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Mitch opened his own operational studio complete with Protools and Reason software, studio mikes, soundproofing and such.
Oops. I had left my 35mm prime on manual focus, and didn't catch it until I'd already fired off a few frames. Normally this leads to useless photos, but in this case I ended up with at least one that I liked. She's got an ethereal quality to her between the beams of light and lack of focus. No edits other than my stamp.
Cory Arcangel
Research in Motion (Kinetic Sculpture #4), 2011
Modified silver dancing stands and electronics
Cory Arcangel: Pro Tools
at The Whitney Museum of American Art
July 15, 2011
What's on the desk ?
1. ProTools 8
2. Tannoy Active monitors
3. Ipod
4. Phone audio interface/patch for recording phoners, like at brainpicker.ca
5. Headphones
6. Microphone, Beta 58a
7. CF cards from Sound Devices field recorder
8. Pen for Wacom tablet
9. Mixer for house sound
10.M-box, audio interface for ProTools
11. Wireless keyboard
12. Must have - coffee
13. Must have - analog notepad
14. Midi keyboard
15. Mackie MCU control surface
Cory Arcangel
Since U Been Gone, 2011
Fourteen screenprints and metallic foil
Cory Arcangel: Pro Tools
at The Whitney Museum of American Art
July 15, 2011
The top device is a Universal Audio tube mic preamplifier - a very nice sounding unit. Below is a ProTools Digi002 interface.
Be careful, those Pro Tools sessions are getting mighty dangerous. Please pay attention to the Health and Safety Guide.
I had the pleasure of having to record the great guys of Donut Brothers (www.donutbrothers.dk).
We had a great night, and got some good tunes tracked, and while they were playing, listening or reviewing the recordings, I snapped some pics of them.
(REALLY digging B/W for pictures from recording-sessions)
The class that is going on here, Studio Concentration, is basically an excuse to get to work in the studio one day a week, mainly to get hands-on experience with high-grade equipment, and also to hone recording techniques. To this end, the class (which numbers around ten people) picks five or so cover songs to record, working on one a week. Last week was a Roots song, and next week's is Rage Against the Machine's "Without a Face" (which I'm going to play drums on); but this week was Matchbox 20's "Real World". Ryan played bass on it (as seen in this picture), while another guy, Gary, played guitar and produced the session. Another guy came in to play the drums (and did a fine job), but regrettably I've forgotten his name.