View allAll Photos Tagged proofreading
OkayEDU在线论文代写，提供优质代写服务/深入润色/proofreading/在线翻译等服务，自动化订单分配系统，系统给您挑选最优导师，24小时在线网络客服，以最优的价格，提供最高品质的Essay.
Well, if you find yourself unable to recall those – we’ve still got some ideas for you to end this semester right!
Red pen and some papers to proofread - tomorrow.
Meanwhile, my blog is back up and running again - I'll go back to posting my daily drawings there, at www.elizabethperry.com/woolgathering .
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Marcin Białas "Above the pavements"
Book info:
- 300 copies, signed and numbered (dedication on request)
- hard back cover, cloth spine
- number of pages: 128
- size: 300×215 mm
- number of images (graphic, photos, projects): 93
- language of texts: polish and english
- autors of texts: Maciej Linttner , Grzegorz Hańderek, Marta Anna Raczek-Karcz
- type of papier: Cyclus Print 130g (eco)
- concept and edition: Marcin Białas, Katarzyna Wolny
- graphic design: Katarzyna Wolny, Marcin Białas
- typesetting: Katarzyna Wolny
- photography: Marcin Białas
- english translation: Katarzyna Drewniak
- proofreading: Izabela Blacha
- ISBN 978-83-937997-0-1
Details about prices and shipping - check out: www.facebook.com/notes/marcin-bialas-graphic-arts/above-t...
If you'd like to order or have any other question please use this email address: abovethepavements@gmail.com
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The Yearbook of Type presents an independent selection of new digital typefaces created all over the world—from larger publishers to smaller, independent typographers and foundries.
The comprehensive compendium presents a well curated overview that gives an impression of the typeface and its appearance on paper. The emotional and well constructed informative presentation of the typefaces serves designers and agencies as a source of inspiration and help select the right typeface. As a catalog and reference work it is also of interest to all those who are interested in the contemporary world of typesetting and the latest in typeface design.
A small online microsite (www.yearbookoftype.com) leads to the type’s or foundry’s website, to simplify the connection between print and web and to help the user to select or try a typeface.
– New edition with all recent typefaces
– Detailed presentation of all selected fonts
– Ample background information
– Index with classification
– Index of all designers and type foundries
– Explanation of all OpenType features
– Essays and articles by Boris Kochan, Ferdinand P. Ulrich, Viktor Nübel, Laurence Penney, David Jonathan Ross, Rainer Erich Scheichelbauer, Stefan Hattenbach
Yearbook of Type III
Publisher: Slanted Publishers, www.slanted.de
Creative Direction: Lars Harmsen
Art Direction: Julia Kahl
Graphic Design and Managing Editor: Clara Weinreich
Graphic Design Assistant: Nicole Lichtner
Proofreading and Translation: Isabella Krüger, Lies Wolf
Volume: 440 pages
Format: 16.8 × 24 cm
Language: English
Specials: Hardcover, Half linen bound, hot foil stamping, spot colors
Printing: Stober GmbH, www.stober.de
Book Binding: Josef Spinner Großbuchbinderei, www.josef-spinner.de
Cover Linen: Assuan 5008 rosa, Bechem, www.bechemgroup.de
Cover Cardboard: Bowston Black laminate, 4 mm, James Cropper, www.jamescropper.com
Paper Inside: FLY weiß 05, 115 gsm, Papier Union, www.papierunion.de
Endpaper: Primatcolor creme, 120 gsm, Papier Union, www.papierunion.de
maggie is a great proofreader as we frantically print and package in the studio - she kicks off her shoes to work just like i do!
(30 days to go - the final month!!)
Seo, or SEO, is an excellent method in improving your website above your competition. However, proper SEO work isn't easy. This post is only the tip from the iceberg with regards to SEO as well as will show you what to avoid.
You need to have sufficient keywords to achieve success at SEO. Avoid this by maintaining keywords under 20% of the page total.
When choosing your own domain name, be sure to choose a keyword rich URL. Your site ought to be simple for targeted traffic to find once they perform a web search. Remember that not every individuals who arrived at your website go there because of advertisements, some individuals exist because of the products within your website.
Use keyword-friendly anchor-text for links between pages on your own website. You will get nothing from your phrase 'click here' to increase your ranks. It's essential to use keywords within your anchor-text to enable them to get acquired by search spiders crawling your website.
After you have chosen the keywords which you will make use of throughout your website, incorporate them in your page title, too. Since your title will be prominently displayed to users in search results, ensure it is pertinent and logical, so users form a favorable impression of the website. Having a more generic word within the title, searchers who aren't conscious of your company's name will still go to your web site to determine what they are searching for.
Often times site owners forgot to proofread their sites, and that is certainly an enormous mistake. You need to carefully read all of the text on your own site to ensure that it really is logical and error free, so that your visitors and look engines can simply comprehend it. Search engines like google are more inclined to disregard your site or provide it with a small ranking if keywords are misspelled or perhaps your content contains several conspicuous grammatical errors.
Enhancing your ranking will not be solely about drawing in visitors. You should also have them there. The major search engines outcomes for your company could be affected when consumers spend taking a look at your website. This trend continues to be established through metrics like Quantcast scores. Something that adds interactivity for your site, like discussion forums and blogs that accept comments, will entice targeted traffic to stay for an extended time period.
Putting your site inside a prime place available is exactly what seo is about. The content you might have just read gave you multiple tips about how to accomplish this for you personally. Applying these simple tricks can get your site noticed very quickly, so improve your traffic today! lmgseo.com/seo-company-los-angeles/
Kosher Tefillin&Tallit
Set includes tefillin, acrylic tallit size 50, siddur (prayerbook) and kippa for the bar mitzvah.
The tefillin boxes are of thin leather, superior regular quality. They are long- lasting, reinforced with thick leather (not guaranteed if mishandled).
Tefillin portions kosher, inspected and proofread, both manual and computerized.
Includes a computer printout and photocopy of the portions for subsequent inspection and as a memento.
Choice top leather straps- 14 cm. (5- 1/ 2 inch) width.
Upgrade available for related products in a variety of qualities and styles to suit your taste, such as tallit, tefillin bag, etc.http://www.soferstam.co.il/product.aspx?prodid=57&lang=en
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Another "proofread your file name" typo. It's Moody Gardens...
Butterfly (unknown species). Taken with a Minolta film SLR on 7-9-11.
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Basic website for Copyediting & proofreading services, with online quote functionality.
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Hi King!
What's shaking? That'd be awesome! Yeah, we're doing the final proofreading now. Of course, it finally starts rolling when I'm already swamped with shit, but that's life. I'll be linking you up too once I get the new computer file transfer shit figured out--old one died. The photo should be attached; it's low-rez so it'll be good for the web.
Cheers!
W
King Wenclas wrote:
Jeff tells me your novel is almost done. I hope this is true! Make sure he sends me some promo copies. In the interim, please e-mail to me a photo of yourself as an attachment which I can add to my blog when I mention the pending release of the book.
(Maybe I can also do a short e-mail interview with you in a couple weeks.)
Thanks.
-KW
Unique Wood Lamination Projects
Author: Jerry Syfert
Editor: John Kelsey
Copyeditor: Kate Garrenson (YawningDog)
Sign at Brandeis University. Find the missing word.
Perhaps that's why the sign is positioned so it's facing the campus loop road and a parking lot.
Bummer for the proofreader.
Name of Monument:
Parish Church of St. James
Also known as:
Župna crkva sv. Jakova
Location:
Prelog, North-West Croatia, Croatia
Contact Details
Parish Church of St. James
T : +385 40 645 106
Parish Office, Glavna 34, 40323 Prelog (Responsible Institution)
Date:
1758 (church); 1765–1767 (high altar)
Artists:
Sculptor: Veit Königer (1729–1792); cabinetmaker: Josip Herman (active c. 1750)
Denomination / Type of monument:
Religious, parish church, interior furnishing
Patron(s):
The church: the citizens of Prelog and the parish priest, Ivan Mihovil Smrekar; the high altar: Abbot Josip Gradičaj
History:
The parish priest, Ivan Mihovil Smrekar who was educated in Graz and in Vienna, commissioned the church in 1758. The citizens of Prelog paid for it with alms. In little over a decade (1765–1767) a monumental three-part high altar – a documented work of the sculptor, Veit Königer, and cabinetmaker, Josip Herman of Graz – furnished the altar financed by Abbot Josip Gradičaj. It is likely that the community were able to engage the outstandingly important sculptor, Königer, because of family connections in Croatia – his sister was married to the Varaždin sculptor, Josip (Josephus) Schranz – after whose death she married the sculptor Leopold Mayrhofer (active c. 1771).
Description:
The high altar, a monumental and typologically rare composition consisting of three altars architecturally connected, is a documented work by Styria's most important sculptor of the time, Veit Königer. His work betrays a clear and persistent element of Classicism, linked to his artistic training at the Vienna Academy, along with Rococo elements. The central altar is dedicated to the titular saint of the church, St. James, while the side altars are dedicated to St. Joseph and St. John Nepomuk. The central part of the Altar of St. James is accentuated by a pair of columns the width of which, on the mensa, a monumental tabernacle is placed adorned with a row of angels. Alongside the columns are imposing figures of the apostles St. Peter and St. Paul, the handling of which draws closely on the sculptures of the same saints on the Altar of St. Ignatius in Graz Cathedral. An imposing Holy Trinity in a sunburst halo crowns the altar. On the side altars, the placing of the ornamentation is more marked, aspiring to the picturesque. This outstanding sculptural achievement was an important stimulus for the leading Maribor sculptor, Joseph (Jožef) Holzinger (1735–1797), an inspiration seen in the disposition of his sculptures on the side altars of the church in Polenšak (Slovenia). A pulpit was installed in the church in Prelog before the altar (1760 is mentioned). According to stylistic analysis, the pulpit reliefs are likely to have been by Königer.
View Short Description
How Monument was dated:
Archival sources.
Special features
St. Peter
High Altar
1765–1767
Attributed to Veit Königer (1729–1792)
An elongated and elegant saintly figure with his head thrown back, it is a characteristic example of Königer’s sculptural idiom with its typical lyricism, suffusing the usually more robust figures of the two leading apostles with a pronounced spirituality.
Apotheosis of St. John of Nepomuk
Right altar
1765–1767
Attributed to Veit Königer (1729–1792)
Apotheosis of St. Joseph
Left altar
1765–1767
Attributed to Veit Königer (1729–1792)
Selected bibliography:
Horvat, A., (ed) “Barok u kontinentalnoj Hrvatskoj” in Barok u Hrvatskoj, Zagreb, 1982.
Vrišer, S., Jožef Holzinger, Maribor, 1997.
Baričević, D., Barokno kiparstvo sjeverne Hrvatske, Zagreb, 2008.
Citation of this web page:
Vlasta Zajec "Parish Church of St. James" in "Discover Baroque Art", Museum With No Frontiers, 2024. baroqueart.museumwnf.org/database_item.php?id=monument;BA...
Prepared by: Vlasta Zajec
Vlasta Zajec
SURNAME: Zajec
NAME: Vlasta
AFFILIATION: Institute of Art History, Zagreb
TITLE: PhD, Scientific Consultant
CV:
Vlasta Zajec was awarded her BA in Art History and Comparative Literature from Zagreb University (Faculty of Philosophy) in 1989. In the same year she began work at the Institute of Art History. She was awarded her MA in 1995 (17th-Century Wooden Altars in Istria), and her PhD in 2001 (17th Century Wooden Sculpture in Istria). She has spent brief periods of study in Italy (Udine, Venice and Trieste) and Germany (Munich). Her areas of research are wooden and marble altars and 17th- and 18th-century sculpture in Istria and North Croatia.
Translation by: Graham McMaster
Translation copyedited by: Mandi Gomez
Mandi Gomez
Amanda Gomez is a freelance copy-editor and proofreader working in London. She studied Art History and Literature at Essex University (1986–89) and received her MA (Area Studies Africa: Art, Literature, African Thought) from SOAS in 1990. She worked as an editorial assistant for the independent publisher Bellew Publishing (1991–94) and studied at Bookhouse and the London College of Printing on day release. She was publications officer at the Museum of London until 2000 and then took a role at Art Books International, where she worked on projects for independent publishers and arts institutions that included MWNF’s English-language editions of the books series Islamic Art in the Mediterranean. She was part of the editorial team for further MWNF iterations: Discover Islamic Art in the Mediterranean Virtual Museum and the illustrated volume Discover Islamic Art in the Mediterranean.
True to its ethos of connecting people through the arts, MWNF has provided Amanda with valuable opportunities for discovery and learning, increased her editorial experience, and connected her with publishers and institutions all over the world. More recently, the projects she has worked on include MWNF’s Sharing History Virtual Museum and Exhibition series, Vitra Design Museum’s Victor Papanek and Objects of Desire, and Haus der Kulturen der Welt’s online publication 2 or 3 Tigers and its volume Race, Nation, Class.
MWNF Working Number: HR 46
Source: [baroqueart.museumwnf.org/database_item.php?id=monument;BA...]
20080614 S 1330 VarPrelo Prelog 9514 PhotosCROPrelog_01 Crkva sv. Jakoba
The Yearbook of Type presents an independent selection of new digital typefaces created all over the world—from larger publishers to smaller, independent typographers and foundries.
The comprehensive compendium presents a well curated overview that gives an impression of the typeface and its appearance on paper. The emotional and well constructed informative presentation of the typefaces serves designers and agencies as a source of inspiration and help select the right typeface. As a catalog and reference work it is also of interest to all those who are interested in the contemporary world of typesetting and the latest in typeface design.
A small online microsite (www.yearbookoftype.com) leads to the type’s or foundry’s website, to simplify the connection between print and web and to help the user to select or try a typeface.
– New edition with all recent typefaces
– Detailed presentation of all selected fonts
– Ample background information
– Index with classification
– Index of all designers and type foundries
– Explanation of all OpenType features
– Essays and articles by Boris Kochan, Ferdinand P. Ulrich, Viktor Nübel, Laurence Penney, David Jonathan Ross, Rainer Erich Scheichelbauer, Stefan Hattenbach
Yearbook of Type III
Publisher: Slanted Publishers, www.slanted.de
Creative Direction: Lars Harmsen
Art Direction: Julia Kahl
Graphic Design and Managing Editor: Clara Weinreich
Graphic Design Assistant: Nicole Lichtner
Proofreading and Translation: Isabella Krüger, Lies Wolf
Volume: 440 pages
Format: 16.8 × 24 cm
Language: English
Specials: Hardcover, Half linen bound, hot foil stamping, spot colors
Printing: Stober GmbH, www.stober.de
Book Binding: Josef Spinner Großbuchbinderei, www.josef-spinner.de
Cover Linen: Assuan 5008 rosa, Bechem, www.bechemgroup.de
Cover Cardboard: Bowston Black laminate, 4 mm, James Cropper, www.jamescropper.com
Paper Inside: FLY weiß 05, 115 gsm, Papier Union, www.papierunion.de
Endpaper: Primatcolor creme, 120 gsm, Papier Union, www.papierunion.de
Did they fire the proofreader?
I forgot to mention that this reminds me of the time I was looking at the car dealer ads in the paper and stumbled upon the Isuzu Assender (should have been the Ascender)...unfortunately I didn't keep that paper because I never saw it spelled that way again.
Kosher Tefillin&Tallit
Set includes tefillin, acrylic tallit size 50, siddur (prayerbook) and kippa for the bar mitzvah.
The tefillin boxes are of thin leather, superior regular quality. They are long- lasting, reinforced with thick leather (not guaranteed if mishandled).
Tefillin portions kosher, inspected and proofread, both manual and computerized.
Includes a computer printout and photocopy of the portions for subsequent inspection and as a memento.
Choice top leather straps- 14 cm. (5- 1/ 2 inch) width.
Upgrade available for related products in a variety of qualities and styles to suit your taste, such as tallit, tefillin bag. www.soferstam.co.il/product.aspx?prodid=57&lang=en
Collection of Texts and Other Artefacts
Tender Digitality introduces an aesthetically oriented concept that intricately intertwines binary systems in a complex manner, setting them in motion. The concept, which is developed at the Zurich University of the Arts, responds to the human desire for sensuality, interpersonal connection, intuition, and well-being in digital environments. It explores ways to (re)transmit these experiences into the analog world of a book, developing its own distinct vocabularies.
Readers are guided through the various perspectives of this kaleidoscope, encouraging them to delve into different play-forms of “tender digitality” and develop their own approach. Assuming the role of researchers, they discover phenomena of extraordinary beauty or bizarreness within the spectrum spanning analogue and digital, social, and technological domains. Through exploration, learning, and the cultivation of “tender digitality,” readers can envision their own version of a community where individuals and artificial intelligences, avatars and cyborgs, humans and computers navigate digital landscapes with agency, intuition, and sensitivity.
With contributions by Charlotte Axelsson, Oliver Bendel, Dana Blume, Marisa Burn, Alexander Damianisch, Léa Ermuth, Hannah Eßler, Barbara Getto, Leoni Hof, Marcial Koch, Mela Kocher, Friederike Lampert, Gunter Lösel, Francis Müller, Marie-France Rafael, Oliver Ruf, Sascha Schneider, and Grit Wolany.
Tender Digitality
Publisher: Slanted Publishers
Editor: Charlotte Axelsson
Authors: Charlotte Axelsson, Oliver Bendel, Dana Blume, Marisa Burn, Alexander Damianisch, Léa Ermuth, Hannah Eßler, Barbara Getto, Leoni Hof, Marcial Koch, Mela Kocher, Friederike Lampert, Gunter Lösel, Francis Müller, Marie-France Rafael, Oliver Ruf, Sascha Schneider, Grit Wolany
Design: Slanted Publishers
Publishing Direction: Lars Harmsen, Julia Kahl
Production Management: Julia Kahl
Proofreading and translation: Miha Tavčar, scriptophil
Release: February 2024
Format: 12 × 19 cm
Volume: 112 pages
Language: English
Printer: NINO Druck, Germany
Workmanship: Hardcover, thread-stitching, full-color, metallic iridescent cover material
Paper: Majestic Chameleon light blue, 120 gsm (Cover) / Juwel Offset, 120 gsm (Inside)
I meant to go to the famous street with all the Indian food restaurants but got distracted at an internet cafe trying to help some guy proofread his email. So I had Indian food on the brain and went to a place close by to my hotel. The food was ok. (London Jul 2009)
Tandoori Raj
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