 50mm Summilux-M permanently attached.
03.27.11
Thought it's been awhile since I've uploaded a flower photo, so here's a new one! :)
Happy 19 month anniversary to me and my wonderful boyfriend, Jordan! :D
Anyways, today I had my first two finals - Sound Recording Fundamentals and Music History 3. Sound Recording was WAY harder than I had expected it to be... During the middle of the exam, I ended up just staring blankly at my computer screen for at LEAST 20 minutes because I had NO clue what I was supposed to do on ProTools. It freaked me out. Finally after playing around on the program for awhile, I kinda figured out what was wrong, but I still struggled immensely. I probably failed the midterm, but I had a B+ going into the class, so I feel okay about that. Music History was...expected. It wasn't exactly easy but it wasn't really that hard, either.
Tomorrow I have my third final, which is a called a jury. I'm a music major and we get have finals for our private lessons at the end of each semester. We have to play a piece, an etude, and major/minor scales. I just spent 4 hours practicing scales and I am pooped. I hope I do well tomorrow!
I hope ya'll are doing well! :)
Leica X1
Leica Elmarit 24mm f/2.8 ASPH
Here's my canon aresenal, my faithful shooters both digital and analogue.
Gear:
Canon EOS-1N - EF 24-105mm f/4L IS USM
Canon EOS 6D - EF 16-35mm f/2.8L II USM
Canon EOS 5D - EF 70-200mm f/2.8L USM
Canon EOS 5 - EF 50mm f/1.4 USM
'The Recording Session'
Shot with constant LED light through glass, camera left
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dogwood.photography/52weekchallenge2017.html
Week 1 Story: Rule of Thirds
The rule of thirds is the first compositional rule most photographers learn; but most don't know why they learn it. The rule of thirds is amazing for telling a story. Tell a story using rule of thirds.
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Bjarke and Andreas working with our teacher Stig, at the school I spent the second half of 2013 at. Here in the large half analogue studio (24 ch tape, 24 ch Pro Tools).
Here's a story you will love;)
After watching the Oscar's last night, I had to listen to "Southern Rain", because every time I see Miley Cyrus, I think of that song. I'm an audio engineer In Phx AZ, and I'm pretty sure I was the first person outside the Band and Producers to hear the song. About 11 years ago, someone walked in to my studio and asked me if I could stay late for a quick session, I said sure. Turns out it was with Billy Ray Cyrus. He was in town for a concert and he had just finished recording that song a few months prior, but the final mix had just completed. So he booked time with us because we had an ISDN codec (it lets you send CD quality, digital audio in real time down a phone line). I was setting up and waiting for the connection to the Nashville studio where one of his producers, Dann Huff was going to send us the final mix so I could record it to ProTools and burn a CD so Billy could hear it. While I was getting ready, Billy Ray went and layed down on the floor inside the vocal booth. They had just drove from the last tour date. Our connection was made and Dann said hello. I told Billy Ray to just put the headphones on and opened the mike that was in the room so they could talk and he wouldn't have to move (phone call with no phone;) Before they sent the audio to us, Dann asked him how the "little one" was. Billy Ray tells Dann "Oh man, that girl is gonna be the death of me...she wants to be a star in the worst way". At the time I never gave it another thought until she became the little star that she is:) And now, every time I see her, I just smile and think of that song.
p.s. At the time, all I knew of Billy Ray was "Achy Breaky Heart" so I wasn't real crazy about doing the session, but after talking with him for 10 minutes I found that he was one of the nicest, most genuine guys I've worked with.
Commissioned work for the release of Procreate 1.6 ipad application.
The idea here was to have an unfinished look to this piece.I figured i'd do an old school pencil drawing not completely painted over to emphasize this concept. At the same time a good opportunity to show the range of traditional styles you can achieve with the sketching Protools from 1.6
Bjarke and Andreas working with our teacher Stig, at the school I spent the second half of 2013 at. Here in the large half analogue studio (24 ch tape, 24 ch Pro Tools).
E Labs Multimedia is a multimedia studio that specialize in recording, mixing, and mastering; mobile recording; music compilation; and production for film and commercials and 5.1 mixing for the Madison Wisconsin area.
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He had alot to say.
He had alot of nothing to say.
We'll miss him.
I'll miss him.
We're gonna miss him..
So long. We wish you well.
You told us how you weren't afraid to die.
Well then, so long.
Don't cry here
Or feel too down.
Not all martyrs see divinity.
But at least you tried.
Standing above the crowd,
He had a voice that was strong and loud. We'll miss him.
Ranting and pointing his finger
At everything but his heart.
We'll miss him.
We'll miss him.
We're gonna miss him.
No way to recall
What it was that you had said to me,
Like I care at all.
But it was so loud.
And you sure could yell.
You took a stand on every little thing
And it was so loud.
Standing above the crowd,
He had a voice that was strong and loud and I swallowed his facade cuz I'm so
eager to identify with someone above the ground,
Someone who seemed to feel the same,
Someone prepared to lead the way, and
someone who would die for me.
Will you? Will you now?
Would you die for me?
Don't you fuckin lie.
Don't you step out of line.
You've claimed all this time that you would die for me.
Why then are you so surprised when you hear your own
eulogy?
He had alot to say.
He had alot of nothing to say.
Jump down.
Get off your fucking cross.
We need the space,
to nail the next fool martyr.
To ascend you must die.
You must be crucified,
For our sins and our lies!
Good-bye!!!
~TOOL~ Eulogy
image ©2011 stephen lippay
Image: Well, what can I say? I've been working pretty hard lately. I've also been physically sick. Enough so that i actually went to the E.R. to have blood tests run.. Anyway, I was on Tool bender all week when this image surfaced. I then became obsessed with the idea. Obsessing is something I tend to do well. Despite being busy, I had to pull this together. I've always seemingly gotten artfully inspired in my down and out times... Thanks to my friend Shane for lending me the hat, and to local Sally's for the long corporate overcoat. I have no idea if I'll wear it again..
Image info:
ISO 400
Canon 40D
16-35 f/2.8 L @ f/7.1 fcl length 33.0mm
wireless flash triggers
24" softbox left 580ex at full power
430ex rear above right backlight facing down full power bout 12 feet high.
Grave stone names, "Warman" pulled from second image, another stone in graveyard, and added in CS5.
Multiple adjustments in hue saturation, sharpness, dodging and burning in CS5.
bleach effect, vintage effect, and concrete effect added in onOne proTools software.
I think its fair to say I need to move out sometime soon so i've got room for some more bad ass equipment.
Patgirl Dakota . Beautiful Metal . I’m the Raw Girl
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