View allAll Photos Tagged proofreading
Live your drearm, man. Live your... uh... drearm.
Dammit
[River Walk, in the cave 'museum'; downtown Richmond, VA]
…
All content of this and other eric Hews flickr sets, both visual and verbal content, are Copyright © 2008 eric Hews.
Thanks for contacting me about the usage of my stuff.
This photograph was taken from a place where I often find myself: the stairs leading up to the library. Since my freshman year, these stairs have been a place where I avoided work, worried about grades, laughed with friends, proofread a paper, and so much more. I have contemplated my future, relationships, goals, and dreams on those stairs and will likely do so until I leave Clemson. To me, these stairs represent my academic experiences as a Clemson student.
Our dazzling style proofreader adores the city life as we as a whole know. Be that as it may, she likewise adores the homestead life and she chose to spend this month in the ranch place of a dear companion of hers! It will be awesome! Be that as it may, you know, our editorial manager won't spruce up like a typical rancher. She will be the most popular agriculturist ever! Kids Rhymes, Kids Songs, Kids Learning, Kids On line Videos, Nursery Rhymes, Kids TV abc, Kids play ABC For More Videos: goo.gl/hSK9mK Click Here to Subscribe: goo.gl/txdK8H
Yet another instance of me driving down the road, seeing this lovely example of why people should ALWAYS proofread, and having to turn hastily around to take the picture.
"Blue Cloud Scratch (21 July 2017) is an exciting new dance scratch night, showcasing works in progress from a diverse range of choreographers, and is curated by Blue Elephant Theatre and Cloud Dance Festival. Blue Cloud Scratch aims to encourage and provide emerging dance artists with opportunities to present their works in progress and receive feedback from audiences and peers".
-------------------------------------------------------------
“Kane John Mills - Remnants (a Triple Bill)
Choreography/ Performance: Kane John Mills
The individual works’ titles are The Mask You Wear, It keeps me up at night. & Divulge.
The Mask You Wear is heavily influenced by Kane’s long-term health conditions, delving into the façade that people create in order to maintain a false but more idealistic perception of themselves. What happens once you no longer have it in you to sustain this front?
It keeps me up at night. examines an imagined thought process that could occur if someone you knew went missing.
Divulge shares honest & dishonest things that no longer have to stay unsaid.
Recent NSCD graduate Kane John Mills is a Plymouth-born emerging choreographer and dance, theatre and installation artist. He has twice been the recipient of PDSW’s Young Choreographer’s Award, enabling him to create two works with mentorship and funding. He is also passionate about psychology, writing and proofreading/editing and aims to have his own inclusive company in the future.”
Copyright of all above descriptions is reserved to Blue Elephant Theatre 2017
I ordered my beautiful business cards from MOO - mini cards with handpicked designs for the back (I sat for hours and chose all my favourite ones!) and a custom logo for the front.
They're enormously popular... people like to sort through the designs to make sure that they got the 'very best' one so they can show off to all their friends. Business Card Win!
Cards are for www.bakercourt.co.uk, and my personal portfolio as a freelance writer at www.staceychamberlain.co.uk.
Oh Jesus. I have so many issues with this sign, painted on the side of the Neath Hotel. It's a lovely piece of signwriting. I'll go back there one day with a piece of chalk and make my proofreading marks on the brickwork. Argh!
I'm going on a cruise in a few days and wanted to see what the kids do on the ship. I don't know who proofreads these activity sheets for the kids on Carnival Cruises.
I also saw:
"Meat" the start of tonight's show
Nacho's
Potato's
8:00am "Quite" Time
But I can't fit them all in one picture. Hurts my eyes!
The Yearbook of Type presents an independent selection of new digital typefaces created all over the world—from larger publishers to smaller, independent typographers and foundries.
The comprehensive compendium presents a well curated overview that gives an impression of the typeface and its appearance on paper. The emotional and well constructed informative presentation of the typefaces serves designers and agencies as a source of inspiration and help select the right typeface. As a catalog and reference work it is also of interest to all those who are interested in the contemporary world of typesetting and the latest in typeface design.
A small online microsite (www.yearbookoftype.com) leads to the type’s or foundry’s website, to simplify the connection between print and web and to help the user to select or try a typeface.
– New edition with all recent typefaces
– Detailed presentation of all selected fonts
– Ample background information
– Index with classification
– Index of all designers and type foundries
– Explanation of all OpenType features
– Essays and articles by Boris Kochan, Ferdinand P. Ulrich, Viktor Nübel, Laurence Penney, David Jonathan Ross, Rainer Erich Scheichelbauer, Stefan Hattenbach
Yearbook of Type III
Publisher: Slanted Publishers, www.slanted.de
Creative Direction: Lars Harmsen
Art Direction: Julia Kahl
Graphic Design and Managing Editor: Clara Weinreich
Graphic Design Assistant: Nicole Lichtner
Proofreading and Translation: Isabella Krüger, Lies Wolf
Volume: 440 pages
Format: 16.8 × 24 cm
Language: English
Specials: Hardcover, Half linen bound, hot foil stamping, spot colors
Printing: Stober GmbH, www.stober.de
Book Binding: Josef Spinner Großbuchbinderei, www.josef-spinner.de
Cover Linen: Assuan 5008 rosa, Bechem, www.bechemgroup.de
Cover Cardboard: Bowston Black laminate, 4 mm, James Cropper, www.jamescropper.com
Paper Inside: FLY weiß 05, 115 gsm, Papier Union, www.papierunion.de
Endpaper: Primatcolor creme, 120 gsm, Papier Union, www.papierunion.de
Wherever there is spelling injustice and grammatical atrocity, I'll be there, because I am...THE PHANTOM PROOFREADER!!!
Tefillin
Superior Tefillin, kosher, on several levels, according to ethnic preference, ready made Tefillin or made to order. Superior Basic Tefillin
Tefillin boxes (housing) of thin leather with reinforced partitions and sides on the "head" tefillin, long lasting, with a superior finish and color on all sides and at the base.
Leather straps of quality top leather- 14 cm. (5- 1/ 2 inch) width.
Kosher parchments. Computer printout of the portions. Manual proofreading. www.soferstam.co.il/product.aspx?prodid=53&lang=en
In general, it's always a good idea to check for spelling and grammar before you print your advertisement on a ten foot high poster in the centre of Glasgow…
(It's too faint to see here, but someone had crossed out "your" and written in the correct "you're" with a marker pen, which actually made it funnier)
Uploaded with Darkslide.
The Yearbook of Type presents an independent selection of new digital typefaces created all over the world—from larger publishers to smaller, independent typographers and foundries.
The comprehensive compendium presents a well curated overview that gives an impression of the typeface and its appearance on paper. The emotional and well constructed informative presentation of the typefaces serves designers and agencies as a source of inspiration and help select the right typeface. As a catalog and reference work it is also of interest to all those who are interested in the contemporary world of typesetting and the latest in typeface design.
A small online microsite (www.yearbookoftype.com) leads to the type’s or foundry’s website, to simplify the connection between print and web and to help the user to select or try a typeface.
– New edition with all recent typefaces
– Detailed presentation of all selected fonts
– Ample background information
– Index with classification
– Index of all designers and type foundries
– Explanation of all OpenType features
– Essays and articles by Boris Kochan, Ferdinand P. Ulrich, Viktor Nübel, Laurence Penney, David Jonathan Ross, Rainer Erich Scheichelbauer, Stefan Hattenbach
Yearbook of Type III
Publisher: Slanted Publishers, www.slanted.de
Creative Direction: Lars Harmsen
Art Direction: Julia Kahl
Graphic Design and Managing Editor: Clara Weinreich
Graphic Design Assistant: Nicole Lichtner
Proofreading and Translation: Isabella Krüger, Lies Wolf
Volume: 440 pages
Format: 16.8 × 24 cm
Language: English
Specials: Hardcover, Half linen bound, hot foil stamping, spot colors
Printing: Stober GmbH, www.stober.de
Book Binding: Josef Spinner Großbuchbinderei, www.josef-spinner.de
Cover Linen: Assuan 5008 rosa, Bechem, www.bechemgroup.de
Cover Cardboard: Bowston Black laminate, 4 mm, James Cropper, www.jamescropper.com
Paper Inside: FLY weiß 05, 115 gsm, Papier Union, www.papierunion.de
Endpaper: Primatcolor creme, 120 gsm, Papier Union, www.papierunion.de
An image from the Faculty of Social Sciences and Humanities News stories Flickr Pool*[image: Inline image 1]* Work Areas: mission and purpose *The idea behind Mediabank is to create a positive and engaged atmosphere around the work and life of the School of Media, Culture and Communications, Faculty of Social Sciences and Humanities at London Met, and share that with the outside world. By sharing what we do, we can show others what our life is like, and encourage them to become involved, either as students, or staff, or business and research partners.* *Students will do this work, led by Pen Lister and Chris Lane. Students will get full input into the work, and be consulted as team members on all projects. We want to share authentic content, real people and real stories.* Media people - Producing video vox pop of students and staff - Producing video of school and faculty areas inc cafes, common rooms, big lectures, small tutorials, workshops, open day 'experiences' . - Producing video blog of (own) student life - Image or video production and editing to spec - Producing image resources for use by staff and students in the faculty for publishing online in connection with student work or faculty profile activity - Producing image records of (own) student life - Publishing media content to the Mediabank Tumblr ( themediabank.tumblr.com) Writing people - Writing and reporting stories for all of above - Searching out new stories from staff and students - Editing stories or writing stories from scratch - Commissioning images or image editing for stories - Commissioning video for stories - Proofreading submitted articles - Adding appropriate links (internal and external) to stories - Publishing stories to the Mediabank Tumblr ( themediabank.tumblr.com) Social/communication people - Sharing stories into appropriate social channels - If necessary short forming longer stories - Scheduling social posting - Facilitating and monitoring conversations in social channels - Publishing media content and stories to the Mediabank Tumblr ( themediabank.tumblr.com) - Publishing content to social repositories (Flickr, Google Picasa etc) Production values 1. *Believing in the highest quality achievable for the most effective turn around time * 2. *Capturing us as a movie * 3. *Making the watcher envious of our community * 4. *Macism, macification * 5. *Vimeo HD * 6. *Big faces, clear voices * 7. *Individualism, personal value*
This channel frustrates the heck out of me!
They obviously don't have proofreaders.
After a string of messed up sporting results on the printed crawl last season, here they go again!
For those not in the know of the National Rugby League in Australia, Canberra ARE the Raiders!
Last year, a number of times they would have a headline stating that team "A" def team "B", then when you went into the detail, it stated the opposite!
Another soccer result indicated a 1-0 draw?!!
Fair dinkum, sport in Australia is sacred- GET IT RIGHT! :)))
The hours lost to proofreading recently have paid off today, when Blurb's '50% off plus free shipping' code landed ... valid for only two days! This evening will be given over to last minute checks, uploading and ordering. The books are worth the effort and are testimony to my journey.
A filler shot of Kew's Material World; a festival of art, fashion and horticulture inside the stunning Temperate House.
This thought-provoking exhibition dives into the fascinating connections between textiles, plants and sustainability, exploring the hidden stories behind everyday materials.
Drawing from Kew's renowned scientific collections, Material World explores the intertwined threads of nature, culture and creativity and allows us to discover how we can all wear a more sustainable future.
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The Yearbook of Type presents an independent selection of new digital typefaces created all over the world—from larger publishers to smaller, independent typographers and foundries.
The comprehensive compendium presents a well curated overview that gives an impression of the typeface and its appearance on paper. The emotional and well constructed informative presentation of the typefaces serves designers and agencies as a source of inspiration and help select the right typeface. As a catalog and reference work it is also of interest to all those who are interested in the contemporary world of typesetting and the latest in typeface design.
A small online microsite (www.yearbookoftype.com) leads to the type’s or foundry’s website, to simplify the connection between print and web and to help the user to select or try a typeface.
– New edition with all recent typefaces
– Detailed presentation of all selected fonts
– Ample background information
– Index with classification
– Index of all designers and type foundries
– Explanation of all OpenType features
– Essays and articles by Boris Kochan, Ferdinand P. Ulrich, Viktor Nübel, Laurence Penney, David Jonathan Ross, Rainer Erich Scheichelbauer, Stefan Hattenbach
Yearbook of Type III
Publisher: Slanted Publishers, www.slanted.de
Creative Direction: Lars Harmsen
Art Direction: Julia Kahl
Graphic Design and Managing Editor: Clara Weinreich
Graphic Design Assistant: Nicole Lichtner
Proofreading and Translation: Isabella Krüger, Lies Wolf
Volume: 440 pages
Format: 16.8 × 24 cm
Language: English
Specials: Hardcover, Half linen bound, hot foil stamping, spot colors
Printing: Stober GmbH, www.stober.de
Book Binding: Josef Spinner Großbuchbinderei, www.josef-spinner.de
Cover Linen: Assuan 5008 rosa, Bechem, www.bechemgroup.de
Cover Cardboard: Bowston Black laminate, 4 mm, James Cropper, www.jamescropper.com
Paper Inside: FLY weiß 05, 115 gsm, Papier Union, www.papierunion.de
Endpaper: Primatcolor creme, 120 gsm, Papier Union, www.papierunion.de
I have alluded to this a number of times here and on my facebook page. Tomarrow I plan on starting a new workout "fad". I find it hard to believe a lot of things these days, they they are not scams, that they will work or whatever. As a third shifter I am subjected to numerous infomercials and usually I will disregard them. Over an over I found myself watching the P90X commercial. I am not sure why. I still am not sure if I can do it, or if I believe its claims but after the whole trainer deboggle I had about a month ago I decided to try it. It cost a pretty penny but less than a trainer. Today I ran around trying to gather things I would need. Most of this stuff I already had, but I needed to get the resistance bands, and stuff for my "new" diet. The diet portion will be tough. the scary thought is that I will have to eat more than I do right now, and stuff I am not used to. This isn't atkins, but they do ask that you increase protein intake. Some carbs are ok, as well as a couple servings of fruit fats ect. Getting all these servings together might be the tough part. I am going to eaze into the nutrition part of the program. I don't want to increase my food intake alot until I am burning a fair amount first.
I do have my concerns. The books that I had to read were chock full of typos, which makes me wonder what kind of company I am dealing with that can't even proofread there stuff. I am also concerned that I will tap out from these workouts. I watched one, it does look like I will be crying after it. Thankfully I will be in the basement and nobody will hear me ;) I also hope I can stick with it. I am a quitter, and I may find it to hard to continue.
Tomorrow will really suck because I will have to take the "before" pictures of myself. Due to the fact that I will take them myself, and that I am not hiding the fact that I am doing this, I will probably post them here. So sorry in advance for the pictures of the fat hairy half naked pictures. That is if I don't keep them private :p.
This change isn't necessarily about loosing weight. I have been in a bad place mentally for a while and need to change for that. I need to feel better about myself, I need to feel more fit, I need to feel less like shit and more alive. I am hoping this change starts to change all that as well as my attitude. I don't often hope, hope can be a dangerous thing, but this time I will.
The Yearbook of Type presents an independent selection of new digital typefaces created all over the world—from larger publishers to smaller, independent typographers and foundries.
The comprehensive compendium presents a well curated overview that gives an impression of the typeface and its appearance on paper. The emotional and well constructed informative presentation of the typefaces serves designers and agencies as a source of inspiration and help select the right typeface. As a catalog and reference work it is also of interest to all those who are interested in the contemporary world of typesetting and the latest in typeface design.
A small online microsite (www.yearbookoftype.com) leads to the type’s or foundry’s website, to simplify the connection between print and web and to help the user to select or try a typeface.
– New edition with all recent typefaces
– Detailed presentation of all selected fonts
– Ample background information
– Index with classification
– Index of all designers and type foundries
– Explanation of all OpenType features
– Essays and articles by Boris Kochan, Ferdinand P. Ulrich, Viktor Nübel, Laurence Penney, David Jonathan Ross, Rainer Erich Scheichelbauer, Stefan Hattenbach
Yearbook of Type III
Publisher: Slanted Publishers, www.slanted.de
Creative Direction: Lars Harmsen
Art Direction: Julia Kahl
Graphic Design and Managing Editor: Clara Weinreich
Graphic Design Assistant: Nicole Lichtner
Proofreading and Translation: Isabella Krüger, Lies Wolf
Volume: 440 pages
Format: 16.8 × 24 cm
Language: English
Specials: Hardcover, Half linen bound, hot foil stamping, spot colors
Printing: Stober GmbH, www.stober.de
Book Binding: Josef Spinner Großbuchbinderei, www.josef-spinner.de
Cover Linen: Assuan 5008 rosa, Bechem, www.bechemgroup.de
Cover Cardboard: Bowston Black laminate, 4 mm, James Cropper, www.jamescropper.com
Paper Inside: FLY weiß 05, 115 gsm, Papier Union, www.papierunion.de
Endpaper: Primatcolor creme, 120 gsm, Papier Union, www.papierunion.de
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The Yearbook of Type presents an independent selection of new digital typefaces created all over the world—from larger publishers to smaller, independent typographers and foundries.
The comprehensive compendium presents a well curated overview that gives an impression of the typeface and its appearance on paper. The emotional and well constructed informative presentation of the typefaces serves designers and agencies as a source of inspiration and help select the right typeface. As a catalog and reference work it is also of interest to all those who are interested in the contemporary world of typesetting and the latest in typeface design.
A small online microsite (www.yearbookoftype.com) leads to the type’s or foundry’s website, to simplify the connection between print and web and to help the user to select or try a typeface.
– New edition with all recent typefaces
– Detailed presentation of all selected fonts
– Ample background information
– Index with classification
– Index of all designers and type foundries
– Explanation of all OpenType features
– Essays and articles by Boris Kochan, Ferdinand P. Ulrich, Viktor Nübel, Laurence Penney, David Jonathan Ross, Rainer Erich Scheichelbauer, Stefan Hattenbach
Yearbook of Type III
Publisher: Slanted Publishers, www.slanted.de
Creative Direction: Lars Harmsen
Art Direction: Julia Kahl
Graphic Design and Managing Editor: Clara Weinreich
Graphic Design Assistant: Nicole Lichtner
Proofreading and Translation: Isabella Krüger, Lies Wolf
Volume: 440 pages
Format: 16.8 × 24 cm
Language: English
Specials: Hardcover, Half linen bound, hot foil stamping, spot colors
Printing: Stober GmbH, www.stober.de
Book Binding: Josef Spinner Großbuchbinderei, www.josef-spinner.de
Cover Linen: Assuan 5008 rosa, Bechem, www.bechemgroup.de
Cover Cardboard: Bowston Black laminate, 4 mm, James Cropper, www.jamescropper.com
Paper Inside: FLY weiß 05, 115 gsm, Papier Union, www.papierunion.de
Endpaper: Primatcolor creme, 120 gsm, Papier Union, www.papierunion.de
On Wednesdays, Susan finishes writing her stories and editing whatever copy that is still left to be edited before the paper is designed and then proofread numerous times before going to press. Contributing Editor Taylor Sisk is integral throughout the process and writes from time to time. “He tends to write longer pieces,” Susan said.