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I have alluded to this a number of times here and on my facebook page. Tomarrow I plan on starting a new workout "fad". I find it hard to believe a lot of things these days, they they are not scams, that they will work or whatever. As a third shifter I am subjected to numerous infomercials and usually I will disregard them. Over an over I found myself watching the P90X commercial. I am not sure why. I still am not sure if I can do it, or if I believe its claims but after the whole trainer deboggle I had about a month ago I decided to try it. It cost a pretty penny but less than a trainer. Today I ran around trying to gather things I would need. Most of this stuff I already had, but I needed to get the resistance bands, and stuff for my "new" diet. The diet portion will be tough. the scary thought is that I will have to eat more than I do right now, and stuff I am not used to. This isn't atkins, but they do ask that you increase protein intake. Some carbs are ok, as well as a couple servings of fruit fats ect. Getting all these servings together might be the tough part. I am going to eaze into the nutrition part of the program. I don't want to increase my food intake alot until I am burning a fair amount first.
I do have my concerns. The books that I had to read were chock full of typos, which makes me wonder what kind of company I am dealing with that can't even proofread there stuff. I am also concerned that I will tap out from these workouts. I watched one, it does look like I will be crying after it. Thankfully I will be in the basement and nobody will hear me ;) I also hope I can stick with it. I am a quitter, and I may find it to hard to continue.
Tomorrow will really suck because I will have to take the "before" pictures of myself. Due to the fact that I will take them myself, and that I am not hiding the fact that I am doing this, I will probably post them here. So sorry in advance for the pictures of the fat hairy half naked pictures. That is if I don't keep them private :p.
This change isn't necessarily about loosing weight. I have been in a bad place mentally for a while and need to change for that. I need to feel better about myself, I need to feel more fit, I need to feel less like shit and more alive. I am hoping this change starts to change all that as well as my attitude. I don't often hope, hope can be a dangerous thing, but this time I will.
The Yearbook of Type presents an independent selection of new digital typefaces created all over the world—from larger publishers to smaller, independent typographers and foundries.
The comprehensive compendium presents a well curated overview that gives an impression of the typeface and its appearance on paper. The emotional and well constructed informative presentation of the typefaces serves designers and agencies as a source of inspiration and help select the right typeface. As a catalog and reference work it is also of interest to all those who are interested in the contemporary world of typesetting and the latest in typeface design.
A small online microsite (www.yearbookoftype.com) leads to the type’s or foundry’s website, to simplify the connection between print and web and to help the user to select or try a typeface.
– New edition with all recent typefaces
– Detailed presentation of all selected fonts
– Ample background information
– Index with classification
– Index of all designers and type foundries
– Explanation of all OpenType features
– Essays and articles by Boris Kochan, Ferdinand P. Ulrich, Viktor Nübel, Laurence Penney, David Jonathan Ross, Rainer Erich Scheichelbauer, Stefan Hattenbach
Yearbook of Type III
Publisher: Slanted Publishers, www.slanted.de
Creative Direction: Lars Harmsen
Art Direction: Julia Kahl
Graphic Design and Managing Editor: Clara Weinreich
Graphic Design Assistant: Nicole Lichtner
Proofreading and Translation: Isabella Krüger, Lies Wolf
Volume: 440 pages
Format: 16.8 × 24 cm
Language: English
Specials: Hardcover, Half linen bound, hot foil stamping, spot colors
Printing: Stober GmbH, www.stober.de
Book Binding: Josef Spinner Großbuchbinderei, www.josef-spinner.de
Cover Linen: Assuan 5008 rosa, Bechem, www.bechemgroup.de
Cover Cardboard: Bowston Black laminate, 4 mm, James Cropper, www.jamescropper.com
Paper Inside: FLY weiß 05, 115 gsm, Papier Union, www.papierunion.de
Endpaper: Primatcolor creme, 120 gsm, Papier Union, www.papierunion.de
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The Yearbook of Type presents an independent selection of new digital typefaces created all over the world—from larger publishers to smaller, independent typographers and foundries.
The comprehensive compendium presents a well curated overview that gives an impression of the typeface and its appearance on paper. The emotional and well constructed informative presentation of the typefaces serves designers and agencies as a source of inspiration and help select the right typeface. As a catalog and reference work it is also of interest to all those who are interested in the contemporary world of typesetting and the latest in typeface design.
A small online microsite (www.yearbookoftype.com) leads to the type’s or foundry’s website, to simplify the connection between print and web and to help the user to select or try a typeface.
– New edition with all recent typefaces
– Detailed presentation of all selected fonts
– Ample background information
– Index with classification
– Index of all designers and type foundries
– Explanation of all OpenType features
– Essays and articles by Boris Kochan, Ferdinand P. Ulrich, Viktor Nübel, Laurence Penney, David Jonathan Ross, Rainer Erich Scheichelbauer, Stefan Hattenbach
Yearbook of Type III
Publisher: Slanted Publishers, www.slanted.de
Creative Direction: Lars Harmsen
Art Direction: Julia Kahl
Graphic Design and Managing Editor: Clara Weinreich
Graphic Design Assistant: Nicole Lichtner
Proofreading and Translation: Isabella Krüger, Lies Wolf
Volume: 440 pages
Format: 16.8 × 24 cm
Language: English
Specials: Hardcover, Half linen bound, hot foil stamping, spot colors
Printing: Stober GmbH, www.stober.de
Book Binding: Josef Spinner Großbuchbinderei, www.josef-spinner.de
Cover Linen: Assuan 5008 rosa, Bechem, www.bechemgroup.de
Cover Cardboard: Bowston Black laminate, 4 mm, James Cropper, www.jamescropper.com
Paper Inside: FLY weiß 05, 115 gsm, Papier Union, www.papierunion.de
Endpaper: Primatcolor creme, 120 gsm, Papier Union, www.papierunion.de
On Wednesdays, Susan finishes writing her stories and editing whatever copy that is still left to be edited before the paper is designed and then proofread numerous times before going to press. Contributing Editor Taylor Sisk is integral throughout the process and writes from time to time. “He tends to write longer pieces,” Susan said.
Mezuzot
Superior mezuzahs, or plain kosher in every style and quantity. Sephardic and Ashkenazi mezuzahs. Large assortment of mezuzah cases. All mezuzahs are meticulously proofread.
After gargantuan effort I’ve proofread three-quarters of last year’s PAD in the last week. Bourne out of necessity to get it printed by the end of January, after which Blurb’s support for BookSmart ceases.
I’m exhausted and heading to bed for a few hours to indulge in the philosophy of Wintering: In January we rest. This month isn’t a new year, it’s the deep middle of Winter. There’s very little light, very little warmth and not a lot of spare energy going around.
Yet in this month we’re sold fresh starts, big plans and ‘new year, new me’ energy. Wintering is the inward season, when life slows, energy gathers and nothing is meant to be rushed. For most of us Christmas wasn’t restful, it was effort, planning and making it magical. By midlife the body knows rest isn’t something to apologise for.
So, when January arrives and motivation is low, that’s Wintering doing its work. This month is for going inward, hot tea, early nights and letting Winter be Winter.
Name of Monument:
Parish Church of St. James
Also known as:
Župna crkva sv. Jakova
Location:
Prelog, North-West Croatia, Croatia
Contact Details
Parish Church of St. James
T : +385 40 645 106
Parish Office, Glavna 34, 40323 Prelog (Responsible Institution)
Date:
1758 (church); 1765–1767 (high altar)
Artists:
Sculptor: Veit Königer (1729–1792); cabinetmaker: Josip Herman (active c. 1750)
Denomination / Type of monument:
Religious, parish church, interior furnishing
Patron(s):
The church: the citizens of Prelog and the parish priest, Ivan Mihovil Smrekar; the high altar: Abbot Josip Gradičaj
History:
The parish priest, Ivan Mihovil Smrekar who was educated in Graz and in Vienna, commissioned the church in 1758. The citizens of Prelog paid for it with alms. In little over a decade (1765–1767) a monumental three-part high altar – a documented work of the sculptor, Veit Königer, and cabinetmaker, Josip Herman of Graz – furnished the altar financed by Abbot Josip Gradičaj. It is likely that the community were able to engage the outstandingly important sculptor, Königer, because of family connections in Croatia – his sister was married to the Varaždin sculptor, Josip (Josephus) Schranz – after whose death she married the sculptor Leopold Mayrhofer (active c. 1771).
Description:
The high altar, a monumental and typologically rare composition consisting of three altars architecturally connected, is a documented work by Styria's most important sculptor of the time, Veit Königer. His work betrays a clear and persistent element of Classicism, linked to his artistic training at the Vienna Academy, along with Rococo elements. The central altar is dedicated to the titular saint of the church, St. James, while the side altars are dedicated to St. Joseph and St. John Nepomuk. The central part of the Altar of St. James is accentuated by a pair of columns the width of which, on the mensa, a monumental tabernacle is placed adorned with a row of angels. Alongside the columns are imposing figures of the apostles St. Peter and St. Paul, the handling of which draws closely on the sculptures of the same saints on the Altar of St. Ignatius in Graz Cathedral. An imposing Holy Trinity in a sunburst halo crowns the altar. On the side altars, the placing of the ornamentation is more marked, aspiring to the picturesque. This outstanding sculptural achievement was an important stimulus for the leading Maribor sculptor, Joseph (Jožef) Holzinger (1735–1797), an inspiration seen in the disposition of his sculptures on the side altars of the church in Polenšak (Slovenia). A pulpit was installed in the church in Prelog before the altar (1760 is mentioned). According to stylistic analysis, the pulpit reliefs are likely to have been by Königer.
View Short Description
How Monument was dated:
Archival sources.
Special features
St. Peter
High Altar
1765–1767
Attributed to Veit Königer (1729–1792)
An elongated and elegant saintly figure with his head thrown back, it is a characteristic example of Königer’s sculptural idiom with its typical lyricism, suffusing the usually more robust figures of the two leading apostles with a pronounced spirituality.
Apotheosis of St. John of Nepomuk
Right altar
1765–1767
Attributed to Veit Königer (1729–1792)
Apotheosis of St. Joseph
Left altar
1765–1767
Attributed to Veit Königer (1729–1792)
Selected bibliography:
Horvat, A., (ed) “Barok u kontinentalnoj Hrvatskoj” in Barok u Hrvatskoj, Zagreb, 1982.
Vrišer, S., Jožef Holzinger, Maribor, 1997.
Baričević, D., Barokno kiparstvo sjeverne Hrvatske, Zagreb, 2008.
Citation of this web page:
Vlasta Zajec "Parish Church of St. James" in "Discover Baroque Art", Museum With No Frontiers, 2024. baroqueart.museumwnf.org/database_item.php?id=monument;BA...
Prepared by: Vlasta Zajec
Vlasta Zajec
SURNAME: Zajec
NAME: Vlasta
AFFILIATION: Institute of Art History, Zagreb
TITLE: PhD, Scientific Consultant
CV:
Vlasta Zajec was awarded her BA in Art History and Comparative Literature from Zagreb University (Faculty of Philosophy) in 1989. In the same year she began work at the Institute of Art History. She was awarded her MA in 1995 (17th-Century Wooden Altars in Istria), and her PhD in 2001 (17th Century Wooden Sculpture in Istria). She has spent brief periods of study in Italy (Udine, Venice and Trieste) and Germany (Munich). Her areas of research are wooden and marble altars and 17th- and 18th-century sculpture in Istria and North Croatia.
Translation by: Graham McMaster
Translation copyedited by: Mandi Gomez
Mandi Gomez
Amanda Gomez is a freelance copy-editor and proofreader working in London. She studied Art History and Literature at Essex University (1986–89) and received her MA (Area Studies Africa: Art, Literature, African Thought) from SOAS in 1990. She worked as an editorial assistant for the independent publisher Bellew Publishing (1991–94) and studied at Bookhouse and the London College of Printing on day release. She was publications officer at the Museum of London until 2000 and then took a role at Art Books International, where she worked on projects for independent publishers and arts institutions that included MWNF’s English-language editions of the books series Islamic Art in the Mediterranean. She was part of the editorial team for further MWNF iterations: Discover Islamic Art in the Mediterranean Virtual Museum and the illustrated volume Discover Islamic Art in the Mediterranean.
True to its ethos of connecting people through the arts, MWNF has provided Amanda with valuable opportunities for discovery and learning, increased her editorial experience, and connected her with publishers and institutions all over the world. More recently, the projects she has worked on include MWNF’s Sharing History Virtual Museum and Exhibition series, Vitra Design Museum’s Victor Papanek and Objects of Desire, and Haus der Kulturen der Welt’s online publication 2 or 3 Tigers and its volume Race, Nation, Class.
MWNF Working Number: HR 46
Source: [baroqueart.museumwnf.org/database_item.php?id=monument;BA...]
20080614 S 1330 VarPrelo Prelog 9514 PhotosCROPrelog_01 Crkva sv. Jakoba
Get editing and proofreading services by professional editors at 5 Star Translation. We provide high quality services at cost-efficient prices. Our goal is to offer the best services for customers truly satisfaction. www.5startranslation.ca
Knowing well that there are different rules governing research work in the various countries all over the world, the facility of Dissertation Help Singapore has been launched specifically for the students of the this country. They can interact directly with the service providers based locally and ask all queries regarding research documents, and get them solved.
The Yearbook of Type presents an independent selection of new digital typefaces created all over the world—from larger publishers to smaller, independent typographers and foundries.
The comprehensive compendium presents a well curated overview that gives an impression of the typeface and its appearance on paper. The emotional and well constructed informative presentation of the typefaces serves designers and agencies as a source of inspiration and help select the right typeface. As a catalog and reference work it is also of interest to all those who are interested in the contemporary world of typesetting and the latest in typeface design.
A small online microsite (www.yearbookoftype.com) leads to the type’s or foundry’s website, to simplify the connection between print and web and to help the user to select or try a typeface.
– New edition with all recent typefaces
– Detailed presentation of all selected fonts
– Ample background information
– Index with classification
– Index of all designers and type foundries
– Explanation of all OpenType features
– Essays and articles by Boris Kochan, Ferdinand P. Ulrich, Viktor Nübel, Laurence Penney, David Jonathan Ross, Rainer Erich Scheichelbauer, Stefan Hattenbach
Yearbook of Type III
Publisher: Slanted Publishers, www.slanted.de
Creative Direction: Lars Harmsen
Art Direction: Julia Kahl
Graphic Design and Managing Editor: Clara Weinreich
Graphic Design Assistant: Nicole Lichtner
Proofreading and Translation: Isabella Krüger, Lies Wolf
Volume: 440 pages
Format: 16.8 × 24 cm
Language: English
Specials: Hardcover, Half linen bound, hot foil stamping, spot colors
Printing: Stober GmbH, www.stober.de
Book Binding: Josef Spinner Großbuchbinderei, www.josef-spinner.de
Cover Linen: Assuan 5008 rosa, Bechem, www.bechemgroup.de
Cover Cardboard: Bowston Black laminate, 4 mm, James Cropper, www.jamescropper.com
Paper Inside: FLY weiß 05, 115 gsm, Papier Union, www.papierunion.de
Endpaper: Primatcolor creme, 120 gsm, Papier Union, www.papierunion.de
What I propose today - it's fast food from painting. By all subcultures fast food (including metaphysical) - my works is pure semi-finished goods, the materials are all that may come to office space inside the pens, used alone and not once paper, scanner HP, text markers, markers, pencils , glue, proofreaders, colored stickers.scription
Washington Metro, Rosslyn Station. How could this happen?? At least 20 people must have looked at it during manufacture. And this backlit subway sign must have cost hundreds, if not thousands of dollars. I wonder if they got a discount!
Instructions on proofing by Julie Seltzer.
--
The Torah written by Scribe Julie Seltzer is complete! Now begins the process of proofreading every page to make sure the words are accurate, and the letters are correctly formed.
Typing Copy Paste Data Entry Spell Check Web Research Microsoft Excel Data Collection PDF to Word Excel Data Entry Proofreading Grammar
Had so much work today, was having trouble concentrating. Proofreading economics for hours and hours is no fun when you can't concentrate.
Below: a bad weekend to be a fox (up to 100 killed in innovative ways, including Golden Eagle, as hunting season opens post foxhunting ban) and racehorses (racing legend Best Mate collapses at Exeter race course). Above: Pirates, the graphic designer's friend.
What I propose today - it's fast food from painting. By all subcultures fast food (including metaphysical) - my works is pure semi-finished goods, the materials are all that may come to office space inside the pens, used alone and not once paper, scanner HP, text markers, markers, pencils , glue, proofreaders, colored stickers.
They really need to hire a proofreader.
The French translation of "If you have any questions, contact the operator" omits the first clause. I wonder if they have a lot of French visitors calling the operator because the sign said so. It reminds me of the English translation of the manual for our crepe pan that says to oil the pan with half of an apple (instead of a potato).
Sofer STAM scribes and certified proofreaders write, inspect and provide Torah scrolls, tefillin, mezuzot , megilot Esther scrolls, haftorah books throughout Israel and abroad for over 10 years. www.soferstam.co.il/
The Yearbook of Type presents an independent selection of new digital typefaces created all over the world—from larger publishers to smaller, independent typographers and foundries.
The comprehensive compendium presents a well curated overview that gives an impression of the typeface and its appearance on paper. The emotional and well constructed informative presentation of the typefaces serves designers and agencies as a source of inspiration and help select the right typeface. As a catalog and reference work it is also of interest to all those who are interested in the contemporary world of typesetting and the latest in typeface design.
A small online microsite (www.yearbookoftype.com) leads to the type’s or foundry’s website, to simplify the connection between print and web and to help the user to select or try a typeface.
– New edition with all recent typefaces
– Detailed presentation of all selected fonts
– Ample background information
– Index with classification
– Index of all designers and type foundries
– Explanation of all OpenType features
– Essays and articles by Boris Kochan, Ferdinand P. Ulrich, Viktor Nübel, Laurence Penney, David Jonathan Ross, Rainer Erich Scheichelbauer, Stefan Hattenbach
Yearbook of Type III
Publisher: Slanted Publishers, www.slanted.de
Creative Direction: Lars Harmsen
Art Direction: Julia Kahl
Graphic Design and Managing Editor: Clara Weinreich
Graphic Design Assistant: Nicole Lichtner
Proofreading and Translation: Isabella Krüger, Lies Wolf
Volume: 440 pages
Format: 16.8 × 24 cm
Language: English
Specials: Hardcover, Half linen bound, hot foil stamping, spot colors
Printing: Stober GmbH, www.stober.de
Book Binding: Josef Spinner Großbuchbinderei, www.josef-spinner.de
Cover Linen: Assuan 5008 rosa, Bechem, www.bechemgroup.de
Cover Cardboard: Bowston Black laminate, 4 mm, James Cropper, www.jamescropper.com
Paper Inside: FLY weiß 05, 115 gsm, Papier Union, www.papierunion.de
Endpaper: Primatcolor creme, 120 gsm, Papier Union, www.papierunion.de
I'd like see a modest level of proofreading in all signs. Here, they need a comma after "To request a shuttle," and neither shuttle nor Station nor Mgr should be capitalized. I would eliminate the second "a" and spell out manager, so the sign says
To request a
shuttle, see station
manager or call
202-962-1825
And why is the 4th line yellow?
Archives-Navy Memorial-Penn Quarter Metro station, Washington, DC.
See shot from March 2007: Man Waiting.
The scope of PhD Thesis Editingis wide enough to include an overview of the statistical methods, topic of thesis, and the references included in the literature review. The editors are supposed to suggest a better title that expresses the motive of the study, and search for recent references, if they find the ones used to be outdated.