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I ordered my beautiful business cards from MOO - mini cards with handpicked designs for the back (I sat for hours and chose all my favourite ones!) and a custom logo for the front.
They're enormously popular... people like to sort through the designs to make sure that they got the 'very best' one so they can show off to all their friends. Business Card Win!
Cards are for www.bakercourt.co.uk, and my personal portfolio as a freelance writer at www.staceychamberlain.co.uk.
How AI is changing the Landscape of Typography
Creativity and innovation are no longer exclusively the province of humans, but the result of collaboration, a game of interpretation in the dialog between humans and machines. This is the world in which we live today, where artificial intelligence is rapidly evolving and new scenarios are opened.
AI technology is transforming the realms of art, design, communication, and marketing. However, when it comes to typography, in this age of co-creation, it has not yet taken center stage in this evolutionary process, but it is ripe for experimentation.
Gianpaolo Tucci's research led him to recognize aesthetic imperfections as a source of uniqueness in each individual representation. The world is entering a new era of typographical artifacts, where typography moves beyond the strict confines of function to embrace new values of expression.
This is not a book on typography, but the expression of a point of view, a practical guide, and an investigation on how the integration and ethical use of artificial intelligence will play a fundamental role in modeling this future. This book witnesses the birth of a co-creation era, urging a rethinking to craft a more human-centric future where AI magnifies human creativity, rather than replacing it. Take a breath, and as if we were unaware laboratory animals, Tucci invites to jump into this journey made of confused, blurred, anatomical, radical, colorful, and sometimes overturned visions.
AI and typography—a dialogue between humans & nature!
Aesthetics Imperfections
How AI is changing the Landscape of Typography
Author: Gianpaolo Tucci
Publisher: Slanted Publishers
Release: December 2023
Volume: 288 pages
Format: 20 × 28 cm
Creative Direction: Lars Harmsen, Gianpaolo Tucci
Art Direction: Juliane Nöst
Design: Gianpaolo Tucci, Juliane Nöst, Lars Harmsen
Publishing Direction: Lars Harmsen, Julia Kahl
Production Management: Julia Kahl
Proofreading: Katherine Margaret Flach
Printing: Offset, Stober Medien
Paper: ina®star 2s, 300 g/sm (Cover), Gardapat Kiara, 100 g/sm, Condat Perigord, 135 g/sm (Inside)
Workmanship: Softcover with foil-lamination, thread stitching, full-color
Name of Monument:
Parish Church of St. James
Also known as:
Župna crkva sv. Jakova
Location:
Prelog, North-West Croatia, Croatia
Contact Details
Parish Church of St. James
T : +385 40 645 106
Parish Office, Glavna 34, 40323 Prelog (Responsible Institution)
Date:
1758 (church); 1765–1767 (high altar)
Artists:
Sculptor: Veit Königer (1729–1792); cabinetmaker: Josip Herman (active c. 1750)
Denomination / Type of monument:
Religious, parish church, interior furnishing
Patron(s):
The church: the citizens of Prelog and the parish priest, Ivan Mihovil Smrekar; the high altar: Abbot Josip Gradičaj
History:
The parish priest, Ivan Mihovil Smrekar who was educated in Graz and in Vienna, commissioned the church in 1758. The citizens of Prelog paid for it with alms. In little over a decade (1765–1767) a monumental three-part high altar – a documented work of the sculptor, Veit Königer, and cabinetmaker, Josip Herman of Graz – furnished the altar financed by Abbot Josip Gradičaj. It is likely that the community were able to engage the outstandingly important sculptor, Königer, because of family connections in Croatia – his sister was married to the Varaždin sculptor, Josip (Josephus) Schranz – after whose death she married the sculptor Leopold Mayrhofer (active c. 1771).
Description:
The high altar, a monumental and typologically rare composition consisting of three altars architecturally connected, is a documented work by Styria's most important sculptor of the time, Veit Königer. His work betrays a clear and persistent element of Classicism, linked to his artistic training at the Vienna Academy, along with Rococo elements. The central altar is dedicated to the titular saint of the church, St. James, while the side altars are dedicated to St. Joseph and St. John Nepomuk. The central part of the Altar of St. James is accentuated by a pair of columns the width of which, on the mensa, a monumental tabernacle is placed adorned with a row of angels. Alongside the columns are imposing figures of the apostles St. Peter and St. Paul, the handling of which draws closely on the sculptures of the same saints on the Altar of St. Ignatius in Graz Cathedral. An imposing Holy Trinity in a sunburst halo crowns the altar. On the side altars, the placing of the ornamentation is more marked, aspiring to the picturesque. This outstanding sculptural achievement was an important stimulus for the leading Maribor sculptor, Joseph (Jožef) Holzinger (1735–1797), an inspiration seen in the disposition of his sculptures on the side altars of the church in Polenšak (Slovenia). A pulpit was installed in the church in Prelog before the altar (1760 is mentioned). According to stylistic analysis, the pulpit reliefs are likely to have been by Königer.
View Short Description
How Monument was dated:
Archival sources.
Special features
St. Peter
High Altar
1765–1767
Attributed to Veit Königer (1729–1792)
An elongated and elegant saintly figure with his head thrown back, it is a characteristic example of Königer’s sculptural idiom with its typical lyricism, suffusing the usually more robust figures of the two leading apostles with a pronounced spirituality.
Apotheosis of St. John of Nepomuk
Right altar
1765–1767
Attributed to Veit Königer (1729–1792)
Apotheosis of St. Joseph
Left altar
1765–1767
Attributed to Veit Königer (1729–1792)
Selected bibliography:
Horvat, A., (ed) “Barok u kontinentalnoj Hrvatskoj” in Barok u Hrvatskoj, Zagreb, 1982.
Vrišer, S., Jožef Holzinger, Maribor, 1997.
Baričević, D., Barokno kiparstvo sjeverne Hrvatske, Zagreb, 2008.
Citation of this web page:
Vlasta Zajec "Parish Church of St. James" in "Discover Baroque Art", Museum With No Frontiers, 2024. baroqueart.museumwnf.org/database_item.php?id=monument;BA...
Prepared by: Vlasta Zajec
Vlasta Zajec
SURNAME: Zajec
NAME: Vlasta
AFFILIATION: Institute of Art History, Zagreb
TITLE: PhD, Scientific Consultant
CV:
Vlasta Zajec was awarded her BA in Art History and Comparative Literature from Zagreb University (Faculty of Philosophy) in 1989. In the same year she began work at the Institute of Art History. She was awarded her MA in 1995 (17th-Century Wooden Altars in Istria), and her PhD in 2001 (17th Century Wooden Sculpture in Istria). She has spent brief periods of study in Italy (Udine, Venice and Trieste) and Germany (Munich). Her areas of research are wooden and marble altars and 17th- and 18th-century sculpture in Istria and North Croatia.
Translation by: Graham McMaster
Translation copyedited by: Mandi Gomez
Mandi Gomez
Amanda Gomez is a freelance copy-editor and proofreader working in London. She studied Art History and Literature at Essex University (1986–89) and received her MA (Area Studies Africa: Art, Literature, African Thought) from SOAS in 1990. She worked as an editorial assistant for the independent publisher Bellew Publishing (1991–94) and studied at Bookhouse and the London College of Printing on day release. She was publications officer at the Museum of London until 2000 and then took a role at Art Books International, where she worked on projects for independent publishers and arts institutions that included MWNF’s English-language editions of the books series Islamic Art in the Mediterranean. She was part of the editorial team for further MWNF iterations: Discover Islamic Art in the Mediterranean Virtual Museum and the illustrated volume Discover Islamic Art in the Mediterranean.
True to its ethos of connecting people through the arts, MWNF has provided Amanda with valuable opportunities for discovery and learning, increased her editorial experience, and connected her with publishers and institutions all over the world. More recently, the projects she has worked on include MWNF’s Sharing History Virtual Museum and Exhibition series, Vitra Design Museum’s Victor Papanek and Objects of Desire, and Haus der Kulturen der Welt’s online publication 2 or 3 Tigers and its volume Race, Nation, Class.
MWNF Working Number: HR 46
Source: [baroqueart.museumwnf.org/database_item.php?id=monument;BA...]
20080614 S 1330 VarPrelo Prelog 9514 PhotosCROPrelog_01 Crkva sv. Jakoba
"Blue Cloud Scratch (21 July 2017) is an exciting new dance scratch night, showcasing works in progress from a diverse range of choreographers, and is curated by Blue Elephant Theatre and Cloud Dance Festival. Blue Cloud Scratch aims to encourage and provide emerging dance artists with opportunities to present their works in progress and receive feedback from audiences and peers".
-------------------------------------------------------------
“Kane John Mills - Remnants (a Triple Bill)
Choreography/ Performance: Kane John Mills
The individual works’ titles are The Mask You Wear, It keeps me up at night. & Divulge.
The Mask You Wear is heavily influenced by Kane’s long-term health conditions, delving into the façade that people create in order to maintain a false but more idealistic perception of themselves. What happens once you no longer have it in you to sustain this front?
It keeps me up at night. examines an imagined thought process that could occur if someone you knew went missing.
Divulge shares honest & dishonest things that no longer have to stay unsaid.
Recent NSCD graduate Kane John Mills is a Plymouth-born emerging choreographer and dance, theatre and installation artist. He has twice been the recipient of PDSW’s Young Choreographer’s Award, enabling him to create two works with mentorship and funding. He is also passionate about psychology, writing and proofreading/editing and aims to have his own inclusive company in the future.”
Copyright of all above descriptions is reserved to Blue Elephant Theatre 2017
"Blue Cloud Scratch (21 July 2017) is an exciting new dance scratch night, showcasing works in progress from a diverse range of choreographers, and is curated by Blue Elephant Theatre and Cloud Dance Festival. Blue Cloud Scratch aims to encourage and provide emerging dance artists with opportunities to present their works in progress and receive feedback from audiences and peers".
-------------------------------------------------------------
“Kane John Mills - Remnants (a Triple Bill)
Choreography/ Performance: Kane John Mills
The individual works’ titles are The Mask You Wear, It keeps me up at night. & Divulge.
The Mask You Wear is heavily influenced by Kane’s long-term health conditions, delving into the façade that people create in order to maintain a false but more idealistic perception of themselves. What happens once you no longer have it in you to sustain this front?
It keeps me up at night. examines an imagined thought process that could occur if someone you knew went missing.
Divulge shares honest & dishonest things that no longer have to stay unsaid.
Recent NSCD graduate Kane John Mills is a Plymouth-born emerging choreographer and dance, theatre and installation artist. He has twice been the recipient of PDSW’s Young Choreographer’s Award, enabling him to create two works with mentorship and funding. He is also passionate about psychology, writing and proofreading/editing and aims to have his own inclusive company in the future.”
Copyright of all above descriptions is reserved to Blue Elephant Theatre 2017
Steve randomly decided to make some yogurt panna cotta the other night. We had the last two last night for dessert with strawberries on top. I didn't feel like taking a picture of the first two the night before, but I hadn't yet taken a picture yesterday. I was too busy proofreading the program for the summer shows when I got home from work.
If you are a college student, then probably you have to write a research paper. But do you know what research paper is? A research paper is an academic writing which is based on the original research of the author. It includes featured analysis and interpretations from the author.
According to teachers, these assignments will help students in knowing the subjects better. But what if you are not familiar with research papers? Then check our video to know how to write a research paper.
It is vital to know which kind of research paper you need for your assignment, as every type of research paper requires different preparation and workings.
1. 100% Plagiarism Free Content
2. Punctual Submission
3. Budget Friendly Pricing
4. Constant Assistance
5. Discharge the Mental Stress
6. Help with Proofreading
7. Correctly Shape the Solutions
Read more: bit.ly/2NxcAHy
This guy. He cooks. He proofreads. He works hard. He resets all the clocks in the house for Daylight Savings time. He loves God. He makes me giggle like a ninny. He knows how to solder. He knows my favorite everything. He does what he says he'll do. He loves his kids even when they make us want to tear out our (thinning, graying) hair. He buys me steak when the budget allows and fastens my necklaces for me. All this, and he's cute, too. <3
Author of:
How I Met My Second Husband Online at Age 50: A dating coach shares the keys to her Internet dating success
Since 2004, I've been a dating coach who helps divorced and widowed people find love the second time around. I've also been a life coach for 9 years, helping separated and divorcing people create a happier new life as a single. After a 16-year marriage and 8+ years in the post-divorce dating world, I met my second husband on YahooPersonals. I've been a writer, copy editor, and proofreader for 30 years. I'm also a motivational speaker and workshop facilitator. My B.A. is in English, and my M.S. is in Communications.
If you're going to open up an English conversation school, I recommend you have a native English speaker proofread your name.
Sofer STAM scribes and certified proofreaders write, inspect and provide Torah scrolls, tefillin, mezuzot , megilot Esther scrolls, haftorah books throughout Israel and abroad for over 10 years. www.soferstam.co.il/
I'm not sure I can really add anything to make this photo any more entertaining. I love juxtaposition, so to have the word itself juxtaposed with also-excellent words such as "microwave oven" and "optimal copy" is magnificent. And there you go.
Gulls flying over Owens Lake, California. From Kodachrome March 1999.
The new nature documentary I helped on was officially released today! It's called Flight: The Genius of Birds. Watch the trailer at www dot illustramedia dot com, where you can order the DVD or wait till the Blu-ray is released June 11. The film is loaded with amazing facts with stunning animations and cinematography about birds and how they fly, beautifully filmed with a RED Epic camera (same used for The Hobbit). Eight scientists and specialists tell the story. Great music, too-- a terrific experience for your home theater! I helped with the research and proofreading, but the credit goes to the producer and his talented team.
This is Scott, me and Jon (the incredible writing team) in line for our morning coffee. Julie (our proofreader) took the photo before we were ready for our closeups. As you can see, I'm in no mood.
If you could see further in the background, you'd notice the crowd gathered to watch the World Cup. This shop that we frequent is owned by a native of Italy and soccer means the world to him, so he rolled in a huge plasma screen TV just for the games. Our charming little European café in just a few short weeks has become something of a sports bar (though much quieter). It's pretty funny to see all the suits and the jocks mingling in such a way.
Wednesday, January 5
5:365
I copyedited and proofread parts of this book this time last year, and yesterday the finished product came in the mail, shrinkwrapped and packed in a too-big box among too many styrofoam peanuts. I got the gig when a blog reader asked if I have any experience with art history books.
Providing services in USA, UAE, KSA, Europe and GCC countries, especially in United Arab Emirate and Saudia Arabia.
Professional Writers and Developers:
1) Academic Writing: *Essay Writing, *Article Writing, *Research Article Writing, *Research Report Writing, *Thesis Writing, *Dissertation Writing, Other Academic Assignments.
2) Business Writing: *Company Profile Writing, *Company Web Content Writing, *Business Proposal Writing, *Business Report writing, *Power-Point Presentations *Website Content Writing
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What I propose today - it's fast food from painting. By all subcultures fast food (including metaphysical) - my works is pure semi-finished goods, the materials are all that may come to office space inside the pens, used alone and not once paper, scanner HP, text markers, markers, pencils , glue, proofreaders, colored stickers.
"Blue Cloud Scratch (21 July 2017) is an exciting new dance scratch night, showcasing works in progress from a diverse range of choreographers, and is curated by Blue Elephant Theatre and Cloud Dance Festival. Blue Cloud Scratch aims to encourage and provide emerging dance artists with opportunities to present their works in progress and receive feedback from audiences and peers".
-------------------------------------------------------------
“Kane John Mills - Remnants (a Triple Bill)
Choreography/ Performance: Kane John Mills
The individual works’ titles are The Mask You Wear, It keeps me up at night. & Divulge.
The Mask You Wear is heavily influenced by Kane’s long-term health conditions, delving into the façade that people create in order to maintain a false but more idealistic perception of themselves. What happens once you no longer have it in you to sustain this front?
It keeps me up at night. examines an imagined thought process that could occur if someone you knew went missing.
Divulge shares honest & dishonest things that no longer have to stay unsaid.
Recent NSCD graduate Kane John Mills is a Plymouth-born emerging choreographer and dance, theatre and installation artist. He has twice been the recipient of PDSW’s Young Choreographer’s Award, enabling him to create two works with mentorship and funding. He is also passionate about psychology, writing and proofreading/editing and aims to have his own inclusive company in the future.”
Copyright of all above descriptions is reserved to Blue Elephant Theatre 2017
"Blue Cloud Scratch (21 July 2017) is an exciting new dance scratch night, showcasing works in progress from a diverse range of choreographers, and is curated by Blue Elephant Theatre and Cloud Dance Festival. Blue Cloud Scratch aims to encourage and provide emerging dance artists with opportunities to present their works in progress and receive feedback from audiences and peers".
-------------------------------------------------------------
“Kane John Mills - Remnants (a Triple Bill)
Choreography/ Performance: Kane John Mills
The individual works’ titles are The Mask You Wear, It keeps me up at night. & Divulge.
The Mask You Wear is heavily influenced by Kane’s long-term health conditions, delving into the façade that people create in order to maintain a false but more idealistic perception of themselves. What happens once you no longer have it in you to sustain this front?
It keeps me up at night. examines an imagined thought process that could occur if someone you knew went missing.
Divulge shares honest & dishonest things that no longer have to stay unsaid.
Recent NSCD graduate Kane John Mills is a Plymouth-born emerging choreographer and dance, theatre and installation artist. He has twice been the recipient of PDSW’s Young Choreographer’s Award, enabling him to create two works with mentorship and funding. He is also passionate about psychology, writing and proofreading/editing and aims to have his own inclusive company in the future.”
Copyright of all above descriptions is reserved to Blue Elephant Theatre 2017
"Blue Cloud Scratch (21 July 2017) is an exciting new dance scratch night, showcasing works in progress from a diverse range of choreographers, and is curated by Blue Elephant Theatre and Cloud Dance Festival. Blue Cloud Scratch aims to encourage and provide emerging dance artists with opportunities to present their works in progress and receive feedback from audiences and peers".
-------------------------------------------------------------
“Kane John Mills - Remnants (a Triple Bill)
Choreography/ Performance: Kane John Mills
The individual works’ titles are The Mask You Wear, It keeps me up at night. & Divulge.
The Mask You Wear is heavily influenced by Kane’s long-term health conditions, delving into the façade that people create in order to maintain a false but more idealistic perception of themselves. What happens once you no longer have it in you to sustain this front?
It keeps me up at night. examines an imagined thought process that could occur if someone you knew went missing.
Divulge shares honest & dishonest things that no longer have to stay unsaid.
Recent NSCD graduate Kane John Mills is a Plymouth-born emerging choreographer and dance, theatre and installation artist. He has twice been the recipient of PDSW’s Young Choreographer’s Award, enabling him to create two works with mentorship and funding. He is also passionate about psychology, writing and proofreading/editing and aims to have his own inclusive company in the future.”
Copyright of all above descriptions is reserved to Blue Elephant Theatre 2017
Old and new technology.
--
The Torah written by Scribe Julie Seltzer is complete! Now begins the process of proofreading every page to make sure the words are accurate, and the letters are correctly formed.
" missing person. like new. cash and carry. be the envy of all your neighbors with your own missing person. skillz include archiving stolen art, art handling, proofreading ____, pole vaulting, knife fighting, vacuum repair and trance djing. cash only. call to set up appointment. will meet at the corner of broadway and 42nd street noticeably aroused, between 9 to 5 m-f."
saw a bunch of these flyers tacked up from houston up.
Lisa Seitz proofreading "Filling the Void", an essay on Infrasound. Southern Exposure, San Francisco. September 25, 2010.
Photo by R. Yau.
"Blue Cloud Scratch (21 July 2017) is an exciting new dance scratch night, showcasing works in progress from a diverse range of choreographers, and is curated by Blue Elephant Theatre and Cloud Dance Festival. Blue Cloud Scratch aims to encourage and provide emerging dance artists with opportunities to present their works in progress and receive feedback from audiences and peers".
-------------------------------------------------------------
“Kane John Mills - Remnants (a Triple Bill)
Choreography/ Performance: Kane John Mills
The individual works’ titles are The Mask You Wear, It keeps me up at night. & Divulge.
The Mask You Wear is heavily influenced by Kane’s long-term health conditions, delving into the façade that people create in order to maintain a false but more idealistic perception of themselves. What happens once you no longer have it in you to sustain this front?
It keeps me up at night. examines an imagined thought process that could occur if someone you knew went missing.
Divulge shares honest & dishonest things that no longer have to stay unsaid.
Recent NSCD graduate Kane John Mills is a Plymouth-born emerging choreographer and dance, theatre and installation artist. He has twice been the recipient of PDSW’s Young Choreographer’s Award, enabling him to create two works with mentorship and funding. He is also passionate about psychology, writing and proofreading/editing and aims to have his own inclusive company in the future.”
Copyright of all above descriptions is reserved to Blue Elephant Theatre 2017
Providing services in USA, UAE, KSA, Europe and GCC countries, especially in United Arab Emirate and Saudia Arabia.
Professional Writers and Developers:
1) Academic Writing: *Essay Writing, *Article Writing, *Research Article Writing, *Research Report Writing, *Thesis Writing, *Dissertation Writing, Other Academic Assignments.
2) Business Writing: *Company Profile Writing, *Company Web Content Writing, *Business Proposal Writing, *Business Report writing, *Power-Point Presentations *Website Content Writing
3) Ecommerce Mobile App Development
4) Ecommerce Website Development
5) Professional Software Development
6) Social Media Marketing
Facebook: www.facebook.com/Professional-Writers-100215161341025/?re...
Website: professionalwriters932625625.wordpress.com
Email: academia.professionals.writers@gmail.com
Whatsapp & Call: +971 050 70 99 396
WhatsApp: +971 056 30 82 186
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Letters start to fade,
But words will remain,
Proofreading will not be needed,
Just to stop the rain.
Colors may turn pale,
But pictures will stay,
Don't take as an opinion,
To obliterate it all away.
For all I can see is near,
And blurry image forms when far,
Should I cling to my fear?
Or going beyond the bar?
Because not all the time,
We can see the truth,
Like catching a dime,
From dear old Ruth.
Eyes is for sight
And it cannot bite
'Cause we can't see the future,
From a simple figure.
But don't lose hope,
Put away the envelope,
'Cause there's always a light,
In every twilight.
By Me Ü
Work. Daring Greatly book club at lunch. The topic: shame. It's a big one but Brene, of course, presents it brilliantly. Home and onto the mat for my practice. I haul out my big wall mirror. I feel like I need a bit of visual feedback on my chaturanga to up dog transition. It helps a bit, but more practice is needed. I also bring out my phone to time my standing poses. Can't argue with what 1 or 2 minutes actually is when the phone keeps you honest. It's a sweaty, vigorous practice followed by a very quiet, peaceful savasana. After it's time to head to the studio. It's the return of my Tuesday night vinyasa class. There are new faces and familiar faces and I'm so happy to be there with them. For class, I'd decided on a general overall flow ending in bridge. A chance to remember that mid/upper back in our first class of the year. After class I rewarm some soup and toss a salad. I shouldn't, but while I eat I proofread my post and make a few edits. Then I schedule it to go live on Wednesday morning. I get ready for bed and cozy in amongst my blankets for a few pages of Julia before falling asleep on the early side.
What I propose today - it's fast food from painting. By all subcultures fast food (including metaphysical) - my works is pure semi-finished goods, the materials are all that may come to office space inside the pens, used alone and not once paper, scanner HP, text markers, markers, pencils , glue, proofreaders, colored stickers.
Wherever there is spelling injustice and grammatical atrocity, I'll be there, because I am...THE PHANTOM PROOFREADER!!!